Savage Love Quotes

We've searched our database for all the quotes and captions related to Savage Love. Here they are! All 100 of them:

I crave your mouth, your voice, your hair. Silent and starving, I prowl through the streets. Bread does not nourish me, dawn disrupts me, all day I hunt for the liquid measure of your steps. I hunger for your sleek laugh, your hands the color of a savage harvest, hunger for the pale stones of your fingernails, I want to eat your skin like a whole almond. I want to eat the sunbeam flaring in your lovely body, the sovereign nose of your arrogant face, I want to eat the fleeting shade of your lashes, and I pace around hungry, sniffing the twilight, hunting for you, for your hot heart, Like a puma in the barrens of Quitratue.
Pablo Neruda
I knew I loved you before I met you I think I dreamed you into life I knew I loved you before I met you I have been waiting all my life
Savage Garden
Love was the most savage monster of all.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
His eyes were frighteningly alive, the curve of his mouth savage and pleased. It suddenly didn't seem at all surprising that he should be able to pull things from his dreams. In that moment, Blue was a little in love with all of them. Their magic. Their quest. Their awfulness and strangeness. Her raven boys.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
You said, 'I love you.' Why is it that the most unoriginal thing we can say to one another is still the thing we long to hear? 'I love you' is always a quotation. You did not say it first and neither did I, yet when you say it and when I say it we speak like savages who have found three words and worship them.
Jeanette Winterson (Written on the Body)
I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.
Haruki Murakami (South of the Border, West of the Sun)
It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if she adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.
D.H. Lawrence
How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
If she know how strongly he felt, she'd have run out the door. He wasn't used to the possessive, or the savage joy she brought to his heart. It ate at his control, so he turned his attention to the music. He understood music.
Patricia Briggs (Cry Wolf (Alpha & Omega, #1))
Liar. You've loved me since I held your hand at your mother's memorial service when you were five years old.
Kristen Ashley (Rock Chick (Rock Chick, #1))
I wonder what I will do if she doesn't wake up, and I don't have an answer. As I lie back down next to her and pull her into my arms, my stomach growls, and suddenly I know exactly what I will do. If she doesn't wake up, then I will just lie with her until I don't wake up either.
Shay Savage (Transcendence (Transcendence, #1))
The undead did not love, but they remembered love with a savage loyalty.
Kim Harrison (A Perfect Blood (The Hollows, #10))
Adam had seen many of Ronan's dreams made real by now, and he knew how savage and lovely and terrifying and whimsical they could be. But this girl was the most Ronan of any of them that he's seen. What a frightened monster she was.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
She was a beautiful savage.
R.H. Sin
People say I love you all the time - when they say, ‘take an umbrella, it’s raining,’ or ‘hurry back,’ or even ‘watch out, you’ll break your neck.’ There are hundreds of ways of wording it - you just have to listen for it, my dear.
John Patrick (The Curious Savage)
I'll follow you to the next life if I have to," he whispered harshly in her ear. "You'll never be free of me. I'll chase you through heaven and hell and beyond." He continued to whisper without stopping while his hands gripped her body close to his. "You stay with me, Holly," he muttered savagely. "Don't do this to me. You stay, damn you.
Lisa Kleypas (Where Dreams Begin)
the Bible is only as good and decent as the person reading it.
Dan Savage (American Savage: Insights, Slights, and Fights on Faith, Sex, Love, and Politics)
for the greater the love the greater the grief, and the stronger the faith the more savagely will Satan storm its fortress.
C.S. Lewis (A Grief Observed)
The story of Psyche finally made sense to him- why a mortal girl would be so afraid. Why would she risk breaking the rules to look the god of love in the face, because she feared he might be a monster. Psyche had been right. Cupid was a monster. Love was the most savage monster of all.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I loved mornings on the island. Fucking loved them. Emphasis on fucking.
Shay Savage (Surviving Raine (Surviving Raine, #1))
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart." He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little." "Why?" "For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
The sadness will last forever. And I think he was right, but I also think he was very, very wrong. It doesn’t last forever. Because we don’t last forever.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
I found in myself, and still find, an instinct toward a higher, or, as it is named, spiritual life, as do most men, and another toward a primitive rank and savage one, and I reverence them both. I love the wild not less than the good.
Henry David Thoreau (Walden)
I give you my life, my love, my soul,” I swore to her. “As long as I’m breathing, I’m yours.
Shay Savage (Surviving Raine (Surviving Raine, #1))
…..plainly put, I loved the way he effortlessly forced my pen to act savagely, to swerve course without warning.
Coco J. Ginger
Beh reaches up and touches my cheek. “Love,” she whispers. “Luffs!” I respond, and her smile brightens even more. Without a doubt, I will do anything for her.
