Sailors Happy Quotes

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Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home!
Charles Dickens (The Pickwick Papers)
Your fussy nursemaid of a wyvern is fine, by the way. I don't know how you wound up with a sweet thing like that for a mount, but he's content to sprawl in the sun on the foredeck. Can't say it makes the sailors particularly happy - especially cleaning up after him." Find somewhere safe, she'd told Abraxos. Had he somehow found the queen? Somehow known this was the only place she might stand a chance of surviving?
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!
Pablo Neruda
He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of life. Live, then, and be happy, beloved children of my heart, and never forget, that until the day when God will deign to reveal the future to man, all human wisdom is contained in these two words, - ‘Wait and hope.’ – Your friend, Edmond Dantes, Count of Monte Cristo. The eyes of both were fixed on the spot indicated by the sailor, and on the blue-line separating the sky from the Mediterranean Sea, they perceived a large white sail.
Alexandre Dumas (The Count of Monte Cristo)
But if she'd come then, she would never have properly appreciated it. She'd have seen the happy crowds and the Union Jacks and the bonfires, but she'd have no idea of what it meant to see the lights on after years of navigating in the dark, what it meant to look up at an approaching plane without fear, to hear church bells after years of air-raid sirens. She'd have had no idea of the years of rationing and shabby clothes and fear which lay behind the smiles and the cheering, no idea of what it had cost to bring this day to pass--the lives of all those soldiers and sailors and airmen and civilians.
Connie Willis (All Clear (All Clear, #2))
I'd just pledged to you to keep protecting the happiness of everyone on this planet, forever. And it's not a dream at all! Defending this planet is our everyday reality. We can't let ourselves get defeated here, by nightmares or even our own dreams...! ...There's no way we Sailor Guardians can lose!
Naoko Takeuchi (美少女戦士セーラームーン新装版 10 [Bishōjo Senshi Sailor Moon Shinsōban 10])
And although in many cases these unions proved happy enough, sailors being excellent husbands, often away and handy about the house when ashore, it did make for a curious gathering when the spouses were invited to a ball.
Patrick O'Brian (The Surgeon's Mate (Aubrey & Maturin, #7))
Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day, and she would listen to every sound, spring to her feet, feel surprised that it had not come; then at sunset, always more sorrowful, she would wish the next day were already there.
Gustave Flaubert (Madame Bovary)
Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day.… —GUSTAVE FLAUBERT, Madame Bovary
Lena Dunham (Not That Kind of Girl: A young woman tells you what she's "learned")
Ah yes, a certain degree of rebelliousness is expected from youth. It is why we have stories of treasure-seeking princesses and warrior women that end with the occasional happiness. But they are expected to end—with the boy, the prince, the sailor, the adventurer. The man that will take her maidenhood, grant her children, make her a wife. The man who defines her. He may continue his epic—he may indeed take new wives and make new children!—but women’s stories are expected to dissolve into a fog of domesticity . . . if they’re told at all.
Shannon Chakraborty (The Adventures of Amina al-Sirafi (Amina al-Sirafi, #1))
And I pray that you no longer seek happiness from the past, but rather you set your sails forward, to a land that is pure and wonderful. I pray that you no longer stare into the shallows of empty promises, but that you dive into the depth of an ocean of guarantees. May you feel the winds of hope, and smell the scent of joy, may your heart be alive again as it was meant to be. For you are with a better captain, you are with a true sailor, a true leader; You are sailing with Christ, and He is always sure to lead us home.
T.B. LaBerge
You are standing up on the seat of your swing and sailing higher than you really ought to, with that bold, planted stance of a sailor on a billowy sea...You appear to be altogether happy. I remember those first experiments with fundamental things, gravity and light, and what an absolute pleasure they were.
Marilynne Robinson (Gilead (Gilead, #1))
Ty, I’ve thought so many times about what I would say to you if you reappeared suddenly. If I was walking along the street and you popped out of thin air, walking along beside me like you always used to, with your hands in your pockets and your head tilted back. Mom used to say you walked celestially, looking upat the sky as if you were scanning the clouds for angels. Do you remember that? In your world I am ashes, I am ancestors, my memories and hopes and dreams have gone to build the City of Bones. In your world, I am lucky, because I do not have to live in a world without you. But in this world, I am you. I am the twinless twin. So I can tell you this: When your twin leaves the earth you live on, it never turns the same way again: the weight of their soul is gone, and everything is off balance. The world rocks under your feet like an unquiet sea. I can’t tell you it gets easier. But it does get steadier; you learn how to live with the new rocking of the new earth, the way sailors gain sea legs. You learn. I promise. I know you’re not exactly the Ty I had in this world, my brilliant, beautiful brother. But I know from Julian that you are beautiful and brilliant too. I know that you are loved. I hope that you are happy. Please be happy. You deserve it so much. I want to ask if you remember the way we used to whisper words to each other in the dark: star, twin, glass. But I’ll never know your answer. So I’ll whisper to myself as I fold this letter up and slide it into the envelope, hoping against hope it will somehow reach you. I whisper your name, Ty. I whisper the most important thing: I love you. I love you. I love you. Livvy
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Then allow me to finish it. Categorically. I am happy for you to pursue all the adventure you like. Here. In this house. Under this roof. Drink until you can no longer stand. Curse like a dockside sailor. Set your embroidery aflame, for God’s sake. But, as your elder brother, the head of the family, and the earl,” he stressed the last words, “I forbid you from frequenting taverns, public houses, or other establishments of vice.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Consider a sailor trying to reach the horizon. It is unreachable. If the sailor sees the horizon as the point he must reach to achieve happiness, he is destined to experience eternal frustration
Thomas M. Sterner (The Practicing Mind: Bringing Discipline and Focus into Your Life)
At thirteen, Noboru was convinced of his own genius (each of the others in the gang felt the same way) and certain that life consisted of a few simple signals and decisions; that death took root at the moment of birth and man's only recourse thereafter was to water and tend it; that propagation was a fiction; consequently, society was a fiction too: that fathers and teachers, by virtue of being fathers and teachers, were guilty of a grievous sin. Therefore, his own father's death, when he was eight, had been a happy incident, something to be proud of.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
Egypt is a fertile valley of rich river soil, low-lying, warm, monotonous, a slow-flowing river, and beyond the limitless desert. Greece is a country of sparse fertility and keen, cold winters, all hills and mountains sharp cut in stone, where strong men must work hard to get their bread. And while Egypt submitted and suffered and turned her face toward death, Greece resisted and rejoiced and turned full-face to life. For somewhere among those steep stone mountains, in little sheltered valleys where the great hills were ramparts to defend, and men could have security for peace and happy living, something quite new came into the world: the joy of life found expression. Perhaps it was born there, among the shepherds pasturing their flocks where the wild flowers made a glory on the hillside; among the sailors on a sapphire sea washing enchanted islands purple in a luminous air.
