Sayings Rambling Quotes

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If you ramble enough, people will think what you’re saying is true, right?
Tara Sivec (Love and Lists (Chocoholics, #1))
Do not listen to the mad ramblings of a broken man. He means none of what he says and only half of what he doesn’t.
Marie Hall (Kingdom Series Collection #1-3 (Kingdom, #1-3))
Everything you wanted to say required a context. If you gave the full context, people thought you a rambling old fool. If you didn’t give the context, people thought you a laconic old fool.
Julian Barnes (Staring at the Sun)
Nell's husband has short-man syndrome. Eddie is one of those deadly dull people who is so upbeat that I suspect he would subconsciously like to go through the neighborhood, house by house, with a machine gun. He seems oblivious to the effect that his long, rambling monologues have on people - he doesn't notice the blank faces, the fingers flexing like those of people buried alive, the ocular tics. You could write down his words verbatim, show them to him, and he'd probably say, 'I know someone just like that!' Then he'd tell you about that person until your teeth hurt. His hostage-taking is passive-aggressive.
Anne Lamott (Grace (Eventually): Thoughts on Faith)
Of course, if you...if you don't want to," he says into the silence, sliding his gaze away from me, "I can accept that. I won't bring it up again. I know I'm not....I know what I'm like. That I'm infuriating. And selfish. And cruel. I know I'm not perfect the way my brother is, and I manage to disappoint my parents every time. It's okay if you don't choose me, really—I never expected to be the first choice. I wouldn't blame you‚—" "I do choose you." He doesn't seem to hear me at first. He's still talking, rambling really, the words flowing out like rainwater. "I can't always say pretty things, and sometimes I tease you when really I just want you to look my way, and—wait." He stops. Even his breath freezes in his throat. "What...did you just say? Say it again." "I choose you," I say quietly, glad for the shadows concealing my flushed cheeks. For the support of the wall behind me. "You will always be my first choice, Julius Gong.
Ann Liang (I Hope This Doesn't Find You)
The time of minor poets is coming. Good-by Whitman, Dickinson, Frost. Welcome you whose fame will never reach beyond your closest family, and perhaps one or two good friends gathered after dinner over a jug of fierce red wine… While the children are falling asleep and complaining about the noise you’re making as you rummage through the closets for your old poems, afraid your wife might’ve thrown them out with last spring’s cleaning. It’s snowing, says someone who has peeked into the dark night, and then he, too, turns toward you as you prepare yourself to read, in a manner somewhat theatrical and with a face turning red, the long rambling love poem whose final stanza (unknown to you) is hopelessly missing.
Charles Simic (The World Doesn't End)
Jenna had tried to cheer me up that morning, saying, "At least you have it with a hot guy." "Archer isn't hot anymore," I'd fired back. "He tried to kill me, and his girlfriend is Satan." But I have to admit that as we stood beside each other on the cellar steps and listened to the Vandy ramble on about what we were supposed to do down there, I couldn't help but sneak sideways glances at him and notice that, homicidal tendencies and evil girlfriends aside, he was still hot. As usual,his tie was loose and his shirt-sleeves were rolled up. He was watching the Vandy with this bored, vaguely amused look, arms crossed over his chest. That pose did most excellent things for his chest and arms.How unfair was it that Elodie of all people got that as a boyfriend? I mean, where is the justice when-" "Miss Mercer!" the Vandy barked, and I jumped high enough to nearly lose my balance. I clutched the banister next to me, and Archer caught my other elbow. Then he winked, and I immediately turned my attention back to the Vandy like she was the most fascinating person I'd ever seen. "Do you need me to repeat anything, Miss Mercer?" she sneered. "N-no. I got it," I stammered. She stared at me for a minute. I think she was trying to come up with a witty put-down.But the Vandy,like most mean people, was dumb, so in the end, she just sort of growled and pushed between me and Archer to stalk up the stairs. "One hour!" she called over her shoulder. The ancient door didn't so much as creak as scream in pain as she pushed it closed.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I own that I am disposed to say grace upon twenty other occasions in the course of the day besides my dinner. I want a form for setting out upon a pleasant walk, for a moonlight ramble, for a friendly meeting, or a solved problem. Why have none for books, those spiritual repasts - a grace before Milton - a grace before Shakespeare - a devotional exercise proper to be said before reading the Fairy Queen?
Charles Lamb (Essays of Elia and Last Essays of Elia)
When you speak, be sure of what you are speaking. Don't be rambling full of words that have no integrity or truth. Nobody wants to confide in you when they doubt what you say. If you are filled with untruths, those characteristics make it hard for anyone to believe in you.
Amaka Imani Nkosazana (Sweet Destiny)
The Author To Her Book Thou ill-formed offspring of my feeble brain, Who after birth did'st by my side remain, Till snatcht from thence by friends, less wise than true, Who thee abroad exposed to public view, Made thee in rags, halting to th' press to trudge, Where errors were not lessened (all may judge). At thy return my blushing was not small, My rambling brat (in print) should mother call. I cast thee by as one unfit for light, The visage was so irksome in my sight, Yet being mine own, at length affection would Thy blemishes amend, if so I could. I washed thy face, but more defects I saw, And rubbing off a spot, still made a flaw. I stretcht thy joints to make thee even feet, Yet still thou run'st more hobbling than is meet. In better dress to trim thee was my mind, But nought save home-spun cloth, i' th' house I find. In this array, 'mongst vulgars may'st thou roam. In critic's hands, beware thou dost not come, And take thy way where yet thou art not known. If for thy father askt, say, thou hadst none; And for thy mother, she alas is poor, Which caused her thus to send thee out of door.
Anne Bradstreet (The Works of Anne Bradstreet (John Harvard Library))
Someone is getting excited. Somebody somewhere is shaking with excitement because something tremendous is about to happen to this person. This person has dressed for the occasion. This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. This person is laughing out loud with relief and playing the message back to get the address of the place where every person this person has ever known is waiting to hug this person and bring her into the fold of life. It is really exciting, and it’s not just a dream, it’s real.
Miranda July
I’m just saying, Ave, you might dress in jeans and a T-shirt and never wear your hair down and talk about how you’re a football-loving tomboy, but you’re also very much an attractive woman, and any man would be blind not to see it, and maybe that’s a weird thing for one friend to say to another, and now I think I might be rambling because I’m embarrassed that I said it. But whatever. It’s the truth.
Melissa Tagg (Three Little Words (Walker Family, #0.5))
a few of the principles by which I live: A good gag is worth any amount of time, money and effort; never draw to fill an inside straight; always keep score in games, never in love; never say 'Muskrat Ramble'; always keep them guessing; never listen to the same conversation twice; and (this is the hard part) listen to no one.
Annie Dillard
Oh, stick a sock in it already,” he interrupted me with an irritated tone you’d use to scold a child. “You always ramble on so? No wonder your dates went right for your throat. Can’t say as I blame them.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
What I'm saying is, where have all the real people gone? Where are the recognizably-human beings? Of course, it's silly of me to look them on TV commercials, no one watches ads for their true-to-life portrayals. If the ads were full of real people, they wouldn't be able to sell anything. Which is the point of this rambling column. Real people just don't sell.
Jessica Zafra (Womenagerie and Other Tales from the Front)
...Again I say it, therefore walk, and be merry; walk, and be healthy; walk, and be your own master! walk, to enjoy, to observe, to improve, as no riders can! walk, and you are the best peripatetic impersonation of holiday enjoyment that is to be met with on the surface of this work-a-day world!
Wilkie Collins (Rambles beyond Railways or, Notes in Cornwall Taken A-Foot)
My sister thinks that she's the only one who can take poison, but I am poison,' he whispers, eyes half-closed, talking to himself. 'Poison in my blood. I poison everything I touch.' That's such a strange thing to hear him say. Everyone adores him. And yet, I recall him running away at thirteen, sure so many things were his fault.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that.
Miranda July (No One Belongs Here More Than You)
He closes the door with a determined click, and I hear him call to a flight attendant, and I sink down onto the toilet seat, resting my elbows on my knees and my head in my hands as I listen to him through the door. "I'm sorry to bother you but my wife," he says, and then pauses. With the last word he says, my heart begins to hammer. "The one who now got sick? She's started her... cycle? And I'm wondering if you keep any, or rather if you have... something? You see this all happened a bit fast and she packed in a hurry, and before that we were in Vegas. I have no idea why she came with me but I really really don't want to screw this up. And now she needs something. Can she, uh," he stutters, finally saying simply, "borrow quelque chose?" I cover my mouth as he continues to ramble, and I would given anything in this moment to see the expression of the flight attendant on the other side of this door. "I meant use," he continues. "Not to borrow because I don't think they work that way." I hear a woman's voice ask, "Do you know if she needs tampons or pads?" Oh God. Oh God. This can't be happening. "Um..." I hear him sigh and then say, "I have no idea but I'll give you a hundred dollars to end this conversation and give me both.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
To say a few words with great meaning is better than to ramble on with nothing of value.” I
Judith McCoy Miller (A Hidden Truth (Home to Amana Book #1))
Sometimes to ignore doesn't mean you are oblivious to the rambles of others. it just means what others say are just rambles.
Janna Cachola
You never told me your name," he says, his voice so hauntingly familiar it causes a rush of heat to blanket my skin. I sigh,staring blankly down the hall when I say, "Psycho Girl-Psycho Horseback Singing Girl..." I shrug. "I've heard it both ways." He squints.His hand reaching for my shoulder,then falling away the instant he catches the look of reproach on my face. "Look," I say,knowing I need to stop him before he can go any further.His kindness will only distract me at a time when I need to stay focused. "I've had a really bad day.And if my calculations are right,I have three hundred and eight more,give or take, before I get to graduate and get the heck out of this place. So,why don't you just call me whatever you want. Everyone else does.It's not like it matters..." My cheeks go hot,my eyes start to sting, and I know I'm rambling like a lunatic,but I cant seem to stop,can't seem to care.The world's most socially inept Seeker-that's me in a nutshell. "Don't let them reduce you to that," he says,his gaze instense, his voice surprising me with its sincerity, its urgency. "Don't let them define how you see yourself,or your place here. And if you ever need someone to talk to,I'm not hard to find.I'm either in class, reading in the library,or eating lunch in the North hallway." The second he says it,my gaze flies down the length of him.Slipping past a gray V-neck tee and dark denim jeans,not the least bit surprised when I land on the same heavy,black, thick-soled shoes I spied earlier. Then before he can say anything more, I'm gone. Trying to ignore the comforting stream of kindness and love that swarms all around me.
