Saints Row Quotes

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[Cannery Row's] inhabitants are, as the man once said, 'whores, pimps, gamblers, and sons of bitches,' by which he meant everybody. Had the man looked through another peephole he might have said, 'saints and angels and martyrs and holy men,' and he would have meant the same thing.
John Steinbeck (Cannery Row (Cannery Row, #1))
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holymen" and he would have meant the same thing.
John Steinbeck (Cannery Row (Cannery Row, #1))
Names crowded into his thoughts. Staski. Kiril. Kirigan. Anton. Eryk. An avalanche of memories. He’d been all of them, but who should be become now? He’d had plenty of time to consider such things in the isolation of his glass cell, but now that he was free, truly free to choose, he found that only one name suited. The oldest of them: Aleksander. He had no reason to hide his strangeness anymore. Saints were meant to live forever.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
THE MOON AND THE YEW TREE This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue. The grasses unload their griefs on my feet as if I were God, Prickling my ankles and murmuring of their humility. Fumy, spiritous mists inhabit this place Separated from my house by a row of headstones. I simply cannot see where there is to get to. The moon is no door. It is a face in its own right, White as a knuckle and terribly upset. It drags the sea after it like a dark crime; it is quiet With the O-gape of complete despair. I live here. Twice on Sunday, the bells startle the sky Eight great tongues affirming the Resurrection. At the end, they soberly bong out their names. The yew tree points up. It has a Gothic shape. The eyes lift after it and find the moon. The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls. How I would like to believe in tenderness The face of the effigy, gentled by candles, Bending, on me in particular, its mild eyes. I have fallen a long way. Clouds are flowering Blue and mystical over the face of the stars. Inside the church, the saints will be all blue, Floating on their delicate feet over the cold pews, Their hands and faces stiff with holiness. The moon sees nothing of this. She is bald and wild. And the message of the yew tree is blackness -- blackness and silence. --written 22 October 1961
Sylvia Plath (Ariel)
He has told us that He is the hungry one. He is the naked one. He is the thirsty one. He is the one without a home. He is the one who is suffering. These are our treasures, she said, looking at the rows of pallets in the caravanserai. They are Jesus.
Mother Teresa
Its inhabitant are, as the man once said, "whores, pimps, gamblers and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holy men," and he would have meant the same thing. Quoted by Richard Wagamese in Ragged Company
John Steinbeck (Cannery Row (Cannery Row, #1))
Agatha surveys the garden, its rows of crinkled spring cabbages and beanstalks entwining bowers of hawthorn and hazel. The rosemary is dotted with pale blue stars of blossom and chives nod heads of tousled purple. New sage leaves sprout silver green among the brittle, frost-browned remains of last year's growth. Lily of the valley, she thinks, that will be out in the cloister garden at Saint Justina's by now.
Sarah Bower (The Needle in the Blood)
The wind nudged it for ninety-nine weeks in a row, and still nothing happened; the barn did not budge. But on the one hundredth week, the wind nudged the barn and the barn fell onto itself. It was not that the one hundredth week of nudging was any stronger than the previous weeks. It was not even that the one hundredth week of nudging was what had actually knocked the barn over. The ninety-nine weeks of nudging were what had truly done the job, but the one hundredth was the one around to take the credit.
Maggie Stiefvater (All the Crooked Saints)
Water splashes and runs in a film across the glass floor suspended above the mosaics. The Hacı Kadın hamam is a typical post-Union fusion of architectures; Ottoman domes and niches built over some forgotten Byzantine palace, years and decades of trash blinding, gagging, burying the angel-eyed Greek faces in the mosaic floor; century upon century. That haunted face was only exposed to the light again when the builders tore down the cheap apartment blocks and discovered a wonder. But Istanbul is wonder upon wonder, sedimented wonder, metamorphic cross-bedded wonder. You can’t plant a row of beans without turning up some saint or Sufi. At some point every country realizes it must eat its history. Romans ate Greeks, Byzantines ate Romans, Ottomans ate Byzantines, Turks ate Ottomans. The EU eats everything. Again, the splash and run as Ferid Bey scoops warm water in a bronze bowl from the marble basin and pours it over his head.