Shay Savage (Transcendence (Transcendence, #1))
In the darkness of the cave, there is a light inside her eyes that makes my heart beat faster. I know the emotions I see there are also reflected in my own gaze though I have never felt this way before. Beh softly repeats the same three sounds, followed by my name-sound.
Shay Savage (Transcendence (Transcendence, #1))
He'd kill for her, destroy for her, savage anyone who dared attempt to take her from him. And he would never let her go...even if she begged for her freedom.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
Sometimes people need to be messed up. It reminds them life is short.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
Inside all people there is love, also the need to take care of the other man who is his brother. Inside everyone is a savage, but there is also happening tenderness and compassion.
Bryce Courtenay (The Power of One (The Power of One, #1))
Jack doesn’t give a jackshit about me. No, wait, I got that backwards. I don’t give a jackshit about Jack the Shit.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
Only a fool wants war, but once a war starts then it cannot be fought half-heartedly. It cannot even be fought with regret, but must be waged with a savage joy in defeating the enemy, and it is that savage joy that inspires our bards to write their greatest songs about love and war.
Bernard Cornwell (Excalibur (The Warlord Chronicles, #3))
Unrequited love is bad, but unrequitable love can really get you down.
Sam Savage (Firmin: Adventures of a Metropolitan Lowlife)
Meadows, baby. Our last name is Meadows.” “Yours. Don’t get ahead of yourself. You’ll be expected to beg.” There’s no stopping the savage grin from gracing my lips. “I love to beg.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
She was never going to seek gainful employment again, that was for certain. She'd remain outside the public sector. She'd be an anarchist, she'd travel with jaguars. She was going to train herself to be totally irrational. She'd fall in love with a totally inappropriate person. She'd really work on it, but abandon would be involved as well. She'd have different names, a.k.a. Snake, a.k.a. Snow - no that was juvenile. She wanted to be extraordinary, to possess a savage glitter.
Joy Williams
The primitive in each of us climbs closer to the surface during the night, for the moon sings to it, and the cold void between the stars speaks its language. To that savage self, evil can look lovely in too little light.
Dean Koontz (False Memory)
Love demands patience, desire is restless; What color shall I paint the heart, until you savage it? You shall not ignore me when the time comes, I know, but I may turn to dust before the news reaches you.
Mirza Asadullah Khan Ghalib
I believe that rules do not make us moral; loving each other makes us moral.
Adam Savage
Dying Speech of an Old Philosopher I strove with none, for none was worth my strife. Nature I loved, and, next to Nature, Art: I warm'd both hands before the fire of life; It sinks; and I am ready to depart.
Walter Savage Landor
Because I knew the moment I saw you,” he ground out savagely, her “I hate you” still ringing in his ears, “that in another life—a life where I didn’t become a dark sorcerer—you were my wife. I cherished you. I adored you. I loved you until the end of time, Jessica MacKeltar. But I doona get to have that life. So I’ll take you any fucking way I can get you. And I’ll not apologize for one moment of it
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
I think people fall in love with the idea of it, but lust is what you fall into, and love can only grow from that,
River Savage (Incandescent (Knights Rebels MC, #1))
He uttered a curse that startled her with its foulness, and gripped her head between his hands, forcing her to stare at him. His voice was savage. "For twelve years I have been in constant torment, wanting you in my arms and believing it would never be possible. I want you for a thousand reasons other than your legs, and...no, damn it, I want you for no reason at all, other than the fact that you're you. I want to shove myself deep inside you and stay for hours...days...weeks. I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
You examine me, Miss Eyre", said he. "Do you think me handsome?" I should have deliberated, have replied to this question by something conventionally vague and polite; but the answer somehow slipped from my tongue before I was aware: "No, sir.
Charlotte Brontë (Jane Eyre)
It took a cold son of a bitch to look the love of their life in the eyes, then put a bullet in their skull.
J.J. McAvoy (American Savages (Ruthless People, #3))
Tell me you do not feel as I do and I will leave you and you may be with another.
Tamara Rose Blodgett (The Savage Blood (Savage, #2))
And the answer, said the judge. If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creature could? And is the race of man not more predacious yet? The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day. He loves games? Let him play for stakes. This you see here, these ruins wondered at by tribes of savages, do you not think that this will be again? Aye. And again. With other people, with other sons.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
from all the graces of my homeland I chose only your savage heart.
