Salem Quotes

We've searched our database for all the quotes and captions related to Salem. Here they are! All 100 of them:

You can't look back - you just have to put the past behind you, and find something better in your future.
Jodi Picoult (Salem Falls)
After a certain point, a heart with so many stress fractures can never be anything but broken.
Jodi Picoult (Salem Falls)
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you.
Stephen King (’Salem’s Lot)
God grant me to SERENITY to accept what I cannot change the TENACITY to change what I may and the GOOD LUCK not to f*** up too often
Stephen King (’Salem’s Lot)
Words are like eggs dropped from great heights; you can no more call them back than ignore the mess they leave when they fall.
Jodi Picoult (Salem Falls)
There is a place in you that you don't even know exists, where you can simply stand back and watch without feeling any pain.
Jodi Picoult (Salem Falls)
We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!
Arthur Miller (The Crucible: A Play in Four Acts)
A very wise man once told me that you can't look back-you just have to put the past behind you, and find something better in your future.
Jodi Picoult (Salem Falls)
Kools and Newports were for black people and lower-class whites. Camels were for procrastinators, those who wrote bad poetry, and those who put off writing bad poetry. Merits were for sex addicts, Salems were for alcoholics, and Mores were for people who considered themselves to be outrageous but really weren't.
David Sedaris (When You Are Engulfed in Flames)
The basis of all human fears, he thought. A closed door, slightly ajar.
Stephen King ('Salem's Lot)
Raw love, like raw heartache, could blindside you.
Jodi Picoult (Salem Falls)
The sandwich he made was bologna and cheese, his favorite. All the sandwiches he made were his favorites; that was one of the advantages of being single.
Stephen King (’Salem’s Lot)
if i'm going to fuck up my life, does it really matter which way i do it?.
Jodi Picoult (Salem Falls)
A lie took two parties - the weaver of the tale and the sucker who so badly wanted to believe it.
Jodi Picoult (Salem Falls)
Missed opportunities were never superficial wounds; they cut straight to the bone.
Jodi Picoult (Salem Falls)
All it takes is a second and your whole life can get turned upside down.
Jodi Picoult (Salem Falls)
When it's all over, you're remembered for what you did, not what you said you were going to do.
Jodi Picoult (Salem Falls)
Sometimes painfully lost people can teach us lessons that we didn't think we needed to know, or be reminded of---the more history changes, the more it stays the same.
Shannon L. Alder
Evil does not alter easily.....
Olivia Hardy Ray (Annabel Horton, Lost Witch of Salem)
What you had could never make up for what you'd lost.
Jodi Picoult (Salem Falls)
If she’d been born at the right time they would have burned her over in Salem.
John Updike (A&P: Lust in the Aisles)
If a man dethrones God in his heart, Satan must ascend to His position.
Stephen King (’Salem’s Lot)
Some people don't know what to do with an act of kindness.
Jodi Picoult (Salem Falls)
The town kept its secrets, and the Marsten House brooded over it like a ruined king.
Stephen King (’Salem’s Lot)
Ben smiled back, 'Mark Twain said a novel was a confession to everything by a man who had never done anything.
Stephen King (’Salem’s Lot)
Salem snorted. "The Vamp basically told her, 'I'm in a weird place in me life right now, and I need some space.' Of course, he told her that by pointing a bloody sword at her whilst bellowing, 'I forsake you!' in front of the whole kingdom.
Kresley Cole (Shadow's Claim (Immortals After Dark, #12; The Dacians, #1))
The essential and defining characteristic of childhood is not the effortless merging of dream and reality, but only alienation. There are no words for childhood's dark turns and exhalations. A wise child recognizes it and submits to the necessary consequences. A child who counts the cost is a child no longer.
Stephen King (’Salem’s Lot)
If a fear cannot be articulated, it can’t be conquered.
Stephen King ('Salem's Lot)
Only library books speak with such wordless eloquence of the power good stories hold over us.
Stephen King (’Salem’s Lot)
He have his goodness now. God forbid I take it from him!