Alyson Noel (Fated (Soul Seekers, #1))
I try to shape a tight laugh, and it dies in my throat. "This is new to me, Wes. Sharing. Having someone I can share with. And I really appreciate your help -- That sounds lame. I've never had someone like... This is a mess. There's finally something good in my life and I'm already making a mess of it." My cheeks go hot, and I have to clench my teeth to stop the rambling. "Hey," he says, knocking his shoe playfully against mine. "It's the same for me, you know?" This is all new to me. And I'm not going anywhere. It takes at least three assassination attempts to scare me off. And even then, if there are baked goods involved, I might come back." He hoists himself up from the bench. "But on that note, I retreat to tend my wounded pride." He says it with a smile, and somehow I'm smiling, too. How does he do that, untangle things so easily?
V.E. Schwab (The Archived (The Archived, #1))
I have felt alone all my life. I was always too smart, or working too hard, or too full of doubt to fit in with everyone else. But when I’m with you, I never feel alone, Will. Never. I feel seen, and I feel listened to, and I feel important and cared for. When I first met you, I told myself I had to be insane to think that someone like you would be interested in someone like me. But it didn’t stop me from falling in love with you, because loving you is as easy and as natural as breathing for me. This may shock you, but my love doesn’t come with conditions or requirements. It absolutely doesn’t require physical exam, that is for sure. It just is, Will. And it’s unstoppable, because, believe me, I’ve tried to stop it. So I guess what I’m trying to say in my usual inarticulate, rambly, too-wordy way, is that I’m not going anywhere. No matter what.
Sarah Mayberry (Her Favorite Temptation (Mathews Sisters, #1))
After incoherent rambling, I will say that I amuse my leisure hours by cultivating that stubborn unimaginative state of mind which refuses to dream, imagine or conjecture about any situation's reality except the present.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
His were always lighthearted notes from the places they'd visited, scrawled in the limited space on the back of the cards, whereas hers tended to be longer and slightly rambling, unrestricted by the confines of paper. But sitting there with the cursor blinking at him, he wasn't sure what to say. There was something too immediate about an e-mail, the idea that she might get it in mere moments, that just one click of the mouse would make it appear on her screen in an instant, like magic. He realized how much he preferred the safety of a letter, the physicality of it, the distance it had to cross on its way from here to there, which felt honest and somehow more real.
Jennifer E. Smith (The Geography of You and Me)
My lords, for more than half an hour you've not stopped questioning me about some fantastic story or other; one could in fact say that you're babbling, or rambling. By babbling, I mean, that you're talking nonsense; by rambling, that you're saying nothing at all.
Benvenuto Cellini (The Autobiography of Benvenuto Cellini)
We saw no bugs or reptiles to speak of, and so I was thinking of saying in print, in a general way, that there were none at all; but one night after I had gone to bed, the Reverend came into my room carrying something, and asked, "Is this your boot?" I said it was, and he said he had met a spider going off with it. Next morning he stated that just at dawn the same spider raised his window and was coming in to get a shirt, but saw him and fled. I inquired, "Did he get the shirt?" "No." "How did you know it was a shirt he was after?" "I could see it in his eye.
Mark Twain (Rambling Notes of an Idle Excursion)
The best description of this book is found within the title. The full title of this book is: "This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me and Dora J. Arod, who sometimes shares my pen, paper, thoughts, mind, body, and soul, because Dora J. Arod is my pseudonym, as he/it incorporates both my first and middle name, and is also a palindrome that can be read forwards or backwards no matter if you are an upright man in the eyes of God or you are upside down in a tank of water wearing purple goggles and grape jelly discussing how best to spread your time between your work, your wife, and the toasted bread being eaten by the man you are talking to who goes by the name of Dendrite McDowell, who is only wearing a towel on his head and has an hourglass obscuring his “time machine”--or the thing that he says can keep him young forever by producing young versions of himself the way I avert disaster in that I ramble and bumble like a bee until I pollinate my way through flowery situations that might otherwise have ended up being more than less than, but not equal to two short parallel lines stacked on top of each other that mathematicians use to balance equations like a tightrope walker running on a wire stretched between two white stretched limos parked on a long cloud that looks like Salt Lake City minus the sodium and Mormons, but with a dash of pepper and Protestants, who may or may not be spiritual descendents of Mr. Maynot, who didn’t come over to America in the Mayflower, but only because he was “Too lazy to get off the sofa,” and therefore impacted this continent centuries before the first television was ever thrown out of a speeding vehicle at a man who looked exactly like my great-grandfather, who happens to look exactly like the clone science has yet to allow me to create
Jarod Kintz (This is the story my great-grandfather told my father, who then told my grandfather, who then told me about how The Mythical Mr. Boo, Charles Manseur Fizzlebush Grissham III, better known as Mr. Fizzlebush, and Orafoura are all in fact me...)
Isn't one of the first lessons of good elocution that there's nothing one can say in any rambling, sprawling rant that can't, through some effort, be said shorter and better with a little careful editing? Or that, in writing, there's nothing you can describe in any page-filling paragraph that can't be captured better in just a sentence or two? Perhaps even nothing in any sentence which cannot better be refined in a single, spot-on word? Does it not follow, then, that there's likely nothing one can say in any word - in saying anything at all - that, ultimately, isn't better left unsaid? (attrib: F.L. Vanderson)
Mort W. Lumsden (Citations: A Brief Anthology)
I don't even like the word ‘indoors’. It doesn’t make sense. According to you right now, by stepping through the doorway I’d be indoors. Yet I wouldn’t actually be standing in the doorway. If it’s supposed to refer to being inside a building, then they shouldn’t have used the word ‘door,’ since last time I checked, doors don’t make up every square inch of a building! And I’d assume that now, since I’m not indoors, you’d say I’m ‘out of doors’, right? But, shouldn’t out of doors just be everywhere that’s not directly under a door? You know what, from now on I insist that everyone refer to being in a building as being ‘under-roof’.
Natalie Bina (Vermilion Departure)
This may shock you, but my love doesn’t come with conditions or requirements. It absolutely doesn’t require physical exam, that is for sure. It just is, Will. And it’s unstoppable, because, believe me, I’ve tried to stop it. So I guess what I’m trying to say in my usual inarticulate, rambly, too-wordy way, is that I’m not going anywhere. No matter what.
Sarah Mayberry (Her Favorite Temptation (Matthews Sisters, #1))
I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbour’s or friend’s daughter She is like a flower Very fragile, yet so gorgeous An Angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated She needs to live, she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her if pain becomes a reality Embrace her should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her The honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb on a mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to wisely triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission. I nervously rambled, “What…umm…what do you mean you want my permission?” He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it. I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.” What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy. Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.” Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness. I shouted, “Ren, wait!” But it was too late. He was gone. I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again. I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.” I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.” Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He was doing his academic rambling thing again. "You'll let me run some calculations on you, Lady Manami, won't you?" "Will they hurt?" "Well, there are some who find the mere presence of advanced mathematical equations painful, but I don't think that you'll be materially damaged in any physical manner. Oh! Can I ask how the relative densities affect buoyancy? I mean to say, do kitsune bob something fierce?
Gail Carriger (Reticence (The Custard Protocol, #4))
I'm still trying to figure out what "okay" is, particularly whether there exists a normal version of myself beneath the disorder, in the way a person with cancer is a healthy person first and foremost. In the language of cancer, people describe a thing that "invades" them so that they can then "battle" the cancer. No one ever says that a person is cancer, or that they have become cancer, but they do say that a person is manic-depressive or schizophrenic, once those illnesses have taken hold. In my peer education courses I was taught to say that I am a person with schizoaffective disorder. "Person-first language" suggests that there is a person in there somewhere without the delusion and the rambling and the catatonia. But what if there isn't? What happens if I see my disordered mind as a fundamental part of who I am?
Esmé Weijun Wang (The Collected Schizophrenias: Essays)
The Dead Man Walking They hail me as one living, But don't they know That I have died of late years, Untombed although? I am but a shape that stands here, A pulseless mould, A pale past picture, screening Ashes gone cold. Not at a minute's warning, Not in a loud hour, For me ceased Time's enchantments In hall and bower. There was no tragic transit, No catch of breath, When silent seasons inched me On to this death .... — A Troubadour-youth I rambled With Life for lyre, The beats of being raging In me like fire. But when I practised eyeing The goal of men, It iced me, and I perished A little then. When passed my friend, my kinsfolk, Through the Last Door, And left me standing bleakly, I died yet more; And when my Love's heart kindled In hate of me, Wherefore I knew not, died I One more degree. And if when I died fully I cannot say, And changed into the corpse-thing I am to-day, Yet is it that, though whiling The time somehow In walking, talking, smiling, I live not now.
Thomas Hardy (Time's Laughingstocks and Other Verses)
Did you ever notice? Darkness seems to make people speak in short sentences. “YES,” she said. “And when the lights come on, we open up and ramble and say absolutely nothing. But in bed in the dark we’re urged on by the monkey waiting in our sleep.” “What monkey?” “We become documentary. We become newsreels telling what we think is the truth. Our listener is really no more than a fragment of the dark. The true audience is darkness itself. We unwrap our lives to it, trying to appease the monkey.
Don Dellillo
She rambled on and on about how my attending a new private school was going to be a “stressful time of tremendous personal growth” and how my best “coping mechanism” would be to “communicate” my “thoughts and feelings.” I was absolutely ECSTATIC because you can communicate with a NEW CELL PHONE! Right?! I kind of zoned out on most of what my mom was saying because I was DAYDREAMING about all of the cool ring tones, music, and movies I was going to download. It was going to be LOVE AT FIRST SIGHT!
Rachel Renée Russell (Tales from a Not-So-Fabulous Life (Dork Diaries, #1))
Between land and sea the mist was like a veil This is a simile. Such links as "like" or "as" are typical of the simile: one object is like another object. If you go on to say the mist was like the veil of a bride, this is a sustained simile with elements of mild poetry; but if you say, the mist was like the veil of a fat bride whose father was even fatter and wore a wig, this is a rambling simile, marred by an illogical continuation, of the kind Homer used for purposes of epic narration and Gogol used for grotesque dream-effects.
