“
I want to be a cowboy, but only long enough to barge into a saloon and bellow, "Who's the yellowbelly that stole my happy trail?
”
”
Jarod Kintz (I Want)
“
They came for him near midnight, seven hard-faced men arriving simultaneously in a matching set of Zis 101s, the black-lacquered saloon car so shamelessly modeled on the American Buick Roadmaster, and so capriciously favored by the sinister flying squads of the NKVD.
Ironically, the arrest when it came did not shock Batya. He had prepared for it.
”
”
K.G.E. Konkel (Who Has Buried the Dead?: From Stalin to Putin … The last great secret of World War Two)
“
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
”
”
Grace Willows
“
If I had to live my life over, I'd live over a saloon.
”
”
W.C. Fields
“
If I were hungry and friendless today, I would rather take my chances with a saloon-keeper than with the average preacher.
”
”
Eugene V. Debs
“
Love is blind, there was no doubt about it. In Tara's case it was also deaf, dumb, dyslexic, had a bad hip and the beginnings of Alzheimer's
”
”
Marian Keyes (Last Chance Saloon)
“
Some guys step on a rake in the dark, and get mad and go punch somebody. Others step on a rake in the dark and fall down laughing at themselves. I know which kind of guy I'd rather be. So do my friends.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
Every city is a ghost.
New buildings rise upon the bones of the old so that each shiny steel bean, each tower of brick carries within it the memories of what has gone before, an architectural haunting. Sometimes you can catch a glimpse of these former incarnations in the awkward angle of a street or filigreed gate, an old oak door peeking out from a new facade, the plaque commemorating the spot that was once a battleground, which became a saloon and is now a park.
”
”
Libba Bray (Lair of Dreams (The Diviners, #2))
“
Show me a person who doesn't have a past and I'll show you a boring bastard
”
”
Marian Keyes (Last Chance Saloon)
“
Just as there are laws of Conservation of Matter and Energy, so there are in fact Laws of Conservation of Pain and Joy. Neither can ever be created or destroyed. But one can be converted into the other.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
It is the music which makes it what it is; it is the music which changes the place from the rear room of a saloon in back of the yards to a fairy place, a wonderland, a little comer of the high mansions of the sky.
”
”
Upton Sinclair (The Jungle)
“
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky."
Excerpt from Grace Willow's Last Minute Bride
”
”
Grace Willows
“
there's nothing in the human heart or mind, no place no matter how twisted or secret, that can't be endured - if you have someone to share it with.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
Shared sorrow is lessened, shared joy is increased
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
I love the period of rotation. Thirty hours. You can get in a full day’s work, stay up getting drunk at the saloon, and still get a full night’s sleep. I don’t know why we didn’t think of this back home.
”
”
James S.A. Corey (Cibola Burn (Expanse, #4))
“
And there's this place called college! I mean, they want you to care, dig it, care about this education trip, and they don't care enough themselves to make it as attractive as the crap game across the street!
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
Literature and film in my opinion are like saloons where bottles have no labels. I want to taste each one myself and figure out which is what. If I'm denied this by labelling, then my entertainment is considerably lessened.
”
”
Saadat Hasan Manto (Why I Write: Essays by Saadat Hasan Manto)
“
Necessity, they say, is the mother of invention, but fear too, is not barren of ingenious suggestions."
"Nice little saloon, isn't it" I said, as if noticing it for the first time.
"At noon I gave no orders for change of course, and the mates whiskers grew much concerned and seemed to be offering themselves to my unduly notice.
”
”
Joseph Conrad (The Secret Sharer)
“
...the authors he has himself discovered are his own exclusive territory, like the saloon compartment of a special train.
”
”
Rabindranath Tagore (Farewell Song (Hesperus Worldwide))
“
Salvador [Dali] was brought up in Spain, a country colored by the legends of Hannibal, El Greco, and Cervantes. I was brought up in Ohio, a region steeped in the tradition of Coxey's Army, the Anti-Saloon League, and William Howard Taft.
”
”
James Thurber
“
Progress is something with no pity, and no purpose. It just happens. It chews up all you ever knew, and spits out things you can't understand, and the only value it seems to have is to make a few people a lot of money.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
Oh!--and I speak out of later knowledge--Heaven forefend me from the most of the average run of male humans who are not good fellows, the ones cold of heart and cold of head who don't smoke, drink, or swear, or do much of anything else that is brase, and resentful, and stinging, because in their feeble fibres there has never been the stir and prod of life to well over its boundaries and be devilish and daring. One doesn't meet these in saloons, nor rallying to lost causes, nor flaming on the adventure-paths, nor loving as God's own mad lovers. They are too busy keeping their feet dry, conserving their heart-beats, and making unlovely life-successes of their spirit-mediocrity.
