“
Eight full lives,” I whispered against his jaw, my voice breaking. “Eight full lives and I never found anyone I would stay on a planet for, anyone I would follow when they left. I never found a partner. Why now? Why you? You're not of my species. How can you be my partner?”
“It's a strange universe,” he murmured.
“It's not fair,” I complained, echoing Sunny's words. It wasn't fair. How could I find this, find love–now, in this eleventh hour–and have to leave it? Was it fair that my soul and body couldn't reconcile? Was it fair that I had to love Melanie, too? Was it fair that Ian would suffer? He deserved happiness if anyone did. Itwasn't fair or right or even…sane. How could I do this to him?
“I love you,” I whispered.
“Don't say that like you're saying goodbye.”
But I had to. “I, the soul called Wanderer, love you, human Ian. And that will never change, no matter what I might become.” I worded it carefully, so that there would be no lie in my voice.
“If I were a Dolphin or a Bear or a Flower, it wouldn't matter. I would always love you, always remember you. You will be my only partner.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
It had helped to keep her sane, that writing. Then, when time had begun again and real people had entered it, she'd abandoned it here. Now it's a whisper from the past.
Is that what writing amounts to? The voice your ghost would have, if it had a voice?
”
”
Margaret Atwood (MaddAddam (MaddAddam, #3))
“
It's strange, isn't it?' the woman said in a pensive voice. 'Everything is blowing up around us, but there are still those who care about a broken lock, and others who are dutiful enough to try to fix it... But maybe that's the way it should be. Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.
”
”
Haruki Murakami (Hombres sin mujeres)
“
It is strange how oftentimes the air speaks.
We are sane as long as we hear voices when there are none.
We are insane when we hear nothing and worse we are deaf.
”
”
Calvin Miller
“
It's alright" said a dreamy voice from beside Harry as Ron vanished into the coach's dark interior. "You're not going mad or anything. I can see them too."
"Can you?" said Harry desperately, turning to Luna. He could see the bat-winged horses reflected in her wide, silvery eyes.
"Oh yes," said Luna, "I've been able to see them since my first year here. They've always pulled the carriages. Don't worry. You're just as sane as I am."
Smiling faintly, she climbed into the musty interior of the carriage after Ron. Not altogether reassured, Harry followed her.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
I no longer follow the voices of the sane. I follow the ill because they see farther, feel much more and change what the sane will not. This is the paradox of philosophers---trying to understand mass delusion among great people that have faith and knowledge, yet they can’t graduate from their institutions of religious theology to apply the knowledge they have gained for the shifting of Zion---- from words to action; from comfort to uncomfortable; from self serving to self giving; from competition to supporting; to tradition to unity; from bias to acceptance; from me to us.
”
”
Shannon L. Alder
“
We are in the dark places of the earth," said Madman. "Where all the ancient and most dangerous secrets are kept. There are Old Things down here, sleeping all around us, in the earth and in the living rock, and in the spaces between spaces. Keep your voices down. Some of these old creatures sleep but lightly, and even their dreams can have force and substance in our limited world. We have come among forgotten gods and sleeping devils, from the days before the world settled down and declared itself sane.
”
”
Simon R. Green (Hex and the City (Nightside, #4))
“
The goal was to get sane, to get whole, to be complete enough to support someone else.
”
”
Emma Forrest (Your Voice in My Head)
“
Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?
”
”
Herman Melville (Moby-Dick or, The Whale)
“
We huddle tightly together as cowards, protecting the ranks of our false collective identity from "less-human" intruders, when the only obvious and sane truth is that we are all the same human beings.
”
”
Bryant McGill (Voice of Reason)
“
A sound of laughter was heard-they turned sharply. Vera Claythorne was standing in the yard. She cried out in a high shrill voice, shaken with wild bursts of laughter:
"Do they keep bees on this island? Tell me that. Where do we go for honey? Ha! ha!"
They stared at her uncomprehendingly. It was as though the sane well-balanced girl had gone mad right before their eyes. She went on in that high unnatural voice:
"Don't stare like that! As though you thought I was mad. It's sane enough what I'm asking. Bees, hives, bees! Oh, don't you understand? Haven't you read that idiotic rhyme? It's up in all of your bedrooms-put it there for you to study! We might have come here straightaway if we'd had sense. Seven little soldiers chopping up sticks. And the next verse, I know the whole thing by heart, I tell you! Six little soldier boys playing with a hive. And that's why I'm asking-do they keep bees on this island- isn't it damned funny...?
”
”
Agatha Christie (And Then There Were None)
“
be deprived of a voice means to be deprived of agency over our own lives. It also means to slowly but systematically become alienated from our own journeys, struggles and inner transformations, and begin to view even our most subjective experiences as though through someone else’s eyes, an external gaze. ‘There is no greater agony than bearing an untold story inside you’, wrote the poet, author and civil rights activist Maya Angelou.
”
”
Elif Shafak (How to Stay Sane in an Age of Division)
“
It's all right," said a dreamy voice from beside Harry as Ron vanished into the coach's dark interior. "You're not going mad or anything. I can see them, too."
"Can you?" said Harry desperately, turning to Luna. He could see the bat-winged horses reflected in her wide silvery eyes.
"Oh, yes," said Luna, "I've been able to see them ever since my first day here. They've always pulled the carriages. Don't worry. You're just as sane as I am.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5, Part 1))
“
I refused to believe that I'd gone from sane to full-blown delusional in one night. After some consideration, I determined I didn't have any other crazy thoughts. I didn't think I was Napoleon, or that my bagel was an alien, and I didn't have voices in my head warning me about terrorist plots. Near as I could tell, I was still on the right side of sane.
”
”
Eileen Cook (Unraveling Isobel)
“
Biti lišen glasa znači biti lišen utjecaja na vlastiti život.
”
”
Elif Shafak (How to Stay Sane in an Age of Division)
“
Has it ever occurred to you that maybe you’re sane? That you’ve always been sane? That perhaps you’re the sanest person in the city?"
"I hope not," whispered Neverfell. "Because, if I’m sane, then there’s something wrong with Caverna, something horrible and sick, and nobody else has noticed. If I’m sane, then we shouldn’t be sitting around talking – we should all be clawing our way out as fast as we can."
"Oh, I don’t think she’d like that," the Kleptomancer remarked, with a hint of affection in his voice. "She needs us. Without us, there is no her, after all. She is the city, not the tunnels, and so she does everything she can to keep us down here. Sometimes I even wonder whether it is only possible to create True Delicacies here because she gives them their power, as a bribe to stop us leaving. When the Grand Steward declared that nobody was allowed to enter or leave the city, I believe he became her chosen beloved. I will tell you something else, though I cannot prove it. The city grows, and not just through the effort of pick and shovel. She has been stretching, spreading and contorting to make room for us all, and I think that is why geography no longer makes sense.
”
”
Frances Hardinge (A Face Like Glass)
“
It's strange, isn't it?" the woman said in a pensive voice. "Everything is blowing up around us , but there are still those who care about broken lock, and others who are dutiful enough to try to fix it... But maybe that's the way it should be. Maybe working on the little things as dutifully and hostels as we can is how we stay sane when the world is falling apart.
”
”
Haruki Murakami (سامسای عاشق)
“
It’s amazing how we will suffer pain and abuse to keep our lives predictable. We’ll let our inner voices brutalize us, rather than live with the possibility that we might be wrong about how we see things. We’ll think, ‘Well at least it’s a pain that’s familiar’. Uncertainty
”
”
Ruby Wax (Sane New World: The original bestseller)
“
Seventeen more days,” Jessi breathed wonderingly. “God, you must be climbing the . . . er, walls . . . or whatever’s in there, huh?”
“Aye.”
“So, just what is in there, anyway?” She tested the glass by shaking it gently, and deemed it secure enough. It shouldn’t slide now.
“Stone,” he said flatly.
“And what else?”
“Stone. Gray. Of varying sizes.” His voice dropped to a colorless monotone. “Fifty-two thousand nine hundred and eighty-seven stones. Twenty-seven
thousand two hundred and sixteen of them
are a slightly paler gray than the rest. Thirty-six thousand and four are more rectangular than square. There are nine hundred and eighteen that have a
vaguely hexagonal shape. Ninety-two of
them have a vein of bronze running through the face. Three are cracked. Two paces from the center is a stone that protrudes slightly above the rest, over which I tripped for the first few
centuries. Any other questions?”
Jessi flinched as his words impacted her, taking her breath away. Her chest and throat felt suddenly tight. Uh, yeah, like, how did you stay sane in
there? What kept you from going stark raving mad? How did you survive over a thousand years in such a hell?
She didn’t ask because it would have been like asking a mountain why it was still standing, as it had been since the dawn of time, perhaps reshaped in subtle ways, but there, always there. Barring cataclysmic planetary upheaval, forever there. The man was strong—not just physically, but mentally and
emotionally. A rock of a man, the kind
a woman could lean on through the worst of times and never have to worry that things might fall apart, because a man like him simply wouldn’t let them.
”
”
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
“
Zbog toga ne moći ispričati svoju priču, biti ušutkan i isključen znači biti dehumaniziran. A to pogađa samo ljudsko postojanje; tjera čovjeka da posumnja u svoje psihičko zdravlje, valjanost svoju inačicu događaja. U nama stvara duboku egzistencijalnu tjeskobu.
