Saline Hand Quotes

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Before you go, just tell me one thing,” Tana said. “Tell me why you’ve been so nice to me. I know you’re the reason Lucien let me live. He wasn’t planning on giving me any saline drip or putting me in some fancy bed before I said your name. And I’m not anybody special. I’m not saying that I’m not smart or a perfectly nice person or anything, but I’m not—” He’d been halfway across the room when she started speaking and he’d frozen, his face turned away from her. Then he moved to the footboard of the bed, his hands gripping the brass railing, his face a mask. Finally, he cut her off. “Tana. In all my long life, though there were many times I prayed for it, no one has ever saved me. No one but you.
Holly Black (The Coldest Girl in Coldtown)
When people call it that I always get pissed off because I always think depression sounds like you just get like really sad, you get quiet and melancholy and just like sit quietly by the window sighing or just lying around. A state of not caring about anything. A kind of blue kind of peaceful state.’ She seemed to the doctor decidedly more animated now, even as she seemed unable to meet his eyes. Her respiration had sped back up. The doctor recalled classic hyperventilatory episodes being characterized by carpopedal spasms, and reminded himself to monitor the patient’s hands and feet carefully during the interview for any signs of tetanic contraction, in which case the prescribed therapy would be I.V. calcium in a saline percentage he would need quickly to look up. ‘Well this’—she gestured at herself—‘isn’t a state. This is a feeling. I feel it all over. In my arms and legs.’ ‘That would include your carp—your hands and feet?’ ‘All over. My head, throat, butt. In my stomach. It’s all over everywhere. I don’t know what I could call it. It’s like I can’t get enough outside it to call it anything. It’s like horror more than sadness. It’s more like horror. It’s like something horrible is about to happen, the most horrible thing you can imagine—no, worse than you can imagine because there’s the feeling that there’s something you have to do right away to stop it but you don’t know what it is you have to do, and then it’s happening, too, the whole horrible time, it’s about to happen and also it’s happening, all at the same time.
David Foster Wallace (Infinite Jest)
Mr. Freeman: "Time's up, Melinda. Are you ready?" I hand over the picture. He takes it in his hands and studies it. I sniff again and wipe my eyes on my arm. The bruises are vivid, but they will fade. Mr. Freeman: "No crying in my studio. It ruins the supplies. Salt, you know, saline. Etches like acid." he sits on the stool next to me and hands back my tree. "You get an A+. You worked hard at this." He hands me the box of tissues. "You've been through a lot, haven't you?" The tears dissolve the last block of ice in my throat. I feel the frozen stillness melt down through the inside of me, dripping shards of ice that vanish in a puddle of sunlight on the stained floor. Words float up. Me: "Let me tell you about it.
Laurie Halse Anderson (Speak)
Oh doors of your body There are nine and I have opened them all Oh doors of your body There are nine and for me they have all closed again At the first door Clear Reason has died It was do you remember? the first day in Nice Your left eye like a snake slides Even my heart And let the door of your left gaze open again At the second door All my strength has died It was do you remember? in a hostel in Cagnes Your right eye was beating like my heart Your eyelids throbbed like flowers beat in the breeze And let the door of your right gaze open again At the third door Hear the aorta beat And all my arteries swollen from your only love And let the door of your left ear be reopened At the fourth gate They escort me every spring And listening listening to the beautiful forest Upload this song of love and nests So sad for the soldiers who are at war And let the door of your right ear reopen At the fifth gate It is my life that I bring you It was do you remember? on the train returning from Grasse And in the shade, very close, very short Your mouth told me Words of damnation so wicked and so tender What do I ask of my wounded soul How could I hear them without dying Oh words so sweet so strong that when I think about it I seem to touch them And let the door of your mouth open again At the sixth gate Your gestation of putrefaction oh War is aborting Behold all the springs with their flowers Here are the cathedrals with their incense Here are your armpits with their divine smell And your perfumed letters that I smell During hours And let the door on the left side of your nose be reopened At the seventh gate Oh perfumes of the past that the current of air carries away The saline effluvia gave your lips the taste of the sea Marine smell smell of love under our windows the sea was dying And the smell of the orange trees enveloped you with love While in my arms you cuddled Still and quiet And let the door on the right side of your nose be reopened At the eighth gate Two chubby angels care for the trembling roses they bear The exquisite sky of your elastic waist And here I am armed with a whip made of moonbeams Hyacinth-crowned loves arrive in droves. And let the door of your soul open again With the ninth gate Love itself must come out Life of my life I join you for eternity And for the perfect love without anger We will come to pure and wicked passion According to what we want To know everything to see everything to hear I gave up in the deep secret of your love Oh shady gate oh living coral gate Between two columns of perfection And let the door open again that your hands know how to open so well