Arthur Miller (The Crucible: A Play in Four Acts)
Crying was like pissing everything out on the ground.
Stephen King (’Salem’s Lot)
The town has a sense, not of history, but of time, and the telephone poles seem to know this. If you lay your hand against one, you can feel the vibration from the wires deep within the wood, as if souls had been imprisoned in there and were struggling to get out.
Stephen King (’Salem’s Lot)
I think we deserve a happily-ever-after." "If anyone ever did, it's us.
Jodi Picoult (Salem Falls)
Corey Bryant sank into a great forgetful river, and that river was time, and its waters were red.
Stephen King (’Salem’s Lot)
At three in the morning the blood runs slow and thick, and slumber is heavy. The soul either sleeps in blessed ignorance of such an hour or gazes about itself in utter despair. There is no middle ground.
Stephen King ('Salem's Lot)
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.
Stephen King ('Salem's Lot)
People change, but only if you give them room to do it.
Jodi Picoult (Salem Falls)
You are the last person I want to kiss. The last woman I want in my bed. I want you to be the last girl that touches any and all parts of me, Salem, and that means so much more than a first.
Jay Crownover (Rowdy (Marked Men, #5))
Sometimes it made her want to put her fist through glass; other times, it made her cry a river.
Jodi Picoult (Salem Falls)
Storytelling is as natural as breathing; plotting is the literary version of artificial respiration.
Stephen King ('Salem's Lot)
The truth always arrive too late because it walks slower than lies. Truth crawls at a snail's pace.
Maryse Condé (I, Tituba, Black Witch of Salem)
small towns have long memories and pass their horrors down ceremonially from generation to generation.
Stephen King ('Salem's Lot)
Do you know, Mother, that Haj Salem was buried alive in his home? Does he tell you stories in heaven now? I wish I had had a chance to meet him. To see his toothless grin and touch his leathery skin. To beg him, as you did in your youth, for a story from our Palestine. He was over one hundred years old, Mother. To have lived so long, only to be crushed to death by a bulldozer. Is this what it means to be Palestinian?
Susan Abulhawa (Mornings in Jenin)
She understood how a world jammed with phones, email, and faxes could still leave you feeling utterly alone.
Jodi Picoult (Salem Falls)
I think...she said finally, "that all of us have got our ghosts.
Jodi Picoult (Salem Falls)
To his way of thinking, the only thing more natural than death was sex.
Stephen King (’Salem’s Lot)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
And all around them, the bestiality of the night rises on tenebrous wings. The vampire’s time has come.
Stephen King ('Salem's Lot)
Have you ever really held the hand of someone you love? Not just in passing, a loose link between you - but truly clasped, with the pulses of your wrists beating together and your fingers mapping the knuckles and nails like a cartographer learning a country by heart?
Jodi Picoult (Salem Falls)
She said there are evil men in the world, truly evil men. Sometimes we hear of them, but more often they work in absolute darkness.
Stephen King ('Salem's Lot)
People believe a lot of weird stuff in Salem.
Adriana Mather (How to Hang a Witch (How to Hang a Witch, #1))
...if you come across someone sad and you do not try to make them smile, then you have disgraced your own humanity.
Adriana Mather (Haunting the Deep (How to Hang a Witch, #2))
The town knew about darkness. It knew about the darkness that comes on the land when rotation hides the land from the sun, and about the darkness of the human soul
Stephen King (’Salem’s Lot)
There were fourteen steps exactly fourteen. But the top one was smaller, out of proportion, as if it had been added to avoid the evil number.
Stephen King (’Salem’s Lot)
That above all else. They did not look out their windows. No matter what noises or dreadful possibilities, no matter how awful the unknown, there was an even worse thing: to look the Gorgon in the face.
Stephen King (’Salem’s Lot)
Why are you doing this to yourself? When something bad happens, why do you have to pick at it until it bleeds all over again?
Jodi Picoult (Salem Falls)
Lies were only as strong as the suckers that believed them.
