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But Catch’s tone of outraged bewilderment in the face of carnage and a deranged military mentality set the tone for the satires against the arms race and Vietnam. Dr. Strangelove appeared in 1964. Robert Altman’s 1970 film M*A*S*H, with its Osterizer blend of black humor and stark horror, is a direct descendant of Catch-22. Ironically, that movie appeared the same year as Mike Nichols’s film version of Catch. M*A*S*H is the better movie by far, but in a nice bit of irony, it propelled the novel—finally!—onto American bestseller
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