Scan Here Quotes

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Tell me again what we're doing here," I said, running a continuous scan of our surroundings. Fang popped some Cracker Jack into his mouth. "We're here to watch manly men do manly things." I followed Fang's line of sight: He was watching the Dallas Cowboys Cheerleaders, who were not doing manly things, by any stretch of the imagination.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Evie, bed down.” Scanning the dark, he murmured, “You doan have to be scared. I’ve got you.” You do, don’t you? Here we were in the Bagmen’s lair, and I wasn’t terrified for my life. Jackson would kill any that strayed too close. In fact, they should fear him. I was with the boy that monsters should fear.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
I tried to shake some water off. "I got a message from Angel,"i said, scanning the tunnel."She says there's massive danger down here,something too big for us to fix or deal with." "So of course you immediately came down.
James Patterson (Fang (Maximum Ride, #6))
The contrast with the scans of the eighteen chronic PTSD patients with severe early-life trauma was startling. There was almost no activation of any of the self-sensing areas of the brain: The MPFC, the anterior cingulate, the parietal cortex, and the insula did not light up at all; the only area that showed a slight activation was the posterior cingulate, which is responsible for basic orientation in space. There could be only one explanation for such results: In response to the trauma itself, and in coping with the dread that persisted long afterward, these patients had learned to shut down the brain areas that transmit the visceral feelings and emotions that accompany and define terror. Yet in everyday life, those same brain areas are responsible for registering the entire range of emotions and sensations that form the foundation of our self-awareness, our sense of who we are. What we witnessed here was a tragic adaptation: In an effort to shut off terrifying sensations, they also deadened their capacity to feel fully alive.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
There are no photos here, as there were in the woman’s flat. Only books. “You got any good ones, then?” she asks, scanning the shelves. “I don’t know what you think is good,” the woman answers carefully. “Do you have any Harry Potters?” “No.” “Not even one?” Elsa asks, incredulous. “No.” “You have all these books and not a single Harry Potter? And they let you fix people whose heads are broken?
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
His dark hair is perfectly recklessly up today, those tanned muscles flexing as he extends out his arms and does his little turn. And here I am, my breath caught between my lungs and my lips as he turns around and scans the crowd. As soon as he spots me, his eyes come alive, as alive as I feel when he smiles at me. He holds my gaze while those dimples flash, and I swear he stares at me in a way that makes me feel that I am the only woman here.
Katy Evans (Real (Real, #1))
For a hundred years or more, every textbook of psychology and psychotherapy has advised that some method of talking about distressing feelings can resolve them. However, as we’ve seen, the experience of trauma itself gets in the way of being able to do that. No matter how much insight and understanding we develop, the rational brain is basically impotent to talk the emotional brain out of its own reality. I am continually impressed by how difficult it is for people who have gone through the unspeakable to convey the essence of their experience. It is so much easier for them to talk about what has been done to them—to tell a story of victimization and revenge—than to notice, feel, and put into words the reality of their internal experience. Our scans had revealed how their dread persisted and could be triggered by multiple aspects of daily experience. They had not integrated their experience into the ongoing stream of their life. They continued to be “there” and did not know how to be “here”—fully alive in the present.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Five times a second, at an unconscious level, your brain is scanning the environment around you and asking itself: Is it safe here? Or is it dangerous?
Michael Bungay Stanier (The Coaching Habit: Say Less, Ask More & Change the Way You Lead Forever)
What was so important that I had to risk my friends' safety to sneak out here?" I demanded. "Huh? What was so -" "I had to see you." He closed the space between us. His hands were warm from his pockets as they closed around my fingers. "I had to know that you were okay. I had to see you and touch you and... know." He brushed my hair away from my face, his fingers light against my skin. "In London..." He trailed off. "After D.C. ..." "I'm fine," I said, easing away. "CAT scans and X-rays were normal. No lasting damage." Most people believe me when I lie. I've learned how to say the words just right.I have a trusting kind of face. But the boy in front of me was a trained operative, so Zach knew better. And besides, Zach knew me. "Really?" He touched my face again. "Cause I'm not.
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers.[…]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.
Don DeLillo (White Noise)
There is a strange emptiness to life without myths. I am African American — by which I mean, a descendant of slaves, rather than a descendant of immigrants who came here willingly and with lives more or less intact. My ancestors were the unwilling, unintact ones: children torn from parents, parents torn from elders, people torn from roots, stories torn from language. Past a certain point, my family’s history just… stops. As if there was nothing there. I could do what others have done, and attempt to reconstruct this lost past. I could research genealogy and genetics, search for the traces of myself in moldering old sale documents and scanned images on microfiche. I could also do what members of other cultures lacking myths have done: steal. A little BS about Atlantis here, some appropriation of other cultures’ intellectual property there, and bam! Instant historically-justified superiority. Worked great for the Nazis, new and old. Even today, white people in my neck of the woods call themselves “Caucasian”, most of them little realizing that the term and its history are as constructed as anything sold in the fantasy section of a bookstore. These are proven strategies, but I have no interest in them. They’ll tell me where I came from, but not what I really want to know: where I’m going. To figure that out, I make shit up.
N.K. Jemisin
Not to be impolite, but you guys bore me to death. Cole, go tell Vaughn to come here.” Busy scanning the room for Luna, Knight’s neck is still cranned as he answers her. “Damn.” He pats the pockets of his jeans, then checks the pockets of his golden Gucci jacket. “I can’t find it.” “Can’t find what?” Esme blinks. “The memo where I started taking orders from your sorry ass.
L.J. Shen (Pretty Reckless (All Saints High, #1))
When our brains constantly scan for and focus on the positive, we profit from three of the most important tools available to us: happiness, gratitude, and optimism. The role happiness plays should be obvious—the more you pick up on the positive around you, the better you’ll feel—and we’ve already seen the advantages to performance that brings. The second mechanism at work here is gratitude, because the more opportunities for positivity we see, the more grateful we become. Psychologist Robert Emmons, who has spent nearly his entire career studying gratitude, has found that few things in life are as integral to our well-being.11 Countless other studies have shown that consistently grateful people are more energetic, emotionally intelligent, forgiving, and less likely to be depressed, anxious, or lonely. And it’s not that people are only grateful because they are happier, either; gratitude has proven to be a significant cause of positive outcomes. When researchers pick random volunteers and train them to be more grateful over a period of a few weeks, they become happier and more optimistic, feel more socially connected, enjoy better quality sleep, and even experience fewer headaches than control groups.
Shawn Achor (The Happiness Advantage: The Seven Principles of Positive Psychology That Fuel Success and Performance at Work)
No screen?" She nudged him away, scanned the walls. "Seriously? What kind of place is this?" "The sort where people use bedrooms for sex and sleep, which is exactly waht I have in mind." To prove it, he tumbled her onto the bed. It squeaked. "What is that? Did you hear that? Is there a farm animal in here?" "I'm fairly certain they keep those outside. It's the bed." He tugged her shirt over her head. Testing, she lifted her hips, let them fall. "Oh, for God's sake. We can't do this on a talking bed. Everybody in the house will know what's going on in here." Enjoying himself, he nuzzled at her throat. "I believe they already suspect we have sex." "Maybe, but that's different than having the bed yell out, 'Whoopee!'" Was it any wonder he adored her? he thought.
J.D. Robb (Indulgence in Death (In Death, #31))
At the end of that Roger Ebert essay, he says he decided to force himself to do the reading that he knew, deep down, his brain wanted and needed. When he gave himself the proper literary diet (and found a room in the house where his Wi-Fi connection failed), “I felt a kind of peace. This wasn’t hectic. I wasn’t skittering around here and there. I wasn’t scanning headlines and skimming pages and tweeting links. I was reading. . . . Maybe I can rewire my brain, budge it back a little in the old direction.
Michael Harris (The End of Absence: Reclaiming What We've Lost in a World of Constant Connection)
Anything else?” Yes, my body can dissolve other magic on contact. I’m essentially a battering ram against magic. “No, that’s it.” Kai turned in place, his eyes scanning the scene. “Something feels wrong here.” The magic-dissolving battering ram standing next to you.
Ella Summers (Mercenary Magic (Dragon Born Serafina, #1))
While you were looking outward, scanning the horizon for threats," he continues, "you missed what was happening in your own backyard. What was taking root right here, on American soil. In your towns, your shops, in your heartland. Among your friends, in your families. The sensible conservatives moving to the right. The right moving far right. The far right becoming alt-right. Becoming, in their rage and frustration, radicalized thanks to an internet filled with crazy theories, false 'facts' and smug politicians allowed to spew lies.
Hillary Rodham Clinton (State of Terror)
leaned back in his chair and did a quick scan of his cluttered office. What would she think of him when she walked in here?
