Scared Of The Unknown Quotes

I think in the end, you would have stayed with me, out of obligation...or maybe comfort. Maybe I was safe to you, and you needed to feel that. I know how scared you get of the unknown. To you...I must be kind of a security blanket. Do you see now, how that doesn't work for me? I don't want to be there, simply because the idea of me being gone is too...scary. I want to be someone's everything. I want fire and passion, and love that's returned, equally. I want to be someone's heart... Even if it means breaking my own.

Don’t let the best parts of life pass you by because you’re too scared of the unknown.

I suppose what scares me is giving in to the unknown.

Any living thing that is kept behind bars for long enough eventually becomes more scared of the unknown than its own captivity.

I think in the end, you would have stayed with me, out of obligation...or maybe comfort. Maybe I was safe to you, and you needed to feel that. I know how scared you get of the unknown. To you...I must be kind of a security blanket.

We're the unknown Americans, the ones no one even wants to know, because they've been told they're supposed to be scared of us and because maybe if they did take the time to get to know us, they might realize that we're not that bad, maybe even that we're a lot like them. And who would they hate then?

They just … don’t understand what you are. Or maybe they can’t fit you into their beliefs, and that scares them. The unknown makes us stupid sometimes.

It's a lot easier to understand things once you name them. It's the unknown that scares me most. - Zara

I don't mind not knowing. It doesn't scare me.

Seeing what scares you for what it is does not lessen the terror. It still has the power to break your heart, over and over again.

It never ceases to amaze me when God wants to take someone to the next level in their life and they let fear of the unknown rob them of tremendous blessings. I think there are two common problems with Christians- They are scared to death of being truly free and of God's overwhelming love.

Faith smothers your fear of the unknown. Faith allows you to take risks. Faith is the stuff of “leap and the net will appear.”     Faith is your best buddy when you’re scared shitless.

Never mistake the uncomfortable feeling of insecurity and the fear of the unknown with the Holy Ghost’s promptings. Sometimes those feelings are simply Satan keeping you stuck where you are because he knows you will have a half-life there. He knows that you will spend half of your life disconnected, discontented and convincing your mind of what its heart will never accept. He knows when you have settled, gave up and didn’t try. Inaction is his greatest weapon, while regret is his second.

If they have an issue with you, that’s on them. And it’s not even about you, personally. They just … don’t understand what you are. Or maybe they can’t fit you into their beliefs, and that scares them. The unknown makes us stupid sometimes.

I know how scared you get of the unknown. To you…I must be kind of a security blanket.

Humans are naturally scared and confused beings. They not only fear the unknown, as they live fearing themselves... ☥

Don't let the best parts of life pass you by because you are too scared of the unknown.

Loved. I hadn't even realized how desperetly I'd wanted love.How much we both needed to know that in a world of dark corners and sharp needles, there really is a place where kisses taste like apple pie and where stars spill like suger across the sky. A place where unknown roads no longer scare you because you have another hand to hold. A place where butterflies always flutter whenever you see each other, and a single touch tells you that you are not alone. A place where every kiss still feels like the first. In that place of us, Liv and Dean, love has its own poetry and language. Allure, quartrefoil, fleur-de-lis...Professor. Beauty.

I felt sad. I felt cold. I felt hurt. I felt forsaken and lonely. I felt doubtful and hesitant. I felt scared and deeply worried. I felt different, unknown, and unwelcome. I felt empty and woefully neglected. I felt weak and intimidated. I felt withdrawn and shy. I felt utterly hopeless. Then you held my hand, and I felt better.

life isn't worth living if you never put your heart on the line, if you don't try new things. Pain can be short-lived, 'could have beens' will live with you forever. Don't live your life in a bowl full of regrets, because you're scared of the unknown.

But one must remember that they were all men with systems. Freud, monumentally hipped on sex (for which he personally had little use) and almost ignorant of Nature: Adler, reducing almost everything to the will to power: and Jung, certainly the most humane and gentlest of them, and possibly the greatest, but nevertheless the descendant of parsons and professors, and himself a super-parson and a super-professor. all men of extraordinary character, and they devised systems that are forever stamped with that character.… Davey, did you ever think that these three men who were so splendid at understanding others had first to understand themselves? It was from their self-knowledge they spoke. They did not go trustingly to some doctor and follow his lead because they were too lazy or too scared to make the inward journey alone. They dared heroically. And it should never be forgotten that they made the inward journey while they were working like galley-slaves at their daily tasks, considering other people's troubles, raising families, living full lives. They were heroes, in a sense that no space-explorer can be a hero, because they went into the unknown absolutely alone. Was their heroism simply meant to raise a whole new crop of invalids? Why don't you go home and shoulder your yoke, and be a hero too?

There is a faculty in man that will acknowledge the unseen. He may scout and scare religion from him; but if he does, superstition perches near.