Vladimir Nabokov (Lectures on Russian Literature)
My young lady is looking sadly the worse for her change of condition,’ I remarked.  ‘Somebody’s love comes short in her case, obviously; whose, I may guess; but, perhaps, I shouldn’t say.’ ‘I should guess it was her own,’ said Heathcliff.  ‘She degenerates into a mere slut!  She is tired of trying to please me uncommonly early.  You’d hardly credit it, but the very morrow of our wedding she was weeping to go home.  However, she’ll suit this house so much the better for not being over nice, and I’ll take care she does not disgrace me by rambling abroad.
Emily Brontë (Wuthering Heights)
Yes. That’s what I want from you,” he says, with a self-satisfied nod. “And in exchange, I’ll get Adrienne out of the cave. And I’ll help you, because I think I might like you, even if you are without honor.” He shrugs. “You seem interesting. In a tragic sort of way. I’m sure you’ll be entertaining.” I open my mouth to reply, to offer some sort of retort in my defense, but nothing comes out. “And, before you reject my offer,” he continues, rambling on. “You’d do well to remember that you don’t really have any other options. You’re naked. You have a little blade.
Elisha Kemp (Burn the Stars (Dying Gods, #2))
As I will be saying over and over again in this rambling volume, I am not dismayed by ultimate mysteries. What is the difference between something and nothing? Why is there something rather than nothing? Should the something of which the universe is fundamentally composed be regarded as like atoms or be regarded as more like a mind? Or is the substratum best thought of as something neutral: material when structured one way, mental when structured another way? I have no desire even to try to answer such questions. I find nothing absurd about the notion that the external world is the mind of God, nor do I find it repulsive to suppose that God can create a world of substance, utterly unlike ideas in God’s mind or anybody’s mind, that can exist whether God thinks about it or not. How can I, a mere mortal slightly above an ape in intelligence, know what it means to say that something is “created” by God, or “thought” by God? One can play endless metaphysical games with such phrases,3 but I can no more grasp what is behind such questions than my cat can understand what is behind the clatter I make while I type this paragraph.
Martin Gardner (The Whys of a Philosophical Scrivener)
I often paint a detailed picture in my mind of what I would like the end of my life to look like. I think of saying goodbye to Clara and other people I love, then I picture an empty house, perhaps a large, rambling rural mansion somewhere near the marshes where I grew up; I imagine a bath upstairs, which I can fill with warm water; and I think of music playing all through this big house, Crescent, maybe, or Ascension, filling the spaces not taken up by my solitude, reaching me in the bath, so that when I slip across the one-way border, I do so to the accompaniment of modal harmonies heard from far away.
Teju Cole (Open City)
I...I haven’t done a lot of this.” His cheeks flushed pink and my eyes widened. “I mean, I’ve done some stuff, but not a lot. I haven’t...had sex.” For the longest moment I couldn’t respond. All I could do was stare at him. “You’re a virgin?” One side of his lips kicked up. “Yeah. You sound surprised.” “I am. I thought... I don’t know. You were with...Paige. I just assumed you had sex before.” “That would be a negative,” he replied, picking up my hand. “You’re looking at me like you don’t understand how it’s possible.” He could really read minds. “It’s gotten close, but I just never— I haven’t wanted to go that far.” He shrugged a bare shoulder. “I haven’t done it, either,” I blurted out. “I mean, that’s super obvious since...you’re the first boy I’ve kissed, but yeah, I don’t even know...what I’m saying and I’m just going to shut up.” Rider chuckled. “Don’t. I love it when you ramble.” “Only you would enjoy that.” I curled my fingers through his. “Do you want to...go that far with me?” His lashes swept up and his eyes, with their greenish flecks, met mine. “Yeah. Yeah, I do. Someday.” Warmth swept across my cheeks as I whispered, “I...I want that, too. Someday.” The dimple in his right cheek appeared. “Then we’re on the same page.
Jennifer L. Armentrout (The Problem with Forever)
Oh shit, I wouldn’t use that towel if I were you,” Gavin mumbles. I ignore him scrubbing every inch of my face, hoping that maybe I can rub away the memory of the words my mother spoke to me. “Seriously dude, give me that thing,” Gavin says, Interrupting my thoughts. I pull the towel away and glare at his reflection in the mirror. He’s standing behind me with a look of disgust on his face and his hand out. “What the fuck is wrong with you? I just found out that my mom was a slut and has no idea who my dad is and all you’re worried about is your precious towel?” I ramble, my voice getting that hysterical squeak to it. “What’s wrong? Is this one of Charlotte’s ‘good’ towels, reserved for guests or some shit? Fuck, are you pussy whipped.” Gavin shakes his head at me and tries reaching over my shoulder to take the towel. I snatch it away and turn to face him. “What is your fucking deal? It’s a Goddamn towel!” I yell. “Yeah, it’s a jizz towel, dude.” I look at him in confusion, glancing down at the towel and back up at him when what he said finally sinks in. He’s biting his lip and I can’t tell if he’s trying not to laugh or if he’s trying to think of a way to run out of here as fast as he can. “Hey, what are you guys doing in the bathroom?” Charlotte asks, suddenly appearing in the doorway. “Oh, my God! Did you just use that towel, Tyler?” I quickly throw the towel away from me like it’s on fire and it lands in the toilet. “Dammit, don’t throw it in the toilet, you’ll ruin it!” Charlotte scolds. “I’m pretty sure you ruined it by putting jizz on it!” I scream. “Why the fuck would you leave a jizz towel on the sink where anyone could use it?” “I’d never use it. I knew it was a jizz towel,” Gavin replies with a shrug. “Oh, my God! I scrubbed my fucking face with a towel that had your dry, crusty jizz on it!” I can’t believe this is happening right now. My mom had a foursome, my dad isn’t my dad and now I have jizz face. Moving as fast as I can, I jump into the shower and turn on the water, not even caring that I’m fully clothed. “Do you want us to leave so you can take your clothes off?” Charlotte asks, as the water rains down on me, soaking my t-shirt and jeans. “I am NOT taking my clothes off. There could be trace particles of jizz on them! I’m going to have to burn these clothes!” I complain. I keep my face under the scalding hot water, taking in large mouthfuls, swishing and then spitting on the shower floor. “Eeew, don’t spit in our shower!” Charlotte scolds. “I HAVE GAVIN’S JIZZ ON MY FACE! I WILL SPIT WHEREVER THE FUCK I WANT!
Tara Sivec (Passion and Ponies (Chocoholics, #2))
As well as this, there were of course many sceptics and detractors, not only of Shah but of his students and his would-be or wanna-be students. They’d say things like “You’ve been studying for – what? – 10, 20, 30, 40, 50 years. And where has it got got you, eh? Eh? Nowhere.” And there really was no answer to that, other than to simply try to show a good example, and hope that some might sense subtle signs of progress having been made. But no: they wanted to see Gandalf with his whizz-bangs. Unlike Rabia, we couldn’t magically produce an onion out of thin air – an incontrovertible act – and later retort: “What? Do you think that God is a greengrocer, or something?
H.M. Forester (Secret Friends: The Ramblings of a Madman in Search of a Soul)
The day the mountains move has come. Or so I say, though no one will believe me. The mountains were merely asleep for a while. But in ages past, they had moved, as if they were on fire. If you don’t believe me, that’s fine with me. All I ask is that you believe this and only this, That at this very moment, women are awakening from their deep slumber. If I could but write entirely in the first person, I, who am a woman. If I could write entirely in the first person, I, I. —Yosano Akiko These are the first lines from Yosano Akiko’s longer poem Sozorogoto (Rambling Thoughts), which were first published in the inaugural issue of the feminist magazine Seit (Bluestocking), in September 1911.
Ruth Ozeki (A Tale for the Time Being)
How was your trip? Did you have fun?” “It was work, Ma. I wasn’t partying it up in Vegas,” I tell her with a chuckle. “Well, you were in Vegas. Why wouldn’t you try to have some fun while you were there? You think I don’t know what you do in your free time?” I can see her in my head rolling her eyes. “I know how you and your brothers act when you’re single.” “Yeah, Ma, but I’m not single anymore,” I declare, smiling. “You guys are such man-whores. I swear—it’s a wonder one of you didn’t end up on that show 16 and Pregnant,” she says, completely missing what I just said. “Ma, stop talking for a second and listen to me,” I say, waiting for her to stop rambling. “I swear—Trojan owes me royalties for all the condoms I bought for you boys.
Aurora Rose Reynolds (Until Nico (Until, #4))
In his rambling rhetoric, Hitler sought to undermine the very legitimacy of the charge against him. “High treason is the only crime that is punishable only if it fails,” he noted, stating a truism as though it somehow annulled the law. In a self-conscious display of manly courage, Hitler took “sole responsibility” for the putsch—thus emphasizing his role as the soul of the enterprise—but at the same time he denied the commission of a crime. Flatly rejecting his accomplice Colonel Kriebel’s right to take any responsibility for events, Hitler hogged the self-sacrifice halo for himself, saying, in a typical twist of logic, “I confess to the deed but not to high treason, because there’s no charge of high treason against the traitors of 1918.” With
Peter Ross Range (1924: The Year That Made Hitler)
Twenty-Five Ways to Be a Good Listener        1. Be patient.        2. Don’t complete his sentences.        3. Let him finish, even if he seems to be rambling.        4. Don’t interrupt.        5. Face your husband and make eye contact.        6. Lean forward, if you are seated, to show you are interested.        7. Stop what you are doing.        8. Ask good questions and avoid the word “why.”        9. Ask his opinion about something that happened to you.      10. Ask him for his advice on a decision you have to make.      11. Don’t jump to conclusions.      12. Don’t give unsolicited advice.      13. Don’t change the subject until he is finished with a subject.      14. Make verbal responses such as, “I see,” “Really,” “Uh-huh,” to show you’re paying attention.      15. Turn off the TV.      16. Put down the dishcloth, book, hairbrush, etc.      17. Encourage him to tell you more. “What else did he say?” “What did she do next?”      18. When he is telling of a struggle, rephrase and repeat what you heard. “What I hear you saying is that you felt your boss was being unfair when he asked you to take on three more clients with no extra compensation.”      19. Let the telephone ring if he is in the middle of telling you something.      20. Don’t glance at your watch or cross your arms.      21. Don’t ask him to hurry.      22. If a child interrupts, tell him or her to wait until daddy is finished talking.      23. Don’t tell him how he should have handled the situation differently.      24. Don’t act bored.      25. Thank him for sharing with you.