Tessa Bailey (Chase Me (Broke and Beautiful, #1))
I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
He turned the teacup the other way up. “But this way it looks more like an acorn. … What’s that?” He scanned his copy of Unfogging the Future. “ ‘A windfall, unexpected gold.’ Excellent, you can lend me some … and there’s a thing here,” he turned the cup again, “that looks like an animal … yeah, if that was its head … it looks like a hippo … no, a sheep …” Professor Trelawney whirled around as Harry let out a snort of laughter. “Let me see that, my dear,” she said reprovingly to Ron, sweeping over and snatching Harry’s cup from him. Everyone went quiet to watch. Professor Trelawney was staring into the teacup, rotating it counterclockwise. “The falcon … my dear, you have a deadly enemy.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Ray looked up and scanned Ilsa from North to South and then from East to West. It only took a moment. Ray was in love. Again. Probably. Conscious of his dashing Hispanic allure, Ray was always optimistic about his chances with the female sex. He had left a very long string of girlfriends in his wake, but there was something about this woman, who projected such shyness about her untapped feminine charms, that made his already active pulse race. Somehow he couldn’t help imagining her blundering into his bedroom at midnight wearing nothing but a towel. Those many affairs of the past, he told himself, were just steppingstones of his dead past on which he was rising to the discovery of his one, true love. And here she was. Probably.
James Allen Moseley (The Duke of D.C.: The American Dream)
Not much different from the morgue. Smaller,” she noted, scanning the steel worktables, the gullies on the sides, the hoses and tubes and tools. “I guess he got some of his knowledge of anatomy working here. Might have had some of his early practice sessions on corpses.” “Charming thought.” “Yeah, well, being as they were already dead—hopefully—it probably didn’t upset them too much. Oh, and FYI? When my time comes, I don’t want the preservatives and the stylist. You can just build a big fire, slide me in. Then you can throw yourself on the pyre to show your wild grief and constant devotion.” “I’ll make a note of it.
J.D. Robb (Creation in Death (In Death, #25))
Apparently, we're all in the frame," I heard Harry murmur somewhere behind me. And I whirled back to him. Innate, irrational anger surged. Then stopped, dead - as I suddenly took in Handsome, Robert and Doc. They were all staring at me. They were concentrating, all resolute, all a tad furrow-browed… upon my face. Self-consciousness burgeoned. I gingerly fingered my and lips and my chin, "Am I drooling?" "Your arse is hanging out," said Harry, not looking up from the forensics he was scanning. And so it was. Handsome, Robert and Doc averted their eyes as I, wishing I'd merely been dribbling, grabbed the back flaps of my breezy hospital gown, fully placed my back against the wall. Then, thinking better of it, dived hurriedly, carefully, back into bed. If Chinese Lady'd been here, she could've, would've, told me. I missed her already.
Morana Blue (Gatsby's Smile)
I never knew the difference between loving someone and being in love,” he began. “I don’t know why, because now it seems so obvious. I mean, it’s in the name: in love. When you love someone that just means you care; but when you’re in love, that means you’re a part of it.” He scanned the audience and landed on Paxton and Jade holding hands in the third row. “The feeling consumes you,” he continued. “And when you’re surrounded by that want and that need to make that other person happy, you can’t see anything else. You’re blind to all of the hate and the hurt that’s waiting on the outside. None of it matters, because in here – in love – nothing hurts.” Larson watched as a drop of his own tears fell onto the surface in front of him. “I don’t care if I’m blind for the rest of my life. I loved Owen. I’m in love with him. And even though he’s gone, I’ll never leave this place we made.
Megan Duke (Small Circles)
The Irish essayist has us close our eyes and listen to the words she says without trying to control our thoughts. I keep mine open a crack, to scan the packed room. He’s not here. ‘A rainy day,’ she says. My mother and me running from the Mustang to the house. ‘The sound of a musical instrument.’ Caleb playing the guitar. ‘An act of love.’ My father cleaning my golf clubs in the kitchen sink. She has us write about one of these moments that come up unbidden, unforced.
Lily King (Writers & Lovers)
Birthdays are a time when one stock takes, which means, I suppose, a good spineless mope: I scan my horizon and can discern no sail of hope along my own particular ambition. I tell you what it is: I'm quite in accord with the people who enquire 'What is the matter with the man?' because I don't seem to be producing anything as the years pass but rank self indulgence. You know that my sole ambition, officially at any rate, was to write poems & novels, an activity I never found any difficulty fulfilling between the (dangerous) ages of 17-24: I can't very well ignore the fact that this seems to have died a natural death. On the other hand I feel regretful that what talents I have in this direction are not being used. Then again, if I am not going to produce anything in the literary line, the justification for my selfish life is removed - but since I go on living it, the suspicion arises that the writing existed to produce the life, & not vice versa. And as a life it has very little to recommend it: I spend my days footling in a job I care nothing about, a curate among lady-clerks; I evade all responsibility, familial, professional, emotional, social, not even saving much money or helping my mother. I look around me & I see people getting on, or doing things, or bringing up children - and here I am in a kind of vacuum. If I were writing, I would even risk the fearful old age of the Henry-James hero: not fearful in circumstance but in realisation: because to me to catch, render, preserve, pickle, distil or otherwise secure life-as-it-seemed for the future seems to me infinitely worth doing; but as I'm not the entire morality of it collapses. And when I ask why I'm not, well, I'm not because I don't want to: every novel I attempt stops at a point where I awake from the impulse as one might awake from a particularly-sickening nightmare - I don't want to 'create character', I don't want to be vivid or memorable or precise, I neither wish to bathe each scene in the lambency of the 'love that accepts' or be excoriatingly cruel, smart, vicious, 'penetrating' (ugh), or any of the other recoil qualities. In fact, like the man in St Mawr, I want nothing. Nothing, I want. And so it becomes quite impossible for me to carry on. This failure of impulse seems to me suspiciously like a failure of sexual impulse: people conceive novels and dash away at them & finish them in the same way as they fall in love & will not be satisfied till they're married - another point on which I seem to be out of step. There's something cold & heavy sitting on me somewhere, & until something budges it I am no good.
Philip Larkin (Philip Larkin: Letters to Monica)
«Nature centres into balls, And her proud ephemerals, Fast to surface and outside, Scan the profile of the sphere; Knew they what that signified, A new genesis were here».
Ralph Waldo Emerson (Circles)
After listing the vast array of famous composers, artists, and authors who had created works based on Dante’s epic poem, Langdon scanned the crowd. “So tell me, do we have any authors here tonight?” Nearly one-third of the hands went up. Langdon stared out in shock. Wow, either this is the most accomplished audience on earth, or this e-publishing thing is really taking off.
Dan Brown (Inferno (Robert Langdon, #4))
He scanned her face quickly and recognized anger rather than fear. "Are you insane?" His whisper was rough. "This could be a set up." "And allow this sack of refuse to violate my home undisturbed?" She pushed at him. "No way." "Listen." Richard refused to budge. "We are at a slight disadvantage here. I don't have a gun." "But I have knives. The kitchen is at the end of this room, remember?
Maria Elena Alonso-Sierra (The Coin)
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The mage leaned both hands on the table, scanning the charts splayed out on its surface. There was a map there, showing a land he could not recognize: a ragged coastline of fjords studded with cursory sketches of pine trees. Inland was a faint whitewash, as of ice or snow. A course had been plotted, striking east from the jagged shoreline, then southward across a vast ocean. The Malazan Empire purported to have world maps, but they showed nothing like the land he saw here. The Empire's claim to dominance suddenly seemed pathetic.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
Pessoa invented The Book of Disquiet, which never existed, strictly speaking, and can never exist. What we have here isn’t a book but its subversion and negation: the ingredients for a book whose recipe is to keep sifting, the mutant germ of a book and its weirdly lush ramifications, the rooms and windows to build a book but no floor plan and no floor, a compendium of many potential books and many others already in ruins. What we have in these pages is an anti-literature, a kind of primitive, verbal CAT scan of one man’s anguished soul.
Fernando Pessoa (The Book of Disquiet)
I scanned the street, looking for my tail. There was no sign of them, but my senses told me that either Nikolas or Chris was here. Seriously, what did they think was going to happen to me in a coffee shop in the middle of the day? Caffeine overdose? Hot coffee burn? Well,
Karen Lynch (Relentless (Relentless, #1))
THE BURNING OF THE BOOKS When the Regime commanded that books with harmful knowledge Should be publicly burned and on all sides Oxen were forced to drag cartloads of books To the bonfires, a banished Writer, one of the best, scanning the list of the Burned, was shocked to find that his Books had been passed over. He rushed to his desk On wings of wrath, and wrote a letter to those in power. Burn me! he wrote with flying pen, burn me! Haven't my books Always reported the truth? And here you are Treating me like a liar! I command you: Burn me!
Bertolt Brecht
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly. Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.” “And they said?” “Mom said, ‘Have a nice time, dear.’ Dad just looked at me.” “Embarrassing much?” “Worth it.” He walks slowly over, his eyes locked on mine, then puts his hands around my waist. “Um. So . . . are we going to study?” My tone’s deliberately casual. Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt. In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor. “Sorry!” he says, and we both freeze, even though no one’s home to hear the sound. In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack. In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again. But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
Huntley Fitzpatrick (My Life Next Door)
There's a scared lion in this book. He learns to be brave. Maybe you can, too," Grandma Thereza said, stroking my head as I scanned the illustrations on the pages, searching for a quick answer that wouldn't involve me reading the entire book. Grandma was always like that. She always had the right book for the right occasion. And I, with nothing else to do that afternoon, sat in an armchair and started reading. I remember reading until my head hurt, and at the end of her workday, I hadn't finished yet. I took the book home, where I read it to the end.