Nothing had happened, solely the established fact that we were friends, becoming better by the day. The only thing we'd ever be because we were both so terribly scared to do anything about it.

In all of our experiences together, there always was that moment that I could have turned back and I never ever did. Even if it scared me to the core, to the very soul and fiber of my being, I still went forward into the unknown. Some may call that brave. I don't think I'd call it that. Stubborn beyond repair seemed more fitting.

Where the slanting forest eaves, Shingled tight with greenest leaves, Sweep the scented meadow-sedge, Let us snoop along the edge; Let us pry in hidden nooks, Laden with our nature books, Scaring birds with happy cries, Chloroforming butterflies, Rooting up each woodland plant, Pinning beetle, fly, and ant, So we may identify What we've ruined, by-and-by.

Don’t let the best parts of life pass you by because you’re too scared of the unknown.” One last wink. “Be cautiously reckless.

When I was four I believed everything, accepted everything, and was scared of nothing. Now I was eight, and I believed in what I could see and was scared of anything I couldn't. Scared of things in the darkness, of things invisible to see.

A closet isn't scary in the daytime, Maeve. It holds clothes, not monsters. Whatever is scaring you, bring it into the light. Its strength will fade.

Whatever is scaring you, bring it into the light. It's strength will fade

The unknown scares man, but those who confront it, will cease to fear it" (Rodolfo Rios Medina)

You said that the ocean scared you because of all the immense unknown that existed within it. Now I know why you couldn’t be committed to me, because I was vast like an ocean with deep wisdom and strength. And I scared you.

Human beings fear what they don’t understand. The unknown scares us. When we meet people who look or act in unfamiliar or strange ways, our initial response is to keep them at arm’s length. At times we make ourselves feel superior, smarter or more competent by dehumanizing or degrading those who are different. The roots of so many of our species’s ugliest behaviors—racism, ageism, misogyny, anti-Semitism, to name just a few—are in this basic brain-mediated response to perceived threat. We tend to fear what we do not understand, and fear can so easily twist into hate or even violence because it can suppress the rational parts of our brain.

Our nervous system likes familiarity. It like sensuality much because it’s scared of the unknown.

Don’t let the best parts of life pass you by because you’re too scared of the unknown.... Be cautiously reckless.

I suppose what scares me is giving in to the unknown. I like to know where I’m going. That’s why I always make so many sketches—trying to control the outcome—no wonder nothing comes to life—because I’m not really responding to what’s going on in front of me. I need to open my eyes and look—and be aware of life as it is happening, and not simply how I want it to be.

Sometimes I think the greatest things God teaches us are only found when we realize that we were never in control in the first place. I think your need to control things is just your fear of the unknown. Don’t miss out on the blessings He has for you just because you’re scared.

I’m fucking stupid in love with you. I know you’re scared, but I’ll work with that, I’ll build everything around what you want. I want you to choose me. Choose us. Take a fucking chance on the unknown for once in your life and trust I'm there with you, that I will never hurt you in any way you expect from people and I'll always do my best for us. You are not alone. I’d never leave you alone. I'm fucking crazy in love with you, so fucking crazy it drives me mad wanting you to choose me back, I’d chase you to the goddamn end of the world, that’s how much I want you.

Circumstance. Coincidence. Chance. All these words to try to make us feel like we're in control of the unknown. In all honesty, that's what I am terrified of. Not knowing what I can't control.

It's with such profound happiness. Such a hallelujah. Hallelujah, I shout, hallelujah merging with the darkest human howl of the pain of separation but a shout of diabolic joy. Because no one can hold me back now. I can still reason - I studied mathematics, which is the madness of reason - but now I want the plasma - I want to eat straight from the placenta. I am a little scared: scared of surrendering completely because the next instant is unknown. The next instant, do I make it? or does it make itself? We make it together with our breath. And with the flair of the bullfighter in the ring.

We’re the unknown Americans, the ones no one even wants to know, because they’ve been told they’re supposed to be scared of us and because maybe if they did take the time to get to know us, they might realize that we’re not that bad, maybe even that we’re a lot like them. And who would they hate then?

Sometimes, just when we think we can see our lives on course and we can settle back and get comfortable, a new path opens. Some people just keep going, too scared to veer off the familiar path. But others, well, they step off into the unknown, and find that maybe that was where they were supposed to be all along.

