Savage Girl Quotes

We've searched our database for all the quotes and captions related to Savage Girl. Here they are! All 100 of them:

I wish I were a girl again, half-savage and hardy, and free.
Emily Brontë (Wuthering Heights)
I wish I were a girl again, half savage and hardy, and free... Why am I so changed? I'm sure I should be myself were I once among the heather on those hills.
Emily Brontë (Wuthering Heights)
Oh, I'm burning! I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free... and laughing at injuries, not maddening under them! Why am I so changed?
Emily Brontë
Adam had seen many of Ronan's dreams made real by now, and he knew how savage and lovely and terrifying and whimsical they could be. But this girl was the most Ronan of any of them that he's seen. What a frightened monster she was.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
She is a loner, too bright for the slutty girls and too savage for the bright girls, haunting the edges and corners of the school like a sullen disillusioned ghost
Eleanor Catton (The Rehearsal)
So it's true what they say about warlocks, then?" Alec gave him a very unpleasant look. "What's true?" "Alexander," said Magnus coldly, and Clary met Simon's eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. "You can't be rude to everyone who talks to me." Alec made a wide, sweeping gesture. "And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He's pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good-looks type." "Hey, now," said Jordan mildly. Magnus put his head in his hands. "Or there are plenty of pretty girls here, since apparently your taste goes both ways, Is there anything you aren't into?" "Mermaids," said Magnus into his fingers. "They always smell like seaweed." "It's not funny," Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
The story of Psyche finally made sense to him- why a mortal girl would be so afraid. Why would she risk breaking the rules to look the god of love in the face, because she feared he might be a monster. Psyche had been right. Cupid was a monster. Love was the most savage monster of all.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I wish I were a girl again, half savage and hardy, and free; and laughing at injuries, not maddening under them! Why am I so changed? why does my blood rush into a hell of tumult at a few words?
Emily Brontë (Wuthering Heights)
You can woo a girl with a poem, but you can't hold onto her with a poem. Not even with a poetry movement.
Roberto Bolaño (The Savage Detectives)
(That girl on the news never invited that man to touch her. All I can think about is how I wish she had had something savage coursing through her skin. God should have made girls lethal when he made monsters of men.)
Elisabeth Hewer (Wishing for Birds)
Childhood and adulthood were not factors of age but states of mind.
Alex Shakar (The Savage Girl)
The perfectly good car comes with a perfectly dangerous girl.
Victoria E. Schwab (This Savage Song (Monsters of Verity, #1))
I've been wanting to do that for a very long time," I growled Victor smiled through the pain and the blood. "Of course you have. I used to think Belikov was the savage one, but it's really you, isn't it? You're the animal with no control, no higher reasoning except to fight and kill." I clenched his shirt and leaned him over him. "Me? I'm not the one who tortured Lissa for my own benefit. I'm not the one who turned my daughter Strigoi. And I'm sure as hell not the one who used compulsion to kidnap a fifteen-year-old girl!
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Oh, I’m burning! I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free . . . and laughing at injuries, not maddening under them! Why am I so changed? Why does my blood rush into a hell of tumult at a few words? I’m sure I should be myself were I once among the heather on those hills. Open the window again wide: fasten it open!
Emily Brontë (Wuthering Heights)
I took my coffee into the dining room and settled down with the morning paper. A woman in New York had had twins in a taxi. A woman in Ohio had just had her seventeenth child. A twelve-year-old girl in Mexico had given birth to a thirteen-pound boy. The lead article on the woman's page was about how to adjust the older child to the new baby. I finally found an account of an axe murder on page seventeen, and held my coffee cup up to my face to see if the steam might revive me.
Shirley Jackson (Life Among the Savages)
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Oh, my girl likes that? You want me to kill everyone who dares to look at you? I will. I'm not a good man, not like the rest of your Bonds. I'm good for you, and fuck the rest of them. If you want blood, Sweetness, I'll give it to you. I'll give you whatever you want.
J. Bree (Savage Bonds (The Bonds That Tie, #2))
With the Internet, we can choose the very communities we want to be a part of.
Alex Shakar (The Savage Girl)
Not all girls are made of sugar and spice and all things nice. These are girls made of dark lace and witchcraft and a little bit of vice. These are daughters made claw first and story-mad, tiger roar and wolf-bad. These are women made of terrible tempests and savage storms and the untamed unwanted. These are damsels made of flawless fearlessness made of more bravery than knights have ever seen. These are princesses made of valour and poison alike and they are here to hold court as your queens.
Nikita Gill
The Wraith is a sixteen-year-old girl currently lying unconscious on a table. She may not even survive the night." "She will," said Kaz, and something savage flashed in his eyes. Matthias suspected that Brekker would drag the girl back from hell himself if he had to.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You’re the most confusing girl I’ve ever met.” “Yeah.” I smile. “Not sorry.” “Good.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
The world, the girl knew, was worse than savage, the world was unmoved. It did not care, it could not care, what happened to her, not one bit. She was a mote, a speck, a floating windborne fleck of dust.
Lauren Groff (The Vaster Wilds)
Cats are there to be indulged. That's their function: to receive the love we never fully gave our parents. Not like dogs. Dogs are there to give us the love and devotion our children will never fully give us.