Gubitkom glasa nešto u nama umire.
”
”
Elif Shafak (How to Stay Sane in an Age of Division)
“
For, to be woken up at five in the morning by the devotional treacle of Anup Jalota, Hari Om Sharan and other confectioners, all of them simultaneously droning out from several different cassette players; to be relentlessly assaulted for the rest of the day and most of the night by the alternately over-earnest and insolent voices of Kumar Sanu, Alisha Chinoy, Baba Sehgal singing 'Sexy, Sexy, Sexy', and 'Ladki hai kya re baba', 'Sarkaye leyo khatiya' and other hideous songs; to have them insidiously leak into your memory and become moronic refrains running over and over again in your mind; to have your environment polluted and your day destroyed in this way was to know a deepening rage, an impulse to murder, and, finally, a creeping fear at one's own dangerous level of derangement. It was to understand the perfectly sane people you read about in the papers, who suddenly explode into violence one fine day; it was to conceive a lasting hatred for the perpetrators, rich or poor, of these auditory atrocities. (on why he left Varanasi after a few days)
”
”
Pankaj Mishra (Butter chicken in Ludhiana: Travels in small town India)
“
The world will change when women reclaim their power as the sane, nurturing hands of love, which are ever reaching to cultivate a world of beauty, safety and harmony.
”
”
Bryant McGill (Voice of Reason)
“
What have I done?" he asked, his voice raw. "You used to be such a sane, sensible lady."
"You took me on a journey into my own heart.
”
”
Shelly Thacker (His Forbidden Touch (Stolen Brides #3))
“
The black church is quite literally a sounding board for vetting ideas and voicing frustrations so black folk can stay sane in the midst of America’s denial of black humanity.
”
”
Michael Eric Dyson (The Black Presidency: Barack Obama and the Politics of Race in America)
“
It's strange, isn't it?" the woman said in a pensive voice. "Everything is blowing up around us, but there are still those who care about a broken lock, and others who are dutiful enough to try to fix it... But maybe that's the way it should be. Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.
”
”
Haruki Murakami (Men Without Women)
“
It's strange, isn't it?" the woman said in a pensive voice. "Everything is blowing up around us, but there are still those who care about broken lock, and others who are dutifully enough to try to fix it...But may be that's the way it should be. Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.
”
”
Haruki Murakami (سامسای عاشق)
“
And why do you imagine that we bring people to this place?’ ‘To make them confess.’ ‘No, that is not the reason. Try again.’ ‘To punish them.’ ‘No!’ exclaimed O’Brien. His voice had changed extraordinarily, and his face had suddenly become both stern and animated. ‘No! Not merely to extract your confession, not to punish you. Shall I tell you why we have brought you here? To cure you! To make you sane! Will you understand, Winston, that no one whom we bring to this place ever leaves our hands uncured? We are not interested in those stupid crimes that you have committed. The Party is not interested in the overt act: the thought is all we care about. We do not merely destroy our enemies, we change them. Do you understand what I mean by that?
”
”
George Orwell (1984)
“
I sent a clear warning to you, Aidan." There was a hint of censure in his words, although his voice was soft.
There was a hard edge to Aidan's mouth. "I received your warning. But this is my city, Gregori, and my family. I take care of my own."
Savannah rolled her eyes. "You could just beat on your chests,you know. It probably works just as well."
You will show some respect, Gregori ordered.
Savannah burst out laughing, then reached up to caress his shadowed jaw. "Keep hoping,my love, and perhaps someday someone will obey you."
Aidan's mouth twitched, the golden eyes sliding over Gregori in amusement. "She inherited something besides her mother's good looks,did she not?"
Gregori sighed heavily. "She is impossible."
Aidan laughed,ignoring the warning flash from Gregori's pale eyes. "I believe they all are."
Savannah ducked out from under Gregori's arm and found an overstuffed chair to curl up on. "Of course we're impossible.It's the only way to stay sane."
"I would have brought Alexandria to meet you,but Gregori's warning dictated prudence." Aidan sounded smug, as if he had been able to lay down the law to his woman when Gregori was unable to do so.
Savannah flashed an impish grin up at the man. "What did you do,leave her sleeping while you ran off to play hero? I'll just bet she has a thing or two to say to you when you wake her."
Aidan had the grace to look sheepish. Then he turned to Gregori. "Your lifemate is a mean little thing, healer. I do not envy you."
Savannah laughed, unrepentant. "He's crazy about me. Don't let him fool you."
"I believe you," Aidan agreed.
"Do not encourage her in her rebellion," Gregori tried to sound severe,but she was turning him inside out.She was everything to him, even with her silliness.Where did she get her outrageous sense of humor? How could she ever be happy with someone who hadn't laughed in centuries? She melted his insides. Melted him. He was careful to keep his face expressionless. It was bad enough that Savannah knew he was practically wrapped around her little finger. Aidan didn't need to know,too.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Any place where their thoughts are not allowed to stray is guarded by his voices steering them back to the permitted pastures. Any sadness or longing is immediately burned from the mind by the steady flame of his teachings in his voice. Sadness, depression, longings are luxuries. How can any sane mind be sad at the prospect of the kingdom of heaven, unless the sadness is merely impatience?
”
”
Fred D'Aguiar (Children of Paradise)
“
How did he manage such feats of compassion while staying sane and creative? By stilling the mind and communing with nature: One hears the [Teaching's] voice from the world as a whole, from the chirping of the birds, the mooing of the cows, from the voices and tumult of human beings; from all these one hears the voice of God. . .. All our senses feed the brain, and if it diets mainly on cruelty and suffering, how can it remain healthy? Change that diet, on purpose, train mentally to refocus the mind, and one nourishes the brain.
”
”
Diane Ackerman (The Zookeeper's Wife)
“
When I first met you, I knew, somehow, that you were going to change my life. I just didn’t know in what way. I didn’t know that you’d make me love you. And most importantly, I didn’t know that you’d make me love me. Baby, you make me see the good in myself and the good in everything on this damn earth. You chase my ghosts away, and…” He cleared his throat, and to my surprise, I saw his eyes were watering. Oh fuck. Please don’t cry, Dex, cuz I will fucking lose it. He swallowed hard, blinking tears back. “And you bring me peace. I can’t thank you enough for being in my life. And I want you there for the whole journey. Through everything—the good and the bad, the batshit crazy and the sane, the scary and the sexy. Especially the sexy. Just you and me, baby, until death do us part.” Somehow I found my voice. “Even though we’ve only known each other for eight months?” I asked quietly, afraid of his answer. But he just smiled up at me. “Time has no bearing on the truth. And what we have, that’s true as fucking anything.” He gave my hand a squeeze and reached into his pocket. I sucked in my breath, feeling all my emotions flood me at once, and watched as he took out a beautiful, sparkling ring, and held it poised at my finger. He gazed at me, and it was like I saw every moment we had with each other captured in his eyes. “Perry Palomino, kiddo, baby—will you be my wife?” I didn’t even have to think about it. “Yes!” I blurted out in a sob as the tears started
”
”
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
“
It's true,' replied Doris with a sniff in Bessy's direction to make her sensible of a victory, even if a minor one. 'It is amazing how so many people go insane. One day a man is a normal, friendly husband and the next he suddenly becomes a raging schizoid and slays his wife and himself as well. The result of what cause? Why, perhaps he chanced to find some schoolgirl treasure of another beau who had been his greatest rival and is stunned to discover that she secretly retains this. But usually the matter is not so simple, you know. Next to nothing may happen, jarring awake some sleeping monstrosity in a man's complex mental machinery and turning him from a sane person to a mentally sick individual. It is wholly impossible to say when a man is sane, for' -she tittered- 'scarce one of us is normal.'
'You mean - it might happen to any of us?'
'Of course,' said Doris, charmed by all this interest. 'One moment we are seated here, behaving normally and the next some tiny thing, a certain voice, a certain combination of thoughts may throw out the balance wheel of our intellects and we become potential inmates for asylums the rest of our lives. No, not one of us knows when the world will cease to be a normal, ordinary place. You know, no one ever knows when he goes insane: He supposes it is the world altering, not himself. Rooms become peopled with strange shapes and beings, sounds distort themselves into awful cries and, poof! we are judged insane.'
'Poof -' said Jacob, feeling weak and ill.
("He Didn't Like Cats")
”
”
L. Ron Hubbard
“
It's strange, isn't it?" the woman said in a pensive voice. "Everything is blowing up around us, but there are still those who care about a broken lock, and others who are dutiful enough to try to fix it...But maybe that's the way it should be. Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.
”
”
Haruki Murakami (Men Without Women)
“
You are the least sane person I’ve had the
misfortune to meet.”
The corners of her eyes pinched a little, just for the
barest second, then cleared. “Well, there are plenty
more people for you to meet, Mr. Merrick, so do not
give up hope yet.” But the tone of her voice was far
too cheerful.
He watched her for a moment. Watched as her
face cleared of anything remotely hurt or upset. “Do
you object to being called insane or my saying that I
had the misfortune of meeting you?”
“Neither, of course.”