What frightens you? What makes the hair on your arms rise, your palms sweat, the breath catch in your chest like a wild thing caged? Is it the dark? A fleeting memory of a bedtime story, ghosts and goblins and witches hiding in the shadows? Is it the way the wind picks up just before a storm, the hint of wet in the air that makes you want to scurry home to the safety of your fire? Or is it something deeper, something much more frightening, a monster deep inside that you've glimpsed only in pieces, the vast unknown of your own soul where secrets gather with a terrible power, the dark inside? If you will listen I will tell you a story-one whose ghost cannot be banished by the comfort of a roaring fire, I will tell you the story of how we found ourselves in a realm where dreams are formed, destiny is chosen, and magic is as real as your handprint in the snow. I will tell you how we unlocked the Pandora's box of ourselves, tasted freedom, stained our souls with blood and choice, and unleashed a horror on the world that destroyed its dearest Order. These pages are a confession of all that has led to this cold, gray dawn. What will be now, I cannot say. Is your heart beating faster? Do the clouds seem to be gathering on the horizons? Does the skin on your neck feel stretched tight, waiting for a kiss you both fear and need? Will you be scared? Will you know the truth? Mary Dowd, April 7, 1871

When writers who are just starting out ask me when it gets easier, my answer is never. It never gets easier. I don’t want to scare them, so I rarely say more than that, but the truth is that, if anything, it gets harder. The writing life isn’t just filled with predictable uncertainties but with the awareness that we are always starting over again. That everything we ever write will be flawed. We may have written one book, or many, but all we know — if we know anything at all — is how to write the book we’re writing. All novels are failures. Perfection itself would be a failure. All we can hope is that we will fail better. That we won’t succumb to fear of the unknown. That we will not fall prey to the easy enchantments of repeating what may have worked in the past. I try to remember that the job — as well as the plight, and the unexpected joy — of the artist is to embrace uncertainty, to be sharpened and honed by it. To be birthed by it. Each time we come to the end of a piece of work, we have failed as we have leapt—spectacularly, brazenly — into the unknown.

A moment of clarity I realise that I stress so much about the past, because I am scared of the future. It is easier for my mind to occupy itself with troubles of long-ago; rather than greet fears of the unknown tomorrow. The goal is to be alive now and live in the moment. But there are days when I find this almost impossible to achieve. Yet knowing this is liberating. Jane Yates 02/02/2016

Sometimes it is more comfortable to live in the past. It is where you have already been, what you already know. It is because the future is unknown that it scares us. But the future is here, and you cannot stop it. Embrace it because one day this future will be the past you may want to revisit.

It scared me, a little, to not feel like I was getting used to this, to instead feel like I was growing more desperate for her every day. I had her. I lived with her. I married her. But my feelings for Hanna were foreign to me in their intensity, and the sheer unknown of our future left me feeling unsteady.

I used to be scared of death until I found out it's now called 'end of life.' Phew, that was close!

Reading a book that challenges you is the best way to practice facing real-world fears.

I wasn’t scared of the dark, I was scared of what could be hiding in it.

I suppose what scares me is giving into the unknown.

We live in a world where some people believe in an afterlife, yet they would not want to die.

Nothing scares anyone more than the unknown, which can only be known by reliance on the imagination.

I may be broken, beaten, and scared, but I’m not giving up. So, don’t judge my story by the chapter you walked in on. -Author Unknown-

UNKNOWN: You’re so beautiful when you’re scared.

It's a queer thing is a man's soul. It is the whole of him. Which means it is the unknown him, as well as the known. It seems to me just funny, professors and Benjamins fixing the functions of the soul. Why, the soul of man is a vast forest, and all Benjamin intended was a neat back garden. And we've all got to fit into his kitchen garden scheme of things. Hail Columbia ! The soul of man is a dark forest. The Hercynian Wood that scared the Romans so, and out of which came the white- skinned hordes of the next civilization. Who knows what will come out of the soul of man? The soul of man is a dark vast forest, with wild life in it. Think of Benjamin fencing it off! Oh, but Benjamin fenced a little tract that he called the soul of man, and proceeded to get it into cultivation. Providence, forsooth! And they think that bit of barbed wire is going to keep us in pound for ever? More fools they. ... Man is a moral animal. All right. I am a moral animal. And I'm going to remain such. I'm not going to be turned into a virtuous little automaton as Benjamin would have me. 'This is good, that is bad. Turn the little handle and let the good tap flow,' saith Benjamin, and all America with him. 'But first of all extirpate those savages who are always turning on the bad tap.' I am a moral animal. But I am not a moral machine. I don't work with a little set of handles or levers. The Temperance- silence-order- resolution-frugality-industry-sincerity - justice- moderation-cleanliness-tranquillity-chastity-humility keyboard is not going to get me going. I'm really not just an automatic piano with a moral Benjamin getting tunes out of me. Here's my creed, against Benjamin's. This is what I believe: 'That I am I.' ' That my soul is a dark forest.' 'That my known self will never be more than a little clearing in the forest.' 'Thatgods, strange gods, come forth f rom the forest into the clearing of my known self, and then go back.' ' That I must have the courage to let them come and go.' ' That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women.' There is my creed. He who runs may read. He who prefers to crawl, or to go by gasoline, can call it rot.

