Saying Goodbye To Old House Quotes

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I suppose you will be hanging up your stocking just once more: I hope so for I have still a few little things for you. After this I shall have to say “goodbye”, more or less: I mean, I shall not forget you. We always keep the old numbers of our old friends, and their letters; and later on we hope to come back when they are grown up and have houses of their own and children.
J.R.R. Tolkien (Letters From Father Christmas)
The whole idea of it makes me feel Like I’m coming down with something, Something worse than any stomach ache Or the headaches I get from reading in bad light – A kind of measles of the spirit A mumps of the psyche, A disfiguring chicken pox of the soul. You tell me it is too early to be looking back, But that is because you have forgotten The perfect simplicity of being one And the beautiful complexity introduced by two But I can lie on my bed and remember every digit At four I was an Arabian wizard I could make myself invisible By drinking a glass of milk a certain way. At seven I was a solider, at nine a prince. But now I am mostly at the window Watching the late afternoon light. Back then it never fell so solemnly Against the side of my tree house, And my bicycle never leaned against the garage As it does today, All the dark blue speed drained out of it. This is the beginning of sadness, I say to myself, As I walk through the universe in my sneakers. It is time to say good-bye to my imagry friends, Time to turn the first big number.
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
I have one and only one wish: to withdraw from the world, to live far away in the countryside in a beautiful house, and to study and work there, all alone. I hope to realize that dream next yeat, when I will be thirty years old and will say goodbye to the world forever.
Nikos Kazantzakis (The Selected Letters of Nikos Kazantzakis (Princeton Modern Greek Studies))
Once my father told me: When a Jew prays, he is asking God a question that has no end. Darkness fell. Rain fell. I never asked: What question? And now it's too late. Because I lost you, Tateh. One day, in the spring of 1938, on a rainy day that gave way to a break in the clouds, I lost you. You'd gone out to collect specimens for a theory you were hatching about rainfall, instinct, and butterflies. And then you were gone. We found you lying under a tree, your face splashed with mud. We knew you were free then, unbound by disappointing results. And we buried you in the cemetery where your father was buried, and his father, under the shade of the chestnut tree. Three years later, I lost Mameh. The last time I saw her she was wearing her yellow apron. She was stuffing things in a suitcase, the house was a wreck. She told me to go into the woods. She'd packed me food, and told me to wear my coat, even though it was July. "Go," she said. I was too old to listen, but like a child I listened. She told me she'd follow the next day. We chose a spot we both knew in the woods. The giant walnut tree you used to like, Tateh, because you said it had human qualities. I didn't bother to say goodbye. I chose to believe what was easier. I waited. But. She never came. Since then I've lived with the guilt of understanding too late that she thought she would have been a burden to me. I lost Fitzy. He was studying in Vilna, Tateh—someone who knew someone told me he'd last been seen on a train. I lost Sari and Hanna to the dogs. I lost Herschel to the rain. I lost Josef to a crack in time. I lost the sound of laughter. I lost a pair of shoes, I'd taken them off to sleep, the shoes Herschel gave me, and when I woke they were gone, I walked barefoot for days and then I broke down and stole someone else's. I lost the only woman I ever wanted to love. I lost years. I lost books. I lost the house where I was born. And I lost Isaac. So who is to say that somewhere along the way, without my knowing it, I didn't also lose my mind?
Nicole Krauss (The History of Love)
He lifted his hand from my shoulder and ruffled my hair. I didn’t know it then, but that touch, those fingers in my hair, would be the last time I would feel my father alive. I would see him again, but he’d be cold under my hand, life long since departed. Had I known then what I know now, I would have clung to him. I would have looked him in the eyes to see that spark of mischief, that undying intelligence that belied his gruff exterior. If I’d known the inevitable, I would have said everything I felt in my heart and soul. I would have told him thank you for being my father. I would have said that if I’m ever going to be a good man, it’s going to be because of the way he’d raised me. I would have said that building Little House together and fixing up that old Ford until it was so cherry were the best times of my life. I would have said that I didn’t think I’d be able to go on without him. I would have told him I loved him. But I didn’t. I didn’t because I didn’t know. I didn’t even say good night. Or good-bye.