Vitor Martins (Here the Whole Time)
I walk to the hill and scan the shoreline, finding the place, opening, where they disappeared: checking, reassuring. It’s true, I am by myself; this is what I wanted, to stay here alone. From any rational point of view I am absurd; but there are no longer any rational points of view.
Margaret Atwood (Surfacing)
But why? Why did someone kill you? Someone here, in this building, that we must use logic to deduce whom was the murderer...or murderess!" Rebonka scanned the crowd, and saw nothing out of the ordinary! She pleaded, on her knees, to all the ears who heard her, "Whom? Whom! Whom-done-it?!
Mark Gunk (Grocery Stalker)
I’m starting to think it’d be easier if I just ran onto the stage and shouted, ‘Hey, Mom, we know you’re here! Come out, come out wherever you are!’ ” Keefe grumbled as they headed into round two of walk-scan-squint-listen duty. “But you’re not going to, right?” Wylie seemed to need Keefe to verify.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
I hadn't looked at the maps yet and I'd barely looked at the survey package. In my defense, we'd been here twenty-two planetary days and I hadn't had to do anything but stand around watching humans make scans or take samples of dirt, rocks, water, and leaves. The sense of urgency just wasn't there. Also, you may have noticed, I don't care.
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
A budget?" He'd expected an explosion.Even, perversely,hoped for one.Margo's tantrums were always so..stimulating.It didn't appear that he was going to be disappointed. "A budget?" she repeated,storming to him. "Of all the unbelievable,bloody nerve.You arrogant son of a bitch. Do you think I'm going to stand here and let you treat me like some sort of brainless bimbo who needs to be told how much she can spend on face powder?" "Face powder." Deliberately, he scanned the papers,took a pen out of his pocket,and made a quick note. "That would come under 'Miscellaneous Luxuries.' I think I've been very generous there. Now,as to your clothing allowance-" "Allowance!" She used both hands to shove him back a step. "Just let me tell you what you can do with your fucking allowance." "Careful,duchess." He brushed the front of his shirt. "Turnbill and Asser." The strangled sound in her throat was the best she could do.If there had been anything at all to throw,she'd have heaved it at his head. "I'd rather be picked apart,alive, by vultures than let you handle the money." "You don't have any money," he began, but she barreled on as she whirled around the room. Watching her, he all but salivated. "I'd rather be gang-raped by midgets, staked naked to a wasp nest,be force-fed garden slugs." "Go three weeks without a manicure?" he put in and watched her hands curl into claws. "You go after my face with those, I'll have to hurt you." "Oh,I hate you." "No,you don't.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
Here are some other things that science says can genuinely help us not only “feel better” but actually facilitate the completion of the stress response cycle: sleep; affection (more on that in the next section); any form of meditation, including mindfulness, yoga, tai chi, body scans, etc. (more on that in chapter 9); and allowing yourself a good old cry or primal scream
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
This includes the Chinese, the Russians, all of Europe and the Americas, Africa, Australia, and Asia. “Mankind is a rugged and resilient species.” His head turned as he scanned the crew. “We are a rugged and resilient group. We were sent here because we are the kind of people who would not give up quickly or die easily, and mankind has survived to this century because of similar traits.
Gregg Overman (Blue Sunrise)
Even if the scan results are bad tomorrow,” I had told her, “I just want you to know that it feels great to be alive, and to be here today, alive with you. Whatever news we get about the scans, I’m not going to die when we hear it. I won’t die the next day, or the day after that, or the day after that. So today, right now, well this is a wonderful day. And I want you to know how much I’m enjoying it.
Randy Pausch (The Last Lecture)
Church bells toll on the air, slow and sad. I scan the sloping lawn, cluttered with tombstones, trying to spot the Raven. Mist is twining through the graves, and the light is slipping low, and I can't see her from here. I can't see her---but I know she's there. I can feel the pull of my missing thread, as if its end were still embedded in my chest. I am a compass, and the Raven in Red is my new torch.
Victoria Schwab (City of Ghosts (Cassidy Blake, #1))
I should get out of here, I am thinking, out of the city. But where would I go that I would not drag my seemingly incurable lethargy along with me, like the worn canvas sack of an angst-driven teenage hockey player? And what would become of my mornings in my little corner and my late nights scanning the TV channels with an obstinate channel changer that needed to be tapped several times into awareness?
Patti Smith (M Train: A Memoir)
I swallowed, and scanned the faces staring up at me. No one looked judgy or irritated, even though it felt like such a stupid, trivial thing to bring up. The fear of passing as straight, for god's safe. "I feel like if I'm with a guy, I won't belong here properly anymore. What if I got a boyfriend? I'd feel weird bringing him to pride events, or even telling queer people I have a boyfriend. I'd feel judged.
Sophie Gonzales (Perfect on Paper)
I couldn’t pin down what was bothering me. Scan was negative, and this far away from the team there was no ambient sound except the whisper through the air system. Maybe it was the lack of security camera access, but I’d been in worse places with no cameras. Maybe it was something subliminal. Actually, it felt pretty liminal. Pro-liminal. Up-liminal? Whatever, there was no knowledge base here to look it up.
Martha Wells (Rogue Protocol (The Murderbot Diaries, #3))
Up before sunrise. Marjorie hated getting out of bed in the dark, but loved the payoff once she was dressed and rolling down the country roads in the first light, cruising and owning them almost alone. The countryside here used to be a lot more interesting, though. She remembered it in her girlhood - orchards, small ranches, farmhouses, each one of these houses a distinct personality... Money, she thought wryly, scanning the endless miles of grapevines, all identically wired and braced and drip-lined, mile after mile - money was such a powerful organizer. As the dawn light gained strength, and bathed the endless vines in tarnished silver, it struck her that there was, after all, something scary about money, that it could run loose in the world like a mythic monster, gobbling up houses and trees, serving strictly its own monstrous appetite. ("The Growlimb")
Michael Shea (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
First I smell that smell and am overcome with a sensation of elation. Like a tight faucet turned open, everything floods from me. I scan the view, take a deep breath, and inevitably utter, "God, I love it here." I stride quickly to where the sand is still wet from the previous tide and then, and then I am gone. There is no thinking, just being. I have no awareness of time or of myself. If I am searching for glass, it is rote, with no more or less consciousness than a jellyfish searching for sustenance. It is not mindlessness or oblivion, as I am wholly aware, but in a way that preempts any reality outside of the moment. There I am seaweed, I am water, I am stone, I am fish. I am a grain of sand, warm in the sun. I am reduced to nothing, but part of everything. I am home, I am free, I am one with the sea, I am the primordial me, and the glass is just my excuse to be there.
Sherry D. Fields
Here we are," Han announced. "Right." Luke looked around, an involuntary shiver running up his back. "Dead center in the middle of nowhere." "Should be a familiar feeling for you," Han suggested, keying for a sensor scan. "Thanks," Luke said, "but getting stuck between systems with a dead hyperdrive isn't something I want to get familiar with." "I didn't mean that," Han said innocently as he keyed the comm. "I was talking about Tatooine.
Timothy Zahn (Star Wars: Dark Force Rising (The Thrawn Trilogy, #2))
What will happen once we have genome-wide data from a thousand European farmers living shortly after the transition to agriculture? Comparing the results of a scan for recent natural selection in these individuals to the same scan performed in present-day Europeans should make it possible to understand whether the pace and nature of human adaptation has changed between preagricultural times and the time since the transition to agriculture.
David Reich (Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past)
She pushed him away from her. The rain swept over her face as she lifted her emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem casual. ”Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.” She walked with him a few more yards and stopped, staring up a sheer cliff face that seemed to go up forever. There had been no division between the forest and the rock face to warn her. “Up what? Not that.” The dark, malevolent feeling had faded away. Whoever it was no longer was watching them. She could tell. “I feel another argument coming on.” His mocking amusement might not have shown on his face, but she could feel it in her mind. Jacques simply lifted her and tossed her over his shoulder. “No way, you wild man. You aren’t Tarzan. I don’t like heights. Put me down.” “Close your eyes. Who is Tarzan? Not another male, I hope.” The wind rushed over her body, and she could feel them moving fast, so fast the world seemed to blur. She closed her eyes and clutched at him, afraid to do anything else. His laughter was happy and carefree, and it warmed her heart, dispelling any residue of fear she carried. It was a miracle to her that he could laugh, that he was happy. Tarzan is the ultimate male. He swung through trees and carries his woman off into the jungle. He patterns himself after me. She nuzzled his neck. He tries.