Edith Hamilton (The Greek Way)
The singing wasn't the hopscotch-jumprope-happy kind. This was the kind of singing that, if you tracked it to its source, you might find a little girl in a moldy old burial dress, her skin pitted & green, with lots of coffin splinters & dirt between her teeth... ...like a mermaid luring idiot sailors...Winny wasn't a sailor, & he wasn't old enough to get all sexed up by some hot siren.
Dean Koontz (77 Shadow Street)
Full belly, happy heart,” was the favorite saying of Padre Mendoza, who had been obsessed with good nutrition ever since he’d heard of sailors suffering from scurvy when a lemon could have prevented their agony.
Isabel Allende (Zorro)
Block City What are you able to build with your blocks? Castles and palaces, temples and docks. Rain may keep raining, and others go roam, But I can be happy and building at home. Let the sofa be mountains, the carpet be sea, There I'll establish a city for me: A kirk and a mill and a palace beside, And a harbor as well where my vessels may ride. Great is the palace with pillar and wall, A sort of a tower on top of it all, And steps coming down in an orderly way To where my toy vessels lie safe in the bay. This one is sailing and that one is moored: Hark to the song of the sailors on board! And see on the steps of my palace, the kings Coming and going with presents and things!
Robert Louis Stevenson
That’s what it’s like to lose a woman. And at a certain time, losing one woman means losing all women. That’s how we become Men Without Women. We lose Percy faith, Francis Lai, and 101 Strings. And ammonites and coelacanths. And we lose her beautiful back. But all of that has vanished. All that remains is an old broken piece of eraser, and the far-off sound of the sailor’s dirge. And the unicorn beside the fountain, his lonely horn aimed at the sky. I hope that M is in heaven now – or somewhere like it. And it would be nice if her thoughts occasionally turn to me. But maybe that’s asking too much. I pray that, even if I’m not part of it, M is happy and at peace, with music playing on into eternity. As one of the Men Without Women, I pray for this with all my heart. At this point prayer seems like the only thing I can do. Probably.
Haruki Murakami (Men Without Women)
That’s what it’s like to lose a woman. And at a certain time, losing one woman means losing all women. That’s how we become Men Without Women. We lose Percy faith, Francis Lai, and 101 Strings. And ammonites and coelacanths. And we lose her beautiful back. But all of that has vanished. All that remains is an old broken piece of eraser, and the far-off sound of the sailor’s dirge. And the unicorn beside the fountain, his lonely horn aimed at the sky. I hope that M is in heaven now – or somewhere like it. And it would be nice if her thoughts occasionally turn to me. But maybe that’s asking too much. I pray that, even if I’m not part of it, M is happy and at peace, with music playing on into eternity. As one of the Men Without Women, I pray for this with all my heart. At this point prayer seems like the only thing I can do. Probably. - Men Without Women
Haruki Murakami (Men Without Women)
Black seamen - or "Black Jacks" as African sailors were known - enjoyed a refreshing world of liberty and equality. Even if they were generally regulated to jobs such as cooks, servants, and muscians and endured thier fellow seamen's racism, they were still freemen in the Royal Navy. One famous black sailor wrote, "I liked this little ship very much. I now became the captian's steward, in which I was very happy; for I was extremely well treated by all on board, and I had the leisure to improve myself in reading and writing.
Tony Williams (The Pox and the Covenant: Mather, Franklin, and the Epidemic That Changed America's Destiny)
A sage Portuguese sailor who had told him, years before 'To be prosperous and happy in life, Henry, it is simple. Pick one woman, pick it well, and surrender.
