Sailing Together Quotes

Not so much two ships passing in the night as two ships sailing together for a time but always bound for different ports.

Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.

WE two boys together clinging, One the other never leaving, Up and down the roads going, North and South excursions making, Power enjoying, elbows stretching, fingers clutching, Arm'd and fearless, eating, drinking, sleeping, loving. No law less than ourselves owning, sailing, soldiering, thieving, threatening, Misers, menials, priests alarming, air breathing, water drinking, on the turf or the sea-beach dancing, Cities wrenching, ease scorning, statutes mocking, feebleness chasing, Fulfilling our foray.

I am a sailor, you're my first mate We signed on together, we coupled our fate Hauled up our anchor, determined not to fail For the heart's treasure, together we set sail With no maps to guide us, we steered our own course Rode out the storms when the winds were gale force Sat out the doldrums in patience and hope Working together, we learned how to cope. Life is an ocean and love it a boat In troubled waters it keeps us afloat When we started the voyage there was just me and you Now gathered round us we have our own crew Together we're in this relationship We built it with care to last the whole trip Our true destination's not marked on any chart We're navigating the shores of the heart

How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.

We try, we struggle, all the time to find words to express our love. The quality, the quantity, certain that no two people have experienced it before in the history of creation. Perhaps Catherine and Heathcliff, perhaps Romeo and Juliet, maybe Tristan and Isolde, maybe Hero and Leander, but these are just characters, make-believe. We have known each other forever, since before conception even. We remember playing together in a playpen, crossing paths at FAO Schwarz. We remember meeting in front of the Holy Temple in the days before Christ, we remember greeting each other at the Forum, at the Parthenon, on passing ships as Christopher Columbus sailed to America. We have survived pogrom together, we have died in Dachau together, we have been lynched by the Ku Klux Klan together. There has been cancer, polio, the bubonic plague, consumption, morphine addiction. We have had children together, we have been children together, we were in the womb together. Our history is so deep and wide and long, we have known each other a million years. And we don't know how to express this kind of love, this kind of feeling. I get paralyzed sometimes. One day, we are in the shower and I want to say to him, I could be submerged in sixty feet of water right now, never drowning, never even fearing drowning, knowing I would always be safe with you here, knowing that it would be ok to die as long as you are here. I want to say this but don't.

Romance isn't just about roses or killing dragons or sailing a kayak around the world. It's also about chocolate chip cookies and sharing The Grateful Dead and James Taylor with me in the middle of the night, and believing me when I say that you could be bigger than both of them put together, and not making fun of me for straightening out my french fries or pointing my shoelaces in the same direction, and letting me pout when I don't get my own way, and pretending that if I play "Flower Drum Song" one more time you won't throw me and the record out the window

I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.

The beauty of the flute was in its simplicity, in its resemblance to the human voice. It always sounded clear. It sounded alone. The piano, on the other hand, was a network of parts—a ship, with its strings like rigging, its case a hull, its lifted lid a sail. Kestrel always thought that the piano didn't sound like a single instrument but a twinned one, with its low and high halves merging together or pulling apart.

On December 8, 1921, when the Leopoldina set sail for Europe, we were on board. Our life together had finally begun. We held on to each other and looked out at the sea. It was impossibly large and full of beauty and danger in equal parts-and we wanted it all.

We sail across dominions barely seen, washed by the swells of time. We plow through fields of magnetism. Past and future come together on thunderheads and our dead hearts live with lightning in the wounds of the Gods.

When we got to the marina we saw this beautiful boat named Tara waiting for us. Fredo, Carin, Ryan, Dan, Kenny, Allison, my mom, and me were all together to enjoy that extraordinary day. As the boat pulled away from the city, its skyline vanished into the horizon. The captain took us to this area where we sailed through caves and lush hilly landscapes. All of a sudden, the captain pushed the throttle all the way down and we started bombing across the water like we were in a James Bond movie. Everyone's hair was blowing all over the place, especially the girls'. Of course, mine was perfect (ha,ha), but theirs ended up looking like the worst case of bed head I've seen! It was so funny.

What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!

It's nice when grown people whisper to each other under the covers. Their ecstasy is more a leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavour would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher's palm asking for witnesses in His name's sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don't have to look at themselves anymore; there is no stud's eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.

