Salman Rushdie Quotes

We've searched our database for all the quotes and captions related to Salman Rushdie. Here they are! All 100 of them:

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Language is courage: the ability to conceive a thought, to speak it, and by doing so to make it true.
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Salman Rushdie (The Satanic Verses)
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What is freedom of expression? Without the freedom to offend, it ceases to exist.
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Salman Rushdie
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From the beginning men used God to justify the unjustifiable.
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Salman Rushdie (The Satanic Verses)
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I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I'm gone which would not have happened if I had not come.
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Salman Rushdie (Midnight’s Children)
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Now I know what a ghost is. Unfinished business, that's what.
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Salman Rushdie (The Satanic Verses)
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Whenever someone who knows you disappears, you lose one version of yourself. Yourself as you were seen, as you were judged to be. Lover or enemy, mother or friend, those who know us construct us, and their several knowings slant the different facets of our characters like diamond-cutter's tools. Each such loss is a step leading to the grave, where all versions blend and end.
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Salman Rushdie (The Ground Beneath Her Feet)
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We all owe death a life.
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Salman Rushdie (Midnight’s Children)
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A poet's work . . . to name the unnamable, to point at frauds, to take sides, start arguments, shape the world and stop it from going to sleep.
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Salman Rushdie (The Satanic Verses)
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A photograph is a moral decision taken in one eighth of a second.
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Salman Rushdie (The Ground Beneath Her Feet)
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What's real and what's true aren't necessarily the same.
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Salman Rushdie (Midnight’s Children)
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To understand just one life you have to swallow the world ... do you wonder, then, that I was a heavy child?
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Salman Rushdie (Midnight’s Children)
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Memory's truth, because memory has its own special kind. It selects, eliminates, alters, exaggerates, minimizes, glorifies, and vilifies also; but in the end it creates its own reality, its heterogeneous but usually coherent version of events; and no sane human being ever trusts someone else's version more than his own.
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Salman Rushdie (Midnight’s Children)
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How do you defeat terrorism? Don’t be terrorized.
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Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
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The only people who see the whole picture,' he murmured, 'are the ones who step out of the frame.
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Salman Rushdie (The Ground Beneath Her Feet)
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Most of what matters in our lives takes place in our absence.
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Salman Rushdie (Midnight’s Children)
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Free societies...are societies in motion, and with motion comes tension, dissent, friction. Free people strike sparks, and those sparks are the best evidence of freedom's existence.
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Salman Rushdie
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Masks beneath masks until suddenly the bare bloodless skull.
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Salman Rushdie (The Satanic Verses)
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β€ŽNo people whose word for 'yesterday' is the same as their word for 'tomorrow' can be said to have a firm grip on the time.
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Salman Rushdie (Midnight’s Children)
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When a reader falls in love with a book, it leaves its essence inside him, like radioactive fallout in an arable field, and after that there are certain crops that will no longer grow in him, while other, stranger, more fantastic growths may occasionally be produced." [Books vs. Goons, L.A. Times, April 24, 2005]
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Salman Rushdie
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faith without doubt is addiction
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Salman Rushdie
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Realism can break a writer's heart.
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Salman Rushdie (Shame)
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Children are the vessels into which adults pour their poison.
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Salman Rushdie (Midnight’s Children)
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What can't be cured must be endured.
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Salman Rushdie (Midnight’s Children)
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Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things--childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves--that go on slipping , like sand, through our fingers.
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Salman Rushdie (Imaginary Homelands: Essays and Criticism 1981-1991)
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The world, somebody wrote, is the place we prove real by dying in it.
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Salman Rushdie (The Satanic Verses)
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What kind of idea are you? Are you the kind that compromises, does deals, accomodates itself to society, aims to find a niche, to survive; or are you the cussed, bloody-minded, ramrod-backed type of damnfool notion that would rather break than sway with the breeze? – The kind that will almost certainly, ninety-nine times out of hundred, be smashed to bits; but, the hundredth time, will change the world.
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Salman Rushdie (The Satanic Verses)
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So India’s problem turns out to be the world’s problem. What happened in India has happened in God’s name. The problem’s name is God.
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Salman Rushdie (The Satanic Verses)
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Perhaps the story you finish is never the one you begin.
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Salman Rushdie
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You can't judge an internal injury by the size of the hole.
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Salman Rushdie (The Satanic Verses)
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To understand just one life, you have to swallow the world.
