Sara Movie Quotes

She felt like Lady in Lady and the Tramp, one of Hanna's favorite movies as a kid. When Jim Dear and Darling had a new baby, they kicked Lady to the curb. Except Hanna didn't even have a scruffy bad-boy stray she could run off with because her supposed boyfriend was going to be hundreds of miles away soaking up sunshine on a nude beach with a skank.

I dig into my Chinese food with my fork, pretending not to listen – but if I were a GIF, I’d be the Michael Jackson eating popcorn in a movie theatre one, so engrossed am I.

Thinking and talking about love leads to Love, which is the enemy. Do not consort with the enemy. Even if those hot-ass actors in the movies make it look cuddly and nice and tempting, don’t fall for it. It’s the biggest bad in the world, the worst villain ever created by hormone-pumped pubescent morons. It’s the Joker, Lex Luthor, that one overweight guy who’s always messing with the Scooby-Doo gang. It’s the final boss in the massive joke of a video game you call your life.

Zach glanced out the window to what had to be the quietest town he’d ever been in. “Big gang problem around here? Lots of cow jacking?” “We have all sorts pass through our little town, thank you very much. Bikers. Cowboys. The always dangerous rodeo clowns.” “Rodeo clowns?” “Don’t ask.” Zach shrugged. “I don’t want to know.” “Any other condescending questions about my town?” “Oh, I’m not being condescending. I’m very interested in your tiny little town, with its tiny little people. I bet you guys even have a movie theater.” Sara barked out a laugh. “You certainly are a charmer.

Don't live your life like a movie. Always thinkin you could've been something. Don't live your life for me or for anyone. You live your life as if you're one.

Life, I realized, was not a meticulously edited movie. It was a tapestry of scenes, each more real and raw than the last, stitched together in a pattern that often made sense only in retrospect. Each day was a snapshot, a moment frozen in time.

Hi...ah..." What did she call him? Honey? Babe? Darling? "...Humraaz." The Urdu term of endearment came out before she could stop it. Liam's gaze shifted to her, and his face softened. Before he could ask her what it meant and ruin the performance, she rose up on her toes, pressed her hands against his chest, and kissed him. Without hesitation, Liam wrapped one arm around her waist, pressed his mouth against hers, and bent her over backward in a full-on movie kiss. Her breath hitched and her lips softened. His lips were firm and cool and tasted of coffee and something sweet. He slipped his tongue into her mouth and for a moment she thought her heart had stopped. But it didn't matter. Upside down, in front of her work colleagues, she was the woman she always wanted to be. Then she was up and back on her feet, lips tingling, an ache of desire between her thighs. "What does it mean?" he murmured gently. "The one with whom we share our secrets." "Then I am your humraaz," he said. "And you are mine.

GET IN" he says, getting in on the driver side. I get in with no questions. Okay. This is a bad movie waiting to happen-I'm getting in a car with a guy I just met today who is keeping secrets from me. What the hell is wrong with me? I'm too scared to speak or ask or run away, though. So I just get in and put on my seat belt. I am so stupid.

Everyone had what they called a coffee bar name. Instead of Nooput, the girl is Natalie. Instead of Tarick, the boy is Ricky. And Hardik wants to be called Harry because he says Americans think his name means he is in the dirty movies.

I am a modern lady, a cutting-edge, very recent woman. And yet the only menstrual blood I have ever seen is my own. Is that weird? I can see sex on all the movies and TV programmes, I can watch murders being enacted and people pretending to shit themselves in the street, yet no periods.

That’s because love, just like any great movie, has a special kind of magic. You can dress it up with fabulous sets and the most incredible actors and all the special effects you could dream of, but none of that matters if the story isn’t there. After all, what is love but a story? And every story needs its proper ending.

You don’t seem to shock very easily.” I’m referring to our meeting in the hallway, when the redhead was grabbing my cock. “No, I don’t. My mom does porn, so…” She shrugs nonchalantly, dragging out her sentence. “You ain’t got nothin’ I haven’t ever seen in one of her movies.” The bombshell has my eyes bugging out of my skull and I practically leap out of my chair. “What!” A burst of laughter spills from her lips and before I know it, she’s sputtering. Falling out of her seat, waving her hands around, trying to calm herself. “Sit down, sit down, I’m kidding. Oh my god, you should see your face.” “You’re an asshole.” “So you keep saying.” The smirk returns. “It’s like looking in the mirror, isn’t it?