You can let the unknown scare you or you can let it excite you. You can let the unknown stress you or you can let it intrigue you. You can let the unknown create anxiety or you can let it create curiosity.

When they find what they don't like , they destroy it. Because it scares them-and you girls would scare them as much as anything they've ever seen.' 'Why?' asked Isobel. 'Because . . . because of what they believe.

You said that the ocean scared you because of all the immense unknown that existed within it. Now I know why you couldn't be committed to me, because I was vast like an ocean with deep wisdom and strength. And I scared you.

What if it turns out there really are witches and vampires and werewolves living right here alongside us? After all, what better disguise could there be than to get your image enshrined in the culture of the mass media? Anything that's described in artistic terms and shown in the movies stops being frightening and mysterious. For real horror you need the spoken word, you need an old grandpa sitting on a bench, scaring the grandkids in the evening: 'And then the Master of the house came to him and said: "I won't let you go, I'll tie you up and bind you tight and you'll rot under the fallen branches!"' That's the way to make people wary of anomalous phenomena! Kids sense that, you know–it's no wonder they love telling stories about the Black Han and the Coffin on Wheels. But modern literature, and especially the movies, it all just dilutes that instinctive horror. How can you feel afraid of Dracula, if he's been killed a hundred times? How can you be afraid of aliens, if our guys always squelch them? Yes, Hollywood is the great luller of human vigilance. A toast–to the death of Hollywood, for depriving us of a healthy fear of the unknown!

A majority of people will often choose the familiar things instead of the unknown, even if they are making a choice that they know will harm them. People are afraid to take chances, to try or to fight. People pass countless opportunities in their lives just because they are scared to make a move or do something out of character. There were many times when I was faced with hard and risky decisions, but I picked the unknown if the familiar sounded too dangerous.

I know she is scared of this simple task even if the fear is something she can't—or won't— acknowledge. Fear, perhaps, is not based on the chemical component of adrenaline alone. It acts also on inexperience, or venturing into the unknown, even if that unknown is as uncomplicated a thing as a swimming pool. At least, the pool feels uncomplicated to me, a natural extension of myself. To Xanthe, who has never been in one, it might seem like the great wild unknown.

I stand in the corners - the darkest pits of the room and sometimes I stand in the center feeling the stale cold envelop me just watching everyone disappear, I know they label it hiatus, but hiatus is just like death. It could be a long time before I could ever say hello again - and sometimes I never got to say goodbye. I'm just now realizing how long this empire called goodreads has survived, I'm always here seeing new faces, new people, new ways of thinking. But my main question is - How could they leave all this behind? A deep sorrow that sounds like a ringing silence delves into my ears when I realize time has gone by fast and here I am finding direct mails from 2020, or 2019, 2018, 2017, even further. I'm scared - alone and out of touch. I remember a couple from my early years....They both disappeared. Ken got shot again. Alastor up and left. I remember forenthico and bree fighting over a valentine's day present he presented to match with her. Abbigail is gone. I haven't heard from Elizabeth in a long while. Nezuko is silent. Alice, Tsukishima, Fizzii, Giran, Moonkitty, Sylvia, River, Star. If you see this I'm still waiting.

Anxiety is a sly parasite. It creeps slowly into your mind, until one day, it takes over completely. Then you find yourself alone and scared to go anywhere because you may have another panic attack. You fear you may not be able to control it. You fear the unknown.

Your baby is smarter than you think. At first, Malorie struggled to accept this. In the new world, babies had to be trained to wake up with their eyes closed. They had to be raised scared. There wasn’t room for unknowns. Yet, there were times when the Boy and the Girl surprised her.

How feeble is our self-control, how quickly we are scared and bewildered when we are brought up against the tiniest manifestation of the unknown! Instead of coming to the obvious conclusion that if one does not understand, it is merely because the cause is hidden, one forthwith imagines terrifying mysteries and the workings of supernatural powers.

often it’s not the unknown that scares us, it’s that we think we know what’s going to happen—and that it’s going to be bad. But the truth is, we really don’t know.” The smart play, she said, was to turn the situation to my internal advantage. “Fear of annihilation,” she said, “can lead to great insight, because it reminds us of impermanence and the fact that we are not in control.

We have rendered ourselves independent, outside its (the church's) control. We have stepped out onto our own path. For some reason this scares people senseless. It terrified me just pondering it. Women grow afraid at this moment because it means giving up a world where everything is neat and safe. In that world we feel secure, taken care of; we know where we're going. Then we wake up and find the old way doesn't work., that it no longer fits our identity, that by clinging to it, we're cutting ourselves off from something profound. But we cling anyway because it's all we've got. We call our desire for security loyalty. We yearn for the something we've lost as women, but it's so unknown, so unbearably unknown. And then one day it all comes down to this: Can we trust ourselves, our inmost selves, our feminine wisdom?