Ian McDonald (The Dervish House)
For a second, I actually wonder if my brother, the saint, might actually be lying.
Ally Carter (See How They Run (Embassy Row, #2))
I love you, Lydia.” “I love you, too,” my beautiful wife replies. She’s my life. My savior. My patron saint. “More than all the words invented could possibly describe.” We share a smile.
Lauren Rowe (Hero (The Morgan Brothers, #1))
When people asked if I needed any help I told them no, my friend was coming right back, but after another half hour, after every other person had trickled away, I had to concede that not even good old Saint Sebastian was coming to get me. That was when I saw how the backs of theater seats could provide a stable means of transfer. I stood and held one and then the next and the next, hopping my way to the aisle and then hopping my way up the stairs row by row, all the way back to where my wheelchair was waiting. I used the chair as a walker, pushing it through the door until I got outside and got myself seated and got myself very slowly back home in the dark. Funnily enough, this turned out to be the thing that saved me: the knowledge that I could get back by myself.
Ann Patchett (Tom Lake)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.
John Steinbeck
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
I knew that I wasn’t entirely sane. I still knew, as I had as a child, that there was something strange about myself. I felt as if I were destined to be a murderer, a bank robber, a saint, a rapist, a monk, a hermit. I needed an isolated place to hide. Skid row was disgusting. The life of the sane, average man was dull, worse than death. There seemed to be no possible alternative. Education also seemed to be a trap. The little education I had allowed myself had made me more suspicious. What were doctors, lawyers, scientists? They were just men who allowed themselves to be deprived of their freedom to think and act as individuals. I went back to my shack and drank…
Charles Bukowski
He told me to stay away from you.” Strong hands roamed her back in the most comforting fashion. “You should have listened.” Rose raised her face to look at him. “But then I would not have known what it was to be truly happy.” Grey’s eyes widened, and for a moment he looked young and vulnerable. “Don’t say that. I’ve made you miserable.” She smiled sadly. “True, but those nights with you at Saint’s Row? That was happiness for me. The most I’ve ever known.” His mouth opened and she pressed her fingers again his lips to close them. “You don’t have to say anything. I already know it’s not what I want to hear.” Grey frowned, and reached up to move her hand from his face. He held her fingers within his. He gave off more heat than the fire she’d fried herself in front of earlier. Heat that went straight to her bones, right to the very center of her being, radiating out into her limbs. There was nothing seductive about their embrace and yet she ached inside, that wet and willing part of herself desperate to take him inside once more. She wanted to claim him, mark him. Ruin him for anyone else. “I was happy too,” he said softly. So softly she wouldn’t have known it was him who spoke were she not watching his beautiful lips as they formed the words. “God help me, you make me forget every vow and promise I’ve ever made.” Heart pounding, Rose didn’t resist as he dropped her hand to thread his fingers in her hair, pressing against her scalp. “You make me feel like someone else,” he told her gruffly. “A good man. A worthy man, and not a selfish bastard too corrupted to ever be loved.” Her eyes burned, but Rose managed to hold the tears at bay. She bit her lip, staring at him, she knew, with her heart in her eyes. She didn’t care. “You are a good man,” she whispered. “The best I know.” Who else would cut himself off from almost all contact with people simply to keep himself from returning to a way of life he wanted to leave behind? “You shouldn’t say things like that.” “Why not? I believe them.” “Because when you say them, I want to believe them.” And then he lowered his head and captured her mouth with his own.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
So, of course Rose decided this would be a good time to discuss such matters. “I would also like to know if you know ways to prevent pregnancy.” He choked on a grape. She lurched toward him, but he coughed and spat the villainous fruit on the grass. He wiped at his watery eyes with the back of his hand as he turned his face to her once more. “That will teach me not to chew sufficiently.” Rose smiled shakily, her heart skipping. “You scared me.” What if he had choked to death right in front of her? She couldn’t even begin to contemplate life without him. “You stunned me. That’s not exactly something you bring up out of the blue.” His eyes twinkled. “Was it the mention of your puppy? Are you frightened of having a litter?” When he looked at her like that-like they were friends and so much more-it made her insides feel like leaves blowing in the wind. Her gaze slid to her lap. “I would like us to have some time together before we have children.” Some of the tenderness drained from his expression. “I should have