Salon Sayings Quotes

The most common English word spoken in the nail salon was sorry. It was the one refrain for what it meant to work in the service of beauty. Again and again, I watched as manicurists, bowed over a hand or foot of a client, some young as seven, say, "I'm sorry. I'm sorry. I'm so, so sorry," when they had nothing wrong. I have seen workers, you included, apologize dozens of times throughout a forty-five-minute manicure, hoping to gain warm traction that would lead to the ultimate goal, a tip--only to say sorry anyway when none was given. In the nail salon, sorry is a tool one uses to pander until the word itself becomes currency. It no longer merely apologizes, but insists, reminds: I'm here, right here, beneath you. It is the lowering of oneself so that the client feels right, superior, and charitable. In the nail salon, one's definition of sorry is deranged into a new word entirely, one that's charged and reused as both power and defacement at once. Being sorry pays, being sorry even, or especially, when one has no fault, is worth every self-deprecating syllable the mouth allows. Because the mouth must eat.

There was no need for words, for there are times when words can only hint at what the heart would wish to say.

Malcolm Fade smiled. “Welcome, little Shadowhunters. Few of your kind ever see the inner chambers of Hypatia Vex.” “Is she welcome, I wonder?” asked Hypatia, with a catlike smile. “Let her approach.” Cordelia and Matthew advanced together, Cordelia moving cautiously around the rococo chairs and tables, gleaming with gilt and pearls. Close up, the pupils of Hypatia Vex’s eyes were the shape of stars: her warlock mark. “I cannot say I care for the idea of so many Nephilim infesting my salon. Are you interesting, Cordelia Carstairs?” Cordelia hesitated. “If you have to think about it,” said Hypatia, “then you’re not.” “That hardly makes sense,” said Cordelia. “Surely if you do not think, you cannot be interesting.” Hypatia blinked, creating the effect of stars turning off and on like lamps. Then she smiled. “I suppose you may stay a moment.

The room is full of adult Honeywells talking about the things that Honeywells always talk about, which is to say everything, horses and houses and God and grouting, tanning salons and—of course—theater. Always theater. Honeywells like to talk. When Honeywells have no lines to speak, they improvise. All the world’s a stage.

Could you say that your business had expanded if it had gone from owning one teapot to two? Somehow she thought that Dr. Profit would answer both those questions with a shake of his head. Of course, she herself had expanded in girth since the agency was founded, but she did not think that such a form of growth was what the author of the article had in mind.

So might I suggest at your earliest convenience that you pay a visit to the Okins Funeral Salon to make arrangements?" "Why'd I wanna do that?" she says so damn snippy. "Because on my return visit you can count on my beatin' the ever-lovin' shit outta you with a rusty shovel. Twice.

I will if you will,” she says, a line reminiscent of so many other days of our lives. Sledging down the hill behind the house on winter morning when we were kids, our backsides on Mum’s tea trays: I will if you will. Getting our ears pierced at the dodgy salon in the precinct when we were teenagers: I will if you will. Another drink at last orders, even though we’ve both had enough: I will if you will.

Tea, tea, tea - what? What?' I said. It wasn't what I had meant to say. My idea had been to be a good deal more formal, and so on. Still, it covered the situation. I poured her out a cup. She sipped it and put the cup down with a shudder. 'Do you mean to say, young man,' she said, frostily, ' that you expect me to drink this stuff?' 'Rather! Bucks you up, you know.' 'What do you mean by the expression "Bucks you up"?' 'Well, makes you full of beans, you know. Makes you fizz.' 'I don't understand a word you say. You're English, aren't you?' I admitted it. She didn't say a word. And she did it in a way that made it worse than if she had spoken for hours. Somehow it was brought home to me that she didn't like Englishmen, and that if she had had to meet an Englishman I was the one she'd have chosen last. Conversation languished once more after that. Then I tried again. I was becoming more convinced every moment that you can't make a real lively salon with a couple of people, especially if one of them lets it go a word at a time.

We all had to say goodbye, sooner or later, to those we loved—or they had to say goodbye to us. Those were the only two possibilities that this world allowed. But no matter how much we tried to face up to it, it never became easier.

Washington in 1965. We instinctively measure advantage in terms of the three M’s because men, money, and matériel are the easiest and most obvious ways to make sense of a battle. The only way to appreciate the threat that the Viet Cong posed was to actually listen to what they had to say—to look past the armor and see the man. The book you have just read has tried to persuade you to think that way. Men, money, and matériel aren’t always the deciding factors in a battle. In fact, what the inverted U-shaped curve tells us is that having too much money and matériel is as debilitating as having too little. Being an underdog—having nothing to lose—opens up possibilities. The Impressionists were better for shunning the Salon. History and experience ought to teach us to be suspicious of Goliaths, because the very thing that makes the giant so terrifying is also the source of his weakness. David understood that, as he sized up his opponent long ago in the Valley of Elah.

Oh my honey Jesus. You did NOT tell Sway that you knew this fine mountain of a man, no you did NOT. Holy goodness Lord above, I need a cold shower after that girlfriend. You get your pretty little self into my chair and you tell Sway all about it. Every single delectable thing about it, if you know what I mean. Sweet heavens, I need a drink.” I turn my head from my perch in Axel’s arms and laugh down at Sway. He is standing in the doorway of the salon fanning his face. “What is that?” Axel says softly into my ear so only I hear him. Turning around with a bright smile I say, “That is Sway.

In the end economics is about people ... And economic growth is about a better life for individuals - more choice, less fear, less toil and hardship. ... Yang Li tried factory work and decided that it wasn't for her. Now she says that 'I can close the salon whenever I want.' Economics is about Yang Li's choice.

One of my greatest fears is family decline.There’s an old Chinese saying that “prosperity can never last for three generations.” I’ll bet that if someone with empirical skills conducted a longitudinal survey about intergenerational performance, they’d find a remarkably common pattern among Chinese immigrants fortunate enough to have come to the United States as graduate students or skilled workers over the last fifty years. The pattern would go something like this: • The immigrant generation (like my parents) is the hardest-working. Many will have started off in the United States almost penniless, but they will work nonstop until they become successful engineers, scientists, doctors, academics, or businesspeople. As parents, they will be extremely strict and rabidly thrifty. (“Don’t throw out those leftovers! Why are you using so much dishwasher liquid?You don’t need a beauty salon—I can cut your hair even nicer.”) They will invest in real estate. They will not drink much. Everything they do and earn will go toward their children’s education and future. • The next generation (mine), the first to be born in America, will typically be high-achieving. They will usually play the piano and/or violin.They will attend an Ivy League or Top Ten university. They will tend to be professionals—lawyers, doctors, bankers, television anchors—and surpass their parents in income, but that’s partly because they started off with more money and because their parents invested so much in them. They will be less frugal than their parents. They will enjoy cocktails. If they are female, they will often marry a white person. Whether male or female, they will not be as strict with their children as their parents were with them. • The next generation (Sophia and Lulu’s) is the one I spend nights lying awake worrying about. Because of the hard work of their parents and grandparents, this generation will be born into the great comforts of the upper middle class. Even as children they will own many hardcover books (an almost criminal luxury from the point of view of immigrant parents). They will have wealthy friends who get paid for B-pluses.They may or may not attend private schools, but in either case they will expect expensive, brand-name clothes. Finally and most problematically, they will feel that they have individual rights guaranteed by the U.S. Constitution and therefore be much more likely to disobey their parents and ignore career advice. In short, all factors point to this generation