Alex Shakar (The Savage Girl)
Adam had seen many of Ronan's dreams made real by now, and he knew how savage and lovely and terrifying and whimsical they could be. But this girl was the most Ronan of any of them that he'd seen. What a frightened monster she was
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
For a guy, nothing is sexier than a girl who craves his little guy and can’t keep her hands off of it… because this is exactly the way he feels about your ladyparts whether he’s groping them like a savage or quietly watching TV next to you.
Roberto Hogue (Real Secrets of Sex: A Women's Guide on How to Be Good in Bed)
The last days before graduation are bad enough, God knows--out of the womb you go, ready or not. The halls rang with the laughter of the girls who were going to be brides in the next week (and widows shortly after)...
Elizabeth Savage (Last Night at the Ritz)
I wish I were a girl again, half savage and hardy, and free; and laughing at injuries, not maddening under them! Why am I so changed? why does my blood rush into a hell of tumult at a few words?
Charlotte Brontë
My love is savage and rapacious. It isn’t content to touch. It wants to be inside, crawl into the marrow, caress each vein until the cells are all mixed up and there is no you and me anymore, no secrets or shadows sliding between our skin. Only this endless devouring of each other. The ouroboros we call us.
Leah Raeder (Cam Girl)
I wish I were a girl again, half savage and hardy, and free...I'm sure I should be myself were I once among the heather on those hills.
Emily Brontë (Wuthering Heights)
I have not been in Fairyland nearly long enough to start crying, September thought, then bit her tongue savagely.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Every girl needs a mother who protects her with a savage fury.
Barbara O'Neal (When We Believed in Mermaids)
Kindness wasn’t a passive quality. It was a choice one had to make, and right then, Ivy didn’t feel much like making it.
Melissa Grey (The Savage Dawn (The Girl at Midnight, #3))
Why did you come in to-night with your heads in the air? 'Make way, we are coming! Give us every right and don't you dare breathe a word before us. Pay us every sort of respect, such as no one's ever heard of, and we shall treat you worse than the lowest lackey!' They strive for justice, they stand on their rights, and yet they've slandered him like infidels in their article. We demand, we don't ask, and you will get no gratitude from us, because you are acting for the satisfaction of your own conscience! Queer sort of reasoning!... He has not borrowed money from you, he doesn't owe you anything, so what are you reckoning on, if not his gratitude? So how can you repudiate it? Lunatics! They regard society as savage and inhuman, because it cries shame on the seduced girl; but if you think society inhuman, you must think that the girl suffers from the censure of society, and if she does, how is it you expose her to society in the newspapers and expect her not to suffer? Lunatics! Vain creatures! They don't believe in God, they don't believe in Christ! Why, you are so eaten up with pride and vanity that you'll end by eating up one another, that's what I prophesy. Isn't that topsy-turvydom, isn't it infamy?
Fyodor Dostoevsky (The Idiot)
He was so close, his body electric, his expression savage. I moistened my lips. His gaze fixed on them. I think I stopped breathing. He jerked so sharply away that his long dark coat sliced the air, and turned his back to me. "Was that an invitation, Ms. Lane?" "If it was?" I asked, astonishing myself. What did I think I was doing? "I don't do hypotheticals. Little girl
Karen Marie Moning (Faefever (Fever, #3))
We got high together, got drunk, got off on saliva and skin, and still found no way to capture this feeling. It was so much bigger than us, so brutal. Even when we fucked as savagely as we could bear it was only the shadow of this thing between us. Killing each other would hint at a fraction of it. I couldn’t fuck it out of her, couldn’t bleed it out of myself, couldn’t purge, drug, numb it away. Like the dark seed in me, this was a drive so deep it was embedded in my core. I had never loved a girl like this. I had never loved.
Leah Raeder (Black Iris)
You need contradictions to make an ideal.
Alex Shakar (The Savage Girl)
Awful things men were, savage, cruel, underneath their civilization.
D.H. Lawrence (The Lost Girl)
I wish I were out of doors - I wish I were a girl again, half savage and hardy, and free... and laughing at injuries,not maddening under them!
Emily Brontë (Wuthering Heights)
No Mama. Been here awhile seen a lot of girls, in a lot of places. Don’t believe I’ve ever seen one pumping gas barefoot.
Jordan Marie (Breaking Dragon (Savage Brothers MC, #1))
The moon may drive men mad but it can calm a savage girl, for it is cool, precise, it is lucid.
Ann-Marie MacDonald (Fall on Your Knees)
International correspondents with their long dictaphones, and dirty jeans, and five hundred words before whiskey, are slouched over the red velvet chairs, in the VIP section in the front, looking for the Story: the Most Macheteing Deathest, Most Treasury Corruptest, Most Entrail-Eating Civil Warest, Most Crocodile-Grinning Dictatorest, MOst Heart-Wrenching and Genociding Pulitzerest, Most Black Big-Eyed Oxfam Child Starvingest, Most Wild African Savages Having AIDS-Ridden Sexest with Genetically Mutilatedest Girls...The Most Authentic Real Black Africanest story they can find...
Binyavanga Wainaina (One Day I Will Write About This Place: A Memoir)
Beauty is the PR campaign of the soul.
Alex Shakar (The Savage Girl)
The lies one tells always pale in comparison to the truths one withholds.