Sharon Jaynes (Becoming the Woman of His Dreams)
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
As to Flush, he should thank you too, but at the present moment he is quite absorbed in finding a cool place in this room to lie down in, having sacrificed his usual favorite place at my feet, his head upon them, oppressed by the torrid necessity of a thermometer above 70. To Flopsy’s acquaintance he would aspire gladly, only hoping that Flopsy does not ‘delight to bark and bite,’ like dogs in general, because if he does Flush would as soon be acquainted with a cat, he says, for he does not pretend to be a hero. Poor Flush! ‘the bright summer days on which I am ever likely to take him out for a ramble over hill and meadow’ are never likely to shine! But he follows, or rather leaps into my wheeled chair, and forswears merrier company even now, to be near me. I am a good deal better, it is right to say, and look forward to a possible prospect of being better still, though I may be shut out from climbing the Brocken otherwise than in a vision.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
MARY: It’s called a Schloss. That’s what small castles are called in Styria, Laura told me. CATHERINE: Yes, but do you think our English readers are going to know that? Or our American readers? I’m hoping for some American sales, if the deal with Collier & Son comes through, and there are no Schlosses in America—just teepees and department stores. BEATRICE: The slaughter of the native population is a shameful stain on American history. Clarence says— CATHERINE: For goodness’ sake, how are we going to sell to readers in the United States if you go on about the slaughter of the native Americans? Who’s going to want to read about that? BEATRICE: Those who do not want to read about it are exactly those who should be made aware, Catherine. This may be a story of our adventures, but we must not shy away from confronting the difficult issues of the times. Literature exists to educate as well as entertain, after all. DIANA: You all went from Schlosses to teepees to a political discussion, and you think I ramble?
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
Love Minus Zero / No Limit" My love she speaks like silence Without ideals or violence She doesn't have to say she's faithful Yet she's true, like ice, like fire People carry roses And make promises by the hours My love she laughs like the flowers Valentines can't buy her In the dime stores and bus stations People talk of situations Read books, repeat quotations Draw conclusions on the wall Some speak of the future My love she speaks softly She knows there's no success like failure And that failure's no success at all The cloak and dagger dangles Madams light the candles In ceremonies of the horsemen Even a pawn must hold a grudge Statues made of match-sticks Crumble into one another My love winks, she does not bother She knows too much to argue or to judge The bridge at midnight trembles The country doctor rambles Bankers' nieces seek perfection Expecting all the gifts that wise men bring The wind howls like a hammer The night blows rainy My love she's like some raven At my window with a broken wing Bringing It All Back Home (1965)
Bob Dylan
When Jamie left for basic training I knew exactly what I had to do. Of course, I knew what it feels like to be in basic training. I knew the best thing I could do for her was to write her letters. A lot of letters. What’s funny is that when you write a letter you can feel like you’ve written so much, but that same letter can take two seconds to read. I remember getting letters when I was in basic, and I’d read them and think, “Man, that’s it? I read it too fast.” Contact from back home is so crucial. It means so much. I remembered how I felt. I remembered telling Brandi, “I don’t care what you say. Just ramble. Ramble about your day.” She never grasped that. It was always just this one-page letter and then it was done. So after I got Jamie’s address, I wrote to her every day. Every night after I put the kids to bed, I would write. I would tell her about everything that had happened--what I did, what the kids did, something funny one of them said. I just wrote as much as I could for several pages. Every night I wrote her novels and every morning I mailed them to her.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Angel From Montgomery" I am an old woman named after my mother My old man is another child that's grown old If dreams were lightning, thunder were desire This old house would have burnt down a long time ago Make me an angel that flies from Montgomery Make me a poster of an old rodeo Just give me one thing that I can hold on to To believe in this living is just a hard way to go When I was a young girl well, I had me a cowboy He weren't much to look at, just a free rambling man But that was a long time and no matter how I try The years just flow by like a broken down dam Make me an angel that flies from Montgomery Make me a poster of an old rodeo Just give me one thing that I can hold on to To believe in this living is just a hard way to go There's flies in the kitchen, I can hear 'em there buzzing And I ain't done nothing since I woke up today How the hell can a person go to work in the morning And come home in the evening and have nothing to say Make me an angel that flies from Montgomery Make me a poster of an old rodeo Just give me one thing that I can hold on to To believe in this living is just a hard way to go John Prine, John Prine (1971)
John Prine (John Prine)
The bag circles the table several times. Each time Maya passes it to her neighbor, saying nothing. Finally the discussion is done. Maya looks troubled. She’s embarrassed, I’m guessing, that she hasn’t participated. Samantha reads from her notebook a list of enforcement mechanisms that the group has brainstormed. “Rule Number 1,” she says. “If you break the laws, you miss recess.…” “Wait!” interrupts Maya. “I have an idea!” “Go ahead,” says Samantha, a little impatiently. But Maya, who like many sensitive introverts seems attuned to the subtlest cues for disapproval, notices the sharpness in Samantha’s voice. She opens her mouth to speak, but lowers her eyes, only managing something rambling and unintelligible. No one can hear her. No one tries. The cool girl in the group—light-years ahead of the rest in her slinkiness and fashion-forward clothes—sighs dramatically. Maya peters off in confusion, and the cool girl says, “OK, Samantha, you can keep reading the rules now.” [...] Maya, for her part, sits curled up at the periphery of the group, writing her name over and over again in her notebook, in big block letters, as if to reassert her identity. At least to herself.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
He could tell Fleming he was a musician but he could not communicate what the music said to him or said to the people he played it for. The music told itself, it made some obscure connection for which there were no words. The music was its own story, but a man could dip into the vast reservoir of folk and blues lines and phrases and images and construct his own story: though upon performing it and without it losing any relevance to his own life it now belonged to the audience as well. It was something he could not fathom. The old songs with juryrigged verses like bodies cobbled up out of bones from a thousand skeletons. Songs about death and lost love and rambling down the line because sometimes down the line was the only place left. Songs that treated the most desperate of loss with a dark sardonic humour. "I'm going where the climate suits my clothes", the song said, not saying the frustration and despair that created it, saying that in the sheer lonesomeness of the sound, in the old man's driving banjo. There was an eerie timelessness about it that said it could have been written a thousand years ago, or it could have been an unfinished song about events that had not yet played themselves out.
William Gay (Provinces of Night)
Because I see that the mobs are always growing, the number of errors are always increasing and Satan's rage and ruin have no end, I wish to confess with this work my faith before God and the whole world, point by point. I am doing this, lest certain people cite me or my writings, while I am alive or after I am dead, to support their errors, as those fanatics, the Sacramentarians and the Anabaptists, have begun to do. I will remain in this confession until my death (God help me!), will depart from this world in it, and appear before the Judgment Seat of our Lord Jesus Christ. So that no one will say after my death, ``If Luther was alive, he would teach and believe this article differently, because he did not think it through sufficiently,'' I state the following, once and for all: I, by God's grace, I have diligently examined these articles in the light of passages throughout the Scriptures. I have worked on them repeatedly and you can be sure that I want to defend them, in the same way that I have just defended the Sacrament of the Altar. No, I'm not drunk or impulsive. I know what I am saying and understand fully what this will mean for me as I stand before the Lord Jesus Christ on the Last Day. No one should think that I am joking or rambling. I'm serious! By God's grace, I know Satan very well. If Satan can turn God's Word upside down and pervert the Scriptures, what will he do with my words -- or the words of others?" - Martin Luther
Martin Luther
I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbour’s or friend’s daughter She is like a flower Very fragile, yet so gorgeous An Angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated She needs to live, she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her if pain becomes a reality Embrace her should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her The honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb on a mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to tactfully triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
sighed. “I can’t say that you weren’t expected.” “I’m just going to be walking around here and taking some measurements. It says here… you own eighty acres? That is one of the most gorgeous mansions I have ever seen,” he rambled on. “It must have cost you millions. I could never afford such a beauty. Well, heck, for that matter I couldn’t afford the millions of dollars in taxes a house like this would assess, let alone such a pricey property. Do you have an accountant?” Zo opened her mouth to respond, but he continued, “For an estate this size, I would definitely have one.” “I do have an accountant,” she cut in, with frustration. “Furthermore, I have invested a lot of money bringing this mansion up to speed. You can see my investment is great.” “Of course, it would be. The fact of the matter is, Mrs. Kane, a lot of people are in over their heads in property. You still have to pay up, or we take the place. Well, I’ll get busy now. Pay no mind to me.” He walked on, taking notes. “Clairrrrre!” Zo called as soon as she entered the house. “Bring your cell phone!” Two worry-filled months went by and many calls were made to lawyers, before Zoey finally picked one that made her feel confident. And then the letter came with the totals and the due date. “There is no way we can pay this, Mom, even if we sold off some of our treasures, because a lot of them are contracted to museums anyway. I am feeling awfully poor all of a sudden, and insecure.” “Yes, and I did some research, thinking I’d be forced to sell. It’s unlikely that anyone else around here can afford this place. It looks like they are going to get it all; they aren’t just charging for this year. What we have here is a value about equal to a little country. And all the new construction sites for housing developments suddenly popping up on this side of the river, does not help. Value is going up.” Zo put her head in her hands. “Ohhh, oh, oh, oh!” “Yeah, bring out the ice-cream and cake. I need comforting,” sighed Claire. The cell phone rang. “Yes, tonight? You guys have become pretty good to us, haven’t you?! You know, Bob, Mom and I thought we were just going to pig out on ice cream and cake. We found out we are losing this estate and are going to be poor again and we are bummed out.” There was a long pause. “No, that’s okay, I understand. Yeah, okay, bye.” “Well?” Zo ask dryly. “He was appropriately sorry, and he got off the phone fast, saying he remembered he had other business to take care of. Do you want to cry? I do…” “I’ll get the cake and dish the ice cream. You make our tea and we’ll cry together.” A pitter patter began to drum on the window. “Rain again. It seems softer though, dear.” “I thought you said this was going to be a softer rain!” It started to pour. “At least this is not a thunder storm… What was that?” “Thunder,” replied Claire, unmoved and resigned. An hour had gone by when there was a rapping at the door. “People rarely use the doorbell, ever notice that?” Zo asked on the way to the door. She opened it to reveal two wet guys holding a pizza, salad, soft drink, and giant chocolate chip cookies in a plastic container. In a plastic
Zoey Kane (The Riddles of Hillgate (Z & C Mysteries #1))
I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbour’s or friend’s daughter She is like a flower Very fragile, yet so gorgeous An Angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated Like others, she needs to live Indeed, she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her if pain becomes a reality Embrace her should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her The honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb on a mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to wisely triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk." "Not on your life," Fletcher growled. From the sound, Breckenridge realized the group had moved closer to the tap. "You don't need to think you're going to give us the slip so easily," Fletcher said again. "My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?" Cobbins opined that she might try to steal a horse and ride off. "Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me." That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush. Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you." Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me." Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up." As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them." Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh. "All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you." From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work. "So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble." "Hmm." Heather's tone was tellingly mild. Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land. "If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution." Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth. A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more." "Thank you, Fletcher. Come, Martha-we don't want to waste the light." Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent. The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
On this account I feel always, on a Saturday night, as though I also were released from some yoke of labour, had some wages to receive, and some luxury of repose to enjoy. For the sake, therefore, of witnessing, upon as large a scale as possible, a spectacle with which my sympathy was so entire, I used after, on Saturday nights, after I had taken opium, to wander forth, without much regarding the direction or the sistance, to all the markets, and other parts of London, to which the poor resort on a Saturday night, for laying out their wages. Many a family party, consisting of a man, his wife, and sometimes one or two of his children, have I listened to, as they stood consulting on their ways and means, or the strength of their exchequer, or the price of household articles. Gradually I became familiar with their wishes, their difficulties, and their opinions. Sometimes there might be heard murmers of discontent: but far oftener expressions on the countenance, or uttered in words, of patience, hope, and tranquillity. And taken generally, I must say, that, in this point at least, the poor are far more philosophic than the rich - that they show a more ready and cheerful submission to what they consider as irremediable evils, or irreparable losses. Whenever I saw occasion, or could do it without appearing to be intrusive, I joined their parties; and gave my opinion upon the matter in discussion, which, if not always judicious, was always received indulgently. If wages were a little higher, or expected to be so, or the quartern loaf a little lower, or it was reported that onions and butter were expected to fall, I was glad: yet, if the contrary were true, I drew from opium some means of consoling myself. For opium (like the bee, that extracts its materials indiscriminately from roses and from the soot of chimneys) can overrule all feelings into a compliance with the master key. Some of these rambles lead me to great distances: for an opium-eater is too happy to observe the motion of time.