T.J. Klune (Into This River I Drown)
I am here because I worked too hard and too long not to be here. But although I told the university that I would walk across the stage to take my diploma, I won’t. At age fifty-seven, I’m too damned old, and I’d look ridiculous in this crowd. From where I’m standing in the back of the hall, I can see that I am at least two decades older than most of the parents of these kids in their black caps and gowns. So I’ll graduate with this class, but I won’t walk across the stage and collect my diploma with them; I’ll have the school send it to my house. I only want to hear my name called. I’ll imagine what the rest would have been like. When you’ve had a life like mine, you learn to do that, to imagine the good things. The ceremony is about to begin. It’s a warm June day and a hallway of glass doors leading to the parking lot are open, the dignitaries march onto the stage, a janitor slams the doors shut, one after the other. That banging sound. It’s Christmas Day 1961 and three Waterbury cops are throwing their bulk against our sorely overmatched front door. They are wearing their long woolen blue coats and white gloves and they swear at the cold. They’ve finally come for us, in the dead of night, to take us away, just as our mother said they would.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care.)
When Wen was seventeen years old, she'd sharpened a kitchen knife and slashed the tires on her brother's bicycle. She never told Kehn, who gave on of the neighbor boys a beating over it. After that, Kaul Hilo came around their house in his car every day to pick up Kehn and Tar when the three of them went around town together, junior Fingers fresh out of the Academy, hungry to win jade and earn their reputations. Every day, Wen walked out to the Duchesse to bid her brothers goodbye and to welcome them home. Hilo once laughed as he pulled up to see her standing in the rain. He said she was the kindest and most devoted sister he'd ever met, that his own sister would never do such a thing. Wen had to admit with some chagrin that she had been a lovesick teenage girl, but she hadn't simply pined uselessly. A small thing like a ruined bicycle could change fate, just as a stone-eye could tip the scales in a clan war. She searched now for the one thing she could say that would make Hilo turn towards her, the way he used to when he rolled down the window and leaned across the seat with a grin. But she was too weary. 'I have to go back out there,' Hilo said. Wen turned onto her side. She felt the pressure of him lift off the mattress, and when the next burst of light from the fireworks struck the room, it lit empty space.
Fonda Lee (Jade Legacy (The Green Bone Saga, #3))
Imagine you are Emma Faye Stewart, a thirty-year-old, single African American mother of two who was arrested as part of a drug sweep in Hearne, Texas.1 All but one of the people arrested were African American. You are innocent. After a week in jail, you have no one to care for your two small children and are eager to get home. Your court-appointed attorney urges you to plead guilty to a drug distribution charge, saying the prosecutor has offered probation. You refuse, steadfastly proclaiming your innocence. Finally, after almost a month in jail, you decide to plead guilty so you can return home to your children. Unwilling to risk a trial and years of imprisonment, you are sentenced to ten years probation and ordered to pay $1,000 in fines, as well as court and probation costs. You are also now branded a drug felon. You are no longer eligible for food stamps; you may be discriminated against in employment; you cannot vote for at least twelve years; and you are about to be evicted from public housing. Once homeless, your children will be taken from you and put in foster care. A judge eventually dismisses all cases against the defendants who did not plead guilty. At trial, the judge finds that the entire sweep was based on the testimony of a single informant who lied to the prosecution. You, however, are still a drug felon, homeless, and desperate to regain custody of your children. Now place yourself in the shoes of Clifford Runoalds, another African American victim of the Hearne drug bust.2 You returned home to Bryan, Texas, to attend the funeral of your eighteen-month-old daughter. Before the funeral services begin, the police show up and handcuff you. You beg the officers to let you take one last look at your daughter before she is buried. The police refuse. You are told by prosecutors that you are needed to testify against one of the defendants in a recent drug bust. You deny witnessing any drug transaction; you don’t know what they are talking about. Because of your refusal to cooperate, you are indicted on felony charges. After a month of being held in jail, the charges against you are dropped. You are technically free, but as a result of your arrest and period of incarceration, you lose your job, your apartment, your furniture, and your car. Not to mention the chance to say good-bye to your baby girl. This is the War on Drugs. The brutal stories described above are not isolated incidents, nor are the racial identities of Emma Faye Stewart and Clifford Runoalds random or accidental. In every state across our nation, African Americans—particularly in the poorest neighborhoods—are subjected to tactics and practices that would result in public outrage and scandal if committed in middle-class white neighborhoods.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
I To one, on returning certain years after. You wore the same quite correct clothing, You took no pleasure at all in my triumphs, You had the same old air of condescension Mingled with a curious fear That I, myself, might have enjoyed them. Te voilà, mon Bourrienne , you also shall be immortal. II To another. And we say good-bye to you also, For you seem never to have discovered That your relationship is wholly parasitic; Yet to our feasts you bring neither Wit, nor good spirits, nor the pleasing attitudes Of discipleship. III But you, bos amic , we keep on, For to you we owe a real debt: In spite of your obvious flaws, You once discovered a moderate chop-house. IV Iste fuit vir incultus, Deo laus, quod est sepultus, Vermes habent eius vultum A-a-a-a—A-men. Ego autem jovialis Gaudero contubernalis Cum jocunda femina.