Christine Feehan (Dark Desire (Dark, #2))
Okay, okay . . . where do you hear it coming from?” “Around here somewhere.” “Always in this spot?” “No. Not always. You are going to think I am even more insane, but I swear it is following me around.” “Maybe it is my new powers. The power to drive you mad.” She wriggled her fingers at him theatrically as if she were casting a curse on him. “You already drive me mad,” he teased, dragging her up against him and nibbling her neck with a playful growling. “Ah hell,” he broke off. “I really am going mad. I cannot believe you cannot hear that. It is like a metronome set to some ridiculously fast speed.” He turned and walked into the living room, looking around at every shelf. “The last person to own this place probably had a thing for music and left it running. Listen. Can you hear that?” “No,” she said thoughtfully, “but I can hear you hearing it if I concentrate on your thoughts. What in the world . . . ?” Gideon turned, then turned again, concentrating on the rapid sound, following it until it led him right up to his wife. “It is you!” he said. “No wonder it is following me around. Are you wearing a watch?” He grabbed her wrist and she rolled her eyes. “A Demon wearing a watch? Now I have heard everything.” Suddenly Gideon went very, very still, the cold wash of chills that flooded through him so strong that she shivered with the overflow of sensation. He abruptly dropped to his knees and framed her hips with his hands. “Oh, Legna,” he whispered, “I am such an idiot. It is a baby. It is our baby. I am hearing it’s heartbeat!” “What?” she asked, her shock so powerful she could barely speak. “I am with child?” “Yes. Yes, sweet, you most certainly are. A little over a month. Legna, you conceived, probably the first time we made love. My beautiful, fertile, gorgeous wife.” Gideon kissed her belly through her dress, stood up, and caught her up against him until she squeaked with the force of his hug. Legna went past shock and entered unbelievable joy. She laughed, not caring how tight he held her, feeling his joy on a thousand different levels. “I never thought I would know this feeling,” he said hoarsely. “Even when we were getting married, I never thought . . . It did not even enter my mind!” Gideon set her down on her feet, putting her at arm’s length as he scanned her thoroughly from head to toe. “I cannot understand why I did not become aware of this sooner. The chemical changes, the hormone levels alone . . .” “Never mind. We know now,” she said, throwing herself back up against him and hugging him tightly. “Come, we have to tell Noah . . . and Hannah! Oh, and Bella! And Jacob, of course. And Elijah. And we should inform Siena—” She was still rattling off names as she teleported them to the King’s castle.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Why is it so warm in here, when winter is in full blast out there?' 'Magic.' 'Obviously,' I set down my teaspoon and sipped, nearly sighing at the rush of heat and smoky, rich flavour. 'But why?' Rhys scanned the wind tearing through the peaks. 'You heat a house in the winter- why shouldn't I heat this place as well? I'll admit I don't know why my predecessors built a palace fit for the Summer Court in the middle of a mountain range that's mildly warm at best, but who am I to question?
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
In my research, I came across a neuropsychologist at Emory University, Negar Fani, who studies the effects of PTSD on people of color. She did a study where she scanned the brains of Black women who had experienced continued racist microaggressions in their personal lives and at work, and found that this abuse had changed the structures of their brains.[2] What’s more, their brains had undergone similar structural changes to people who had complex PTSD. The takeaway here: Racism can cause PTSD.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
I move toward her, unable to resist; her eyes are wet, her face flushed, and I can finally look at her, want her, let myself touch her without grief turning everything to ashes in my mouth. “You’ve ruined me,” she repeats, her voice quieting a little as it catches. “You’ve ruined me—you made me wake up. And now I can’t get rid of you.” Her voice surges again as I reach out, curling my hand around her arm, her skin flushed hot under my fingers. “You won’t leave me alone.” I scan her features, my eyes trying to make up for too much time spent trying not to look at her. I can’t look away. “You think I want to be here with you?” I reply, my voice hoarse. “You think if you walked out right now, I’d chase you?” She gazes back at me, her eyes a challenge. “Wouldn’t you?” “You know I would,” I snap, surrendering. “And I have no idea why that’s such a problem.” She jerks her arm free and backs up a step until she hits the door. “It’s a problem because I’d let you!” she blurts. Then, after a harsh breath, she murmurs, “It’s a problem because I’d want you to.
Amie Kaufman & Meagan Spooner (This Shattered World (Starbound, #2))
While you were looking outward, scanning the horizon for threats,” he continued, “you missed what was happening in your own backyard. What was taking root right here, on American soil. In your towns, your shops, in your heartland. Among your friends, in your families. The sensible conservatives moving to the right. The right moving far right. The far right becoming alt-right. Becoming, in their rage and frustration, radicalized thanks to an internet filled with crazy theories, false ‘facts,’ and smug politicians allowed to spew lies.
Hillary Rodham Clinton (State of Terror)
Christy dug her hand deeper into her shoulder bag. Scanning the papers she finally located there, she found no phone numbers or addresses listed. All the plans had been made in such haste. All she knew was that someone was supposed to meet her here. She was here, and he or she wasn't. Never in her life had she felt so completely alone. Stranded with nowhere to turn. A prayer came quickly to her lips. "Father God, I'm at Your mercy here. I know You're in control. Please show me what to do." Suddenly she heard a voice calling to her. "Kilikina!" Christy's heart stopped. Only one person in the entire world had ever called her by her Hawaiian name. She spun around. "Kilikina," called out the tall, blond surfer who was running toward her. Christy looked up into the screaming silver-blue eyes that could only belong to one person. "Todd?" she whispered, convinced she was hallucinating. "Kilikina," Todd wrapped his arms around her so tightly that for an instant she couldn't breathe. He held her a long time. Crying. She could feel his warm tears on her neck. She knew this had to be real. But how could it be? "Todd?" she whispered again. "How? I mean, what...? I don't..." Todd pulled away, and for the first time she noticed the big gouquet of white carnations in his hand. They were now a bit squashed. "For you," he said, his eyes clearing and his rich voice sounding calm and steady. Then, seeing her shocked expression, he asked, "You really didn't know I was here, did you?" Christy shook her head, unable to find any words. "Didn't Dr. Benson tell you?" She shook her head again. "You mean you came all this way by yourself, and you didn't even know I was here?" Now it was Todd's turn to look surprised. "No, I thought you were in Papua New Guinea or something. I had no idea you were here!" "They needed me here more," Todd said with a chin-up gesture toward the beach. "It's the perfect place for me." With a wide smile spreading above his square jaw, he said, "Ever since I received the fax yesterday saying they were sending you, I've been out of my mind with joy! Kilikina, you can't imagine how I've been feeling." Christy had never heard him talk like this before. Todd took the bouquet from her and placed it on top of her luggage. Then, grasping both her quivering hands in his and looking into her eyes, he said, "Don't you see? There is no way you or I could ever have planned this. It's from God." The shocked tears finally caught up to Christy's eyes, and she blinked to keep Todd in focus. "It is," she agreed. "God brought us back together, didn't He?" A giggle of joy and delight danced from her lips. "Do you remember what I said when you gave me back your bracelet?" Todd asked. "I said that if God ever brought us back together, I would put that bracelet back on your wrist, and that time, it would stay on forever." Christy nodded. She had replayed the memory of that day a thousand times in her mind. It had seemed impossible that God would bring them back together. Christy's heart pounded as she realized that God, in His weird way, had done the impossible. Todd reached into his pocket and pulled out the "Forever" ID bracelet. He tenderly held Christy's wrist, and circling it with the gold chain, he secured the clasp. Above their heads a fresh ocean wind blew through the palm trees. It almost sounded as if the trees were applauding. Christy looked up from her wrist and met Todd's expectant gaze. Deep inside, Christy knew that with the blessing of the Lord, Todd had just stepped into the garden of her heart. In the holiness of that moment, his silver-blue eyes embraced hers and he whispered, "I promise, Kilikina. Forever." "Forever," Christy whispered back. Then gently, reverently, Todd and Christy sealed their forever promise with a kiss.
Robin Jones Gunn (A Promise Is Forever (Christy Miller, #12))
There was no movement around the discoloured walls, and Lucy turned the Land Rover about in a slow crawl, the tires crunching on the desiccated earth. She scanned the windows, black squares punched through the sides of the silent blockhouses, looking for threats. As the grumble of the engine died, Marc heard the moan of the steady breeze, and the desolate cluster of buildings seemed like the loneliest place on Earth. ‘Stay alert,’ said Lucy, reaching down into the wheel well to grab her backpack. ‘We don’t know what we’re gonna find here.’ She reached inside and her hand came back with the compact shape of an MP7 sub machinegun. She cocked it with a snap of the receiver, and handed Marc a walkie-talkie. ‘Just in case,’ she added. Marc followed her out of the Land Rover, slipping out of the door with his bag over one shoulder. He had the Glock ready, close to his chest and his finger resting on the trigger guard. He felt acutely aware of every tiny detail around them, the crumbling rocks beneath his boots, the heavy heat of the late afternoon sun, the weight of the loaded gun
James Swallow (Nomad (Marc Dane, #1))
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.