Elizabeth Gilbert (The Signature of All Things)
Before embarking on a voyage, first speak with the ancient sailors, listen to and understand the winds, then patiently make a boat and sail. Yet, even then, be open to other dreams, changes, circumstances. Throughout our lives, we limit ourselves to fixed goals, only to get on the local ferry and just travel the distance between two known points. Yet, we create an illusion of freedom and choice, accompanied by a sense of independence. Thus, we carefully study weather reports, ride on the port side on odd numbered days, starboard on holidays, have tea at fixed times, never speak with those who wear glasses, always smile at those who wear green and of course allow ourselves just the slight possibility of a dream about jumping ship and going off to our island one day. C'est la vie? Our predictably totalitarian lives are an insult to the human spirit.
Gündüz Vassaf (Prisoners of Ourselves: Totalitarianism in Everyday Life)
Happy, happy Christmas, that can win us back to the delusions of our childish days, that can recal to the old man the pleasures of his youth, and transport the sailor and the traveller, thousands of miles away, back to his own fire-side and his quiet home!
Charles Dickens (The Pickwick Papers)
in my voyages, when I was a man and commanded other men, I have seen the heavens overcast, the sea rage and foam, the storm arise, and, like a monstrous bird, beating the two horizons with its wings. Then I felt that my vessel was a vain refuge, that trembled and shook before the tempest. Soon the fury of the waves and the sight of the sharp rocks announced the approach of death, and death then terrified me, and I used all my skill and intelligence as a man and a sailor to struggle against the wrath of God. But I did so because I was happy, because I had not courted death, because to be cast upon a bed of rocks and seaweed seemed terrible, because I was unwilling that I, a creature made for the service of God, should serve for food to the gulls and ravens. But now it is different; I have lost all that bound me to life, death smiles and invites me to repose; I die after my own manner, I die exhausted and broken-spirited, as I fall asleep when I have paced three thousand times round my cell.
Alexandre Dumas (The Count Of Monte Cristo)
It is a strange notion that the acknowledgment of a first principle is inconsistent with the admission of secondary ones. To inform a traveler respecting the place of his ultimate destination, is not to forbid the use of land-marks and direction-posts on the way. The proposition that happiness is the end and aim of morality, does not mean that no road ought to be laid down to that goal, or that persons going thither should not be advised to take one direction rather than another. Men really ought to leave off talking a kind of nonsense on this subject, which they would neither talk nor listen to on other matters of practical concernment. Nobody argues that the art of navigation is not founded on astronomy, because sailors cannot wait to calculate the Nautical Almanack. Being rational creatures, they go to sea with it ready calculated; and all rational creatures go out upon the sea of life with their minds made up on the common questions of right and wrong, as well as on many of the far more difficult questions of wise and foolish. And this, as long as foresight is a human quality, it is to be presumed they will continue to do. Whatever we adopt as the fundamental principle of morality, we require subordinate principles to apply it by: the impossibility of doing without them, being common to all systems, can afford no argument against any one in particular: but gravely to argue as if no such secondary principles could be had, and as if mankind had remained till now, and always must remain, without drawing any general conclusions from the experience of human life, is as high a pitch, I think, as absurdity has ever reached in philosophical controversy.
John Stuart Mill (Utilitarianism)
And numerous indeed are the hearts to which Christmas brings a brief season of happiness and enjoyment. How many families, whose members have been dispersed and scattered far and wide, in the restless struggles of life, are then reunited, and meet once again in that happy state of companionship and mutual goodwill, which is a source of such pure and unalloyed delight; and one so incompatible with the cares and sorrows of the world, that the religious belief of the most civilised nations, and the rude traditions of the roughest savages, alike number it among the first joys of a future condition of existence, provided for the blessed and happy! How many old recollections, and how many dormant sympathies, does Christmas time awaken! We write these words now, many miles distant from the spot at which, year after year, we met on that day, a merry and joyous circle. Many of the hearts that throbbed so gaily then, have ceased to beat; many of the looks that shone so brightly then, have ceased to glow; the hands we grasped, have grown cold; the eyes we sought, have hid their lustre in the grave; and yet the old house, the room, the merry voices and smiling faces, the jest, the laugh, the most minute and trivial circumstances connected with those happy meetings, crowd upon our mind at each recurrence of the season, as if the last assemblage had been but yesterday! Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fireside and his quiet home!
Charles Dickens (The Pickwick Papers)
We write these words now, many miles distant from the spot at which, year after year, we met on that day, a merry and joyous circle. Many of the hearts that throbbed so gaily then, have ceased to beat; many of the looks that shone so brightly then, have ceased to glow; the hands we grasped, have grown cold; the eyes we sought, have hid their lustre in the grave; and yet the old house, the room, the merry voices and smiling faces, the jest, the laugh, the most minute and trivial circumstances connected with those happy meetings, crowd upon our mind at each recurrence of the season, as if the last assemblage had been but yesterday! Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fireside and his quiet home!
Charles Dickens (Delphi Christmas Collection Volume I (Illustrated) (Delphi Anthologies Book 6))
I am poor in the essence of happiness, lady — rich only in never-ending unrest. In me there meet a combination of antithetical elements which are at eternal war with one another. Driven hither by objective influences — thither by subjective emotions — wafted one moment into blazing day, by mocking hope — plunged the next into the Cimmerian darkness of tangible despair, I am but a living ganglion of irreconcilable antagonisms. I hope I make myself clear, lady?