Jean Zimmerman (Savage Girl)
All the roads here are not graveled in rock, girls, but with the woman’s scars, because only a woman’s scars are strong enough to bear something driving over them, again and again.
Tiffany McDaniel (On the Savage Side)
Guns are like thermometers, only instead of measuring body temperatures they measure our fear.
Jean Zimmerman (Savage Girl)
Monsters, monsters, big and small,” she sang cheerfully. “They’re gonna come and eat you all.” A shiver ran through him. “Corsai, Corsai, tooth and claw, Shadow and bone will eat you raw. Malchai, Malchai, sharp and sly, Smile and bite and drink you dry.” August swallowed hard, knowing what came next. “Sunai, Sunai, eyes like coal, Sing you a song and steal your soul.” The little girl’s smile grew even wider. “Monsters, monsters, big and small, They’re gonna come and eat you all!” She
Victoria E. Schwab (This Savage Song (Monsters of Verity, #1))
If the bible be true, God commanded his chosen people to destroy men simply for the crime of defending their native land. They were not allowed to spare trembling and white-haired age, nor dimpled babes clasped in the mothers' arms. They were ordered to kill women, and to pierce, with the sword of war, the unborn child. 'Our heavenly Father' commanded the Hebrews to kill the men and women, the fathers, sons and brothers, but to preserve the girls alive. Why were not the maidens also killed? Why were they spared? Read the thirty-first chapter of Numbers, and you will find that the maidens were given to the soldiers and the priests. Is there, in all the history of war, a more infamous thing than this? Is it possible that God permitted the violets of modesty, that grow and shed their perfume in the maiden's heart, to be trampled beneath the brutal feet of lust? If this was the order of God, what, under the same circumstances, would have been the command of a devil? When, in this age of the world, a woman, a wife, a mother, reads this record, she should, with scorn and loathing, throw the book away. A general, who now should make such an order, giving over to massacre and rapine a conquered people, would be held in execration by the whole civilized world. Yet, if the bible be true, the supreme and infinite God was once a savage.
Robert G. Ingersoll (Some Mistakes of Moses)
Do you believe in God?” Her small hand grips onto my larger one. “Yeah, baby girl,” I say, looking down and watching her smile at my answer. “Do you think God will let me see you again?” She continues to ask questions that keep breaking me. “I know he will,” I say, believing it more than anything. My faith has now been shaken, but I can't lose hope that where she is going will be somewhere beautiful and amazing. “When I go to God, will I see Charlie the goldfish?” She yawns, almost drifting off as the hospital machines beep around us. I nearly smile at her question, but I can’t, because at the end of the day we’re talking about death, and the inevitable end that’s fast approaching. “I don’t know, baby girl,” I tell her, wishing I had the right answers for her.
River Savage (Affliction (Knights Rebels MC, #2))
In his savage, untutored breast new emotions were stirring. He could not fathom them. He wondered why he felt so great an interest in these people—why he had gone to such pains to save the three men. But he did not wonder why he had torn Sabor from the tender flesh of the strange girl. Surely the men were stupid and ridiculous and cowardly. Even Manu, the monkey, was more intelligent than they. If these were creatures of his own kind he was doubtful if his past pride in blood was warranted. But the girl, ah—that was a different matter. He did not reason here. He knew that she was created to be protected, and that he was created to protect her
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
...she wanted him to feel like she did, like he'd done something forbidden, wanted to give him something he'd like and really wasn't supposed to have, something that would feel wrong, something he wanted. "Kiss me again," she whispered, reaching up, her fingers sliding through his hair. She almost didn't know herself as she moved against him. He bent helplessly toward her. She bit her tongue. Bit it hard, the pain chasing through her nerve endings and alchemizing into something close to pleasure. When her mouth opened under his, it was flooded with welling blood. He groaned at the taste of it, red eyes going wide with surprise and something like fear. His hand gripped her arms as he pushed her body back against the brick of the wall, holding her in place. He'd been careful before, but he wasn't being careful now as he licked her mouth; and it amazed her as much as it terrified her. He kissed her ferociously, savagely, their lips sliding together with bruising fervor. The pain in her tongue became a distant throbbing. Her fingers dug into the muscles of his back, their bodies pressed so close that he must have felt every hitch in her breath, every shuddering beat or her heart. And as scared of him as she had been, right then she was more frightened of herself. Gavriel reeled back from her, lips ruddy. He wiped his mouth against the back of his hand, her blood smearing over his skin. Gazing at her for a long moment with something like horror, as though he was seeing her for the first time, he spoke. "You are more dangerous than daybreak.
Holly Black (The Coldest Girl in Coldtown)
The Wraith can manage it.” “The Wraith is a sixteen-year-old girl currently lying unconscious on a table. She may not even survive the night.” “She will,” said Kaz, and something savage flashed in his eyes. Matthias suspected that Brekker would drag the girl back from hell himself if he had to.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Though a savage. She needs a husband; it would steady her.” But as he spoke, an image came to him of his wild girl wedded and bedded, sweating over an oven. The image filled him with a strange regret, and he shook it away.
