Same Dress Friendship Quotes

As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it.

EVERYONE JOINS A BAND IN THIS LIFE. You are born into your first one. Your mother plays the lead. She shares the stage with your father and siblings. Or perhaps your father is absent, an empty stool under a spotlight. But he is still a founding member, and if he surfaces one day, you will have to make room for him. As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it. And, as is usually the fate with bands, most of them will break up—through distance, differences, divorce, or death.

It would have been better to come back at the same time of the day,'said the fox. 'For instance, if you come at four in the afternoon, when three o'clock strikes I shall begin to feel happy. The closer our time approaches, the happier I shall feel. By four o'clock I shall already be getting agitated and worried; I shall be discovering that happiness has its price! But if you show up at any old time, I'll never know when to start dressing my hearth for you... We all need rituals.

His grip on the wheel tightened as we left the limits of DC and reached the beltway. Through the blur of rain pelting the windows, we could just make out the shapes of the new highway lights and cameras that would be installed over the next few months. Right now, though, our only real sources of light were the car itself and the glow of the capital's light pollution. "Did I really always side with him?" I wondered aloud "I swear I didn't mean to...." Chubs risked a quick glance at me, then fixed his eyes back on the road. "It's not about choosing sides. I shouldn't have ever said that. I'm sorry. You know how I get when my blood sugar is low. He's Lee–he's funny and nice and he dresses like a walking hug." He does wear a lot of flannel," I said. But you're those things, too. Don't make that face just to try to prove me wrong. You are." "I don't feel that way," he admitted. "But I always got that you guys had something different. I respect that. I've never been... It's harder for me to open up to people." The headlights caught the raindrops sliding off the windshield and made them glow like shooting tars. He was making it sound like one friendship was better or more important than the other. That wasn't true. They were just different. The love was exactly the same. They only difference was that Liam had lost a little sister; a part of me had always felt like he wanted to prove to himself that he could save at least one of us. "I always understood you," I told him. "Just like you always understood me.

When I arrived back at Intro to Basic Art again later that week, I thought for a moment we had a new student who didn’t know about the assigned seats. Sitting at my table was a girl in a long flowered dress, very vintage-hippie. She actually was wearing real flowers in her hair, and hardly any make up. I sat down, ready to explain to this poor lost soul that the seat was already taken, when I looked again and realized it was the same girl. I ended up not saying anything at all; I couldn’t think of anything that wouldn’t be rude or just plain stupid.

A more truthful dust jacket would say that the author, after much floundering, went to college and worked like the drones he'd once despised, kept reasonable hours, learned to be alone in a room, learned to throw stuff out, learned to keep gnawing the same bone until it cracked. It would say that the author lived more like a banker than an outlaw and that his deepest pleasures were familial—hearing his wife sing as she worked in the garden, unzipping her dress after a party; seeing his most solemn child laugh at something he said. The brief years of friendship with his father before he died, never once allowing that his son had anything to be pardoned for.

When we reach a certain age we have opportunity to decide how we present ourselves to the world, and that age is getting ever younger. Even our young teenage generation is aware of fashion and we grow acutely more and more aware of how obsessed our society is with imagery and appearance. Or rather we become more aware that to get on in life we need to be brash and bright and sparkling all the time. That bright colours and big noises is what gets your through life, that any substance behind that is almost irrelevant to success. We only need look at who we proclaim as celebrities, who society rewards with wealth, that substance is not a prerequisite to success. Be bright, make a statement, choose a bold look, dye your hair, pierce your body, paint it with permanent ink, wear outlandish clothes and don't be afraid to say something crude or mean or controversial because that's the person you are. Or is it? Is it that when you've done with the all the additions to your body, the person you look at in the mirror is no longer the real you. It is a character, the one you think society wants you to be, that society has convinced you that you want to be, substance optional. One of the most beautiful moments of conversation on and offline I've had with some people is when they surprise me, a comment or opinion with substance and thought, something away fro their character, revealing the real individual in-between. So why hide that part of you. When did our society evolve into a place when people have to sell themselves as a larger than life character? When did being a little quiet, thoughtful, more subtly dressed stop being classy and become perceived as dull. When did people, intelligent people, start to realise that world didn't want them to be themselves and it was better to throw in some over the top extravagances, make claim to some extreme habits and tastes. These same people permanently seeking definition of the character they've become rather than friendship from real people who know it is purely superficial but go along with it anyway. You're not your unnaturally coloured hair or your mark applied to you by a skilled artist. You are not the label of clothes you wear nor the quirky colours you choose to represent yourself. Just be honest with yourself, attention seeking is an illness. Don't follow the trends like everyone else. Make your own. That's my objective, to unashamedly be myself, And that is probably why I always wear a lot of black. No tricks, no fancy colours, no parlour tricks to detract from who I am. I want people to see my subtance, not be clouded with smoke and mirrors and see a character that doesn't really exist.