One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.

Lobsang sighed. ‘But I think I need you too, Joshua. I often think back to our days together on the Mark Twain.’ ‘Watched any old movies recently?’ ‘That’s another thing about Agnes. She won’t let me show any movies that don’t have nuns in.’ ‘Wow. That’s brutal.’ ‘Something else that’s good for me, she says. Of course there aren’t that many movies that qualify, and we watch them over and over.’ He shuddered. ‘Don’t talk to me about Two Mules for Sister Sara. But the musicals are the worst. Although Agnes says that the freezer-raiding scene in Sister Act is an authentic detail from convent life.’ ‘Well, that’s a consolation. Musicals with nuns in, huh . . .’ A voice rang out across the park, a voice Joshua remembered only too well from his own past. ‘Lobsang? Time to come in now. Your little friend will keep until tomorrow . . .’ ‘She has loudhailers everywhere.’ Lobsang shouldered his rake and sighed as they trudged across the grass. ‘You see what I’m reduced to? To think I hired forty-nine hundred monks to chant for forty-nine days on forty-nine mountain tops in stepwise Tibets, for this.’ Joshua clapped him on the shoulder. ‘It’s tough, Lobsang. She’s treating you like you’re a kid. Like you’re sixteen, going on seventeen.’ Lobsang looked at him sharply. ‘You can pack that in for a start,’ he snapped. ‘But I’ve got confidence you can overcome these difficulties, Lobsang. Just face up to every obstacle. Climb every mountain—’ Lobsang stalked off sulkily. Joshua waved cheerfully. ‘So long! Farewell!

In heist movies, there's always a montage of scenes where the caper crew rehearses for the big day. The greaser person practices maneuvering through a mock laser beam field made up of string. The driver races through obstacle courses, back alleys, and dark city streets. The hacker pounds on her keyboard, staring at screens full of code. The gadget person demonstrates all their clever toys. The key master practices opening a safe. The muscle finds a few security guards to knock unconscious and wrestles guard dogs to the ground. The inside person seduces or befriends the target and gets them to spill their secrets. And the leader organizes it all with the help of her second-in-command. At least, that's the way it works in the movies. In real life, with a bunch of newbs who are scraping by with low-paying jobs, inflexible hours, difficult bosses, and a bunch of side gigs to make ends meet, just organizing a rehearsal heist was one hell of a task.

I think you should consider your alternatives." "What alternatives?" "Me." She tilted her head down to hide her smile. "You aren't on the list." "I don't care about the damn list, and I don't care about the game. I want you, Layla. And if I have to leave the office-" "I don't want you to leave the office," she said softly. "I like sharing the space with you. I like being with you. I like that you're caring and protective. I like that you line up your pencils, and color-code your files, and that your shoes are always polished, and your ties are perfectly knotted. I like that you are funny and sarcastic, and some of the best times I've had have been interviewing people with you. I like how loyal you are, even though you support the wrong baseball team. I like that you pretend not to know any movies but you can list almost every horror film ever made. And I like the way you kiss." His face softened and he gave a satisfied smile. "You like my kisses?" "Very much." "What else do you like?" Layla licked her lips. "Take me to your place and I'll show you.

When I watch a movie or read a book, be it a melodrama or horror, I always hate the female character... Well, most of the time I do. Why? Because she is always dumb. I shit you not. For example in this one chick-flick movie, "Serendipity", Sara tells that Jonathan guy that she won't give him her number because if they are meant to meet again, they will. Seriously? Romantic movie my ass, there's not anything romantic in letting go of someone when you can grab them with both of your hands. That is not romantic, THAT is stupid. In another movie the girl storms out, never hearing the guy out, just like in that one book I've been reading recently, "Tangled". Now this is an issue with most of the books and chick-flicks. Like why? Why won't you stop a minute, take a deep breath, count to ten and listen to the guy. Only after that, for God's sake, say ‘fuck you’ then ‘Namaste’ and then walk away while swaying your hips like there is no tomorrow? Let them know what they will be missing for the rest of their lives. In some other movies I hate the main female character because of the scriptwriters. The girl somehow always appears in front of the guy out of nowhere. Like he can be walking down the street and then boom! ABRACADABRA! The main girl bumps into him in NYC out of all places. They make it seem like whatever they do their steps always bring them back to each other. Dumb, I know.

