Sam Steele Quotes

We've searched our database for all the quotes and captions related to Sam Steele. Here they are! All 43 of them:

Griffin!” Finley cried. She moved to attack the automaton, but Sam stopped her. “Wait. Griff’s got a plan.” “How do you know?” she demanded. Sam and Jasper both looked at her with bemused expressions. “Griff’s always got a plan,” Jasper informed her, as though it was absolute fact.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Suddenly he was in the doorway, looming over her in a determined fashion. Gone was sweet, patient Griffin. This was the Duke of Greythorne, one of the most powerful men in England. “I don’t care that you came to Dandy,” he said, his voice low, but sharp. “If you want to blame yourself for Sam’s injury, then go ahead and be a fool. And I don’t care that you could cosh my head in if you wanted. I came here to get you and if I have to, I’ll toss you over my shoulder like a sack of potatoes and carry you all the way to Mayfair. I’m taking you home where you belong.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Brushing dirt from his coat, Sam ignored the wild-eyed looks the other three gave him. Surely a house like this had enough staff to clean up a little dirt? “And who is this young man?” the old lady demanded. Sam opened his mouth to reply, but froze when he saw just who the old woman was. “May I present Sam Morgan, Your Highness,” Griffin said. Bloody hell. It was Queen Victoria. They’d just burrowed their way into Buckingham Palace.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
San: You all right? Virt: I think i crapped myself a little Sam: Just a little? you've got nerves of steel.
Michael Grant
But even as hope died in Sam, or seemed to die, it was turned to new strength. Sam's plain hobbit-face grew stern, almost grim, as the will hardened in him, and he felt though all his limbs a thrill, as if he was turning into some creature of stone and steel that neither despair nor weariness nor endless barren miles could subdue.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings #3))
The judge arrived half an hour later with the file he had collected from his office on the way, signed several papers, had Sam sign them, the matron witness them; Josh cried, Norm cried, she cried, the judge grinned, and Timmie waved his teddy bear at the judge with a broad grin as they wheeled into the elevator. "So long!" he shouted, and when the doors closed, the judge was laughing and crying too.
Danielle Steel (Palomino)
Sobbing, Sam took another step. This is the last one, the very last, I can't go on, I can't. But his feet moved again. One and then the other. They took a step, and then another, and he thought, They're not my feet, they're someone else's, someone else is walking, it can't be me.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3.1))
His eyes were cold steel, his mouth fixed in a hard line. "I like my face the way it is," he said icily. "You scar it with your nails as you did my chest and I swear I will give you equal scars. Think about that, Sam, before you use your claws again." Tears sprang to her eyes. "You're cruel, Hank. You leave me nothing." "And what did you leave me when you stole my heart?" he asked softly. She stared back at him, searching his eyes, seeing only naked honesty.
Johanna Lindsey (Heart of Thunder (Southern, #2))
Hold that thought. This sounds like the kind of conversation I’ll need pants for.” It
Sam Sykes (An Affinity for Steel: The Aeons' Gate Trilogy)
Crime and religion are the only two things that people are willing to both die for and kill over.
Sam Sykes (An Affinity for Steel: The Aeons' Gate Trilogy)
[Sam]: “… The moment your tongue met the head of my c#ck I almost fucking lost it right there. Just looking at you made me so hard.” “Like you are right now?” The hope in her tone made him smile. “Yes. Believe me, baby, I’m like steel for you and I only have a memory and your sexy voice to guide me.
Cari Quinn (Heart Signs)
There are Navajo teachings about how a car works. This vehicle is very much like a horse, operating on the same principles. The automobile is considered more "intelligent," and we think of it in such terms. The automobile is mad eof iron and steel taken from the earth. This iron is the earth's spirit, which has been made into the body of the automobile. The trees, as vegetation, were also taken from the earth and made into rubber for the tires. The air, or spirit, is the same as that of a horse's breath of life, instilled in its body. The arms and legs of the auto makes it move. Then there are the dark storm clouds and heavenly bodies like lightning, which are found inside the auto to give it power. This is exactly the same power the horse has. Water, which comes from the earth, is put into the auto for its cooling system. Oil from the earth is similar to the fat from the earth a horse receives. Just as gasoline comes from the earth as fuel, plants are in a horse's body to make it operate. Therefore, horses and cars are the sam in every way.