When I couldn’t take the hunger anymore, I called Taylor and told her everything. She screamed so loud, I had to hold the phone away from my ear. She came right over with a black-bean burrito and a strawberry-banana smoothie. She kept shaking her head and saying, “That Zeta Phi slut.” “It wasn’t just her, it was him, too,” I said, between bites of my burrito. “Oh, I know. Just you wait. I’m gonna drag my nails across his face when I see him. I’ll leave him so scarred, no girl will ever hook up with him again.” She inspected her manicured nails like they were artillery. “When I go to the salon tomorrow, I’m gonna tell Danielle to make them sharp.” My heart swelled. There are some things only a friend who’s known you your whole life can say, and instantly, I felt a little better. “You don’t have to scar him.” “But I want to.” She hooked her pinky finger with mine. “Are you okay?” I nodded. “Better, now that you’re here.” When I was sucking down the last of my smoothie, Taylor asked me, “Do you think you’ll take him back?” I was surprised and really relieved not to hear any judgement to her voice. “What would you do?” I asked her. “It’s up to you.” “I know, but…would you take him back?” “Under ordinary circumstances, no. If some guy cheated on me while we were on a break, if he so much as looked at another girl, no. He’d be donzo.” She chewed on her straw. “But Jeremy’s not some guy. You have a history together.” “What happened to all that talk about scarring him?” “Don’t get it twisted, I hate him to death right now. He effed up in a colossal way. But he’ll never be just some guy, not to you. That’s a fact.” I didn’t say anything. But I knew she was right. “I could still round up my sorority sisters and go slash his tires tonight.” Taylor bumped my shoulder. “Hmm? Whaddyathink?” She was trying to make me laugh. It worked. I laughed for the first time in what felt like a long time.

1) Remain silent you share of the time (more rather than less). 2) Be attentive while others are talking. 3) Say what you think but be careful not to hurt others' feelings. 4) Avoid topics not of general interest. 5) Say little or nothing about yourself personally, but talk about others there assembled. 6) Avoid trying to instruct. 7) Speak in as low a voice as will allow others to hear.

The ceilings had set off a ghostly echo, giving all the desperate hilarity the quality of a memory even as I sat listening to it, memories of things I'd never known. Charlestons on the wings of airborne biplanes. Parties on sinking ships, the icy water bubbling around the waists of the orchestra as they sawed out a last brave chorus of "Auld Lang Syne." Actually, it wasn't "Auld Lang Syne" they'd sung, the night the Titanic went down but hymns, lots of hymns, and the Catholic priest saying Hail Marys, and the first-class salon which had really looked a lot like this: dark wood, potted palms, rose silk lampshades with their swaying fringe. I really had had too much to drink. I was sitting sideways in my chair, holding tight to the arms (Holy Mary, Mother of God), and even the floors were listing, like the decks of a foundering ship; like we might all slide to the other end with a hysterical wheeee! piano and all.

But whether because stupidity was just what was needed to run such a salon, or because those who were deceived found pleasure in the deception, at any rate it remained unexposed and Hélène Bezukhova’s reputation d’une femme charmante et spirituelle2 became so firmly established that she could say the emptiest and stupidest things and yet everybody would go into raptures over every word of hers, and look for a profound meaning in it of which she herself had no conception.

Madame Firmiani is a Frenchwoman, and spends her money like a Parisian. She has excellent tea. It is one of the few houses where you can amuse yourself; the refreshments are exquisite. It is very difficult to get admitted; therefore, of course, one meets only the best society in her salons.” Here the Lounger takes a pinch of snuff; he inhales it slowly and seems to say: “I go there, but don’t expect me to present you.” Evidently the Lounger considers that Madame Firmiani keeps a sort of inn, without a sign.

I finish off the wine and attempt to write. I must write, I have to write. Writing is why I’m here. I stare at my open notebook, blank for all but one badly drawn eye. A few swirls. The words I don’t know scratched over and over again. Surrounded by limp flowers. I long for my first writing office, the waiting area of the hair salon where my mother worked when I was a child. I wrote with such feverish abandon on that sagging couch between the dusty Buddha and the dustier fake flowers, beneath framed photos of women smiling under impossibly, painfully elaborate arrangements of hair. Clients would sit in waiting area chairs nearby, pretending to read magazines but all the while regarding me askance, a lanky child in a Swamp Thing T-shirt clutching her mermaid journal close, staring at them through bangs I barely ever let my mother cut. I was afraid she’d gouge out my eyes. Whatcha workin’ on there? they might ask me. Uncovering your secret shame, I thought. Don’t mind my daughter, my mother would say as she led them to a chair, tilted their heads back into a wash sink where they’d immediately close their eyes.

They’re still there,” Salon said. “Not in Agarttha, but in tunnels. Perhaps beneath us, right here. Milan, too, has a metro. Who decided on it? Who directed the excavations?” “Expert engineers, I’d say.” “Yes, cover your eyes with your hands. And meanwhile, in that firm of yours, you publish such books ... How many Jews are there among your authors?” “We don’t ask our authors to fill out racial forms,” I replied stiffly. “You mustn’t think me an anti-Semite. No, some of my best friends ... I have in mind a certain kind of Jew....” “What kind?” “I know what kind....

I DON’T CALL MYSELF A BIBLIOPHILE,” says the illustrator Pierre Le-Tan, gesturing to the twelve-foot-high bookshelves that line the salon of his Left Bank apartment. “Those people like original editions with certain paper or watermarks.…That doesn’t interest me at all. Bibliophiles prefer the pages uncut, some of them; the edition might be wonderful, but what is the point of a book you can’t read? I just like to read my books.” Le-Tan is, by his own admission, a lover of beautiful things—but it’s obvious he lives with his hundreds of volumes rather than among them.

I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange." I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night." "Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here." I wound the thread around my finger. "What passage was it marking?" He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'" I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp. "I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.

earnestly. Drab to Desirable? What am I? A chuffing living room? Sonja reaches from underneath the desk and hands me a starchy white gown. It looks like a hospital nightie, a fact that doesn’t exactly fill me with confidence. I’m not really an expert on beauty salons, having only been to one three times in my life, but I’m pretty sure there is supposed to be champagne. And why is there no soothing music playing in the background? Where’s the friendly lady who will chat to me about her children while doing my nails in pretty pearly pink? ‘I don’t know if I can afford all this,’ I whisper to Dionne, as Sonja types my details into an expensive-looking computer. ‘Oh, no worries. Bull knows someone. It’s on the house.’ ‘Oh.’ A gangster salon! ‘We are ready!’ Sonja says brightly, clapping her hands. ‘Natalie, if you could leave your belongings right here, I vill put them in the safe.’ I hand over my coat and handbag. ‘Now, if