Thomas de Quincey (Confessions of an English Opium Eater and Analects From John Paul Richter)
Tom often met Winterborne for a quick lunch at one of the cook shops or chop houses between their respective offices. It was on one of these occasions that Winterborne revealed West Ravenel had just become engaged to marry Phoebe, Lady Clare, a young widow with two small sons, Justin and Stephen. “I suspected he would,” Tom said, pleased by the revelation. “I went to Jenner’s Club with him the night before last, and she was all he wanted to talk about.” “I heard about that,” Winterborne commented. “It seems you and Ravenel encountered a bit of trouble.” Tom rolled his eyes. “Lady Clare’s former suitor came to the table with a pistol in hand. It wasn’t nearly as interesting as it sounds. He was soon disarmed and hauled off by a night porter.” He leaned back in his seat as the barmaid set plates of chilled crab salad and celery in front of them. “But before that happened, Ravenel was rambling on about Lady Clare, and how he wasn’t good enough for her because of his disreputable past, and how he was worried about setting a bad example for her children.” Winterborne’s black eyes were keen with interest. “What did you say?” Tom shrugged. “The match is to his advantage, and what else matters? Lady Clare is wealthy, beautiful, and the daughter of a duke. As for her sons … no matter what example you set, children insist on turning out how they will.” Tom took a swallow of ale before continuing. “Scruples always complicate a decision unnecessarily. They’re like those extra body parts none of us need.” Winterborne paused in the act of lifting a forkful of dressed crab to his lips. “What extra body parts?” “Things like the appendix. Male nipples. The external ears.” “I need my ears.” “Only the inner parts. The outer ear structure is superfluous in humans.” Winterborne looked sardonic. “I need them to hold up my hat.” Tom grinned and shrugged, conceding the point. “In any case, Ravenel has managed to win the hand of a fine woman. Good for him.” They lifted their glasses and clinked them in a toast.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
You should buy a potted plant.” I laugh at that as I sit on the wooden picnic table at the park in the dark, listening to Jack ramble through the speakerphone beside me. “A plant.” “Seriously, hear me out—you get a plant. You nurture it, keep it alive, and wham-bam, that’s how you know you’re ready for this whole thing.” “That’s stupid.” “No, it’s not. It’s a real thing. I saw it in that movie 28 Days.” “The zombie one?” “Nah, man, the Sandra Bullock one. You’re thinking about 28 Days Later.” “You steal your advice from Sandra Bullock movies?” “Oh, don’t you fucking judge me. It’s a hell of a lot better than that shit you keep making. And besides, it’s good advice.” “Buy a plant.” “Yes.” “Did you buy one?” “What?” “A plant,” I say. “Did you buy yourself a plant to prove you’re ready for a relationship?” “No,” he says. “Why not?” “Because I don’t need a plant to tell me what I already know,” he says. “I’m wearing a pair of emoji boxers and eating hot Cheetos in my basement apartment. Pretty sure the signs are all there.” “Emoji boxers?” I laugh. “Talk about a stereotypical internet troll.” “Yeah, yeah, whatever,” he says. “This isn’t about me, though. We’re talking about you.” “I’m tired of talking about me.” “Holy shit, seriously? Didn’t think that was possible!” “Funny.” “Remember that interview you did on The Late Show two years ago?” “I don’t want to talk about it.” “You were stoned out of your mind, kept referring to yourself in third person.” “Fuck off.” “Pretty sure that guy would never be tired of talking about himself.” “You’re an asshole.” He laughs. “True.” “You get on my nerves.” “You’re welcome.” Sighing, I shake my head. “Thank you.” “Now go buy yourself a plant,” he says. “I was in the middle of a game of Call of Duty when you called, so I’m going to get back to it.” “Yeah, okay.” “Oh, and Cunning? I’m glad you haven’t drowned yourself in a bottle of whiskey.” “Why? Would you miss me?” “More like your fangirls might murder me if I let you destroy yourself,” he says. “I don’t know if you’ve noticed, but they’re crazy. Have you seen some of their fan art? It’s insane.” “Goodbye, Jack,” I say, pressing the button on my phone to end the call
J.M. Darhower (Ghosted)
She is pissed off all the time,” he mumbled and I remained silent, letting him ramble. “She wants chocolate ice cream, I go in search of chocolate, but the time I get back she’s pissed because she wants strawberry instead. I can’t win.” He looked me straight in the eyes and I swear his expression was one of desperation. “It wasn’t like this before. With Liam she was so sweet. But I swear the damn devil has possessed my wife and she might kill me in my sleep one night.” It was then I laughed. “What the hell is so funny?” he asked. “I sleep with one eye open and one leg hanging off the bed touching the floor at my side. This way if I have to move fast I feel I’m one step closer.” He didn’t smile. There was absolutely no humor in his words. “Weren’t you the one that said you wanted five kids?” I asked. “I changed my mind. After this one, we’re done. I want Trinity back.” Again, complete seriousness. Poor guy looked lost. And it was the best damn thing to witness. Within four months of having Liam, Trinity was pregnant again. And this time she was cranky as hell. Everyone noticed it, but she directed all that aggravation toward the man she said was to blame. And the rest of us loved to witness his hell. “Go home, Chase,” I told him and he looked as if he wanted to argue. “Stop at the store and pick up every flavor of ice cream they got,” I told him. “Tell her she’s beautiful and rub her feet.” “I do that already,” he whined. “I tell her she’s beautiful, and no other woman has ever looked as amazing as her. I tell her I love her and that she is my world, but she is like the exorcist.” “Well it’s your job to take it. Let her growl and complain and just take it,” I told him. “Because at the end of the day you just need to remember one thing.” He looked at me like I was about to give him the best piece of advice. I almost felt bad about the fact that I had nothing reassuring to say. “What?” he asked and I cracked a smile, almost talking myself out of taking the chance at being an asshole. Then I thought about the fact that had the roles been reversed he would have jumped at the chance. “You are to blame for the state she is in.” He narrowed his eyes at me. “And the rest of us guys are loving that it’s you and not us being tortured.” “You’re an asshole,” he mumbled as he turned around and walked off toward his truck. I laughed the entire drive home.
C.A. Harms (Trinity's Trust (Sawyer Brothers #5))
She had not wanted to come, and now that she was there, she was still praying for deliverance. “Aunt Berta!” she said forcefully as the front door of the great, rambling house was swung open. The butler stepped aside, and footmen hurried forward. “Aunt Berta!” she said urgently, and in desperation Elizabeth reached for the maid’s tightly clenched eyelid. She pried it open and looked straight into a frightened brown orb. “Please do not do this to me, Berta. I’m counting on you to act like an aunt, not a timid mouse. They’re almost upon us.” Berta nodded, swallowed, and straightened in her seat, then she smoothed her black bombazine skirts. “How do I look?” Elizabeth whispered urgently. “Dreadful,” said Berta, eyeing the severe, high-necked black linen gown Elizabeth had carefully chosen to wear at this, her first meeting with the prospective husband whom Alexandra had described as a lecherous old roué. To add to her nunlike appearance, Elizabeth’s hair was scraped back off her face, pinned into a bun a la Lucida, and covered with a short veil. Around her neck she wore the only piece of “jewelry” she intended to wear for as long as she was here-a large, ugly iron crucifix she’d borrowed from the family chapel. “Completely dreadful, milady,” Berta added with more strength to her voice. Ever since Robert’s disappearance, Berta had elected to address Elizabeth as her mistress instead of in the more familiar ways she’d used before. “Excellent,” Elizabeth said with an encouraging smile. “So do you.” The footman opened the door and let down the steps, and Elizabeth went first, following by her “aunt.” She let Berta step forward, then she turned and looked up at Aaron, who was atop the coach. Her uncle had permitted her to take six servants from Havenhurst, and Elizabeth had chosen them with care. “Don’t forget,” she warned Aaron needlessly. “Gossip freely about me with any servant who’ll listen to you. You know what to say.” “Aye,” he said with a devilish grin. “We’ll tell them all what a skinny ogress you are-prim ‘n proper enough to scare the devil himself into leading a holy life.” Elizabeth nodded and reluctantly turned toward the house. Fate had dealt her this hand, and she had no choice but to play it out as best she could. With head held high and knees shaking violently she walked forward until she drew even with Berta. The butler stood in the doorway, studying Elizabeth with bold interest, giving her the incredible impression that he was actually trying to locate her breasts beneath the shapeless black gown she wore.