John Holiday (A Navajo Legacy: The Life and Teachings of John Holiday)
He didn’t know it, but he had saved her, and hopefully he would never know the dire straits she’d been in when he met her. She had come to the Napa Valley to find a man like him. She had set her sights on Sam Marshall, but
Danielle Steel (Fairytale)
Mister Lenk,’ he forced through his teeth, ‘you are by far the most disgusting. ’ Lenk weighed the pouch in his hand, hearing the jingle of coins within. Nodding, he tucked it into his own belt. ‘That’s why I’m the leader.
Sam Sykes (An Affinity for Steel: The Aeons' Gate Trilogy)
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind. An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
Nathaniel Hawthorne (The Scarlet Letter)
He had given Daphne a spectacular diamond bracelet before she left, and a ruby heart pin that he had bought for her at Fred Leighton. Sam had always been generous and he had bought something pretty for Alex too, though nothing quite as important. He had bought her a very handsome Bulgari watch that he knew she’d wanted for a while, but none of the thoughtful little things that expressed his interest and affection. He didn’t want to mislead her. There
Danielle Steel (Lightning)
The room was small, lit by two naked bulbs in wall recesses, and bare of anything except for two solid wooden posts the height of a man and four feet apart. In each post, at just below shoulder height, was set a large iron ring. There were two other men already waiting, both leathermen. Len indicated each in turn. 'Rick and Sam.' The two men regarded Mike with arms folded. Rick was in his late twenties, a tall, blond biker, his hair hanging down well past his shoulders. Under his leather waistcoat he was bare-chested, his spare, pale flesh covered with tattoos of skulls, burning angels and other biker motifs, the twining reds, blues and blacks extending along both arms as well. He was wearing black leather gloves and impenetrable black shades. Shaven-headed Sam was older, shorter and stockier, built like a rugby player. A leather harness stretched across the barrel of his chest, its steel circlet buried in wiry hair. Through his leather chaps Mike could see a sizeable pouch, heavy with its contents.
Jack Stevens (Fellowship of Iron)
They walked quickly through the kitchen. A woman in a blue salwar kameez skewered bright orange pieces of chicken to go into the tandoor. An older woman was peeling and slicing a bag of onions. Two cooks in white aprons stirred pots full of spicy potatoes, braised lamb, and chunks of paneer swimming in creamy spinach. At the back of the kitchen, the cook who had glared at him when he had come to talk to Nasir used a giant paddle to stir a vat of what appeared to be goat curry. Sam breathed in the sweet mixed aroma of cardamom, turmeric, garam masala, and fresh chilies as Daisy led him past the stainless steel counters. It was the smell of his mother's kitchen last night when they'd had dinner together. The scent of home.
Sara Desai (The Marriage Game (Marriage Game, #1))
The pair of refrigeration units looked like stainless steel filing cabinets along the back wall, each big enough to hold two bodies. “Fuck,” Sam whispered in an awed tone. “It’s like those… um… things from TV. Those rooms where police keep bodies and shit. Can’t remember what they’re called.” “The morgue.” “Fuckin’ right. The morgue, bro. Like the rue morgue and shit.
L.T. Vargus (Dead End Girl (Violet Darger, #1))
He could sense the word resting on her tongue as a hedonist sensed a tongue resting on something else.
Sam Sykes (An Affinity for Steel: The Aeons' Gate Trilogy)
Christophe was so much better, so trusting and so kind. Sam had a sharp edge to him and saw through her.