taken precautions last night. I’m sorry. I didn’t think of children, only…” “Only what?” If it made his eyes warm like that, she wanted to know what he’d been thinking. His gaze locked with hers, so sharp and hot. “I thought only of how it felt to be naked inside you.” A hard throb pulsed low and deep inside her, bringing sexual awareness speeding to the surface. It had been different without the “French Letter.” It had been better than the times at Saint’s Row, even though she wouldn’t have thought that possible. But that difference wasn’t entirely physical, she knew that. “And how did that feel?” Lord, was that warble really her voice? Grey regarded her from beneath heavy lids. “Like heaven.” Dear God, the man knew exactly what to say to her. She was already leaning toward him, pulled by some invisible string. “Really?” He reached out, cupping her jaw with his warm hand. His thumb brushed her lower lip, pulling it just a little. “Really. And if we weren’t out in the open I’d show you.” “I’d let you,” she replied breathlessly. The air between them seemed to crackle. If lightning struck the ground between them it wouldn’t surprise her. Grey rose to his feet and held out his hand. “Come with me.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I want you to be happy. Eat it.” A wry smile curved Rose’s lips. “Am I to find happiness in a piece of chocolate cake?” Eve already had a forkful en route to her mouth. “I stake my reputation on it.” “Oh,” she replied dryly. “Surely heaven is just a bite away.” “Speaking of heaven,” Eve said a few minutes later when Rose thought she might expire from the bliss the dessert inspired, “tell me about your evening at Saint’s Row.” “Shh!” Her paranoid gaze darted around to see if anyone had overheard, but there was no one standing close enough to their whitewashed bench. “Don’t shush me, Rose Danvers. I’m your best friend and you’ve kept me waiting four whole days! I demand details.” Cheeks flushed, Rose stared at the half-eaten cake on her plate. Eve’s timing might leave something to be desired, but at least she’d stopped Rose from eating the entire slice. “What do you want to know?” Eve’s expression was incredulous. “Everything, of course.” Then, as though realizing who she was talking to, she sighed. “Did you find him?” Rose nodded. “I did.” The fire in her cheeks burned hotter, and she looked away. “Oh, Eve!” Her friend grabbed her wrist, clattering fork against plate. “That arse didn’t hurt you did he?” “No!” Then lowering her voice, “And he’s not an arse.” Using such rough language made her feel daring and bold. The scowl on Eve’s face eased. “Then…he was good to you?” Rose nodded, leaning closer. “It was the most amazing experience of my life.” The blonde giggled, bringing her head nearer to Rose’s. “Tell me everything.” So Rose did, within reason, looking up every once in awhile to make sure no one could hear. Afterward, when she was finished, Eve looked at her with a peculiar expression. “It sounds wonderful.” “It was.” Eve’s ivory brow tightened. “So, why do you sound so…disappointed?” Rose sighed. “It’s going to sound so pathetic, but when I saw Grey the next day he didn’t recognize me.” “But I thought you didn’t want him to know it was you.” Rose laughed darkly. “I don’t. That’s the rub of it.” She turned to more fully face her friend. “But part of me wanted him to realize it was me, Eve. I wanted him to see me as a woman, not as his responsibility or burden.” “I’m sure he doesn’t view you as any such thing.” Shaking her head Rose set the plate of cake aside, her appetite gone for good. "I thought this scheme would make everything better, and it's only made things worse." Worse because her feelings for Grey hadn't lessened as she'd hoped they might, they'd only deepened. Eve worried her upper lip with her bottom teeth. "Are you going to meet him again?" Another shake of her head, vehement this time. "No." "But. Rose, he wants to see you." "Not me, her." This was said with a bit more bitterness than Rose was willing to admit. He might have whispered her name, but it wasn't her he wanted to meet. Eve chuckled. "But you are her." She squeezed her wrist again. "Rose, don't you see? You're who he wants to see again, whether he knows it was you or not." Rose hadn't looked at it that way. She wasn't quite convinced her friend was right, but it was enough to make her doubt her own conclusions. She shook her head again. Blast, but she was making herself lightheaded. "I just don't know." "You'll figure it out," Eve allowed. "You always do.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
The Chronicle of Guillaume de Nangis, written by a monk at the Abbey of Saint-Denis, records their start in the middle of April. Other accounts have the storms arriving in Flanders around Pentecost, May 11. The abbot of Saint-Vincent, near Laon, noted that “it rained most marvelously and for so long.” So long, in fact, that it didn’t stop, except for a day or two, until August. By one count, it rained for 155 days in a row, virtually everywhere in Europe north of the Pyrenees and Alps, and west of the Urals: throughout France, Britain, the Baltic and German principalities, Poland, and Lithuania.
