Sapphire Song Quotes

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Secrets are worth more than silver and sapphires.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
There's a funny fool. I have a riddle for you, Shagwell. Why do you care if she screams? Oh, wait, I know." He shouted "SAPPHIRES," as loudly as he could. Cursing, Rorge kicked at his stump again. Jaime howled. I never knew there was such agony in the world, was the last thing he remembered thinking. It was hard to say how long he was gone, but when the pain spit him out, Urswyck was there, and Vargo Hoat himself. "Thee'th not to be touched," the goat screamed, spraying spittle all over Zollo. "Thee hath to be a maid, you foolth! Thee'th worth a bag of thapphireth!" And from then on, every night Hoat put guards on them, to protect them from his own. Two nights passed in silence before the wench finally found the courage to whisper, "Jaime? Why did you shout out?" "Why did I shout out 'sapphires,' you mean? Use your wits, wench. Would this lot have cared if I shouted 'rape'?" "You did not need to shout at all." "You're hard enough to look at with a nose. Besides, I wanted to make the goat say, 'thapphireth.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I’ll pay her bloody ransom. Gold, sapphires, whatever you want. Pull her out of there.” “You want her? Go get her.” So he did.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I allow myself, for the gash of a moment, to remember what I once possessed: the abyssal ocean, the song in those depths like swimming down the black throat of a god; the searing colors moting my sisters' coils, sapphire and quartz crushed into constellations and prisms of incandescence spiraling through the dark, our tails in endless, restless motion; our mother's eyes colossal, phosphorescent; our father's ribs, still studded with our egg sacs, his heartbeat in our veins. I'd been happy there.
Cassandra Khaw (The Salt Grows Heavy)
We’ve got to protect Jonathan and Darkness, don’t we?” She swung herself onto Moonlight’s back. “Let’s go, girl.” As one of the last fighters to the point, Alanna could clearly see that the enemy had advanced past the trees, engaging Jon’s men in the clearing around the main path. She glimpsed Jonathan’s silver and sapphire gleaming in the thick of the battle as Darkness reared to fight as well. Myles was beside the prince, with Gary and Raoul flanking them both. The enemy would have trouble
Tamora Pierce (In the Hand of the Goddess (Song of the Lioness, #2))
No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation. Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.' Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence. To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other. Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones. Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts. Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.
Joseph Lewis (Ingersoll the Magnificent)
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
A daughter.' Brienne’s eyes filled with tears. 'He deserves that. A daughter who could sing to him and grace his hall and bear him grandsons. He deserves a son too, a strong and gallant son to bring honor to his name. Galladon drowned when I was four and he was eight, though, and Alysanne and Arianne died still in the cradle. I am the only child the gods let him keep. The freakish one, not fit to be a son or daughter.' All of it came pouring out of Brienne then, like black blood from a wound; the betrayals and betrothals, Red Ronnet and his rose, Lord Renly dancing with her, the wager for her maidenhead, the bitter tears she shed the night her king wed Margaery Tyrell, the mêlée at Bitterbridge, the rainbow cloak that she had been so proud of, the shadow in the king’s pavilion, Renly dying in her arms, Riverrun and Lady Catelyn, the voyage down the Trident, dueling Jaime in the woods, the Bloody Mummers, Jaime crying "Sapphires," Jaime in the tub at Harrenhal with steam rising from his body, the taste of Vargo Hoat’s blood when she bit down on his ear, the bear pit, Jaime leaping down onto the sand, the long ride to King’s Landing, Sansa Stark, the vow she’d sworn to Jaime, the vow she’d sworn to Lady Catelyn, Oathkeeper, Duskendale, Maidenpool, Nimble Dick and Crackclaw and the Whispers, the men she’d killed . . .
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
I allow myself, for the gash of a moment, to remember what I once possessed: the abyssal ocean, the song in those depths like swimming down the black throat of a god; the searing colors moting my sisters' coils, sapphire and quartz crushed into constellations, patterns and prisms of incandescence spiraling through the dark, our tails in endless, restless motion; our mother's eyes colossal, phosphorescent; our father's ribs, still studded with our egg sacs, his heartbeat in our veins. I'd been happy there. I could have been happy there forever.
Cassandra Khaw (The Salt Grows Heavy)
That sour note of sorrow is enough to twist the song.