The unknown is the hardest obstacle of all. When we don’t know what to expect, we lose the feeling of control. This is what really scares us the most—the loss of control. Kids are afraid of the dark because they don’t know what might be hiding from sight. Similarly, when we don’t know what to expect at the end of the rope, we feel the need to pull away from it. It is this fear of the unknown that stops our progress. Over

An amusing way to see the incorrectness of Lucas' argument is to translate it into a battle between men and women ... In his wanderings, Loocus the Thinker one day comes across an unknown object—a woman. Such a thing he has never seen before, and at first he is wondrous thrilled at her likeness to himself; but then, slightly scared of her as well, he cries to all the men about him, "Behold! I can look upon her face, which is something she cannot do—therefore women can never be like me!" And thus he proves man's superiority over women, much to his relief, and that of his male companions. Incidentally, the same argument proves that Loocus is superior to all other males, as well—but he doesn't point that out to them. The woman argues back: "Yes, you can see my face, which is something I can't do—but I can see your face, which is something you can't do! We're even." However, Loocus comes up with an unexpected counter: "I'm sorry, you're deluded if you think you can seemy face. What you women do is not the same as what we men do—it is, as I have already pointed out, of an inferior caliber, and does not deserve to be called by the same name. You may call it 'womanseeing'. Now the fact that you can 'womansee' my face is of no import, because the situation is not symmetric. You see?" "I woman-see," womanreplies the woman, and womanwalks away...

What can I do with happiness? What can I do with this strange and piercing peace, which is already starting to hurt me like an anguish, like a great silence of spaces? To whom can I give my happiness, which is already starting to scratch me a bit and scares me. No, I don’t want to be happy. I prefer mediocrity. Ah, thousands of people don’t have the nerve to linger a while longer in this unknown thing which is feeling happy and they prefer mediocrity.

The Witnesses In Ocean's wide domains, Half buried in the sands, Lie skeletons in chains, With shackled feet and hands. Beyond the fall of dews, Deeper than plummet lies, Float ships, with all their crews, No more to sink nor rise. There the black Slave-ship swims, Freighted with human forms, Whose fettered, fleshless limbs Are not the sport of storms. These are the bones of Slaves; They gleam from the abyss; They cry, from yawning waves, We are the Witnesses! Within Earth's wide domains Are markets for men's lives; Their necks are galled with chains, Their wrists are cramped with gyves. Dead bodies, that the kite In deserts makes its prey; Murders, that with affright Scare school-boys from their play! All evil thoughts and deeds; Anger, and lust, and pride; The foulest, rankest weeds, That choke Life's groaning tide! These are the woes of Slaves; They glare from the abyss; They cry, from unknown graves, We are the Witnesses!

would look for us. When I think of the pleasure of being free, I think of the start of that day, of coming out of the tunnel and finding ourselves on a road that went straight as far as the eye could see, the road that, according to what Rino had told Lila, if you got to the end arrived at the sea. I felt joyfully open to the unknown. It was entirely different from going down into the cellar or up to Don Achille’s house. There was a hazy sun, a strong smell of burning. We walked for a long time between crumbling walls invaded by weeds, low structures from which came voices in dialect, sometimes a clamor. We saw a horse make its way slowly down an embankment and cross the street, whinnying. We saw a young woman looking out from a balcony, combing her hair with a flea comb. We saw a lot of small snotty children who stopped playing and looked at us threateningly. We also saw a fat man in an undershirt who emerged from a tumbledown house, opened his pants, and showed us his penis. But we weren’t scared of anything: Don Nicola, Enzo’s father, sometimes let us pat his horse, the children were threatening in our courtyard, too, and there was old Don Mimì who showed us his disgusting thing when we were coming home from school. For at least three hours, the road we were walking on did not seem different from the segment that we looked out on every day. And I felt no responsibility for the right road. We held each other by the hand, we walked side by side, but for me, as usual, it was as if Lila were ten steps ahead and knew precisely what to do, where to go. I was used to feeling second in everything, and so I was sure that to her, who had always been first, everything

People judge the unknown with their knowledge of the known. . Fear is the most prized illusion that we create for ourselves. . Human beings are designed in a way that they always live with one half of their self in the past and the other half in the present. . Love doesn't always happen to strengthen our beliefs. Sometimes it happens to destroy all our previous beliefs and faith and gives us a chance to re-look at our own conclusions. . We all are designed to remember things. So, if you try to forget, you will suffer. Accept and you shall shine like never before. The greatest lesson love can give you is how to live a complete life by accepting its incomplete ways. If you can’t hope in love, you can’t live. . Accidents happen Mini but that doesn't mean you stop travelling. . Sometimes we confuse need and necessity, I guess. Necessity is common to all but need is person-specific. . What to do when you are in love with the journey but at the same time scared of the undesirable destination which you know is going to arrive sooner or later? . Sometimes we lie not to cover the truth but to cover that side of us which the truth may strip to bareness.