”
”
Jack London (John Barleycorn: Alcoholic Memoirs)
“
If I had a reader and he had read all I have written so far of my adventures, there would be certainly no need to inform him that I am not created for any sort of society. The trouble is I don't know how to behave in company. If I go anywhere among a great many people I always have a feeling as though I were being electrified by so many eyes looking at me. It positively makes me shrivel up, physically shrivel up, even in such places as the theatre, to say nothing of private houses. I did not know how to behave with dignity in these gambling saloons and assemblies; I either was still, inwardly upbraiding myself for my excessive mildness and politeness, or I suddenly got up and did something rude. And meanwhile all sorts of worthless fellows far inferior to me knew how to behave with wonderful aplomb-- and that's what really exasperated me above everything, so that I lost my self-possession more and more. I may say frankly, even at that time, if the truth is to be told, the society there, and even winning money at cards, had become revolting and a torture to me. Positively a torture. I did, of course, derive acute enjoyment from it, but this enjoyment was at the cost of torture.
”
”
Fyodor Dostoevsky (The Adolescent (Vintage Classics))
“
The open mouth of a saloon called seductively to passengers to enter and annihilate sorrow or create rage.
”
”
Stephen Crane (Maggie: A Girl of the Streets)
“
The only occupant of the more posh saloon bar was a godlike man in a bowler hat with grave, finely chiselled features and a head that stuck out at the back, indicating great brain power. To cut a long story short, Jeeves.
”
”
P.G. Wodehouse (The Mating Season (Jeeves, #9))
“
All of this might seem diabolical, but the saloon-keeper was in no wise to blame for it. He was in the same plight as the manufacturer who has to adulterate and misrepresent his product. If he does not, some one else will.
”
”
Upton Sinclair (The Jungle)
“
The guys in the saloons shoving free ones across the bar and saying happy new year and many more of them kid you been a good customer have one on the house happy new year and the hell with the prohibitionists some day the bastards are going to give us trouble. The girls from the hash houses and the girls from the hotels and the guys swarming out of dirty little apartment bedrooms and music and dancing and smoke and somebody with the ukulele and have another and the feeling of being lonesome that everybody has inside him and people bouncing against you and off you and have another one and a girl passing out at the bar and a fight and happy new year.
”
”
Dalton Trumbo (Johnny Got His Gun)
“
Certainly on the vast windy plain, there was plenty of nothing to be looked at.
”
”
Larry McMurtry (The Last Kind Words Saloon)
“
Every settlement with two shacks and a saloon gave itself a name: Helltown, Fair Play, Grizzly Flats, Piety Hill, Whiskey Flat, You Bet, Nary Red, Lousy Ravine, Petticoat Slide.
”
”
Donald Dale Jackson (Gold Dust)
“
THE BLUE GLACIER SALOON was part general store, part restaurant, part bar. It was my fantasy come true, a Stuckey’s that served shots.
”
”
Molly Harper (How to Flirt with a Naked Werewolf (Naked Werewolf, #1))
“
The semi-colon is a burp, a hiccup. It's a drunk staggering out of the saloon at 2 a.m., grabbing your lapels on the way and asking you to listen to one more story.
”
”
James Scott Bell (How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript (Bell on Writing))
“
it's better than a stick in the eye
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
Call listened with amusement--not that the incident hadn't been terrible. Being decapitated was a grisly fate, whether you were a Yankee or not. But then, amusing things happened in battle, as they did in the rest of life. Some of the funniest things he had ever witnessed had occurred during battles. He had always found it more satisfying to laugh on a battlefield than anywhere else, for if you lived to laugh on a battlefield, you could feel you had earned the laugh. But if you just laughed in a saloon, or at a social, the laugh didn't reach deep.
”
”
Larry McMurtry (Streets of Laredo (Lonesome Dove, #2))
“
The problems of today's youth were no longer a Sunday supplement, or a news broadcast, or anything so remote and intangible. They were suddenly become a dirty, shivering boy, who told us that in this world we had built for him with our sweat and our blood, he was not only tired of living, but so unscared of dying that he did it daily, sometimes for recreation.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
When a bill was put before the state legislature in Jefferson City that would have prohibited anyone who owned a saloon from holding elective office and reporters asked what he thought of it, Alderman Jim said probably the bill was intended as a way of improving the reputation of saloonkeepers.
”
”
David McCullough (Truman)
“
No half measures,” he muttered several times. It was his personal motto; he intended to have it latinised and put on a crest.
”
”
Larry McMurtry (The Last Kind Words Saloon)
“
He smiled like a sun lamp.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
It's a lot like the Wild West out here... just with tea shops instead of saloons. Wild West Sahara, that is.
”
”
T.K. Naliaka (A Difficult Damsel to Rescue (The Decaturs, #2))
“
When a man is on the road to power he buys everyone a drink. Once elected he tries to close the saloons.
”
”
Robert Lautner (Road to Reckoning)
“
His voice was flat. It reminded me of long afternoons in a dark saloon. The patrons drink in cheap liquor and recycled smoke. Each stares straight ahead into his respective past.
”
”
Michael Harvey (The Chicago Way (Michael Kelly, #1))
“
expecting anything so fine and wonderful to be turning the corner upon me? I came near being found unworthy. Hard by," says he, "is a café, snug and suitable for the entertainment of idiosyncrasies. Let us go there and have drink while we discuss the unavailability of the categorical." So saying, he marched me and Tobin to the back room of a saloon, and ordered the drinks, and laid the money on the table. He looks at me and Tobin like brothers of his, and we have the segars.