K.S. Villoso (Sapphire's Flight (The Agartes Epilogues, #3))
Put Your Records On" Three little birds sat on my window. And they told me I don't need to worry. Summer came like cinnamon So sweet, Little girls double-dutch on the concrete. Maybe sometimes we've got it wrong, but it's alright The more things seem to change, the more they stay the same Oh, don't you hesitate. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. You're gonna find yourself somewhere, somehow. Blue as the sky, sunburnt and lonely, Sipping tea in a bar by the roadside, (just relax, just relax) Don't you let those other boys fool you, Got to love that afro hair do. Maybe sometimes we feel afraid, but it's alright The more you stay the same, the more they seem to change. Don't you think it's strange? Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. You're gonna find yourself somewhere, somehow. 'Twas more than I could take, pity for pity's sake Some nights kept me awake, I thought that I was stronger When you gonna realise, that you don't even have to try any longer? Do what you want to. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. Oh, you're gonna find yourself somewhere, somehow
Corinne Bailey Rae
The Future Glory of Zion 1“Sing, O barren woman, you who never bore a child; burst into song, shout for joy, you who were never in labor; because more are the children of the desolate woman than of her who has a husband,” says the LORD. 2“Enlarge the place of your tent, stretch your tent curtains wide, do not hold back; lengthen your cords, strengthen your stakes. 3For you will spread out to the right and to the left; your descendants will dispossess nations and settle in their desolate cities. 4“Do not be afraid; you will not suffer shame. Do not fear disgrace; you will not be humiliated. You will forget the shame of your youth and remember no more the reproach of your widowhood. 5For your Maker is your husband— the LORD Almighty is his name— the Holy One of Israel is your Redeemer; he is called the God of all the earth. 6The LORD will call you back as if you were a wife deserted and distressed in spirit— a wife who married young, only to be rejected,” says your God. 7“For a brief moment I abandoned you, but with deep compassion I will bring you back. 8In a surge of anger I hid my face from you for a moment, but with everlasting kindness I will have compassion on you,” says the LORD your Redeemer. 9“To me this is like the days of Noah, when I swore that the waters of Noah would never again cover the earth. So now I have sworn not to be angry with you, never to rebuke you again. 10Though the mountains be shaken and the hills be removed, yet my unfailing love for you will not be shaken nor my covenant of peace be removed,” says the LORD, who has compassion on you. 11“O afflicted city, lashed by storms and not comforted, I will build you with stones of turquoise,† your foundations with sapphires.† 12I will make your battlements of rubies, your gates of sparkling jewels, and all your walls of precious stones. 13All your sons will be taught by the LORD, and great will be your children’s peace. 14In righteousness you will be established: Tyranny will be far from you; you will have nothing to fear. Terror will be far removed; it will not come near you. 15If anyone does attack you, it will not be my doing; whoever attacks you will surrender to you. 16“See, it is I who created the blacksmith who fans the coals into flame and forges a weapon fit for its work. And it is I who have created the destroyer to work havoc; 17no weapon forged against you will prevail, and you will refute every tongue that accuses you. This is the heritage of the servants of the LORD, and this is their vindication from me,” declares the LORD.
Anonymous (New Women's Devotional Bible)
Mark, believer, how sure and unchanging must be our acceptance, since it is in him! Take care that you never doubt your acceptance in Jesus. You cannot be accepted without Christ; but, when you have received his merit, you cannot be unaccepted. Notwithstanding all your doubts, and fears, and sins, Jehovah's gracious eye never looks upon you in anger; though he sees sin in you, in yourself, yet when he looks at you through Christ, he sees no sin. You are always accepted in Christ, are always blessed and dear to the Father's heart. Therefore lift up a song, and as you see the smoking incense of the merit of the Saviour coming up, this evening, before the sapphire throne, let the incense of your praise go up also.
Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
for the rest of the night. Other than to refuel with holiday leftovers. “Would you still love me if I told you I didn’t know what tasted better, Christmas leftovers or you?” Jana cocked her eyebrow with a sexy smile on her face. Damn, she was beautiful. “No but I will be mad unless you do some very thorough research and come up with a satisfying answer…” I grinned. This Christmas was unlike any of the others Jana and I had spent together. This time we had two little boys, a bigger family and we’d faced our biggest threat yet and come out on top. “If it’s for the sake of research, consider me in babe.” And I spent the rest of the night doing science. Between the gorgeous legs of my beautiful wife. I was pretty sure in that moment, life for the Reckless Bastard’s couldn’t get any better. Merry friggin’ Christmas to us! * * * * If you think the Reckless Bastards are spicy bad boys, they’re nothing compared to the steam in my next series Reckless MC Opey, TX Chapter where Gunnar and Maisie move to Texas! There’s also a sneak peek on the next page.   Don’t wait — grab your copy today!  Copyright © 2019 KB Winters and BookBoyfriends Publishing Inc Published By: BookBoyfriends Publishing Inc Chapter One Gunnar “We’re gonna be cowboys!” Maisie had been singing that song since we got on the interstate and left Nevada and the only family we’d had in the world behind. For good. Cross was my oldest friend, and I’d miss him the most, even though I knew we’d never lose touch. I’d miss Jag too, even Golden Boy and Max. The prospects were cool, but I had no attachment to them. Though I gave him a lot of shit, I knew I’d even miss Stitch. A little. It didn’t matter that the last year had been filled with more shit than gold, or that I was leaving Vegas in the dust, we were all closer for the hell we’d been through. But still, I was leaving. Maisie and I’d been on the road for a couple of days. Traveling with a small child took a long damn time. Between bathroom breaks and snack times we’d be lucky to make it to Opey by the end of the month. Lucky for me, Maisie had her mind set on us becoming cowboys, complete with ten gallon hats, spurs and chaps, so she hadn’t shed one tear, yet. It wasn’t something I’d been hoping for but I was waiting patiently for reality to sink in and the uncontrollable sobs that had a way of breaking a grown man’s heart. “You’re not a boy,” I told her and smiled through the rear view mirror. “Hard to be a cowboy if you’re not even a boy.” Maisie grinned, a full row of bright white baby teeth shining back at me right along with sapphire blue eyes and hair so black it looked to be painted on with ink. “I’m gonna be a cowgirl then! A cowgirl!” She went on and on for what felt like forever, in only the way that a four year old could, about all the cool cowgirl stuff she’d have. “Boots and a pony too!” “A pony? You can’t even tie your shoes or clean up your toys and you want a pony?” She nodded in that exaggerated way little kids did. “I’ll learn,” she said with the certainty of a know it all teenager, a thought that terrified the hell out of me. “You’ll help me, Gunny!” Her words brought a smile to my face even though I hated that fucking nickname she’d picked up from a woman I refused to think about ever again. I’d help Maisie because that’s what family did. Hell, she was the reason I’d uprooted my entire fucking life and headed to the great unknown wilds of Texas. To give Maisie a normal life or as close to normal as I was capable of giving her. “I’ll always help you, Squirt.” “I know. Love you Gunny!” “Love you too, Cowgirl.” I winked in the mirror and her face lit up with happiness. It was the pure joy on her face, putting a bloom in her cheeks that convinced me this was the right thing to do. I didn’t want to move to Texas, and I didn’t want to live on a goddamn ranch, but that was my future. The property was already bought and paid for with my name
K.B. Winters (Mayhem Madness (Reckless Bastards MC #1-7))
He took out the box, gave it absently to Valencia. He had meant to give it to her at the end of the song, while everybody was watching. Only Kilgore Trout was there to see. “For me?” said Valencia. “Yes.” “Oh, my God,” she said. Then she said it louder, so other people heard. They gathered around, and she opened it, and she almost screamed when she saw the sapphire with a star in it. “Oh, my God,” she said. She gave Billy a big kiss. She said, “Thank you, thank you, thank you.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Rain ran down the steel in rivers, and when the lightning flashed again she saw pain and fear and rank disbelief through the eye slits. "Sapphires," she whispered at him, as she gave her blade a hard twist that made him shudder. His weight sagged heavily against her, and all at once it was a corpse that she embraced, there in the black rain.