Sophie Jordan (Firelight (Firelight, #1))
Most of us are not prepared to read the Word of God as He deserves. Our training in reading has been typically ordered to anything but reverence. We read in school for tests, developing the art of anticipating the questions of our teachers. We read casually for entertainment and pleasure, as scarce time permits, scanning and skipping around as we freely choose. We read for business, and profit, culling through words for whatever seems of value to us here and now. Words are for us seen as information for our profit, or entertainment or pleasure. Rarely do we have a sense of words as treasure as infinite value, or of food for life of famine, or of clear and clean water in parched, dead-dry desert. Yet the Word of God, in Scripture, is all this and more. His words are a living seed with potentials for full growth that we cannot fully imagine. His words are healing medicine to dying mankind. His words are boundless wealth to the destitute poor, and rejuvenation to those broken by age. His words are all this and more, because they are His words to us, His children whom He loves with a love we can hardly begin to grasp.
R. Thomas Richard (The Ordinary Path to Holiness)
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps. Come to me, he beseeched them. They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes. “Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.” “I can.” Sean’s gaze could cut through shadows as easily as a knife through butter. Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers. He was becoming desperate for more. That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her. Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit. At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again. Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that. “I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.” “Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.” “Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.” “Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.” “First, you’re welcome. Second, I lied.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
We know they've got food here," Loran said ever practical. "What more do we need?" "Well, as much as I heartily approve of food," Jason replied, glancing over at Loran. "I wouldn't say no to the odd cellium mine or cache of alien tech." "You're picking up some alien tech?" Tennant asked excitedly, practically bouncing at the prospect. "Are there any weapons?" "No, of course not," Jason snapped in exasperation. "I'm not picking up anything. But, ahh... I'll be sure to keep running that particular scan - the alien weapon scan," he added hurriedly in appeasement as Tennant's face dropped.
Claire Russett (Catalyst (Argo, #1))
There is a war going on out there, and it's only worth waking to the dying night if you are prepared to be utterly ruthless'; a war - he kept scanning the rooftops - where everything is engaged in a conflict that has no rules; a war in which one side must continually besiege the other, in which to aim at anything but victory was pointless. It was a struggle in which the only power to remain standing was that which looked for no reasons, which was content to accept that the whole thing should remain without an explanation, because - and here he remembered The Prince's advice - it simply didn't exist...
László Krasznahorkai
Elane scan the room and takeing in the white antiseptec decor of Buzzfeed office in Soho. Her eyes land on a wall decoratien, a glareing yellow butten about the size of a parasol. It read simply: LOL. It seem to mock her. Honestly? Elane just dosent fit in here. No one here is under 30 and to Elane it is almost like nobody speaking Englesh. Everything is "HTML 5" this and "Keven Ware sports injery" that and "Game Of Throans recap" this and "Downten Abby parady tumblr" that. She have no idea what any of that mean. She open her face book and feal deep pit of emptynes as she click thru the profiles of her 17 face book frends.
Seinfeld 2000 (The Apple Store)
Leaving the doctor's office,I thought about what I'd said to Jai in the water park in the afterglow of the speed slide. "Even if the scan results are bad tomorrow," I had told her, "I just want you to know that it feels great to be alive, and to be here today, alive with you. Whatever news we get about the scans, I'm not going to die when we hear it. I won't die the next day, or the day after that, or the day after that. So today, right now, well this is a wonderful day. And I want you to know how much I'm enjoying it." I thought about that, and about Jai's smile. I kew then. That's the way the rest of my life would need to be lived.
Randy Pausch (The Last Lecture)
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
This day have I begotten thee.” If this refers to the Godhead of our Lord, let us not attempt to fathom it, for it is a great truth, a truth reverently to be received, but not irreverently to be scanned. It may be added, that if this relates to the Begotten One in his human nature, we must here also rejoice in the mystery, but not attempt to violate its sanctity by intrusive prying into the secrets of the Eternal God. The things which are revealed are enough, without venturing into vain speculations. In attempting to define the Trinity, or unveil the essence of Divinity, many men have lost themselves: here great ships have foundered. What have we to do in such a sea with our frail skiffs?
Charles Haddon Spurgeon (The Treasury of David: Commentary on the Psalms (Complete Six Volumes))
I wonder where they’ll go,” Jake continued, frowning a little. “There’s wolves out there, and all sorts of beasts.” “No self-respecting wolf would dare to confront that duenna of hers, not with that umbrella she wields,” Ian snapped, but he felt a little uneasy. “Oho!” said Jake with a hearty laugh. “So that’s what she was? I thought they’d come to court you together. Personally, I’d be afraid to close my eyes with that gray-haired hag in bed next to me.” Ian was not listening. Idly he unfolded the note, knowing that Elizabeth Cameron probably wasn’t foolish enough to have written it in her own girlish, illegible scrawl. His first thought as he scanned the neat, scratchy script was that she’d gotten someone else to write it for her…but then he recognized the words, which were strangely familiar, because he’d spoken them himself: Your suggestion has merit. I’m leaving for Scotland on the first of next month and cannot delay the trip again. Would prefer the meeting take place there, in any case. A map is enclosed for direction to the cottage. Cordially-Ian. “God help that silly bastard if he ever crosses my path!” Ian said savagely. “Who d’you mean?” “Peters!” “Peters?” Jake said, gaping. “Your secretary? The one you sacked for mixin’ up all your letters?” “I should have strangled him! This is the note I meant for Dickinson Verley. He sent it to Cameron instead.” In furious disgust Ian raked his hand through his hair. As much as he wanted Elizabeth Cameron out of his sight and out of his life, he could not cause two women to spend the night in their carriage or whatever vehicle they’d brought, when it was his fault they’d come here. He nodded curtly to Jake. “Go and get them.” “Me? Why me?” “Because,” Ian said bitterly, walking over to the cabinet and putting away the gun, “it’s starting to rain, for one thing. For another, if you don’t bring them back, you’ll be doing the cooking.” “If I have to go after that woman, I want a stout glass of something fortifying first. They’re carrying a trunk, so they won’t get much ahead of me.” “On foot?” Ian asked in surprise. “How did you think they got up here?” “I was too angry to think.
Judith McNaught (Almost Heaven (Sequels, #3))
I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange." I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night." "Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here." I wound the thread around my finger. "What passage was it marking?" He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'" I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp. "I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.
Molly Harper (Nice Girls Don't Bite Their Neighbors (Jane Jameson, #4))
It doesn’t take a literary detective, scanning the passage above, to notice that he is partly saying of Orwell what Orwell actually says about Gissing. This half-buried resentment can be further noticed when Williams turns to paradox. I have already insisted that Orwell contains opposites and even contradictions, but where is the paradox in a ‘humane man who communicated an extreme of inhuman terror’? Where is the paradox in ‘a man committed to decency who actualized a distinctive squalor’? The choice of verbs is downright odd, if not a little shady. ‘Communicated’? ‘Actualised’? Assuming that Williams means to refer to Nineteen Eighty-Four in the first case, which he certainly does, would it not be more precise to say that Orwell ‘evoked’ or even ‘prefigured’ or perhaps simply ‘described’ an extreme of inhuman terror? Yet that choice of verb, because more accurate, would be less ‘paradoxical.’ Because what Williams means to imply, but is not brave enough to say, is that Orwell ‘invented’ the picture of totalitarian collectivism. As for ‘actualising’ a distinctive squalor, the author of that useful book Keywords has here chosen a deliberately inexact term. He may mean Nineteen Eighty-Four again—he is obsessed with the ‘gritty dust’ that infests Orwell’s opening passage—or he may mean the depictions of the mean and cramped (and malodorous) existence imposed on the denizens of Wigan Pier. But to ‘actualise’ such squalor is either to make it real—no contradiction to decency—or to make it actually occur, a suggestion which is obviously nonsensical.
Christopher Hitchens
In the back seat, Macanay was scanning the area through a pair of bulky Pentax binoculars. Next to him were pages of printed photos, most of them downloaded from social media accounts, of an olive-skinned young man in various posed shots. Here he was in a bath full of crushed ice with two barely dressed supermodels; here tugging on the lead of an illegally bought pet tiger cub; leaning idly on the fuselage of a private jet; or taking a draw from a hookah in the shape of a golden AK-47. There were also a half-dozen pictures of a crimson Maserati Ghibli, including blow-ups of the car’s number plate. Macanay’s silenced Beretta pistol sat on top of the pages to stop them slipping off the seat, and another identical gun was in the door compartment at Guhaad’s side, where he could reach it easily.
James Swallow (Exile (Marc Dane, #2))
As if all the stories of the contamination of the scientific literature, the waste, the corrosive effect on trust and even the deaths aren’t bad enough, here’s that terrifying thought again: these are just the ones we know about. Could it be that the fraudsters we haven’t caught are smarter, more cunning and more dangerous than any of those covered in this chapter? Many scientific fraudsters, after all, are exposed not by data sleuths or by scanning papers for faked images, but by whistleblowers who just happened to be in the right place at the right time to spot something suspect. It’s overwhelmingly likely that some fraudsters exist who have evaded such detection, who have concealed their misdeeds more effectively and produced fake science that doesn’t raise any questions. It’s entirely possible that we’ll never find them.