Jodi Picoult (Salem Falls)
It’s not like they exactly agreed. They’re just kinda silent about the whole thing,” I say. “Group silence can be a death sentence. It was in Salem,” he says.
Adriana Mather (How to Hang a Witch (How to Hang a Witch, #1))
Life is too kind to men, whatever their color.
Maryse Condé (I, Tituba, Black Witch of Salem)
I think it's relatively easy for people to accept something like telepathy or precognition or teleplasm because their willingness to believe doesn't cost them anything. It doesn't keep them awake nights. But the idea that the evil that men do lives after them is unsettling.
Stephen King ('Salem's Lot)
Things were going very fast now. Too fast to suit him. Fantasy and reality had merged.
Stephen King (’Salem’s Lot)
The town cares for devil’s work no more than it cares for God’s or man’s. It knew darkness. And darkness was enough.
Stephen King ('Salem's Lot)
If she is innocent! Why do you never wonder if Parris be innocent, or Abigail? Is the accuser always holy now? Were they born this morning as clean as God's fingers? I'll tell you what's walking Salem—vengeance is walking Salem. We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!
Arthur Miller (The Crucible: A Play in Four Acts)
The best way to prevent a heartache was to cushion the coming blow.
Jodi Picoult (Salem Falls)
She had always consciously or unconsciously formed fear into a simple equation: fears = unknown.
Stephen King (’Salem’s Lot)
Before drifting away entirely, he found himself reflecting---not for the first time---on the peculiarity of adults. Thet took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.
Stephen King ('Salem's Lot)
We all subscribe to preposterous beliefs; we just don’t know yet which ones they are. We too have been known to prefer plot to truth; to deny the evidence before us in favor of the ideas behind us; to do insane things in the name of reason; to take that satisfying step from the righteous to the self-righteous; to drown our private guilts in a public well; to indulge in a little delusion.
Stacy Schiff (The Witches: Salem, 1692)
the letters are mixed up. U and I should be together.
Jodi Picoult (Salem Falls)
The Life Ruiner alone didn't ruin me. The world that made him did—the place that continues to manufacture replicas of him and continues to create the circumstances in which he and his replicas thrive. What is there to do about that?
Nora Salem (Not That Bad: Dispatches from Rape Culture)
But when fall comes, kicking summer out on it's treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed.
Stephen King (’Salem’s Lot)
He gently touched his mother's cheek, felt her sorrow slip over his fingertips.
Jodi Picoult (Salem Falls)
We’d all be scared if we knew what was swept under the carpet of each other’s minds
Stephen King (’Salem’s Lot)
Writing controlled fiction is called “plotting.” Buckling your seatbelt and letting the story take over, however…that is called “storytelling.” Storytelling is as natural as breathing; plotting is the literary version of artificial respiration.
Stephen King ('Salem's Lot)
I look for John Proctor that took me from my sleep and put knowledge in my heart! I never knew what pretence Salem was, I never knew the lying lessons I was taught by all these Christian women and their covenanted men! And now you bid me tear the light out of my eyes! I will not, I cannot! You loved me, John Proctor, and whatever sin it is, you love me yet!
Arthur Miller (The Crucible: A Play in Four Acts)
It was a moment he remembered for years after, as though a special small slice had been cut from the cake of time. If nothing fires between two people, such an instant simply falls back into the general wrack of memory.
Stephen King (’Salem’s Lot)
God grant me the SERENITY to accept what I cannot change, the TENACITY to change what I may, and the GOOD LUCK not to fuck up too often.
Stephen King ('Salem's Lot)
When change cometh, she will bring peace at her back. She will not bend to your will; you must bend to hers.
Adriana Mather (How to Hang a Witch (How to Hang a Witch, #1))
- L, did you know we’re reenacting the Salem witch trials in English tomorrow? - Haven’t been memorizing your case file? Do you even look in your backpack anymore? - Did you know my dad is videotaping it? I do. Because I walked in on his lunch date with Mrs. English. - Ewww. - What should we do? - I guess we should start calling her Ms. English? - Not funny, L.