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Variations on a Summer Day" I Say of the gulls that they are flying In light blue air over dark blue sea. II A music more than a breath, but less Than the wind, sub-music like sub-speech, A repetition of unconscious things, Letters of rock and water, words Of the visible elements and of ours. III The rocks of the cliffs are the heads of dogs That turn into fishes and leap Into the sea. IV Star over Monhegan, Atlantic star, Lantern without a bearer, you drift, You, too, are drifting, in spite of your course; Unless in the darkness, brightly-crowned You are the will, if there is a will, Or the portent of a will that was, One of the portents of the will that was. V The leaves of the sea are shaken and shaken. There was a tree that was a father. We sat beneath it and sang our songs. VI It is cold to be forever young, To come to tragic shores and flow, In sapphire, round the sun-bleached stones, Being, for old men, time of their time. VII One sparrow is worth a thousand gulls, When it sings. The gull sits on chimney-tops. He mocks the guineas, challenges The crow, inciting various modes. The sparrow requites one, without intent. VIII An exercise in viewing the world. On the motive! But one looks at the sea As one improvises, on the piano. IX This cloudy world, by aid of land and sea, Night and day, wind and quiet, produces More nights, more days, more clouds, more worlds. X To change nature, not merely to change ideas, To escape from the body, so to feel Those feelings that the body balks, The feelings of the natures round us here: As a boat feels when it cuts blue water. XI Now, the timothy at Pemaquid That rolled in heat is silver-tipped And cold. The moon follows the sun like a French Translation of a Russian poet. XII Everywhere the spruce trees bury soldiers: Hugh March, a sergeant, a redcoat, killed, With his men, beyond the barbican. Everywhere spruce trees bury spruce trees. XIII Cover the sea with the sand rose. Fill The sky with the radiantiana Of spray. Let all the salt be gone. XIV Words add to the senses. The words for the dazzle Of mica, the dithering of grass, The Arachne integument of dead trees, Are the eye grown larger, more intense. XV The last island and its inhabitant, The two alike, distinguish blues, Until the difference between air And sea exists by grace alone, In objects, as white this, white that. XVI Round and round goes the bell of the water And round and round goes the water itself And that which is the pitch of its motion, The bell of its dome, the patron of sound. XVII Pass through the door and through the walls, Those bearing balsam, its field fragrance, Pine-figures bringing sleep to sleep. XVIII Low tide, flat water, sultry sun. One observes profoundest shadows rolling. Damariscotta dada doo. XIX One boy swims under a tub, one sits On top. Hurroo, the man-boat comes, In a man-makenesse, neater than Naples. XX You could almost see the brass on her gleaming, Not quite. The mist was to light what red Is to fire. And her mainmast tapered to nothing, Without teetering a millimeter's measure. The beads on her rails seemed to grasp at transparence. It was not yet the hour to be dauntlessly leaping.
Wallace Stevens (Parts of a World)
Each gem has its own radiance—the diamond is not like the ruby, nor the ruby like the emerald—but Christ is that ring in which you have sapphire, ruby, diamond, emerald set in choice order, so that each one heightens the other’s brilliance. Look not for anything lovely out of Jesus, for He has all the loveliness!
Charles Haddon Spurgeon (He Is Altogether Lovely: Sermons from the Song of Solomon Delivered by C. H. Spurgeon)
A daughter.' Brienne’s eyes filled with tears. 'He deserves that. A daughter who could sing to him and grace his hall and bear him grandsons. He deserves a son too, a strong and gallant son to bring honor to his name. Galladon drowned when I was four and he was eight, though, and Alysanne and Arianne died still in the cradle. I am the only child the gods let him keep. The freakish one, not fit to be a son or daughter.' All of it came pouring out of Brienne then, like black blood from a wound; the betrayals and betrothals, Red Ronnet and his rose, Lord Renly dancing with her, the wager for her maidenhead, the bitter tears she shed the night her king wed Margaery Tyrell, the mêlée at Bitterbridge, the rainbow cloak that she had been so proud of, the shadow in the king’s pavilion, Renly dying in her arms, Riverrun and Lady Catelyn, the voyage down the Trident, dueling Jaime in the woods, the Bloody Mummers, Jaime crying "Sapphires," Jaime in the tub at Harrenhal with steam rising from his body, the taste of Vargo Hoat’s blood when she bit down on his ear, the bear pit, Jaime leaping down onto the sand, the long ride to King’s Landing, Sansa Stark, the vow she’d sworn to Jaime, the vow she’d sworn to Lady Catelyn, Oathkeeper, Duskendale, Maidenpool, Nimble Dick and Crackclaw and the Whispers, the men she’d killed . . .