He drummed his finger on the desk, irritated and,
God, how did people live feeling guilty about things?
“You are just fine as you are,” he said gruffly.
Her expression froze for a moment, then bloomed
into a smile that would slay demons.
”
”
Anne Mallory
“
It’s strange, isn’t it?” the woman said in a pensive voice. “Everything is blowing up around us, but there are still those who care about a broken lock, and others who are dutiful enough to try to fix it ... But maybe that’s the way it should be. Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.
”
”
Haruki Murakami (Samsa in Love)
“
Down the stairs again leapt Art. She whirled across the lower landing, her head full of barking cannon, towering rigging, the creak of timbers, the voice of her mother, Molly. Before her eyes floated the golden oasts of Amer Rica, Persis, and Zanzibari, dolphins springing like silver bullets from the blue mouths of the waves.
'Her father must be fetched!' shouted Miss Eeble. 'She has gone mad!'
'Sane,' remarked Art. 'Gone sane.
”
”
Tanith Lee (Piratica I)
“
She asked, “Are you well?”
“Yes.” His voice was a deep rasp. “Are you?”
She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint.
He replied, “You’re soft.”
Good Lord. Who was this man? Where had he come from? And how was he still atop her?
“You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips.
“Ah. That’s nice.”
Her face blazed with heat. “Are you seeing double?”
“Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.”
She stared at him.
“Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.”
And before she could even catch her breath, he pressed his lips to hers.
A kiss. His mouth, touching hers. It was warm and firm, and then…it was over.
Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes.
“There, now,” he murmured. “All better.”
Better? Worse? The darkness behind her eyelids held no answers, so she opened them again.
Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different.
The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum.
Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her.
He rolled onto his side, giving her room to breathe. “Where did you come from?”
“I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?”
“Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.”
“Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way.
She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person.
Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Because we were stranded together and because I stuttered, we read. there is no refuge so private, no asylum more sane. There is no facility of voices captured elsewhere so entire and so marvellous. My tongue was lumpish and fixed, but in reading, silent reading, there was a release, a flight, a wheeling off into the blue spaces of exclamatory experience, diffuse and improbable, gloriously homeless. All that was solid melted into air, all that was air reshaped, and gained plausibility. (p. 43)
”
”
Gail Jones
“
Voices in the mainstream insisted he was mentally ill, as though that settled it, as though the world were divided into two countries called Sane and Crazy that share neither border crossings nor a culture. Mental illness is, however, more often a matter of degree, not kind, and a great many people who suffer it are gentle and compassionate. And by many measures, including injustice, insatiable greed, and ecological destruction, madness, like meanness, is central to our society, not simply at its edges.
”
”
Rebecca Solnit (Men Explain Things to Me)
“
As long as we can think of other alternatives, we are not lost; as long as we can consult together and plan together, we can hope. But, indeed, the shadows are lengthening; the voices of insanity are becoming louder. We are in reach of achieving a state of humanity which corresponds to the vision of our great teachers; yet we are in danger of the destruction of all civilization, or of robotization. A small tribe was told thousands of years ago: “I put before you life and death, blessing and curse — and you chose life.” This is our choice too.
”
”
Erich Fromm (The Sane Society)
“
Mattilon’s law firm in the Paris directory. He wrote it out, brought it to an operator and said he would pay in cash. He was told to go to booth number seven and wait for the ring. He entered it quickly, the soft cloth brim of his hat falling over his forehead above the tortoiseshell glasses. Any enclosure, whether a toilet stall or a glass booth, was preferable to being out in the open. He felt his pulse accelerating; it seemed to explode when the bell rang. “Saint-Pierre, Nelli, et Mattilon,” said the female voice in Paris. “Monsieur Mattilon, please—s’il vous plaît.” “Votre …?” The woman stopped, undoubtedly recognizing an American’s abysmal attempt at French. “Who may I say is calling, please?” “His friend from New York. He’ll know. I’m a client.” René did know. After several clicks his strained voice came on the line. “Joel?” he whispered. “I don’t believe it!” “Don’t,” said Converse. “It’s not true—not what they say about Geneva or Bonn, not even what you said. I had nothing to do with those killings, and Paris was an accident. I had every reason to think—I did think—that man was reaching for a gun.” “Why didn’t you stay where you were, then, my friend?” “Because they wanted to stop me from going on. It’s what I honestly believed, and I couldn’t let them do that. Let me talk.… At the George Cinq you asked me questions and I gave you evasive answers and I think you saw through me. But you were kind and went along. You have nothing to be sorry about, take my word for it—my very sane word. Bertholdier came to me that evening in my room; we talked and he panicked. Six days ago I saw him again here in Bonn—only, this time it was different.
”
”
Robert Ludlum (The Aquitaine Progression)
“
The explosion was deafening; a huge cloud of fire rolled out the window after us, its immense heat brushing my face as we tumbled into the snow.
We hit the ground and rolled. Flaming debris from the house came down around us; Griffin shoved me flat on my back, covering us both with his heavy coat.
The echoes of the explosion reflected back across the river, then slowly dwindled away, like dying thunder. The leaping flames threw warm light onto the falling snow, turning it into a storm of sparks pouring down from the heavens.
Griffin started to push himself off of me, then stoped. His hands were braced on either side of my shoulders, his legs twined with mine. Mt heart pounded, my palms sweated, and I was suddenly, acutely aware of how close his face was to mine.
"You're a madman," he whispered. "An utter madman."
"Perhaps," I allowed. "But it worked."
The leaping light from the burning house painted his features in gold, highlighting his patrician nose and finding threads of brown and blue in his green eyes. His pupils widened, the irises contracting to silver. "Whatever am I going to do with you?" he murmured.
The warmth of his breath feathered over my skin. Heat collected in my groin, my lips. My mouth was dry, my voice hoarse, and perhaps he was right and it was madness when I whispered, "Whatever you want."
A shiver went through his body, perhaps because we were lying on the cold ground. But instead of getting up, he leaned closer, his overlong hair tumbling over his forehead. He paused, his mouth almost touching mine, his eyes seeming to ask a question.
It was madness; it was folly; it was sheer selfishness. I was delusional, misguided, wrong, out of control. I needed to pull back, to say something sane, to re-establish mastery over myself. I could not do this. I could not take the risk.
Later tonight, I'd relive this moment in my lonely bed and wonder if I'd done the right thing. But at least that would be familiar, would be something I knew how to cope with.
And yet the very thought felt like dying.
I surged forward, crossing the final, tiny gap and pressing my lips to his. It was awkward and desperate and frantic, but the feel of his mouth against mine sent a bolt of electricity straight down my spine. Just a moment, just this one kiss, surely that would be enough...
Then he kissed me back, and it would never be enough, a thousand years of this would not be enough. His mouth was hungry and insistent, his tongue probing my lips, asking for greater intimacy. I granted it, tongues swirling together, mine followed his when it retreated and tasting him in return.
There came the clanging of bells in the distance, the fire company alerted to the explosion. Griffin drew back a fraction. His breath was as raged as mine, which left me dazed with wonder.
"My dear," he whispered against my lips. Then he swallowed convulsively. "We should leave, before the fire companies come."
"Y-Yes." It was amazing I managed that much coherence.
He closed his eyes and leaned his forehead against mine, our breaths mingling. "Will you come home with me?"
Was he asking...? "Yes." Oh, God, yes.
His lips curved into a smile.
”
”
Jordan L. Hawk (Widdershins (Whyborne & Griffin, #1))
“
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman.
Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side.
When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman."
As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib.
Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax.
But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it.
Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob."
Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Sighing, he rose from his desk and walked to the windows to stare out at the Vatican through the rain. What a burden men like Sandoz carried into the field. Over four hundred of Ours to set the standard, he thought, and remembered his days as a novice, studying the lives of sainted, blessed and venerated Jesuits. What was that wonderful line? "Men astutely trained in letters and in fortitude." Enduring hardship, loneliness, exhaustion and sickness with courage and resourcefulness. Meeting torture and death with a joy that defies easy understanding, even by those who share their religion, if not their faith. So many Homeric stories. So many martyrs like Isaac Jogues. Trekking eight hundred miles into the interior of the New World—a land as alien to a European in 1637 as Rakhat is to us now, Giuliani suddenly realized. Feared as a witch, ridiculed, reviled for his mildness by the Indians he'd hoped to gain for Christ. Beaten regularly, his fingers cut off joint by joint with clamshell blades—no wonder Jogues had come to Emilio's mind. Rescued, after years of abuse and deprivation, by Dutch traders who arranged for his return to France, where he recovered, against all odds.
Astonishing, really: Jogues went back. He must have known what would happen but he sailed back to work among the Mohawks, as soon as he was able. And in the end, they killed him. Horribly.
How are we to understand men like that? Giuliani had once wondered. How could a sane man have returned to such a life, knowing such a fate was likely? Was he psychotic, driven by voices? A masochist who sought degradation and pain? The questions were inescapable for a modern historian, even a Jesuit historian. Jogues was only one of many. Were men like Jogues mad?
No, Giuliani had decided at last. Not madness but the mathematics of eternity drove them. To save souls from perpetual torment and estrangement from God, to bring souls to imperishable joy and nearness to God, no burden was too heavy, no price too steep.