”
”
O. Henry (O. Henry: Collected Works (+200 Stories))
“
Life is Beauty, Mystery, Sweetness and Terror. Get married soon as possible so when you get divorced, you’re not too old.
Miss Agony
”
”
W.H. Manville (Saloon Society: Diary of a Year Beyond Aspirin)
“
And it’s the only whorehouse in town. They say if you can sprout up twelve inches of dick you get to fuck free.
”
”
Larry McMurtry (The Last Kind Words Saloon)
“
I don’t claim to know much: cards, fucking, and dentistry about covers it,” Doc said.
”
”
Larry McMurtry (The Last Kind Words Saloon)
“
Ghosts are not always those who pass through closed doors,” said Mary Rommely. “Katie has told how her husband used to talk to this saloon man. In all those years of the talking, Yohnny gave away pieces of himself to this man. When Katie called on her man for help, the pieces of him came together in this man, and it was Yohnny within the saloon man’s soul that heard and came to her help.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
I have come to the final judgment that I am not a man any longer. I am a figment, a concoction, an overblown invention born of low-grade whiskey and high-grade journalistic distortion; of street and saloon gossip and dime-novel bombast.
”
”
Richard Matheson (The Memoirs of Wild Bill Hickok)
“
A naked blade is reckoned to be less obscene than a naked woman.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
I felt flattered to be the kinda person one would kick out of a saloon. That takes some character.
”
”
David Ives (Scrib)
“
Folks who have lived the cornered sort of life most scholars, teachers, and storekeepers live seldom realize what they've missed in the way of conversation. Some of the best talk and the wisest talk I've ever heard was around campfires, in saloons, bunkhouses, and the like. The idea that all the knowledge of the world is bound up in schools and schoolteachers is a mistaken one.
”
”
Louis L'Amour (Ride the Dark Trail (The Sacketts, #16))
“
The colored folks ain’t all that different from the white working-class folks, since Tuesday is payday for the cowpokes as well and they’re all up in the saloon spending what little they got.
”
”
Justina Ireland (Dread Nation (Dread Nation, #1))
“
The musicians-how shall one begin to describe them? All this time they have been there, playing in a mad frenzy-all of this scene must be read, or said, or sung, to music. It is the music which makes it what it is; it is the music which changes the place from the rear room of a saloon in back of the yards to a fairy place, a wonderland, a little corner of the high mansions of the sky.
”
”
Upton Sinclair (The Jungle)
“
Go home now,” says I. “Keep away from the saloons. Save your money. You are going to need it.”
“What are we going to need it for?” asks a voice from the crowd.
“For guns and ammunition,” says I.
”
”
Jerry Ash (Hellraiser—Mother Jones: An Historical Novel)
“
Oh he’ll come back!” I said, glancing at his place. The repast continued and when it was finished I screwed my chair round to leave the table. Mrs. Peck performed the same movement and we quitted the saloon
”
”
Henry James (The Patagonia)
“
It's true, I'd never understood whether this vogue for apologising is a sign of humility or of impudence: you do something you shouldn't have done, then you apologise and wash your hands of it. It reminds me of the old joke about a cowboy riding across the prairie who hears a voice from heaven telling him to go to Abilene, then at Abilene the voice tells him to go into the saloon and put all his money on number five. Tempted by the voice, he obeys, number eighteen comes up, and the voice murmur, Too bad, we've lost.
”
”
Umberto Eco (Numero zero)
“
But it wasn't a Primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the backroom of Casey's Saloon rolled into one, and when the smoke cleared away not a picture still hung on the walls. And there wasn't any Democratic Party. There was just Willie, with his hair in his eyes, and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood.
”
”
Robert Penn Warren
“
Wyatt avoided the petty gunfights and headed to a saloon and rigged up a bunch of Molotov cocktails. Her firebombs against members of Tom and Vik's posse had destroyed the scenario's promise of so many wonderful gun duels. She'd killed most of their group, too, and shown everyone that she wasn't getting promoted only because of her programming skills. Her dislike of fighting had paradoxically turned her into a lethal killing machine.
”
”
S.J. Kincaid
“
Listen. You're a hell of a good guy, and I'm fonder of you than anybody on earth. I couldn't tell you that in New York. It'd mean I was a faggot. That was what the Civil War was about. Abraham Lincoln was a faggot. He was in love with General Grant. So was Jefferson Davis. Lincoln just freed the slaves on a bet. The Dred Scott case was framed by the Anti-Saloon League. Sex explains it all. The Colonel's Lady and Judy O'Grady are Lesbians under their skin. (101)
”
”
Ernest Hemingway (The Sun Also Rises)
“
Such is the life and death of a good cowboy.
”
”
Larry McMurtry (The Last Kind Words Saloon)
“
I pride myself on being able to put up with a lot,” Nellie said. “But bagpipers are pretty much my limit.
”
”
Larry McMurtry (The Last Kind Words Saloon)
“
There's a price for absolution on this planet, and it's called penance.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
He envied her, sensing that she lived each day as if it was her last.