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
Hi, I’m the firebird, you may know me from folklore of various cultures all over the globe. And these are my friends, members of magical species you had no idea existed until twenty-seven seconds ago. We teleported here to fight evil! The
Melissa Grey (The Savage Dawn (The Girl at Midnight, #3))
Recently a young woman was gang-raped in a university in Nigeria, and the response of many young Nigerians, both male and female, was something like this: 'Yes, rape is wrong, but what is a girl doing in a room with four boys?' Let us, if we can, forget the horrible inhumanity of that response. These Nigerians have been raised to think of woman as inherently guilty. And they have been raised to expect so little of men that the idea of men as savage beings with no self-control is somehow acceptable.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
How easy it is for men to talk about beauty, and how subtly intimidating when they do.
Alex Shakar (The Savage Girl)
You must drive him mad, Stuart thought. You must make him wild for you. You are a teenage girl in a woman’s body with a woman’s needs and a teenage girl’s savage heart.
Tiffany Reisz (The Confessions (The Original Sinners, #8.2))
Sex with me is a dirty, savage affair. Utterly uncivilized.
Annika Martin (The Billionaire’s Wake-up-call Girl (Billionaires of Manhattan, #2))
Unlike Reaper’s story, this was no fairy tale. He didn’t get the girl in the end. Roux was out of his reach for good now.
V. Theia (Savage Outlaw (Renegade Souls MC #8))
Girls want flowers and candy, they go for the nice business men. They want a good solid fucking that can make them see the face of god, they come to men like me. I make no apologies about being who I am.
Jessica Gadziala (Monster (Savages, #1))
I could not tell anymore how much of the screaming came from my own mouth. I was borne up on the swell of it, I was the sound. We were all howling together, the poor and the quality, the boxing girl and the beast inside my breast. If she was a madwoman, then we were all of us with her, and I had never felt such savage elation, nor known that it existed.
Anna Freeman (The Fair Fight)
Intoxicated with her success and his awed eyes, and with the way the wind rushed by and flicked delicate strands of saliva across her cheeks, Will spread out her arms, spun in a pirouette. Shumba chose that moment to stumble over a rabbit hole and with a terrific crash, that sounded and resounded for miles and miles of flei, Will fell into the long grass.
Katherine Rundell (The Girl Savage)
Well, the way I see it, you’ve got two options. You can step back while me and the guys embarrass the fuck out of this bitch and make her crawl back into whatever hole she crawled out of. Or… we could go with option B.” I’m trembling from head to toe. “Which is?” His lips just barely touch my ear when he answers. “Option B is you let us worry about the aftermath and you handle this shit yourself,” he says. “And when I say handle it, I mean I want you to completely… fuck… her… up.
Rachel Jonas (Break the Girl (Savage Kings of Bradwyn U, #1))
I don’t date Nicole.” “You don’t what?” I ask dumbfounded. “I don’t date.” “Dragon, everyone dates.” “I don’t.” I don’t really know how to respond. It seems unreal, but I can tell he is completely serious. “Like ever?” “That’s what I said, Mama.” “How can you tell if you like a girl if you don’t even know her?” I ask and something about this conversation hurts me. “I fuck her.
Jordan Marie (Breaking Dragon (Savage Brothers MC, #1))
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
There are thousands, who, like good uncle Fred, are thirsting for the water of life; but the law forbids it, and the churches withhold it. They send the Bible to heathen abroad, and neglect the heathen at home. I am glad that missionaries go out to the dark corners of the earth; but I ask them not to overlook the dark corners at home. Talk to American slaveholders as you talk to savages in Africa. Tell them it was wrong to traffic in men. Tell them it is sinful to sell their own children, and atrocious to violate their own daughters. Tell them that all men are brethren, and that man has no right to shut out the light of knowledge from his brother. Tell them they are answerable to God for sealing up the Fountain of Life from souls that are thirsting for it.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
How romantic”, breathed the unknown girl. “Which one do you favor?” “Neither,” Gillie said savagely. “Take your pick.” “Well, the darker one did rescue me from Mr. Tamms. I think he must be very heroic.” Gillie's breath caught. “Well, you can't have him.
Mary Lancaster (The Wicked Baron (Blackhaven Brides, #1))
Love's empire is this globe and all mankind; the most refined and the most degraded, the cleverest and the most stupid, are all liable to become his faithful subjects. He can alike command the devotion of an archbishop and a South-Sea Islander, of the most immaculate maiden lady (whatever her age) and of the savage Zulu girl. From the pole to the equator, and from the equator to the further pole, there is no monarch like Love.