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Salman Rushdie (Midnight’s Children)
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Our lives disconnect and reconnect, we move on, and later we may again touch one another, again bounce away. This is the felt shape of a human life, neither simply linear nor wholly disjunctive nor endlessly bifurcating, but rather this bouncey-castle sequence of bumpings-into and tumblings-apart.
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Salman Rushdie (The Ground Beneath Her Feet)
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I learned: the first lesson of my life: nobody can face the world with his eyes open all the time.
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Salman Rushdie (Midnight’s Children)
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Nobody has the right to not be offended. That right doesn't exist in any declaration I have ever read. If you are offended it is your problem, and frankly lots of things offend lots of people. I can walk into a bookshop and point out a number of books that I find very unattractive in what they say. But it doesn't occur to me to burn the bookshop down. If you don't like a book, read another book. If you start reading a book and you decide you don't like it, nobody is telling you to finish it. To read a 600-page novel and then say that it has deeply offended you: well, you have done a lot of work to be offended.
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Salman Rushdie
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Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible.
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Salman Rushdie (Midnight’s Children)
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Something was badly amiss with the spiritual life of the planet...Too many demons inside people claiming to believe in God.
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Salman Rushdie (The Satanic Verses)
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We were language's magpies by nature, stealing whatever sounded bright and shiny.
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Salman Rushdie (The Ground Beneath Her Feet)
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Books choose their authors; the act of creation is not entirely a rational and conscious one.
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Salman Rushdie
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A sigh isn't just a sigh. We inhale the world and breathe out meaning. While we can. While we can.
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Salman Rushdie (The Moor's Last Sigh)
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Question: What is the opposite of faith? Not disbelief. Too final, certain, closed. Itself is a kind of belief. Doubt.
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Salman Rushdie (The Satanic Verses)
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Not all possibilities are open to us. The world is finite; our hopes spill over its rim.
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Salman Rushdie (The Satanic Verses)
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What kind of Christmas present would Jesus ask Santa for?
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Salman Rushdie (Fury)
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He knew what he knew: that the real world was full of magic, so magical worlds could easily be real.
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Salman Rushdie (Haroun and the Sea of Stories (Khalifa Brothers, #1))
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We crave permission openly to become our secret selves.
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Salman Rushdie (The Moor's Last Sigh)
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Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old--it is the new combinations that make them new.
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Salman Rushdie (Haroun and the Sea of Stories (Khalifa Brothers, #1))
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Vertigo is the conflict between the fear of falling and the desire to fall.
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Salman Rushdie
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The word 'translation' comes, etymologically, from the Latin for 'bearing across'. Having been borne across the world, we are translated men. It is normally supposed that something always gets lost in translation; I cling, obstinately to the notion that something can also be gained.
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Salman Rushdie (Imaginary Homelands: Essays and Criticism 1981-1991)
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When you throw everything up in the air anything becomes possible.
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Salman Rushdie (The Satanic Verses)
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perhaps, if one wishes to remain an individual in the midst of the teeming multitudes, one must make oneself grotesque.
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Salman Rushdie (Midnight’s Children)
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I want more than what I want. (Vina Apsara)
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Salman Rushdie (The Ground Beneath Her Feet)
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We are described into corners, and then we must describe ourselves out of corners.
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Salman Rushdie
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Fundamentalism isn't about religion, it's about power.
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Salman Rushdie
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But love is what we want, not freedom. Who then is the unluckier man? The beloved, who is given his heart's desire and must for ever after fear its loss, or the free man, with his unlooked-for liberty, naked and alone between the captive armies of the earth?
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Salman Rushdie (The Ground Beneath Her Feet)
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Whores and writers, Mahound. We are the people you can't forgive.
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Salman Rushdie (Midnight’s Children)
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Who what am I? My answer: I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I’ve gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each β€˜I’, every one of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you’ll have to swallow the world.
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Salman Rushdie (Midnight’s Children)
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Things, even people have a way of leaking into each other like flavours when you cook.
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Salman Rushdie (Midnight’s Children)
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I admit it: above all things, I fear absurdity.
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Salman Rushdie (Midnight’s Children)
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What you were is forever who you are.
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Salman Rushdie (Midnight’s Children)
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Make as much racket as you like people. Noise is life and an excess of noise is a sign that life is good. There will be time for us all to be quiet when we are safely dead.