”
”
B.J. Daniels (Outlaw's Honor (The Montana Cahills, #2))
“
Tito snored away on the other bed. Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn’t find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness…
”
”
Thomas Pynchon
“
We talk of civilizing the Indian, but that is not the name for his improvement. By the wary independence and aloofness of his dim forest life he preserves his intercourse with his native gods, and is admitted from time to time to a rare and peculiar society with Nature. He has glances of starry recognition to which our saloons are strangers. The steady illumination of his genius, dim only because distant, is like the faint but satisfying light of the stars compared with the dazzling but ineffectual and short-lived blaze of candles.
”
”
Henry David Thoreau (A Week on the Concord and Merrimack Rivers (Writings of Henry D. Thoreau))
“
In six years, Hoover circled the globe five times. He lived through the Boxer Rebellion in China, hacked through the jungles of Borneo, rode camels across the red emptiness of Western Australia, rubbed shoulders with Wyatt Earp and Jack London in a Klondike saloon, camped beside the Great Pyramids of Egypt. He had experiences as rich and memorable as any young man has ever enjoyed, and was moved by none of them. In
”
”
Bill Bryson (One Summer: America, 1927)
“
It’s still unmessed-with country. You like to think it goes on forever, but the colonisers are coming. The suits and tenderfeet. You can hear the blue-eyed-soul music over the ridgeline. There’s already a half dozen well-funded projects for designing software to crawl the Deep Web –”
“Is that,” Maxine wonders, “like, ‘Ride the Wild Surf’?”
“Except summer will end all too soon, once they get down here, everything’ll be suburbanised faster than you can say ‘late capitalism.’ Then it’ll be just like up there in the shallows. Link by link, they’ll bring it all under control, safe and respectable. Churches on every corner. Licenses in all the saloons. Anybody still wants his freedom’ll have to saddle up and head somewhere else.
”
”
Thomas Pynchon (Bleeding Edge)
“
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.
“I’m cold,” Snowden had whimpered. “I’m cold.”
“There, there,” Yossarian had tried to comfort him. “There, there.”
They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
”
”
Joseph Heller (Catch-22)
“
On to the library. And all through his time at the card catalog, combing the shelves, filling out the request cards, he danced a silent, flirtatious minuet of the eyes with a rosy-cheeked redhead in the biology section, pages of notes spread before her. All his life, he had had a yen for women in libraries. In a cerebral setting, the physical becomes irresistible. Also, he figured he was really more likely to meet a better or at least more compatible woman in a library than in a saloon. Ought to have singles libraries, with soups and salads, Bach and Mozart, Montaignes bound in morocco; place to sip, smoke, and seduce in a classical setting, noon to midnight. Chaucer's Salons, call them, franchise chain.
”
”
Stephen Minkin (A no doubt mad idea)
“
Callahan dried his big meaty hands on his apron and cleared his throat with a sound like a bulldozer in pain.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
Hey Jake. I got an idea.'
'Be gentle with it,' the Doc grinned. 'It's in a strange place.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
Life has a way at laughing at our plans.
”
”
Sherry Harris (Three Shots to the Wind (Chloe Jackson Sea Glass Saloon Mystery Book 3))
“
When Ted walked in the door, silence fell across the room. The silence must have been especially clumsy, perhaps even hitting its head and losing consciousness, because no one spoke. Instead, everyone watched. It seemed like a scene from an old western, where a gunfighter itching for a shoot-out walks into a saloon. I half expected to see tumbleweeds roll by.
”
”
Patrick Thomas (Murphy's Lore: Shadow of the Wolf)
“
What shocked us the most was that we had no idea why we should be so shocked. Like opening a ginger ale and finding Jamesons' inside: nothing wrong with it, but it sort of takes you by surprise.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
But in our age of emptiness, tragedies are relatively rare. Or if they are written, the tragic aspect is the very fact that human life is so empty, as in Eugene O’Neill’s drama, The Iceman Cometh. This play is set in a saloon, and its dramatis personae—alcoholics, prostitutes, and, as the chief character, a man who in the course of the play goes psychotic—can dimly recall the periods in their lives when they did believe in something. It is this echo of human dignity in a great void of emptiness that gives this drama the power to elicit the emotions of pity and terror of classical tragedy.
”
”
Rollo May (Man's Search for Himself)
“
Trexler knew what he wanted, and what, in general, all men wanted; and he was glad, in a way, that it was both inexpressible and unattainable, and that it wasn't a wing. He was satisfied to remember that it was deep, formless, enduring and impossible of fulfillment, and that it made men sick, and that when you sauntered along Third Avenue and looked through the doorways into the dim saloons, you could sometimes pick out from the unregenerate ranks the ones who had not forgotten, gazing steadily into the bottoms of their glasses on the long chance that they could get another little peek at it. Trexler found himself renewed by the remembrance that what he wanted was at once great and microscopic, and that although it borrowed from the nature of large deeds and of youthful love and of old songs and early intimations, it was not any one of these things, and that it had not been isolated or pinned down, and that a man who attempted to define it in the privacy of a doctor's office would fall flat on his face.
”
”
E.B. White (The Second Tree from the Corner)
“
Elgin himself looked ten years younger, now that he’d cast the die, but I thought exuberance had got the better of him when he strode into the saloon later, threw The Origin of Species on the table and announced:
"It’s very original, no doubt, but not for a hot evening. What I need is some trollop."