Guillaume Apollinaire
The Dark Depths of the Seas And Internal Waves Or [the unbelievers' state] are like the darkness of a fathomless sea which is covered by waves above which are waves above which are clouds, layers of darkness, one upon the other. If he puts out his hand, he can scarcely see it. Those Allah gives no light to, they have no light. (Qur'an, 24:40) In deep seas and oceans, the darkness is found at a depth of 200 meters (660 feet) and deeper. At this depth, there is almost no light, and below a depth of 1,000 meters (3,280 feet) there is no light at all.65 Today, we know about the general formation of the sea, the characteristics of the living things in it, its salinity, as well as the amount of water it contains, and its surface area and depth. Submarines and special equipment, developed with modern technology, have enabled scientists to obtain such information. Human beings are not able to dive to a depth of more than 70 meters (230 feet) without the aid of special equipment. They cannot survive unaided in the dark depths of the oceans, such as at a depth of 200 meters (660 feet). For these reasons, scientists have only recently been able to discover detailed information about the seas. However, that the depth of the sea is dark was revealed in the Qur'an 1,400 years ago. It is certainly one of the miracles of the Qur'an that such information was given at a time where no equipment to enable man to dive into the depths of the oceans was available. In addition, the statement in Surat an-Nur 40 "…like the darkness of a fathomless sea which is covered by waves above which are waves above which are clouds…" draws our attention to another miracle of the Qur'an. Scientists have only recently discovered that there are sub-surface waves, which "occur on density interfaces between layers of different densities." These internal waves cover the deep waters of seas and oceans because deep water has a higher density than the water above it. Internal waves act like surface waves. They can break, just like surface waves. Internal waves cannot be discerned by the human eye, but they can be detected by studying temperature or salinity changes at a given location.66 The statements in the Qur'an run parallel precisely the above explanation. Certainly, this fact, which scientists has discovered very recently, shows once again that the Qur'an is the word of Allah.
Harun Yahya (Allah's Miracles in the Qur'an)
It occurred to me to ask why she bought spiny lobsters from California at evident expense, when Homarus americanus was shuffling around the Atlantic coast, on her doorstep. That, Marder told me, was a sort of scientific cautionary tale about the perils of following the herd. The stomatogastric ganglion preparation from Homarus, it seems, was always taken to be difficult to work with because it didn't have lively fictive motor rhythms in the dish. In fact, it was unresponsive because everyone had been putting the ganglion in a saline made with a recipe copied form Edward Kravitz's papers. He is an illustrious researcher, but it so happened that he had devised this saline purposely to keep Homarus muscle preparations from moving, which suited him in the 1960s when he was studying the neuromuscular junction. Somehow the recipe was handed on respectfully and believed to be the 'right' saline for Homarus. ''And that recipe has the wrong calcium to magnesium ratios and so everything is silent. The minute we flipped over to using the Panuliris interruptus saline, the Homarus preparation worked just fine. Homarus got a really bad rap just because of that wrong saline.' Marder put her head in her hands in mock despair. 'Until the late 1990s! Unbelievable.
Charlotte Nassim (Lessons from the Lobster: Eve Marder's Work in Neuroscience (Mit Press))
And once at home, we have our remedy at hand, you know. A little of our own bracing sea air will soon set me on my feet again. Depend upon it, my dear, it is exactly a case for the sea. Saline air and immersion will be the very thing. (growing up on Prince Edward Island; I can testify that this is true! ;) When I was a child, it was a cure for everything from a cut to dropping your hot dog in the sand! And when I go home, I truly feel the beaches healing properties in all areas of my life! <3)
Jane Austen
Dinner progressed. Tyler brought our food in a moderately courteous manner but didn’t say much. Not that he could have, what with Marty’s constant anecdotes about the seedy underbelly of storage unit politics. In between stories, my date would ask questions, such as “how many gallons” was the largest breast implant I’d ever given a woman? “You know,” Marty said, screeching his knife across the plate as he carved up his virtually raw steak, “that gives me a phenomenal idea. You and I could team up on this and make a killing.” Typically, as a doctor, I tried to avoid that phrase. “Really, and what’s that?” He leaned forward, his face serious as bad news. “Saline-filled testicular implants. Boom!” He smacked his hands down on the table and sat up straight. “Think of it. Just like boob implants, only for the balls. ’Cause women like a good set of stones. Am I right?” No. He was wrong. No woman ever was attracted to a man because of his gargantuan balls.