Stuart Ritchie (Science Fictions)
-Now the paperwork – -What if I don’t want to do the Ultimate, right away? Maybe I want to ease into this thing gently. -No you don’t. -I might. I might just want to ease into the activity, the idea of it. -it’ll be fine, said Rebecca. -you will be fine, and no regrets, honestly. Jillian took me over to the desk. -No possible regrets, said Rebecca, just sign this, she handed me a sheaf of forms. -Jesus I don’t want to buy the place, I scanned the pages – 45 pages. -just fill in page 25 through28 and sign. -Pages 25 through 28, what is this? Rebecca took the pages of forms from my hand – look its simple stuff, here we’ll read it through. Jillian looked over her shoulder at the pages -weight? -what? - Say 110, Jillian said. -Height? -5’ 8’’, Jillian again. -Hair length? -What? Why? -Long, Jillian again. -Cup size? - O come on. - say C -how about say nothing, I was getting angry -Shaved or bikini or natural? -Fuck off Rebecca ticked a box anyway – well she was at the waxing too. Why ask in fact? -Last menstrual cycle? - enough, enough, give me those papers -Yes ignore that, said Rebecca taking the pages away from my grasping hand -Tested? she said this to Jillian -Tested? What tested? What do you mean tested? -Yes, said Jillian, I forwarded a blood sample from the main island -You what! -You were sleeping. -Great now sign here, Rebecca handed me a page and a pen -Who has blood samples for a theme park? -Everyone -especially the staff, can’t have mi’lady getting STDs I took a breath -This is getting a bit weird guys are you sure? I mean, well this is a bit, weird. -We’re 100 and a million per cent sure, said Jillian - 100 million per cent, said Rebecca
Germaine Gibson (Theme Park Erotica)
Constantine leaned in and curled a piece of my false hair around his finger. “We should do lunch instead,” he said, entirely audible so that the whole hallway could hear. I blinked at him. “You've been working too hard and these brats will still be here. I'll treat you.” He leaned in, bringing the lock of borrowed black hair to rub against his lips. “We need to finish our tasks,” I said aloud, swallowing nervously and trying not to watch as another person passed us. She rolled her eyes as the door-magic scanned her. “Are you certain I can't convince you?” he asked me, somewhat lasciviously. “Maybe...maybe after?” Constantine's hand thrust out and gripped the closing door, his finger sliding over the edge deliberately. The door opened again. His gaze never left mine. “I'll hold you to that.” “I don't know, Trick,” Loudon said cheerfully. “Seems like—ow!
Anne Zoelle (The Destiny of Ren Crown (Ren Crown, #5))
Catherine glimpsed him again, leaning against the wall, arms folded. People passed back and forth between them, but she caught flashes of his face. His expression was tense and unhappy and his eyes still focused on her. She ducked behind a large man to hide and chatted with various people to keep the distance of a room between them. She’d known Jim would probably be here tonight and she’d planned to greet him politely as a teacher would treat a student since everyone knew she was tutoring him anyway. But that smoldering look he’d given her had changed everything. The way he looked and the way she felt, surely if they got within a foot of each other the entire town would see the combustible attraction between them as if they’d shouted it aloud. No. Better to accept a dance with some white-bearded farmer who would swing her around hard enough to tear her bodice seam. Better to help Mrs. Hildebrandt cut one of the cakes at the refreshment table and gush over Polly Flint’s new baby or spend a moment in the coatroom fixing Jennie’s straggling curls. Better to chat or dance with every member of the Broughton community than admit to the fact that Jim was standing solitary and friendless in his brand new suit, waiting for her to acknowledge him At one point it seemed he might approach her as he moved through the crowd in her direction. But when Catherine flitted away, putting more distance between them, he stopped and stationed himself by the wall once more, leaving it up to her to come to him. To her infinite shame, she didn’t—not even to say a quick “hello,” and when she next stole a surreptitious glance toward him, he was gone. She scanned the room. He’d left the building. She had no idea how long he’d been gone.
Bonnie Dee (A Hearing Heart)
When you're being chased by a lion, what do you do? You run. So when you're stressed out by your job (or by your sex life), what do you do? You run...or walk, or get on the elliptical machine or go out dancing or even just dance around your bedroom. Physical activity is the single most efficient strategy for completing the stress response cycle and recalibrating your central nervous system into a calm state...Here are some other things that science says can genuinely help us not only "feel better" but actually faciliatate the completion of the stress response cycle: sleep; affection (more on that in the next section); any form of meditation, including mindfulness, yoga, tai chi, body scans, etc. (more on that in chapter 9); and allowing yourself a good old cry or primal scream-though you have to be careful with this one...Art, used in the same way, can help.
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
People who have problems with me . . . they’re the problems. It’s not me, it never was me. I move the most recent piece of paper that’s driving me crazy around a few more times, turning it clockwise over and over, even flipping it to the other side. It’s solid white, after all. There could be any number of places it’d go in this invoice puzzle. There! I get it slipped into place and pick up another one. I’m so close I can smell it! Victory, not trash. Still don’t smell that. Turn, turn, turn, flip, turn, turn. I pull on my magnifying glasses to look at the edge a little closer. On a few pieces, I’ve been able to tell which side is the front by the tear. Hmm, it looks like it goes this way. Here? No. Here? No. Grr. I’m making such good progress, but it’s not coming together. With the magnification glasses on, I lean down close to scan the pieces I have left to get into place and one catches my eye. I pick it up and examine it closely under the light, reading the text printed there. This
Lauren Landish (Drop Dead Gorgeous)
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
I shuffled my weight from foot to foot, trying to relieve some of the soreness and wondering how long it would take Reth to figure out where I was and get into Raquel’s room. The door slid open in reply. Jack and I darted in, letting out twin sighs of relief. Lend, of course, immediately dropped to the floor. Naked, still. I doubted Raquel had anything in his size. “He was rather upset waking up in the Faerie Paths with me,” Reth said. “I can’t imagine.” I quickly scanned Raquel’s austere living room area. “There, help me get him into that closet.” Jack grabbed an arm and we dragged my poor boyfriend across the floor and shoved him into the tiny coat closet next to Raquel’s vacuum. I added watching Lend walk to the things I missed most about him. We closed the door and after a few moments a loud thunk sounded. “What the—Where am I? Evie?” “Right here,” I said, tapping on the door. “You’re in a closet in Raquel’s unit.” “Why?” “Because I’m going to search the rest of her place and I didn’t want you to risk brain damage by any more unconscious falls.” He muttered something unintelligible but distinctly grouchy and I turned, quickly scanning the room.
Kiersten White (Endlessly (Paranormalcy, #3))
I’d never seen a Christmas tree so big in person. “Isn't she beautiful?” Deidra asked when she reached my side. I’d been so busy gawking I hadn't heard her approach. “It’s huge.” Again with the stating the obvious. “Where’d you get it?” “Gregory grows them at the edge of the property.” Sure, because getting a tree that big so far from the city was completely ludicrous. No wonder the entire house smelled of pine. “How’d you get it in here?” “Do you really want to know or do you want to help decorate it?” Deidra picked up my bags of presents and brought them toward the monster tree. They’d already wrapped it with white twinkle lights. “I think I saw a squirrel in there,” I teased, finally able to move. The closer I got the bigger the tree seemed.“Really?” one of the guys said, stopping mid-chorus while the others continued. A lock of gray hair fell over his forehead when he scanned the tree. “I could have sworn we’d checked to make sure none of the tenants were left over.” I chuckled at his consternation. “Chill. I didn't really see one.” Placing his hand at the center of his chest, he breathed a sigh of relief. Afterwards he rounded the tree, making sure the squirrel I’d joked about wasn't really there. Mental note:don’t tease the servants. They were way too dedicated.
Kate Evangelista (Savor (Vicious Feast, #1))
Scupper walked to the sitting room, calling back, “I used to know most of it by heart, but not anymore. But here it is, I’ll read it to ya.” He sat back down at the table and began reading. When he got to this segment: “And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said, ‘Please close that door. It’s fine in here, but I greatly fear you’ll let in the cold and storm— Since I left Plumtree down in Tennessee, it’s the first time I’ve been warm.’” Scupper and Tate chuckled. “Your mom always laughed at that.” They smiled, remembering. Just sat there a minute. Then Scupper said he’d wash up while Tate did his homework. In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.
Delia Owens (Where the Crawdads Sing)
Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’ The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow. The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole. Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the far end, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap. That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself. I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.