Kami Garcia (Beautiful Chaos (Caster Chronicles, #3))
Ignorance is the worst plague of all, a form of blindness that destroys the hearts of the people who hide behind it.
David Estes (Brew (Salem's Revenge, #1))
Oddly, the burned hand didn't seem to hurt much anymore; it was only numb. It would have been better if there had been pain. Pain was at least real.
Stephen King (’Salem’s Lot)
What exists beneath the sea? I’d always pictured it in colors of emerald and aquamarine, where black velvet fish with sequined eyes swim among plankton. But, when my eyes adjust, I see gray stones, lost anchors, wet wood, buttons, hooks, and eyes, the salem witches who wouldn’t float, stars and stripes, missing vessels, windup toys, the souls of Romeo and Juliet, peaches, cream, pistons, screams, cages of ribs and birds, tunnels, nutcracker soldiers, satin bows, drugstore signs, Pandora box ripped open at its hinges.
Kelly Easton (The Life History of a Star)
Alone. Yes, that’s the key word, the most awful word in the English tongue. Murder doesn’t hold a candle to it and hell is only a poor synonym…
Stephen King ('Salem's Lot)
every now and then, i worry about people in the third world countries. and then i figure if they all started having sex, their lives would be considerably brighter.
Jodi Picoult (Salem Falls)
a cloud-congested caul that is alternately red, orange, vermilion, purple. Sometimes the clouds break apart in great, slow rafts, letting through beams of innocent yellow sunlight that are bitterly nostalgic for the summer that has gone by.
Stephen King (’Salem’s Lot)
When I was girl by Nilus stream I watched the deserts stars arise; My lover, he who dreamed the Sphinx, Learned all his dreaming from eyes. I bore in Greece a burning name, And I have been in Italy Madonna to a painter-lad, And mistress to a Medici. And have you heard (and I have heard) Of puzzled men with decorous mien, Who judged - the wench knew far too much - And burnt her on the Salem green?
Adelaide Crapsey (Verse)
There's got to be a moment when that baby [flying] squirrel looks from the end of one branch to the tree six feet away and thinks twice about making a leap. Falling in love is no different; it's the moment that we close our eyes and throw away everything that seems reasonable and hope to God there's someone or something waiting to catch us on the other side.
Jodi Picoult
The trial of Jesus of Nazareth, the trial and rehabilitation of Joan of Arc, any one of the witchcraft trials in Salem during 1691, the Moscow trials of 1937 during which Stalin destroyed all of the founders of the 1924 Soviet REvolution, the Sacco-Vanzetti trial of 1920 through 1927- there are many trials such as these in which the victim was already condemned to death before the trial took place, and it took place only to cover up the real meaning: the accused was to be put to death. These are trials in which the judge, the counsel, the jury, and the witnesses are the criminals, not the accused. For any believer in capital punishment, the fear of an honest mistake on the part of all concerned is cited as the main argument against the final terrible decision to carry out the death sentence. There is the frightful possibility in all such trials as these that the judgement has already been pronounced and the trial is just a mask for murder.
Katherine Anne Porter (The Never-Ending Wrong)
At three in the morning the blood runs slow and thick, and slumber is heavy. The soul either sleeps in blessed ignorance of such an hour or gazes about itself in utter despair. There is no middle ground
Stephen King ('Salem's Lot)
It had that comfortably sprung, lived-in look that library books with a lively circulation always get; bent page corners, a dab of mustard on page 331, a whiff of some reader's spilled after-dinner whiskey on page 468. Only library books speak with such wordless eloquence of the power good stories hold over us, how good stories abide, unchanged and mutely wise, while we poor humans grow older and slower.
Stephen King (’Salem’s Lot)
Faith aside, witchcraft served an eminently useful purpose. The aggravating, the confounding, the humiliating all dissolved in its cauldron. It made sense of the unfortunate and the eerie, the sick child and the rancid butter along with the killer cat. What else, shrugged one husband, could have caused the black and blue marks on his wife’s arm?