I'm one of those weirdos that will reread a book multiple times. I find it's like watching a favorite movie, you learn the words so well that you can open the book and pick up anywhere in the story and still enjoy it.

Sara Wallace is the Executive Producer at SMUGGLER, a production firm that specializes in movies, commercials, music videos, and theatre. With headquarters in London, New York, and Los Angeles, SMUGGLER is a global production firm. SMUGGLER has an unrivaled pool of best-in-class, award-winning directors and production expertise.

No matter how bad life gets, at least I’m not being chased by Leatherface.

Downstairs they exited the building into a small employee parking lot and headed straight for a sports car that looked like it belonged in a James Bond movie. It was sleek, with tinted windows and a matte black paint job. As she walked toward it, Sara wondered if it came fully loaded with secret weapons and an ejector seat. She was just about to run her fingers along the body when Mother called her. “Sorry, but that’s not ours,” he said. She turned to see that he and Sydney had stopped at an oldish Volvo station wagon that looked more mom than Bond.

I’m sorry, but you didn’t make me promise not to worry.” With a big sigh, Jenna said, “Okay, but after this, you have to promise that, too.” “Deal,” Sara said, smirking. After seeing how much and how violently Jenna had been sick not all that many hours ago, Easy was sympathetic to Sara’s worrying.“I’ll clean up this stuff and give you all some privacy,” he said, reaching for the tray. “Thanks for getting dinner for us, Easy,” Jenna said. She looked at him with such gratitude and affection that it both set off a warm pressure in his chest and made him self-conscious—because he was acutely aware that Sara was observing them. She had to know that something was going on. Given how little he thought of himself sometimes, it wasn’t a big leap to imagine others would think the same. Just because Sara had seemed appreciative that he’d helped Jenna didn’t mean she’d approve of anything more. “You know, you set off a milk-shake-making party,” Becca said. Sara laughed. “Yeah. Shane made us shakes, then we took them over to the gym, and Nick was all jealous he didn’t have one.” Grinning, Becca rolled her eyes. “Which was hilarious because he didn’t even know they owned a blender.” Easy stood. “Well, I guess I’m glad I could provide such a valuable service.” He winked and looked at Jenna. “Need anything else while I’m downstairs?” Smiling, she shook her head. “Don’t think so, but thanks.” Easy made his way out of the room and back down to the Rixeys’, where he found all the guys in front of the big flat-screen TV—Nick and Marz kicking back in the recliners, Beckett and Shane sprawled on one couch, and Jeremy and Charlie on the other, with Eileen between them. It was dark in the room except for the flickering light of the screen. A round of greetings rose to meet him. “Sexual Chocolate!” Marz yelled over the others. Easy couldn’t help but smile as his gaze settled on the television, where the classic Eddie Murphy movie Coming to America was playing. One of Easy’s all-time favorites. He placed the tray on the counter, then turned and held his hands out. “Good morning, my neighbors!” he said, mimicking one of the prince’s lines. Right on cue, Marz said in a thick New York accent, “Hey, fuck you!” Easy could quote this movie all day. “Yes, yes! Fuck you, too!” The guys all chuckled, and Easy leaned his butt against the arm of the couch next to Jeremy and got sucked into the movie. Jeremy and Charlie made room for him, and it felt damn good to be with the guys. Not working, not stressed, not under fire. Just kicking back and shooting the shit.