It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees. He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good. My arms are at my sides so the jets won’t make my skirt fly up. Peter’s holding my face in his hands, kissing me. “Are you okay?” he whispers. His voice is different: it’s ragged and urgent and vulnerable somehow. He doesn’t sound like the Peter I know; he is not smooth or bored or amused. The way he’s looking at me right now, I know he would do anything I asked, and that’s a strange and powerful feeling. I wind my arms around his neck. I like the smell of chlorine on his skin. He smells like pool, and summer, and vacations. It’s not like in the movies. It’s better, because it’s real. “Touch my hair again,” I tell him, and the corners of his mouth turn up. I lean into him and kiss him. He starts to run his fingers through my hair, and it feels so nice I can’t think straight. It’s better than getting my hair washed at the salon. I move my hands down his back and along his spine, and he shivers and pulls me closer. A boy’s back feels so different than a girl’s back--more muscular, more solid somehow. In between kisses he says, “It’s past curfew. We should go back inside.” “I don’t want to,” I say. All I want is to stay and be here, with Peter, in this moment. “Me either, but I don’t want you to get in trouble,” Peter says. He looks worried, which is so sweet. Softly, I touch his cheek with the back of my hand. It’s smooth. I could look at his fce for hours, it’s so beautiful. Then I stand up, and immediately I’m shivering. I start wringing the water out of my nightgown, and Peter jumps out of the hot tub and gets his towel, which he wraps around my shoulders. The he gives me his hand and I step out, teeth chattering. He starts drying me off with the towel, my arms and legs. I sit down to put on my socks and boots. He puts my coat on me last. He zips me right in. Then we run back inside the lodge. Before he goes to the boys’ side and I go to the girls’ side, I kiss him one more time and I feel like I’m flying.

His smile, at the thought of the departed salon which he could see once more, let me understand what it was that Brichot, perhaps unconsciously, preferred about the old room: not its big windows, not the youthful gaiety of the Patrons and their friends, but that unreal part (which I had reconstructed myself from a few similarities between La Raspelière and the Quai Conti) of which, in a drawing-room as in everything, the outer part, present and observable by everyone, is simply an extension: that part which had become purely spiritual, whose color existed only in the mind of my old companion, who could not show it to me, that part which detaches itself from the outer world to find refuge in our souls, which it enhances, and with whose normal substance it merges, transforming itself there—vanished houses, people of former days, dishes of fruit from remembered suppers—into the translucent alabaster of our memories, whose color we cannot show to others as only we can see it (so that we can truthfully say to them that they cannot imagine the past, that it was nothing like anything they have seen), and which we cannot contemplate inwardly without being moved, when we think that the existence of our thought is the condition of these things’ continued survival, for a little while, the light of lamps that have gone out and the scent of arbors that will flower no more.

Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.

Seventeen years ago, wading aimlessly through one campo after another, a pair of green boots brought me to the threshold of a smallish pink edifice. On its wall I saw a plaque saying that Antonio Vivaldi, prematurely born, was baptized in this church. In those days I was still reasonably red-haired; I felt sentimental about bumping into the place of baptism of that “red cleric” who has given me so much joy on so many occasions and in so many godforsaken parts of the world. And I seemed to recall that it was Olga Rudge who had organized the first-ever Vivaldi settimana in this city - as it happened, just a few days before World War II broke out. It took place, somebody told me, in the palazzo of the Countess Polignac, and Miss Rudge was playing the violin. As she proceeded with the piece, she noticed out of the corner of her eye that a gentleman had entered the salone and stood by the door, since all the seats were taken. The piece was long, and now she felt somewhat worried, because she was approaching a passage where she had to turn the page without interrupting her play. The man in the corner of her eye started to move and soon disappeared from her field of vision. The passage grew closer, and her nervousness grew, too. Then, at exactly the point where she had to turn the page, a hand emerged from the left, stretched to the music stand, and slowly turned the sheet. She kept playing and, when the difficult passage was over, lifted her eyes to the left to acknowledge her gratitude. “And that,” Olga Rudge told a friend of mine, “is how I first met Stravinsky.

By the time he came around to shake hands at the conclusion of his speech, I’d been reduced to a twelve-year-old girl at a One Direction concert. I was shaking and nervous and sweating and seriously crushing. If it had been socially acceptable, I would’ve started screaming at the top of my lungs like the fangirl that I am. I tried to hold on to my politics. But Jacob, you have to remain critical. He still hasn’t issued an executive order banning workplace discrimination against LGBTQ Americans. Statistically, he hasn’t slowed deportations. You still disagree with some of this man’s foreign policy decisions. And you don’t like drone warfare. You must remain critical, my brain said. It is important. NAH FUCK THAT! screamed my heart and girlish libido, gossiping back and forth like stylists at a hair salon. Can you even believe how handsome he is? He is sooooo cute! Oh my God, is he looking at you right now? OH MY GOD JACOB HE’S LOOKING AT YOU! And he was. Before I knew what was happening, it was my turn to shake his hand and say hello. And in my panic, in my giddy schoolgirl glee, all I could muster, all I could manage to say at a gay party at the White House, was: “We’re from Duke, Mr. President! You like Duke Basketball don’t you?” “The Blue Devils are a great team!” he said back, smiling and shaking my hand before moving on. WHAT. Jacob. jacob jacob jacob. JACOB. You had ONE CHANCE to say something to the leader of the free world and all you could talk about was Duke Basketball, something you don’t even really like? I mean, you’ve barely gone to one basketball game, and even then it was only to sing the national anthem with your a cappella group. Why couldn’t you think of something better? How about, “Do you like my shoes, Mr. President?” Or maybe “Tell Michelle I’m her number one fan!” Literally anything would’ve been better than that.

Is power like the vis viva and the quantite d’avancement? That is, is it conserved by the universe, or is it like shares of a stock, which may have great value one day, and be worthless the next? If power is like stock shares, then it follows that the immense sum thereof lately lost by B[olingbroke] has vanished like shadows in sunlight. For no matter how much wealth is lost in stock crashes, it never seems to turn up, but if power is conserved, then B’s must have gone somewhere. Where is it? Some say ‘twas scooped up by my Lord R, who hid it under a rock, lest my Lord M come from across the sea and snatch it away. My friends among the Whigs say that any power lost by a Tory is infallibly and insensibly distributed among all the people, but no matter how assiduously I search the lower rooms of the clink for B’s lost power, I cannot seem to find any there, which explodes that argument, for there are assuredly very many people in those dark salons. I propose a novel theory of power, which is inspired by . . . the engine for raising water by fire. As a mill makes flour, a loom makes cloth and a forge makes steel, so we are assured this engine shall make power. If the backers of this device speak truly, and I have no reason to deprecate their honesty, it proves that power is not a conserved quantity, for of such quantities, it is never possible to make more. The amount of power in the world, it follows, is ever increasing, and the rate of increase grows ever faster as more of these engines are built. A man who hordes power is therefore like a miser who sits on a heap of coins in a realm where the currency is being continually debased by the production of more coins than the market can bear. So that what was a great fortune, when first he raked it together, insensibly becomes a slag heap, and is found to be devoid of value. When at last he takes it to the marketplace to be spent. Thus my Lord B and his vaunted power hoard what is true of him is likely to be true of his lackeys, particularly his most base and slavish followers such as Mr. Charles White. This varmint has asserted that he owns me. He fancies that to own a man is to have power, yet he has got nothing by claiming to own me, while I who was supposed to be rendered powerless, am now writing for a Grub Street newspaper that is being perused by you, esteemed reader.