”
”
Mary Doria Russell (The Sparrow (The Sparrow, #1))
“
Chapter 20 we will explore in far greater depth how to avoid brainwashing and how to distinguish reality from fiction. Here I would like to offer two simple rules of thumb. First, if you want reliable information, pay good money for it. If you get your news for free, you might well be the product. Suppose a shady billionaire offered you the following deal: “I will pay you $30 a month, and in exchange you will allow me to brainwash you for an hour every day, installing in your mind whichever political and commercial biases I want.” Would you take the deal? Few sane people would. So the shady billionaire offers a slightly different deal: “You will allow me to brainwash you for one hour every day, and in exchange, I will not charge you anything for this service.” Now the deal suddenly sounds tempting to hundreds of millions of people. Don’t follow their example. The second rule of thumb is that if some issue seems exceptionally important to you, make the effort to read the relevant scientific literature. And by scientific literature I mean peer-reviewed articles, books published by well-known academic publishers, and the writings of professors from reputable institutions. Science obviously has its limitations, and it has gotten many things wrong in the past. Nevertheless, the scientific community has been our most reliable source of knowledge for centuries. If you think the scientific community is wrong about something, that’s certainly possible, but at least know the scientific theories you are rejecting, and provide some empirical evidence to support your claim. Scientists, for their part, need to be far more engaged with current public debates. Scientists should not be afraid of making their voices heard when the debate wanders into their field of expertise, be it medicine or history. Of course, it is extremely important to go on doing academic research and to publish the results in scientific journals that only a few experts read. But it is equally important to communicate the latest scientific theories to the general public through popular science books, and even through the skillful use of art and fiction. Does that mean scientists should start writing science fiction? That is actually not such a bad idea. Art plays a key role in shaping people’s views of the world, and in the twenty-first century science fiction is arguably the most important genre of all, for it shapes how most people understand things such as AI, bioengineering, and climate change. We certainly need good science, but from a political perspective, a good science-fiction movie is worth far more than an article in Science or Nature.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
I had better come clean now and say that I do not believe that art (all art) and beauty are ever separate, nor do I believe that either art or beauty are optional in a sane society."
"That puts me on the side of what Harold Bloom calls 'the ecstasy of the privileged moment. Art, all art, as insight, as transformation, as joy. Unlike Harold Bloom, I really believe that human beings can be taught to love what they do not love already and that the privileged moment exists for all of us, if we let it. Letting art is the paradox of active surrender. I have to work for art if I want art to work on me." (...)
We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the tragic paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector's item. Art objects.
"The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of a Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that is pointless and mean. The message colored through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die."
"Naked I came into the world, but brush strokes cover me, language raises me, music rhythms me. Art is my rod and my staff, my resting place and shield, and not mine only, for art leaves nobody out. Even those from whom art has been stolen away by tyranny, by poverty, begin to make it again. If the arts did not exist, at every moment, someone would begin to create them, in song, out of dust and mud, and although the artifacts might be destroyed, the energy that creates them is not destroyed. If, in the comfortable West, we have chosen to treat such energies with scepticism and contempt, then so much the worse for us.
"Art is not a little bit of evolution that late-twentieth-century city dwellers can safely do without. Strictly, art does not belong to our evolutionary pattern at all. It has no biological necessity. Time taken up with it was time lost to hunting, gathering, mating, exploring, building, surviving, thriving. Odd then, that when routine physical threats to ourselves and our kind are no longer a reality, we say we have no time for art.
"If we say that art, all art is no longer relevant to our lives, then we might at least risk the question 'What has happened to our lives?
”
”
Jeanette Winterson (Art Objects: Essays on Ecstasy and Effrontery)
“
He seems so drugged up and slow. I miss his laughter, his impulsiveness, his wacky sense of humour, even his obsessive practicing. It makes me wonder who he actually is. If the old Flynn was ill – courtesy of a chemical imbalance in the brain – is this lithiumed Flynn the real MyCoy? Or perhaps both characters are just facets of a hidden, deeper soul that I have yet to meet. I just don’t know. Sometimes I fear that the drug-free Flynn searingly manic, then catastrophically depressed – is who he really is. But because in that form he is not acceptable to conventional society, he has to be drugged so that his emotions are tempered and his behavior controlled. Perhaps we are blindly living in an Orwellian society where individualism is feared and the biggest pressure is the one to conform. Perhaps Flynn is sane and the rest of the world is mad. The thoughts go round and round in my head.
”
”
Tabitha Suzuma (A Voice in the Distance (Flynn Laukonen, #2))
“
She’s trying to coax me away from him, speaking in a gentle voice, the way you’d speak to a child or to a frightened animal, not condescending, just gently, respectfully coaxing me to rise and come away and leave my brother here, and I know what this coaxing means, somewhere inside I do in the small, small place where I’m still sane, the small, small place where I’m not casting ancient spells of prophylaxis and reversal according to the ur-control scenario, where is where I am right now, in the magic kingdom that I’m the king and only god of, where nothing ever happens except as I command it, and nothing can ever hurt me so long as I stay inside the magic circle, and maybe that’s why something inside me larger than I am bids me to go back now to that awful scene upon that awful highway to suffer now what I didn’t suffer then because I wasn’t really there the first time. And though I’m not really there, I know what her expression means, this stranger’s, and I’m not having it, not from her or anyone, I don’t want to be awakened
”
”
David Payne (Barefoot to Avalon: A Brother's Story)
“
Don’t think, muñeca. Everything will work itself out.”
“But--”
“No buts. Trust me.” My mouth closes over hers. The smell of rain and cookies eases my nerves.
My hand braces the small of her back. Her hands grip my soaked shoulders, urging me on. My hands slide under her shirt, and my fingers trace her belly button.
“Come to me,” I say, then lift her until she’s straddling me over my bike.
I can’t stop kissing her. I whisper how good she feels to me, mixing Spanish and English with every sentence. I move my lips down her neck and linger there until she leans back and lets me take her shirt off. I can make her forget about the bad stuff. When we’re together like this, hell, I can’t think of anything else but her.
“I’m losing control,” she admits, biting her lower lip. I love those lips.
“Mamacita, I’ve already lost it,” I say, grinding against her so she knows exactly how much control I’ve lost.
She moves her hips in a slow rhythm against me, an invitation I don’t deserve. My fingertips graze her mouth. She kisses them before I slowly slide my hand down her chin to her neck and in between her breasts.
She catches my hand. “I don’t want to stop, Alex.”
I cover her body with mine.
I can easily take her. Hell, she’s asking for it. But God help me if I don’t grow a conscience.
It’s that loco bet I made with Lucky. And what my mom said about how easy it is to get a girl pregnant.
When I made the bet, I had no feelings for this complex white girl. But now…shit, I don’t want to think about my feelings. I hate feelings; they’re only good for screwing up someone’s life. And may God strike me down right now because I want to make love to Brittany, not fuck her on my motorcycle like some cheap whore.
I move my hands away from her cuerpo perfecto, the first sane thing I’ve done tonight. “I can’t take you like this. Not here,” I say, my voice hoarse from emotion overload. This girl was going to gift me with her body, even though she knows who I am and what I’m about to do. The reality is hard to swallow.
I expect her to be embarrassed, maybe even mad. But she curls into my chest and hugs me. Don’t do this to me, I want to say. Instead I wrap my arms around her and hold on tight.
“I love you,” I hear her say so softly it might have been her thoughts.
Don’t, I’m tempted to say. ¡Noǃ ¡Noǃ
My gut twists and I hold her tighter. Dios mío, if things were different I’d never give her up. I burrow my face in her hair and fantasize about stealing her away from Fairfield.
We stay that way for a long time, long after the rain stops and reality sets in.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Over a bowl of noodles [the younger Cantonese man] waxed eloquent on the subject of mantras. 'Ordinary people, Ah Jon, use mantras as spells to win good fortune or ward off disease and other evils. Perhaps they are right to do so, for the mantras are often successful, but I do not ask you to believe that. What I beg you to believe is that they are of the greatest help in altering states of consciousness. They do this by making your mind stay still instead of chasing after thoughts.'
He went on to explain that, being devoid of meaning, they do not promote conceptual thought as prayers, invocations and so forth are apt to do; and that, as each mantra has a mysterious correspondence (he could not explain what kind of correspondence) with the various potentialities embedded deeply in our consciousness […] it could cause one to snap into a state otherwise hard to reach. I do not remember his actual words, but I do remember that he was the first to voice an idea which was later to be abundantly confirmed by my own experience. […] he went on to say that to use meaningful words in any kind of religious practice is useless, since words encourage dualistic thought which hinders the mind from entering upon a truly spiritual state. His last words […] were: 'People who pray with words are just beginners. Don't do it!' Several passengers who understood English glanced at him as though they thought him a bit mad and I myself was quite taken aback by his un-Chinese vehemence, but I know now that he was eminently sane.
”
”
John Blofeld (Mantras: Sacred Words of Power)
“
You and Patrick looked awfully cozy,” Ryder says, setting Mama’s note back on the counter.
So I was right--he had been watching us.
“So?”
“So, nothing.” He shrugs. “Just making an observation.”
“Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you’re not leading her on. You know she likes you.”
A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. “That’s the kind of guy you think I am? Seriously, Jem?”
I swallow hard, unable to reply. Because the truth is, I don’t know.
“I’ll see you later,” he says, his voice cold and clipped. He turns and stalks out.
For some unknown reason, I follow him--down the hall, out the front door. “Don’t walk out on me,” I holler as he rounds the Durango and opens the driver’s-side door. “If you have something to say to me, then say it.”
He gets in and slams the car door shut, but I throw it open again. “C’mon,” I taunt, motioning with one hand.
I’m totally losing it now--white spots dancing before my eyes, tears streaking down my cheeks. I can barely catch my breath, like I’m about to hyperventilate.
This isn’t about Ryder, I realize. It’s about Nan. The sudden realization hits me hard. What if I never see her again?
My knees buckle, and I start to go down. Somehow, Ryder manages to catch me just before I hit the ground. “Shit, Jemma! What’s the matter with you?” He drags me to my feet and presses me against the side of his truck. “Take a deep breath. Jesus!”
I do what he says. By the third, I’ve slowed my heart rate to something nearing normal. Only, my cheeks are burning with mortification now. This is the second time I’ve broken down in front of Ryder. He must think I’ve lost my mind--that I’ve totally gone off the deep end.
“Just go,” I say, my voice shaking.
He rakes both hands through his hair. “Are you kidding me? I can’t leave you alone like this.”
“Go,” I repeat, more forcefully this time. “Just get in your car and leave, okay?”
“C’mon, Jemma. You know I can’t.”
“I swear I’m okay.” I straighten my spine and lift my chin, trying my best to look calm, collected, and reasonably sane. “Seriously, Ryder. I just need to be alone right now.”
“Fine,” he says, shaking his head. “If you say so.”
I step away from the car, feeling queasy now as he slips inside and starts the engine.
But before he pulls out, he rolls down his window and meets my gaze. His dark eyes look intense, full of conflict. For a split second, I wonder what’s going on inside his head--if he’s judging me. If he has any idea what I’m going through. If he even cares.
“She’s going to be okay, Jemma,” he says, then slides his sunglasses on and drives away.
I guess he does get it, after all.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Didn’t you ever notice that whatever you wanted or whatever you set out to do, Cora wanted to do it too?” Noah asked.
“She wasn’t like that.”
“She was, Mer. And it’s okay to admit it. One of the hardest things about Cora dying is that everyone wants to erase her—the real Cora. They talk about her as though she were perfect. She wasn’t. ‘Don’t talk ill of the dead,’ people say. But if we aren’t truthful about who our loved ones were, then we aren’t really remembering them. We’re creating someone who didn’t exist. Cora loved you. She loved me. But what she did was not okay. And I’m pissed off about it.”
Mercedes reeled back, stunned. “Geez, Noah. Tell me how you really feel. She still deserves our compassion,” she rebuked.
He nodded. “Everyone deserves compassion. And I know suicide isn’t always a conscious act. Most of the time it’s sheer desperation. It’s a moment of weakness that we can’t come back from. But regardless of illness or weakness, if we don’t own our actions and don’t demand that others own theirs, then what’s the point? We might as well give up now. We have to expect better of ourselves. We have to. I expect more of my patients, and when I expect more—lovingly, patiently—they tend to rise to that expectation. Maybe not all the way up, but they rise. They improve because I believe they can, and I believe they must. My mom was sick. But she didn’t try hard enough to get better. She found a way to cope—and that’s important—but she never varied from it. Life has to be more than coping. It has to be.”
Mercedes nodded slowly, her eyes clinging to his impassioned face. She’d struck a nerve, and he wasn’t finished.
“I know it’s not something we’re supposed to say. We’re supposed to be all-loving and all-compassionate all the time. But sometimes the things we aren’t supposed to say are the truths that keep us sane, that tether us to reality, that help us move the hell on! I know some of my colleagues would be shocked to hear it. But pressure—whether it’s the pressure of society, or the pressure of responsibility, or the pressure that comes with being loved and being needed—isn’t always a bad thing. You’ve heard the cliché about pressure and diamonds. It’s a cliché because it’s true. Pressure sometimes begets beautiful things.”
Mercedes was silent, studying his handsome face, his tight shoulders, and his clenched fists. He was weary, that much was obvious, but he wasn’t wrong.
“Begets?” she asked, a twinkle in her eye.
He rolled his eyes. “You know damn well what beget means.”
“In the Bible, beget means to give birth to. I wouldn’t mind giving birth to a diamond,” she mused.
“You ruin all my best lectures.”
There was silence from the kitchen. Silence was not good.
“Gia?” Noah called.
“What, Daddy?” she answered sweetly.
“Are you pooping in your new princess panties?”
“No. Poopin’ in box.”
“What box?” His voice rose in horror.
“Kitty box.”
Noah was on his feet, racing toward the kitchen. Mercedes followed.
Gia was naked—her Cinderella panties abandoned in the middle of the floor—and perched above the new litter box.
“No!” Noah roared in horror, scooping her up and marching to the toilet.
“Maybe it won’t be a turd, Noah. Maybe Gia will beget a diamond,” Mercedes chirped, trying not to laugh.
“I blame you, Mer!” he called from the bathroom. “She was almost potty-trained, and now she wants to be a cat!
”
”
Amy Harmon (The Smallest Part)
“
Witch," said Sarah Brown, "I have got to say something."
"Oh, have you?" said the witch, a little disappointed at being interrupted. "Oh, well, I can sympathise, I know what that feels like. Get on and say it."
The Dog David, who was really a good and attentive son to Sarah Brown, came and laid his chin, with an exaggerated look of interest, on her knee-cap.
"Is it any use," said Sarah Brown, "fighting against the Habits in the world, there are so many. Who set these strange and senseless deceivers at large? Religion which has forgotten ecstasy.... Law which has forgotten justice.... Charity which has forgotten love.... Surely magic has suffered at the stake for saner ideals than these?"
"Why, of course," said the witch impatiently. "Magic generally suffered because it was so sane. I thought everybody knew that."
"All habits. All habits," chanted Sarah Brown. "What is this Charity, this clinking of money between strangers, and when did Charity cease to be a comforting and secret thing between one friend and another? Does Love make her voice heard through a committee, does Love employ an almoner to convey her message to her neighbour?"
"Not that I know of," sighed the witch. "Sarah Brown, how long do you want me to keep quiet, while you say things that everybody surely knows?"
~ from Chapter IV 'The Forbidden Sandwich' of 'Living Alone' by Stella Benson, published 1919.
”
”
Stella Benson (Living Alone)
“
In 1993, Bill Clinton appointed Joycelyn Elders, an outspoken advocate of humane drug laws and abortion rights, as Surgeon General of the United States. The following year, at a United Nations conference on AIDS, Elders caused a scandal by voicing her support of teaching masturbation as part of sex education. It was a perfectly sane message, especially in the context of the AIDS epidemic. But so freighted was Elders’s simple advocacy of independent sexual pleasure, achievable without a partner and with no chance of procreation, that the president who had appointed her asked her to resign. It
”
”
Rebecca Traister (All the Single Ladies: Unmarried Women and the Rise of an Independent Nation)
“
What are you doing? whispered the reasonable, sane voice in my head.
Living, I whispered back.
”
”
Jennifer L. Armentrout
“
What are you doing? whispered the reasonable, sane voice in my head.
Living, I whispered back.
”
”
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
“
What are you doing? whispered the reasonable, sane voice in my head.
Living, I whispered back.
And being incredibly stupid, the voice countered.
”
”
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
“
We are made of stories – those that have happened, those that are still happening at this moment in time and those that are shaped purely in our imagination through words, images, dreams and an endless sense of wonder about the world around us and how it works. Unvarnished truths, innermost reflections, fragments of memory, wounds unhealed. Not to be able to tell your story, to be silenced and shut out, therefore, is to be dehumanised. It strikes at your very existence; it makes you question your sanity, the validity of your version of events. It creates a profound, and existential anxiety in us.
In losing our voice something in us dies.
”
”
Elif Shafak (How to Stay Sane in an Age of Division)
“
Brashen scratched his chin and then smiled at Althea. “Changing history seems to run in your family. First Wintrow and Malta, now Selden.” He took a sip of his tea.
Paragon spoke up, his voice wry. “So fortunate for you that you married the sane, responsible female in the family.”
Brashen choked. Althea slapped him on the back, perhaps a trifle harder than she needed to.
”
”
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
“
My fingertips are covered with the scars of people I’ve touched. The flesh remembers those touches. Sometimes I feel as though I am wearing heavy woolen gloves, so thick are the memories of all those touches. It seems to insulate me, to separate me from mankind. I very often refrain from washing my hands for days and days, just to preserve whatever layers of touches might be washed away by the soap.
“Faces and voices and smells of people I’ve known have passed away, but still my hands carry the records with them. Layer after layer of the laying-on of hands. Is that altogether sane? I don’t know. I’ll have to think about it for a very long time, when I have the time.
“If I ever have the time.
