Sanity One Line Quotes

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Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity.
Herman Melville (Billy Budd, Sailor (Enriched Classics))
Kusanagi had met plenty of good, admirable people who’d been turned into murderers by circumstance. There was something about them he always seemed to sense, an aura that they shared. Somehow, their transgression freed them from the confines of a mortal existence, allowing them to perceive the great truths of the universe. At the same time, it meant they had one foot in forbidden territory. They straddled the line between sanity and madness.
Keigo Higashino (The Devotion of Suspect X (Detective Galileo, #1))
You have a visitors," Maximus stated. His face was impassive, but I still cringed, trying to discreetly tug my hand out of Vlad's. He let me go and folded his arms, smiling in that scary, pleasant way at Maximus. “And they are so important that you had to find me at once and enter without knocking?” I heard the threat behind those words and blanched. He wasn’t about to throw down on Maximus over this, was he? Don’t, I sent him, not adding the please only because I knew the word didn’t work on him. “Forgive me, but it’s Mencheres and his co-ruler,” Maximus stated, not sounding apologetic even though he bowed. “Their wives as well.” I started to slink away, sanity returning now that I wasn’t caught up by Vlad’s mesmerizing nearness. What had I been doing? Nothing smart, that was for sure. “Leila Stop,” Vlad said I kept heading for the door. “You have company, so I’ll just make myself scarce-“ “Stop” I did at his commanding tone, and then cursed. I wasn’t one of his employees-he had no right to order me around. “NO,” I said defiantly. “I’m sweaty, and bloody and I want to take a shower, so whatever you have to say, it can wait.” Maximus lost his impassive expression and looked at me as if I’d suddenly sprouted a second head. Vlad’s brow drew together and he opened his mouth, but before he could speak, laughter rang out from the hallway. “I simply must meet whoever has put you in your place so thoroughly, Tepesh,” an unfamiliar British voice stated. “Did I mention they were on their way down?” Maximus muttered before the gym door swung open and four people entered. The first was a short-haired brunet whose grin made me assume he was the one who’d greeted Vlad with the taunt. He was also handsome in a too-pretty way that made me think with less muscles, a wig, and some makeup he’d look great in a dress. Vlad’s scowl vanished into a smile as the brunet’s gaze swung in my direction as though he’d somehow heard that. “Looks as though she’s put you in your place as well, Bones,” Vlad drawled. “So it seems.” Bones replied, winking at me.” “But while I’ve worn many disguises, I draw the line at a dress.” My mouth dropped another mind reader?
Jeaniene Frost (Once Burned (Night Prince, #1))
In your madness you said you loved me," she murmured shyly. His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers. Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth." Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?" "Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?" ... "I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping." Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke. "My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love." Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more." Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
Kathleen E. Woodiwiss (Shanna)
Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity. —HERMAN MELVILLE
Kevin Dutton (The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success)
What they did not know was that she chafed at the never-endingness of it. No sooner had she cleaned one surface than it was dirty again. Clothes, even those barely worn, found themselves in crumpled heaps in linen baskets so that she yelled at Kitty and Thierry, hating her shrewish voice. Once, bored to within an inch of her sanity by the act of hanging out yet another lineful, she had simply turned, dropped the basket and walked straight into the lake, pausing only to remove her shoes. The water had been so shockingly cold that it had knocked the breath from her chest, and left her laughing for the sheer joy of feeling something.
Jojo Moyes (Night Music)
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.
Ben Okri (A Way of Being Free)
It can happen to any of us at any time, and the call of it may be so persuasive that we know not the moment when the world of the real crosses into the world of the hysterical. The line between worlds is paper thin and fragile as an infant. All we are is wrapped in the colors of our perceived sanity, and the idea...the fact...that at any moment we may slip, and our thoughts and perceptions may no longer orbit the same reality as others, is a fear both primal and altogether too palpable.