William Rosen (The Third Horseman: Climate Change and the Great Famine of the 14th Century)
That doesn’t look anything like me.” He nods to his own image. He’s right. The eyes of the rendering are blood-red and insane. His hair’s standing on end. His teeth look like rows of shattered porcelain. “You look like a bloody saint plowed an angel and out you popped. I look like a deranged fucking mutant that eats babies.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
Just in case.” He turned to locate her potential future cube, then scanned the prairie rows until his eyes rested on
Julie Lawson Timmer (Mrs. Saint and the Defectives)
Flying with your rocket launcher, your task to begin with it to keep an eye out for cars with a red circle. You need to blow these up. Bear in mind that the timing with the rocket launchers takes a bit of getting used to if you’re not used to it. Keep an eye on Pierce’s health (it’s the green circle above him). You can damage him, so try not to! When Pierce talks about roadblocks, you need to aim your rocket between the two vehicles to clear the area. Boom! Headshot! Clear the roadblocks
The Cheat Mistress (Saints Row the Third: Walkthrough Guide)
On the side of the building at the north end of the row was a mural of a dark-bearded man in a woolly hat gazing down at a finch resting peacefully on his index finger, his hand curled into a gentle fist, and I found it an inspiring reminder that we should always consider the welfare of others and think of the smallest and weakest first. It was a modern look at Glasgow’s patron saint, St. Mungo, painted by an Australian artist. Even
Kevin Hearne (Ink & Sigil (Ink & Sigil, #1))
There have been heroes here, and saints and martyrs and I want you to know that. Because that is the truth even if no one remembers it. To look at the lace, it's just a cluster of houses strung along a few roads, and a little row of brick buildings with stores in them, and a grain elevator and a water tower with Gilead written on its side, and the post office and the schools and the playing fields and the old train station, which is pretty well gone to weeds now. But what must Galilee have looks like? You can't tell so much from the appearance of a place.
Marilynne Robinson (Gilead (Gilead, #1))
We’ve Only Just Begun Drive to the Broken Shillelagh and talk to Pierce. Watch the cut scene. Make sure once again that you stock up on weapons, such as grenades and of course ammo before starting the next mission. When you’re ready, leave and call Shaundi for the next mission. The Powder Room Head to the building indicated, watch the scene and head inside. Shoot, especially trying to take out the snipers you come across. Keep moving through and when you reach the blue pylon, touch it to carry on. You’ll face a new Brute in the next room. Get the best weapon you have and keep moving! Throw grenades when you can, just don’t stay still, because you will die. You’ve got Pierce and Shaundi for help, so take cover and attack. You will need to revive either Piece, Shaundi or both of them at some point. In a story mission, you’ll fail if an important character dies. So quickly revive them. The big Brute will sometimes face the issue of an overheating minigun. This is the perfect time to revive one of your team, or, if you don’t need to, attack him. It’s basically a case of aiming for his head, keeping moving
The Cheat Mistress (Saints Row the Third: Walkthrough Guide)
Franklin set up a pair of franchise versions of his print shop in other locations: the first in South Carolina, and the second in New York City. These complicated arrangements required Franklin to install a printer to run each operation locally, while he provided capital and expertise in exchange for splitting the profits. During this period, Franklin began to keep a daily checklist of cardinal virtues he desired to observe. Not surprisingly, one of these virtues was “industry,” which Franklin defined in his autobiography by the resolutions to “lose no time” and to “be always employed in something useful.” One can assume that this particular row on his list consistently received his check marks. This view of Franklin as the patron saint of busyness, however, misses a more nuanced story. While it’s true that his professional career began in a state of overload, it didn’t stay that way. Biographer H. W. Brands points out that as Franklin ground his way through his thirties, he began to burn out.