Jacques Yonnet (Paris Noir: The Secret History of a City)
Guy was going to self-terminate for any reason, he’d have finished putting his pajamas on and gotten into bed nice and comfy first. So means are foul. Where’s Sommers?” “I don’t know why they bother to keep me around here.” But he was grinning as he slid the brain into a tray for scan and analysis. “I expect the tox eval will verify both our suspicions shortly. Sommers is done, and in a cold box. Her family and boyfriend came in together this morning. I was able to block them from seeing her, though it wasn’t easy. I had to use official grounds.” “The eyes aren’t public yet, and I don’t want them to be, not even to next of kin. Even family and lovers can leak to the media. More so if they’re grieving or pissed. No access outside of need-to-know to any of the vics in this investigation.” “You want to see her again.” “Yeah.” “Let me clean up a bit. Our gentleman friend will hold.” He went to the sink to scrub blood, matter, and sealant from his hands. “Her body was more traumatized than the others.” “Violence is escalating. I know.” “So is his pace.” Morris dried his hands, then removed his protective gear, dumping it in a hamper. “We’re closer. Every minute, we’re closer.” “I have no doubt. Well.” He stepped over in his pristine blue shirt and red necktie, offered his arm. “Shall we?” She laughed, as only he could make her in the company of the
J.D. Robb (Visions in Death (In Death, #19))
Everything was silent except for his heavy breathing. Steele tugged the helmet off and heard frantic voices coming closer. He hit the riser release, stripped the 1911 from his chest, and held the pistol at the ready. Outside the voices were getting closer. “He is in here!” someone yelled in Arabic. “Kill him, kill him!” The door flew open, revealing a man with an AK-47 who stood there scanning the interior. Steele waited for him to step inside, then dropped him with a shot to the skull. He scrambled to his feet. There was no time to grab his rifle from his pack—the only thing he could do was press the attack. Moving to the door, he saw three more men running toward him, their chests heaving and fingers on the triggers. The closest man saw him step out. He wasn’t expecting one man to attack and his eyes widened in surprise. “Not today, boys.” Steele fired the first round too fast and it hit his target in the hip. The round spun him like a top, but Steele frowned, knowing he had rushed the shot. He settled automatically into a shooter’s stance and reengaged the first target before shifting fire to the other two. Thwap, thwap, thwap. The suppressed 9mm bounced from chest to chest, sending a hollow point mushrooming into each. All three men were down before the first casing tumbled to the ground. Steele stepped out and finished them off with a single shot to the head.
Sean Parnell (Man of War (Eric Steele #1))
But he did not follow the explanation. In the management of his life he was foolish. In mathematics, moronic. His IQ must have halved, for here was another of those moments when he knew he had reached the summit of his understanding. A ceiling, a mountain fog through which he could not pass. His eleven-year-old son was on higher ground, in a clear space his father would never know. As he walked he thought that, apart from raising a child, all else in his life had been and remained formless and he could not see how to change it. Money could not save him. Nothing achieved. What happened to the tune he had started to write more than thirty years ago and was going to send to the Beatles? Nothing. What had he made since? Nothing, beyond a million tennis strokes, a thousand renditions of “Climb Every Mountain.” He blushed now to read his earnest poems. His father was cut down in an instant. His mother was beginning a decline into mindlessness. He knew that a scan would confirm it. Both fates spoke to his own. In theirs he saw the measure of his own existence. He remembered his parents well enough at his age now. From then onwards nothing changed for them apart from physical decline and illness. How easy it was to drift through an unchosen life, in a succession of reactions to events. He had never made an important decision. Except to leave school. No, that too was a reaction. He supposed he had put together a sort of education for himself, but that was messily done in a spirit of embarrassment or shame.
Ian McEwan (Lessons)
A bomb here and a bullet there A bomb here and a bullet there, A wall riddled with bullets everywhere, A man dead, a woman crying, A young child crying and for nobody’s sake dying, A building collapsing somewhere, Homes on fire everywhere, A soldier scanning for enemies, A civilian seeking innocence in these wary faces who too are born of fairies, A state of emergency declared in the war torn regions, It is a crisis of all sorts, for humans, for every life form, and for my once familiar flock of pigeons, Feelings of nothingness and nowhere appear to dominate, Because that is what happens to mind when you have nothing to share but only hate, A bullet to kill someone you don't even know, A bomb to destroy a home that for someone is all he/she could ever know, All gone, all lost, all turned to ash, And from the sky a plane falls, it appears to be a fateful crash, Where someone will die soon, And it will be missed by many, and ah the pain of the moon, To not find him anywhere not even in the sky, For when you crash in wars you do not die, A part of you lies on Earth and a part of you hangs somewhere in the Sky, Confusing the angel of death whether to claim the remains that lie on the Earth or the hopes that died in the Sky, Wars do not end when bullets are not fired and bombs do not fall anymore, Because those who lose their hopes to wars are in a state of war forever and its immortal pain is what their hearts cannot ignore, For a few it is just about a bomb here and a bullet there, Unable to see injured memories and dying hopes everywhere!
Javid Ahmad Tak (They Loved in 2075!)
His skin was darker than I'd remembered- golden now, rather than pale. Pale, from being locked Under the Mountain for fifty years. I scanned him, searching for any sign of the massive, membranous wings- the ones he'd admitted he'd loved flying with. But there was none. Just the male, smirking at me. And that too-familiar expression- 'How dare you-' Rhys snorted. 'I certainly missed that look on your face.' He stalked closer, his movements feline, those violet eyes turning subdued- lethal. 'You're welcome, you know.' 'For what?' Rhys paused less than a foot away, sliding his hands into his pockets. The night didn't seem to ripple from him here- and he appeared, despite his perfection, almost normal. 'For saving you when asked.' I stiffened. 'I didn't ask for anything.' His stare dipped to my hand. Rhys gave no warning as he gripped my arm, snarling softly, and tore off the glove. His touch was like a brand, and I flinched, yielding a step, but he held firm until he'd gotten both gloves off. 'I heard you begging someone, anyone, to rescue you, to get you out. I heard you say no.' 'I didn't say anything.' He turned my bare hand over, his hold tightening as he examined the eye he'd tattooed. He tapped the pupil. Once. Twice. 'I heard it loud and clear.' I wrenched my hand away. 'Take me back. Now. I didn't want to be stolen away.' He shrugged. 'What better time to take you here? Maybe Tamlin didn't notice you were about to reject him in front of his entire court- maybe you can now simply blame it on me.' 'You're a bastard. You made it clear enough that I had... reservations.' 'Such gratitude as always.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The last refuge of the Self, perhaps, is “physical continuity.” Despite the body’s mercurial nature, it feels like a badge of identity we have carried since the time of our earliest childhood memories. A thought experiment dreamed up in the 1980s by British philosopher Derek Parfit illustrates how important—yet deceiving—this sense of physical continuity is to us.15 He invites us to imagine a future in which the limitations of conventional space travel—of transporting the frail human body to another planet at relatively slow speeds—have been solved by beaming radio waves encoding all the data needed to assemble the passenger to their chosen destination. You step into a machine resembling a photo booth, called a teletransporter, which logs every atom in your body then sends the information at the speed of light to a replicator on Mars, say. This rebuilds your body atom by atom using local stocks of carbon, oxygen, hydrogen, and so on. Unfortunately, the high energies needed to scan your body with the required precision vaporize it—but that’s okay because the replicator on Mars faithfully reproduces the structure of your brain nerve by nerve, synapse by synapse. You step into the teletransporter, press the green button, and an instant later materialize on Mars and can continue your existence where you left off. The person who steps out of the machine at the other end not only looks just like you, but etched into his or her brain are all your personality traits and memories, right down to the memory of eating breakfast that morning and your last thought before you pressed the green button. If you are a fan of Star Trek, you may be perfectly happy to use this new mode of space travel, since this is more or less what the USS Enterprise’s transporter does when it beams its crew down to alien planets and back up again. But now Parfit asks us to imagine that a few years after you first use the teletransporter comes the announcement that it has been upgraded in such a way that your original body can be scanned without destroying it. You decide to give it a go. You pay the fare, step into the booth, and press the button. Nothing seems to happen, apart from a slight tingling sensation, but you wait patiently and sure enough, forty-five minutes later, an image of your new self pops up on the video link and you spend the next few minutes having a surreal conversation with yourself on Mars. Then comes some bad news. A technician cheerfully informs you that there have been some teething problems with the upgraded teletransporter. The scanning process has irreparably damaged your internal organs, so whereas your replica on Mars is absolutely fine and will carry on your life where you left off, this body here on Earth will die within a few hours. Would you care to accompany her to the mortuary? Now how do you feel? There is no difference in outcome between this scenario and what happened in the old scanner—there will still be one surviving “you”—but now it somehow feels as though it’s the real you facing the horror of imminent annihilation. Parfit nevertheless uses this thought experiment to argue that the only criterion that can rationally be used to judge whether a person has survived is not the physical continuity of a body but “psychological continuity”—having the same memories and personality traits as the most recent version of yourself. Buddhists
James Kingsland (Siddhartha's Brain: Unlocking the Ancient Science of Enlightenment)
knocking again, but there is still no reply.  “Jackson?” she yells.  When there is no response, she opens the heavy oak door.  Music overloads her as she walks into his room.                 Her eyes scan the space, and when they fall on Jackson, she’s mortified.  He turns around, without his shirt on.  “Do you often walk into a person’s room uninvited?” he asks.                 Unable to speak, Kayla gawks at him.  Finally, she sputters, “I knocked a couple of times and even…called…out your name.”                 Jackson walks to his closet.  He yanks a shirt off a hanger and pulls it on.  “Sorry, I couldn’t hear you.”                 “Obviously,” Kayla yells over the music.  She walks over to the stereo and turns it down.  “Dear Lord, Jackson, how are you not deaf?”                 “It distracts me,” Jackson mumbles.  “Why are you here anyway?”                 Kayla sits on his bed.  “To spend time with you and to work on our project.”                 “What?  You didn’t want to get to know Damien?” Jackson grumbles, returning to his desk.                 “Jackson, I have no idea who Damien is, and for some reason he’s talking like he’s interested in me, which I do not understand.”                 He turns and looks at her.  “Kayla, I feel protective of you and just want you to be careful with Damien.  His motives…well…you may not understand them.  Just be careful.”                 “Should I be worried?  Is he a bad guy?”                 Jackson shakes his head. “No, not at all. He rubs me the wrong way, but he isn’t a bad guy.  I wish he were, but he isn’t.  Full of himself, yes, but—”                 “So are you,” Kayla interrupts.  Jackson smirks and nods. The song over the speakers changes and
Sarah Kay Carter (Shift (The Neturu Chronicles #1))
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
I gesture with the jacket. “Do you want me to leave this somewhere?” I only ask it because it’s polite. I don’t want him to say yes. I don’t know what exactly it is I want him to say, only for it to be something that gives me an excuse to stay here watching him for a few more minutes. Admitting this to myself is a sharp blow to my pride, as, with the exception of my six-year-old self’s desire to marry Dr. Halsal, I’d always thought I was above being fascinated by anyone but myself. On the other side of the stall door, Sean looks up and down the aisle, as if he’s scouting for a place for me to hang the jacket, but then he frowns at me as if that wasn’t what he was looking for at all. “I’m nearly done. Can you wait?” I try not to stare at where his hand rests on the red stallion’s neck. It’s a warning, the way his fingers lean into his skin, telling Corr to keep his distance, but it’s a comfort as well, the way that I would touch Dove to remind her just that I’m there. The difference, though, is that Corr killed a man yesterday morning. I say, “I suppose I have one minute or two to put together.” Sean does the sweep of his eyes that he does, the one that goes from my head to my toes and back again and makes me feel that he’s scanning the depths of my soul and teasing out my motivations and sins. It’s worse than confession with Father Mooneyham. At the end of it, he says, “If you help, this will go faster.” There is a little narrowing to his eyes at the end of it that makes me understand that this is a test. Whether or not I’m brave enough to go into the stall with Corr after yesterday morning, after I’ve had time to think about what happened. The thought of it makes my pulse trip. The question is not if I trust Corr. The question is if I trust Sean. “What would helping look like?” I answer, and Sean’s face clears like a fair day over Skarmouth. He spits on his fingers again and pushes Corr toward the back wall of the stall to give me room to open the door. I stand inside the stall.