H. Rider Haggard (Dawn)
A pretty vampire woman in a cheongsam came flying down the hallway, ribbons waving from her purple-streaked hair like a silken flag. Her face was familiar. Alec had seen her at Taki’s, and around the city more generally, usually with Raphael. “Save us, oh fearless leader,” said Raphael’s lady friend. “Elliott’s in a huge aquarium puking blue and green. He tried to drink mermaid blood. He tried to drink selkie blood. He tried to—” “Ahem,” said Raphael, with a savage jerk of his head in Alec’s direction. Alec waved. “Shadowhunter,” he said. “Right here. Hi.” “He tried to keep to the Accords and obey all the known Laws!” the woman declared. “Because that’s the New York clan’s idea of a truly festive good time.” Alec remembered Magnus and tried not to look like he was here to ruin the Downworlder party. There was one thing he and this woman had in common. He recognized the bright purple she was wearing. “I think I saw you earlier,” said Alec hesitantly. “You were—making out with a faerie girl?” “Yeah, you’re gonna have to be more specific than that,” said the vampire woman. “This is a party. I’ve made out with six faerie girls, four faerie boys, and a talking toadstool whose gender I’m unsure about. Pretty sexy for a toadstool, though.” Raphael covered his face briefly with his non-texting hand. “Why, you want to make something of it?” The woman bristled. “How happy I am to see the Nephilim constantly crashing our parties. Were you even invited?” “I’m a plus-one,” said Alec. The vampire girl relaxed slightly. “Oh, right, you’re Magnus’s latest disaster,” she said. “That’s what Raphael calls you. I’m Lily.” She lifted a hand in a halfhearted wave. Alec glanced at Raphael, who arched his eyebrow at Alec in an unfriendly way. “Didn’t realize Raphael and I were on pet name terms,” said Alec. He continued to study Raphael. “Do you know Magnus well?” “Hardly at all,” said Raphael. “Barely acquainted. I don’t think much of his personality. Or his dress sense. Or the company he keeps. Come away, Lily. Alexander, I hope I never see you again.” “I’ve decided I detest you,” Lily told Alec. “It’s mutual,” Alec said dryly. Unexpectedly, that made Lily smile, before Raphael dragged her away.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
When we read certain portions of “Leaves of Grass” we seem to see a vast phalanx of Great Companions passing for ever along the cosmic roads, stalwart Pioneers of the Universe. There are superb young men, athletic girls, splendid and savage old men—for the weak seem to have perished by the roadside.
H. Havelock Ellis
Like an arrow sprung from a bow Betty flashed past the Colonel and out on the green. Scarcely ten of the long hundred yards had been covered by her flying feet when a roar of angry shouts and yells warned Betty that the keen-eyed savages saw the bag of powder and now knew they had been deceived by a girl.
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
Calm down please, sir, if you will,’ said the bobby, still retaining a firm hold upon the horse’s reins. ‘ “Stolen” is such an ugly word. It is not technically stealing if you are a British archaeologist and you acquire items of historical significance in the savage realms and liberate them to civilisation.
Robert Rankin (The Japanese Devil Fish Girl and Other Unnatural Attractions (Japanese Devil Fish Girl #1))
I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests… I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.” By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head. Charm’d magic casements, opening on the foam Of perilous seas, in faery lands forlorn. His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable). Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork. Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius… I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known. First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit
Violet Bonham Carter
MAMBO SUN" "Beneath the bebop moon I want to croon with you Beneath the Mambo Sun I got to be the one with you My life's a shadowless horse If I can't get across to you In the alligator rain My heart's all pain for you Girl you're good And I've got wild knees for you On a mountain range I'm Dr. Strange for you Upon a savage lake Make no mistake I love you I got a powder-keg leg And my wig's all pooped for you With my hat in my hand I'm a hungry man for you I got stars in my beard And I feel real weird for you Beneath the bebop moon I'm howling like a loon for you Beneath the mumbo sun I've got to be the one for you
Marc Bolan (Marc Bolan Lyric Book)
Oh, I’m burning! I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free; and laughing at injuries, not maddening under them! Why am I so changed? why does my blood rush into a hell of tumult at a few words? I’m sure I should be myself were I once among the heather on those hills. Open the window again wide: fasten it open!
Emily Brontë (Wuthering Heights)
From the beauty they deserve will come the love they deserve. And from the love will follow truth.
Alex Shakar (The Savage Girl)
On a cement pediment stands the inevitable bronze statue of a man in a cheap suit.
Alex Shakar (The Savage Girl)
It's kind of a dark little life . . . being a paranoiac, but it's also not without its comforts.
Alex Shakar (The Savage Girl)
Who can tell me what S-I-N-G stands for?” asked one of the instructors. “Sing?” offered a girl, chewing gum. A few people snickered. Kate hoped she was joking but feared she wasn’t. “Um, yes,” drawled the teacher, “but I meant, what do the letters stand for?” Stomach. Instep. Nose. Groin. A brawny boy raised his hand. “Stomach, instep, nose, groin?” “Very good!” Kate wanted to point out that Corsai didn’t have stomachs, insteps, noses, or groins, and if you got close enough to hit a Malchai, it would probably rip your throat out.
Victoria E. Schwab (This Savage Song (Monsters of Verity, #1))
An open car drove by, fleeing into the country. The car was overfilled with people bound for a picnic. There was a jumble of bright sweaters, and scarfs fluttering in the wind; a jumble of voices shrieking without purpose over the roar of the motor, and overstressed hiccoughs of laughter; a girl sat sidewise, her legs flung over the side of the car; she wore a man's straw hat slipping down to her nose and she yanked savagely at the strings of a ukelele, ejecting raucous sounds, yelling 'Hey!' These people were enjoying a day of their existence; they were shrieking to the sky their release from the work and the burdens of the days behind them; they had worked and carried the burdens in order to reach a goal -- and this was the goal.