Pablo Neruda (100 Love Sonnets)
All writers are manipulative liars." Jack O. Savage, The Poet
Hunter S. Jones (September Ends)
Well, sir, do you mean to remain there, commending my father’s taste in wine, or do you mean to accompany me to Ashtead?” “Set off for Ashtead at this hour, when I have been traveling for two days?” said Sir Horace. “Now, do, my boy, have a little common sense! Why should I?” “I imagine that your parental feeling, sir, must provide you with the answer! If it does not, so be it! I am leaving immediately!” “What do you mean to do when you reach Lacy Manor?” asked Sir Horace, regarding him in some amusement. “Wring Sophy’s neck!” said Mr. Rivenhall savagely. “Well, you don’t need my help for that, my dear boy!” said Sir Horace, settling himself more comfortably in his chair.
Georgette Heyer (The Grand Sophy)
Sometimes love didn't spring up on you in a moment of blinding clarity. Sometimes it crept up on you on a Tuesday night while you were standing at the sink doing dishes, the feeling settling into your soul in a way that made it too heavy to ignore anymore.
Jessica Gadziala (Monster (Savages, #1))
He towered over her, as intense and savage as only he could be, making her feel small and delicate in comparison, surrounded by his utter maleness. She felt trapped and she wanted to stay in his cage forever.
Cristiane Serruya (Trust: Pandora's Box (TRUST Trilogy #3; TRUST Universe #6-8))
Heart’s blood and bitter pain belong to love, And tales of problems no one can remove; Cupbearer, fill the bowl with blood, not wine - And if you lack the heart’s rich blood take mine. Love thrives on inextinguishable pain, Which tears the soul, then knits the threads again. A mote of love exceeds all bounds; it gives The vital essence to whatever lives. But where love thrives, there pain is always found; Angels alone escape this weary round - They love without that savage agony Which is reserved for vexed humanity.
عطار نیشابوری (The Conference of the Birds)
Maybe I was in love with the idea of love.
Shay Savage (Surviving Raine (Surviving Raine, #1))
Love without truth and honor is licentious in nature. Love without commitment is promiscuous and fleeting. Love without virtue and understanding is savage and selfish. Love without respect is short-lived. Love without these conditions is without God.
David W. Stevens
We were innocent once. This bloodlust was forced upon us by our parents, turning us from prey to predator. We are the demons lurking in the shadow, We are the savage villains in fairy tales told to children. But not for my child. Not for Hope. In her story, we are the knights in shining armour. Without you by my side, I don't think I can survive my own love for my daughter. I need you. I need you, brother. The monster in me can only be checked by the monster in you. Only together can we defeat our demons and save our family.
Klaus Mikaelson
Why do I feel the sudden urge to perform violence on your face?
Sara Wolf (Savage Delight (Lovely Vicious, #2))
I love you, and I need you to love me. I want it…so, so much…I need it. Even though I think it would be better for you not to care about me, I need you too much to turn away from it. I’ll never walk away from you, Raine, I swear – I’ll be with you as long as you will have me.
Shay Savage (Surviving Raine (Surviving Raine, #1))
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
My mate is really, really weird. She is also absolutely covered in brown, mushy clay. She laughs and holds a large lump up to show it to me. Her mouth moves, and she makes enough noise to scare away a group of birds near the shore. She is so, so strange.
Shay Savage (Transcendence (Transcendence, #1))
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
There are approximately nine trillion cells in my body and every single one of them hates hiking. And walking. Just moving for extended periods of time in general, really. All nine trillion of us would rather be in bed.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
In art, in history man fights his fears, he wants to live forever, he is afraid of death, he wants to work with other men, he wants to live forever. He is like a child afraid of death. The child is afraid of death, of darkness, of solitude. Such simple fears behind all the elaborate constructions. Such simple fears as hunger for light, warmth, love. Such simple fears behind the elaborate constructions of art. Examine them all gently and quietly through the eyes of a boy. There is always a human being lonely, a human being afraid, a human being lost, a human being confused. Concealing and disguising his dependence, his needs, ashamed to say: I am a simple human being in a too vast and complex world. Because of all we have discovered about a leaf...it is still a leaf. Can we relate to a leaf, on a tree, in a park, a simple leaf: green, glistening, sun-bathed or wet, or turning white because the storm is coming. Like the savage, let us look at the leaf wet or shining with sun, or white with fear of the storm, or silvery in the fog, or listless in too great heat, or falling in autumn, dying, reborn each year anew. Learn from the leaf: simplicity. In spite of all we know about the leaf: its nerve structure phyllome cellular papilla parenchyma stomata venation. Keep a human relation -- leaf, man, woman, child. In tenderness. No matter how immense the world, how elaborate, how contradictory, there is always man, woman, child, and the leaf. Humanity makes everything warm and simple. Humanity...
