Savage Ex Quotes

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Yep, got it. You do know I’m a decorated ex-marine, firefighter and badass biker. I got this, sweetheart.
River Savage (Reclaimed (Knights Rebels MC #2.5))
A space was quickly cleared in the crowd, and a rope placed about his neck, when from somewhere came the suggestion, "Burn him!" It ran like an electric current. Have you ever witnessed the transformation of human beings into savage beasts? Nothing can be more terrible.
James Weldon Johnson (The Autobiography of an Ex-Colored Man)
Because you’re right. I want to control you, darlin’. Not in the way your fucking ex did, in a way that makes you come apart.” A hot pulse of need shoots through me, igniting me with his words. He leans in closer and I have to tilt my head back to keep eye contact. “I want to fucking claim you. Tie you to my goddamn bed and force you to submit to me.” He presses his mouth to the shell of my ear and I don't fight it, I wait. Wait for everything and more. “I want to do dirty things to you, Kenz. Things only dirty girls enjoy. I want to push every one of your limits so no man will ever be able to make you come like I do.” His hot breath moves over my ear and I can’t help the shiver that rolls through me. “I. Want. To. Own. You.” He pulls back when he's finished. Both of our breathing thick with need. Holy shit. How do you respond to that?
River Savage (Infatuation (Knights Rebels MC, #4))
I holler after him, “You never would have kissed me so much if you really planned to kill me!” “Tell that to my late ex-wife.” That leaves me breathless, and not just because my stomach hurts from the effort of shouting. I lie there with my heart beating like mad, thinking of all the ways he might have murdered his poor ex, until Mal sticks his head back through the door. “I don’t have an ex-wife. I’ve never been married. I only said that to scare you.” “It worked.” “I told you I was a bad person.
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
It is the distinctive position of the Reformation with which, over against Rome, it stands or falls, that that which properly constitutes, defines, and perpetuates in unity a Church, is its doctrine, not its name or organization. While a Church retains its proper identity it retains of necessity its proper doctrine. Deserting its doctrine it loses its identity. The Church is not a body which bears its name like England, or America, which remain equally England and America, whether savage or civilized, Pagan or Christian, Monarchical or Republican. Its name is one which properly indicates its faith--and the faith changing, the Church loses its identity. Pagans may become Mohammedans, but then they are no longer Pagans--they are Mohammedans. Jews may become Christians, but then they are no longer Jews in religion. A Manichean man, or Manichean Church, might become Catholic, but then they would be Manichean no more. A Romish Church is Romish; a Pelagian Church is Pelagian; a Socinian Church is Socinian, though they call themselves Protestant, Evangelical, or Trinitarian. If the whole nominally Lutheran Church on earth should repudiate the Lutheran doctrine, that doctrine would remain as really Lutheran as it ever was. A man, or body of men, may cease to be Lutherans, but a doctrine which is Lutheran once, is Lutheran forever. Hence, now, as from the first, that is not a Lutheran Church, in the proper and historical sense, which cannot ex animo declare that it shares in the accord and unanimity with which each of the Doctrines of the Augsburg Confession was set forth.
Charles Porterfield Krauth
December 9: The Mexican literary mafia has nothing on the Mexican bookseller mafia. Bookstores visited: the Librería del Sótano, in a basement on Avenida Juárez where the clerks (numerous and neatly uniformed) kept me under strict surveillance and from which I managed to leave with volumes by Roque Dalton, Lezama Lima, and Enrique Lihn. The Librería Mexicana, staffed by three samurais, on Calle Aranda, near the Plaza de San Juan, where I stole a book by Othón, a book by Amado Nervo (wonderful!), and a chapbook by Efraín Huerta. The Librería Pacífico, at Bolívar and 16 de Septiembre, where I stole an anthology of American poets translated by Alberto Girri and a book by Ernesto Cardenal. And in the evening, after reading, writing, and a little fucking: the Viejo Horacio, on Correo Mayor, staffed by twins, from which I left with Gamboa's Santa, a novel to give to Rosario; an anthology of poems by Kenneth Fearing, translated and with a prologue by someone called Doctor Julio Antonio Vila, in which Doctor Vila talks in a vague, question mark-filled way about a trip that Fearing took to Mexico in the 1950s, "an ominous and fruitful trip," writes Doctor Vila; and a book on Buddhism written by the Televisa adventurer Alberto Montes. Instead of the book by Montes I would have preferred the autobiography of the ex-featherweight world champion Adalberto Redondo, but one of the inconveniences of stealing books - especially for a novice like myself - is that sometimes you have to take what you can get.
Roberto Bolaño (The Savage Detectives)
Rosario's declaration made me sad. For an instant I imagined the unknown Alberto, his huge cock and his huge knife and a fierce look on his face, and I thought that if Rosario met him on the street she would be attracted to him. Also: that in some way he was coming between María and me. For an instant, that is, I imagined Alberto measuring his cock with his kitchen knife and I imagined the notes of a song, evocative and suggestive, although of what I couldn't say, drifting in the window (a sinister window!) along with the night air, and all of it together made me extremely sad. "Don't be gloomy, darling," said Rosario. And I also imagined María making love with Alberto. And Alberto smacking María on the buttocks. And Angélica making love with Pancho Rodríguez (ex-visceral realist, thank God!). And María making love with Luscious Skin. And Alberto making love with Angélica and María. And Alberto making love with Catalina O'Hara. And Alberto making love with Quim Font. And in the final instance, as the poet says, I imagined Alberto advancing over a carpet of bodies splattered with semen (a semen of deceptive consistency and color, because it looked like blood and shit) toward the hill where I stood, still as a statue, although everything in me wanted to flee, go running down the other side and lose myself in the desert.