Neither Louis nor Marie Antoinette was at ease with the truly important people of their day. When Voltaire, after an exile of twenty-seven years, was allowed to return to France by Louis XVI's order, Marie Antoinette never received him. True, he had too often made France and the French the butt of his satire, and he had chosen freely to live in the court of Frederick the Great. But those near Marie Antoinette believed that her reason for not receiving him was not political. She just didn't know what to say to a man of such giant intellect. When the Grand Duke and Duchess of Russia came to pay a visit, Marie Antoinette was so confused that she left their presence abruptly and went to her room. "It is even harder to face other rulers," she whispered to her lady-in-waiting, "than to face courtiers!" Although Benjamin Franklin was living in Paris through much of their reign, the Queen never chose to see him. She was particularly uneasy with brilliant women. During the eighteenth century women in France were more powerful than in any other time in history. Their influence in worldly affairs was greater than ever before or since. In their salons the finest minds gathered, and there conversation became an art cultivated for its own sake. But Marie Antoinette avoided contact with these intellectuals. She could never in the world have taken part in their conversations. She had never been educated. She had scarcely even read a book, and she knew only too well what such a handicap meant.

Could you say that your business had expanded if it had gone from owning one teapot to two? Somehow

However, the most interesting property of your spacetime tube isn't its bulk shape, but its internal structure, which is remarkably complex. Whereas the particles that constitute the Moon are stuck together in a rather static arrangement, many of your particles are in constant motion relative to one another. Consider, for example, the particles that make up your red blood cells. As your blood circulates through your body to deliver the oxygen you need, each red blood cell traces out its own unique tube shape through spacetime, corresponding to a complex itinerary through your arteries, capillaries and veins with regular returns to your heart and lungs. These spacetime tubes of different red blood cells are intertwined to form a braid pattern (Figure 11.4, middle panel) which is more elaborate than anything you'll ever see in a hair salon: whereas a classic braid consists of three strands with perhaps thirty thousand hairs each, intertwined in a simple repeating pattern, this spacetime braid consists of trillions of strands (one for each red blood cell), each composed of trillions of hairlike elementary-particle trajectories, intertwined in a complex pattern that never repeats. In other words, if you imagine spending a year giving a friend a truly crazy hairdo, braiding his hair by separately intertwining not strands but all the individual hairs, the pattern you'd get would still be very simple in comparison. Yet the complexity of all this pales in comparison to the patterns of information processing in your brain. As we discussed in Chapter 8 and illustrated in Figure 8.7, your roughly hundred billion neurons are constantly generating electric signals ("firing"), which involves shuffling around billions of trillions of atoms, notably sodium, potassium and calcium ions. The trajectories of these atoms form an extremely elaborate braid through spacetime, whose complex intertwining corresponds to storing and processing information in a way that somehow gives rise to our familiar sensation of self-awareness. There's broad consensus in the scientific community that we still don't understand how this works, so it's fair to say that we humans don't yet fully understand what we are. However, in broad brushstrokes, we might say this: You're a pattern in spacetime. A mathematical pattern. Specifically, you're a braid in spacetime-indeed one of the most elaborate braids known.

It seemed an odd thing to say, and yet all of us had a view from somewhere, a view of the world from the perspective of who we were, of what had happened to us, of how we thought about things.

When America Cuts My Daughter’s Hair" every chair in the strip mall salon where she rents a little space of her own reflects a face waiting to make a change. Another mother next to me rips an ad for the full Hollywood wax & here the best graffiti: DON’T DO DRUGS, BE SAD. They’ll grow back, my own mom on the bangs I butchered more than once. Do you think America is pretty? This skinny blonde kid who never really has to ask if she is, asks me as we walk more hot city blocks because by now we’ve chopped the pecans to protect the power lines. I think America is pretty. A pierced Xicana with one side of her own do done in deep brown waves, the other buzzed tight & dyed a bright chemical green. America fits the description & when she’s done holds up her small mirror in the big one turning my girl around so she can see herself. You can call me Erica, she says if you like, but we like America better here.

Mary Johnson may have been the first African American woman. She arrived sometime before 1620 as the maid of a Virginia planter. Like white women, the black residents of the early southern colonies found opportunities in the general chaos around them. Johnson and her husband were indentured servants, and once they earned their freedom, they acquired a 250-acre farm and five indentured servants of their own. By the mid–seventeenth century, a free black population had begun to emerge in both the North and the South. African American women, who weren’t bound by the same social constraints as white women, frequently set up their own businesses, running boardinghouses, hair salons, or restaurants. Catering was a particularly popular career, as was trading. In Charleston, South Carolina, black women took over the local market, selling vegetables, chickens, and other produce they acquired from the growing population of slaves, who generally had small plots beside their cabins. The city came to depend on the women for its supply of fresh food, and whites complained long and loud about the power and independence of the trading women. In 1686, South Carolina passed a law prohibiting the purchase of goods from slaves, but it had little effect. A half century later, Charleston officials were still complaining about the “exorbitant price” that black women charged for “many articles necessary for the support of the inhabitants.” The trading women had sharp tongues, which they used to good effect. The clerk of the market claimed that the “insolent and abusive Manner” of the slave women made him “afraid to say or do Anything.” It’s hard to believe the marketers, some of whom were slaves, were as outspoken as their clientele made them out to be, but the war between the black female traders and their customers continued on into the nineteenth century. (One petition in 1747 said that because of the market “white people…are entirely ruined and rendered miserable.”) The

Not yet.” “Have you talked to Andrea’s neighbors to see if they’ve seen him around?” “No. We came here right after the salon.” Russell Morrison considered what he’d been told. “Just because he ran doesn’t mean he’s the one who assaulted Andrea. Neither does anything you’ve learned about him.” “But—” Morrison held up his hands to cut her off. “I’m not saying I think he’s innocent. Hell, he tried to kill an officer, and that doesn’t happen on my watch.” He glanced at Pete. “You sure you’re okay?” “Yeah. Pissed off, but I’m okay.” “Good. You’re the lead on this investigation, but I’m going to put everyone on it.” Pete nodded as they were interrupted by a shout from Fred Burris, one of the officers who’d been in the house. He was approaching them rapidly. “Captain?” he called out. Morrison turned toward him. “Yeah?” “I think we’ve got something,” he announced. “What is it?” “Blood,” he said simply. Henry’s beach house was on Topsail Island, a slit of land half a mile offshore, about forty minutes from Swansboro. Covered by rolling dunes speckled with sawgrass and white sand, the island was popular with families during the summer, though few people lived there year-round. During spring, visitors seemed to have the island all to themselves. Like all homes there, the main floor of the house had been