Romance primes her body for the bedroom. But for men, it may have the opposite effect. (Dylan & Sara/Stocksy) Turns out, there may be a scientific reason why movies based on Nicholas Sparks novels are called “chick flicks.” Watching romantic movies revs women’s sex drives — but it also dampens men’s desire to hit the sheets, according to a new study in the journal Archives of Sexual Behavior. In the world of sex research, there’s a theory about sexual desire called the “incentive motivation model.” That’s a technical way of saying arousal starts with a rewarding stimuli (for example, seeing your partner naked), which automatically leads to a boost in below-the-belt blood flow. Once you realize your body is responding, your mind joins the arousal process, which only heightens your physical response, compelling you to seek sex. As simple as that sounds, the first step — the sexual stimuli that kicks off the whole arousal process — can vary dramatically between men and women. Take porn, for example. “In a lot of research, when women watch porn movies, their body reacts — they’re genitally aroused — but they don’t feel anything,” lead study author Marieke Dewitte, an assistant professor of clinical psychological science at Maastricht University, told Yahoo Health. However, “we know that if you let women watch porn that is more female-oriented, embedded in a story, they respond with more sexual arousal.

Many of my readers are women and some of them email me their thoughts about the stories I’ve written. Almost all of them find a delicious pleasure in being totally frightened by the strange and dark side of life. Perhaps it’s because horror books are an escape from our sometimes-mundane lives? Or could it be that many of us actually do have a private darker side that we like to explore secretly through books, movies and music?

Did you have a fight?” he asks, and my eyes dart over to his face. “Just say you’re sorry and that you love him, and then him and Jade can come over for movie night.” How simple children are. Why can’t adults be like this? Apologize. Love. Be happy. Like it’s all that easy. I wish it were.

I clear my throat. My sister is the queen of not keeping her mouth shut. “That’s where we all go to… pet rats,” she says. “Lots of rats. Brush ’em and stuff.

God, I hope it wasn’t dog.

Lies. Dirty lies.” I’m not fishing; I’m really not. Even my own mother—who has pretty much worshipped everything I’ve done since I was a fetus—used to put my class pictures on the side of the fridge. From kindergarten to senior year, I could never get my face right. Like my face was allergic to the snap of a camera and would swell into embarrassing expressions as soon as the photographer said, “Smile.

Aw, fuck!” No longer the whimpering, crying girl from earlier, Liz points Tabitha’s knife in front of her. “Follow the virgin, bitches!

My company provides personal guarding services to foreign dignitaries, billionaires, politicians, sports teams, movie and Broadway stars---" "Movie and Broadway stars?" Zara grabbed his tie and yanked him forward until they were almost nose to nose. "Names. Give me names. Who have you guarded? A-list? B-list? Anyone from Hamilton?" Her full attention was on him now and it was hard not to get pulled into the depths of her liquid brown eyes. "Our client list is confidential." "Did you work for Lin-Manuel Miranda?" She tipped her head back and gave the kind of groan he'd only ever heard from a woman between the sheets. "What was he like? Tell me. No. Don't tell me. We're in public and I can't be responsible for what might happen if you do." His mouth opened but no words came out. He'd convinced himself there was no chemistry between them. But now, with her face only inches away, he was almost overwhelmed with the desire to taste the curve of her lips. "C'mon, Jay." She leaned close, the gold flecks in her eyes sparkling, her voice a husky purr that he felt as a throb in his groin. Had he ever met a woman with eyelashes so long? He could swear that every time she blinked, they swept over her cheeks. "Just one name," she pleaded. "One itty-bitty little name for me to fantasize about when I'm alone in bed tonight." She ran her tongue over her bottom lip, slow and sensual. "Or even better, an introduction. I'll make it worth your while." Jay swallowed hard, loosened his collar. Need, tightly controlled, began to unravel. He knew he shouldn't ask, but the words came out just the same. "What do you mean worth my while?" "What do you want, Jay?" Her breath whispered against his cheek. "What is your greatest desire? World domination? Ten glamor models in a limo? Your own island? An endless supply of samosas? Six blue silk ties? A perfectly balanced set of accounts? A night of hot sex, no strings attached...?