Ayn Rand (The Fountainhead)
Do you think he will protect you now? You’re useless. The heir to Elfhame has no reason to spend any further time with an untutored savage of a girl. But think, you wouldn’t even have to remember him. You wouldn’t even have to remember yourself.” “I’m not half as practical as you suppose,” Oak says. “I like many useless things. I’ve been called useless myself from time to time.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Men like to categorize women.” I curl my lip. “Into convenient little boxes like ‘hot’, or ‘cute’, or ‘beautiful’. It’s easy for them. It’s never been easy for me.”   “So this particular girl,” the man leads. “She’s none of those?”   “She’s all of those,” I say, a little too quickly for my own liking. “And more than those, and at the same time she’s none of those. She is exactly herself, no more and no less.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
Before we could pretend not to see him, he waved. We all waved back. And no one said anything mean, even after he jogged away with his shorts riding up so high he looked like he was naked. Maybe simply because it would have been too easy. And all I can say about that morning is – how did we three know instinctively where the lines are between being funny and being brutal? I mean, why is it that everywhere I look, other people seem to be crossing those boundaries constantly? Jumping, falling, leaping over the line from banter into cruelty. Sometimes it’s on purpose and other times it’s by accident, but in any case, people savage each other. Maybe because they can’t help it.
Rachel DeWoskin (Big Girl Small)
Those lavender eyes owned him now as they did four years ago. Where it all fucking started. She became the starring role of his misery and his awakening. He didn’t know at the time it was with a little girl too damn young for his tongue or his hands. But that night, four years ago, Roux Tucker crashed into his life and demanded everything from him. It almost led to his death, but he’d do it over and over and over. She only had to demand it from him again.
V. Theia (Savage Outlaw (Renegade Souls MC #8))
Children, awkward, isolate, their bodies crammed to bursting with caffein and sugar and pop music and cologne and perfume and hairgel and pimple cream and growth hormone-treated hamburger meat and premature sex drives and costly, fleeting, violent sublimations. It's all part of the conspiracy . . . all of it trying to convince them that they're here to be trained for lives of adventure and glamor and heroism, when in fact they're here only to be trained for more of the same, for lives of plunking in the quarters, paying a premium for the never-ending series of shabby fantasies to come, the whole lifelong laser light show of glamorous degradation and habitual novelty and fun-loving murder and global isolation.
Alex Shakar (The Savage Girl)
Stereotypes are the most reductive kind of story: They reduce others to single, crude images. In the United States, the stereotypes are persistent: black as criminal, brown as illegal, indigenous as savage, Muslims and Sikhs as terrorists, Jews as controlling, Hindus as primitive, Asians of all kinds as perpetually foreign, queer and trans people as sinful, disabled people as pitiable, and women and girls as property. Such stereotypes are in the air, on television and film, in the news, permeating our communities, and ordering our institutions. We breathe them in, whether or now we consciously endorse them. Even if we are part of a marginalized community, we internalize these stereotypes about others an ourselves.
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
Liberalism has been degraded into liberality. Men have tried to turn "revolutionise" from a transitive to an intransitive verb. The Jacobin could tell you not only the system he would rebel against, but (what was more important) the system he would not rebel against, the system he would trust. But the new rebel is a sceptic, and will not entirely trust anything. He has no loyalty; therefore he can never be really a revolutionist. And the fact that he doubts everything really gets in his way when he wants to denounce anything. For all denunciation implies a moral doctrine of some kind; and the modern revolutionist doubts not only the institution he denounces, but the doctrine by which he denounces it. Thus he writes one book complaining that imperial oppression insults the purity of women, and then he writes another book (about the sex problem) in which he insults it himself. He curses the Sultan because Christian girls lose their virginity, and then curses Mrs. Grundy because they keep it. As a politician, he will cry out that war is a waste of life, and then, as a philosopher, that all life is waste of time. A Russian pessimist will denounce a policeman for killing a peasant, and then prove by the highest philosophical principles that the peasant ought to have killed himself. A man denounces marriage as a lie, and then denounces aristocratic profligates for treating it as a lie. He calls a flag a bauble, and then blames the oppressors of Poland or Ireland because they take away that bauble. The man of this school goes first to a political meeting, where he complains that savages are treated as if they were beasts; then he takes his hat and umbrella and goes on to a scientific meeting, where he proves that they practically are beasts. In short, the modern revolutionist, being an infinite sceptic, is always engaged in undermining his own mines. In his book on politics he attacks men for trampling on morality; in his book on ethics he attacks morality for trampling on men. Therefore the modern man in revolt has become practically useless for all purposes of revolt. By rebelling against everything he has lost his right to rebel against anything.
G.K. Chesterton (Orthodoxy)
You stand there all tan and glowing and wonder why I use Voice on you?” he bellowed. “Where the hell do you get off? You’ve been with V’lane again. How many slaps in the face do you think I’m going to take, Ms. Lane?” He grabbed my fist and held it when I tried to punch him again. I swung at him with the other. He caught that, too. “I warned you not to play us against each other.” “I’m not playing you! I’m trying to survive. And I don’t slap you when I go off with V’lane!” I tried to yank my fists from his hands. “It doesn’t have anything to do with you. I’m trying to get answers, and since you won’t give me any, you can’t blame me for going somewhere else.” “So, the man who doesn’t get laid at home has the right to go off and cheat?” “Huh?” “Which word didn’t you understand?” he sneered. “You’re the one who’s crippled by illogic. This isn’t home, it never will be, and nobody’s getting laid!” I practically shouted. “You think I don’t know that?” He shifted his body beneath me, making me painfully aware of something. Two somethings, in fact, one of which was how far up my short skirt was. The other wasn’t my problem. I wriggled, to shimmy my hem down, but his expression perished the thought. When Barrons looks at me like that, it rattles me. Lust, in those ancient, obsidian eyes, offers no trace of humanity. Doesn’t even bother trying. Savage Mac wants to invite it to come out and play. I think she’s nuts. Nuts, I tell you. “Let go of my hands.” “Make me,” he taunted. “Voice me, Ms. Lane. Come on, little girl, show me some power.” Little girl, my ass.