”
”
Harlan Ellison (From the Land of Fear)
“
I can’t.” I scoot forward on the chair and lean close to Carolyn. She freezes, trying to keep her eyes from meeting mine. “Or maybe you’re not Hunter’s friend and you gave him a hot shot. Is that what you did, Carolyn? Did someone give you a special dose of Akira just for Hunter?” Stop digging, boys, we struck oil. Carolyn’s brain is still humming like a tuning fork, but at least she’s focused on something now. It’s there in her eyes. She’s beating herself silly trying to make all the contradictions and lies in her life add up to something sane. She really believes she’s Hunter’s friend, but the meth fog she lives in lets her justify giving Hunter drugs she knew were bad because someone up the food chain promised her more drugs or more money or the chance to settle a long-standing debt. Whatever her reasons, she feels guilty as hell. The addict self-pity tears start pumping out of her red and bruised eyes. I want to smack her to see if it snaps her brain back into gear, but I just pat her lightly on the shoulder. I keep my voice low, like I’m speaking to a child.
”
”
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
“
A man’s soul is as full of voices as a forest; there are ten thousand tongues there like all the tongues of the trees: fancies, follies, memories, madnesses, mysterious fears, and more mysterious hopes. All the settlement and sane government of life consists in coming to the conclusion that some of those voices have authority and others not.
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”
Kevin Belmonte (A Year with G. K. Chesterton: 365 Days of Wisdom, Wit, and Wonder)
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So you’ve run off from him, have you?” Beatrix asked, smoothing the wiry ruff on his head. “Naughty boy. I suppose you’ve had a fine old time chasing rabbits and squirrels. And there’s a damaging rumor about a missing chicken. You had better stay out of poultry yards, or it won’t go well for you in Stony Cross. Shall I take you home, boy? He’s probably looking for you. He--”
She stopped at the sound of something…someone…moving through the thicket. Albert turned his head and let out a happy bark, bounding toward the approaching figure.
Beatrix was slow to lift her head. She struggled to moderate her breathing, and tried to calm the frantic stutters of her heart. She was aware of the dog bounding joyfully back to her, tongue dangling. He glanced back at his master as if to convey Look what I found!
Letting out a slow breath, Beatrix looked up at the man who had stopped approximately three yards away.
Christopher.
It seemed the entire world stopped.
Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus…now a warrior hardened by bitter experience.
His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness.
How bleak he looked. How alone.
She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest.
She heard herself speak in a voice that wasn’t quite steady. “Welcome home, Captain Phelan.”
He was silent, staring at her without apparent recognition. Dear Lord, those eyes…frost and fire, his gaze burning through her awareness.
“I’m Beatrix Hathaway,” she managed to say. “My family--”
“I remember you.”
The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face.
To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn’t aware of it.
Her hand moved gently over Albert’s rough fur. “You were absent in London,” she said. “There was a great deal of hullabaloo on your behalf.”
“I wasn’t ready for it.”
So much was expressed in that spare handful of words. Of course he wasn’t ready. The contrast would be too jarring, the blood-soaked brutality of war followed by a fanfare of parades and trumpets and flower petals. “I can’t imagine any sane man would be,” she said. “It’s quite an uproar. Your picture is in all the shop windows. And they’re naming things after you.”
“Things,” he repeated cautiously.
“There’s a Phelan hat.”
His brows lowered. “No there isn’t.”
“Oh, yes there is. Rounded at the top. Narrow-brimmed. Sold in shades of gray or black. They have one featured at the milliner’s in Stony Cross.”
Scowling, Christopher muttered something beneath his breath.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
BLAKE: You look beautiful tonight. Instead of bolting for my car like any sane person would have, I looked around until I found him. Well, running to my car wouldn’t have helped much; he was parked right next to it and leaning against the driver’s door of his shiny little Lexus. How did he know I was here? If he didn’t know I was here, what is he doing here at two in the morning? Oh my word, he’s been following me! No, that’s ridiculous; come on, Rachel, get a grip. He is not following you. Frick, I really need to stop thinking the world and everyone in it revolves around me. He just happened to be here and saw your car. That’s all. Right? Right. I took a few steps closer to the cars and took a deep breath as I dropped my phone back into my purse, trying to calm myself down. “Hi, Blake.” “I was starting to think you would never leave. I’ve been out here for hours.” Oh God, he has been waiting for me! Those words were creepy enough, but paired with the sexy, innocent smile they seemed even worse. I meant for my voice to sound strong and annoyed but it was barely a whisper. “Why are you following me?” “Following you? I’m not following you. Candice told me you were waiting for me to pick you up from the study group. Jesus, Rachel, you look like you’ve just seen a ghost; are you all right?” “Candice said what? No, I was definitely not waiting for you; I drove myself here. That should be obvious, since you’re parked next to my Jeep.” I didn’t know what was going on, but I wanted to get out of there and away from him. Now. “Yeah, but your car isn’t starting. Which is why I’m here.” He said every word slowly, like I was a child or something. “Don’t you remember, Rachel? You called her almost three hours ago, but she was busy, so you told her to call me. Are you feeling okay? Come on, get in the car. I’ll get you back to your room.” “I am not getting in your car, I’ll drive myself back!” With that I took the last few steps to my car, got in, locked the door, and put the key in the ignition. I turned it but nothing happened. There wasn’t even a click. What had happened to my car? I knew I hadn’t called Candice. And even then, if I’d wanted Blake to pick me up I would have called him myself. Someone tapped on the window and even though I knew who it was, I still jumped. “Come on, Rach, this is dumb. Just get in the car and I’ll take you back. I’ll get your car towed in a couple hours.” There was no point in trying to call someone else. It was two in the morning, everyone was asleep, and I definitely couldn’t walk back at this hour. I grimaced and opened the door. “That’s my girl. Come on, let’s go.” He helped me into his car, then got in beside me. This time he didn’t put his hand on my thigh. The
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
Admiral Pendragon sat down again as abruptly as he had risen; but he sat quite still, and when he spoke again it was in a lower voice. “You do it at your own peril,” he said; “but wouldn’t you be an atheist to keep sane in all this devilry?
”
”
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
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Not yet, Baird,” the one beside him cautioned. He was as tall as his friend and just as muscular but he had short, spiky blond hair that complimented his pale blue eyes. “Can’t wait much longer.” Long, strong fingers curled into a fist as though the amber-eyed male could grasp the slender figure in his hand and hold her through sheer force of will. “Been dreaming about her every night, Sylvan. I ache for her.” “What does she look like?” There was genuine curiosity in the question. Though Baird had never seen her outside his dreams, Sylvan had no doubt he could describe his chosen female to the last detail. “So fuckin’ beautiful it hurts to look at her. Yellow hair like yours but longer—more golden. And her eyes…” Baird shook his head. “Like jewels. A pale grey that’s almost silver.” “You find these human women appealing then?” “Only her—she’s the only one I can see.” The amber eyes stared hungrily across the road. “I need her soon. Need to be with her. In her.” “You’re sure she’s the one?” Sylvan stared doubtfully at the woman silhouetted in the window. She was humming softly to herself but despite the distance and the pane of glass between them he could hear her perfectly and knew Baird could too. As attuned as his half brother was to this human female, he could probably hear her heartbeat even from across the street. “I know she’s the one.” There wasn’t a shred of doubt in the deep, rumbling voice. “Didn’t I tell you we’ve been dream-sharing? And her scent…” He inhaled deeply and his dark gold eyes were suddenly half-lidded with desire. “It’s her all right and she’s ripe for bonding. I want her.” “I know you do, but Baird…” The other male shifted from foot to foot uneasily. “You haven’t been back that long—only three days and it’s a miracle you escaped alive. Don’t you think it might be a good idea to wait a while? To take some time to recover?” “Waited long enough,” was the rumbling reply. “Six months in that hell hole and the only thing keeping me alive and sane were the dreams I had of her. I won’t wait any longer—she’s mine, whether she knows it yet or not.” “You’ll scare her,” his half-brother objected. “Human women are frightened enough of us as it is.” “I won’t hurt her. Just need to take her—bond her.
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
Easy, Lilenta.” The deep voice from her dreams filled her ears and Liv told herself she had to be dreaming again. But was she dreaming the warm, spicy scent of his skin? Was she dreaming the long fingers that stroked strands of hair away from her cheek so tenderly? Suddenly she knew where she was and what was going on. And none of it was a dream. The dark man! Liv sat up and jumped to her feet, staggering a few steps before his hand shot out to catch her. She backed away just before his fingers closed on her wrist. “How long have I been out?” She couldn’t believe she’d fainted in the first place—what a horribly weak and girly thing to do! But it had been so shocking, seeing what she thought was a dream turned into hard, cold reality. Well he’s certainly hard but I’d say hot describes him better than cold, jabbered a little voice in her brain. As in hotter than any guy you’ve ever been with. Liv hated that little voice but she had to agree with it—the Kindred warrior certainly put Mitch in the shade. “You collapsed.” There was a look of concern in his amber eyes. “How do you feel?” “How do you think I feel? I’m here against my will in nothing but my underwear,” Liv threw at him. “So I see.” Hot amber eyes raked her body again, making Liv flush when she realized she’d practically just given him permission to stare. “Who are you?” she demanded, pulling her thin lace robe tightly around her. “And what have you been doing in my head?” “The dreams you mean?” he asked, as though it was the most natural thing in the world for her to dream of him. “Yes, of course,” Liv snapped. “What the hell are those all about?” “I dreamed of you, too,” he said simply, ignoring her question in the most infuriating manner. “It was the only thing that kept me sane.” “I…I…
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Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
What are you doing here, Kiernan?” I asked dully.