Arthur Sullivan (H. M.S. Pinafore, or the Lass That Loved a Sailor: An Entirely Original Nautical Comic Opera in Two Acts (Classic Reprint))
And all the time, deep within her, she was waiting for something to happen. Like a shipwrecked sailor she scanned her solitude with desperate eyes for the sight of a white sail far off on the misty horizon. She had no idea what that chance would be, what wind would waft it to her, where it would set her ashore, whether it was a launch or a three-decker, laden with anguish or filled to the portholes with happiness. But every morning when she woke she hoped to find it there.
Gustave Flaubert (Madame Bovary)
Look! when I am in a drawing room, a church, a station; on the terrasse of a cafe, at the theatre or wherever crowds pass or loiter, I enjoy considering faces from a strictly homicidal point of view. For you may see by the glance, by the back of the neck, the shape of the skull, the jaw bone and zygoma of the cheeks, or by some part of their persons that they bear the stigmata of that psychological calamity known as murder. It is scarcely an aberration of my mind, but I can go nowhere without seeing it flickering beneath eyelids, or without feeling its mysterious contact in the touch of every hand held out to me. Last Sunday I went to a town on the festival day of its patron saint. In the public square, which was decorated with foliage, floral arches, and poles draped with flags, was grouped every kind of amusement common to that sort of public celebration—And beneath the paternal eye of the authorities, a swarm of good people were enjoying themselves. The wooden horses, the roller-coaster and the swings drew a very meagre crowd. The organs wheezed their gayest tunes and most bewitching overtures in vain. Other pleasures absorbed this festive throng. Some shot with rifles, pistols, or the good old crossbow at targets painted like human faces; others hurled balls, knocking over marionettes ranged pathetically on wooden bars. Still others, mallet in hand, pounded upon a spring which animated a French sailor who patriotically transfixed with his bayonet a poor hova or a mocking Dahomean. Everywhere, under tents or in the little lighted booths, I saw counterfeits of death, parodies of massacre, portrayals of hecatombs. And how happy these good people were!
Octave Mirbeau (Le Jardin des supplices)
But any time Kheim met the eye of any of his men, he saw the pain there. He saw also that they blamed him for her death. So he was happy to leave Nanking and travel with a gang of officials up the Grand Canal to Beijing. He knew that his sailors would scatter up and down the coast, go their ways so they wouldn't have to see each other and remember; only after years had passed would they want to meet, so that they could remember the pain when it had become so distant and faint that they actually wanted it back, just to feel again they had done all those things, that life had held all those things.
Kim Stanley Robinson (The Years of Rice and Salt)
seems wearisome to us. In this book the stories are shortened here and there, and omissions are made of pieces only suitable for Arabs and old gentlemen. The translations are by the writers of the tales in the Fairy Books, and the pictures are by Mr. Ford. I can remember reading "The Arabian Nights" when I was six years old, in dirty yellow old volumes of small type with no pictures, and I hope children who read them with Mr. Ford's pictures will be as happy as I was then in the company of Aladdin and Sindbad the Sailor. The Arabian Nights In the chronicles of the ancient dynasty of the Sassanidae, who reigned for about four hundred years, from Persia to the borders of China, beyond the great river Ganges itself,
Anonymous (The Arabian Nights Entertainments)
We crossed to the sea wall. It was a clear night, very beautiful, very still - you will not remember it. I took a photo to file away for the auditor who will one day decree whether I gave you a happy childhood or not, but it came out black. I like to think the image is tucked away in your mind, though, informing the man you will one day become. This is what I like to think: that it's all there, or not all of it, just the good stuff - the midsummer stars as keen as anything, the moon gilding the waves silver, the horizon a dark expanse, the world before man. The lack of bearings took down my fever too, Sailor, which was a different type of fever altogether, a fever which on one level I hope you don't inherit, and on another I pray you do, it being the fever that makes life interesting. I felt good, little Sailor, I felt like myself. I started singing to you, not because I can sing, but despite the fact that I can't.
Claire Kilroy (Soldier Sailor)
The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it. She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them. ‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused. Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.