Judith McNaught (Almost Heaven (Sequels, #3))
I’m first up, love,” Arion says as he starts invading my space again. “I thought the only thing holding you back was your fear. Clearly the fear is absent if you’re willing to turn yourself over to the very darkest part of me. It’s amazing you’re in one piece, so clearly you played submissive very well, Violet. It’s because you were ready for me to save you and overcame your fear of me. Now we can be together.” When I say nothing and simply stare at him like he’s forever losing his mind more and more when we speak, he frowns like he’s genuinely perplexed. “Arion, no matter what you did, I couldn’t have endured another second of those cries. And you were at Abby’s mercy while in that state. You ripped my throat out and told me to put on some healing potion so you could sit down and watch the fight.” Apparently, I guess right, because his pupils widen marginally. “I held your hand when you finished,” he says like he’s defending himself. “So you could watch the fight.” “Vance was focused. It’s been ages since he focused. Thing of beauty while it happens,” he says as if that’s important information. I gesture between us. “That’s sort of the problem. I feel like the conduit for your feelings for them because you have heterosexual body parts with a homosexual mentality. I’m not sure I’m okay with simply being a conduit,” I carefully explain, causing his eyes to widen a little more, as several muffled sounds of amusement spring from somewhere else in the room. “I’m sorry, love, but you’ve really lost me,” Arion says very seriously, brow crinkling. “You want this to be a thing between you and me, even though Idun is returning, because you want them back. It looks like you’re getting that without me, so we can be friends,” I suggest, completely rambling. I don’t think I’m explaining this very well, since they’re all muffling laughter down the hall. Even Vance makes a choked sound of amusement. Or they’re just really immature about these things… That’s definitely possible. Arion scrubs a hand over his face, as someone struggles to cover a surprise laugh with a cough. “I’m so sorry. I shouldn’t be having this conversation right now. It’s inappropriate to do with an audience,” I babble. “But you’re really intense. And I’ve just survived an apocalyptic wolf storm with your mostly naked beta, whose threads are still in my bra because one set of clothes ended up being enough.” The look of frustrated confusion on his face doubles. “I could use a small break before we discuss curses, some really confusing relationship statuses, and the somewhat terrifying woman you’ve all loved rising very soon. And those wolves stole my oranges, so I need to go back and get all of them.” “I’ve already returned them to your cellar,” Emit says from somewhere behind Arion. “Then I need to go start using them while they’re useable,” I say as I quickly disentangle myself from Arion and attempt to escape. “I’ll return the shirt.” “Keep it,” he says quietly from behind me, as I finally take in the other three all standing somewhat close together, smirking at me. “I’ll drive you home,” Damien says with a slow grin. “I’m not talking to you, and if you’re a smart man, you’ll figure out why,” I state firmly. “Only when you figure it out will we discuss it.” “I’ll take you—” “I don’t want to talk to you right now, because I need to get my cool back,” I tell Emit, whose eyes immediately flick away, as his jaw tics. He’s had multiple opportunities to explain to me why he told Damien I was a monster, and yet didn’t even bother telling me what I was. All this time, I’ve been patiently waiting, refusing to get too angry. Now…I’m getting sort of freaking angry, because he still hasn’t said one word about it. “Guess that just leaves me,” Vance says as he puts his hand at the small of my back and starts guiding me out.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
not listen to the mad ramblings of a broken man. He means none of what he says and only half of what he doesn’t. You’ve
Marie Hall (Kingdom Series Collection #1-3 (Kingdom, #1-3))
<> he asks. I sit down and think about it. I could list a million reasons. Gray sits next to me. <> I say. <> I stop rambling and look over at Gray. He's smiling. <> he says. <> I say, stunned. It's the greatest compliment he could ever give me.
Katie Kacvinsky (Finally, Forever (First Comes Love, #3))
Why do you love your camera, Dylan?" he asks. I sit down and think about it. I could list a million reasons. Gray sits next to me. "It helps me to see." I say. "I appreciate so much more when I have it. It widens my perspective; it makes me want to soak up every detail. It never misses a thing, it never blinks. The Whole word is crisper and brighter and clearer. It sees beauty whithout judging it. It makes me want to take every temporary moment and make it permanent." I stop rambling and look over at Gray. He's smiling. "Exactly," he says. "I'm you camera," I say, stunned. It's the greatest compliment he could ever give me.
Katie Kacvinsky (Finally, Forever (First Comes Love, #3))
Still physically shaken by the bomb blast which so nearly had cut short his career, the Fuehrer raves and rambles, boasts, threatens, and complains. As he meanders through the “conference,” really a solo performance, one idea reappears again and again: the final decision must come in the west and if necessary the other fronts must suffer so that a concentrated, major effort can be made there. No definite plans can be made as yet, says Hitler, but he himself will accept the responsibility for planning and for command; the latter he will exercise from a headquarters some place in the Black Forest or the Vosges. To guarantee secrecy, nobody will be allowed to inform the Commander in Chief West or his staff of these far-reaching plans; the WFSt, that is, Jodl, must form a small operational staff to aid the Fuehrer by furnishing any needed data.7
Hugh M. Cole (The Ardennes - Battle of the Bulge (World War II from Original Sources))
Jep and I also get asked to make personal appearances. Sometimes it’s a photo opportunity, where they want us to dress up and appear on a red carpet somewhere. But lately we’ve been getting asked to speak, too, and to tell our story. It wasn’t easy for Jep at first--he’s more of a private person and the thought of getting up in front of hundreds or even thousands of people and telling his story was pretty scary. I remember the first time he spoke to a large group was in Canada, and he was holding the mic and shaking. But everyone listened, and every time he has done it, it gets a little easier. Same for me. I’m a people person, and I love to talk and share stories, but speaking to a huge crowd is not easy. Both Jep and I try to remember that we’re just talking. I sort of ramble all over the place, and I don’t always know where I’m going when I talk, but Jep is so much better at it. People take what he says to heart. There’s something built in to Phil and Jep that makes people listen to them. They share moments and memories from their lives, and people love it. Jep always had it in him.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Miss Hendricks, Thank you for your letter telling of my family. For a little while after I heard of Adabelle’s passing, I still received her regular letters. And then I figured I’d have nothing. But your note arrived, and with it, I found hope again. Sometimes I wonder if you are an angel instead of a woman, to step in and take care of my kids, my house, with no tie to us other than your aunt’s kindness to our family. She talked about you. Did you know that? She missed you and your brother, hated the falling out with her sister, although she never mentioned the cause. I think she pretended my family was hers. And that was fine with us, for Clara and I didn’t have anyone, either. I guess she was as close to a grandmother as my children will ever know. Sorry for rambling on so. Not what you expect of a letter from a stranger, I imagine. What I really wrote to say is that I’m due to ship out for the States soon. After a few days of debriefing at a military base, I’ll make my way home. You can bet I’ll be looking for the quickest way. I’d hate to disrupt your life any longer than necessary. Sincerely, Frank Gresham
Anne Mateer (Wings of a Dream)
... so, any last requests?" "Huh...did you say something?" I yawned, then looked up at Dasha, feigning utter boredom. The scowl on her face looks like she figured out her repugnant rambling fell on deaf ears. Ha hah! It’s the little things…
Jacklyn Scott Rogers (The First Twist (Twisted Fates, #1))
Lerner held that Brigadoon was one of Minnelli’s least vivacious efforts, despite the potential offered by CinemaScope. Only the wedding scene and the chase that follows reveal Minnelli’s unique touch. Before shooting began, Freed rushed to inform Lerner that “Vincente is bubbling over with enthusiasm about Brigadoon.” But, evidently, his heart was not in this film. Early on, Minnelli made a mistake and confessed to Kelly that he really hadn’t liked the Broadway show. As a film, Brigadoon was curiously flat and rambling, lacking in warmth or charm, and the direction lacks Minnelli’s usual vitality and smooth flow. Admittedly, Lerner’s fairy-tale story was too much of a wistful fancy. Two American hunters go astray in the Scottish hills, landing in a remote village that seems to be lost in time. One of the fellows falls in love with a bonnie lass from the past, which naturally leads to some complications. Minnelli thought that it would be better to set the story in 1774, after the revolts against English rule had ended. For research about the look of the cottages, he consulted with the Scottish Tourist Board in Edinburgh. But the resulting set of the old highland village looks artificial, despite the décor, the Scottish costumes, the heather blossoms, and the scenic backdrops. Inexplicably, some of the good songs that made the stage show stand out, such as “Come to Me, Bend to Me,” “My Mother’s Wedding Day,” and “There But for You Go I,” were omitted from the film. Other songs, such as “The Heather on the Hill” and “Almost Like Being in Love,” had some charm, though not enough to sustain the musical as a whole. Moreover, the energy of the stage dances was lost in the transfer to the screen, which was odd, considering that Kelly and Charisse were the dancers. For some reason, their individual numbers were too mechanical. What should have been wistful and lyrical became an exercise in trickery and by-now-predictable style. With the exception of “The Chase,” wherein the wild Scots pursue a fugitive from their village, the ensemble dances were dull. Onstage, Agnes de Mille’s choreography gave the dance a special energetic touch, whereas Kelly’s choreography in the film was mediocre at best and uninspired at worst. It didn’t help that Kelly and Charisse made an odd, unappealing couple. While he looks thin and metallic, she seems too solemn and often just frozen. The rest of the cast was not much better. Van Johnson, as Kelly’s friend, pouts too much. As Scottish villagers, Barry Jones, Hugh Laing, and Jimmy Thompson act peculiarly, to say the least.
Emanuel Levy (Vincente Minnelli: Hollywood's Dark Dreamer)
No language makes perfect sense. That’s another way of saying, there is no known language that does not have wrinkles of illogicality here and there. If one is to impose an aesthetic preference upon English or any other language, it cannot be one involving perfect order and endless clean lines, because no language like that has ever been spoken anywhere by anyone. Rather one must revel in disorder—not chaos, but perhaps the contained disorder of an ideal English garden where it’s considered proper to allow certain plants to ramble here and there, certain flowers to spread. Call them marks of character.