Did I ever tell you that we used to keep our horses where your house is?” “Yeah,” I mumbled. She continued her story, “My brothers used to get up early every morning and go across the street, well, there wasn’t a street there yet. It was just a dirt road, and they used to get up and clean the stables and feed the horses every morning. I would go over there once they had finished and give the horses a brush, even though none of those horses were mine. I had always wanted my own horse, but I never got one. When my father got older, he got rid of the horses and sold the land, all but this yard here." She spread her hand over the yard as she said this. "I grew up and got married and had to move away. My husband and I lived in an apartment above a bread store. And it was so cramped, let me tell you. There was nowhere to move around and no yard to take care of. It was terrible. I’m not saying I wanted my husband to die. I’d never have wished that in a million years. But I was so relieved to come home after two years, and I've lived here ever since." I had stopped raking, turned and looked at her. "I know why you don’t want to leave this street," she said, "You’ve been in that house your whole life, just like me. And no matter where you go it’s not going to seem like home. But just like me, you’re going to come back. You have to remind yourself of that. And I did hate being away from home, but it was the most memorable time in my life, being away. It was an adventure as much as it was scary. But when I came home, I learned to get out more. I went to beauty school and got a job at the salon and took trips with friends. I like to get away from the house so that I can come back and still appreciate it. And you will too after you come back.” I nodded at Violet. What she was saying made sense. “I’ll go,” I said, “Tell them I’ll go.” - The Stable House

Part 1- If I can do it, so can you. I was born and lived in one of the most oldest and most oldest and most beautiful cities in Albania. I lived under the communist regime where everybody was poor, there was no rich people visited the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down. for instance when I was in 5th grade I told my literature teacher "when I get older I want to be a beautician" with a smire on the face she said "You are going to be just like your mother, keep having kids in a row" I did not understood what she meant, but I did not expected that answer from an "educated" person either, especially your teacher. As I got older I started to isolated myself from all the negative people, until one day I asked my uncle to help me get in a beauty college, because he knew people in town, I did not wanted to believe he respond. Even today I can hear his word whisper in my ears, telling me "Beauty college is not for you because you are poor, education is only for rich kids" But that did not stopped me either, I told myself "they can't tell me what I can and can't do" They just pushed me to do better in life, I had to prove it to them, that even children can go to college. I have to prove them wrong by letting them know I can do anything I put my mind into it. So I decided to make a very big move in my that would either end it my life or could change my life for ever. On Sep 2, 1990 I had it enough of the communist regime and all the negative people telling me what I can and can't do. So I decided to leave everyone behind me and move forward in life, I decided to escape and followed my dreams. I excaped from army who was chasing to kill us. but God was with me. can you believe it I made it on the local news saying "Two young girls were killed today by army forces escaping the borders" I made it alive to Yugoslavia, I spend almost seven months in concentration camp,but I thought of bright site. There I meet the love of my life. we dated for five months, his visa was approved to come in US two months before mine, I come to state on March of 1991. New place, new chapter in my life, two weeks later got united with my boyfriend. neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable. at that time I was very I found a happy, so I did it with smile on my face, at that time we were living at my husband's cousins unfinished basement? Yes we were sharing a single /twin size bed, we saved little money and we got our 1st apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet and I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it we can sleep on the carpet" A co-worker give us some household stuff to start our life with, later that year our 1st child our daughter was born, two months later we get married in a local Albania church. Life was way better than living under the communist regime. we have two more children. So we decided to bring my parents here so they can help us, and I can get back to work. On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania?" By that time have I learning enough English to my education education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, I found a job in a local salon, couple months later i promoted to a salon manager.

Part 1. My Life Story. - If I can do it, so can you- I was born and lived in one of the most oldest and most beautiful cities in Albania. for 23 years I lived under the communist regime, where everyone was poor, there was no rich people beside the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down, for instance I remember when I was in 5th grade I told my literature teacher "When I get older I want to be a beautician." With a smire on her face she said "You are going to be just like your mother, keep having kids in a row" At that time I did not understood what she meant, but I did not expected that answer from an "educated" person, especially your teacher. As I got older I started to isolate myself from all the negative people until one day I asked my uncle to help me to get in a beauty college, he knew people in town that's why, I did not wanted to believe he respond. Even today I can hear his words whisper in my ears, telling me "Beauty college is not for poor children, education is only for rich kids" But that did not stopped me either, I told myself "No one can tell me what I can and can't do" They just motivated me to prove them wrong. Poor children can go to college. So I decided to make a very big move my that would either end it my life or could change my life for ever. Sep 2, 1990 I had it enough of that hell place, communist regime and all the negative people.I decided to leave everyone behind me and move forward in life, I decided to escape the communist and followed my dreams. I was also escaped from army who was chasing to kill us, but mighty God was with us. We made the local news saying "Two young girls were killed today by army forces escaping the borders" but I made it alive to Yugoslavia, I spend almost seven months there in concentration camp. There I meet the love of my life also, we dated for five months, until his visa was approved to come in US, two months later I come to state on March of 1991. New place, new chapter in my life, two weeks later got united, neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable, at that time I was very I found a happy, so I did it with smile on my face. We were living at my husband's cousins unfinished basement. Yes we were sharing a single / twin size bed, we had to saved money so we can get our own apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet, I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it, we can sleep on the carpet" later on a co-worker give us some household stuff to start our life with. Later that year our 1st child /daughter was born, two months later we get married in a local Albania church. Life was getting way better than living under the communist regime, later on we have two more children. We decided to bring my parents here so they can help us, I can get back to work or go to school . On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania" By that time have I learning enough English to continued my education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, remember I told you I always wanted to be a beautician. I found a job in a local salon, couple months later I was promoted to a salon manager. I did it for me and not for them who did not believed on me, As I said " I never cared

Part 1. My Life Story. - If I can do it, so can you- I was born and lived in one of the most oldest and most beautiful cities in Albania. for 23 years I lived under the communist regime, where everyone was poor, there was no rich people beside the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down, for instance I remember when I was in 5th grade I told my literature teacher "When I get older I want to be a beautician." With a smire on her face she said "You are going to be just like your mother, keep having kids in a row" At that time I did not understood what she meant, but I did not expected that answer from an "educated" person, especially your teacher. As I got older I started to isolate myself from all the negative people until one day I asked my uncle to help me to get in a beauty college, he knew people in town that's why, I did not wanted to believe he respond. Even today I can hear his words whisper in my ears, telling me "Beauty college is not for poor children, education is only for rich kids" But that did not stopped me either, I told myself "No one can tell me what I can and can't do" They just motivated me to prove them wrong. Poor children can go to college. So I decided to make a very big move my that would either end it my life or could change my life for ever. Sep 2, 1990 I had it enough of that hell place, communist regime and all the negative people.I decided to leave everyone behind me and move forward in life, I decided to escape the communist and followed my dreams. I was also escaped from army who was chasing to kill us, but mighty God was with us. We made the local news saying "Two young girls were killed today by army forces escaping the borders" but I made it alive to Yugoslavia, I spend almost seven months there in concentration camp. There I meet the love of my life also, we dated for five months, until his visa was approved to come in US, two months later I come to state on March of 1991. New place, new chapter in my life, two weeks later got united, neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable, at that time I was very I found a happy, so I did it with smile on my face. We were living at my husband's cousins unfinished basement. Yes we were sharing a single / twin size bed, we had to saved money so we can get our own apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet, I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it, we can sleep on the carpet" later on a co-worker give us some household stuff to start our life with. Later that year our 1st child /daughter was born, two months later we get married in a local Albania church. Life was getting way better than living under the communist regime, later on we have two more children. We decided to bring my parents here so they can help us, I can get back to work or go to school . On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania" By that time have I learning enough English to continued my education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, remember I told you I always wanted to be a beautician. I found a job in a local salon, couple months later I was promoted to a salon manager. I did it for me and not for them who did not believed on me, As I said " I never cared

I began to do things I had never done. I felt pressure again, but this time even worse. I didn’t like who I was becoming, but I still couldn’t say no or disappoint people. Those three months after I left my marriage were the darkest of my life. The girl who never got in trouble became a lost girl who put herself in bad situations and let herself be taken advantage of in just about every way. I felt all was lost. Just then, I went for a haircut, and on the way out of the salon, I walked by a guy named Jules Jeptha.