Danielle Steel (Fairytale)
they had grown up, their time had come. And best of all, it was real. To my beloved children, Beatie, Trevor, Todd, Nick, Sam, Victoria, Vanessa, Maxx, and Zara, May all your fairytales be real, May evil never touch you,
Danielle Steel (Fairytale)
¿Te das cuenta de lo que tienes ante los ojos, Samantha? Tienes a dos personas que se aman, cuyas vidas se complementan a la perfección: las pinturas de ella con los trofeos de él; sus viejas fotografías con sus libros y sus discos; la cómoda butaca de cuero de él y la pequeña mecedora con el escabel frente al fuego para ella. Fíjate en ello, Sam. Mira. ¿Sabes lo que ves allí? Simplemente, amor. Eso es el amor: esos cacharros de cobre, ese antiguo almohadón bordado y esa ridícula cabeza de cerdo. Son dos personas eso que ves ahí, dos personas que se han amado apasionadamente durante largo tiempo y que aún siguen amándose.
Danielle Steel (Palomino)
Estéril es la persona que no puede amar, que no puede dar nada, que vive encerrada en sí misma. Todo eso es lo que importa y nada de eso eres tú, Sam. Tú no eres así.
Danielle Steel (Palomino)
Viniste aquí a que cicatrizaran tus heridas, Sam, y eso es lo que está ocurriendo, y es posible que yo sólo sea una parte del tratamiento.
Danielle Steel (Palomino)
Aramid and steel plates,’ he explained. ‘Body armour.
Tom Barber (The Getaway (Sam Archer #2))
Sam’s Peanut Butter Squares   1/3 lb. graham crackers, finely crushed (1 pkg crackers) 2 sticks melted butter 1 lb. powdered sugar 1 cup peanut butter 1 pkg milk chocolate chips, melted   Mix all ingredients, except chips, together. Smooth into 13x9 pan. Melt chips in microwave until smooth. Spread over graham mixture. Refrigerate for one hour. Cut into squares and serve.
Maggie Adams (Whistlin' Dixie (Tempered Steel, #1))
Find Sam Temple. Tell him you escaped.” Jack gulped and bobbed his head. “Better yet, find that girl, Astrid.” Diana recovered some of her mocking attitude. “Astrid the Genius. She’ll be desperate to save Sam.” “Okay. Okay.” He steeled himself. “I better go.” Diana touched his arm. “Tell them about Andrew.” Jack froze with his hand on the key. “That’s what you want me to do?” “Jack, if Sam blinks out, Drake will turn on me, and Caine won’t be able to stop him. Drake is stronger than before. I need Sam alive. I need someone for Drake to hate. I need balance. Tell Sam about the temptation. Warn him that he’ll be tempted to surrender to the big jump, but maybe, maybe, if he says no…” She sighed. It was not a hopeful sound. “Now: go.
Michael Grant
Sam seemed to have this old-fashioned notion that women needed to be protected. Some of the most devious people Griff had ever encountered had been female. He didn't share the sentiment.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
How had he survived? And then he looked deep into her eyes and he saw the truth there. He hadn't. He hadn't survived.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Drake's whip hand spun Diana like a top. She cried out. That sound, her cry, pierced Caine like an arrow. Diana staggered and almost righted herself, but Drake was too quick, too ready. His second strike yanked her through the air. She flew and then fell. “Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow. Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin. Caine froze. The fuel rod, forgotten, fell from the air with a shattering crash. It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship. It bent, cracked, rolled off the boulder, and crashed heavily in the dirt. Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!” The radiation meter in his pocket was counting clicks so fast, it became a scream. Drake piled into Jack, and the two of them went tumbling. Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke. “No!” Caine cried. “No!” Drake was up, disentangling himself with an angry curse from Jack. “Diana,” Caine sobbed. Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM. Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone. Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat. Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!” Sam wobbled atop the rise. Quinn caught him as he staggered. Now Caine snapped back to the present, seeing his brother, seeing the killing light. “No,” Caine said. “No, Sam: He’s mine.” He raised a hand, and Sam went flying backward along with Quinn. “The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!” Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough. Caine raised his hand, and the fuel rod seemed to jump off the ground. A javelin. A spear. He held it poised. Pointed straight at Drake. Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized. Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…” Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear. Caine threw the fuel rod. Tons of steel and lead and uranium. Straight at Drake.
