Savage Rumors Quotes

What is true of one man, said the judge, is true of many. The people who once lived here are called the Anasazi. The old ones. They quit these parts, routed by drought or disease or by wandering bands of marauders, quit these parts ages since and of them there is no memory. They are rumors and ghost in this land and they are much revered. The tools, the art, the building--these things stand in judgement on the latter races. Yet there is nothing for them to grapple with. The old ones are gone like phantoms and the savages wander these vanyons to the sound of an ancient laughter. In their crude huts they crouch in darkness and listen to the fear seeping out of the rock. All progressions from a higher to a lower order are marked by ruins and mystery and a residue of nameless rage. So. Here are the dead fathers. Their spirit is entombed in the stone. It lies upon the land with the same weight and the same ubiquity. For whoever makes a shelter of reeds and hides has joined his spirit to the primal mud with scarcely a cry. But who builds in stone seeks to alter the structure of the universe and so it was with these masons however primitive their works may seem to us.

The wardrobes must be charmed and enchanted. It is a magical castle after all, if all the rumors and tales are true. The entire thing was blessed by the hand of a fairy princess,” her mother whispered. “That explains it. Nothing short of magic could make a handsome man of my brother,” Sorcha said.

Enoch learned that his preconceived notions of a people were completely wrong. He had thought the Adamite cave dwellers were primitive ignorant natives, only to learn they were a spiritually profound elite who taught him the secret ways of Elohim. Then he had believed the rumors and gossip about the Thamudi being a savage clan of barbarians, only to be sitting in front of them now in their homes of incomparable architecture having his own ignorance enlightened by their compassionate explanation of current events. Even the interiors of these rock palaces were exquisitely designed and carved.

The Reconstruction era—the dozen or so years following the end of the Civil War in 1865—had been a horrific time for southern White men like Wade Hampton who were used to ruling their Black people and their women. They faced and beat back with violence and violent ideas a withering civil rights and Black empowerment movement—as well as a powerful women’s movement that failed to grab as many headlines. But their supposed underlings did not stop rebelling after the fall of Reconstruction. To intimidate and reassert their control over rebellious Blacks and White women, White male redeemers took up lynching in the 1880s. Someone was lynched, on average, every four days from 1889 to 1929. Often justifying the ritualistic slaughters on a false rumor that the victim had raped a White woman, White men, women, and children gathered to watch the torture, killing, and dismemberment of human beings—all the while calling the victims savages. Hate fueled the lynching era. But behind this hatred lay racist ideas that had evolved to question Black freedoms at every stage. And behind these racist ideas were powerful White men, striving by word and deed to regain absolute political, economic, and cultural control of the South.24

rumor that he led a charmed life, and even she had

Often justifying the ritualistic slaughters on a false rumor that the victim had raped a White woman, White men, women, and children gathered to watch the torture, killing, and dismemberment of human beings—all the while calling the victims savages.

Autumn Psalm A full year passed (the seasons keep me honest) since I last noticed this same commotion. Who knew God was an abstract expressionist? I’m asking myself—the very question I asked last year, staring out at this array of racing colors, then set in motion by the chance invasion of a Steller’s jay. Is this what people mean by speed of light? My usually levelheaded mulberry tree hurling arrows everywhere in sight— its bow: the out-of-control Virginia creeper my friends say I should do something about, whose vermilion went at least a full shade deeper at the provocation of the upstart blue, the leaves (half green, half gold) suddenly hyper in savage competition with that red and blue— tohubohu returned, in living color. Kandinsky: where were you when I needed you? My attempted poem would lie fallow a year; I was so busy focusing on the desert’s stinginess with everything but rumor. No place even for the spectrum’s introverts— rose, olive, gray—no pigment at all— and certainly no room for shameless braggarts like the ones that barge in here every fall and make me feel like an unredeemed failure even more emphatically than usual. And here they are again, their fleet allure still more urgent this time—the desert’s gone; I’m through with it, want something fuller— why shouldn’t a person have a little fun, some utterly unnecessary extravagance? Which was—at least I think it was—God’s plan when He set up (such things are never left to chance) that one split-second assignation with genuine, no-kidding-around omnipotence what, for lack of better words, I’m calling vision. You breathe in, and, for once, there’s something there. Just when you thought you’d learned some resignation, there’s real resistance in the nearby air until the entire universe is swayed. Even that desert of yours isn’t quite so bare and God’s not nonexistent; He’s just been waylaid by a host of what no one could’ve foreseen. He’s got plans for you: this red-gold-green parade is actually a fairly detailed outline. David never needed one, but he’s long dead and God could use a little recognition. He promises. It won’t go to His head and if you praise Him properly (an autumn psalm! Why didn’t I think of that?) you’ll have it made. But while it’s true that my Virginia creeper praises Him, its palms and fingers crimson with applause, that the local breeze is weaving Him a diadem, inspecting my tree’s uncut gold for flaws, I came to talk about the way that violet-blue sprang the greens and reds and yellows into action: actual motion. I swear it’s true though I’m not sure I ever took it in. Now I’d be prepared, if some magician flew into my field of vision, to realign that dazzle out my window yet again. It’s not likely, but I’m keeping my eyes open though I still wouldn’t be able to explain precisely what happened to these vines, these trees. It isn’t available in my tradition. For this, I would have to be Chinese, Wang Wei, to be precise, on a mountain, autumn rain converging on the trees, a cassia flower nearby, a cloud, a pine, washerwomen heading home for the day, my senses and the mountain so entirely in tune that when my stroke of blue arrives, I’m ready. Though there is no rain here: the air’s shot through with gold on golden leaves. Wang Wei’s so giddy he’s calling back the dead: Li Bai! Du Fu! Guys! You’ve got to see this—autumn sun! They’re suddenly hell-bent on learning Hebrew in order to get inside the celebration, which explains how they wound up where they are in my university library’s squashed domain. Poor guys, it was Hebrew they were looking for, but they ended up across the aisle from Yiddish— some Library of Congress cataloger’s sense of humor: the world’s calmest characters and its most skittish squinting at each other, head to head, all silently intoning some version of kaddish. Part 1

Once in a while, I found flint arrowheads in the muddy creek bank. Looking at them, I would dream of that savage, heroic time and wish I had lived then, before America became a land of salesmen and shopping centers.