Long before I ever saw him coming into Connie Sue’s salon, a friend of mine in high school was always talking about a guy named Jeptha. She was very sweet. She went to the Pentecostal church and dressed very conservatively--hair down to her booty, skirts, little makeup. We had history class together, and she used to let me put mascara on her. “He’s a dream,” she used to say. I could tell she had a crush on this guy, and I’d just roll my eyes and shake my head. I doubt it, I’d say to myself, after the thousandth time she’d talked about Jeptha and called him dreamy again. I was familiar with the name but not the actual guy, and it wasn’t until the glide-by at Connie Sue’s that I came face-to-face with the dream. Whoops! I mean, with Jeptha. I didn’t think a whole lot more about him until I saw him again a couple of weeks later at a music club called Edge of Madness. There was no drinking, just music, and lots of kids hanging out. The Jeptha came up to me during a break in the music and introduced himself. “Hi. I’m Jeptha Robertson. Are you Jessica?” Connie Sue had told him my name and a little bit about me, but I guess he wanted to make sure. “Hi,” I said, and smiled back. “My dad is the Duck Commander,” he offered. Who? I didn’t answer because I didn’t know what to say. I had no idea who or what the Duck Commander was. “You don’t know who the Duck Commander is?” I shook my head no. I’m sure I looked as confused as I felt. Obviously, I am missing something, and I should know who the Duck Commander is. “You don’t know who Phil Robertson is?” No, again. We chatted a little, and I could see he was trying to connect with me. Then he pulled out his best line: “Do you like my plaid pants?” I looked at the familiar logo on his shirt and pants and thought to myself, Wow, you must really like Abercrombie and Fitch. Surprised, I looked down and beheld his brown, green, and white plaid pants. You couldn’t miss them. They definitely stood out in the crowd. “Yeah,” I said, my voice trailing off. I wasn’t quite sure what else to say. Now at least I know who the dream is, I thought. And he is pretty cute.

It’s not really such a bad place,” she says, looking around the room. She’s moved on to dessert. “They know how to make a decent rice pudding.” My hand shakes a little when I pour creamer into her coffee. If I got on a plane tonight I could be in Rome in time for dinner tomorrow. Homemade pasta, fresh tomatoes and basil. Real Parmesan cheese, not the kind that comes in packets. And wine—maybe something I haven’t tasted before, a grape varietal I don’t yet know. It would be nothing like here. A break from this place. From Mom. I want to get home and e-mail Paul. I will be there. I am coming. I feel her eyes on me as I pack up my things. “You should dye your hair before you leave,” she says finally. “See if the salon can fit you in this week.” “That’s a good idea.” I kiss her goodbye. “I bet Hannah is gorgeous, she’ll look just like Emily did at that age. Beautiful, but not the brightest bulb. It’s good you’re going. You’ll have to send me pictures.” She surveys my face. I try to keep it blank, unreadable. “Use my brightening mask when you get home. It’ll clear up whatever’s happening on your chin.” “I will.” I shift my purse full of papers and snacks and bottled water from one shoulder to the other. “I love you, see you tomorrow.

But whether because stupidity was just what was needed to run such a salon, or because those who were deceived found pleasure in the deception, at any rate it remained unexposed and Helene Bezukhova’s reputation as a lovely and clever woman became so firmly established that she could say the emptiest and stupidest things and everybody would go into raptures over every word of hers and look for a profound meaning in it of which she herself had no conception.

Things were getting heated fast. Syn pressed Furi hard against the railing, gripping his ass and grinding his hard dick into him. Furi’s own cock jerked excitedly in his pants while Syn dug his hand into his crease, skimming over his hole. “Fuck, Syn,” Furi gasped. His hole was clenching, wanting to be filled by this man. “Say it’s time, please,” Furi whimpered. He didn’t give a fuck tonight. He was beyond ready to bottom for Syn he needed to so badly. Needed to completely wipe out all the times he’d been made to bottom for Patrick. “Yes.” Was Syn’s response. He kissed Furi again before pulling back offering him his hand. Furi took it and they walked together back through the salon and down a narrow hall that led to a staircase.

Two decades later, Ferdinand Hiller had proposed in a long essay—published in a special issue of the magazine Salon that celebrated Beethoven’s centenary—precisely where the light of his genius shone most brightly. He had concluded that the fundamental brilliance of the master’s music was that it achieved softness without weakness, enthusiasm without hollowness, longing without sentimentality, passion without madness. He is deep but never turgid, pleasant but never insipid, lofty but never bombastic. In the expression of love, fervent, tender, overflowing, but never with ignoble sensuality. He can be cordial, cheerful, joyful to extravagance, to excess—never to vulgarity. In the deepest suffering he does not lose himself—he triumphs over it. . . . More universal effects have been achieved by others, but none more deep or noble. No, we may say without exaggeration that never did an artist live whose creations were so truly new—his sphere was the unforeseen.

You should do commercials, […] You’re really good at selling the whole parenting thing. I’m pretty sure I went sterile after you started talking about the hair salon for dolls.

Vinnie used to say that I had social problems that teleported in like a cow into a nail salon. You’ll be sailing along, tap dancing the small-talk boogie, and BOOM, that cow will show up, thrash around, and destroy everything in its path, and then leave the charming Connor to clean up the mess. Jillian

The tools and built environments of hair salons and the platforms powering the airline industry are examples of something called Conway’s law, which says that in absence of stated rules and instructions, the choices teams make tend to reflect the implicit values of their tribe.

I thought the only threat against us came from the rogue noblemen who are plotting a revolt under our very noses. Not the Aveyonian commoners you've spent weeks assuring us are content, happy even." Bastien eyed her as though seeing her in a new light. "Threats can take many forms, madame. It would not be prudent in times like these to invite them into your home." "If we are willing to open our doors to the rich, then we must also be willing to open our doors to the poor. You speak as though wealth precludes someone from committing a crime, and that has not been true in my experience." "I think I speak for everyone, the king included, when I say you are perhaps not thinking clearly." "And I speak for myself alone when I say you're wrong. Do you forget that I am a commoner? That I grew up in a poor village with the very people you seek to malign? I do not fear them in the same way I fear a rich man who believes justice is a fluid concept and that innocence can be bought." She let them sit with what she had said for a few moments before continuing. "I called this meeting as a courtesy. This is how I envision the salon, and I believe it will be beneficial for all the people of our kingdom. You still get the prestige-raising, economy-boosting aspects, only now the doors are open for everyone. If you cannot abide by that, then I suggest you remain in your estates for the duration." If she had ruffled the feathers of the advisers before, it was nothing compared to how they viewed her now. "All in favor of the amendment to the salon?" They mutely assented with barely raised hands, but it was enough. In a way, it seemed they almost feared her. No one protested or voiced any concerns, and the meeting ended in near silence. She would take their unease over their disdain. She thought perhaps it was time for men like them to fear what a woman could do.