There are hurts. I feel them all over, like stab wounds: the distance that we both allowed to settle in, ruining what should have been the happiest year of our lives. The ring that makes me feel like a fraud because it’s so huge. As ridiculous as it might sound, in my mind he gave me such a big diamond as a way of saying I love you THIS much!; but how could he have loved me THAT much when we still didn’t completely know each other? When we’d never argued before and didn’t live together and it was such smooth sailing. Way too good to be true.

A needle is such a small brittle thing. It is easily broken. It can hold but one fragile thread. But if the needle is sharp, it can pierce the coarsest cloth. Ply the needle in and out of a canvas and with a great length of thread one can make a sail to move a ship across the ocean. In such a way can a sharp glossy tongue, with the thinnest of thread of a rumor, stitch together a story to flap in the breeze. Hoist that story upon the pillar of superstitious belief and a whole town can be pulled along with the wind of fear.

Concave and convex, we fit together like two praying hands. A prayer that begged for absolution and time. We were both sinners and the truth of that hurt. But having her in my arms, her mouth on mine, I couldn’t understand how I’d ever be forgiven. And I didn’t want to be.

Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.

Marathon 2. Song of the River Once we were happy, we had no memories. For all the repetition, nothing happened twice. We were always walking parallel to a river with no sense of progression though the trees across from us were sometimes birch, sometimes cypress- the sky was blue, a matrix of blue glass. While, in the river, things were going by- a few leaves, a child's boat painted red and white, its sail stained by the water- As they passed, on the surface we could see ourselves; we seemed to drift apart and together, as the river linked us forever, though up ahead were other couples, choosing souvenirs.

We simply can’t abandon ship every time we encounter a storm in our marriage. Real love is about weathering the storms of life together.

What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves?

I do not think that one should demand that love be forever. Perhaps it is better that it not be forever. How can one answer for more than the moment? Who knows what strange tides may sweep us away? What depths there may be, or twists and turns and shallows? Each life sails a separate course, although sometimes, and this is the best of times, two lives may move along together until the end of time.

I grew up in those years when the Old West was passing and the New West was emerging. It was a time when we still heard echoes and already saw shadows, on moonlit nights when the coyotes yapped on the hilltops, and on hot summer afternoons when mirages shimmered, dust devils spun across the flats, and towering cumulus clouds sailed like galleons across the vast blueness of the sky. Echoes of remembrance of what men once did there, and visions of what they would do together.

She had to find a way to lift them together. The only thing she had was a moan. And she moaned. That moan would become a Spiritual; that Spiritual would become Jazz; which would become Blues then Rhythm and Blues then Rap. That moan would define not only a people but the nation to which they were sailing. That moan would make those people decide that they should, that they could, live.

The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.

What you must remember is that the magic itself is neither good nor bad, no more so than this ship might be used for right or wrong. It might be used by a fisherman to feed a village, for example. Or, the same vessel might be sailed by pirates to murder and pillage...the lumber, rope, nails, cotton, and everything that goes into it-is created by the True One. Humans decide how it is to be put together and how it is used.

They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.

It is when we are doing things together that friendship springs up – painting, sailing ships, praying, philosophizing, and fighting shoulder to shoulder. Friends look in the same direction.

My mom always said, there are two kinds of love in this world: the steady breeze, and the hurricane. The steady breeze is slow and patient. It fills the sails of the boats in the harbor, and lifts laundry on the line. It cools you on a hot summer’s day; brings the leaves of fall, like clockwork every year. You can count on a breeze, steady and sure and true. But there’s nothing steady about a hurricane. It rips through town, reckless, sending the ocean foaming up the shore, felling trees and power lines and anyone dumb or fucked-up enough to stand in its path. Sure, it’s a thrill like nothing you’ve ever known: your pulse kicks, your body calls to it, like a spirit possessed. It’s wild and breathless and all-consuming. But what comes next? “You see a hurricane coming, you run.” My mom told me, the summer I turned eighteen. “You shut the doors, and you bar the windows. Because come morning, there’ll be nothing but the wreckage left behind.” Emerson Ray was my hurricane. Looking back, I wonder if mom saw it in my eyes: the storm clouds gathering, the dry crackle of electricity in the air. But it was already too late. No warning sirens were going to save me. I guess you never really know the danger, not until you’re the one left, huddled on the ground, surrounded by the pieces of your broken heart. It’s been four years now since that summer. Since Emerson. It took everything I had to pull myself back together, to crawl out of the empty wreckage of my life and build something new in its place. This time, I made it storm-proof. Strong. I barred shutters over my heart, and found myself a steady breeze to love. I swore, nothing would ever destroy me like that summer again. I was wrong. That’s the thing about hurricanes. Once the storm touches down, all you can do is pray.