Anaïs Nin (Children of the Albatross (Cities of the Interior #2))
Adam had seen many of Ronan's dreams made real by now, and he knew how savage and lovely and terrifying and whimsical they could be. But this girl was the most Ronan of any of them that he'd seen. What a frightened monster she was
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
The next day, to the joy of all of Arthur's court, Sir Gareth was wed to the fair Lady Lyonesse of Cornwall. All who beheld the couple declared that ne'er had so handsome a knight wed so beautiful a maiden. At the same time, Sir Gaheris was wedded to the Lady Lynet, younger sister to the Lady Lyonesse. They looked alright too.
Gerald Morris (The Savage Damsel and the Dwarf (The Squire's Tales, #3))
Life is a hurricane, and we board up to save what we can and bow low to the earth to crouch in that small space above the dirt where the wind will not reach. We honor anniversaries of deaths by cleaning graves and sitting next to them before fires, sharing food with those who will not eat again. We raise children and tell them other things about who they can be and what they are worth: to us, everything. We love each other fiercely, while we live and after we die. We survive; we are savages.
Jesmyn Ward (Men We Reaped)
She was delicately morbid in all her gestures, sensitive, arrogant, vulnerable to flattery. She veered between extravagant outbursts of opinion and sudden, uncertain halts, during which she seemed to look to him for approval. She was in love with the idea of intelligence, and she overestimated her own. Her sense of the world, though she presented it aggressively, could be, he sensed, snatched out from under her with little or no trouble. She said, “I hope you are a savage.
Mary Gaitskill (Bad Behavior)
I don’t think I will ever believe I deserve you, but I love you more than I can even describe. I don’t know if I can ever…be better for you, but it you’re willing to keep forgiving me for being a complete idiot, I’m willing to keep trying.
Shay Savage (Surviving Raine (Surviving Raine, #1))
He knew no more of love, he told himself, than he did of tears, but he enjoyed sitting there. And he enjoyed the conversation which seemed to him on the verge of taking an even more sprightly turn. In other words, he knew all there was to know about love, that it’s the delight of being in the presence of the loved one.
Thomas Savage (The Power of the Dog)
I hate it when you call me, Melody,” she said softly. “It hurts. It hurts when you pull away from me. Everything you said before, it hurt me. I hate you for saying them, and I hate myself for caring. I hate more than anything that I…that it’s so hard for me to say how much I love you.
J.J. McAvoy (American Savages (Ruthless People, #3))
You are about to embark upon the Great Crusade, toward which we have striven these many months. The eyes of the world are upon you. The hopes and prayers of liberty-loving people everywhere march with you. In company with our brave Allies and brothers-in-arms on other Fronts, you will bring about the destruction of the German war machine, the elimination of Nazi tyranny over the oppressed peoples of Europe, and security for ourselves in a free world. Your task will not be an easy one. Your enemy is well trained, well equipped and battle hardened. He will fight savagely. But this is the year 1944! Much has happened since the Nazi triumphs of 1940-41. The United Nations have inflicted upon the Germans great defeats, in open battle, man-to-man. Our air offensive has seriously reduced their strength in the air and their capacity to wage war on the ground. Our Home Fronts have given us an overwhelming superiority in weapons and munitions of war, and placed at our disposal great reserves of trained fighting men. The tide has turned! The free men of the world are marching together to Victory! I have full confidence in your courage and devotion to duty and skill in battle. We will accept nothing less than full Victory! Good luck! And let us beseech the blessing of Almighty God upon this great and noble undertaking.
Dwight D. Eisenhower
The Wraith is a sixteen-year-old girl currently lying unconscious on a table. She may not even survive the night." "She will," said Kaz, and something savage flashed in his eyes. Matthias suspected that Brekker would drag the girl back from hell himself if he had to.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I love lists. Always have. when I was 14, I wrote down every dirty word I knew on file cards and placed them in alphabetical order. I have a thing about about collections, and a list is a collection with purchase. (Wired Magazine, "Step One: Make a List", October 2012)
Adam Savage
Time is ungovernable, but grief presents us with a choice: what do we do with the savage energies of bereavement? What do we do with the memory - or in the memory - of the beloved? Some commemorate love with statuary, but behavior, too, is a memorial, as is a well-lived life. In death, there is always the promise of hope. The key is opening, rather than numbing, ourselves to pain. Above all, we must show our children how to celebrate existence in all its beauty, and how to get up after life has knocked us down, time and again. Half-dead, we stand. And together, we salute love. Because in the end, that's all that matters. How hard we loved, and how hard we tried.
Antonella Gambotto-Burke (The Eclipse: A Memoir of Suicide)
Principles are what people have instead of God. To be a Christian means among other things to be willing if necessary to sacrifice even your highest principles for God's or your neighbour's sake the way a Christian pacifist must be willing to pick up a baseball bat if there's no other way to stop a man from savagely beating a child. Jesus didn't forgive his executioners on principle but because in some unimaginable way he was able to love them. 'Principle' is an even duller word than 'Religion'.