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Salman Rushdie (The Enchantress of Florence)
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For every snake, there is a ladder; for every ladder,a snake
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Salman Rushdie (Midnight’s Children)
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Happy endings must come at the end of something,' the Walrus pointed out. 'If they happen in the middle of a story, or an adventure, or the like, all they do is cheer things up for awhile.
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Salman Rushdie (Haroun and the Sea of Stories (Khalifa Brothers, #1))
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...because silence, too, has an echo, hollower and longer-lasting than the reverberations of any sound.
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Salman Rushdie (Midnight’s Children)
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India, the new myth--a collective fiction in which anything was possible, a fable rivalled only by the two other mighty fantasies: money and God.
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Salman Rushdie (Midnight’s Children)
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It may be argued that the past is a country from which we have all emigrated, that its loss is part of our common humanity.
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Salman Rushdie (Imaginary Homelands: Essays and Criticism 1981-1991)
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The moment you say that any idea system is sacred, whether it’s a religious belief system or a secular ideology, the moment you declare a set of ideas to be immune from criticism, satire, derision, or contempt, freedom of thought becomes impossible." [Defend the right to be offended (openDemocracy, 7 February 2005)]
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Salman Rushdie
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The lessons one learns at school are not always the ones the school thinks it's teaching.
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Salman Rushdie (Joseph Anton: A Memoir)
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A book is not completed till it's read.
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Salman Rushdie
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Everything has shape, if you look for it. There is no escape from form.
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Salman Rushdie (Midnight’s Children)
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Music, love, death. Certainly a triangle of sorts; maybe even an eternal one. "The only people who can see the whole picture," he murmured, "are the ones who step out of the frame." (The ground beneath her feet.)
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Salman Rushdie
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A book is a version of the world. If you do not like it, ignore it; or offer your own version in return.
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Salman Rushdie
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What grows best in the heat: fantasy; unreason; lust.
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Salman Rushdie (Midnight’s Children)
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Meaning is a shaky edifice we build out of scraps, dogmas, childhood injuries, newspaper articles, chance remarks, old fillms, small victories, people hated, people loved; perhaps it is because our sense of what is the case is constructed from such inadequate materials that we defend it so fiercely, even to death.
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Salman Rushdie (Imaginary Homelands: Essays and Criticism 1981-1991)
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There is nothing like a War for the reinvention of lives...
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Salman Rushdie (Midnight's Children)
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optimism is a disease
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Salman Rushdie (Midnight’s Children)
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Exile is a dream of a glorious return. Exile is a vision of revolution: Elba, not St Helena. It is an endless paradox: looking forward by always looking back. The exile is a ball hurled high into the air.
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Salman Rushdie (The Satanic Verses)
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Ignorantly is how we all fall in love; for it is a kind of fall. Closing our eyes, we leap from that cliff in hope of a soft landing. Nor is it always soft; but still, without that leap nobody comes to life.
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Salman Rushdie (The Moor's Last Sigh)
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The moment you say that any idea system is sacred, whether it’s a religious belief system or a secular ideology, the moment you declare a set of ideas to be immune from criticism, satire, derision, or contempt, freedom of thought becomes impossible.
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Salman Rushdie
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This is how we are: we fall in love with each other’s strengths, but love deepens towards permanence when we fall in love with each other’s weaknesses.
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Salman Rushdie (The Golden House)
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If you were an atheist, Birbal," the Emperor challenged his first minister, "what would you say to the true believers of all the great religions of the world?" Birbal was a devout Brahmin from Trivikrampur, but he answered unhesitatingly, "I would say to them that in my opinion they were all atheists as well; I merely believe in one god less than each of them." "How so?" the Emperor asked. "All true believers have good reasons for disbelieving in every god except their own," said Birbal. "And so it is they who, between them, give me all the reasons for believing in none." -- From "The Shelter of the World
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Salman Rushdie (The Enchantress of Florence)
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Sometimes we feel we straddle two cultures; at other times, that we fall between two stools.
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Salman Rushdie (Imaginary Homelands: Essays and Criticism 1981-1991)
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Having been borne across the world, we are translated men. It is normally supposed that something always gets lost in translation; I cling, obstinately, to the notion that something can also be gained.
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Salman Rushdie
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Only the foolish, blinded by language's conventions, think of fire as red or gold. Fire is blue at its melancholy rim, green in its envious heart. It may burn white, or even, in its greatest rages, black.