What the fuck is this?” he roared, striding into the centre of the room, water dripping from his beard, down through the grizzled white hairs on his chest, off his slapping fruits. It was a strange sight to see. A naked old man confronting three armed Practicals of the Inquisition. Ridiculous, and yet no one was laughing. There was something strangely terrifying about him, even without his clothes and running with wet. It was the Practicals who shifted backwards, confused, scared even. “You’re coming with us,” the woman repeated, though a certain doubt seemed to have entered her voice. One of her companions stepped warily towards Bayaz. Jezal felt a strange sensation in his stomach. A tugging, a sucking, an empty, sick feeling. It was like being back on the bridge, in the shadow of the Maker’s House. Only worse. The wizard’s face had turned terribly hard. “My patience is at an end.” Like a bottle dropped from a great height, the nearest Practical burst apart. There was no thunderclap, only a gentle squelching. One moment he was moving towards the old man, sword raised, entirely whole. The next he was a thousand fragments. Some unknown part of him thudded wetly against the plaster next to Jezal’s head. His sword dropped and rattled on the boards. “You were saying?” growled the First of the Magi.

I saw the statue completely different now. I'd decided that he wasn't pointing to anything or anyone. Now all I could see was that he was reaching out his hand to someone. For me that explained the expression on his face that I'd never quite been able to understand before. He was hopeful and nervous and scared and a little bit proud of himself for doing it - extending his hand to someone, not knowing if they'd take it. This was, I had realized, one of the scariest things of all, requiring much more courage than sailing across an ocean and landing on an unknown shore At least that's what I saw. Clark and Tom's new theory was that he was a time traveler who'd somehow been transported to the past and was just trying to hail a cab.

Seconds turn into minutes and minutes into hours. It is all still the same. Or it no longer is. If I were to ask what has changed, perhaps nothing, but conceivably everything would be the befitting reply. I no longer feel the same. Loss preceded me, alienating my soul from the body. I feel I am gliding through an alley making a journey from the known towards the unknown. There is a deep abyss inside where sometime back, my heart used to beat and a noisy, rusty old machine has replaced my mind; solitarily creating useless noise. I don’t remember what day it is and since when have I been lying here. It must have been yesterday… or was it day before. I cannot recollect anything except the dull throbbing pain inside my brain. I can see the time, almost 9: 45, difficult to say which time of the day it is. The bigger hand is soon going to overshadow the smaller hand. It looks like a game of cat and mouse; the bigger hand chasing the smaller one. Anyone stronger in terms of physical appearance, money, power, fame or name tramples upon the weak ones - that is the rule of the world. There are only two possible reasons behind it, love or hate. When you love someone you want to control everything that person does and hence, sometimes, knowingly or unknowingly you squash them like melons. While on the other hand in the case of hate, there is no need to specify the reason for walking over someone like that. Hate is a strong reason in itself. I am confused as to what crushed me, was it love or hate? I somehow don’t like the sound of it – love, it in itself smells of treachery, for love is not a pure emotion. Lust and hatred are the only pure emotions. Love is camouflaged, for needs and desires. Desires – they are magical in their own way. They can be innocent. They can be monstrous. But they exist, no matter what, and many such needs and desires make us helpless slaves of the same. We hide these desires either in the realms of our mind or in the dusty corners of our hearts for we are scared…what if someone finds out what we desire. We give them identities so as to not let the real thing show. The only thing visible on the front is a mask we wear to deceive people or that’s what I thought. For I was deceived while I believed I am the deceiver. Or was I not? I debated as my mind once again tried to enter a sleep-induced trance.

You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?

She hated the fact that she was so scared; it made her feel like a fraud... Back then, she was sure she had the guts to deal with shadows and unexplained noises. She had convinced herself that if she was ever lucky enough to see a ghost, the last thing she would do was run. But all that bravado had been a lie. Because talking about fear was a lot different than actually facing it. The unknown was exciting until it was time to step into the void.