I couldn’t believe my ears, and him a church-goer, too. "Well, my lord, I dunno,” says I. "Tientsin ain’t much of a place, but I’ll see what I can drum up —"
"Michel’s been reading Doctor Thorne since Taku," cried he. "He must have finished it by now, surely! Ask him, Flashman, will you?" So I did, and had my ignorance, enlightened.
”
”
George MacDonald Fraser (Flashman and the Dragon (The Flashman Papers, #8))
“
Some hours later Cooper took the packet of ash from his pocket, where earlier in the evening he had put it for greater security, and threw it angrily at a man who had given him great offence. It bounced, burst, off the wall on to the floor, where at once it became the object of much dribbling, passing, trapping, shooting, punching, heading and even some recognition from the gentleman's code. By closing time the body, mind and soul of Murphy were freely distributed over the floor of the saloon; and before another dayspring greyened the earth had been swept away with the sand, the beer, the butts, the glass, the matches, the spits, the vomit.
”
”
Samuel Beckett (Murphy)
“
Take a moment in between breaths to let yourself see what's left to be seen, all the places you've been. Your old haunts. I pass by them every day, and after all these years I'll find myself wondering if they're just facades, like the saloon fronts and gun shops of an old ghost town set. As if I can poke my head inside the doors in the light of day and see nothing but framed out rooms and sandy floors, existing for no other reason than to give structure to who I used to be.
”
”
Anne Clendening (Bent: How Yoga Saved My Ass)
“
It's a rare hurt that can stand under the advice, help, and sympathy generated by upwards of thirty people that care. Callahan loses a lot of his regulars. After they've been coming around long enough, they find they don't need to drink any more.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
He paid two dollars and a half a month rent for the small room he got from his Portuguese landlady, Maria Silva, a virago and a widow, hard working and harsher tempered, rearing her large brood of children somehow, and drowning her sorrow and fatigue at irregular intervals in a gallon of the thin, sour wine that she bought from the corner grocery and saloon for fifteen cents. From detesting her and her foul tongue at first, Martin grew to admire her as he observed the brave fight she made.
”
”
Jack London (Jack London: The Collected Works)
“
Surely, somewhere in the back of Bulfinch, in a part Lillian had not gotten to, there is an obscure (abstruse, arcane, shadowy, and even hidden) version of Proserpine in he Underworld in which a tired Jewish Ceres schleps through the outskirts of Tartarus, an ugly village of tired whores who must double as laundresses and barbers, a couple of saloons, a nearly empty five-and-dime, and people too poor to pull up stakes. In this version, Ceres looks all over town for her Proserpine, who crossed the River Cyane in a pretty sailboat with Pluto, having had the good sense to come to an understanding with the king early on. Pluto and Proserpine picnic in a charming park, twinkling lights overhead and handsome wide benches like the ones in Central Park. When Ceres comes, tripping a little on her hem as she walks through the soft grass, muttering and trying to yank Proserpine to her feet so they can start the long trip home to Enna and daylight (which has lost much of its luster, now that Proserpine is queen of all she surveys), the girl does not jump up at the sight of her mother, but takes her time handing out the sandwiches and pours cups of sweetened tea for the three of them. She lays a nicely ironed napkin in her lap and another in the lap of her new husband, the king. Proserpine does not eat the pomegranate seeds by mistake, or in a moment of desperate hunger, or fright, or misunderstanding. She takes the pomegranate slice out of her husband’s dark and glittering hand and pulls the seeds into her open, laughing mouth; she eats only six seeds because her mother knocks it out of her hand before she can swallow the whole sparkling red cluster.
“We have to get home,” Ceres says.
“I am home,” her daughter says.
”
”
Amy Bloom (Away)
“
Martin thought of the iron El trestles winding and stretching across the city, of department store windows and hotel lobbies, of electric elevators and street-car ads, of the city pressing its way north on both sides of the great park, of dynamos and electric lights, of ten-story hotels, of the old iron tower near the depot at West Brighton with its two steam-driven elevators rising and falling in the sky--and in his blood he felt a surge of restlessness, as if he were a steam train spewing fiery coal smoke into the black night sky as he roared along a trembling El track, high above the dark storefronts, the gaslit saloons, the red-lit doorways, the cheap beer dives, the dance halls, the gambling joints, the face in the doorway, the sudden cry in the night.
”
”
Steven Millhauser (Martin Dressler: The Tale of an American Dreamer)
“
The globe-trotter lives in a smaller world than the peasent. He is always breathing an air of locality. London is a place to be compared to Chicage; Chicago is a place, to be compared to Timbuctoo. But Timbuctoo is not a place, sonce there, at least, live men who regard it as the universe, and breathe, not an air of locality, but the winds of the world. The man in the saloon steamer has seen all the races of men; and is thinking of the things that devide men - diet, dress, decorum, rings in the nose as in Africa, or in the ears as in Europe, blue paint among the ancients, or red paint among the modern Britons. The man in the cabbage field has seen nothing at all; but he is thinking of the things that unite men - hunger and babies, and the beauty of women, and the promise or menace of the sky.