Cal Newport (Slow Productivity: The Lost Art of Accomplishment Without Burnout)
Without taking use of ox or man, Or of creature as Mary desired, Without spinning thread of silk or of satin, Without sowing, without harrowing, without reaping, Without rowing, without games, without fishing, Without going to the hunting hill, Without trimming arrows on the Lord's Day, Without cleaning byre, without threshing corn, Without kiln, without mill on the Lord's Day. Whosoever would keep the Lord's Day, Even would it be to him and lasting, From setting of sun on Saturday Till rising of sun on Monday.17 Beltaine remained the central festival in the cycle of the agricultural pastoral year, the season of light, the time of growth. It was then that the sheep and cattle would be driven up to the summer pastures, the “shielings” in Scotland, the “hafods” in Wales. This was a virtual migration since these might be six or eight or even twelve or fourteen miles away, and it often meant crossing land that was rough and rugged or full of swamps, even sometimes having to swim across channels or rivers. The procession included the men carrying spades, ropes, and other things that might be needed to repair their summer huts, while the women carried the bedding, meal, and dairy utensils. As they went, there were songs to be sung on the journey, a dedicatory hymn to the Trinity and to the most familiar of the saints, Michael, Bride, and Columba, respectively the protector, the woman who knew about dairies, the guardian of their cattle—and, of course, to Mary herself, who on this occasion they address as mother of the White Lamb: Valiant Michael of the white steeds, Who subdued the Dragon of blood, For love of God, for pains of Mary's Son, Spread
Esther de Waal (The Celtic Way of Prayer: The Recovery of the Religious Imagination)
The tramp steamer entered my field of vision as slowly as a wounded saurian. I could not believe my eyes. With the wondrous splendor of Saint Petersburg in the background, the poor ship intruded on the scene, its sides covered with dirty streaks of rust and refuse that reached all the way to the waterline. The captain's bridge, and the row of cabins on the deck for crew members and occasional passengers, had been painted white a long time before. Now a coat of grime, oil, and urine gave them an indefinite color, the color of misery, of irreparable decadence, of desperate, incessant use. The chimerical freighter slipped through the water to the agonized gasp of its machinery and the irregular rhythm of driving rods that threatened at any moment to fall silent forever. Now it occupied the foreground of the serene, dreamlike spectacle that had held all my attention, and my astonished wonder turned into something extremely difficult to define. This nomadic piece of sea trash bore a kind of witness to our destiny on earth, a pulvis eris that seemed truer and more eloquent in these polished metal waters with the gold and white vision of the capital of the last czars behind them. The sleek outline of the buildings and wharves on the Finnish coast rose at my side. At that moment I felt the stirrings of a warm solidarity for the tramp steamer, as if it were an unfortunate brother, a victim of human neglect and greed to which it responded with a stubborn determination to keep tracing the dreary wake of its miseries on all the world's seas. I watched it move toward the interior of the bay, searching for some discreet dock where it could anchor without too many maneuvers and, perhaps, for as little money as possible. The Honduran flag hung at the stern. The final letters of the name that had almost been erased by the waves were barely visible:... cyon. In what seemed too mocking an irony, the name of this old freighter was probably the Halcyon.