Margrét Helgadóttir (The Stars Seem so Far Away)
Lyra stood shivering in the fo’c’sle and laughed with delight as her beloved Pantalaimon, sleek and powerful, leaped from the water with half a dozen other swift gray shapes. He had to stay close to the ship, of course, for he could never go far from her; but she sensed his desire to speed as far and as fast as he could, for pure exhilaration. She shared his pleasure, but for her it wasn’t simple pleasure, for there was pain and fear in it too. Suppose he loved being a dolphin more than he loved being with her on land? What would she do then? Her friend the able seaman was nearby, and he paused as he adjusted the canvas cover of the forward hatch to look out at the little girl’s dæmon skimming and leaping with the dolphins. His own dæmon, a seagull, had her head tucked under her wing on the capstan. He knew what Lyra was feeling. “I remember when I first went to sea, my Belisaria hadn’t settled on one form, I was that young, and she loved being a porpoise. I was afraid she’d settle like that. There was one old sailorman on my first vessel who could never go ashore at all, because his dæmon had settled as a dolphin, and he could never leave the water. He was a wonderful sailor, best navigator you ever knew; could have made a fortune at the fishing, but he wasn’t happy at it. He was never quite happy till he died and he could be buried at sea.” “Why do dæmons have to settle?” Lyra said. “I want Pantalaimon to be able to change forever. So does he.” “Ah, they always have settled, and they always will. That’s part of growing up. There’ll come a time when you’ll be tired of his changing about, and you’ll want a settled kind of form for him.” “I never will!” “Oh, you will. You’ll want to grow up like all the other girls. Anyway, there’s compensations for a settled form.” “What are they?” “Knowing what kind of person you are. Take old Belisaria. She’s a seagull, and that means I’m a kind of seagull too. I’m not grand and splendid nor beautiful, but I’m a tough old thing and I can survive anywhere and always find a bit of food and company. That’s worth knowing, that is. And when your dæmon settles, you’ll know the sort of person you are.” “But suppose your dæmon settles in a shape you don’t like?” “Well, then, you’re discontented, en’t you? There’s plenty of folk as’d like to have a lion as a dæmon and they end up with a poodle. And till they learn to be satisfied with what they are, they’re going to be fretful about it. Waste of feeling, that is.” But it didn’t seem to Lyra that she would ever grow up.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Boy Lost Picture a sunset in a small port town by the sea. Two teenaged boys sitting on the docks watching the ships as they fly across the water. One reaches out and takes the other’s hand. In this brush of skin for skin, a thousand unspoken promises erupt between them, and both are determined to keep them. This is what youth is. The sheer belief that you will be able to keep every promise you made to someone else. That you will be able to love someone into a forever when you do not even understand what forever means. An evening spent in the headiness of love, they go back to their respective homes. One boy helps his mother with cooking and cleaning and looking after his little sister. His father is a good man, a sailor who brings home with him meagre wages, but a heart full of love and a quicksilver tongue that tells stories of faraway lands to enthral them all. But this boy, despite his blessings, is not happy. He may have been blessed with a loving family, but that faraway look is made of unrest and wanderlust, something about him says fae, changeling, wearing the skin of a boy who was always destined to fly, to leave.   The other boy returns home to a father who drinks and a mother who works so hard that she is never there. He is the unwanted creature in this home, a beating waiting for him at every corner. His father’s temper is a beast so powerful that a boy made of paper bones barely held together cannot fight him. He hides in his room. He lives for a boy at sunset, hope made into a human being. Now picture this. This boy of paper bones alone at the docks the next sunset. And this boy alone on the docks again on a rainy day. And this boy alone on the docks every day after, waiting for someone who promised him forevers he never intended to keep. This boy becoming a man, a heart wounded so young in youth that it never quite healed right. Imagine him becoming a sailor, searching land after land for a boy he once loved, thinking he was hurt, or stolen, just needing to know what happened to him. Now see him finally finding out that the boy he loved in his boyhood ran away to a magical land where he never grew up. That without a second glance, he just forgot every promise of forever. Imagine his rage, that ancient pain turning to a terrible anger and escaping from the forgotten attic of his mangled heart. Think of what happens when immense love turns into immense hate. An anger so intense it cannot be controlled. What he would give up to avenge the boy he once was, paper-boned, standing on the docks, broken without a single person to love him, simply all alone. A hand is a small price to pay for a magical ship that will take him to Neverland, a place that lives on a star. Becoming a villain called Captain Hook is a small exchange to show Peter Pan that you cannot throw away love and think you will get away unscarred.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
Dear comrades, soldiers, sailors and workers! I am happy to greet in your persons the victorious Russian revolution, and greet you as the vanguard of the worldwide proletarian army… The piratical imperialist war is the beginning of civil war throughout Europe… The hour is not far distant when the peoples will turn their arms against their own capitalist exploiters… The worldwide socialist revolution has already dawned… Germany is seething… Any day now the whole of European capitalism may crash. The Russian revolution accomplished by you has prepared the way and opened a new epoch. Long live the worldwide socialist revolution!
Brian MacArthur (The Penguin Book of Historic Speeches)
The British are a strange race,’ he said. ‘In peacetime, they are impossible to manage, but in a crisis they are magnificent. The only time a British sailor is truly happy is when his ship is sinking.
Sidney Sheldon (The Other Side of Midnight: The master of the unexpected)
Life was never about survival. For a long time, it was proposed that all living organisms shared a single purpose: to survive—but this was not the appropriate case for humans. Survival was all along but a secondary basis to man, while attendance to life was the first. One must secure something to survive for, as the cells of the straightforward body will, regardless of permission, do their job. Men do not breathe without air first around to inhale. A sailor cannot know his passion for sailing without an existing body of water. Similarly, a man can only survive if there is something larger in him that lives—not a beating heart, but a moving one. If he only “holds on,” prolonging preservation and supervising health, there is nothing in that lingering lifeform to endanger or threaten. And since no system of security can defend from death’s next play, there is no use in mortals wearing armor. The essence of chance had loitered since the beginning of time, anticipating a being who adhered to its expressions. The human priority is one’s comet.
Kristian Ventura (A Happy Ghost)
Look at her,” he said to himself. “Holding hands! She’s probably already camped in the woods with him! Exchanged supernatural stories. Dinner dates. Shared food! Sex in the car! Concerts! I can never reach a woman like that. She’s too experienced. What new could we do? Even if we were right for each other, I’d always feel small.” Once lonely, it seemed the evolution of lonely was getting lonelier, as if sad heads boarded a lifeboat in an ocean that naturally pulled one farther and farther apart from the coast of love. Andrei still hoped though. For that coast. That was the thing with this sailor—nothing was waiting for him, but maybe there was. Every time he met someone, his eyes were slightly far away, as if asking in his head: “It’s nice to meet you, but are you there? Did you suffer and reach that place yet? You know that place. Those in that place know that place. After Tolstoy? After a thousand movies? Will you say an honest sentence?” Oh, did he beg, secretly, for strangers to meet him on that lonely floor of life—where life, still hard, was earned, and true, and golden. The place, he cried, we recognize in media, binging in our beds, but don’t dare reach on sidewalks.