”
”
G.K. Chesterton (Heretics)
“
In the sky there is nobody asleep. Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream,
and the man who rushes out with his spirit broken will meet on the
street corner
the unbelievable alligator quiet beneath the tender protest of the
stars.
Nobody is asleep on earth. Nobody, nobody.
Nobody is asleep.
In a graveyard far off there is a corpse
who has moaned for three years
because of a dry countryside on his knee;
and that boy they buried this morning cried so much
it was necessary to call out the dogs to keep him quiet.
Life is not a dream. Careful! Careful! Careful!
We fall down the stairs in order to eat the moist earth
or we climb to the knife edge of the snow with the voices of the dead
dahlias.
But forgetfulness does not exist, dreams do not exist;
flesh exists. Kisses tie our mouths
in a thicket of new veins,
and whoever his pain pains will feel that pain forever
and whoever is afraid of death will carry it on his shoulders.
One day
the horses will live in the saloons
and the enraged ants
will throw themselves on the yellow skies that take refuge in the
eyes of cows.
Another day
we will watch the preserved butterflies rise from the dead
and still walking through a country of gray sponges and silent boats
we will watch our ring flash and roses spring from our tongue.
Careful! Be careful! Be careful!
The men who still have marks of the claw and the thunderstorm,
and that boy who cries because he has never heard of the invention
of the bridge,
or that dead man who possesses now only his head and a shoe,
we must carry them to the wall where the iguanas and the snakes
are waiting,
where the bear’s teeth are waiting,
where the mummified hand of the boy is waiting,
and the hair of the camel stands on end with a violent blue shudder.
Nobody is sleeping in the sky. Nobody, nobody.
Nobody is sleeping.
If someone does close his eyes,
a whip, boys, a whip!
Let there be a landscape of open eyes
and bitter wounds on fire.
No one is sleeping in this world. No one, no one.
I have said it before.
No one is sleeping.
But if someone grows too much moss on his temples during the
night,
open the stage trapdoors so he can see in the moonlight
the lying goblets, and the poison, and the skull of the theaters
- City That Does Not Sleep
”
”
Federico García Lorca
“
Look, Spanky," I said to Sharkface. "I'm a little busy to be tussling with every random weirdo who is insecure about his junk. Otherwise I would just love to smash you with a beer bottle, kick you in the balls, throw you out through the saloon doors, the whole bit. Why don't you have your people contact my people, and we can do this maybe next week?"
"Next week is your self-deprecation awareness seminar," Thomas said.
I snapped my fingers. "What about the week after?"
"Apartment hunting."
"Bother," I said. "Well, no one can say we didn't try.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
The inn was an old stone-built rambling comfortable sort of place. There was a terrace above the river, where peacocks (one called Norman and the other called Barry) stalked among the drinkers, helping themselves to snacks without the slightest hesitation and occasionally lifting their heads to utter ferocious and meaningless screams. There was a saloon bar where the gentry, if college scholars count as gentry, took their ale and smoked their pipes; there was a public bar where watermen and farm labourers sat by the fire or played darts, or stood at the bar gossiping, or arguing, or simply getting quietly drunk; there was a kitchen where the landlord’s wife cooked a great joint every day, with a complicated arrangement of wheels and chains turning a spit over an open fire; and there was a potboy called Malcolm Polstead.
”
”
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
“
Whatever else a modern feels when he looks at the night sky, he certainly feels that he is looking out--like one looking out from the saloon entrance on to the dark Atlantic or from the lighted porch upon dark and lonely moors. But if you accepted the Medieval Model you would feel like one looking in. The Earth is 'outside the city wall'. When the sun is up he dazzles us and we cannot see inside. Darkness, our own darkness, draws the veil and we catch a glimpse of the high pomps within the vast, lighted concavity filled with music and life. And, looking in, we do not see, like Meredith's Lucifer, 'the army of unalterable law', but rather the revelry of insatiable love. We are watching the activity of creatures whose experience we can only lamely compare to that of one in the act of drinking, his thirst delighted yet not quenched. For in them the highest of faculties is always exercised without impediment on the noblest object; without satiety, since they can never completely make His perfection their own, yet never frustrated, since at every moment they approximate to Him in the fullest measure of which their nature is capable.
”
”
C.S. Lewis (The Discarded Image: An Introduction to Medieval and Renaissance Literature)
“
I am tired of this city. I am tired of its pagan pretensions and false histories. Hyperion is a poet’s world devoid of poetry. Keats itself is a mixture of tawdry, false classicism and mindless, boomtown energy. There are three Zen Gnostic assemblies and four High Muslim mosques in the town, but the real houses of worship are the countless saloons and brothels, the huge marketplaces handling the fiberplastic shipments from the south, and the Shrike Cult temples where lost souls hide their suicidal hopelessness behind a shield of shallow mysticism. The whole planet reeks of mysticism without revelation.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
In 1897, still in his early twenties, Hoover was hired by a large and venerable British mining company, Bewick, Moreing and Co., and for the next decade travelled the world ceaselessly as its chief engineer and troubleshooter – to Burma, China, Australia, India, Egypt and wherever else its mineralogical interests demanded. In six years, Hoover circled the globe five times. He lived through the Boxer Rebellion in China, hacked through the jungles of Borneo, rode camels across the red emptiness of Western Australia, rubbed shoulders with Wyatt Earp and Jack London in a Klondike saloon, camped beside the Great Pyramids of Egypt.