His eyes crinkled up for a second in surprise at my tone. “I came to see you. I know it’s been too long, that I took too long, but…” Two spots of color blossomed on his cheeks, like he didn’t want to go on, but then he forged ahead. “But there were all sorts of ceremonies and things, to welcome her. Everyone was called to court. They even made sure that the Baroness of Mossfeld came,” he added with a puff of laughter and a hopeful glance at me. The holdings of Mossfeld were in the most northern reaches of Thorvaldor and the woman who held them was so eccentric that she had not been seen in court since the crowning of the king. Kiernan and I had spent many hours lying on the grass of the palace gardens, wondering exactly what she was like and what she did with herself stuck out on the boggy, sodden land that was Mossfeld.
But I didn’t smile, and I saw Kiernan swallow before he continued. “Anyway, I couldn’t leave. My father, he said that it would be an insult to--to Nalia--if I left to find you while they were still welcoming her. He finally gave me permission yesterday, and I started out this morning.”
“I see that. But why?” I asked. There was a tone in my voice I didn’t recognize, as two-edged and keen as a sword blade. It would cut Kiernan, yes, but it would also cut me where I held it.
I didn’t care.
“This,” I said, throwing my arm out to indicate the cottage and the tub of dye, “isn’t exactly what you’re used to.” He glanced to where I had gestured, blinking and off balance. I shook my head. “No. You’re all fun, all froth and silliness and jokes.” He blanched, hurt, and I almost did myself. It wasn’t true; there was more to Kiernan than that, and we both knew it. Still, I didn’t stop.
“There aren’t any pretty women to kiss here, Kiernan, or games to play or pranks to set. No plays to see, no music halls to go to. There aren’t even any libraries for you to run away from.” I laughed, and it was a high, shrill sound, one I didn’t recognize. “Oh, don’t worry. It’s not just you. Look around. There’s nothing here anyone sane would want anything to do with.”
“There’s you,” he said quietly. “I came here to find you. I would have gone anywhere,” he added more stridently. “To Two Copper district in Vivaskari or the boggy reaches of Mossfeld or the Nameless God’s frozen hell. You’re my friend. I came to find you.
”
”
Eilis O'Neal (The False Princess)
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the gap between wanting and getting, while the ‘being’ mode has no voice, it’s just directly sensing something; and being in the eye of the experience.
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Ruby Wax (Sane New World: The original bestseller)
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What's your definition of sanity, Skipper?’ ‘The ability to swim,’ said Sparrow. Ramsey felt a cold shock, as though he had been immersed suddenly in freezing water. He had to force himself to continue breathing normally. As though from a great distance, he heard Sparrow's voice: ‘That means the sane person has to understand currents, has to know what's required in different waters.’ Ramsey
”
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Frank Herbert (The Dragon in the Sea)
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Sometimes I fear that the drug-free Flynn – searingly manic, then catastrophically depressed – is who he really is. But because in that form he is not acceptable to conventional society, he has to be drugged so that his emotions are tempered and his behaviour controlled. Perhaps we are blindly living in an Orwellian society where individualism is feared and the biggest pressure is the one to conform. Perhaps Flynn is sane and the rest of the world is mad. The thoughts go round and round in my head.
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Tabitha Suzuma (A Voice in the Distance (Flynn Laukonen, #2))
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1973 was the year when the United Kingdom entered the European Economic Union, the year when Watergate helped us with a name for all future scandals, Carly Simon began the year at number one with ‘You’re So Vain’, John Tavener premiered his Variations on ‘Three Blind Mice’ for orchestra, the year when The Godfather won Best Picture Oscar, when the Bond film was Live and Let Die, when Perry Henzell’s film The Harder They Come, starring Jimmy Cliff, opened, when Sofia Gubaidulina’s Roses for piano and soprano premiered in Moscow, when David Bowie was Aladdin Sane, Lou Reed walked on the wild side and made up a ‘Berlin’, Slade were feeling the noize, Dobie Gray was drifting away, Bruce Springsteen was ‘Blinded by the Light’, Tom Waits was calling ‘Closing Time’, Bob Dylan was ‘Knocking on Heaven’s Door’, Sly and the Family Stone were ‘Fresh’, Queen recorded their first radio session for John Peel, when Marvin Gaye sang ‘What’s Going On’ and Ann Peebles’s ‘I Can’t Stand the Rain’, when Morton Feldman’s Voices and Instruments II for three female voices, flute, two cellos and bass, Alfred Schnittke’s Suite in the Old Style for violin and piano and Iannis Xenakis’s Eridanos for brass and strings premiered, when Ian Carr’s Nucleus released two albums refining their tangy English survey of the current jazz-rock mind of Miles Davis, when Ornette Coleman started recording again after a five-year pause, making a field recording in Morocco with the Master Musicians of Joujouka, when Stevie Wonder reached No. 1 with ‘Superstition’ and ‘You Are the Sunshine of My Life’, when Free, Family and the Byrds played their last show, 10cc played their first, the Everly Brothers split up, Gram Parsons died, and DJ Kool Herc DJed his first block party for his sister’s birthday in the Bronx, New York, where he mixed instrumental sections of two copies of the same record using two turntables.
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Paul Morley (A Sound Mind: How I Fell in Love with Classical Music (and Decided to Rewrite its Entire History))
“
Hey, it’s no problem, blondie. That guy was a tool and way too close. I would have laid him out if you asked me to.”
“Blondie?” Her voice perked up and she raised an eyebrow at me.
“What?” Oh shit, I didn't mean to let that slip.
“You called me blondie.”
“Oh yeah, uhh…”
“It’s Bailey.”
“What?”
She laughed as she slid a plate onto the end of the barbell and I had to try to keep my dick from giving me away. Hearing her laugh was like music to my ears. “My name is Bailey.” Her eyebrows were arched and she was still giving me that wide smile of hers that would cause any sane man to drop to his knees in front of her.
”
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Rebecca Wrights (Mending Me (Nat. 20, #1))
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Narcissistic and toxic leaders are also masterful at squeezing out dissenting voices. They will fire them or remove them, when possible, or make life so miserable or uncomfortable that they leave.
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Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
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This is actually a universal trend with narcissists—they tend to surround themselves with voices that agree with them and silence those that do not.
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Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
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First coming He did not wait till the world was ready, till men and nations were at peace. He came when the Heavens were unsteady, and prisoners cried out for release. He did not wait for the perfect time. He came when the need was deep and great. He dined with sinners in all their grime, turned water into wine. He did not wait till hearts were pure. In joy he came to a tarnished world of sin and doubt. To a world like ours, of anguished shame he came, and his Light would not go out. He came to a world which did not mesh, to heal its tangles, shield its scorn. In the mystery of the Word made Flesh the Maker of the stars was born. We cannot wait till the world is sane to raise our songs with joyful voice, for to share our grief, to touch our pain, He came with Love: Rejoice! Rejoice!
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Madeleine L'Engle (Miracle on 10th Street: And Other Christmas Writings)
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Brother fought against brother, fathers swung axes against sons in front of their mothers. An invisible force divided people, split families, addled brains. Only the elders remained sane, scurrying from one side to the other, begging the combatants to make peace. They cried in their squeaky voices that there was enough war in the world without starting one in the village.
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Jerzy Kosiński (The Painted Bird)
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Few people have “heard” God’s voice in a physical way (that is, few sane people).
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James Martin (Learning to Pray: A Guide for Everyone)
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Creative expression of the artistically elite is grossly overvalued and creative expression of the general population is grossly undervalued. This is dangerous. The part of our beings that has no voice, perhaps or other hemisphere, needs a vehicle for expression. Without such a vehicle, expression is likely to come through action that is often violent and destructive instead of creative.
Over the years, many questions have arisen about the connection between creativity and madness, the artist and the madman. Both the artist and the madman speak a tongue that has become foreign to the rest of us. The mad person is to his or her family what the artist is to the culture, containing what is hidden, secret, denied, and disassociated and trying with more or less desperation to reveal vital secrets to us all. The mad person—the person we would now call a victim of trauma—has always symbolically pointed out the discrepancies, inconsistencies, and lies in the family.
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Sandra L. Bloom (Creating Sanctuary: Toward the Evolution of Sane Societies)
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For my maternal grandmother, who lives with us for a few months every year, that line came as an incredible relief. For her, it was personal. She and my grandfather grew up in Czechoslovakia during the very worst of communism. Unlike most of these new-age Starbucks-chugging socialists in Brooklyn, they knew the horrors that can come from a state-run economy, and the scars of socialism are seared in her memory. I vividly remember speaking with her during the lead-up to the 2016 election, when she was watching neo-socialists such as Bernie Sanders on CNN almost every day. (We’re working on getting her off the CNN train, by the way. But back in the Czech Republic, you pick up CNN early, like a drug addiction. Soon she’ll be watching Fox with the rest of the sane people in the world.) “Don, don’t these people understand?” she asked, her voice quavering, tears coming to her eyes. This is a woman who hid from Nazis in the basement of her farmhouse as a child and lived under Communist occupation for decades. At ninety-three, she’s still stronger and tougher than most. But she feared that her grandchildren and great-grandchildren might go through some of the same things she went through, and the thought of that had scared the hell out of her. “They don’t know how bad it can be. Please do something. Don’t they know this is all lies?