Kristian Ventura (A Happy Ghost)
At a certain point, you no longer hope; you just keep on existing. One day at a time, for the rest of your life. And that feeling is not shallow but runs deep— deeper than any happiness or love could ever run. A vein is a mere line poets like me used to write on and a lifeline where sailors swim towards at night. If we keep on writing and giving, we grow on that existing line with millions of words that save hope - and thus give existence and life.
Laura Chouette
Of the tendency, Angus said, of things to get better Dogs and the optimistic are usually convinced; Others, perhaps, are more cautious: When I was your age I remember Thinking that most of life’s problems Would be over by the next day; I still think that, I suppose, And am often pleasantly surprised To discover that it is occasionally true; Thinking something, you see, Can make it happen, or so we believe, Though how that works, I doubt If I shall ever find out. From your perspective, where you are Is probably the only place It is possible to be; some time soon You will discover that we can, if lucky, Decide who we shall become. A word of warning here: Of all the tempting roles You will be offered, being yourself Is unquestionably the safest, Will bring the most applause Will make you feel best; Greasepaint, dear Bertie, is greasy: Leave it to the actors; The most comfortable face to wear, You’ll find, is your own. So what do I wish for you? Freedom? I imagine You know all about that Even if so far you’ve had To contemplate it from a distance. I could think of other things; I might wish, for example, That you should be whatever You fervently want to be: a sailor, A fireman, an explorer? You may live, you know, To seventy-seven and beyond: What, I wonder, will Scotland Be like seven decades from now? I’ll never know, but what I wish Is that some of it will be left for you, Some of the things we’ve loved. Happy birthday, then, Bertie: Be strong, be thoughtful; Don’t be afraid to cry, when necessary: In operas, as in life, it is the strong Who are always the first to weep. Be kind, which you already are, Even to those who deserve it least; Kindness, you see, Bertie, is a sort of love, That is something I have learned, And you’ll learn too if you listen To the teacher we all should trust: The human heart, my dear, the human heart, Where kindness makes its home.
Alexander McCall Smith (Bertie's Guide to Life and Mothers)
After she swore herself to secrecy and did her best to seem trustworthy and closemouthed, Mr. Nobley revealed that those two had been more than fond acquaintances. In fact, last year he’d proposed and she’d accepted. “Her mother disapproved, as he was merely a sailor. Mr. Heartwright, her brother, informed East that he was dismissed from being her suitor, and Miss Heartwright never had an opportunity to explain that it hadn’t been her wish. She fears it is too late now, but I don’t believe her heart ever let go of the man.” “Ah,” Jane said, now fitting their story into the correct Austen novel context--Persuasion, more or less. And that was a real bummer. Captain East had offered Jane the best shot at curative love. Oh well. Two down…one to go? She studied Mr. Nobley and wondered why she had the impression that he was dangerous--or would be if he didn’t so often look tired or bored. Was he a sleeping tiger? Or a sack of potatoes? “And how do you feel about this, Mr. Nobley?” she asked. “It does not matter how I feel about Miss Heartwright.” He nudged his horse forward, and hers followed. She hadn’t been talking about Miss Heartwright, but, okay. “Wait, are you heartbroken?” She knew Miss Erstwhile shouldn’t ask the question, but Jane couldn’t help it. “No, of course not.” “Not about Miss Heartwright, anyway.” Jane watched Mr. Nobley’s face closely for signs of Henry Jenkins. His mouth was still, unrevealing, but his eyes were sad. She’d never noticed before. “Maybe you’re not heartbroken anymore, maybe you’ve passed that part, and now you’re just lonely.” Mr. Nobley smiled, but with just half of his mouth. “You are very good at nettling me, Miss Erstwhile. As I said, it does not matter how I feel. We are speaking of Miss Heartwright and Captain East. I think it nonsense how they have kept silent about it these past days. They should speak their minds.” “You approve of speaking one’s mind? So, do you approve of me?” As it appeared Mr. Nobley had no intention of answering the question, and Jane was stumped at how to restart the conversation, they rode on in silence. Of course just at that moment, she would see Martin by a line of trees, looking her way. Why couldn’t she be chatting and laughing and having a wonderful time? She smiled generously at the world around her and hoped that Martin would think she was enthralled with Mr. Nobley’s company and perfectly happy. Mr. Nobley turned to ask her a question, but when he saw her grinning without apparent cause, the words hung in his mouth. His eyes widened. “What? You are laughing at me again. What have I done now?” Jane did laugh. “I’m sorry, but I can’t seem to help myself around you. You are so teas-able.” Which was precisely not true, and yet saying it somehow made it so. Mr. Nobley looked over his shoulder just as the line of trees hid Martin from view. Jane wasn’t sure if he saw him. “I’m sorry I annoy you so much,” said Jane. “I’ll stop. I really will.” “Hm,” said Mr. Nobley as if he doubted it. He looked at his hands thoughtfully, not speaking again for several moments. In the silence, Jane became aware of her heart beating. Why was that?