”
”
Bill Bryson (One Summer: America 1927 (Bryson Book 2))
“
With such luck as this, he rode the beast in the jaunty way that she deserved, back north, seemingly back from Mexico, pulling up finally at an outlying bar-ex-saloon (they had covered the old adobe face with knotty pine, substituted big stone matades for the cuspidors) and having brought her wrecklessly this far did not park her in the little parking lot but in front of the church next door. They had lifted that face too and neonized, but it did no good, they seemed to know they had no chance against an older god, their doors were closed. Thus one could join the pagan worshipers with a self-righteous shrug, through latticed doors.
”
”
Douglas Woolf (Wall to Wall (American Literature))
“
You are linked to the ground mechanic’s careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There’s nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother’s womb and whimpered at the cold air of the world.
”
”
Ian Fleming (Live and Let Die (James Bond, #2))
“
THE FINEST STORY IN THE WORLD" "Or ever the knightly years were gone With the old world to the grave, I was a king in Babylon And you were a Christian slave," —W.E. Henley. His name was Charlie Mears; he was the only son of his mother who was a widow, and he lived in the north of London, coming into the City every day to work in a bank. He was twenty years old and suffered from aspirations. I met him in a public billiard-saloon where the marker called him by his given name, and he called the marker "Bullseyes." Charlie explained, a little nervously, that he had only come to the place to look on, and since looking on at games of skill is not a cheap amusement for the young, I suggested that Charlie should go back to his mother.
”
”
Rudyard Kipling (Indian Tales)
“
Mortality
Oh, why should the spirit of mortal be proud?
Like a swift-fleeting meteor, a fast-flying cloud,
A flash of the lightning, a break of the wave,
He passes from life to his rest in the grave.
The leaves of the oak and the willow shall fade,
Be scattered around, and together be laid;
And the young and the old, the low and the high,
Shall molder to dust, and together shall lie.
Yea, hope and despondency, pleasure and pain,
Are mingled together in sunshine and rain;
And the smile and the tear, the song and the dirge,
Still follow each other, like surge upon surge.
'Tis the wink of an eye - 'tis the draught of a breath -
From the blossom of health to the paleness of death,
From the gilded saloon to the bier and the shroud
Oh, why should the spirit of mortal be proud?
”
”
William Knox
“
Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn’t find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness . . . how a certain hand might reach terribly out of darkness and reclaim the time, easy as taking a joint from a doper and stubbing it out for good.
”
”
Thomas Pynchon (Inherent Vice)
“
Katie stood alone...
'They think this is so good,' he thought. 'They think it's good- the tree they got for nothing and their father playing up to them and the singing and the way the neighbors are happy. They think they're mighty lucky that they're living and it's Christmas again. They can't see that we live on a dirty street in a dirty house among people who aren't much good. Johnny and the children can't see how pitiful it is that our neighbors have to make happiness out of this filth and dirt. My children must get out of this. They must come to more than Johnnny or me or all thse people around us. But how is this to come about? Reading a page from those books every day and saving pennies in the tin-can bank isn't enough. Money! Would that make it better for them? Yes, it would make it easy. But no, the money wouldn't be enough. McGarrity owns the saloon standing on the corner and he has a lot of money. His wife wears diamond earrings. But her children are not as good and smart as my children. They are mean and greedy towards others...Ah no, it isn't the money alone... That means there must be something bigger than money. Miss Jackson teaches... and she has no money. She works for charity. She lives in a little room there on the top floor. She only has the one dress but she keeps it clean and pressed. Her eyes look straight into yours when you talk to her... She understands about things. She can live in the middle of a dirty neighborhood and be fine and clean like an actress in a play; someone you can look at but is too fine to touch... So what is this difference between her and this Miss Jackson who has no money?...
Education! That was it!...Education would pull them out of the grime and dirt. Proof? Miss Jackson was educated, the McGarrity wasn't. Ah! That's what Mary Rommely, her mother, had been telling her all those years. Only her mother did not have the one clear word: education!...
'Francie is smart...She's a learner and she'll be somebody someday. But when she gets educated, she will grow away from me. Why, she's growing away from me now. She does not love me the way the boy loves me. I feel her turn away from me now. She does not understand me. All she understands is that I don't understand her. Maybe when she gets education, she will be ashamed of me- the way I talk. but she will have too much character to show it. Instead she will try to make me different. She will come to see me and try to make me live in a better way and I will be mean to her because I'll know she's above me. She will figure out too much about things as she grows older; she'll get to know too much for her own happiness. She'll find out that I don't love her as much as I love the boy. I cannot help that this is so. But she won't understand that. Somethimes I think she knows that now. Already she is growing away from me; she will fight to get away soon. Changing over to that far-away school was the first step in her getting away from me. But Neeley will never leave me, that is why I love him best. He will cling to me and understand me... There is music in him. He got that from his father. He has gone further on the piano than Francie or me. Yes, his father has the music in him but it does him no good. It is ruining him... With the boy, it will be different. He'll be educated. I must think out ways. We'll not have Johnnny with us long. Dear God, I loved him so much once- and sometimes I still do. But he's worthless...worthless. And God forgive me for ever finding out.'