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
My beloved is all radiant and ruddy, distinguished among ten thousand. His head is the finest gold. His eyes are like doves beside springs of water.... His cheeks are like beds of spices yielding fragrance. His lips are lilies, distilling liquid myrrh. His arms are rounded gold, set with jewels. His body is ivory work, encrusted with sapphires.... This is my beloved and this is my friend, O daughters of Jerusalem.
Talia Carner (Jerusalem Maiden)
Only fools were honest, only cowards kissed the rod, and failed to meditate revenge on that world of respectability which had wronged them." "Displeased with himself for having allowed his tongue to get the better of his dignity." "With the hypocrisy of selfishness which deceives even itself." "He began to think that this religion which was talked of so largely was not a mere bundle of legends and formula, but must have in it something vital and sustaining. Broken in spirit, and weakened in body, with faith in his own will shaken, he longed for something to lean upon and turned- as all men turn when in such case- to the Unknown." "But the convict's guilty conscience, long suppressed and derided, asserted itself. In this hour when it was alone with Nature and Night. The bitter intellectual power which had so long supported him succumbed beneath imagination- the unconscious religion of the soul." "It is the terrible privilege of insanity to be sleepless." I loathe myself and all around me. I am nerveless, passionless, bowed down with a burden like the burden of Saul. I know well what will restore me to life and ease- restore me, but to cast me back again into a deeper fit of despair. I drink. One glass- my blood is warmed- my heart leaps, my hand no longer shakes. Three glasses, I rise with hope in my soul,- the evil spirit flies from me. I continue- pleasing images flocked to my brain, the fields break into flower, the birds into song, the sea gleams sapphire, the warm heaven laughs. Great God! What man could withstand a temptation like this?" Two human beings felt that they had done with life. Together thus, alone in the very midst and presence of death, the distinctions of the world they were about to leave disappeared. Their vision grew clear. They felt as beings whose bodies had already perished, and as they clasped hands, their freed souls, recognising each the loveliness of the other, rushed trembling together.
Marcus Clarke (For the Term of His Natural Life)
When I think of disabled literature and writing, I can think of a breadth of writing that spans decades and generations, that uses the D-word and does not. I think of Audre Lorde—Black Lesbian poet warrior mother, legally blind, living and dying with cancer, whose work shines with the knowledge she gained from living with bodily difference and fighting the medical industrial complex. I think of Gloria Anzaldúa, queer Latinx maestra who started her period at age three and lived with bodily and reprogenital differences, living and dying with diabetes. Some of my work as a disability justice writer has been to look at the legacies and work of those foundational second-wave queer and trans feminist writers and creators of color—Audre Lorde and June Jordan, Gloria Anzaldúa and Marsha P. Johnson and Sylvia Rivera, Chrystos and Sapphire, to name a few—and to witness the disability all up in their work, even if they did not use that word because of any number of factors including the whiteness of the disability rights movement of the time. June's last decade of writing was all about her cancer. Gloria's writing had everything to do with her diabetes and neurodivergence and life-long bodily differences. Marsha and Sylvia were both neurodivergent Trans Black and Latinx activists and creators whose writing, performance, and art was at the center of their lives and activism. Chrystos and Sapphire's Indigenous and Black feminist incest survivor stories and poetry write from spaces of surviving extreme trauma, chronic pain from stripping and cleaning houses, CPTSD, grief, and psychiatrization. "I also think of the deep legacy of disabled writers (some dead, some still living but having done this for a while) who intentionally, politically identified as disabled. Laura Hershey. Leroy Moore. Qwo-Li Driskill. Aurora Levins Morales. Billie Rain. Dani Montgomery. Nomy Lamm. Cheryl Marie Wade. Emi Koyama. Pat Parker. Tatiana de la tierra. Raymond Luczak. Anne Finger. Leslie Feinberg, who died of Lyme disease. Peggy Munson. Beth Brant. Vickie Sears. Writers who are small press, micro-press, self-published, indie press, out of print. Writers I know and cherish, whose names I call when I talk about disabled writing. We are so often kept apart, we disabled people, and kept from knowing each other's names. We are told not to hang out with the other kid with cerebral palsy, told to deny or downplay our disabilities or Deafness or ND. We often grow up not learning disabled history, Deaf literature, or that those are even a thing.
Leah Lakshmi Piepzna-Samarasinha (The Future Is Disabled: Prophecies, Love Notes, and Mourning Songs)