Maggie Stiefvater (The Scorpio Races)
Sexual Excitation System (SES). This is the accelerator of your sexual response. It receives information about sexually relevant stimuli in the environment—things you see, hear, smell, touch, taste, or imagine—and sends signals from the brain to the genitals to tell them, “Turn on!” SES is constantly scanning your context (including your own thoughts and feelings) for things that are sexually relevant. It is always at work, far below the level of consciousness. You aren’t aware that it’s there until you find yourself turned on and pursuing sexual pleasure. Sexual Inhibition System (SIS). This is your sexual brake. “Inhibition” here doesn’t mean “shyness” but rather neurological “off” signals. Research has found that there are actually two brakes, reflecting the different functions of an inhibitory system. One brake works in much the same way as the accelerator. It notices all the potential threats in the environment—everything you see, hear, smell, touch, taste, or imagine—and sends signals saying, “Turn off!” It’s like the foot brake in a car, responding to stimuli in the moment. Just as the accelerator scans the environment for turn-ons, the brake scans for anything your brain interprets as a good reason not to be aroused right now—risk of STI transmission, unwanted pregnancy, social consequences, etc. And all day long it sends a steady stream of “Turn off!” messages. This brake is responsible for preventing us from getting inappropriately aroused in the middle of a business meeting or at dinner with our family. It’s also the system that throws the Off switch if, say, in the middle of some nookie, your grandmother walks in the room. The second brake is a little different. It’s more like the hand brake in a car, a chronic, low-level “No thank you” signal. If you try to drive with the hand brake on, you might be able to get where you want to go, but it’ll take longer and use a lot more gas. Where the foot brake is associated with “fear of performance consequences,” the hand brake is associated with “fear of performance failure,” like worry about not having an orgasm.
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.
Ernest Cline (Ready Player One (Ready Player One, #1))
A different approach was taken in 1972 by Dr. Walter Mischel, also of Stanford, who analyzed yet another characteristic among children: the ability to delay gratification. He pioneered the use of the “marshmallow test,” that is, would children prefer one marshmallow now, or the prospect of two marsh-mallows twenty minutes later? Six hundred children, aged four to six, participated in this experiment. When Mischel revisited the participants in 1988, he found that those who could delay gratification were more competent than those who could not. In 1990, another study showed a direct correlation between those who could delay gratification and SAT scores. And a study done in 2011 indicated that this characteristic continued throughout a person’s life. The results of these and other studies were eye-opening. The children who exhibited delayed gratification scored higher on almost every measure of success in life: higher-paying jobs, lower rates of drug addiction, higher test scores, higher educational attainment, better social integration, etc. But what was most intriguing was that brain scans of these individuals revealed a definite pattern. They showed a distinct difference in the way the prefrontal cortex interacted with the ventral striatum, a region involved in addiction. (This is not surprising, since the ventral striatum contains the nucleus accumbens, known as the “pleasure center.” So there seems to be a struggle here between the pleasure-seeking part of the brain and the rational part to control temptation, as we saw in Chapter 2.) This difference was no fluke. The result has been tested by many independent groups over the years, with nearly identical results. Other studies have also verified the difference in the frontal-striatal circuitry of the brain, which appears to govern delayed gratification. It seems that the one characteristic most closely correlated with success in life, which has persisted over the decades, is the ability to delay gratification. Although this is a gross simplification, what these brain scans show is that the connection between the prefrontal and parietal lobes seems to be important for mathematical and abstract thought, while the connection between the prefrontal and limbic system (involving the conscious control of our emotions and pleasure center) seems to be essential for success in life. Dr. Richard Davidson, a neuroscientist at the University of Wisconsin–Madison, concludes, “Your grades in school, your scores on the SAT, mean less for life success than your capacity to co-operate, your ability to regulate your emotions, your capacity to delay your gratification, and your capacity to focus your attention. Those skills are far more important—all the data indicate—for life success than your IQ or your grades.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
Oh, by the way, security told me earlier that some guy showed up, claiming to be your assistant.” “Already? What time is it?” “It’s almost one o’clock,” he says. “Are you telling me you actually hired someone?” My heart drops. I shove past Cliff, ignoring him as he calls for me, wanting his question answered. I head straight for security, spotting Jack standing along the side with a guard, looking somewhere between disturbed and amused. “Strangest shit I’ve ever witnessed in Jersey,” Jack says, looking me over. “And that’s saying something, because I once saw a chimpanzee roller skating, and that was weird as fuck.” “I’m going to take that as a compliment, even though I know it isn’t one,” I say, grabbing his arm and making him follow me. It’s about a two-and-a-half hour drive to Bennett Landing, but I barely have two hours. “Please tell me you drove.” Before he can respond, I hear Cliff shouting as he follows. “Johnny! Where are you going?” “Oh, buddy.” Jack glances behind us at Cliff. “Am I your getaway driver?” “Something like that,” I say. “You ever play Grand Theft Auto?” “Every fucking day, man.” “Good,” I say, continuing to walk, despite Cliff attempting to catch up. “If you can get me where I need to be, there will be one hell of a reward in it for you.” His eyes light up as he pulls out a set of car keys. “Mission accepted.” There’s a crowd gathered around set. They figured out we’re here. They know we’re wrapping today. I scan the area, looking for a way around them. “Where’d you park?” I ask, hoping it’s anywhere but right across the street. “Right across the street,” he says. Fuck. I’m going to have to go through the crowd. “You sure you, uh, don’t want to change?” Jack asks, his eyes flickering to me, conflicted. “No time for that.” The crowd spots me, and they start going crazy, making Cliff yell louder to get my attention, but I don’t stop. I slip off of set, past the metal barricades and right into the street, as security tries to keep the crowd back, but it’s a losing game. So we run, and I follow Jack to an old station wagon, the tan paint faded. “This is what you drive?” “Not all of us grew up with trust funds,” he says, slapping his hand against the rusted hood. “This was my inheritance.” “Not judging,” I say, pausing beside it. “It’s just all very ‘70s suburban housewife.” “That sounds like judgment, asshole.” I open the passenger door to get in the car when Cliff catches up, slightly out of breath from running. “What are you doing, Johnny? You’re leaving?” “I told you I had somewhere to be.” “This is ridiculous,” he says, anger edging his voice. “You need to sort out your priorities.” “That’s a damn good idea,” I say. “Consider this my notice.” “Your notice?” “I’m taking a break,” I say. “From you. From this. From all of it.” “You’re making a big mistake.” “You think so?” I ask, looking him right in the face. “Because I think the mistake I made was trusting you.” I get in the car, slamming the door, leaving Cliff standing on the sidewalk, fuming. Jack starts the engine, cutting his eyes at me. “So, where to? The unemployment office?” “Home,” I say, “and I need to get there as soon as possible, because somebody is waiting for me, and I can't disappoint her.
J.M. Darhower (Ghosted)