Ezra Pound
Hey, Call! You over here? Call! Is everything all right?” She whimpered as he whipped his mouth away and softly cursed. With an unsteady hand, he jerked down her sweatshirt and stepped protectively in front of her, leaving her shielded behind his body and the trunk of the tree. “Everything’s fine, Toby.” His voice sounded raspy. She wondered if his friend would notice. “I thought I heard shots,” Toby said, “but I was cooking so I didn’t pay all that much attention. Then I went into the living room and found the front door open. When I saw your rifle gone from the rack, I was afraid something bad might have happened.” “Our neighbor, Ms. Sinclair, came nose to nose with her first black bear.” Call looked her way, gave her a quick once-over, saw that she didn’t look too disheveled, and tugged her out from behind the tree. “Charity Sinclair, meet Toby Jenkins. Toby’s chief-cook-and-bottle-washer over at my place, and all-around handyman. At least he is till he leaves for college in the fall. Toby, this is Ms. Sinclair, our new neighbor.” “Nice to meet you, ma’am. I heard Mose sold the place. I’ve been meaning to come over and say hello.” “Forget the ma’am,” Charity told him. “It makes me feel too old. Charity is enough.” He nodded, smiled. He was young, maybe nineteen or twenty, with thick, dark red hair and a few scattered freckles, sort of a young John Kennedy, an attractive boy with what appeared to be a pleasant disposition. She wondered if he could tell by looking at her what had been going on when he arrived. Then she noticed Call’s shirt was open and missing a button and felt her face heating up again. Call cleared his throat. “I’ll be home in a couple of minutes, Toby.” “Yes, sir. I’ll have your breakfast waiting.” With a wave good-bye, he set off down the path the way he had come. When Charity turned, she saw Call watching her, his face dark, his expression closed up as it usually was. “I didn’t mean for that to happen.” Oh, God. He was obviously sorry it had and it made her even more embarrassed. “Neither did I. I don’t make a habit of…of…I don’t exactly know what happened.” She studied her feet, then stared off toward the creek. “It must have been the fear, you know? They say when your life is threatened you revert to your most basic instincts.” She risked a glance at him, saw that his jaw looked iron-hard. “Yeah, that must be it.” She glanced away, trying not to think of what they’d just done. Trying not to wonder what would have happened if Toby hadn’t arrived when he did. “You’d better go,” she said, making an effort to smile. “Your breakfast is waiting and I’ve got work to do.” As she started to turn, the sun peeked out from behind a cloud, casting shadows beneath his cheekbones and the little indentation on his chin. He didn’t move when she grabbed the plastic bag of garbage and headed for one of the heavy iron trash cans that were supposed to be bear-proof. She saw him walk over and pick up his rifle, his fingers wrapping around the stock with a casual ease that said he was comfortable with the weapon. He didn’t walk away as she expected. Instead, he stood there watching, waiting until she disappeared inside the house.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
out and started again? Well, she hated cold tea, so she tipped it onto the grass, holding her breath. No complaint, so she began again. ‘Milk?’ Hannah studied him from under her hair. ‘Yes, please, just a small amount. Lapsang is a very delicate tea and too much milk kills the flavour.’ ‘I’ll need lots of milk then.’ Balancing the cup, saucer and spoon carefully, she offered it. ‘Thank you, Miss Hollis.’ ‘Hannah.’ She poured her own tea, wondering if it would taste like the ashtray it smelled like. With cup only in hand, she leaned against the back of the wooden chair then threw a leg over the side arm. ‘So, Miss Hollis, what brings you to Cornwall?’ ‘Call me Hannah. Miss Hollis makes me sound like some old school marm.’ ‘Is that a problem? Most old school marms, as you call them, of my acquaintance are delightful people.’ ‘Sure, but boring I bet.’ ‘Not at all.’ ‘Right. Not to you, maybe.’ Hannah braved a sip and winced. ‘Back to the question: what has brought you to Cornwall?’ ‘Bloody bad luck,’ she said, frowning at her tea. ‘No need to swear,’ he said. ‘I didn’t swear.’ ‘You did,’ he said. ‘What? Are you talking about bloody?’ she asked. ‘Yes. It is a curse.’ ‘No,’ she said. ‘Yes.’ ‘Well, maybe in the dark ages it was, but it isn’t now.’ She began to wonder if she’d walked through a time machine when she’d come through the gate earlier. It was a nice one, though. The orchard was beautifully laid out and the table and chairs were a lovely weathered blue. ‘Who advised you of this?’ he asked. Hannah sat up and put her empty cup on the table, not quite sure when she had drunk it. ‘Look, it’s a word that’s used every day.’ ‘Yes, but does that change its meaning?’ he asked. ‘No, but no one takes it like that any more.’ ‘Who is no one?’ he asked. ‘I mean no one who hasn’t lived in the dark ages.’ She looked at his wrinkled skin and tried to guess his age. ‘You mean anyone over the age of, say, sixty?’ he suggested. ‘Yeah, sort of.’ ‘Well, as I fit that category, could you refrain from using it?’ ‘Yeah, I guess. If it bothers you that much.’ ‘Thank you. Would you be kind enough to pour more tea?’ Old Tom leaned back into his chair. The sun wasn’t coming through the east window when Maddie opened her eyes for the second time that day; instead, she found Mark standing at the end of the bed with a tray. She blinked. When she last peered at the bedside clock, it had been eight a.m. and she’d thought that if she slept for another hour, she would begin to feel human. What a wasted day. What had Hannah been up to? Had she come into the room and seen her like this? Well, it was a lesson in what not to do in life. The end of last night, no, this morning, was more than fuzzy; in fact, she didn’t remember coming up to her room. The last clear memory was saying goodbye to Tamsin and Anthony. She and Mark had gone back into the kitchen and had another glass of wine or two. ‘Good evening,’ he said. ‘It’s not that late?’ ‘Almost time for a drink.’ He smiled. She winced. ‘Oh, don’t.’ ‘Would a bit of tea and toast help?’ ‘It might.’ Maddie eased herself onto her elbows and then slipped back down again. She was only wearing knickers. Mark’s eyes widened. ‘Could you hand me that shirt on the end of the bed?’ she asked. ‘Certainly.’ She wrestled with it under the duvet. ‘Sorry. I couldn’t find your pyjamas last night.’ ‘What?’ Maddie
Liz Fenwick (The Cornish House)
Getting more into one-on-one therapy helped. It helped me to keep going, and it helped me to quit drinking. I almost feel it’s mandatory in my position. C’mon, buddy, you’ve got to get your head shrunk. Because your head gets so big, you need to shrink it. You need to go to some guy who’s going to tell you what you already know about yourself and pay attention to you for an hour straight. Which we all like. We all need a little attention. The first time I ever considered therapy was back in Boston, during my run in Richard III. I was staying at our director David Wheeler’s house for a few days, and he came into my room one morning to share some good news with me. “Hey, Al!” he said. “You just won the National Board of Review!” It was my first major film award for The Godfather. I said to him, in the softest voice I could summon up, “I was going to ask you, David, do you have the name of a psychiatrist? Because I need one.” That was my answer to him. Not that I was unhappy about winning such a prestigious award, but there were just other things on my mind. I saw a psychiatrist in Boston first, and then I went and got myself a guy in New York. I fell in love with the process, and I got to a point where I was in therapy five days a week at certain times. I highly recommend therapy if you’re at all leaning in that direction. Maybe you don’t need it five times a week, but give it a whirl. There’s an old story: A woman goes to a therapist for years. It’s her last appointment, because she feels she’s come to a great place in her life and is ready to move on. She wants to congratulate her therapist and say goodbye. So she tells him, “You’ve done so much good for me. I love my husband so much. Every day with my kids is just a joy. My work is going off the charts. I’m seeing a whole new side of life. You’ve been so wonderful. I never hear you speak. You just take it all in. Please tell me, how did you do it?” The doctor looks at her and says, “No habla inglés.” That’s an interpretation of therapy too; you need to talk and get it out. When I was living with Jill, before I ever went to therapy, I used to just sit in the bathtub alone and talk about things. I cleared my mind to myself. It’s an unusual relationship that you forge when you find a good doctor, someone you feel has that kind of commitment to you. And then they take some colossal amount of time off, and you don’t see them for the whole summer. I had one of those episodes when I couldn’t find my doctor. I might have been spared about twenty years of tsuris if I could have avoided it. It’s a good idea that when your psychiatrist goes away, you know where they are and you can call them when you’re in trouble. They need rest too. I can deal with, “Hey, my daughter’s graduating college, I’ll be out for a few days.” But going up a fucking river somewhere, to not be available for, like, six weeks? Come on, my life was capable of going right off the rails in far less time than that. I used to have recurring dreams in which I go to my psychiatrist’s office but can’t find him anywhere. He’s in the building, but he’s unavailable. I’m at the door, but there’s not even a buzzer I can press to let him know I’m there and no way to let me in. That was my dream. Now I have that feeling about my agent.