Michael Grant (Hunger (Gone, #2))
stomped the earth in a blind, anosmic rage. His
Sam Sykes (An Affinity for Steel: The Aeons' Gate Trilogy)
Hope is ill advised.
Sam Sykes (An Affinity for Steel: The Aeons' Gate Trilogy)
Why are we sneaking out in the night?” Jack repeated. “I already explained,” Sam snapped. “If you don’t listen—” Taylor jumped in to say, “Because otherwise Astrid would find some way to stop him.” She mimicked Astrid’s voice, injecting it with steel and a tense, condescending tone. “Sam. I am the smartest, hottest girl in the world. So do what I tell you. Good boy. Down, boy. Down!” Sam remained silent, walking steadily just a few feet ahead. Taylor continued, “Oh, Sam, if only you could be as smart plus as totally goody-goody as I am. If only you could realize that you will never be good enough to have me, me, wonderful me, Astrid the Blond Genius.” “Sam, can I shoot her now?” Dekka asked. “Or is it too soon?” “Wait until we’re over the ridge,” Sam said. “It’ll muffle the sound.” “Sorry, Dekka,” Taylor said. “I know you don’t like talking about boy-girl things.” “Taylor,” Sam warned. “Yes, Sam?” “You might want to think about how hard it would be to walk if someone were to turn off gravity under your feet every now and then.” “I wonder who would do that?” Dekka said. Suddenly Taylor fell flat on her face. “You tripped me!” Taylor said, more shocked than angry. “Me?” Dekka spread her hands in a completely unconvincing gesture of innocence. “Hey, I’m all the way over here.” “I’m just saying: you can see where that could make a long walk just a lot longer,” Sam said. “You guys are so not fun,” Taylor grumped. She bounced instantaneously to just behind Sam. She grabbed his butt, he yelled, “Hey!” and she bounced away innocently. “To answer your question, Jack,” Sam said, “we are sneaking out at night so that everyone doesn’t know we’re gone and why. They’ll figure it out soon enough, but Edilio will have to have more of his guys on the streets if I’m not there playing the big, bad wolf. More stress for everyone.” “Oh,” Jack said. “The big, bad wolf,” Taylor said. She laughed. “So, when you play that fantasy in your head is Astrid Little Red Riding Hood or one of the Three Little Pigs?” “Dekka,” Sam said. “Hah! Too slow!