Álvaro Mutis
He tilted his chin up, flashing a row of pearly whites of the Hollywood variety. “Ms. Greene, this is going to happen.” I knew what he meant. “I have no idea what you mean,” I snipped... Jaime leaned forward on his elbows, his huge arms spanning his whole desk. The devious twinkle in his eyes assured me, once again, that his age was merely a number. Hell, he’d probably slept with more people than I’d kissed in my entire life. “Yes, you do. You know,” he said with a smile that was arrogant, yet forgiving. Who was the grown-up here? Who was corrupting who? I swallowed.
L.J. Shen (Defy (Sinners of Saint, #0.5))
There used to be an enormous and fine barn at Bicho Raro, capable of housing two hundred bales of hay, twelve horses, a small tractor, and twenty-four barn swallows. The siding had been amber brown and the roof was gloriously red. It was, in fact, the very barn Pete was scavenging for the dance floor’s boards. Shortly after it had been built, the wind nudged it, as it nudged all things in the San Luis Valley. Nothing happened, because the barn was very securely built. The wind nudged it for all that week, and still nothing happened. The wind nudged it for ninety-nine weeks in a row, and still nothing happened; the barn did not budge. But on the one hundredth week, the wind nudged the barn and the barn fell onto itself. It was not that the one hundredth week of nudging was any stronger than the previous weeks. It was not even that the one hundredth week of nudging was what had actually knocked the barn over. The ninety-nine weeks of nudging were what had truly done the job, but the one hundredth was the one around to take the credit. We almost always can point to that hundredth blow, but we don’t always mark the ninety-nine other things that happen before we change.
Maggie Stiefvater (All the Crooked Saints)
I knew that I wasn’t entirely sane. I still knew, as I had as a child, that there was something strange about myself. I felt as if were destined to be a murderer, a bank robber, a saint, a rapist, a monk, a hermit. I needed an isolated place to hide. Skid row was disgusting. The life of the sane, average man was dull, worse than death. There seemed to be no possible alternative. Education also seemed to be a trap. The little education I had allowed myself had made me more suspicious. What were doctors, lawyers, scientists? They were just men who allowed themselves to be deprived of their freedom to think and act as individuals. I went back to my shack and drank…
Charles Bukowski (Ham on Rye)
In the fall copious fruit ripens and seeds are scattered until finally all the leaves are shed in preparation for winter. If you rake fallen leaves into a pile and then examine them, you will see that each one shows a consummately clean break at the same place near the base of the stem. The fall of leaves is highly choreographed. First the green pigments are pulled back behind the narrow row of cells marking the border between stem and branch. Then on the mysteriously appointed day this row of cells is dehydrated and becomes weak and brittle. The weight of the leaf is now sufficient to bend and snap it from the branch. It takes a tree only a week to discard its entire year’s work, cast off like a dress, barely worn but too unfashionable for further use. Can you imagine throwing away all of your possessions once a year because you are secure in your expectation that you will be able to replace them in a matter of weeks? These brave trees lay all of their earthly treasures on the soil, their moth and rust doth immediately corrupt. They know better than all the saints and martyrs put together exactly how to store next year’s treasure in heaven where the heart shall be also.
Hope Jahren (Lab Girl)
I thought about this boat with its cargo of saints, gliding across the surface of Loven one quiet summer evening. The fellow who was rowing made slow strokes of the oar and cast shy glances at the unusual passengers who were lying at the prow and stern, but Count Dohna, who was also there, was not afraid. He took them one by one with upraised hands and threw them into the water. His forehead was clear, and he breathed deeply. He felt like a champion of the pure evangelical doctrine. And no miracle occurred for the glory of the old saints. Silent and dispirited, they sank down into annihilation.