Jack." "Last name?" "Let's leave it at Jack," he said. "Unfortunately, the online form insists on a last name before it will allow me to move to the next page." I held up the tablet to show him the screen. "How about Jack Spratt? Jack Frost? Jack Sparrow? Jack Horner? Do you have a beanstalk? Do you kill giants? Have you built a house? Are you nimble?" "How about something not fantasy-based?" With a soft chuckle, he moved closer to study the screen. "Jack Dawson? Jack Skellington?" I tried to ignore the heat of his body, the warm breath across my cheek. "Jack-Jack Parr? Jack Torrance? Jack Pearson? Jack Reacher? Jack Ryan?" His laughter, deep and rich, filled the room. "You know your Jacks." "I like movies. I'll watch anything so long as I'm not watching it alone. Sharing snarky comments is all part of the fun." "I think doing anything with you would be fun." His smile made me smile. I couldn't stop it. Were we flirting? Was that a flirting smile? Was I flirting with a thief?

That's when Josh got the feeling that he was watching himself, too, almost like he was a character in a movie. But it wasn't the right kind of movie, and he wondered about that. How do you get to be in the kind of movie you want to be in? Everyone else appeared to be in really awesome movies, full of camaraderie and laughter. Funny moments and ice cream cones. Adventure and suspense. Heroes! How could a person get into one of those?

JJ Jennings looks like he could bust through a wall in an action movie as a stunt double for The Rock.

Don’t hate me for filling up your feeds. Don’t hate me for the brands I convinced you to buy, the movies I goaded you to see. Don’t resent me for the gossip I dropped, breadcrumb-like, for you to devour, obsess over, believe. I was what you needed. I was your guiding light, people. That was why they called me an influencer

Can you give him a break with the ticket? He bought that car with his first paycheck when he became a medical intern and drove it straight home to show his dad that all the sacrifices he'd made to give his son a better life were worth it. One minute he was #desiproud and the next, Bambi gets revenge Thumper style." "I never liked that movie," Officer Pataudi said. "Of course you didn't, because you have a heart. You feel for the little guy, for all the Bambis who lost their moms and all the immigrants who came here for the American dream only to be crushed by the cruel deer of fate.

Silence replaces conversation. Turning away replaces turning towards. Dismissiveness replaces receptivity. And contempt replaces respect. Emotional withholding is, I believe, the toughest tactic to deal with when trying to create and maintain a healthy relationship, because it plays on our deepest fears—rejection, unworthiness, shame and guilt, the worry that we’ve done something wrong or failed or worse, that there’s something wrong with us. ♦◊♦ But Sara’s description is more accurate and compelling than mine. Her line, “quietly sucks out your integrity and self-respect” is still stuck in my head three days later. It makes me think of those films where an alien creature hooks up a human to some ghastly, contorted machine and drains him of his life force drop by drop, or those horrible “can’t watch” scenes where witches swoop down and inhale the breath of children to activate their evil spells of world domination. In the movies, the person in peril always gets saved. The thieves are vanquished. The deadly transfusion halted. And the heroic victim recovers. But in real life, in real dysfunctional relationships, there’s often no savior and definitely no guarantee of a happy ending. Your integrity and self-respect can indeed be hoovered out, turning you into an emotional zombie, leaving you like one of the husks in the video game Mass Effect, unable to feel pain or joy, a mindless, quivering animal, a soulless puppet readily bent to the Reapers’ will. Emotional withholding is so painful because it is the absence of love, the absence of caring, compassion, communication, and connection. You’re locked in the meat freezer with the upside-down carcasses of cows and pigs, shivering, as your partner casually walks away from the giant steel door. You’re desperately lonely, even though the person who could comfort you by sharing even one kind word is right there, across from you at the dinner table, seated next to you at the movie, or in the same bed with you, back turned, deaf to your words, blind to your agony, and if you dare to reach out, scornful of your touch. When you speak, you might as well be talking to the wall, because you’re not going to get an answer, except maybe, if you’re lucky, a dismissive shrug.

Creeping up the stairs as soundlessly as possible, I thought of every horror movie where the topless blonde stupidly runs upstairs or toward the scary sounds, then gets chopped up by an axe murderer.