Bilibin enjoyed talking as much as working, as long as the conversation was stylish and clever. In society he always hung back, waiting for a chance to say something very striking, and would not enter any conversation unless he could do so. His speech was invariably salted with polished phrases, original, witty but of general application. They were fabricated in some inner laboratory of Bilibin’s mind, portable and ready-made for social nonentities to commit to memory and take around the other drawing-rooms. Bilibin’s bons mots, widely peddled in every Viennese salon, often went on to influence what people thought of as important matters. His thin, lean, sallow face was covered all over with deep wrinkles, but they always looked as wholesome and scrupulously cleansed as fingertips fresh from a bath.

Your idea is not original. You’re no different from a café or salon, a place where people go to come together, and if you encourage free thought as you say and suggest, then it’s fairly hypocritical to go about ordering similar clubs to close.

Les salons—prestigious social gatherings of prominent, intellectually minded people—were rooted in Italy’s salones, smartly appointed rooms within Roman palazzi with suitably dazzling façades. Seventeenth and eighteenth-century France, however, deserves credit for building the cultural cachet of this pleasurable way to pass the day. In salons equally luxueux, as the French would say, Parisian men and women from the literary establishment, along with philosophers and luminaries from the worlds of art, music and politics, would frequently meet to discuss the latest news, exchange ideas and gossip, all at the invitation of refined, wealthy women known as salonnières. In their key role, hosts chose an eclectic mix of guests with care, and then ideally served as moderators, selecting topics that would generate conversation if not spirited debates. To date, though, even historians cannot agree as to what was, and what was not, considered appropriate to talk about. Yet, they do concur that women were the cornerstones of les salons, funneling fresh social and political ideas into a nation where men dominated public life, held bias against women and until 1944 denied women the right to vote. Among the distinguished seventeenth-century salonnières—with set parameters that she expected guests to follow—was French society hostess Catherine de Vivonne, the marquise de Rambouillet (1588–1665), known as Madame de Rambouillet. A century later, Marie Thérèse Rodet Geoffrin (1699–1777) would host twice weekly many of the most influential philosophes (avant-garde intellectuals) and encyclopédistes (writers) in her elegant Parisian townhouse on the now luxury-laden, boutique-lined rue du Faubourg Saint-Honoré. As a leading figure of the French Enlightenment—the movement that promoted liberty and equality, strongly influencing our own notions about human rights and the role of government—her growing importance earned her international recognition.

The State’s witnesses consist mostly of Maggie’s three best friends. First there is Sammy, with her salon hair and big eyes and expansive, fizzy gestures. Sammy talks about the time when she was Aaron Knodel’s service learner. She says, “When your best friend stays behind in the classroom when you go to get coffee for the two of you, it’s a Big. Red. Flag.” She holds her palms up in the air, to demonstrate how large the red flag is. “That was inappropriate, I thought.

For once again she sensed that our heart is not always able to say what it wants to say and frequently has to content itself with less.

And so that night I gave them some material. I went into a hair salon, and I took the clippers, and I shaved off all my hair. Everyone thought it was hilarious. Look how crazy she is! Even my parents acted embarrassed by me. But nobody seemed to understand that I was simply out of my mind with grief. My children had been taken away from me. With my head shaved, everyone was scared of me, even my mom. No one would talk to me anymore because I was too ugly. My long hair was a big part of what people liked—I knew that. I knew a lot of guys thought long hair was hot. Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I’d been the good girl for years. I’d smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-guessed my career choices even though I’d sold millions of records, while my family acted like I was evil. And I was tired of it.

In February, after not getting to see the boys for weeks and weeks, completely beside myself with grief, I went to plead to see them. Kevin wouldn't let me in. I begged him. Jayden James was five months old and Sean Preston was seventeen months old. I imagined their not knowing where their mother was, wondering why she didn't want to be with them. I wanted to get a battering ram to get to them. I didn't know what to do. The paparazzi watched it all happen. I can't describe the humiliation I felt. I was concerned. I was out being chased, like always, by these men waiting for me to do something they could photograph. And so that night I gave them some material. I went into a hair salon, and I took the clippers, and I shaved off all my hair. Everyone thought it was hilarious. Look how crazy she is! Even my parents acted embarrassed by me. But nobody seemed to understand that I was simply out of my mind with grief. My children had been taken away from me. With my head shaved, everyone was scared of me, even my mom. No one would talk to me anymore because I was too ugly. My long hair was a big part of what people liked-I knew that. I knew a lot of guys thought long hair was hot. Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I'd been the good girl for years. I'd smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-guessed my career choices even though I'd sold millions of records, while my family acted like I was evil. And I was tired of it. At the end of the day, I didn't care. All I wanted to do was see my boys. It made me sick thinking about the hours, the days, the weeks I missed with them. My most special moments in life were taking naps with my children, That's the closest I've ever felt to God-taking naps with me precious babies, smelling their hair, holding their tiny hands.

saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her

The nature of addiction has implications - more precisely, temptations -for businesses that sell habituating products. One is to encourage early and frequent consumption. Treat the lads, the salon keepers used to say, and you'll have their money in the till when they're adults. And the more they drink, the greater the profits.

of the church in the distance, for which Millet used the church of Chailly-en-Bière in the Île-de-France as a model. Moments before, they had been busy at work harvesting their modest potato field, as shown by the pathetically small basket at their feet. Though it fetched only a small sum at the Salon of 1860, the work became wildly popular in the 1870s and eventually would be one of the most widely replicated images of the nineteenth century. Originally purchased for one thousand francs, it fetched as much as half a million francs just thirty years later, as a result of a bidding war between the Louvre and the American Art Association. Fig. 47. Jean-François Millet, The Angelus, 1859 While some interpreted The Angelus as a religious work, as an expression of simple and humble piety, others saw it as a socialist statement, in which Millet was supposed to have paid homage to the growing worker movement in France. It is unlikely that Millet intended either; as he later said, the picture was inspired by a childhood memory in which “my grandmother, hearing the church bell ringing while we were working in the fields, always made us stop work to say the Angelus prayer for the poor departed.” Dalí was fascinated by the picture. Like Vincent van Gogh, he used it as inspiration for his own work, including a series of paintings in the early 1930s entitled The Architectural Angelus of Millet and Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses. He explained his fascination with the Angelus in an essay entitled “The Tragic Myth of Millet’s Angelus,” in which he revealed that “In June 1932 appears in my mind all of a sudden, without any recent recollection nor any conscious association that lends itself to an immediate explanation, the image of Millet’s L’Angelus.” It made a strong impression on him, he continues, because for him it is “the most enigmatic, the most dense, and the richest in unconscious thoughts ever to have existed.” Fig. 48. Salvador Dalí, Archaeological Reminiscence of Millet’s Angelus, c. 1934 In fact, the painting did not strike Dalí as a rural image of devotion at all but as a source of great inner disquiet and a perfect example of what the paranoiac-critical process could discern that others didn’t. What he saw was a man “who stands hypnotized—and destroyed—by the mother. He seems to me to take on the attitude of the

Darren’s face comes to mind again, and I imagine his jaw dropping in reaction to my transformation. I shake my head to clear it and look back into the mirror. I catch eyes with Angelo and tear up again. “Grazie, Angelo.” He reaches for my hand and kisses it, muttering a string of phrases in Italian. “What’s he saying?” I ask Chiara. “He says you are beautiful.” She smiles, her eyes glistening too. “And that there will be a line.” “For what, the salon?” I laugh. “For you.” I love Italian men.