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Salman Rushdie
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How to forgive the world for its beauty, which merely disguises its ugliness; for its gentleness, which merely cloaks its cruelty; for its illusion of continuity, seamlessly, as the night follows the day, so to speak- whereas in reality life is a series of brutal raptures, falling upon your defenseless hands, like the blows of a woodman's axe?
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Salman Rushdie (The Moor's Last Sigh)
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Who what am I? My answer: I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I've gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each "I", everyone of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you'll have to swallow a world.
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Salman Rushdie (Midnight’s Children)
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In spite of all evidence that life is discontinuous, a valley of rifts, and that random chance plays a great part in our fates, we go on believing in the continuity of things, in causation and meaning. But we live on a broken mirror, and fresh cracks appear in its surface every day.
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Salman Rushdie (The Ground Beneath Her Feet)
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An iceberg is water striving to be land; a mountain, especially a Himalaya, especially Everest, is land's attempt to metamorphose into sky; it is grounded in flight, the earth mutated--nearly--into air, and become, in the true sense, exalted. Long before she ever encountered the mountain, Allie was aware of its brooding presence in her soul.
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Salman Rushdie (The Satanic Verses)
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Everest silences you...when you come down, nothing seems worth saying, nothing at all. You find the nothingness wrapping you up, like a sound. Non-being. You can't keep it up, of course. the world rushes in soon enough. What shuts you up is, I think, the sight you've had of perfection: why speak if you can't manage perfect thoughts, perfect sentences? It feels like a betrayal of what you've been through. But it fades; you accept that certain compromises, closures, are required if you're to continue.
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Salman Rushdie (The Satanic Verses)
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To be born again,' sang Gibreal Farishta tumbling from the heaveans, 'first you have to die. Ho ji! Ho ji! To land upon the bosomy earth, first one needs to fly Tat-taa! Takatun! How to ever smile again, if first you won't cry? How to win the darling's love mister, without a sigh?
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Salman Rushdie (The Satanic Verses)
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When...did it become irrational to dislike religion, any religion, even to dislike it vehemently? When did reason get redescribed as unreason? When were the fairy stories of the superstitious placed above criticism, beyond satire? A religion was not a race. It was an idea, and ideas stood (or fell) because they were strong enough (or too weak) to withstand criticism, not because they were shielded from it. Strong ideas welcomed dissent.
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Salman Rushdie (Joseph Anton: A Memoir)
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Our human tragedy is that we are unable to comprehend our experience, it slips through our fingers, we can't hold on to it, and the more time passes, the harder it gets...My father said that the natural world gave us explanations to compensate for the meanings we could not grasp. The slant of the cold sunlight on a winter pine, the music of water, an oar cutting the lake and the flight of birds, the mountains' nobility , the silence of the silence. We are given life but must accept that it is unattainable and rejoice in what can be held in the eye, the memory, the mind.
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Salman Rushdie (Shalimar the Clown)
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My parents gave me the gift of irreligion, of growing up without bothering to ask people what gods they held dear, assuming that in fact, like my parents, they weren't interested in gods, and that this uninterest was 'normal.' You may argue that the gift was a poisoned chalice, but even if so, that's a cup from which I'd happily drink again.
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Salman Rushdie (The Ground Beneath Her Feet)
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Unless, of course, there's no such thing as chance;...in which case, we should either-optimistically-get up and cheer, because if everything is planned in advance, then we all have a meaning and are spared the terror of knowing ourselves to be random, without a why; or else, of course, we might-as pessimists-give up right here and now, understanding the futility of thought decision action, since nothing we think makes any difference anyway, things will be as they will. Where, then, is optimism? In fate or in chaos?
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Salman Rushdie (Midnight’s Children)
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The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
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Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
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Only under extreme pressure can we change into that which it is in our most profound nature to become . . . That is what people get wrong about transformation. We're not all shallow proteans, forever shifting shape. We're not science fiction. It's like when coal becomes diamond. It doesn't afterwards retain the possibility of change. Squeeze it as hard as you like, it won't turn into a rubber ball, or a Quattro Stagione pizza, or a self-portrait by Rembrandt. It's done.