Kyle M. Scott (Where The Dead Ones Play)
I would never regain any memories of this seizure, or the ones to come. This moment, my first serious blackout, marked the line between sanity and insanity. Though I would have moments of lucidity over the coming weeks, I would never again be the same person. This was the start of the dark period of my illness, as I began an existence in purgatory between the real world and a cloudy, fictitious realm made up of hallucinations and paranoia. From this point on, I would increasingly be forced to rely on outside sources to piece together this “lost time.
Susannah Cahalan (Brain on Fire: My Month of Madness)
Be Unrealistic (The Sonnet) Be unrealistic and work for a world, That the society considers nonsense. Once upon a time taming fire was unreal, Then arose a bunch of brave sentience. Today's madness is tomorrow's sanity, If we’re mad enough to stand solo on guard. Today's sacrifice is tomorrow's civilization, If we can give all without hoping reward. If only one person dies for the cause, A hundred people realize their humanity. I may die today in the line of duty, But the struggle continues through eternity. So let us be brave and go beyond reality. Let us be accountable and do the necessary.
Abhijit Naskar (Gente Mente Adelante: Prejudice Conquered is World Conquered)
One of the biggest shifts in the last decade of anthropology, one of the discoveries in the field that has changed everything, is the realization that we evolved as cooperative breeders. Bringing up kids in a nuclear family is a novelty, a blip on the screen of human family life. We never did child rearing alone, isolated and shut off from others, or with just one other person, the child’s father. It is arduous and anomalous and it’s not the way it “should” be. Indeed, for as long as we have been, we have relied on other females—kin and the kindly disposed—to help us raise our offspring. Mostly we lived as Nisa did—in rangy, multifamily bands that looked out for one another, took care of one another, and raised one another’s children. You still see it in parts of the Caribbean today, where any adult in a small town can tell any kid to toe the line, and does, and the kids listen. Or in Hawaii, where kids and parents alike depend on hanai relationships—aunties and uncles, indispensible honorary relations who take a real interest in an unrelated child’s well-being and education. No, it wasn’t fire or hunting or the heterosexual dyad that gave us a leg up, anthropologists now largely concur; it was our female Homo ancestors holding and handling and caring for and even nursing the babies of other females. That is in large part why Homo sapiens flourished and flourish still, while other early hominins and prehominins bit the dust. This shared history of interdependence, of tending and caring, might explain the unique capacity women have for deep friendship with other women. We have counted on one another for child care, sanity, and survival literally forever. The loss of your child weighs heavily on me in this web of connectedness, because he or she is a little bit my own.
Wednesday Martin (Primates of Park Avenue)
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet. It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book. And all the lives we ever lived And all the lives to be, Are full of trees and changing leaves, she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all. Steer, hither steer your winged pines, all beaten Mariners she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.
Virginia Woolf (To the Lighthouse)
I love you,” I murmur and instantly see her eyes soften. “I’ve missed you so fucking much, so much.” Emotion threatens as I think about the collective seconds, hours, minutes, days, and years I forced myself to believe she could never belong to me again. Of how at one point, I knew I possessed her, that she was mine, and losing her cost me more than a broken heart. It cost me my sanity and my soul. “I can do slow, but don’t deny me my rightful fucking place.
Kate Stewart (The Finish Line (The Ravenhood, #3))
If you listen to someone talking to themselves, what they are saying is basically the same as what people are always saying to themselves in their own minds. The difference is generally not in the content, but that they are saying it aloud. The line between talking silently to oneself and talking those same thoughts out loud, unchecked and unawares, is the demarcation of sanity. If one wants to venture into extra-sensory experiences of life then one should have a very firm grip of that line. Otherwise, the fine line of sanity will be transgressed and the person may have a hard time retrieving it which explains why many spiritual groups are full of loonies.