Karen Marie Moning (Faefever (Fever, #3))
On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf. Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.
Stephen King (The Stand)
An ironic religion -- one that never claims to be absolutely true but only professes to be relatively beautiful, and never promises salvation but only proposes it as a salubrious idea. A century ago there were people who thought art was the thing that could fuse the terms of this seemingly insuperable oxymoron, and no doubt art is part of the formula. But maybe consumerism also has something to teach us about forging an ironic religion -- a lesson about learning to choose, about learning the power and consequences, for good or ill, of our ever-expanding palette of choices. Perhaps . . . the day will come when the true ironic religion is found, the day when humanity is filled with enough love and imagination and responsibility to become its own god and make a paradise of its world, a paradise of all the right choices.
Alex Shakar (The Savage Girl)
Because you’re right. I want to control you, darlin’. Not in the way your fucking ex did, in a way that makes you come apart.” A hot pulse of need shoots through me, igniting me with his words. He leans in closer and I have to tilt my head back to keep eye contact. “I want to fucking claim you. Tie you to my goddamn bed and force you to submit to me.” He presses his mouth to the shell of my ear and I don't fight it, I wait. Wait for everything and more. “I want to do dirty things to you, Kenz. Things only dirty girls enjoy. I want to push every one of your limits so no man will ever be able to make you come like I do.” His hot breath moves over my ear and I can’t help the shiver that rolls through me. “I. Want. To. Own. You.” He pulls back when he's finished. Both of our breathing thick with need. Holy shit. How do you respond to that?
River Savage (Infatuation (Knights Rebels MC, #4))
...it turned out to be only our former chauffeur, Tsiganov, who had thought nothing of riding all the way from St. Petersburg, on buffers and freight cars, through the immense, frosty and savage expanse of revolutionary Russia, for the mere purpose of bringing us a very welcome sum of money sent us by good friends of ours. After a month's stay, Tsiganov declared the Crimean scenary bored him and departed---to go all the way back north, with a big bag over his shoulder, containing various articles which we would have gladly given him had we thought he coveted them (such as a tourser press, tennis shoes, a nigthshirt, an alarm clock, a flat iron, several other ridiculous things I have forgotten) and the absence of which only gradually came to light if not pointed out, with vindictive zeal, by an anemic servant girl whose pale charms he had also rifled.
Vladimir Nabokov
All her pent-up misery and frustration broke loose with a vengeance, and she yelled at him, ‘You expect me to TRUST YOU?’ Her brain felt like a live coal, spitting sparks. ‘You expect me to go out with YOU! – when you tell me bare-faced LIES? D'you think I'm FUCKING STUPID?’ She slapped his face just as hard as she had the night before, then stood up and fled the length of the alley; tears streaming – hating herself – hating Bobby – hating the entire rotten, cruel, hateful world – filled with blind, savage, useless hate. She didn't see the way he laid his head on his knees in despair, nor if he really cried.
Bernie Morris (Bobby's Girl)
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
(...)because Miss Temple has generally something to say which is newer than my own reflections; her language is singularly agreeable to me, and the information she communicates is often just what I wished to gain.” “Well, then, with Miss Temple you are good?” “Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness.” “A great deal: you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should—so hard as to teach the person who struck us never to do it again.” “You will change your mind, I hope, when you grow older: as yet you are but a little untaught girl.” “But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved.” “Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it.” “How? I don’t understand.” “It is not violence that best overcomes hate—nor vengeance that most certainly heals injury.” “What then?” “Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example.” “What does He say?” “Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you.
Charlotte Brontë
Without warning, a smooth voice spoke next to her ear- a woman's voice with an American accent. "You're nothing but a skinny, awkward child, just as he described. He's visited me since the wedding, you know. He and I have laughed together over your juvenile infatuation with him. You bore him senseless." Pandora turned and found herself confronted by Mrs. Nola Black. The woman was breathtaking, her features creamy-skinned and flawless, her eyes deep and dark under brows so perfectly groomed and delineated, they looked like thin strips of velvet. Although Mrs. Black was approximately the same height as Pandora, her figure was a remarkable hourglass shape, with a waist so small one could have buckled a cat's collar around it. "That's nothing but bitchful thinking," Pandora said calmly. "He hasn't visited you, or he would have told me." Mrs. Black was clearly "picking for a fight," as Winterborne would have put it. "He'll never be faithful to you. Everyone knows you're a peculiar girl who tricked him into marriage. He appreciates novelty, to be sure, but it will wear off, and then he'll send you packing to some remote country house." Pandora was filled with a confusing mixture of feelings. Jealousy, because this woman had known Gabriel intimately, and had meant something to him... and antagonism, but also a stirring of pity, because there was something wounded in the biting darkness of her eyes. Behind the stunning façade, she was a savagely unhappy woman. "I'm sure you think that's what I should fear," Pandora said, "but I actually don't worry about that at all. I didn't trick him, by the way." She paused before adding, "I'll admit to being peculiar. But he seems to like that.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The days passed. Success went fizzily to Bernard's head, and in the process completely reconciled him (as any good intoxicant should do) to a world which, up till then, he had found very unsatisfactory. In so far as it recognized him as important, the order of things was good. But, reconciled by his success he yet refused to forgo the privilege of criticizing this order. For the act of criticizing heightened his sense of importance, made him feel larger. Moreover, he did genuinely believe that there were things to criticize. (At the same time, he genuinely liked being a success and having all the girls he wanted.) Before those who now, for the sake of the Savage, paid their court to him, Bernard would parade a carping unorthodoxy. He was politely listened to. But behind his back people shook their heads. 'That young man will come to a bad end,' they said, prophesying the more confidently in that they themselves would in due course personally see to it that the end was bad. 'He won't find another Savage to help him out a second time,' they said. Meanwhile, however, there was the first Savage; they were polite. And because they were polite, Bernard felt positively gigantic - gigantic and at the same time light with elation, lighter than air.