Frederick Buechner (Wishful Thinking: A Seeker's ABC)
Have it compose a poem- a poem about a haircut! But lofty, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter S!!” [sic]…. Seduced, shaggy Samson snored. She scissored short. Sorely shorn, Soon shackled slave, Samson sighed, Silently scheming Sightlessly seeking Some savage, spectacular suicide." ("The First Sally (A) or The Electronic Bard" THE CYBERIAD)
Stanisław Lem
It was a cruel city, but it was a lovely one; a savage city, yet it had such tenderness; a bitter, harsh, and violent catacomb of stone an steel and tunneled rock, slashed savagely with light, and roaring, fighting a constant ceaseless warfare of men and of machinery; and yet it was so sweetly and so delicately pulsed, as full of warmth, of passion, and of love, as it was full of hate.
Thomas Wolfe (The Web and the Rock)
Why not?" she said, "and take note of what I am about to say to you. Never feel secure with the woman you love, for there are more dangers in woman's nature than you imagine. Women are neither as good as their admirers and defenders maintain, nor as bad as their enemies make them out to be. Woman's character is characterlessness. The best woman will momentarily go down into the mire, and the worst unexpectedly rises to deeds of greatness and goodness and puts to shame those that despise her. No woman is so good or so bad, but that at any moment she is capable of the most diabolical as well as of the most divine, of the filthiest as well as of the purest, thoughts, emotions, and actions. In spite of all the advances of civilization, woman has remained as she came out of the hand of nature. She has the nature of a savage, who is faithful or faithless, magnanimous or cruel, according to the impulse that dominates at the moment. Throughout history it has always been a serious deep culture which has produced moral character. Man even when he is selfish or evil always follows principles, woman never follows anything but impulses. Don't ever forget that, and never feel secure with the woman you love.
Leopold von Sacher-Masoch (Venus In Furs)
Karsa reached down, gathered the skeletal figure into his arms, and then settled back. ‘I stepped over corpses on the way here,’ the Toblakai said. ‘People no one cared about, dying alone. In my barbaric village this would never happen, but here in this city, this civilized jewel, it happens all the time. (...) What is your name?’ ‘Munug.’ ‘Munug. This night – before I must rise and walk into the temple – I am a village. And you are here, in my arms. You will not die uncared for.’ ‘You – you would do this for me? A stranger?’ ‘In my village no one is a stranger – and this is what civilization has turned its back on. One day, Munug, I will make a world of villages, and the age of cities will be over. And slavery will be dead, and there shall be no chains – tell your god. Tonight, I am his knight.’ Munug’s shivering was fading. The old man smiled. ‘He knows.’ It wasn’t too much, to take a frail figure into one’s arms for those last moments of life. Better than a cot, or even a bed in a room filled with loved ones. Better, too, than an empty street in the cold rain. To die in someone’s arms – could there be anything more forgiving? Every savage barbarian in the world knew the truth of this.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
You shall suffer for ever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea; the formless and multiform streams; the place where you shall not be; the lover whom you shall not know; flowers of monstrous shape; perfumes that cause delirium; cats that shudder, swoon and curl up on pianos and groan like women, with a voice that is hoarse and gentle! And you shall be loved by my lovers, courted by my courtiers. You shall be the queen of all men that have green eyes, whose necks also I have clasped in my nocturnal caresses; of those who love the sea, the sea that is immense, tumultuous and green, the formless and multiform streams, the place where they are not, the woman whom they do not know, sinister flowers that resemble the censers of a strange religion, perfumes that confound the will; and the savage and voluptuous animals which are the emblems of their dementia.
Charles Baudelaire
I’ll park somewhere dark.” She fisted his T-shirt, not even ashamed of her desperation. “Out of the way—“ ”Tempting…so…fucking…tempting.” He gently peeled her hand away, slammed the door, and got in the driver’s side. Then he turned to her, the harsh planes of his face in the shadows creating a savage expression the stuck her tongue to the roof of her mouth. ”I need you in a bed tonight, Jillian. I need more than a fuck. I need to make love to you until neither one of us can move, because after tonight, I don’t want there to be even the slightest doubt that you’re mine.