With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.

If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.

I’m not always as brave as I’d like to be. I falter and fail and give in to the screens in my life. And yet, sailing across vast oceans and into ports unknown taught me something vital: there is nothing out there as dark as our doubts, nor as dangerous as our inaction. Go out. See for yourselves. And if what you find there is broken, know that together we can fix it.

Cry no tears for us, my friend.” I pry at her fingers, panicking to be released in fear that she may drag me into death with her. She croaks again, “Lend no aches to the dreams of yesterday.” From the corpse of Warren, his greyish gums smack from whatever goo has settled in his mouth, “Allow the tide sweep free the bay.” Then together they sing in zombie choir, “And home the ships sailing send.

I cannot write myself. What, after all, is this "I" who would write himself? Even as he would enter into the writing, the writing would take the wind out of his sails, would render him null and void -- futile; a gradual dilapidation would occur, in which the other's image, too, would be gradually involved (to write on something is to outmode it), a disgust whose conclusion could only be: what's the use? what obstructs amorous writing is the illusion of expressivity: as a writer, or assuming myself to be one, I continue to fool myself as to the effects of language: I do not know that the word "suffering" expresses no suffering and that, consequently, to use it is not only to communicate nothing but even, and immediately, to annoy, to irritate (not to mention the absurdity). Someone would have to teach me that one cannot write without burying "sincerity" (always the Orpheus myth: not to turn back). What writing demands, and what any lover cannot grant it without laceration, is to sacrifice a little of his Image-repertoire, and to assure thereby, through his language, the assumption of a little reality. All I might produce, at best, is a writing of the Image-repertoire; and for that I would have to renounce the Image-repertoire of writing -- would have to let myself be subjugated by my language, submit to the injustices (the insults) it will not fail to inflict upon the double Image of the lover and of his other. The language of the Image-repertoire would be precisely the utopia of language: an entirely original, paradisiac language, the language of Adam -- "natural, free of distortion or illusion, limpid mirror of our sense, a sensual language (die sensualische Sprache)": "In the sensual language, all minds converse together, they need no other language, for this is the language of nature.

I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death. He smashed that one first. My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven. He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands. 'Daddy?' Buckley said. My brother held the doorknob with his hand. My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him. My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived. 'You are so special to me, little man,' my father said, clinging to him. Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult. 'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.

I'm intrigued. If not by beauty, how then does one spot the garden-variety nobleman?" "Easily," she said. "One need only look for the promise of beauty not quite fulfilled, a nose too large, eyes a bit too closer together, or ears ready to set sail.

Best not to look back. Best to believe there will be happily ever afters all the way around- and so there may be; who is to say there will to be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question… And if you spare a last though, maybe it’s ghosts you wonder about… the ghosts of children standing in the water at sunset, standing in a circle, standing with their hands joined together, their faces young, sure, but tough… tough enough, anyway, to give birth to the people they will become, tough enough understand, maybe, that the people they will become must necessarily birth the people they were before they can get on with trying to understand simple morality. The circle closes, the wheel rolls, and that’s all there is. You don’t have to look back to see those children; part of you mind wills them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but were once the repository of all you could become. Children I love you. I love you so much. So drive away quick, drive away while the last of the light slips away,drive away from Derry, from memory… but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand. All the rest is darkness.

I remember once when I had been giving a talk to the R.A.F., an old, hard-bitten officer got up and said, ‘I’ve no use for all that stuff. But, mind you, I’m a religious man too. I know there’s a God. I’ve felt Him: out alone in the desert at night: the tremendous mystery. And that’s just why I don’t believe all your neat little dogmas and formulas about Him. To anyone who’s met the real thing they all seem so petty and pedantic and unreal!’ Now in a sense I quite agreed with that man. I think he had probably had a real experience of God in the desert. And when he turned from that experience to the Christian creeds, I think he really was turning from something real to something less real. In the same way, if a man has once looked at the Atlantic from the beach, and then goes and looks at a map of the Atlantic, he also will be turning from something real to something less real: turning from real waves to a bit of coloured paper. But here comes the point. The map is admittedly only coloured paper, but there are two things you have to remember about it. In the first place, it is based on what hundreds and thousands of people have found out by sailing the real Atlantic. In that way it has behind it masses of experience just as real as the one you could have from the beach; only, while yours would be a single glimpse, the map fits all those different experiences together. In the second place, if you want to go anywhere, the map is absolutely necessary. As long as you are content with walks on the beach, your own glimpses are far more fun than looking at a map. But the map is going to be more use than walks on the beach if you want to get to America.