Tracy Brogan (The Best Medicine (Bell Harbor, #2))
Pain is particularly susceptible to the power of suggestion. If you previously obtained pain relief by taking an aspirin, you expect the same benefit when someone hands you a similar-looking pill, even though it may be a placebo. This form of analgesia can be blocked by the opioid antagonist naloxone, implying that your belief recruits your body’s own opioid-like substances called endorphins. This is in line with what my mother told me about when she assisted her father, a surgeon, in operations in the hospital’s bunker during the Allied bombing campaign in World War II Berlin: when they ran out of morphine, the injured received, unbeknownst to them, a harmless saline injection that nevertheless provided relief. Placebos don’t just work for pain or depression. Belief helps improve motor symptoms in Parkinson’s disease and shapes immune response. The placebo effect is everywhere.21
Christof Koch (Then I Am Myself the World: What Consciousness Is and How to Expand It)
It happened in science lab on the very first day of their junior year. The chemistry teacher had handed her a beaker of some mysterious liquid and told her to carry it to her lab table. She had almost reached her seat when Jerome Hollis caught her eye and smiled. She blushed and tripped over her own feet. He plucked the beaker from her hands as she fell, then helped her stand up. “Thanks,” she said breathlessly. “For what?” He handed the flask back and her heart gave a little flip. He had straight black hair, hazel eyes, and black-framed glasses. He looked cute, in a nerdy-but-hip kind of way. She tried to collect herself. “For saving me from a horrible, disfiguring scar, of course,” she said. “After all, if I had been splashed with this, um—” She gingerly held the flask aloft. “Saline solution,” he said. “Otherwise known as salt water. You would have been fine.” “Oh.” She put the flask down and looked away. “Although,” he added thoughtfully, “if you had dropped the beaker, the gravitational force and speed of descent would have meant that it would have, in all probability, shattered.” Kate glanced back at him. “The force could have sent a shard of glass into my eye, blinding me,” she suggested. “Or cut a vein, causing a massive loss of blood. When you take all the disastrous possibilities into account—” “You should be given a medal for heroism,” Kate finished. “I can’t believe they’re not pinning it on my shirt right now.” He smiled, and she was lost.
Suzanne Harper (The Juliet Club)
Luz studied the mountains ahead, watched the sunset coloring them as the things gone from them: lilac, plum, lavender, orchid, mulberry, violet. Pomegranate, one of the last to go. John Muir had written how when we try to pick out anything by itself we find it hitched to everything else in the universe. Above those spoilt purple mountains materialized a glowing wedge of light, whiter than the sun, thin, blurred, and radiant. Snow, Luz thought, unable to stop herself. She’d seen snow only once, from a train skirting the Italian Alps, but she had never touched it and already she was zigging up there, ramming her fingers into the cool blue bank until they stung, crunching the puffs of sparkling crystals in her teeth, falling backward to make angels in the airy drifts. But there was nothing cool or blue or airy about this calcium-colored crust capping the range. It throbbed with heat, glowed radioactive with light. Luz said, “What is that?” just as the answer came to her. Ray said it. “The dune sea. The Amargosa.” “It’s that close?” They were barely beyond the city. Ray shook his head. “It’s that big.” This knocked Luz off balance: The dune was not atop the empurpled range before them but beyond it, beyond it by miles and miles. The white was not a rind of ice, not a snowcap, but sand piling up inland where the Mojave had been. They watched this sandsnow mirage, hypnotized by fertilizer dust and saline particulate and the pulverized bones of ancient sea creatures, though they did not know it. Did not know but felt this magnetic incandescence working the way the moon did, tugging at the iron in their blood. Knew only that it left them not breathless but with their breaths exactly synchronized. Ray reached for Luz, took her hand as though he’d never before touched her. They went on, silently transfixed by the immaculate flaxen range looming before them.
Claire Vaye Watkins (Gold Fame Citrus)
Some utopias become purer, harder, and harsher as they diminish, like an evaporating lake growing more saline every year in its shores of crystalline salt: think of the theorist-revolutionary Guy Debord, ostracizing and expelling people from the Situationist International movement until you could fit the future of artsy council communism around the back table of a Parisian bar. Some utopias dilute into the surrounding society that gives them context - the well-lit, spare, clean, glass-and-steel spaces of the Bauhaus are now the default settings for expensive apartments and bank lobbies, their mystic-visionary content reduced to homeopathic doses. Some die all at once with their founder or settle into a second act as businesses: silverware from the Oneida Perfectionists, hammocks from the Skinnerian behaviorist community Twin Oaks, or wind chimes from Arcosanti, which was once the be the germ of anthill arcologies honeycombing the planet. Of all these ways to end, a handful of utopian projects -perhaps the most successful - evaporate in practice but produce a persistent icon of the future for a group or a subculture, a shared arrangement of visions, a magnetic field by which other people unknowingly set their compasses. Extropy was one of these.
Finn Brunton (Digital Cash: The Unknown History of the Anarchists, Utopians, and Technologists Who Created Cryptocurrency)