Larissa Ione (Rogue Rider (Lords of Deliverance, #4; Demonica, #9))
Perhaps the cause of our contemporary pessimism is our tendency to view history as a turbulent stream of conflicts – between individuals in economic life, between groups in politics, between creeds in religion, between states in war. This is the more dramatic side of history; it captures the eye of the historian and the interest of the reader. But if we turn from that Mississippi of strife, hot with hate and dark with blood, to look upon the banks of the stream, we find quieter but more inspiring scenes: women rearing children, men building homes, peasants drawing food from the soil, artisans making the conveniences of life, statesmen sometimes organizing peace instead of war, teachers forming savages into citizens, musicians taming our hearts with harmony and rhythm, scientists patiently accumulating knowledge, philosophers groping for truth, saints suggesting the wisdom of love. History has been too often a picture of the bloody stream. The history of civilization is a record of what happened on the banks.
Will Durant
We got high together, got drunk, got off on saliva and skin, and still found no way to capture this feeling. It was so much bigger than us, so brutal. Even when we fucked as savagely as we could bear it was only the shadow of this thing between us. Killing each other would hint at a fraction of it. I couldn’t fuck it out of her, couldn’t bleed it out of myself, couldn’t purge, drug, numb it away. Like the dark seed in me, this was a drive so deep it was embedded in my core. I had never loved a girl like this. I had never loved.
Leah Raeder (Black Iris)
They say that animals are incapable of feelings and reasoning. This is false. No living thing on earth is void of either. They also say that man is the most intelligent — and the most superior — species on earth. This is also false. It is very arrogant to assume that we are the most intelligent species when we keep repeating the same mistakes over and over again. It has been shown that both rats and monkeys learn from making errors, yet we have not. Our history proves this. All creatures on earth have the capacity to love and grieve the same way we do. No life on the planet is more deserving than another. Those who think so, are the true savages.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Thank you,” she said. He looked bemused. “For what?” “For everything. For being amazing in bed and endlessly patient, for sacrificing the Savage Club for me and bringing me all the way around the world simply because you were worried about me, even though it meant you were probably going to spend your holidays alone. For the way you always put your hand on the small of my back to guide me across the street and the way you let me be in charge of the television remote control and the way you have never, not once, judged me or mistrusted me or made me feel small or unwanted.” “Violet, sweetheart...” He blinked and she realized that he was close to tears. Her Martin. Mr. Uptight. Mr. Repressed.
Sarah Mayberry (Her Best Worst Mistake (Elizabeth and Violet #2))
Monks, even if bandits were to savagely sever you, limb by limb, with a double-handled saw, even then, whoever of you harbors ill will at heart would not be upholding my Teaching. Monks, even in such a situation you should train yourselves thus: 'Neither shall our minds be affected by this, nor for this matter shall we give vent to evil words, but we shall remain full of concern and pity, with a mind of love, and we shall not give in to hatred. On the contrary, we shall live projecting thoughts of universal love to those very persons, making them as well as the whole world the object of our thoughts of universal love — thoughts that have grown great, exalted and measureless. We shall dwell radiating these thoughts which are void of hostility and ill will.' It is in this way, monks, that you should train yourselves.
Gautama Buddha
A good sense of humour is the sign of a healthy perspective, which is why people who are uncomfortable around humour are either pompous (inflated) or neurotic (oversensitive). Pompous people mistrust humour because at some level they know their self-importance cannot survive very long in such an atmosphere, so they criticise it as “negative” or “subversive.” Neurotics, sensing that humour is always ultimately critical, view it as therefore unkind and destructive, a reductio ad absurdum which leads to political correctness. Not that laughter can’t be unkind and destructive. Like most manifestations of human behaviour it ranges from the loving to the hateful. The latter produces nasty racial jokes and savage teasing; the former, warm and affectionate banter, and the kind of inclusive humour that says, “Isn’t the human condition absurd, but we’re all in the same boat.
John Cleese (So Anyway)
Unfortunately, oppression does not automatically produce only meaningful struggle. It has the ability to call into being a wide range of responses between partial acceptance and violent rebellion. In between you can have, for instance, a vague, unfocused dissatisfaction; or, worst of all, savage infighting among the oppressed, a fierce love-hate entanglement with one another like crabs inside the fisherman's bucket, which ensures that no crab gets away. This is a serious issue for African-American deliberation. To answer oppression with appropriate resistance requires knowledge of two kinds: in the first place, self-knowledge by the victim, which means awareness that oppression exists, an awareness that the victim has fallen from a great height of glory or promise into the present depths; secondly, the victim must know who the enemy is. He must know his oppressor's real name, not an alias, a pseudonym, or a nom de plume!