Shannon Hale (Austenland (Austenland, #1))
When transports carrying survivors of the Battle of Savo Island finally returned home, the men were sent to quarantine, removed from public circulation. They had stories to tell that Admiral King would be quite happy not to see in the newspapers. Some five hundred survivors of the Astoria, Vincennes, and Quincy were held under virtual house arrest in a barracks that had been constructed on Treasure Island for the 1939 World’s Fair. Marines were detailed to prevent the sailors from leaving. “Don’t you say one word about the battle,” they were told.
James D. Hornfischer (Neptune's Inferno: The U.S. Navy at Guadalcanal)
Not surprisingly, there's nothing to do at the Pentagon except start a war. Tourist aren't even allowed to take photos with the building in the background, so when the sailor-suited family of Navy veterans four generations deep handed me a disposable camera and asked me to follow at a distance and secretly take photos of them while they snapped to attention, saluted, and flashed peace signs for no apparent reason, I was only too happy to serve my country.
Paul Beatty (The Sellout)
The great teachers of our historical culture insist that morality is deeper and more substantial than effervescent foam. It stands to reason, they insist, that where there are waves and foam there is a deeper body of water. These sources describe a sea of substantial morality that lies beneath the ephemeral and ever-changing surface expressions of emotion, taste, and satisfaction in ordinary human intercourse. They describe character as the gravity that keeps us afloat and virtues as the sails that propel us and the instruments that help us to maintain our course, even when the ship is being rocked by stormy waters and high seas. Sailors need to know when to use ballast or throw down the anchor, lest the ship sink and they drown. In like manner, the virtues enable us to respond correctly to those moments of life that are the moral equivalents to such conditions at sea. However, an ability to discern these moments and respond appropriately entails more than formal techniques of decision-making, just as successful sailing requires that one know more than just the techniques of good navigation. As the latter requires a knowledge of and familiarity with the sea that cannot be taught in books but can only be learned from seafaring itself, so the moral life requires that we be virtuous. The virtues are not just the moral equivalent of techniques of good sailing; rather, they are the way as well as the end of goodness and happiness. If we assume, however, as so many of the textbooks would have believe, that problems and quandaries are the whole subject matter of ethics and that the decisions we make are the purpose of morality, then we are likely to interpret even the virtues in the same superficial, utilitarian way in which we already think of values. But if we pay heed to the ancient sources, we will recognize that the virtues are related to a much thicker and deeper moral reality. We will see the virtues as the qualities of character that we need in order to steer our way through the complicated and mysterious sea of morality into which we all have been placed. For such journeying, a pocketful of values is neither sufficient ballast nor a substitute for sails, compass, or sextant.
Vigen Guroian (Tending the Heart of Virtue: How Classic Stories Awaken a Child's Moral Imagination)
Robert is not only her husband, he is her past, the happy past and the tortured one, and he is her hero and now her great ‘problem.’ ” In June 1966, Robert accepted an honorary degree at Princeton’s commencement, where he was hailed as a “physicist and sailor, philosopher and horseman, linguist and cook, lover of fine wine and better poetry.
Kai Bird (American Prometheus)
Your fussy nursemaid of a wyvern is fine, by the way. I don’t know how you wound up with a sweet thing like that for a mount, but he’s content to sprawl in the sun on the foredeck. Can’t say it makes the sailors particularly happy—especially cleaning up after him.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
One has a duty to be happy, don’t you think?” She added, inconsequentially, to Emmy, “A duty. One owes it to other people.
Patricia Moyes (The Sunken Sailor: Inspector Tibbett #2 (Henry Tibbett))
Satisfied mind ----------------- Silent all around — solitude Suddenly the cricket makes the melody Walking in rows of chained ants The white cotton cloud goes float far unknown Astray sea gull at the target of the hunter eagle The colorful butterflies are flies away their wings flutter of at the exuberance of free mind The head- high mountain wants to touch the sky In the ocean, the rushing ship’s tired sailor waiting to be anchored in the harbor The spiral coconut tree on edge say goodbye with swinging to the newcomer ship In the flickering light of the sun, pearl glows in vast sands In the swarm of coil-rolled mosquitoes, finch’s suddenly clutch The evening lamp is lit in the dim light of the firefly Don’t know why, the billowy waves of the distant sea, endless drunk dancing on the beach? The boundless blue sky is seeing steadfast The calamitous howling of trampled beach, grain of sand, insects, creeper-shrub hurts the horizon Maybe they are candidates for the grace, salvation or love touch of the creator Sometimes the nature is calm Momentary peace, liveliness and satisfaction! But, the invisible rule goes his way to an unknown destination Suddenly a gentle breeze blows Beckoning with the hand of the magical silver moon, a thrill overwhelm Thrilled, I’m fascinated This is an unadulterated purity and holy feelings of happiness.
Ashraful
May this marriage be the sign of compassion and the approval of happiness here and hereafter; May this marriage be fair of fame, fair of face and fair of omen as the moon in the azure sky.