Al Pacino (Sonny Boy: A Memoir)
Jane passed by the library. There in a corner sat Inflexibility. He raised his eyes when he heard her footfalls. “Oh,” said Jane, antsy with embarrassment. “Good morning, Mr. Nobley.” “You weren’t at breakfast,” he said. “I’m off.” She indicated her bonnet and spencer jacket. “Just saying good-bye to the house. It’s a lovely old house.” “New, actually. Built in 1809.” “Right.” His insistence on maintaining the charade chafed her. She had a surging and ridiculous desire to plop down beside him and shake him and make him talk to her like a real person. “Well, since I ran into you, I can thank you in person for a great vacation. I feel sort of sheepish that it didn’t turn out differently.” Mr. Nobley shrugged, and she was surprised to detect anger in his eyes. Still playing the jilted man? Or had she wounded his actor’s ego? Maybe he was denied a paycheck bonus for not getting engaged. “It has been a pleasure to have you here, Miss Erstwhile. I might miss you, actually.” “Really?” “It is possible.” “Hey, I’ve been wondering something…What is Mr. Nobley’s first name?” “William. You know, you are the first person to ask.” Any further awkwardness was cut off by the sound of an approaching carriage. Jane stepped out the front door for the last time, and she and Amelia, gratefully and mournfully, took their leave. Aunt Saffronia stood by the door, waving her handkerchief and shedding rather impressive tears. Colonel Andrews strolled out to wave good-bye with the stately line of house servants in their white caps and white wigs. Captain East smiled knowingly, his eyes earnest with whatever fake promises he and Amelia had made. Mr. Nobley didn’t bother to join the farewell.
Shannon Hale (Austenland (Austenland, #1))
Love one another…as members of one family…. —Romans 12:10 (AMP) I sometimes brood about my mothering days when my children were young. Observing other mothers with their children now, I realize how simple it would have been to have bent over to their level more, hugged more, and said to each of them more often, “I love you.” Now I was certain it was too late. Recently, my daughter Julie was going through a difficult day. As she left my house, we stood at the back door, saying good-bye. Suddenly, she threw her arms around me, and I grabbed her tight. “I love you, Mother.” “I love you too, Julie.” “It’s so good to hear you say it, Mother.” “I thought you were too old.” I tightened my grip. Julie shed her tears openly. Mine got stuck somewhere down inside of me. “You didn’t say it much when we were little,” she whispered so softly, I could have missed the words. “Oh, I’m so sorry, Julie. Can you forgive me?” She nodded, unable to speak. “Thank you, Julie Babe.” “I want to hear them, Mother. I always did.” Still holding my daughter, I spoke the words again. So did she. The powerful words went straight to my heart and rested there like a contented kitten. Now, each time we end a telephone conversation or say good-bye in person, we add “I love you,” simultaneously. Oh, my Father, I’ve neglected to speak the words to You too. Thank You that it's never too late to change. I love You. I love You. —Marion Bond West Digging Deeper: Lk 6:31; Eph 4:32, 6:4
Guideposts (Daily Guideposts 2014)
Good night, Major,” she said. Just when she would have turned and run inside he caught hold of her hand. “Tell me why your brother let you come all this way by yourself.” The words had the tone of an order, however politely they were framed, and Lily tried, without success, to withdraw her fingers from his grip. “I am almost nineteen years old,” she responded briskly. “I didn’t ask Rupert’s permission.” Guiltily, she thought of how she’d left Spokane, where Rupert lived now, without telling her adopted brother good-bye or thanking him for his many kindnesses. Another slow, smoldering grin spread across the major’s face. “So you ran away,” he guessed with distressing accuracy. “No,” Lily lied. “In any case, this is none of your business.” “Isn’t it?” Major Halliday turned her hand in his and began stroking the tender flesh on the inside of her wrist with the pad of his thumb. The motion produced a series of disturbing sensations within Lily, not the least of which was a warm heaviness in her breasts and a soft ache in the depths of her femininity. The door of the rooming house opened, and Mrs. McAllister, bless her nosy soul, peered out. “Time to come in, Lily. Say good-night to your young man.” Lily glared at Caleb. “He’s not my young man,” she said firmly. The day she took up with a soldier would be the day irises bloomed in hell. Caleb’s expression was as cocky as ever. “Not yet,” he replied, in a voice so low that even the landlady’s sharp ears could not have caught it. “I’ll see you tomorrow, Lily.” Lily whirled in frustration and stomped into the house. It had been a perfectly horrible day, and she was glad it was over. After
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
And so here we are, on the eve of the New Year, a year that will be all about saying good-bye to the old way of doing things and hello to our new stage of life. A year in which I need to accept that the traditions that revolved around my children can evolve and yet still be meaningful and intimate. And isn't that what it's all about, really? When your kids move away, you mourn the loss of those traditions and the intimacy of your family unit. The world you created for them, took pride and comfort in, has ended.