John McWhorter (Our Magnificent Bastard Tongue: The Untold History of English)
To understand this, you need frist to Know some words which are formed from Arabic to English by me : 1- farcashize (V) : يُفركش 2- farcashization (N) : الفركشة 3- farcashized/farcashizational (Adj) : مُفركش 4- farcashizationally (Adv) : مُفركشآ The logic of the dating does not express the relationship, it is the relationship, otherwise the time that I spend with special someone is a neutral phenomenon and the observation of the neutral phenomenon in the term of the relationships changes its nature. Like every single Sudanese man, I know that I would like to be a one-man multinational fashion phenomenon but to be described as farcashizational man by some students is something I don't expect it at all. The phenomenon of farcashization becomes a part of Sudanese girl's speech, unfortunately it is like gossiping, I was chicken-hearted when my closed friend told me that many female students at EDC said that we were in love together and then you were farcashized by me. At that time we were laughing but deeply inside myself, an idea was rambling which was "maybe I am one of their desires" because when one has achieved the object of one's desires, it is evident that one's real desire was not the ignorant possession of the desired object but to know it as possessed as actually contemplated as within one, so maybe I was farcashizationally farcashized by my friend in thier mind as a wish that the same thing to be done with me by them and that leads to say "girls are dangerous creatures especially when they are your students". When there is both love and friendship, we dwell in the realm of the relationship and when there is neither love nor friendship, we exist in a vacuity of relationships, we can feel and we can express feelings but the more we feel, the further off we are, so what is not yet felt can't be shown and what is already desired can't be hidden so farcashization and desire are not distant, it's their principle that can't be seen. It would be a very naive sort of dogmatism to assume that every beautiful girl is an impossible creature to be got or to accept the man as he is and she is always going to embarrass and farcashize him, as if she is an indocile black wild cat, the beautiful girl is not a unique and homogeneous but she is immensely diversified, having as many different schemes and patterns as there are different ways of beauty, so the phenomenons which we find in our certain relationships such as farcashization are not transferable with all people but the attitude of the relationship, therefore the dating of two people is like the contact of two chemical substances, if there is any reaction between them depending on that attitude, both are transformed. Finally there is no relationship between any two partners looks like what we really see, yours doesn't, mine doesn't and people are much more complicated than what we imagine, then their relationships are more perplexing too, so you can't judge any relationship according the actions of the relationship's partners, it is true of every relation.
Omer Mohamed
Castle Rannoch is not the most delightful spot at the best of times. It lies beneath an impressive black crag, at the head of a black loch, protected from the worst of gales by a stand of dark and gloomy pine forest. Even the poet Wordsworth, invited here during his ramblings, could find nothing to say about it, except for a couplet scribbled on a sheet of paper found in the wastepaper basket.
Rhys Bowen (Her Royal Spyness (Her Royal Spyness Mysteries, #1))
It was my father and I that were inseparable. His darling girl; that's what he called me. He understood me- his bright, easily bored, passionate, underdog-defending, in-need-of-large-doses-of-physical-activity-and-changes-of-scenery daughter. And more important than understanding me, he liked me. He was most proud when I took the road less traveled by. It wouldn't be exaggerating to say I lived for the look of delight and surprise in his eyes when I accomplished something out of the ordinary. Beating him at chess. Reading the unabridged version of Anna Karenina when I was ten. Starting a campfire with nothing but a flint and a knife. But now it seemed our father and daughter skins were growing too small. I still craved his attention and approval, but he gave it more sparingly. Our long, rambling conversations about everything and anything- the speed of light, the Cuban missile crisis, how many minutes on each side to grill a perfect medium-rare steak- had petered out, replaced with the most quotidian of inquiries: Is Gunsmoke on tonight? Is it supposed to snow tomorrow? When's the last time the grass was cut?
Melanie Gideon (Valley of the Moon)
But very few of us were taught how to practice mental prayer. We feel embarrassed or tongue-tied when we try to speak to God from our hearts. What are we supposed to say? Unless someone instructs us as adults, our mental prayer is likely to be a rambling monologue about our day or a list of petitions.
Dan Burke (The Contemplative Rosary: With St. John Paul II and St. Teresa of Avila)
He would do better, Mary thought, to say less and think more; but as he rambled on, she understood that would never happen. He would always condemn himself out of his own mouth, and would do so in complete ignorance of the poor impression he made.
Janice Hadlow (The Other Bennet Sister)
Sometimes you just need that one person who will let you talk and ramble. 'Listen to you complain and look like a idiot. "But still love you the same.
James Hilton
Have you come across a phenomenon which we might call “parallel conversations” before? What do I mean by that? I mean where one thing can be said at a rational and everyday level, and yet something else, some other message or signal, modulates that basic carrier wave. ... [S]omeone might use a metaphor or a common saying (either knowingly or unconsciously) such as “There's no point in mending fences while the wind s up”, which might rationally fit in with a physical task that they were carrying out at home over the weekend, and yet might convey other meanings to whomever they were talking to.
H.M. Forester (Secret Friends: The Ramblings of a Madman in Search of a Soul)
Erica acted as though she didn’t even see him, rambling on about hucking off ledges and pulling kangaroo flips in the terrain park, until we were well past him and at the ice rink again. Then she turned to me, fluttered her eyelashes, and announced, “Let’s go ice-skating!” I stared at her, thrown. There weren’t any bodyguards around for her to be acting in front of, and yet “Let’s go ice-skating!” was one of the last things I would have ever expected to hear Erica Hale say, along the lines of “I love scrapbooking,” or “Unicorns are awesome.
Stuart Gibbs (Spy Ski School (Spy School Book 4))
Dear Christopher, You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private. I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well. I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home. Dearest Prudence, Amid all the noise and men and madness, I try to think of you in your secret house…my princess in a tower. And my lodestar in the window. The things one has to do in war…I thought it would all become easier as time went on. And I’m sorry to say I was right. I fear for my soul. The things I have done, Pru. The things I have yet to do. If I don’t expect God to forgive me, how can I ask you to? Dear Christopher, Love forgives all things. You don’t even need to ask. Ever since you wrote to me about the Argos, I’ve been reading about stars. We’ve loads of books about them, as the subject was of particular interest to my father. Aristotle taught that stars are made of a different matter than the four earthly elements--a quintessence--that also happens to be what the human psyche is made of. Which is why man’s spirit corresponds to the stars. Perhaps that’s not a very scientific view, but I do like the idea that there’s a little starlight in each of us. I carry thoughts of you like my own personal constellation. How far away you are, dearest friend, but no farther than those fixed stars in my soul. Dear Pru, We’re settling in for a long siege. It’s uncertain as to when I’ll have the chance to write again. This is not my last letter, only the last for a while. Do not doubt that I am coming back to you someday. Until I can hold you in my arms, these worn and ramshackle words are the only way to reach you. What a poor translation of love they are. Words could never do justice to you, or capture what you mean to me. Still…I love you. I swear by the starlight…I will not leave this earth until you hear those words from me.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Thing is, I’ve decided what I’m going to do next. I have to go back to the university, of course. Next semester, I’m cutting back my schedule. I need more freedom. I’m going to transition out, sneak up on retirement. I’m going to get myself one of these!” he exclaimed, smacking the steering wheel. “Mary’s sons are married and have children—they’re great kids, superior stepsons. One lives in Texas, one in Florida. I’m going to put my house on the market and retire by the end of school, just in time to begin traveling. I’m going to see this country one state at a time, and I’m going to drop in on those boys. They both have amazing wives. One has three children, one has two—and even though I’m a stepfather, they call me Papa instead of Grandpa. I’m going to visit them occasionally while I’m traveling, then move on to other sights, then check back in. What do you think of that idea?” Her smile was alive. “It sounds wonderful. You’ll enjoy that. Maybe I’ll even see you now and then in Virgin River.” “Or, you could come along,” he said. “You have all those military boys all over the place. We could check on them, as well. And believe me, once a couple of them get married and have children, the others fall in line. I’ve seen it a million times. As soon as I get an offer on the house—which is a good house and should bring a nice price even in a depressed economy—I’m going to start shopping for a quality RV. I’ve been looking at pictures online. Maureen, you have no idea how high tech these things have become! They now come with expandable sides, two people showers, freezers, big screens in the living room and bedroom, Whirlpool tubs—you name it! How’d you like to have a hot tub on wheels, Maureen?” She looked over at him. He was so excited by his idea, he was actually a little flushed, and she found herself hoping it wasn’t high blood pressure. If the moment ever presented itself, she’d ask about that. But after all his rambling about his future RV, all she could say was, “Come along?” “A perfect solution for both of us,” he said. “We’d have time together, we’d have fun together. We’d see the families, travel…” “George, that’s outrageous. We’ve had a few lunches—” “And we’ll have a few more! We’ll also e-mail, talk on the phone, get together occasionally—in Virgin River, but also in Phoenix and Seattle. We’ll spend the next six months figuring out if we fit as well as it seems we do.” “Long distance? Occasional visits?” she asked doubtfully. “It’ll give you time to look over my accounts to be sure you’re not getting conned out of your retirement.” He laughed at his own joke, slapping his knee. “Of course, with five brawny, overprotective sons you’re relatively safe from a dangerous guy like me.” He glanced at her and his expression was playful. “We’re not young, Maureen. We should be sure we’re attracted to each other and that we get along, but we shouldn’t waste a lot of time. Every day is precious.