Europe historically was populated by two types of people. The first type all followed the rules, worked together, and kept order. The second type all liked to go their own way, take risks, and test boundaries. Then one day, the second group all got on a boat and sailed to America.

In any case, the two countries had stayed alive over the centuries mainly by warring on each other. There had been the Olive War, the Tuna Fish Discrepancy, which almost bankrupted both nations, the Roman Rift, which did send them both into insolvency, only to be followed by the Discord of the Emeralds, in which they both got rich again, chiefly by banding together for a brief period and robbing everybody within sailing distance.

Handsome, strong, gay ... She felt again the thro and lilt of her blood. She had loved Kameni in that moment. She loved him now. Kameni could take the place that Khay had held in her life. She thought: 'We shall be happy together - yes, we shall be happy. We shall live together and take pleasure in each other and we shall have strong, handsome children. There will be busy days full of work ... and days of pleasure when we sail on the River...Life will be again as I knew it with Khay...What could I ask more than that? What do I want more than that?' And slowly, very slowly indeed, she turned her face towards Hori. It was as though, silently, she asked him a question. As though he understood her, he answered: 'When you were a child, I loved you. I loved your grave face and the confidence with which you came to me, asking me to mend your broken toys. And then, after eight years' absence, you came again and sat here, and brought me the thoughts that were in your mind. And your mind, Renisenb, is not like the minds of the rest of your family. It does not turn in upon itself, seeking to encase itself in narrow walls. Your mind is like my mind, it looks over the River, seeing a world of changes, of new ideas - seeing a world where all things are possible to those with courage and vision...' She broke off, unable to find words to frame her struggling thoughts. What life would be with Hori, she did not know. In spite of his gentleness, in spite of his love for her, he would remain in some respects incalculable and incomprehensible. They would share moments of great beauty and richness together - but what of their common daily life? (...) I have made my choice, Hori. I will share my life with you for good or evil, until death comes... With his arms round her, with the sudden new sweetness of his face against hers, she was filled with an exultant richness of living.

Well, if we didn’t sail together, how did you ever—ah, you must have snuck a peek at my luggage labels.” I tried to remain casual, but leaned away as the man drew closer still, inspecting me. The oak countertop dug into my back uncomfortably. He smelled faintly of cloves and cinnamon. “I did nothing of the sort. That would be an impolite invasion of privacy,” the man stated flatly as he picked a bit of lint from my sleeve, tasted it, and tucked it somewhere inside his baggy coat.

There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn’t to find these ideas but to recognize them when they show up.

When I'm sailing, sometimes I'll spend hours watching flocks of birds. They have something special going on there," Gordon continued. "They are all separate entities, those birds, but they share a single thought. Watch them fly in formation and suddenly veer around some invisible obstacle. Watch them flutter in swirling confusion and then, abruptly, move together in perfect formation again, each knowing its part in the whole. That what I mean by group minds." Gordon seemed to weigh his remarks, as though each word had significance. "A flock," she said, testing the term. "I guess my group of personalities is like a flock." She smiled ruefully. I only wish I could be lead bird sometime. (155)

Pippin?" "Yes, Dash?" "How did we get here?" "Aboard this ship?" she teased. "Nate ordered the sails raised and then --" "Very funny," he said, cutting her off. "You know what I mean. Here. To this place." "Oh, this place," she said, her face growing solemn. "I've wondered that as well, and all I can think of is that we are like our stars." "How so?" "You and I are the two outer stars, and the one between us is everything that keeps us apart." He set his lips together and gazed out at the waves. "Like this ocean," he offered.

Two things that lived separately and yet together: a brook and the sky, the wind and the water that coursed through both their veins.. You needed both to sail.