Melissa Shultz (From Mom to Me Again: How I Survived My First Empty-Nest Year and Reinvented the Rest of My Life (Self-Help Book for Moms on Finding Your Purpose After Your Kids Leave the House))
Sometimes the thing we are not able to let go of isn't benevolent. Sometimes we hang on to past hurts and old ideas. We refuse to let those die, that old darkness. But we have to let go - both of the things we despise and, often, the things that we love. Every ascended master will tell you the same thing: It's the ego that grips, and nonattachment is the path to freedom. But it never stops being difficult to let go - to say goodbye.
RuPaul (The House of Hidden Meanings: A Memoir)
He had just reached the high-rise apartment building called Hamilton House, with the US flag and the Union Jack fluttering in the open windows, when a parade came in his direction. Trumpets, horns, and drums were playing “The Stars and Stripes Forever,” a familiar tune he had heard the American sailors whistle in the bar. It was a relief, a boost of confidence, to see the armed forces. So Miriam was right. With the Fourth Marines, the Americans were protected at least. He rushed to the sidewalk, stood behind three businessmen carrying file cases, a girl carrying a violin case, and an old woman walking with a cocker spaniel, and watched. The leading man in the parade wore an olive officer visor. Ernest recognized him; it was Colonel William Ashurst. He was singing, his face pale and etched with worries. Behind him were the Fourth Marines, all fitted in their jackets with utility pouches tucked snugly around their waists. As they marched, they each pulled the strap aslant across their chests, holding what could be a semiautomatic Garand rifle or maybe a Thompson submachine. The rhythm of the trumpets, the drums, and the singing lifted Ernest’s spirits. He walked along, following the parade, waving at the colonel, who didn’t pay him attention. When the regiment reached the wharf at the river, the singing stopped. The colonel saluted and shouted, and the regiment jumped into a large white liner behind the cruiser USS Wake. Someone in the crowd cried out, followed by a string of sobs. Someone else shouted, “God bless you! Goodbye!” It was a farewell parade. Ernest overheard someone say that the Americans were to sail for the Philippines. His heart dropped.
Weina Dai Randel (The Last Rose of Shanghai)
About one year after his wife’s death Mr. Pontifex also was gathered to his fathers. My father saw him the day before he died. The old man had a theory about sunsets, and had had two steps built up against a wall in the kitchen garden on which he used to stand and watch the sun go down whenever it was clear. My father came on him in the afternoon, just as the sun was setting, and saw him with his arms resting on the top of the wall looking towards the sun over a field through which there was a path on which my father was. My father heard him say “Good-bye, sun; good-bye, sun,” as the sun sank, and saw by his tone and manner that he was feeling very feeble. Before the next sunset he was gone.
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
Where did you grow up? What’s your native language? What’s your religious affiliation? How many people are in your family? What did the apartment or house you grew up in look like? How did your parents meet? Was there a TV? Where did you sleep? What did you eat? What was your favorite hiding place when you were a child? Did you go to school? What sort of clothing did you wear? Did you have pets? Did you learn a trade? Do you have a family of your own? When did you leave the country of your birth? Why? Are you still in contact with your family? What was your goal when you left home? How did you say your goodbyes? What did you take with you when you left? What did you think Europe would be like? What’s different? How do you spend your days? What do you miss most? What do you wish for? If you had children who were growing up here, what would you tell them about your homeland? Can you imagine growing old here? Where do you want to be buried?
Jenny Erpenbeck (Go, Went, Gone)