Sax Rohmer Quotes

How strangely does the adventurous intrude upon the humdrum; for, when it intrudes at all, more often than not its intrusion is sudden and unlooked for. To-day, we may seek for romance and fail to find it: unsought, it lies in wait for us at most prosaic corners of life's highway.

Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green.

There is no incidental music to the dramas of real life. As

Certainly, de Grandin was not the first occult detective—Algernon Blackwood’s John Silence, Hodgson’s Thomas Carnacki, and Sax Rohmer’s Moris Klaw preceded him—nor was he the last, as Wellman’s John Thunstone, Margery Lawrence’s Miles Pennoyer, and Joseph Payne Brennan’s Lucius Leffing all either overlapped with the end of de Grandin’s run or followed him.

FU MANCHU, serial melodrama, based on the stories by Sax Rohmer. BROADCAST HISTORY: 1929–31, Blue Network.

The big swan—Apollo—was within ten feet of me; he swam in open water, clear of the others; no living thing touched him. Suddenly, uttering a cry that chilled my very blood, a cry that I never heard from a swan in my life, he rose in the air, his huge wings extended—like a tortured phantom, Sime; I can never forget it—six feet clear of the water. The uncanny wail became a stifled hiss, and sending up a perfect fountain of water—I was deluged—the poor old king-swan fell, beat the surface with his wings—and was still.

The same as a cigarette?" asked Rita excitedly, as Mrs. Sin bent over her. "The same, but very, very gentle.

I gain nothing by having a rock in my boxing glove if the other fellow has one too." - Sir Denis Nayland Smith

self-possession

hag

Cathay.

Yet, if Smith were right (and I did not doubt him), the green eyes of Dr. Fu-Manchu had looked upon the scene; and I found myself marveling that its beauty had not wilted up. Even now the dread Chinaman must be near to us.

The millions might sleep in peace—the millions in whose cause we labored!—but we who knew the reality of the danger knew that a veritable octopus had fastened upon England—a yellow octopus whose head was that of Dr. Fu-Manchu, whose tentacles were dacoity, thuggee, modes of death, secret and swift, which in the darkness plucked men from life and left no clew behind.

Had I known what was to follow I should have cursed the lucidity of mind which now came to me; I should have prayed for oblivion—to be spared the sight of that which ensued.

Growing up I had been ambivalent about being Chinese, occasionally taking pride in my ancestry but more often ignoring it because I disliked the way that Caucasians reacted to my Chineseness. It bothered me that my almond-shaped eyes and straight black hair struck people as “cute” when I was a toddler and that as I grew older I was always being asked, even by strangers, “What is your nationality?”—as if only Caucasians or immigrants from Europe could be Americans. So I would put them in their place by telling them that I was born in the United States and therefore my nationality is U.S. Then I would add, “If you want to know my ethnicity, my parents immigrated from southern China.” Whereupon they would exclaim, “But you speak English so well!” knowing full well that I had lived in the United States and had gone to American schools all my life. I hated being viewed as “exotic.” When I was a kid, it meant being identified with Fu Manchu, the sinister movie character created by Sax Rohmer who in the popular imagination represented the “yellow peril” threatening Western culture. When I was in college, I wanted to scream when people came up to me and said I reminded them of Madame Chiang Kai-shek, a Wellesley College graduate from a wealthy Chinese family, who was constantly touring the country seeking support for her dictator husband in the Kuomintang’s struggles against the Japanese and the Chinese Communists. Even though I was too ignorant and politically unaware to take sides in the civil war in China, I knew enough to recognize that I was being stereotyped. When I was asked to wear Chinese dress and speak about China at a meeting or a social function, I would decline because of my ignorance of things Chinese and also because the only Chinese outfit I owned was the one my mother wore on her arrival in this country.

Good evening, sir. A bit gusty?” “Very much so, sergeant,” I replied. “I think I will step into your hut for a moment and light my pipe if I may.” “Certainly, sir. Matches are too scarce nowadays to take risks with ‘em. But it looks as if the storm had blown over.