Robyn Carr (Angel's Peak (Virgin River #10))
Just what is going on here?” Darin would have had a hard time imagining the plump, friendly woman he knew so well wearing such a frown. He tried to make himself smaller as he looked at the distance between himself and the safety of the underside of Kerren’s bed. He wilted visibly as Kerren threw a guilty look in his direction. The light that suddenly flooded his back might have been magical given the effect that it had. “What’s this?” He got slowly to his feet as Helna approached him, swinging the lamp gently to and fro. “Or should I have known?” “Hi, Helna.” Darin kept his voice as meek and friendly as possible. “I should have known.” She shook her head, the frown fading just a touch around the comers of her mouth. Darin knew he wasn’t safe yet. “Do you have any idea what time it is, young man?” “No, why?” “Yes, you do, Darin. You don’t normally wear a nightdress early in the evening. And what’s that you’ve got on your feet? Slippers?” Why are you asking if you already know the answer? Darin thought. He was wise enough not to say it out loud, for though it was a perfectly reasonable question, it always had the worst possible effect on adults. “And don’t think,” Helna said to her son as he sidled toward the wall, “that I’ve finished with you yet, either. Darin’s a troublemaker, all right, but he’s his mother’s problem. I wish I could say the same of you.” “Helna?” Oh, great. Darin thought. Just what we need. Another one of them. It was just one of those evenings. Jerrald rambled into view, wearing a night robe that his broad shoulders strained against. He was carpenter and blacksmith to the small enclave, but given his size, Darin was always certain that he’d have made a better warrior. “What’s this?” Helna turned to face her husband with a sigh. “More of the same.” He raised an eyebrow, which was difficult considering he only really had one dark line of hair across the upper ridge of his eyes. “Kerren, have you been troubling your poor mother?” Kerren gazed awkwardly down at the ground. After a moment he murmured a word of assent and hung his head. Helna looked at him. “Aye, that he has.” Her lips gentled again, this time into a smile. “But not near as much as young Darin here’s troubling his.” “Darin?” Jerrald’s broad grin was much less reluctant than his wife’s. “That’d explain a whole lot. What’re you doing here at this time of night, boy?” “Pretending to be Renar,” Kerren said, with just a hint of spite in his voice. Darin shot him a dirty look. “Was not. And anyway, I’m better at it than you.” “Yeah? Well, I didn’t notice you escaping when the bells rang!” “Well, if you had to learn anything, maybe you would’ve!” “Boys!
Michelle Sagara West (Children of the Blood (The Sundered, #2))
Our teacher's [Ms. Whitlock] talking. Rambling how she'll give a hundred extra credit points to anyone who can solve the puzzle by the end of class. She's saying other things, too.
Katie McGarry
Rejoice in the Lord alway: and again I say, Rejoice.
Dana Rongione (Random Ramblings of a Raving Redhead: Daily Devotional for Women (Giggles and Grace Devotionals for Women))
Her expression remained unchanged as I spoke. She looked at me directly and I continued rambling for a bit. She let me finish. Suddenly, she changed the script I thought we were both meant to follow. Her response was crisp and clear. She did nothing Cheryl had prepared me for. She didn’t say I told you so, she didn’t tell me I was fired or that she would help me find a new job. In fact, she gave no hint that anything about my role was to be altered. What she wanted to tell me was that though people were pressuring her to let me go, she did not believe it was the right thing to do and had no plan whatsoever to listen to my critics. Then she proceeded to list all the reasons why. That I was valued in our organization. That she had confidence in my work. That she believed I was a good manager, an effective problem solver. That she knew the number of people who supported me far exceeded the number who wanted me out. That she did not intend to be bullied into doing something just because that’s what other people wanted. That she knew that I had a son to think of, and she wanted to be sure I was able to support him. She didn’t say this, but we both knew that if she fired me I might be completely ostracized from Democratic politics and largely unemployable, something I couldn’t even fathom. And last, she said that she did not believe I should pay a professional price for what was ultimately my husband’s mistake, not mine. I think I started breathing again only when she finished talking.
Huma Abedin (Both/And: A Memoir)
There is nothing in the manifestos of the Jana Sangh that has consistency or anything discernible as an economic ideology or any ideas about how Hindutva would influence the State. The manifestos are a collection of rambling and inchoate pronouncements. The Jana Sangh stood for mechanisation of agriculture and then immediately opposed it in 1954 (because the use of tractors would mean bullocks would get slaughtered). It wanted industry to calibrate its use of automation not based on efficiency but how many more individuals it could hire. It did not explain why a businessman should or would want to add cost rather than reduce it. In 1971 it said it wanted no automation in any industry except defence and aerospace. In 1954, and again in 1971, it sought to cap the monthly incomes of all Indians at Rs 2,000 and wanted the State to appropriate everything earned above that sum. It wanted residential bungalows to be limited to a size of 1,000 square yards.3 In 1957, it spoke of ‘revolutionary changes’ it would bring without saying what these were, and in the very next manifesto dropped the reference without explanation. All this is, of course, because they were responding to Congress manifestos of the time and had nothing real to offer of their own. Nor did they think they needed to: with a national voteshare that till 1989 was in the single digits, the party knew it would not be in power, would not need to implement a policy and, therefore, was free to say whatever came to mind. The Jana Sangh did not have any particular strategic view of the world and India’s place in it besides saying that India should be friends with all who were friendly and tough on those who were not. India should seek a place in the Security Council but there was no reference to why or what India’s role would be, or how its influence and strategic options would increase if it got this position. It offered no path for getting to the Security Council. Entitlement would apparently get India there.
Aakar Patel (Price of the Modi Years)
Your dream is the mole behind your ear, that chip in your front tooth, your freckles. It's the thing that makes you special, but not the thing that makes you great. The courage in trying, the passion in living, and the acknowledgement and appreciation of the beauty happening around you does that. Dreamer, I am not fit to say much more, because I don't know much more than that. If you do, please write back. If not, please accept this as just a few words of encouragement. And if this letter means nothing to you, if it's just more pointless weight added to an already heavy life, feel free to burn it and use it for firelight for this long and often dark road. But if you somehow find truth, comfort, or anything at all within this ramble, keep it close and use it for firelight for this long and often dark road.
Jason Reynolds (For Every One)
He said, ‘You know what’s great about working with wood? You can make it anything you want it to be, but it’s still a chunk of wood.’” Pausing mid-sip, Dolores cocked her head, a puzzled expression on her round face. “What was that old fool rambling on about?” “I think he was trying to say you can’t change your circumstances, but you are responsible for what you make of them.
Rachael Bloome (The Clause in Christmas (Poppy Creek, #1))
younger brother, Proteus, would take over the kingdom, and the two of them hated each other. In desperation, Acrisius took a trip to the Oracle of Delphi to get his fortune read. Now, going to the Oracle is usually what we call a bad idea. You had to take a long trip to the city of Delphi and visit this dark cave at the edge of town, where a veiled lady sat on a three-legged stool, inhaling volcanic vapour all day and seeing visions. You would leave an expensive offering with the priests at the door. Then you could ask the Oracle one question. Most likely, she’d answer you with some rambling riddle. Then you’d leave confused, terrified and poorer. But, like I said, Acrisius was desperate. He asked, ‘O Oracle, what’s the deal with me not having any sons? Who’s supposed to take the throne and carry on the family name?’ This time, the Oracle did not speak in riddles. ‘That’s easy,’ she said in a raspy voice. ‘You will never have sons. One day your daughter Danaë will have a son. That boy will kill you and become the next king of Argos. Thank you for your offering. Have a nice day.’ Stunned and angry, Acrisius returned home. When he got to the palace, his daughter came to see him. ‘Father, what’s wrong? What did the Oracle say?’ He stared at Danaë – his beautiful girl with her long dark hair and lovely brown eyes. Many men had asked to marry her. Now all Acrisius could think about was the prophecy. He could never allow Danaë to marry. She could never have a son. She wasn’t his daughter any more. She was his death sentence.
Rick Riordan (Percy Jackson's Greek Gods)
She looks up at me with misty eyes. ‘Talking of boys- are you eager about tonight?’ ‘About what?’ I say acting like I don't know what is going to go down, or don’t even know what she’s talking about. I play dumb! Her words are all running past me, faster than how she drives, everything is distorted together. Jenny always talks like that when she gets upset. Her words go into overdrive. I’m holding on to the bedpost, trying not to fall over, or on top of Jenny, I would love to sit down yet, Jenny is hogging up my single bed. She said- ‘I think you should back up with Ray or do him already.’ She throws me a condom from her purse. I said- ‘Who do you think would be my type then?’ ‘You, Marcel, some worm Bud Lite, and his Star Wars sheets. OMG that would be perfect and she giggles. ‘How romantic,’ she shouted. Though, I was thinking OMG Jenny you’re always right. Like it would be so romantic, yet little did she know I felt that way, already… I never realized how much of a weirdo I am. I have fallen to a complete nerd, on the outside, I have completely changed, but on the inside, I am one too! We all try to be something we're not in high school, even Jenny has everyone fooled. Nevertheless, the ones that seem the most put together are the ones that are falling apart the most. No one’s life is as good as it seems, and it’s even worse when you’re like Jull’s and Madilyn that have us throwing crap in their faces. I stand here feeling like such an ass hole, not even hearing what Jenny is rambling on about, because it’s nonsense, compared to what I have done in my thoughts. -White teeth teens are out- #- Hashtag: (unperfect girls, the charmed life, we want real love) I go pee one last time, and Jenny flows me in the bathroom and sits on the edge of the tube looking at me as I go. Then after I got up, she went, I was thinking like we didn’t need to do this together, yet how Jenny is we have to do everything together. That is when my sis walks into my room and says- ‘I have to Ba-bath Karly, would I get my stuff Re-ready and help me take a bath?’ I try to close the door saying get mom to bath you, but she wedges her hand in at the last minute and pushes into the bathroom.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Anne’s home then was already centuries old and though beautiful as it was, I cannot say I had ever felt at ease in the great Hall. Shadows, creaks, and groans as well as whispers and growls have forever lived within its walls. Evil was part of its foundations and even then, the rambling mansion harboured many souls and secrets. This is something inevitable in a place as old as Loftus Hall.
Helena B. Scott (Loftus: The Hall of Dreams)
At the Artists Club in 1950 he rhythmically intoned his “Lecture on Nothing” for the first time. It was a seemingly rambling, remorselessly monotone meditation on being and nothingness, stillness and action. He began, “I am here, and there is nothing to say. If among you are those who wish to get somewhere, let them leave at any moment. What we require is silence; but what silence requires is that I go on talking.” It went on that way for a long time. In his book Silence he recalls that the artist Jeanne Reynal, best known for the painstaking and repetitious art of the mosaic, “stood up part way through, screamed, and then said, while I continued speaking, ‘John, I dearly love you, but I can’t bear another minute.’ She then walked out.” When the “lecture” finally ended Cage invited questions; however, to illustrate his feelings about the pointlessness of discussion, he responded only with prewritten answers such as “That is a very good question. I should not want to
John Strausbaugh (The Village: 400 Years of Beats and Bohemians, Radicals and Rogues, a History of Greenwich Village)