Man-of-war jellyfish—which are not actually jellyfish but many organisms banded together into one form—have venomous tentacles under their cute, sail-shaped heads.

embrace the journey that I find peace. My tale of the four orphans who set sail together on an odyssey isn’t quite finished. Their lives went far beyond the rolling farmlands and high bluffs and river towns and remarkable people they encountered on their meanderings that summer. Here is the end of the story begun many pages ago, an accounting of where the greater

Do not cling to the shore, but set sail for exotic lands and places no longer found on maps. Walk on hallowed grounds. Blaze new trails. The term synchronicity was coined in the 1950s by the Swiss psychologist Carl Jung, to describe uncanny coincidences that seem to be meaningful. The Greek roots are syn-, "together," and khronos, "time." Synchronicity is the effector of Gnosis. Explore the Bogomils and the Cathars not just through books but, if at all possible, by visiting their lands, cemeteries and descendants. Finally, explore the most contemporary manifestations of Gnosticism: the writings of C.G. Jung, Jorge Luis Borges, Aleister Crowley, René Guénon, Hermann Hesse, Philip K. Dick, and Albert Camus. Gradually, you will begin to understand the various thought currents and systems existing in Gnosticism, and you will have begun to understand what does and does not appeal to you in Gnostic thought.

But in the dark now and no glow showing and no lights and only the wind and the steady pull of the sail he felt that perhaps he was already dead. He put his two hands together and felt the palms. They were not dead and he could bring the pain of life by simply opening and closing them. He leaned his back against the stern and knew he was not dead. His shoulders told him.

Let’s get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn’t to find these ideas but to recognize them when they show up.

I closed my eyes, adding dark to dark, and the wanting unfurled like the sails of a phantom ship. This could be my universe. This nowhere world, circumscribed by skin and breath, where nothing mattered but two bodies moving together. The past and the future rendered irrelevant by the beauty of the now, the sum of the self transmuted into a moment. Oh, was there ever a more seductive definition of madness?

Two things that lived separately and yet together: a brook and the sky, the wind and the water that coursed through both their veins. You needed both to sail. You needed both in tandem to achieve perfection.

Evelyn continued to hold the wheel, recognizing the sensation of being in control of the rudder, while Martin explained how the direction of the wind was key, and how all the elements worked together to affect speed. "It's physics," she said, becoming fascinated by the complexity of the air and water flow working together, and comprehending how the shape of the hull and sails and the size of the keel all played an important part in the boat's movement.

I think if you wanted a peaceful marriage and orderly household, you should have proposed to any one of the well-bred simpletons who've been dangled in front of you for years. Ivo's right: Pandora is a different kind of girl. Strange and marvelous. I wouldn't dare predict-" She broke off as she saw him staring at Pandora's distant form. "Lunkhead, you're not even listening. You've already decided to marry her, and damn the consequences." "It wasn't even a decision," Gabriel said, baffled and surly. "I can't think of one good reason to justify why I want her so bloody badly." Phoebe smiled, gazing toward the water. "Have I ever told you what Henry said when he proposed, even knowing how little time we would have together? 'Marriage is far too important a matter to be decided with reason.' He was right, of course." Gabriel took up a handful of warm, dry sand and let it sift through his fingers. "The Ravenels will sooner weather a scandal than force her to marry. And as you probably overheard, she objects not only to me, but the institution of marriage itself." "How could anyone resist you?" Phoebe asked, half-mocking, half-sincere. He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position... to her, they're all detractions. Somehow I have to convince her to marry me despite those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them." "Oh, my dear..." Phoebe said tenderly. "You're the brother who taught Raphael to sail a skiff, and showed Justin how to tie his shoes. You're the man who carried Henry down to the trout stream, when he wanted to go fishing one last time." She swallowed audibly, and sighed. Digging her heels into the sand, she pushed them forward, creating a pair of trenches. "Shall I tell you what your problem is?" "Is that a question?" "Your problem," his sister continued, "is that you're too good at maintaining that façade of godlike perfection. You've always hated for anyone to see that you're a mere mortal. But you won't win this girl that way." She began to dust the sand from her hands. "Show her a few of your redeeming vices. She'll like you all the better for it.

So the great-grand-emperor's word goes out, and so a port is built, and sailors flock, beckoned by adventure. (Adventure works in any strand - it calls to those who care more for living than for their lives.) They will sail together, to a new world.

The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.

good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn’t to find these ideas but to recognize them when they show up.