Thus Katie figured out everything in the moments it took them to climb the stairs. People looking up at her- at her smooth pretty vivacious face- had no way of knowing about the painfully articulated resolves formulating hin her mind.
”
”
Betty Smith
“
when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane’s fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic’s careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There’s nothing to do about it. You
”
”
Ian Fleming (Live and Let Die (James Bond, #2))
“
They [the dying in hospitals] did not blow up in mid-air like Kraft or the dead man in Yossarian's tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.
[…]
They didn't take it out on the lam weirdly inside a cloud the way Clevinger had done. They didn't explode into blood and clotted matter. They didn't drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn't get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, bludgeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don't business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain't. There were no famines or floods. Children didn't suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn't stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh! accelerating at the rate of thirty-two feet per second to land with hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hair strawberry ice cream, bleeding, pink toes awry
”
”
Joseph Heller (Catch-22)
“
No, when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane's fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic's careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There's nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother's womb and whimpered at the cold air of the world. Perhaps they'll even let you go to Jamaica tonight. Can't you hear those cheerful voices in the control tower that have said quietly all day long, 'Come in BOAC. Come in Panam. Come in KLM'? Can't you hear them calling you down too: 'Come in Transcarib. Come in Transcarib'? Don't lose faith in your stars. Remember that hot stitch of time when you faced death from the Robber's gun last night. You're still alive, aren't you? There, we're out of it already. It was just to remind you that being quick with a gun doesn't mean you're really tough. Just don't forget it. This happy landing at Palisadoes Airport comes to you courtesy of your stars. Better thank them.
”
”
Ian Fleming (Live and Let Die (James Bond, #2))
“
During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke.
Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something."
"What?"
"Something I don't ever want to forget," he said.
"What's that?"
"That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that."
So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.
”
”
Robert Penn Warren (All the King's Men)
“
No medicine and none of the vaccines developed then could prevent influenza. The masks worn by millions were useless as designed and could not prevent influenza. Only preventing exposure to the virus could. Nothing today can cure influenza, although vaccines can provide significant—but nowhere near complete—protection, and several antiviral drugs can mitigate its severity. Places that isolated themselves—such as Gunnison, Colorado, and a few military installations on islands—escaped. But the closing orders that most cities issued could not prevent exposure; they were not extreme enough. Closing saloons and theaters and churches meant nothing if significant numbers of people continued to climb onto streetcars, continued to go to work, continued to go to the grocer. Even where fear closed down businesses, where both store owners and customers refused to stand face-to-face and left orders on sidewalks, there was still too much interaction to break the chain of infection. The virus was too efficient, too explosive, too good at what it did. In the end the virus did its will around the world.
”
”
John M. Barry (The Great Influenza: The Epic Story of the Deadliest Plague in History)
“
A hundred bucks,cuz.And judging by that spectacular toss over the rail, I'd say you earned it."
Wyatt tucked the money into his pocket. "It was pretty spectacular, wasn't it? And it worked. It got the attention of our pretty little medic."
Jesse,Amy,and Zane stopped dead in their tracks.
Amy laughed. "You did all that to get Lee's attention?"
"Nothing else I've tried has worked. I was desperate."
Jesse shook his head in disbelief. "Did you ever think about just buying her a beer at the Fortune Saloon? I'd think that would be a whole lot simpler than risking broken bones leaping off a bull."
"But not nearly as memorable.The next time she sees me at the saloon, she'll know my name."
Zane threw back his head and roared. "So will every shrink from here to Helena. You have to be certifiably nuts to do all that just for the sake of a pretty face."
"Hey." Wyatt slapped his cousin on the back. "Whatever works.'"
Zane pulled out a roll of bills. "Ten says she's already written you off as someone to avoid at all costs."
Wyatt's smile brightened. "Chump change. If you want to bet me, make it a hundred."
"You got it." Zane pulled a hundred from the roll and handed it to Jesse. "Now match it, cuz. I was going to bet that you can't persuade Marilee Trainor to even speak to you again. But just to make things interesting, I'm betting that you can't get her to have dinner with you tonight."
"Dinner? Tonight? Now you're pushing the limits,cuz. She's already refused me."
"Put up or shut up."
Wyatt arched a brow. "You want me to kiss and tell?"
"I don't say anything about kissing. I don't care what you do,after you get her to have dinner with you.That's the bet. So if you're ready to admit defeat, just give me the hundred now."
"Uh-oh." Wyatt stopped dead in his tracks. "Is that a dare?"
Amy stood between them,shaking her head. "You sound like two little kids."
Wyatt shot her a wicked grin. "Didn't you know that all men are just boys at heart?"
He reached into his pocket and handed Zane a bill before he strolled away.
Over his shoulder he called, "I'll catch you back at the ranch. You can pay me then."
He left his cousins laughing and shaking their heads.
”
”
R.C. Ryan (Montana Destiny)