Aldous Huxley
It’s probably long overdue for us to throw out what we think we know about love. Girls have grown up with too many fairy tale/date movies/romance bodice-rippers racing around in our heads—the warrior with his rippling muscles and the golden-maned damsel clinging to his breeches. The title is something like Savage Heat or Destiny’s Desire. This is the fairy tale world where men and women always orgasm at the same time or where the man wakes the sleeping princess with a kiss, or where the hero slays the dragon and rescues the damsel from a tower, or where, essentially, everyone lives happily ever after and no one writes what happens next. What happens next is that reality sets in. The golden bubble bursts. There are bills to pay. Someone has to walk the dog and clean the cat litter box and go to the grocery store for milk.
Stephanee Killen (Buddha Breaking Up: A Guide to Healing from Heartache & Liberating Your Awesomeness)
I’ll tell you what’s true,’ said Weston presently. ‘What?’ ‘A little child that creeps upstairs when nobody’s looking and very slowly turns the handle to take one peep into the room where its grandmother’s dead body is laid out–and then runs away and has bad dreams. An enormous grandmother, you understand.’ ‘What do you mean by saying that’s truer?’ ‘I mean that child knows something about the universe which all science and all religion is trying to hide.’ Ransom said nothing. ‘Lots of things,’ said Weston presently. ‘Children are afraid to go through a churchyard at night, and the grown-ups tell them not to be silly: but the children know better than the grown-ups. People in Central Africa doing beastly things with masks on in the middle of the night–and missionaries and civil servants say it’s all superstition. Well, the blacks know more about the universe than the white people. Dirty priests in back streets in Dublin frightening half-witted children to death with stories about it. You’d say they are unenlightened. They’re not: except that they think there is a way of escape. There isn’t. That is the real universe, always has been, always will be. That’s what it all means.’ ‘I’m not quite clear–’ began Ransom, when Weston interrupted him. ‘That’s why it’s so important to live as long as you can. All the good things are now–a thin little rind of what we call life, put on for show, and then–the real universe for ever and ever. To thicken the rind by one centimetre–to live one week, one day, one half hour longer–that’s the only thing that matters. Of course you don’t know it: but every man who is waiting to be hanged knows it. You say “What difference does a short reprieve make?” What difference!!’ ‘But nobody need go there,’ said Ransom. ‘I know that’s what you believe,’ said Weston. ‘But you’re wrong. It’s only a small parcel of civilised people who think that. Humanity as a whole knows better. It knows–Homer knew–that all the dead have sunk down into the inner darkness: under the rind. All witless, all twittering, gibbering, decaying. Bogeymen. Every savage knows that all ghosts hate the living who are still enjoying the rind: just as old women hate girls who still have their good looks. It’s quite right to be afraid of the ghosts. You’re going to be one all the same.’ ‘You don’t believe in God,’ said Ransom. ‘Well, now, that’s another point,’ said Weston. ‘I’ve been to church as well as you when I was a boy. There’s more sense in parts of the Bible than you religious people know. Doesn’t it say He’s the God of the living, not of the dead? That’s just it. Perhaps your God does exist–but it makes no difference whether He does or not. No, of course you wouldn’t see it; but one day you will. I don’t think you’ve got the idea of the rind–the thin outer skin which we call life–really clear. Picture the universe as an infinite glove with this very thin crust on the outside. But remember its thickness is a thickness of time. It’s about seventy years thick in the best places. We are born on the surface of it and all our lives we are sinking through it. When we’ve got all the way through then we are what’s called Dead: we’ve got into the dark part inside, the real globe. If your God exists, He’s not in the globe–He’s outside, like a moon. As we pass into the interior we pass out of His ken. He doesn’t follow us in. You would express it by saying He’s not in time–which you think comforting! In other words He stays put: out in the light and air, outside. But we are in time. We “move with the times”. That is, from His point of view, we move away, into what He regards as nonentity, where He never follows. That is all there is to us, all there ever was. He may be there in what you call “Life”, or He may not. What difference does it make? We’re not going to be there for long!
C.S. Lewis (The Space Trilogy)