Donna Goddard (Purnima (Waldmeer, #7))
Perhaps the line between sanity and madness must be drawn relative to the place where we stand. Perhaps it is possible to be, at the same time, mad when viewed from one perspective and sane when viewed from another. —Richard Bentall, Madness Explained: Psychosis and Human Nature
Gabor Maté (The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture)
Judge tossed the condom to the side and grabbed the lube, coating his cock good. When he added more inside Michaels’ hot channel, his eyes fluttered with excitement. No barrier this time. This was his man, his partner, his lover. Judge dropped down on Michaels’ chest, again putting his full weight on him. He went in for a kiss, coaxed Michaels’ wine-flavored tongue inside his mouth, moved slowly at first, until it soon spun out of control. With their mouths still connected, Judge lined his cock up with Michaels’ waiting hole and gently thrust forward. Michaels’ mouth opened wider as he gasped. Judge made sure every part of them was touching and their eyes were locked when he pushed all way in on one long drive. Michaels cried a beautiful sound into his face and Judge had to fight the feeling burning at his spine. “Fuckin’ love it when you cry for me like that.” His man tremored beneath him; writhed and squirmed with Judge’s cock deep inside him. “Yes. That’s it. More.” Michaels brought his long legs up and placed his feet flat on the bed and pushed up, urging Judge to move. Regardless, he couldn’t hold back any longer. Judge slid out halfway and slammed back in, the pleasure stealing his sanity. It was so goddamn hot inside his lover, a heat he’d never get tired of. A heat that sparked the fire to a full-on blaze. Judge hooked the backs of both of Michaels’ legs, his palms flat on the bed. Michaels was splayed open for him, ready for the taking. Judge lost his mind. Powered into his man like a fool in love. Fucked him hard, fucked him until it became brutal. Michaels yelled his appreciation into the night. The truest mating call. 
A.E. Via (Don't Judge (Nothing Special, #4))
In retrospect, it was the realization that if I HAD claimed to be ill I would have been let off the flight that pushed me to the line between sanity and meltdown. It came on top of the stress of the previous day's life-threatening emergency, my failure to save my marriage, administrative incompetence, and gross invasion of personal space. One more deception, a small deception, and I could have walked off. But I had reached my limits in all dimensions.
Graeme Simsion (The Rosie Effect (Don Tillman, #2))
The trip had been a dream for almost two decades, relegated to the back of the line behind an ever-growing list of responsibilities. Each passing moment brought a new list of reasons for putting it off. One day, Julie realized that if she didn’t do it now, she would never do it. The rationalizations, legitimate or not, would just continue to add up and make it harder to convince herself that escape was possible. One year of preparation and one 30-day trial run with her husband later, they set sail on the trip of a lifetime. Julie realized almost as soon as the anchor lifted that, far from being a reason not to travel and seek adventure, children are perhaps the best reason of all to do both. Pre-trip, her three little boys had fought like banshees at the drop of a hat. In the process of learning to coexist in a floating bedroom, they learned patience, as much for themselves as for the sanity of their parents. Pre-trip, books were about as appealing as eating sand. Given the alternative of staring at a wall on the open sea, all three learned to love books. Pulling them out of school for one academic year and exposing them to new environments had proven to be the best investment in their education to date. Now sitting in the plane, Julie looked out at the clouds as the wing cut past them, already thinking of their next plans: to find a place in the mountains and ski all year long, using income from a sail-rigging workshop to fund the slopes and more travel. Now that she had done it once, she had the itch.
Timothy Ferriss (The 4-Hour Workweek)
He tried to dredge up the familiar, comforting truths: The Copy would survive, it would live his life for him. This body was always destined to perish; he’d accepted that long ago. Death was the irreversible dissolution of the personality; this wasn’t death, it was a shedding of skin. There was nothing to fear. Unless he was wrong about death. Wrong about everything. He lay paralyzed, in darkness. Wishing for sleep; terrified of sleep. Wishing for anything that might distract him; afraid of wasting his last precious minutes, afraid of not being prepared. Prepared? What could that mean? Extinction required no preparation. He wasn’t making any death-bed pleas to a God he’d stopped believing in at the age of twelve. He wasn’t about to cast aside seventy years of freedom and sanity, to return to his infantile faith. Approach the Kingdom of Heaven as a child, or you won’t get in? That very line was one which had helped him see through the crude mechanics of entrapment; the translation was all too obvious (even to a child): This bullshit would insult any adult’s intelligence – but swallow it anyway, or you’ll burn forever.