Chinua Achebe (The Education of a British-Protected Child: Essays)
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
When the gap between the world of the city and the world my grandfather had presented to me as right and good became too wide and depressing to tolerate, I'd turn to my other great love, which was pulp adventure fiction. Despite the fact that [he] would have had nothing but scorn and loathing for all of those violent and garish magazines, there was a sort of prevailing morality in them that I'm sure he would have responded to. The world of Doc Savage and The Shadow was one of absolute values, where what was good was never in the slightest doubt and where what was evil inevitably suffered some fitting punishment. The notion of good and justice espoused by Lamont Cranston with his slouch hat and blazing automatics seemed a long way from that of the fierce and taciturn old man I remembered sitting up alone into the Montana night with no company save his bible, but I can't help feeling that if the two had ever met they'd have found something to talk about. For my part, all those brilliant and resourceful sleuths and heroes offered a glimpse of a perfect world where morality worked the way it was meant to. Nobody in Doc Savage's world ever killed themselves except thwarted kamikaze assassins or enemy spies with cyanide capsules. Which world would you rather live in, if you had the choice?
Alan Moore (Watchmen)
in heavenly realms of hellas dwelt two very different sons of zeus: one, handsome strong and born to dare --a fighter to his eyelashes-- the other,cunning ugly lame; but as you'll shortly comprehend a marvellous artificer now Ugly was the husband of (as happens every now and then upon a merely human plane) someone completely beautiful; and Beautiful,who(truth to sing) could never quite tell right from wrong, took brother Fearless by the eyes and did the deed of joy with him then Cunning forged a web so subtle air is comparatively crude; an indestructible occult supersnare of resistless metal: and(stealing toward the blissful pair) skilfully wafted over them- selves this implacable unthing next,our illustrious scientist petitions the celestial host to scrutinize his handiwork: they(summoned by that savage yell from shining realms of regions dark) laugh long at Beautiful and Brave --wildly who rage,vainly who strive; and being finally released flee one another like the pest thus did immortal jealousy quell divine generosity, thus reason vanquished instinct and matter became the slave of mind; thus virtue triumphed over vice and beauty bowed to ugliness and logic thwarted life:and thus-- but look around you,friends and foes my tragic tale concludes herewith: soldier,beware of mrs smith
E.E. Cummings
And the answer, said the judge. If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creature could? And is the race of man not more predacious yet? The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day. He loves games? Let him play for stakes. This you see here, these ruins wondered at by tribes of savages, do you not think that this will be again? Aye. And again. With other people, with other sons. The judge looked about him. He was sat before the fire naked save for his breeches and his hands rested palm down upon his knees. His eyes were empty slots. None among the company harbored any notion as to what this attitude implied, yet so like an icon was he in his sitting that they grew cautious and spoke with circumspection among themselves as if they would not waken something that had better been left sleeping.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Every Day You Play.... Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind.  The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here.  Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Reality, at first glance, is a simple thing: the television speaking to you now is real. Your body sunk into that chair in the approach to midnight, a clock ticking at the threshold of awareness. All the endless detail of a solid and material world surrounding you. These things exist. They can be measured with a yardstick, a voltammeter, a weighing scale. These things are real. Then there’s the mind, half-focused on the TV, the settee, the clock. This ghostly knot of memory, idea and feeling that we call ourself also exists, though not within the measurable world our science may describe. Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know. The Here-and-Now demands attention, is more present to us. We dismiss the inner world of our ideas as less important, although most of our immediate physical reality originated only in the mind. The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas. Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored. Before the Age of Reason was announced, humanity had polished strategies for interacting with the world of the imaginary and invisible: complicated magic-systems; sprawling pantheons of gods and spirits, images and names with which we labelled powerful inner forces so that we might better understand them. Intellect, Emotion and Unconscious Thought were made divinities or demons so that we, like Faust, might better know them; deal with them; become them. Ancient cultures did not worship idols. Their god-statues represented ideal states which, when meditated constantly upon, one might aspire to. Science proves there never was a mermaid, blue-skinned Krishna or a virgin birth in physical reality. Yet thought is real, and the domain of thought is the one place where gods inarguably ezdst, wielding tremendous power. If Aphrodite were a myth and Love only a concept, then would that negate the crimes and kindnesses and songs done in Love’s name? If Christ were only ever fiction, a divine Idea, would this invalidate the social change inspired by that idea, make holy wars less terrible, or human betterment less real, less sacred? The world of ideas is in certain senses deeper, truer than reality; this solid television less significant than the Idea of television. Ideas, unlike solid structures, do not perish. They remain immortal, immaterial and everywhere, like all Divine things. Ideas are a golden, savage landscape that we wander unaware, without a map. Be careful: in the last analysis, reality may be exactly what we think it is.