Michael Grant (Plague (Gone, #4))
Mombasah-city, with her brave array of sumptuous palace, proudest edifice, defaced, deformed by fire and steel shall pay in kind the tale of byegone malefice. Thence on those Indian shores which proud display their hostile fleets, and warlike artifice 'gainst the Lusians, with his sail and oar shall young Lourenço work th' extremes of war. What mighty vessels Sam'orim's orders own covering Ocean, with his iron hail poured from hot copper-tube in thunder-tone all shall he shatter, rudder, mast and sail; then with his grapples boldly, deftly thrown, the hostile Ammiral he shall assail, board her, and only with the lance and sword shall slay four hecatombs of Moors abhor'd. But God's prevision 'scaping human sight, alone who knows what good best serves His end, shall place the Hero where ne toil ne might his lost young life availeth to forfend. In Cháúl-bay, where fierce and furious fight with fire and steel shall fervid seas offend, th' Infidel so shall deal that end his days where Egypt's navy doth conjoin Cambay's. There shall the pow'er of man'ifold enemies, — for only stronger force strong force can tire,— and Winds defaulting and fierce injuries of Ocean, 'gainst a single life conspire : Here let all olden men from death arise to see his Valour, catch his noble fire : A second Scæva see who, hackt and torn, laughs at surrender, quarter holds in scorn. With the fierce torture of a mangled thigh, torn off by bullet which at random past, his stalwart arms he ceaseth not to ply, that fiery Spirit flaming to the last : Until another ball clean cuts the tie so frail that linkèd Soul and Body fast ;— the Soul which loosed from her prison fleets whither the prize eterne such Conqueror greets. Go, Soul! to Peace from Warfare turbulent wherein thou meritedst sweet Peace serene ! for those torn tortured limbs, that life so rent who gave thee life prepareth vengeance keen : I hear een now the furious storm ferment, threating the terrible eternal teen, of Chamber, Basilisco, Saker-fire, to Mameluke cruel and Cambayan dire. See with stupendous heart the war to wage, driven by rage and grief the Father flies, paternal fondness urging battle-gage, fire in his heart and water in his eyes : Promise the sire's distress, the soldier's rage, a bloody deluge o'er the knees shall rise on ev'ry hostile deck: This Nyle shall fear, Indus shall sight it, and the Gange shall hear.
Richard Francis Burton (The Lusiads)
about three or four hours it got dark and I could see the lights of the U.S. naval base at Guantánamo, twinkling on our port side. It was like staring at the ancient stars of some near galaxy that was at the same time a vision of the future in which American democracy ruled the world with a Colt in one hand and a stick of chewing gum in the other. Somewhere in the tropical darkness of that Yankee littoral thousands of men in white suits were engaged in the meaningless routines of their oceangoing, imperial service. In response to the cold imperative of new enemies and new victories they sat inside their floating, steel-gray cities of death, drinking Coca-Cola, smoking their Lucky Strikes, and preparing to free the rest of the world from its unreasonable desire to be different. Because Americans and not Germans were now the master race and Uncle Sam had replaced Hitler and Stalin as the face of the new empire.
Philip Kerr (Field Gray (Bernard Gunther, #7))
There was a roar and a great confusion of noise. Fires leaped up and licked the roof. The throbbing grew to a great tumult, and the Mountain shook. Sam ran to Frodo and picked him up and carried him out to the door. And there upon the dark threshold of the Sammath Naur, high above the plains of Mordor, such wonder and terror came on him that he stood still forgetting all else, and gazed as one turned to stone. A brief vision he had of swirling cloud, and in the midst of it towers and battlements, tall as hills, founded upon a mighty mountain-throne above immeasurable pits; great courts and dungeons, eyeless prisons sheer as cliffs, and gaping gates of steel and adamant: and then all passed. Towers fell and mountains slid; walls crumbled and melted, crashing down; vast spires of smoke and spouting steams went billowing up, up, until they toppled like an overwhelming wave, and its wild crest curled and came foaming down upon the land. And then at last over the miles between there came a rumble, rising to a deafening crash and roar; the earth shook, the plain heaved and cracked, and Orodruin reeled. Fire belched from its riven summit. The skies burst into thunder seared with lightning. Down like lashing whips fell a torrent of black rain. And into the heart of the storm, with a cry that pierced all other sounds, tearing the clouds asunder, the Nazgûl came, shooting like flaming bolts, as caught in the fiery ruin of hill and sky they crackled, withered, and went out.
