Salem The Cat Quotes

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Faith aside, witchcraft served an eminently useful purpose. The aggravating, the confounding, the humiliating all dissolved in its cauldron. It made sense of the unfortunate and the eerie, the sick child and the rancid butter along with the killer cat. What else, shrugged one husband, could have caused the black and blue marks on his wife’s arm?
Stacy Schiff (The Witches: Salem, 1692)
You see, a witch has to have a familiar, some little animal like a cat or a toad. He helps her somehow. When the witch dies the familiar is suppose to die too, but sometimes it doesn't. Sometimes, if it's absorbed enough magic, it lives on. Maybe this toad found its way south from Salem, from the days when Cotton Mather was hanging witches. Or maybe Lafitte had a Creole girl who called on the Black Man in the pirate-haven of Barataria. The Gulf is full of ghosts and memories, and one of those ghosts might very well be that of a woman with warlock blood who'd come from Europe a long time ago, and died on the new continent. And possibly her familiar didn't know the way home. There's not much room for magic in America now, but once there was room. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
Out in the stone-pile the toad squatted with its glowing jewel-eyes and, maybe, its memories. I don't know if you'll admit a toad could have memories. But I don't know, either, if you'll admit there was once witchcraft in America. Witchcraft doesn't sound sensible when you think of Pittsburgh and subways and movie houses, but the dark lore didn't start in Pittsburgh or Salem either; it goes away back to dark olive groves in Greece and dim, ancient forests in Brittany and the stone dolmens of Wales. All I'm saying, you understand, is that the toad was there, under its rocks, and inside the shack Pete was stretching on his hard bed like a cat and composing himself to sleep. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
If you were crossing the road and saw a black cat passing, you may possibly get hit by a car, or a mail boy or the sky could rain in summer, possibly snow. Those were theories, none of them were true. It was like karma; it only happens to you if you believed in them. Myths, Cecilia called them. The guy looked frozen. This is silly, she thought. He could not be that affected by the cat. Cecilia had been working here for a year and she wasn’t struck by lightning, she was alive, of course, nobody chose the cat so this is why she was the oldest pet in the store.
Basma Salem (The Art Of Black)
and outward enemies of the State. The latter were the savages, the former the Quakers; the energy expended by the early Puritans in resistance to the tomahawk not weakening their disposition to deal with spiritual dangers. They employed the same — or almost the same — weapons in both directions; the flintlock and the halberd against the Indians, and the cat-o’-nine-tails against the heretics. One of the longest, though by no means one of the most successful, of Hawthorne’s shorter tales (The Gentle Boy) deals with this pitiful persecution of the least aggressive of all schismatic bodies. William Hathorne, who had been made a magistrate of the town of Salem, where a grant of land had been offered him as an inducement to residence, figures in New England history as having given orders that “Anne Coleman and four of her friends” should be whipped through Salem, Boston, and Dedham.
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne)
There is a certain irony here, because many of the first werewolves to be outed in society from the 16th through the 18th centuries were actually women. Just as our American ancestors had their Salem Witch Trials, Europe had its Werewolf Trials, and a large number of the so-called “werewolves” tortured and burned at the stake were female. […] In the 17th-century werewolf trials of Estonia, women were about 150 percent more likely to be accused of lycanthropy; however, they were about 100 percent less likely to be remembered for it.” “Here’s also a pronounced lack of female werewolves in popular culture. Their near absence in literature and film is explained away by various fancies: they’re sterile, an aberration, or—most galling of all—they don’t even exist.Their omission from popular culture does one thing very effectively: It prevents us, and men especially, from being confronted by hairy, ugly, uncontrollable women. Shapeshifting women in fantasy stories tend to transform into animals that we consider feminine, such as cats or birds, which are pretty and dainty, and occasionally slick and wicked serpents. But because the werewolf represents traits that are accepted as masculine—strength, large size, violence, and hirsutism—we tend to think of the werewolf as being naturally male. The female werewolf is disturbing because she entirely breaks the rules of femininity.
Julia Oldham
Hitch saw his dog Salem’s golden frame collapsed and quivering on the ground, and he knew something was wrong. She’d been fine the day before, swimming in the creek just as careless as a dog swimming in a creek should be, but Salem was now moaning, fussing and generally acting as if a cat had just been elected governor. Hitch
Jonathan Maas (The Dog That Laid Eggs)
Tabitha is classical spinster—similar to Tituba, the Caribbean servant at Salem, Massachusetts, who allegedly taught the spells and charms that led Sarah Good and nineteen others to be burned or hanged for witchcraft. And “Tabitha” would be long associated with single women—tabbies, tabby cats, would become common nineteenth-century single nicknames—and with witches.
Betsy Israel (Bachelor Girl: 100 Years of Breaking the Rules—A Social History of Living Single)
Many of the persons convicted at Salem were found to have dolls in their possession, a piece of circumstantial evidence that in itself was almost sufficient to convict them. But there were other ways if determining whether a person was a witch or not. Witches were thought to have witch-marks on some part of their bodies, an area of skin that was red or blue or in some way different from the rest. Furthermore, at some time during a twenty-four-hour period, it was thought, the devil or one of his imps would visit the witch and be visible to observers. He might come in the shape of a man or a woman or a child, or a cat, dog, rat, toad--indeed, any kind of creature. The devil could take nearly any shape he chose. So the usual procedure against a person accused of witchcraft was to search his or her belongings for dolls, search his or her body for witch-marks, and then keep watch over the person in the middle of the room for twenty-four hours. God help anyone who had an old doll in his possession and in addition had some skin blemish.
Edmund S. Morgan (American Heroes: Profiles of Men and Women Who Shaped Early America)
A cursed talking cat? What is this, Sabrina the Teenage Witch?” He blinked his eyes at me. “What?” “You know… Salem? He’s cursed to be a…” I looked at his blank face. Clearly, he’d never watched human television.
Jennifer Chipman (Spookily Yours (Witches of Pleasant Grove, #1))
Just so we’re clear, I’m not a virgin,” I blurted out. “I’ve had sex. Like, a lot of it. So much sex.” I waved my free hand in front of my nether regions to further punctuate my declaration. You don’t even know, people. I’ve seen things. Things a cat can never unsee, Titus said.
Harmony Hart (Basic Witch: Witches of Salem (Gemma Bradbury Magical Cozy Mysteries, #1))