Roberto Bolaño (The Savage Detectives)
Then I sat in my dark office and I saw the weak flesh and the strong mind passing before me, as if in a diorama, like a husband and wife who hate each other, and I also saw the strong flesh and the weak mind pass by arm in arm, another model couple, and I saw them stroll around a park like the Parque de la Ciudadela (although sometimes it was more like the Gianicolo near the Piazzale Giuseppe Garibaldi), weary yet unwearying, at the pace of cancer patients or prostate sufferers, well dressed, haloed in a kind of horrible dignity, and the strong flesh and the weak mind went from right to left and the weak flesh and the strong mind went from left to right, and each time they crossed paths they acknowledged each other but didn't stop, out of politeness or because they knew each other from other walks, if only slightly, and I thought: my God, talk, talk, speak to each other, dialogue is the key to any door, ex abundantia cordis os loquitur, but the weak mind and the strong mind only nodded, and perhaps their consorts did no more than bow their eyelids (eyelids don't bow, Toni Melilla told me one day, but how wrong he was! of course they bow, eyelids can even kneel), proud as bitches, the weak flesh and the strong flesh, steeped together in the crucible of fate, if you'll permit me the expression, an expression that means nothing but is as sweet as a bitch lost on the mountainside.
Roberto Bolaño (The Savage Detectives)
Be quiet as we fuck the shit out of your ex-fiancé, or we will actually find a very inconvenient place to tattoo you.
Amanda Richardson (Savage Hate (Savage Hearts, #1))
trust doesn’t come in shades of gray. It’s absolute and filled with power. When trust is broken, it’s often not the act of betrayal that’s most surprising. The real shocker is who in your innermost circle betrayed you—a best friend? A boyfriend? A sister? A parent? Betrayal can appear small, like a little white lie, the whisper of a long-held secret in the hall at school, or the posting of a private confession on Facebook. Or it can be colossal and far darker, like a pretty young lacrosse player savagely murdered by her ex-boyfriend, or the mother with haunted eyes who drowned her babies in the bathroom tub. The truth is that big or small, betrayal cuts quite like no other evil. And when it comes for you, it finds its way quietly in the night like the slip of a knife at the base of the spine. As life fades to black, you ask over and over: What did I do to deserve this?
Gregg Olsen (Dying to Be Her (Empty Coffin, #2))
Elena stared down at me, fury pinching her pale brows. “Theo is a pussy-whipped little boy. His ex told me all about him. His dad controls him, and he lets it happen. He seems like a nice guy, but that’s only to get what he wants. If you think that kind of dick is better than you, then you’re not the girl I thought you were back in high school when you intimidated the hell out of every soft boy you passed in the halls.” “She’s sad, El. Let her be sad,” Zadie said. “I’m letting her be sad over her dead friend. I refuse to allow her to cry over Theo fucking Whitlock. He’s hot, but he’s proven himself unworthy. Helen is a warrior. Theo is bullshit.
Julia Wolf (Soft Like Thunder (Savage U, #1))
Isaac stood alone in snow level with his boots, his hands shoved into his pockets and his chin tucked close to his chest. He ignored the frigid air and stared into the distance, at the point where icing-sugar inclines became jagged mountaintops. He could see the ski-paths tracing up and down each slope, and the ski-lifts above them like the ghosts of ley lines over cracked earth. Only, he couldn’t see earth; not for miles. Usually, that would bother him. Would make him itch. But the pine on the wind and the savage cold was close enough, it seemed. His breathing was even; his soul was soothed; his mind was as quiet as it ever fucking got. Quiet enough for the fragments of poetry that chased him to capture the whole of his attention.
Talia Hibbert (Undone by the Ex-Con (Just for Him, #2))
I think I find a sort of savage and diabolical desire to gather up all the little tragedies of my life, and turn them into a practical joke on society.
James Weldon Johnson (The Autobiography of an Ex-Colored Man)
I’m angry, possessed and out of my fucking mind. My knuckles land on his nose, shattering it with a chilling sound, and I follow it with another fist as I smash his mouth with a brutal blow. A tooth pops out and rolls on the grass. I hit him until all I see is blood. I hit him even though I know that he might be dead. I hit him for reasons that have nothing to do with him. I hit him because I’m an orphan, an ex-felon, a captor and a guy who’s in lust with a girl he cannot have. Because I’m a sad boy, a broken man and a lonely soul. A barbaric savage, a poet with a heart of gold and a nobody who is desperate to become somebody. And I hit him because I need him dead. Because I can’t chance him finding me again. But I don’t just kill him. No. I’m butchering him with my stone-cold heart. Because he’s not a person. He’s a symbol. Representing everything I hate. Everything I want to turn my back on. Everything that’s taking the only thing I was born with, other than this stupid beautiful face, and that still belongs to me. My peace.
L.J. Shen (Blood to Dust)