The world was in truth made of jackstraws. The world was very combustible, the human body was partible in ways heretofore unimagined. What held the civilized world together was the thinnest tissue of nothing but human will. Civilization was not in the natural order but was some wort of willed invention held taut like a fabric or a sail against the chaos of the winds. And why we had invented it, or how we knew to invent it, was beyond him. Newmann had seen some truth that was completely out of his power to put into words. But he had come away knowing that even though the world of civilization was made of straw and lantern slides, he must live in it as if it were solid. Even when the heat of the lantern itself burnt away the illusions and a black hole appeared in the middle of the slide.

The bigger question now becomes, "so what? Who cares?" You will never have an infinite number of balls and you will never have a large enough urn to hold all of them. You will never build a lamp that can turn on and off arbitrarily fast. We cannot investigate time or space past a certain smallness, except when pretending, so what are supertasks, but recreational fictions, entertaining riddles? We can ask more questions than we can answer, so what? Well, here's what. Neanderthals. Neanderthals and humans, us, Homo sapiens, lived together in Europe for at least five thousand years. Neanderthals were strong and clever, they may have even intentionally buried their dead, but for hundreds of thousands of years, Neanderthals barely went anywhere. They pretty much just explored and spread until they reached water or some other obstacle and then stopped. Homo sapiens, on the other hand, didn't do that. They did things that make no sense crossing terrain and water without knowing what lay ahead. Svante Pääbo has worked on the Neanderthal genome at the Max Planck Institute for Evolutionary Anthropology and he points out that technology alone didn't allow humans to go to Madagascar, to Australia. Neanderthals built boats too. Instead, he says, there's "some madness there. How many people must have sailed out and vanished on the Pacific before you found Easter Island? I mean, it's ridiculous. And why do you do that? Is it for the glory? For immortality? For curiosity? And now we go to Mars. We never stop." It's ridiculous, foolish, maybe? But it was the Neanderthals who went extinct, not the humans.

It was on the steamer carrying him through the Golden Gate that he happened to reach down into the hole in the lining of the right pocket of his overcoat and discover the envelope that his brother had solemnly handed to him almost a month before. It contained a single piece of paper, which Thomas had hastily stuffed into it that morning as they all were leaving the house together for the last time, by way or in lieu of expressing the feelings of love, fear, and hopefulness that his brother's escape inspired. It was the drawing of Harry Houdini, taking a calm cup of tea in the middle of the sky, that Thimas had made in his notebook during his abortive career as a librettist. Josef studied it, feeling as he sailed toward freedom as if he weighed nothing at all, as if every precious burden had been lifted from him.

I face my own mortality every day. I can buy a fabulous blouse from a mail-order catalog, cook a terrible dinner, and go to bed with a good romance novel, but when I send the dead sailing across the Salt Sea, I know that the new blouse and that terrible dinner and a good romance novel won't mean a thing when I'm gone. And honestly, it's a comfort. It's something that links me to everyone around me, no matter who they are. Most people seal themselves off from death, but that doesn't change the fact that we're all joined together by this single thread.

I never miss Meeting now," I said. "Do not look surprised. I have sent many a prayer heavenward on your behalf. And your father is not home yet. Your uncle sails under more danger of his own making. There is more to living in a town than I knew when you were young. Things have happened. It is important to go and to give to the poor and to keep in good graces with all who know us." "But you always said to trust your own heart." "That is true, son. I do not do this for trickery but to make myself known. If people have your acquaintance and friendship, they are not so quick to believe falsity.

When this, our rose, is faded, And these, our days, are done, In lands profoundly shaded From tempest and from sun: Ah, once more come together, Shall we forgive the past, And safe from worldly weather Possess our souls at last? Or in our place of shadows Shall still we stretch an hand To green, remembered meadows, Of that old pleasant land? And vainly there foregathered, Shall we regret the sun? The rose of love, ungathered? The bay, we have not won? Ah, child! the world's dark marges May lead to Nevermore, The stately funeral barges Sail for an unknown shore, And love we vow to-morrow, And pride we serve to-day: What if they both should borrow Sad hues of yesterday? Our pride! Ah, should we miss it, Or will it serve at last? Our anger, if we kiss it, Is like a sorrow past. While roses deck the garden, While yet the sun is high, Doff sorry pride for pardon, Or ever love go by." -"Amantium Irae

Cold November nights. It feels as if summer never happened. The beauty of setting sun, moon, and stars. Sailing to nowhere, but finding happiness in our togetherness. Never forget what we are. Stranded hearts." Fidelis O. Mkparu (2016), author of 'Love's Affliction' (and soon to be published 'Tears before Exaltation')

And they began to talk—at first in their ordinary voices, but soon dropping into undertones because of the beauty, the immense, absorbed, hushed beauty of the night, with the moon, a day past its full, beginning to sail over the top of Burton Down behind them, and part the apple-leaves with silver fingers. And presently they didn't even talk, but Sat quite still, just as if for years they had been easy friends, and together they watched the great yew-tree on the other side of the little sleeping garden brushing its dark and solemn head across the stars, and listened to the cry of an owl, floating somewhere very far away towards them on the silence.