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Donald Trump Jr. (Triggered: How the Left Thrives on Hate and Wants to Silence Us)
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The True Comrade Is A Pacifist! Love Is What Drives All Great Revolutionaries, Love For The People, Love For The Country, And, Most Importantly Love For All Of Humanity! A Revolution Only Requires One's Voice, Not A Single Bullet Is Needed To Be Fired...We Are All Comrades In The Battlefield Of Life! Listen To The Oppressed, Speak Up Against Injustice It Is Our Duty As Sane Human Beings, Feel The Pain Of Those Who Are Suffering Because The Suffrage Of Another It Is Your Own...We Are All Brothers, And, Sisters In This Game We Call Life!
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Mandela Lugor
“
You aren’t going to make me sleep in the ground, are you? Because I won’t do it, not even if there are ten vampires stalking us.
Vampires cannot stand even the dawn, Shea. Killing his prey does something to the blood. The sun would fry him immediately. He might betray us to the human servants he is in league with if he marked the entrance to this cave. Or they might be watching for just such a sign as bats flying unexpectedly into the early sun.
You’re telling me there are bats in here.
He tugged at her wrist. Stop being such a baby. I can control the bats, and they will serve to warn us of any danger.
Shea made a face but followed him. With every moment Jacques’ abilities, his knowledge and power, seemed to be growing. He was confident almost to the point of arrogance. Sometimes it grated and made her want to throw something at him, but she was proud of his growing strength.
The passage began to widen and slowly move downward, as if they were going into the very bowels of the earth. Shea could feel sweat beading on her body and her lungs laboring. She concentrated on breathing, the only thing that would keep her sane.
Jacques realized she was trembling, her fingers twisting nervously in his. His mind pushed through her natural barrier and found her uneasiness, her ridiculous fear of bats and closed-in places. She was uneasy with the Carpathian ability to shape-shift. Even his thinness, as he moved through the cave, made her uncomfortable. Used to being in control of every situation, she was finding it hard to follow his lead so blindly.
I am sorry, little one. I am introducing you to things that seem so perfectly natural to me yet must be confusing ad frightening to you. His voice was a soft caress, sending warmth curling through her body.
”
”
Christine Feehan (Dark Desire (Dark, #2))
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The passage began to widen and slowly move downward, as if they were going into the very bowels of the earth. Shea could feel sweat beading on her body and her lungs laboring. She concentrated on breathing, the only thing that would keep her sane.
Jacques realized she was trembling, her fingers twisting nervously in his. His mind pushed through her natural barrier and found her uneasiness, her ridiculous fear of bats and closed-in places. She was uneasy with the Carpathian ability to shape-shift. Even his thinness, as he moved through the cave, made her uncomfortable. Used to being in control of every situation, she was finding it hard to follow his lead so blindly.
I am sorry, little one. I am introducing you to things that seem so perfectly natural to me yet must be confusing ad frightening to you. His voice was a soft caress, sending warmth curling through her body.
Just his voice could give her strength. She straightened her shoulders and followed him. There’s a bed in here somewhere, right? She tried to inject some humor into the moment.
The passageway widened enough to allow Jacques to resume his true form. He immediately did so, hoping to alleviate Shea’s distress. He also sought a comfortable topic for conversation. “What do you think of Raven?”
“I thought we had to be quiet.” Shea was looking in every direction for bats.
”
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Christine Feehan (Dark Desire (Dark, #2))
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My family will have to be your family,” he added softly. “We will make our own family.”
Shea rubbed her face against his chest like a kitten, her mouth wandering up the column of his throat. “We have a strange family, Jacques, every one of them. I guess we’ll have to be the sane ones.”
He loved the laughter in her voice. As sad as she must be at this moment, with the man who was her father responsible for so much death and hatred, she still found it in her to try to make him feel better. His arms tightened protectively. “I suppose we cannot tell them we feel this way.”
“Better not. I think they’re under the mistaken impression that something is a little off with us.
”
”
Christine Feehan (Dark Desire (Dark, #2))
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He knew how often I needed to travel to be sane, what my favorite places were, which seat I would choose in a restaurant, which songs I listened to depending on my mood, how I looked when I was hungry, how much sugar I would like in my coffee, what hurt me and what would fix it, when I craved a hug and how tight should that be, how to make out my mood from my voice and how fast my heart would beat if I was asked to address a gathering of five hundred people.
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Namrata Gupta (Lost Love Late Love)
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The increasing cacophony that crushes our voices can feel like a state of madness, a loss of sanity - a denial of our dignity and humanity.
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Elif Shafak (How to Stay Sane in an Age of Division)
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The act that censors a disagreeable voice, or any sane voice, is an act to forewarn all voices.
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Anthony P. Mauro, Sr
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change can be as simple as attempting to stop being a “pleaser,” listening to your inner voice, and distancing yourself from people with whom you do not grow, who throw you off balance, who are controlling, who are abusive in any way, and who are willing to throw you under the bus.
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Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
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We know the hypocrites amongst us...it is either you Soro Soke or stay mute in the name of looking and sounding sane. Na vendor wey use their platform to voice out against injustice we go patronize when everything settles down.
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”
Olawale Daniel
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What are you doing? whispered the reasonable, sane voice in my head.
"Living," I whispered back.
”
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Jennifer L. Armentrout
“
What are you doing? whispered the reasonable, sane voice in my head.
Living, I whispered back.
”
”
Jennifer L. Armentrout
“
What happened to you out there?” she asked softly, clinging to him.
“The vampire and I fought,” he said into her mass of red hair. He caught a strand on the tip of his tongue, ran it through his mouth, needing the feel of her close to him.
“I know. It was Rand. I felt you hit him. I could feel his hatred. It was terrible, like something alien in my body. When you struck, I could feel his pain. Right away I began to bleed. I knew he would use it against you somehow, so I tried to do what you said all Carpathians could do.” She looked ruefully around her at the smears of blood. “It took a while to figure things out, but eventually I was able to put myself to sleep.”
She took his breath away with her bravery. “Why did you not contact me?”
“I was afraid it would distract you, Jacques. I knew you were in a fight for your life. The last thing you needed to do was worry about me.”
“You are still bleeding,” he pointed out softly, holding her away from him so he could examine her.
“It doesn’t really hurt all that much, now that you’re back and safe,” she assured him.
“I’m sorry it was your father. I know how much having a father, some member of your family, alive would have meant to you.” He bent his head to the angry cut across her left breast. His tongue lapped at the wound gently, the healing properties in his saliva instantly closing the laceration. Her skin, recently so cold and lifeless, was suddenly beginning to heat. Steam rose all around them, enfolding them in its embrace. “My family will have to be your family,” he added softly. “We will make our own family.”
Shea rubbed her face against his chest like a kitten, her mouth wandering up the column of his throat. “We have a strange family, Jacques, every one of them. I guess we’ll have to be the sane ones.”
He loved the laughter in her voice. As sad as she must be at this moment, with the man who was her father responsible for so much death and hatred, she still found it in her to try to make him feel better. His arms tightened protectively. “I suppose we cannot tell them we feel this way.”
“Better not. I think they’re under the mistaken impression that something is a little off with us.
”
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Christine Feehan (Dark Desire (Dark, #2))
“
You are still bleeding,” he pointed out softly, holding her away from him so he could examine her.
“It doesn’t really hurt all that much, now that you’re back and safe,” she assured him.
“I’m sorry it was your father. I know how much having a father, some member of your family, alive would have meant to you.” He bent his head to the angry cut across her left breast. His tongue lapped at the wound gently, the healing properties in his saliva instantly closing the laceration. Her skin, recently so cold and lifeless, was suddenly beginning to heat. Steam rose all around them, enfolding them in its embrace. “My family will have to be your family,” he added softly. “We will make our own family.”
Shea rubbed her face against his chest like a kitten, her mouth wandering up the column of his throat. “We have a strange family, Jacques, every one of them. I guess we’ll have to be the sane ones.”
He loved the laughter in her voice. As sad as she must be at this moment, with the man who was her father responsible for so much death and hatred, she still found it in her to try to make him feel better. His arms tightened protectively. “I suppose we cannot tell them we feel this way.”
“Better not. I think they’re under the mistaken impression that something is a little off with us.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
Judge Gram quickly perused the document before announcing in a strong and steady voice the jury’s 10–2 decision followed by a grim roll call of the victims. “Sane on all counts.
”
”
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
“
The goal of holiness is never to become a clone of St. Thérèse, St. Clare, or the Virgin Mary. The goal is to become you, a beautiful, one-of-a-kind daughter of God. Voices that tell you otherwise should be roundly dismissed.
”
”
Emily Stimpson (The Catholic Girl's Survival Guide for the Single Years: The Nuts and Bolts of Staying Sane and Happy While Waiting for Mr. Right)