Alan Moore
We will never have any memory of dying. We were so patient about our being, noting down numbers, days, years and months, hair, and the mouths we kiss, and that moment of dying we let pass without a note - we leave it to others as memory, or we leave it simply to water, to water, to air, to time. Nor do we even keep the memory of being born, although to come into being was tumultuous and new; and now you don’t remember a single detail and haven’t kept even a trace of your first light. It’s well known that we are born. It’s well known that in the room or in the wood or in the shelter in the fishermen’s quarter or in the rustling canefields there is a quite unusual silence, a grave and wooden moment as a woman prepares to give birth. It’s well known that we were all born. But if that abrupt translation from not being to existing, to having hands, to seeing, to having eyes, to eating and weeping and overflowing and loving and loving and suffering and suffering, of that transition, that quivering of an electric presence, raising up one body more, like a living cup, and of that woman left empty, the mother who is left there in her blood and her lacerated fullness, and its end and its beginning, and disorder tumbling the pulse, the floor, the covers till everything comes together and adds one knot more to the thread of life, nothing, nothing remains in your memory of the savage sea which summoned up a wave and plucked a shrouded apple from the tree. The only thing you remember is your life." -"Births
Pablo Neruda (Fully Empowered)
My time in camp with Kaden had become awkward several times, or perhaps I was just more self-conscious now. I had known he cared about me. It was hardly a secret. It was the reason I was still alive, but I hadn’t quite grasped how much he cared. And in spite of myself, I knew in my own way, I cared about him too. Not Kaden the assassin, but the Kaden I had known back in Terravin, the one who had caught my attention the minute he walked through the tavern door. The one who was calm and had mysterious, but kind, eyes. I remembered dancing with him at the festival, his arms pulling me closer, and the way he struggled with his thoughts, holding them back. He didn’t hold back the night he was drunk. The fireshine had loosened his lips and he laid it all out quite blatantly. Slurred and sloshy but clear. He loved me. This from a barbarian who was sent to kill me. I lay back, staring into the cloudless sky, a shade bluer and brighter than yesterday. Did he even know what love was? For that matter, did I? Even my parents didn’t seem to know. I crossed my arms behind my head as a pillow. Maybe there was no one way to define it. Maybe there were as many shades of love as the blues of the sky. I wondered if his interest had begun when I tended his shoulder. I remembered his odd look of surprise when I touched him, as if no one had ever shown him a kindness before. If Griz, Finch, and Malich were any indication of his past, maybe no one had. They showed a certain steely devotion to one another, but it in no way resembled kindness. And then there were those scars on his chest and back. Only cruel savage could have delivered those. Yet somewhere along the way, Kaden had learned kindness. Tenderness, even. It surfaced in small actions. He seemed like he was two separate people, the intensely loyal Vendan assassin and someone else far different, someone he had locked away, a prisoner just like me.
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
All of the Indians must have tragic features: tragic noses, eyes, and arms. Their hands and fingers must be tragic when they reach for tragic food. The hero must be a half-breed, half white and half Indian, preferably from a horse culture. He should often weep alone. That is mandatory. If the hero is an Indian woman, she is beautiful. She must be slender and in love with a white man. But if she loves an Indian man then he must be a half-breed, preferably from a horse culture. If the Indian woman loves a white man, then he has to be so white that we can see the blue veins running through his skin like rivers. When the Indian woman steps out of her dress, the white man gasps at the endless beauty of her brown skin. She should be compared to nature: brown hills, mountains, fertile valleys, dewy grass, wind, and clear water. If she is compared to murky water, however, then she must have a secret. Indians always have secrets, which are carefully and slowly revealed. Yet Indian secrets can be disclosed suddenly, like a storm. Indian men, of course, are storms. The should destroy the lives of any white women who choose to love them. All white women love Indian men. That is always the case. White women feign disgust at the savage in blue jeans and T-shirt, but secretly lust after him. White women dream about half-breed Indian men from horse cultures. Indian men are horses, smelling wild and gamey. When the Indian man unbuttons his pants, the white woman should think of topsoil. There must be one murder, one suicide, one attempted rape. Alcohol should be consumed. Cars must be driven at high speeds. Indians must see visions. White people can have the same visions if they are in love with Indians. If a white person loves an Indian then the white person is Indian by proximity. White people must carry an Indian deep inside themselves. Those interior Indians are half-breed and obviously from horse cultures. If the interior Indian is male then he must be a warrior, especially if he is inside a white man. If the interior Indian is female, then she must be a healer, especially if she is inside a white woman. Sometimes there are complications. An Indian man can be hidden inside a white woman. An Indian woman can be hidden inside a white man. In these rare instances, everybody is a half-breed struggling to learn more about his or her horse culture. There must be redemption, of course, and sins must be forgiven. For this, we need children. A white child and an Indian child, gender not important, should express deep affection in a childlike way. In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts.
Sherman Alexie
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Alfred Tennyson
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))