There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas come quite literally out of nowhere, sailing at you right out of the empty sky: to previously unrelated ideas come together and make something new under the sun. Your job isn't too find these ideas but to recognize them when they show up.

There are good ships and there are wood ships, the ships that sail the sea. But the best ships are friendships, and may they always be. A toast to your coffin. May it be made of hundred-year-old oak. And may we plant the tree together tomorrow. Here’s to Eve, the mother of us all, and here’s to Adam, who was Johnny-on-the-spot when the leaf began to fall. Give a man a match and he’ll be warm for a minute, but set him on fire and he’ll be warm for the rest of his life. Leprechauns, castles, good luck, and laughter. Lullabies, dreams, and love ever after. Poems and songs with pipes and drums. A thousand welcomes when anyone comes . . . That’s the Irish for you!

So, tomorrow night. My house or yours?" "Mine. I...want to show you something." "Oh yes?” Will said hopefully, suggestively. There was a smile in Taylor's voice, but he sounded absent. “Will?" "Right here." There was a pause. “When I was shot—" Will's heart quickened; he wasn't even sure why. “Yeah?" "It wasn't because of you...turning me down. It wasn't because my mind wasn't on the job." "No?" "No. I know—at least, I think I do—that you thought you were somehow to blame for me getting nailed. It wasn't anything to do with you.” He heard Taylor sigh. “It was when I saw how young they were. Kids. And I hesitated. I hesitated a couple of seconds too long. That's all." Something inside Will relaxed, like the clutch of a child's hand on a balloon. The balloon went sailing free and happy. (...) He couldn't even explain why he felt so happy. “You think I'm with you out of guilt?" "No, you ass. Of course not. I just mean—" "You're a nut, MacAllister. I'm with you because I love you." There it was, out. Three little words. Three of the most common words in the world, but string them together and they were more powerful than any warrant, any extradition papers, or even treaty. Stronger than any magical spell. Had he really never said them aloud to Taylor? Something in the ringing silence that followed made him think he maybe hadn't. It was a relief when Taylor said, at last, in that irritable voice that always signified nerves or great emotion, “That's fine. I just thought you should know." "I love you,” Will repeated firmly, having got the hang of it. “I'll see you tomorrow night, you lunatic." "Love you,” Taylor said tersely and hung up. Taylor stared at the receiver in its cradle and then got ready for bed.

The shores run together, the waters are parallel. The waters run together, the shores are parallel. A single leaf rustles, the others are silent. Who knows how this dream ends? He was so thin, so translucent, that he had to pass through the same place twice to leave a shadow. Living out a destiny of convenience the way others sail under a flag of convenience.

Little one! Good one! Beloved! The sun is baking, the waves are rolling and I love you. Today Lasse and I went out and sailed in the snipe, enjoying ourselves on the most gor- geous beach, with comfortable mats and the Mediterranean foaming under the soles of my feet. There’s a great wind, and I love only, only you. I’ve never been more disappointed than I was in Miel when there was no letter from you. I just hope you haven’t changed your mind, that you’ve found your Superman that you’ve always been going around dreaming about. I want so much to be your Superman, to be your Mofschen, I want to hold you in my arms and kiss your eyes . . . You must always love me, Marianne, never leave me. Perhaps we are among the few who can really be good together. We’ve fought, been crazy with jealousy and devilry, and always found our way back to each other — and that’s where it’s wonderful to be . . . Darling, darling, Marianne. My yearning for you is indescribable. I often imagine that it’s the two of us who are here in the Mediterranean. But the time will come. The whole future lies before us.