When we reach a certain age we have opportunity to decide how we present ourselves to the world, and that age is getting ever younger. Even our young teenage generation is aware of fashion and we grow acutely more and more aware of how obsessed our society is with imagery and appearance. Or rather we become more aware that to get on in life we need to be brash and bright and sparkling all the time. That bright colours and big noises is what gets your through life, that any substance behind that is almost irrelevant to success. We only need look at who we proclaim as celebrities, who society rewards with wealth, that substance is not a prerequisite to success. Be bright, make a statement, choose a bold look, dye your hair, pierce your body, paint it with permanent ink, wear outlandish clothes and don't be afraid to say something crude or mean or controversial because that's the person you are. Or is it? Is it that when you've done with the all the additions to your body, the person you look at in the mirror is no longer the real you. It is a character, the one you think society wants you to be, that society has convinced you that you want to be, substance optional. One of the most beautiful moments of conversation on and offline I've had with some people is when they surprise me, a comment or opinion with substance and thought, something away fro their character, revealing the real individual in-between. So why hide that part of you. When did our society evolve into a place when people have to sell themselves as a larger than life character? When did being a little quiet, thoughtful, more subtly dressed stop being classy and become perceived as dull. When did people, intelligent people, start to realise that world didn't want them to be themselves and it was better to throw in some over the top extravagances, make claim to some extreme habits and tastes. These same people permanently seeking definition of the character they've become rather than friendship from real people who know it is purely superficial but go along with it anyway. You're not your unnaturally coloured hair or your mark applied to you by a skilled artist. You are not the label of clothes you wear nor the quirky colours you choose to represent yourself. Just be honest with yourself, attention seeking is an illness. Don't follow the trends like everyone else. Make your own. That's my objective, to unashamedly be myself, And that is probably why I always wear a lot of black. No tricks, no fancy colours, no parlour tricks to detract from who I am. I want people to see my subtance, not be clouded with smoke and mirrors and see a character that doesn't really exist.

But even then, even all those years when she was never physically by herself, she was beginning to feel the chasm growing between her and the rest of the world. It was like a small tear in the seam of a dress, a certain pulling away. A ripping. And once it started, there was no stopping it. Of course, she tried so hard to keep it together, to tether herself to this world. She filled her life with people. With friends and family. But even then she knew that mere presence of people in one's life cannot eliminate the terrifying sense of one's aloneness in the world. Being surrounded by people is not the same as connection. As friendship. As love. When Robert came along, she believed for a little while she had found the answer, the bridge that crossed the deep canyon. And children too became links between herself and normalcy. The accident didn't start it, it just proved the faultiness, the tenuousness of these connections.

Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.

And yet the idea that a person’s character and social station could be read in his or her face had greater currency than ever. There were social and political reasons for this. Since the 1789 revolution, social hierarchies in France had undergone seventy years of unstinting, often violent upheaval. With the deck of class violently shuffled by a series of political disruptions, and industry rapidly changing the face of the city, fears of conspiracy and criminality were rife among the bourgeoisie and the upper classes. Not even fashion and dress brought clarity to the situation, since people could no longer be depended upon to dress in ways that reflected their social standing. Instead—and increasingly—people’s clothes expressed their social aspirations. Those whose status had once been relatively settled wanted reassurance. They needed to feel the city was legible, knowable, and at least potentially under control. (It’s not by accident that the genre of the detective novel, in which a hero endowed with preternatural abilities at reading clues solves puzzling crimes, emerged at the same time.) In these new, unstable social circumstances (which are a large part of what we mean by modernity), the pseudoscience of physiognomy was immensely appealing.

In the material world you miss opportunities to forge friendships and meet people because of appearance, social, and socioeconomic standings. Examine your friends that you have in the real world right now; many of them probably dress similar to you, as well as have similar affiliations, interests, and hobbies. On the trail, stripped of all your comforts and everything you own, everybody you meet is the same yet simultaneously unique. Everyone you come across is just another sweaty, smelly human being that’s having the same rough day as you.