Nana Adu-Boafo Jnr
That’s what it’s like to lose a woman. And at a certain time, losing one woman means losing all women. That’s how we become Men Without Women. We lose Percy faith, Francis Lai, and 101 Strings. And ammonites and coelacanths. And we lose her beautiful back. But all of that has vanished. All that remains is an old broken piece of eraser, and the far-off sound of the sailor’s dirge. And the unicorn beside the fountain, his lonely horn aimed at the sky. I hope that M is in heaven now – or somewhere like it. And it would be nice if her thoughts occasionally turn to me. But maybe that’s asking too much. I pray that, even if I’m not part of it, M is happy and at peace, with music playing on into eternity. As one of the Men Without Women, I pray for this with all my heart. At this point prayer seems like the only thing I can do. Probably.
Haruki Murakami
After blowing out the candle in one puff once the song was over, she took a careful bite. He waited for her to spit it back out, but she actually swallowed, then took a second bite. "Try it," she said around the mouthful. "It's pretty good." Sailor figured she was pulling his leg, but it was her birthday after all. He took a bite. And felt his eyes widen. "I'm a culinary genius." Actually, the cake was chewy and dense, but there was no salt instead of sugar, which, in his book made this a win. But even better was seeing Ísa smile with open happiness.
Nalini Singh (Cherish Hard (Hard Play, #1))
I thought of the opera ‘Madama Butterfly’ that I had just been listening to and saw myself as that sailor in that opera who was born into beauty but left it to chase his American dream. I had forgotten my heart, and the home in which it beat, and now as I held a life, tightly in my arms, in my eyes, that had wounded itself and was now about to die. Neglect. The burning furnace. I realized that I was never to see her, Life, again and that throughout the years when she had been there I hath forsaken thee lost in money, in opinion in short, an exchange in which we trade the means for the end (happiness), but never realize until the end how much we have truly lost and I. I was at the end of my road, or at least this road. Regret. But now was not the time. She was still here; breathing with the wind, beating against my face that licked with the cool, cool presence. There was still what was, what is, and for but a short time what was still to be. I had but a few moments to make up for an entire life that I had lost.
Michael Szymczyk (Toilet: The Novel)
Tom tipped his head back and smiled, his face to the sun. Let osmosis work its magic, let the happiness, the heat, the life seep into his skin and into his bones. Soak this up, this day, this moment, the rainbow colors and the laughter, until his skeleton was wreathed in rainbows and each individual fiber in his muscles pulsed with pride. Like a sailor lost at sea, he swam furiously for the shore, for this shore, which he never, ever imagined could be.
Tal Bauer (Hush)
The ship of relations sails smoothly only when the rowing of ship by two or all or majority sailors on board is in the same direction, having same speed and same frequency. Otherwise, there would be only wastage of time & energy of all on board, without any movement towards the natural goal & purpose of joyous, fruitful journey.
Chetan Bansal (MEET THE REAL YOU: A Recipe To Find Meaning, Purpose...Everlasting Peace, Love, Joy...Success, Growth And Happiness in Life...)
Collect of the Day: Nicholas, Bishop of Myra, c. 342 Almighty God, in your love you gave your servant Nicholas of Myra a perpetual name for deeds of kindness both on land and sea: Grant, we pray, that your Church may never cease to work for the happiness of children, the safety of sailors, the relief of the poor, and the help of those tossed by tempests of doubt or grief; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever.
Anonymous
This might have appeared strange to the Catamarans, and led them to believe that it was, in reality, a phantom ship they were hailing, and the gigantic figures they saw were those of spectres instead of men. But the experience of the ex-whalesman forbade any such belief. He knew the ship to be a whaler, the moving forms to be men,—her crew,—and he knew, moreover, the reason why these had not answered his hail. They had not heard it. The roaring of the great furnace fires either drowned or deadened every other sound; even the voices of the whalesmen themselves, as they stood close to each other. Ben Brace remembered all this; and the thought that the ship might pass them, unheard and unheeded, filled his mind with dread apprehension. But for a circumstance in their favour this might have been the lamentable result. Fortunately, however, there was a circumstance that led to a more happy termination of that chance encounter of the two strange crafts,—the Catamaran and the whale-ship. The latter, engaged, as appearances indicated, in the process of “trying-out” the blubber of some whale lately harpooned, was “laying-to” against the wind; and, of course not making much way, nor caring to make it, through the water. As she was coming up slowly, her head set almost “into the wind’s eye,” the Catamarans, well to windward, would have no difficulty in getting their craft close up to her. The sailor was not slow in perceiving their advantageous position; and as soon as he became satisfied that the distance was too great for their hail to be heard, he sprang to the steering-oar, turned the helm “hard a port,” and set his craft’s head on towards the whaler, as if determined to run her down. In a few seconds the raft was surging along within a cable’s length of the whaler’s bows, when the cry of “Ship ahoy!” was once more raised by both Snowball and the sailor. Though the hail was heard, the reply was not instantaneous; for the crew of the whale-ship, guided by the shouts of those on the raft, had looked forth upon the illumined water, and, seeing such a strange embarkation right under their bows, were for some moments silent through sheer surprise. The ex-whalesman, however, soon made himself intelligible, and in ten minutes after the crew of the Catamaran, instead of shivering in wet clothes, with hungry stomachs to make them still more miserable, might have been seen standing in front of an immense fire, with an ample supply of wholesome food set before them, and surrounded by a score of rude but honest men, each trying to excel the other in contributing to their comfort.
Walter Scott (The Greatest Sea Novels and Tales of All Time)