Stacy Schiff (The Witches: Salem, 1692)
I took a step. And then another. And so it went as we followed Father, who had come to take us forever away from Salem. And with every step I thought of my mother's courage as she faced her judges. With every step I thought of her cleaving to the truth even as she fell the short distance of the rope. With every step I thought of her pride, her strength, her love. And with every step I thought, I am my mother's daughter, I am my mother's daughter...
Kathleen Kent (The Heretic's Daughter)
There is no life here but the slow death of days, and so when the evil falls on the town, its coming seems almost preordained, sweet and morphic. It is almost as though the town knows the evil was coming and the shape it would take.
Stephen King (’Salem’s Lot)
He wondered at the atrocities human kind was capable of committing. The majority of those housed below were ill, mentally or physically, not witches. Most were poor victims--the outcasts of society; or the opposite, people so blessed, others coveted their lives.
Brynn Chapman (Where Bluebirds Fly (Synesthesia Shift Series))
Thin clouds form, and the shadows lengthen out. They have no breadth, as summer shadows have; there are no leaves on the trees or fat clouds in the sky to make them thick. They are gaunt, mean shadows that bite the ground like teeth. As the sun nears the horizon, its benevolent yellow begins to deepen, to become infected, until it glares an angry inflamed orange. It throws a variegated glow over the horizon.
Stephen King (’Salem’s Lot)
I put my pen to the paper and began to write. I’d made so many wishes for so many couples quietly in my head as they drove away, but writing the words out made it seem more real, possible. For them, and maybe for me. FOR YOU, I WISH FOR SECOND CHANCES. I folded it shut, then put it on the wall before I could change my mind, right above Jilly’s. As Michael Salem called out to her and she started his way, I crossed the backyard, moving toward the music. When I looked back at the wish wall from a distance, it was a sea of squares: I couldn’t even find mine among them. So many things we ask for, hope for, prayers put out into a world so wide: there was no way they could all be answered. But you had to keep asking. If you didn’t, nothing even had a chance of coming true.
Sarah Dessen (Once and for All)
In the modern world all terrors could be gutted by simple use of the transitive axiom of quality. Some fears were justified, of course (you don't drive when you're too plowed to see, don't extend the hand of friendship to snarling dogs, don't go parking with boys you don't know - how did the old joke go? Screw or walk?), but until now she had not believed that some fears were larger than comprehension, apocalyptic and nearly paralyzing. This equation was insoluble. The act of moving forward at all became heroism.
Stephen King (’Salem’s Lot)
Sometime the witch hunting takes on atrocious dimensions — the Nazi persecution of Jews, the Salem witch trials, the Ku Klux Klan scapegoating of blacks. Notice, however, that in all such cases the persecutor hates the persecuted for precisely those traits that the persecutor displays with a glaringly uncivilized fury. At other times, the witch hunt appears in less terrifying proportions—the cold war fear of a "Commie under every bed," for instance. And often, it appears in comic form—the interminable gossip about everybody else that tells you much more about the gossiper than about the object of gossip. But all of these are instances of individuals desperate to prove that their own shadows belong to other people. Many men and women will launch into tirades about how disgusting homosexuals are. Despite how decent and rational they otherwise try to behave, they find themselves seized with a loathing of any homosexual, and in an emotional outrage will advocate such things as suspending gay civil rights (or worse). But why does such an individual hate homosexuals so passionately? Oddly, he doesn’t hate the homosexual because he is homosexual; he hates him because he sees in the homosexual what he secretly fears he himself might become. He is most uncomfortable with his own natural, unavoidable, but minor homosexual tendencies, and so projects them. He thus comes to hate the homosexual inclinations in other people—but only because he first hates them in himself. And so, in one form or another, the witch hunt goes. We hate people "because," we say, they are dirty, stupid, perverted, immoral.... They might be exactly what we say they are. Or they might not. That is totally irrelevent, however, because we hate them only if we ourselves unknowingly possess the despised traits ascribed to them. We hate them because they are a constant reminder of aspects of ourselves that we are loathe to admit. We are starting to see an important indicator of projection. Those items in the environment (people or things) that strongly affect us instead of just informing us are usually our own projections. Items that bother us, upset us, repulse us, or at the other extreme, attract us, compel us, obsess us—these are usually reflections of the shadow. As an old proverb has it, I looked, and looked, and this I came to see: That what I thought was you and you, Was really me and me.
Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)
From time to time our national history has been marred by forgetfulness of the Jeffersonian principle that restraint is at the heart of liberty. In 1789 the Federalists adopted Alien and Sedition Acts in a shabby political effort to isolate the Republic from the world and to punish political criticism as seditious libel. In 1865 the Radical Republicans sought to snare private conscience in a web of oaths and affirmations of loyalty. Spokesmen for the South did service for the Nation in resisting the petty tyranny of distrustful vengeance. In the 1920's the Attorney General of the United States degraded his office by hunting political radicals as if they were Salem witches. The Nation's only gain from his efforts were the classic dissents of Holmes and Brandeis. In our own times, the old blunt instruments have again been put to work. The States have followed in the footsteps of the Federalists and have put Alien and Sedition Acts upon their statute books. An epidemic of loyalty oaths has spread across the Nation until no town or village seems to feel secure until its servants have purged themselves of all suspicion of non-conformity by swearing to their political cleanliness. Those who love the twilight speak as if public education must be training in conformity, and government support of science be public aid of caution. We have also seen a sharpening and refinement of abusive power. The legislative investigation, designed and often exercised for the achievement of high ends, has too frequently been used by the Nation and the States as a means for effecting the disgrace and degradation of private persons. Unscrupulous demagogues have used the power to investigate as tyrants of an earlier day used the bill of attainder. The architects of fear have converted a wholesome law against conspiracy into an instrument for making association a crime. Pretending to fear government they have asked government to outlaw private protest. They glorify "togetherness" when it is theirs, and call it conspiracy when it is that of others. In listing these abuses I do not mean to condemn our central effort to protect the Nation's security. The dangers that surround us have been very great, and many of our measures of vigilance have ample justification. Yet there are few among us who do not share a portion of the blame for not recognizing soon enough the dark tendency towards excess of caution.
John F. Kennedy
For a person accustomed to the multi ethnic commotion of Los Angeles, Vancouver, New York, or even Denver, walking across the BYU campus can be a jarring experience. One sees no graffiti, not a speck of litter. More than 99 percent of the thirty thousand students are white. Each of the young Mormons one encounters is astonishingly well groomed and neatly dressed. Beards, tattoos, and pierced ears (or other body parts) are strictly forbidden for men. Immodest attire and more than a single piercing per ear are forbidden among women. Smoking, using profane language, and drinking alcohol or even coffee are likewise banned. Heeding the dictum "Cougars don't cut corners," students keep to the sidewalks as they hurry to make it to class on time; nobody would think of attempting to shave a few precious seconds by treading on the manicured grass. Everyone is cheerful, friendly, and unfailingly polite. Most non-Mormons think of Salt Lake City as the geographic heart of Mormonism, but in fact half the population of Salt Lake is Gentile, and many Mormons regard the city as a sinful, iniquitous place that's been corrupted by outsiders. To the Saints themselves, the true Mormon heartland is here in Provo and surrounding Utah County--the site of chaste little towns like Highland, American Fork, Orem, Payson and Salem--where the population is nearly 90 percent LDS. The Sabbath is taken seriously in these parts. Almost all businesses close on Sundays, as do public swimming pools, even on the hottest days of the summer months. This part of the state is demographically notable in other aspects, as well. The LDS Church forbids abortions, frowns on contraception, and teaches that Mormon couples have a sacred duty to give birth to as many children as they can support--which goes a long way toward explaining why Utah County has the highest birth rate in the United States; it is higher, in fact, than the birth rate in Bangladesh. This also happens to be the most Republican county in the most Republican state in the nation. Not coincidentally, Utah County is a stronghold not only of Mormonism but also Mormon Fundamentalism.
Jon Krakauer