The guard can go to the Rialto and tell the rettori. The councilmen look into crimes such as this. They could send an avogadore to investigate.” Falco spun around to face her again. “Who is she? You don’t know. Who killed her? You don’t know. Even if the guard stopped drinking and playing dice long enough to row over to tell the rettori, I doubt the magistrate will be concerned. They only care about crimes that upset the merchants or that scare away tourists. They won’t care about a robbed tomb out here on San Domenico, or about the murder of an unknown courtesan.” “Maybe you’re afraid they’ll think you killed her.” Cass lifted her chin, forcing herself to meet Falco’s eyes, searching them for signs of evil. She saw none. And yet, there had to be a reason he was so opposed to reporting a murder. Falco folded his arms. “And what will they think about you, trolling the graveyard, unchaperoned, with a stranger? A commoner, no less. What will your parents say when the soldiers drag you home? Won’t they be shocked to find out what late-night company their lovely daughter has been keeping?” “My parents are dead,” Cass said simply. She didn’t say it to make him feel guilty. It just came out of her mouth instinctively. She’d probably said it a hundred times, so often that the words themselves felt dead to her, meaningless. Falco softened. “Your guardians, then. They won’t believe that we weren’t…” He trailed off. “It’ll be the talk of the city by daybreak.” He reached out and stroked her hair. “Fun thought, though, eh? A girl like you with me?” His soft touch made Cass warm and cold at the same time. He was right. Aunt Agnese would lock Cass inside the villa if she found out where Cass had spent the evening. And if she found out Cass was consorting with a commoner? Well, that would be very bad, possibly exiled-to-a-nunnery-in-Spain bad.

Faith is the muscle you use when you decide to blast outside of your comfort zone and transform your life into something that’s practically unrecognizable to you in your present reality. Faith smothers your fear of the unknown. Faith allows you to take risks. Faith is the stuff of “leap and the net will appear.”     Faith is your best buddy when you’re scared shitless. When

Do you think there’ll be someone in the Xanti who’ll remember your mother?” Finn blew on the embers. “I don’t know. We may not find the Xanti,” he warned her. Maia shrugged. “It doesn’t matter. But if we do, will they accept me? I don’t have any Indian blood.” “If they don’t, we won’t stay. I wouldn’t let anything happen to you. I’ve got my gun.” “I’m not scared,” said Maia. And she wasn’t. She’d been scared of the nastiness of the twins and of being shut up in the Carters’ bungalow, but she wasn’t scared of traveling through unknown lands with a boy hardly older than she was herself. She thought perhaps she wouldn’t be scared of anything ever again if she was with Finn.

The thought of setting out into the unknown to tackle my dreams solo was terrifying. But at the same time, the thought of never tackling them at all scared me even more.

Human beings fear what they don’t understand. The unknown scares us. When we meet people who look or act in unfamiliar or strange ways, our initial response is to keep them at arm’s length. At times we make ourselves feel superior, smarter, or more competent by dehumanizing or degrading those who are different. The roots of so many of our species’s ugliest behaviors—racism, ageism, misogyny, anti-Semitism, to name just a few—are in this basic brain-mediated response to perceived threat. We tend to fear what we do not understand, and fear can so easily twist into hate or even violence because it can suppress the rational parts of our brain.

of course i am scared i am terrified by the depths of diving down into the unknown to find myself lost in the darkest corners of my soul confused and all alone and i am unnerved by the truths i might find for once it’s done there is no coming back to a place of innocence

Working with obstacles is life’s journey. The warrior is always coming up against dragons. Of course the warrior gets scared, particularly before the battle. It’s frightening. But with a shaky, tender heart the warrior realizes that he or she is just about to step into the unknown, and then goes forth to meet the dragon.

often it’s not the unknown that scares us, it’s that we think we know what’s going to happen—and that it’s going to be bad. But the truth is, we really don’t know.

Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.

Screams. Screams. Everywhere. Everyone is scared. But I don’t know who “everyone” is. Their voices sound young, so I guess they’re kids, like me. I don’t hear any older voices. So either the grownups aren’t scared, or there aren’t any grownups with us anymore.

It seemed to me that they wanted freedom, but they were also scared of freedom. If they had freedom, that meant others had freedom too — freedom to drive on any road and pass any checkpoint. Those others belonged to the unknown, and could strike them again.

The behavior of his classmates was predictable. What was happening was a small version of what happens all across the planet in various forms every day. Human beings fear what they don’t understand. The unknown scares us. When we meet people who look or act in unfamiliar or strange ways, our initial response is to keep them at arm’s length. At times we make ourselves feel superior, smarter or more competent by dehumanizing or degrading those who are different. The roots of so many of our species’s ugliest behaviors—racism, ageism, misogyny, anti-Semitism, to name just a few—are in this basic brain-mediated response to perceived threat. We tend to fear what we do not understand, and fear can so easily twist into hate or even violence because it can suppress the rational parts of our brain.

Follow your heart, honey. Don’t let the unknown scare you. It’s no longer your mother’s path or mine. This one is yours. Let it guide you to what is right.

Most were just too scared to leave. They tolerated the daily drudgery of work because dealing with daily drudgery was easier than quitting and doing something truly scary: sailing into unknown waters in pursuit of a dream.