Selma Lagerlöf (Gösta Berling's Saga)
There was definitely a cat and another animal, probably a rabbit, in the shed. Her suspicions were confirmed soon enough. Madeleine lit a candle, its light illuminating a wooden hutch where an enormous rabbit was nibbling at some freshly picked clover. In her lap, the little grey cat was all grown up; it was the same cat Madeleine had been holding on the balcony the day when one look from her teal-colored eyes had been enough to floor poor Solange. Holy pictures were pinned over the hutch: Saint Anne, the Miraculous Virgin of the Smile (who cured ten-year-old Thérèse), Saint Veronica holding her veil, and Saint Joan of Arc had all been carefully pinned in a row, looking down tenderly over the big orange rabbit who went on munching his clover. Pinned to the frame of the hutch was a piece of wax paper with the animal's name- Lazarus- written on it. "His name's Lazarus," Madeleine whispered as she grabbed him by the ears. Solange winced in pain. "You have to pick them up by the ears or else you hurt them. I'll set him down on your lap." Solange had never touched a living rabbit before. She stroked Lazarus, who right then seemed to her to be the gentlest, most charming thing to ever have walked this earth.
Éric Dupont (The American Fiancée)
I loved shopping on rue Montorgueil so much that I often carted home more food- slices of spinach and goat cheese tourtes; jars of lavender honey and cherry jam, tiny, wild handpicked strawberries; fraises aux bois- than one person alone could possibly eat. Now at least I had an excuse to fill up my canvas shopping bag. "Doesn't it smell amazing?" I gushed once we had crossed the threshold of my favorite boulangerie. Mom, standing inside the doorway clutching her purse, just nodded as she filled her lungs with the warm, yeasty air, her eyes alight with a brightness I didn't remember from home. With a fresh-from-the-oven baguette in hand, we went to the Italian épicerie, where from the long display of red peppers glistening in olive oil, fresh raviolis dusted in flour, and piles and piles of salumi, soppressata, and saucisson, which we chose some thinly sliced jambon blanc and a mound of creamy mozzarella. At the artisanal bakery, Eric Kayser, we took our time selecting three different cakes from the rows of lemon tarts, chocolate éclairs, and what I was beginning to recognize as the French classics: dazzling gâteaux with names like the Saint-Honoré, Paris-Brest, and Opéra. Voila, just like that, we had dinner and dessert. We headed back to the tree house- those pesky six flights were still there- and prepared for our modest dinner chez-moi. Mom set the table with the chipped white dinner plates and pressed linen napkins. I set out the condiments- Maille Dijon mustard, tart and grainy with multicolored seeds; organic mayo from my local "bio" market; and Nicolas Alziari olive oil in a beautiful blue and yellow tin- and watched them get to it. They sliced open the baguette, the intersection of crisp and chewy, and dressed it with slivers of ham and dollops of mustard. I made a fresh mozzarella sandwich, drizzling it with olive oil and dusting it with salt and pepper.
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
On the side of the building at the north end of the row was a mural of a dark-bearded man in a woolly hat gazing down at a finch resting peacefully on his index finger, his hand curled into a gentle fist, and I found it an inspiring reminder that we should always consider the welfare of others and think of the smallest and weakest first. It was a modern look at Glasgow’s patron saint, St. Mungo, painted by an Australian artist.
Kevin Hearne (Ink & Sigil (Ink & Sigil, #1))
There are no mental health services offered to Death Row inmates. For whatever healing is done they themselves must be the healers.
Thomas Cahill (A Saint on Death Row: The Story of Dominique Green)
the regularity of a row of balls trickling up to the plunger of a pin-cable.
Leslie Charteris (The Saint on Guard)
I knew that I wasn’t entirely sane. I still knew, as I had as a child, that there was something strange about myself. I felt as if I were destined to be a murderer, a bank robber, a saint, a rapist, a monk, a hermit. I needed an isolated place to hide. Skid row was disgusting. The life of the sane, average man was dull, worse than death. There seemed to be no possible alternative. Education also seemed to be a trap. The little education I had allowed myself had made me more suspicious. What were doctors, lawyers, scientists? They were just men who allowed themselves to be deprived of their freedom to think and act as individuals. I went back to my shack and drank...
Charles Bukowski (Ham on Rye)