J.R.R. Tolkien (The Lord of the Rings)
They said goodbye to Carita, who lay peacefully in a coffin full of rose petals, and watched her disappear behind the steel doors of the furnace. None of them was prepared for what came next. After a pause, they were led into a room on the other side of the building, and each given a pair of white gloves and chopsticks. In the room, on a steel sheet, were Carita's remains as they had emerged from the heat of the furnace. The incineration was incomplete. Wood, cloth, hair, and flesh had burned away, but the biggest bones, of the legs ans arms, as well as the skull, were cracked but recognizable. Rather than a neat box of ashes, the Ridgways were confronted with Carita's calcined skeleton. As the family, their task, a traditional part of every Japanese cremation, was to pick up her bones with the chopsticks and place them in the urn. "Rob couldn't handle it at all," Nigel said. "He thought we were monsters even to think of it. But perhaps it's because we were the parents, and she was our daughter... It sounds macabre, as I tell you about it now, but it didn't feel that way at the time. It was something emotional. It almost made me feel calmer. I felt as if we were looking after Carita." Nigel, Annette and Sam picked up the bigger bones and placed them in the urn with the ashes. The bigger pieces of the skull went on the top.
Richard Lloyd Parry (People Who Eat Darkness: The True Story of a Young Woman Who Vanished from the Streets of Tokyo—and the Evil That Swallowed Her Up)
The broad thesis of this book is that we cannot make sense of the United States in the nineteenth century, or the twenty-first for that matter, without taking into account Colt and his revolver. Combined in the flesh of the one and the steel of the other were the forces that shaped what the country became: an industrial powerhouse rising in the east, a violent frontier expanding to the west. In no American object did these two forces of economic and demographic change converge as dynamically and completely as in Colt’s revolver.
Jim Rasenberger (Revolver: Sam Colt and the Six-Shooter That Changed America)
Breath!’ A voice, wild with anxiety, ordered, and I felt a cruel stab of pain where I recognized the voice because it wasn't Marcel’s. I could not obey. The waterfall pouring from my mouth didn't stop long enough for me to catch a breath. The black, icy water filled my chest, burning. The rock smacked into my back again, right between my shoulder blades, and another volley of water choked its way out of my lungs. ‘Breathe, Bell! C'mon!’ Marcel begged. Black spots bloomed across my vision, getting wider and wider, blocking out the light. The rock struck me again. The rock wasn't cold like the water; it was hot on my skin. I realized it was Marcel’s hand, trying to beat the water from my lungs. The iron bar that had dragged me from the sea was also… warm… My head whirled; the black spots covered everything… Was I dying again, then? I didn't like it. This wasn't as good as the last time. It was only dark now, nothing worth looking at here. The sound of the crashing waves faded into the black and became a quiet, even whoosh that sounded like it was coming from the inside of my ears… ‘Bell?’ Marcel asked, his voice still tense, but not as wild as before. ‘Bells, honey, can you hear me?’ The contents of my head swished and rolled sickeningly like they'd joined the rough water… ‘How long has she been unconscious?’ someone else asked. The voice that was not Marcel’s shocked me, jarred me into a more focused awareness. I realized that I was still. There was no tug of the current on me-the heaving was inside my head. The surface under me was flat and motionless. It felt grainy against my bear arms. ‘I don't know,’ Marcel reported, still frantic. His voice was very close. Hands-so warm they had to be his- I brushed wet hair from my cheeks. ‘A few minutes? It didn't take long to tow her to the beach.’ The quiet whooshing inside my ears was not the waves-it was the air moving in and out of my lungs again. Each breath burned-the passageways were as raw as if I'd scrubbed them out with steel wool. But I was breathing. And I was freezing. A thousand sharp, icy beads were striking my face and arms, making the cold worse. ‘She's breathing. She'll come around. We should get her out of the cold, though. I don't like the color she's turning…’ I recognized Sam's voice this time. ‘You think it's okay to move her?’ ‘She didn't hurt her back or anything when she fell?’ ‘I don't know.’ They hesitated.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
monies
Michelle Beattie (Her Pirate to Love (Sam Steele, #4))
He took the sword and slid it out of its scabbard. It made a sharp noise and Kate swore it might have hissed as the steel came in contact with air. He took a few steps and made practice slashes with the bladed weapon.
Sam Sisavath (The Purge of Babylon (Purge of Babylon #1))