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Salman Rushdie (The Ground Beneath Her Feet)
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When the Washington Post telephoned me at home on Valentine's Day 1989 to ask my opinion about the Ayatollah Khomeini's fatwah, I felt at once that here was something that completely committed me. It was, if I can phrase it like this, a matter of everything I hated versus everything I loved. In the hate column: dictatorship, religion, stupidity, demagogy, censorship, bullying, and intimidation. In the love column: literature, irony, humor, the individual, and the defense of free expression. Plus, of course, friendshipβ€”though I like to think that my reaction would have been the same if I hadn't known Salman at all. To re-state the premise of the argument again: the theocratic head of a foreign despotism offers money in his own name in order to suborn the murder of a civilian citizen of another country, for the offense of writing a work of fiction. No more root-and-branch challenge to the values of the Enlightenment (on the bicentennial of the fall of the Bastille) or to the First Amendment to the Constitution, could be imagined. President George H.W. Bush, when asked to comment, could only say grudgingly that, as far as he could see, no American interests were involved…
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Christopher Hitchens (Hitch 22: A Memoir)
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we look up and we hope the stars look down, we pray that there may be stars for us to follow, stars moving across the heavens and leading us to our destiny, but it's only our vanity. We look at the galaxy and fall in love, but the universe cares less about us than we do about it, and the stars stay in their courses however much we may wish upon them to do otherwise. It's true that if you watch the sky-wheel turn for a while you'll see a meteor fall, flame and die. That's not a star worth following; it's just an unlucky rock. Our fates are here on earth. There are no guiding stars.
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Salman Rushdie (The Moor's Last Sigh)
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Question: What is the opposite of faith? Not disbelief. Too final, certain, closed. Itself is a kind of belief. Doubt. The human condition, but what of the angelic? Halfway between Allahgod and homosap, did they ever doubt? They did: challenging God's will one day they hid muttering beneath the Throne, daring to ask forbidden things: antiquestions. Is it right that. Could it not be argued. Freedom, the old antiquest. He calmed them down, naturally, employing management skills a la god. Flattered them: you will be the instruments of my will on earth, the salvationdamnation of man, all the usual etcetera. And hey presto, the end of protest, on with the haloes, back to work. Angels are easily pacified; turn them into instruments and they'll play your harpy tune. Human beings are tougher nuts, can doubt anything, even the evidence of their own eyes. Of behing-their-own-eyes. Of what, as they sink heavy-lidded, transpires behind closed peepers ... angels, they don't have much in the way of a will. To will is to disagree; not to submit; to dissent.
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Salman Rushdie (The Satanic Verses)
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For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as β€œnatural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity. And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
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Salman Rushdie (The Ground Beneath Her Feet)
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[T]he very multiculturalism and multiethnicity that brought Salman to the West, and that also made us richer by Hanif Kureishi, Nadeem Aslam, Vikram Seth, Monica Ali, and many others, is now one of the disguises for a uniculturalism, based on moral relativism and moral blackmail (in addition to some more obvious blackmail of the less moral sort) whereby the Enlightenment has been redefined as 'white' and 'oppressive,' mass illegal immigration threatens to spoil everything for everybody, and the figure of the free-floating transnational migrant has been deposed by the contorted face of the psychopathically religious international nihilist, praying for the day when his messianic demands will coincide with possession of an apocalyptic weapon. (These people are not called nihilists for nothing.) Of all of this we were warned, and Salman was the messenger. Mutato nomine et de te fabula narrator: Change only the name and this story is about you.
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Christopher Hitchens (Hitch 22: A Memoir)
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I want to suggest to you that citizens of free societies, democracies, do not preserve their freedom by pussyfooting around their fellow-citizen's opinions, even their most cherished beliefs. In free societies, you must have the free play of ideas. There must be argument, and it must be impassioned and untrammeled. A free society is not calm and eventless place - that is the kind of static, dead society dictators try to create. Free societies are dynamic, noisy, turbulent, and full of radical disagreements. Skepticism and freedom are indissolubly linked; and it is the skepticism of journalists, their show-me, prove-it unwillingness to be impressed, that is perhaps their most important contribution to the freedom of the free world. It is the disrespect of journalists-for power, for orthodoxies, for party lines, for ideologies, for vanity, for arrogance, for folly, for pretension, for corruption, for stupidity, maybe even for editors-that I would like to celebrate...and that I urge you all, in freedom's name, to preserve.
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Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
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So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began. In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed. Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through. We are the humbugs now.
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Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)