Greg Egan (Permutation City)
For married lovers, the marriage is bread and butter and the affair is icing on the cake. Affairs between married and single people have an imbalance of power because the affair is the one-and-only for the unmarried person, who has to wait in line for time and attention that isn’t already allocated to the spouse and kids. Ralph
Shirley P. Glass (Not “Just Friends”: Rebuilding Trust and Recovering Your Sanity After Infidelity)
Sometimes I can even read you as well as you read me. You have no idea what you’re doing half the time. You have no idea who you are.” Perhaps not, Shea, but I know you are my lifemate. I could not harm you now. His face remained granite, his eyes dark and ice cold. She was right. He was dangerous. He knew it in his soul. His mind was not to be trusted. Her presence kept him tranquil, calm, but his mind was a maze of dark, deadly trails. He had no idea I he would be able to distinguish reality from nightmare if their delicately balanced world tilted in any way. His black eyes went a glittering obsidian, and he looked away from her, ashamed. He should allow her to leave, give her her freedom, but he could not. She was his only sanity his only path to the surface from the hellish nightmare he lived in. I have sworn to protect you, Shea. I can only promise it is in my heart to do so. Shea stepped away from the bed, suddenly close to tears. He was in a treacherous labyrinth; he walked a fine line between sanity and a world she did not want to try to comprehend. “I will protect you, Jacques. You have my solemn word, I won’t let you down. I’ll see you through this until you’re right again.” And then? His black gaze slid lazily over her. Do you intend to leave me, Shea? You save me, and then you think to desert me? There was a kind of dark humor in his voice, a secret amusement that stirred something in her she hadn’t known existed. Something that went beyond fear. Terror. Her chin tilted a little belligerently. “What does that mean? Of course I won’t desert you. I’ll stay with you and see you through this. We’ll find your family.” It was too late. Even if she attempted to put distance between them, she could not break their bond. His blood ran in her veins; his mind was familiar with the path to hers. Their souls called to one another. Hearts were following, and it was only matter of time before he possessed her body. Running would not save either of them. Jacques knew it with a certainty with which he knew few other things. But imparting the knowledge to her would frighten her more. His heart twisted, a funny somersault. His Shea feared death far less than she feared personal commitment. She really had no idea they were already bound together. She would need him, need him close, need him touching her in her mind, in her body. I feel your need to perform the human functions you seem to enjoy. Go bathe. I am in no hurry to have you examine my wounds.
Christine Feehan (Dark Desire (Dark, #2))
once the fear and surprise of the first few instants had vanished, all that was left was the fear of death and boredom, and to stave off boredom he began to masturbate, first timidly, as if he were seducing a peasant girl or a little shepherdess, then with increasing determination, until he managed to bring himself off to his full satisfaction, and he went on like that for fifteen days, in his little cave of corpses and snow, rationing his food and indulging his urges, which didn’t make him weaker but rather seemed to retronourish him, as if he had drunk his own semen or as if after going mad he had found a forgotten way back to a new sanity, until the German troops counterattacked and discovered him, and here was a curious bit of information, thought Archimboldi, one of the soldiers who freed him from the pile of reeking corpses and the heaps of snow said the man smelled strange somehow, in other words not dirty or like shit or urine, nor like rot or worm meat, in fact, the survivor smelled good, the smell was strong, perhaps, but good, like cheap perfume, Hungarian perfume or Gypsy perfume, maybe with a faint hint of yogurt, maybe a faint scent of roots, but the predominant smell wasn’t of yogurt or roots but of something else, something that surprised all of those present, all the men shoveling out the corpses to send them behind the lines or give them a Christian burial, a smell that parted the waters, as Moses parted the waters of the Red Sea, to let the soldier pass, though he could scarcely stand, and where was he going? who could say, surely away from the fighting, surely to a madhouse back home.
Roberto Bolaño (2666)
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always a thin line between love and hate. Maybe it’s like living with an alcoholic: at some point, you have to make the decision between losing the person you love and your own sanity. And no one can save us from ourselves, however much they love us, can they?
Lucinda Riley (The Storm Sister (The Seven Sisters, #2))
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Pamela Des Barres