By now, my French was pushed to its limits, but I finally uttered, "This is a beautiful salon. I am so honored to have a chance to meet you in person." Marc handed me a tissue to wipe my perspiring hands before patting my back, saying, "Would you like to see more of the salon? I can show you after I finish speaking with the ladies.

Eww!” Kendra says, shuddering and clamping her hands on her hair, as if a swarm of bats is about to fly in and try to nest there. “I hate bats!” “I bet you’ve never even seen a bat,” Kelly says pragmatically. “Anyway, they don’t want us. They want the mosquitos. You heard her.” “Come outside!” Luca calls over his shoulder. “It’s very lovely out here!” Kelly and Paige need no encouragement, and both shoot out onto the terrace. Kelly wants to watch the bats; Paige wants to try to pry Luca from Elisa, as far as I can make out. “The bats sleep in the cipressi,” Luca explains, his voice carrying clearly in the still night air. “Because it is dark in there, and they like the dark. And in Italy, we have the cipressi always by the cimiteri--” “Cemeteries,” Elisa translates, still clinging proprietorially to his arm. “So people think, oh, bats love the cimiteri, they are very Gotici.” “Gothic,” Elisa prompts. “Got-tic,” Luca attempts. “But really, the bats like the cipressi. They are not really Gotici. They just like the dark inside.” “Well, that’s a pretty good definition of Gothic,” Kelly observes, and Luca turns to her. I step back, farther inside the salon. Watching Luca surrounded by girls, all vying for his attention, Elisa attached to him like a nasty growth that will need extensive surgery to remove, is not my idea of a fun time.

Luca waits patiently while she clutches him, kisses him, pats his cheek, muttering “mio bellissimo figlio,” “my beautiful son,” something an English boy would loathe and detest with every fiber of his being. Luca doesn’t seem to mind at all: Italian boys are clearly very used to being complimented in public by their mothers. Finally he detaches himself, kisses Catia goodbye, and looks over at me. I realize I’m between him and the main door. I actually start to slip behind the armchair, as if I need a barricade between me and Luca; I’m frightened, physically frightened, of what might happen if he kisses me in public. Not that we might become overcome with passion, nothing that silly, just that I might give myself away, cling to him like the principessa just did… “Violetta,” he says softly, and before I know it, he’s crossed the room to me with two brief strides of his long legs. He takes hold of my shoulders, looks down at me. I brace myself. But he doesn’t kiss me at all. He just says, equally softly, “A presto,” releases me, and walks out of the salon. There’s silence for a long moment as we all watch him go: then, like air whizzing out of a balloon, we all deflate. No more excitement for us. The hot boy has left the building.

I feel good about being so kind and forgiving. Maybe this was a lesson—outward appearances aren’t the most important thing. It’s inner beauty that matters. I leave the salon, waving and smiling. They look at me, their eyes all silently say, Wow, what a generous soul, and I wish I could be more like her.

Why didn’t you say that you were coming?” She was trying not to stare at him, but she couldn’t help it. The angle of his cheekbones reminded her of one of the Greek statues from Dubois’s salon. His skin was sculpture-worthy as well, creamy and alabaster pale, just the hint of a blond beard showing on his cheeks and chin. Almost nothing about him reminded her of the petulant boy who had demanded a kiss from her three years ago. Luca gave Cass a funny look. He plucked a series of invisible cat hairs from his black velvet breeches. “I’m sure I mentioned it in at least two letters. Did you not receive them?” Cass reddened again. Her tongue felt knotted in her mouth. “I must have lost track of time.” Santo cielo. He was going to think she’d become a babbling idiot.

Why didn’t you say that you were coming?” She was trying not to stare at him, but she couldn’t help it. The angle of his cheekbones reminded her of one of the Greek statues from Dubois’s salon. His skin was sculpture-worthy as well, creamy and alabaster pale, just the hint of a blond beard showing on his cheeks and chin. Almost nothing about him reminded her of the petulant boy who had demanded a kiss from her three years ago. Luca gave Cass a funny look. He plucked a series of invisible cat hairs from his black velvet breeches. “I’m sure I mentioned it in at least two letters. Did you not receive them?” Cass reddened again. Her tongue felt knotted in her mouth. “I must have lost track of time.” Santo cielo. He was going to think she’d become a babbling idiot. Luca’s smile wavered for a moment. He stretched out his long legs and crossed them at the ankles. “No matter. I’m here now. Just in time to protect you.” Cass gestured toward Slipper, who had gone back to sleep on her lap. “Well, as you can see, I’m in grave danger of being mauled, right here in my aunt’s library.” She regretted the wry tone immediately. It was the kind of thing she would have said to Falco. Luca would probably take offense at her joke. But he laughed. “He does look rather fierce,” he said.

A lot of people want to know ‘How do I get my hair to look like so-and-so’s?’” Jeri observes. “They go to their hairdresser with a picture and say, ‘I want to look like that.’ Now, first of all, styling hair in the television industry does not necessarily have anything to do with a haircut. It’s styling, and the audience has to realize that this is a style that is maintained all day long. They don’t walk out of the trailer and never get touched again, like normal people in the regular world. They have somebody chasing behind them, making sure that every hair is in place. So to take a photograph of an actor and expect to look like that, they can cut your hair the same way, but if you don’t do the styling, all you’re stuck with is a haircut you don’t know what to do with. “I think the most important thing is that everybody needs to seek their own look, what makes them beautiful. It has nothing to do with what the actress looks like and nothing to do with wanting to be like them. You have to be yourself. I’m hoping that’s what has evolved on Buffy. She kinda looks like herself. She doesn’t try to create a hairstyle that takes hours to do. Fifteen minutes. Sometimes you have to work with what hair that you have. She is sixteen years old. I don’t want her hair to look like she came out of a salon. I’m hoping that we’re creating things that people can do, they’re not difficult to do. It’s a matter of really liking your face and being able to stand in front of the mirror and move [your hair] around until you balance your face.” Jeri Baker

If you try going silver and don’t like it, you are just one box of hair color or one salon appointment away from dyeing it back again.

Let’s begin with a short explanation of what we mean when we talk about branding, because sometimes businessy jargon and buzzwords can all run together and make a subject seem far more complicated than it actually is. Simply put, your brand is what makes you memorable. It’s the images, feelings, words and emotions that come to mind when someone hears your name. As Jeff Bezos, the founder of Amazon says, “Your brand is what people say about you when you’re not in the room.” Besides branding, another word

But now I am reduced to pure tortoisedom, she thought, opening her eyes and gazing fearfully around the still deserted salon. But the appearance of a waiter in the doorway, with a napkin over his arm, gave her an access of determination, if only to get the meal over, for now she wanted to be alone, in her room, so as to think. Those pills must have worn off, she thought, feeling rather dizzy as she stood up, her throat aching with suppressed yawns. This is when character tells, as Father would say. And she urged herself onward to the dining room, prepared to eat because it was good for her, and to remain in an equable frame of mind for as long as possible.