I want to be given the benefit of the doubt. When I walk down the street, I don't want people to look at me and see a criminal or someone that they can spit on or beat up. I want them to see a guy who has just as much right to be here as they do, or a guy who works hard, or a guy who loves his family, or a guy who's just trying to do the right things. I wish just one of those people, just one, would actually talk to me, talk to my friends, man. And yes, you can talk to us in English. I know English better than you, I bet. But none of them even want to try. We're the unknown Americans, the ones no one even wants to know, because they've been told they're supposed to be scared of us and because maybe if they did take the time to get to know us, they might realize that we're not that bad, maybe even that we're a lot like them. And who would they hate then?

Precisely three days after Christopher and Audrey had left for London, Beatrix went to the Phelans’ house to ask after Albert. As she had expected, the dog had set the household into chaos, having barked and howled incessantly, ripped carpeting and upholstery to shreds, and bitten footman’s hand. “And in addition,” the housekeeper, Mrs. Clocker, told Beatrix, “he won’t eat. One can already see his ribs. And the master will be furious if we let anything happen to him. Oh, this is the most trying dog, the most detestable creature I’ve ever encountered.” A housemaid who was busy polishing the banister couldn’t seem to resist commenting, “He scares me witless. I can’t sleep at night, because he howls fit to wake the dead.” The housekeeper looked aggrieved. “So he does. However, the master said we mustn’t let anyone take Albert. And as much as I long to be rid of the vicious beast, I fear the master’s displeasure even more.” “I can help him,” Beatrix said softly. “I know I can.” “The master or the dog?” Mrs. Clocker asked, as if she couldn’t help herself. Her tone was wry and despairing. “I can start with the dog,” Beatrix said in a low undertone. They exchanged a glance. “I wish you could be given the chance,” Mrs. Clocker murmured. “This household doesn’t seem like a place where anyone could get better. It feels like a place where things wane and are extinguished.” This, more than anything, spurred Beatrix into a decision. “Mrs. Clocker, I would never ask you to disobey Captain Phelan’s instructions. However…if I were to overhear you telling one of the housemaids where Albert is being kept at the moment, that’s hardly your fault, is it? And if Albert manages to escape and run off…and if some unknown person were to take Albert in and care for him but did not tell you about it immediately, you could not be blamed, could you?” Mrs. Clocker beamed at her. “You are devious, Miss Hathaway.” Beatrix smiled. “Yes, I know.” The housekeeper turned to the housemaid. “Nellie,” she said clearly and distinctly. “I want to remind you that we’re keeping Albert in the little blue shed next to the kitchen garden.” “Yes, mum.” The housemaid didn’t even glance at Beatrix. “And I should remind you, mum, that his leash is on the half-moon table in the entrance hall.” “Very good, Nellie. Perhaps you should run and tell the other servants and the gardener not to notice if anyone goes out to visit the blue shed.” “Yes, mum.” As the housemaid hurried away, Mrs. Clocker gave Beatrix a grateful glance. “I’ve heard that you work miracles with animals, Miss Hathaway. And that’s indeed what it will take, to tame that flea-ridden fiend.” “I offer no miracles,” Beatrix said with a smile. “Merely persistence.” “God bless you, miss. He’s a savage creature. If dog is man’s best friend, I worry for Captain Phelan.” “So do I,” Beatrix said sincerely.

Egos are for those scared of the dark unknown. So they create ghosts rather than face fear.

Every day is a grand adventure into the great unknown and you cannot know what lies around the next corner. So, standing in this place, with the unknown before you, you have only two choices: you can live in trust (believing you are safe and that good things are coming) or you can live in fear (scared of the future and focused on you). Your choice will not change what’s around that next corner, it will be what it’s meant to be, but it will have a big impact on the way you feel today. Do you want to experience today in fear, focused on yourself? Or do you want to experience trust and focus on love? It’s up to you.

We’re the unknown Americans, the ones no one even wants to know, because they’ve been told they’re supposed to be scared of us and because maybe if they did take the time to get to know us, they might realize that we’re not that bad, maybe even that we’re a lot like them. And who would they hate then? It

Fear was something that cropped up on occasion — like when she was little and someone forgot to switch on her Winnie the Pooh nightlight. Fear was something that happened, and then left. Now it was something that was. Something that could penetrate. Something that could stay. Always lurking. Waiting to strike. She was right, of course. The little girl who was scared of the dark was really just afraid of the unknown.

Do You Want to Fear?” Many of you act as if fearing is not a choice, when in actuality you decide that you shall choose fear. And then you often claim the Dark did it to you, or the unknown made you fear. Or you claim that the scary alien or the devil himself or herself made you fear. You may say, “Cannot things hurt us?” Very well, yes. You may fall down a set of stairs. So you might as well watch where you are stepping and pay attention out of Love and care for yourself. But fear often simply shows up as a sign that something is hidden and in the dark. The moment that you, within your knowing of Oneness, is not scared of looking into the dark or hidden spaces, is the moment fear loses any kind of power over you. It then is being used as a power for you and through you.

We cling to things, familiar things, not because they are good for us, but because we are scared that the unknown might be worse.