Mary!” Mrs. Cattermole looked over her shoulder. The real Reg Cattermole, no longer vomiting but pale and wan, had just come running out of a lift. “R-Reg?” She looked from her husband to Ron, who swore loudly. The balding wizard gaped, his head turning ludicrously from one Reg Cattermole to the other. “Hey--what’s going on? What is this?” “Seal the exit! SEAL IT!” Yaxley had burst out of another lift and was running toward the group beside the fireplaces, into which all of the Muggle-borns but Mrs. Cattermole had now vanished. As the balding wizard lifted his wand, Harry raised an enormous fist and punched him, sending him flying through the air. “He’s been helping Muggle-borns escape, Yaxley!” Harry shouted. The balding wizard’s colleagues set up an uproar, under cover of which Ron grabbed Mrs. Cattermole, pulled her into the still-open fireplace, and disappeared. Confused, Yaxley looked from Harry to the punched wizard, while the real Reg Cattermole screamed. “My wife! Who was that with my wife? What’s going on?” Harry saw Yaxley’s head turn, saw an inkling of the truth dawn in that brutish face. “Come on!” Harry shouted at Hermione; he seized her hand and they jumped into the fireplace together as Yaxley’s curse sailed over Harry’s head. They spun for a few seconds before shooting up out of a toilet into a cubicle. Harry flung open the door; Ron was standing there beside the sinks, still wrestling with Mrs. Cattermole. “Reg, I don’t understand--” “Let go, I’m not your husband, you’ve got to go home!

The sun rises in a clear sky that moves from black to gray to white to deep, pure crystal blue. One in Georgia packs his things he’s going to take a bus. Four in Mexico walk across scorched earth water in packs on their back. Two in Indiana best friends coming together they pack their best clothes while their parents wait to take them to the airport. One in Canada drives south. Sixty from China in a cargo container sail east. Four in New York pool their cash and buy a car and drop out of school and drive west. Sixteen cars of a passenger train crossing the Mojave only one stop left. One in Miami doesn’t know how she’s going to get there. Three in Montana have a truck none of them have any idea what they’re going to do once they arrive. A plane from Brazil sold out landing at LAX. Six in Chicago dreaming on shared stages they rented a van they’ll see if any of them can make it. Two from Arizona hitchhiking. Four more just crossed in Texas walking. Another one in Ohio with a motorcycle and a dream. All of them with their dreams. It calls to them and they believe it and they cannot say no to it, they cannot say no. It calls to them. It calls. Calls.

Middle school is prime time for failure, even among kids who have sailed through school up to that point. The combined stressors of puberty, heightened academic expectations, and increased workload are a setup for failure. How parents, teachers, and students work together to overcome those inevitable failures predicts so much about how children will fare in high school, college, and beyond.

Look,” she said. They both looked, but almost at once Drinian said in a low voice: “Turn round at once, your Majesties--that’s right, with our backs to the sea. And don’t look as if we were talking about anything important.” “Why, what’s the matter?” said Lucy as she obeyed. “It’ll never do for the sailors to see all that,” said Drinian. “We’ll have men falling in love with a sea-woman, or falling in love with the under-sea country itself, and jumping overboard. I’ve heard of that kind of thing happening before in strange seas. It’s always unlucky to see these people.” “But we used to know them,” said Lucy. “In the old days at Cair Paravel when my brother Peter was High King. They came to the surface and sang at our coronation.” “I think that must have been a different kind, Lu,” said Edmund. “They could live in the air as well as under water. I rather think these can’t. By the look of them they’d have surfaced and started attacking us long ago if they could. They seem very fierce.” “At any rate,” began Drinian, but at that moment two sounds were heard. One was a plop. The other was a voice from the fighting-top shouting, “Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep. “Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together.

I want you to be my wife, baby. I want to come home to you every night and hear your laughter. I want to build a life together with all the things that matter. I want there to be family, and sailing, and church, and work, and kids . . .” Her lips trembled on a smile. “Five little angels?” He squeezed her hands. “I was thinking we’d start with one and work our way up. What about it, Maddy—will you marry me?

Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside. You tick: Other.

There was a huge crowd on hand for this important game between Emerson and State University. Vendors stood outside the stadium selling pennants and football pins, and hats and flowers of the colors of the two colleges. Inside, the bands of both schools were playing. This, together with whistles and high-pitched conversation, made a great din. It turned to thunderous applause and cheers as the two teams trotted onto the field. Nancy and her friends had seats ideally located near the center of the field. They cheered lustily, then quieted as a whistle was blown by the referee and the captains of the opposing teams met to confer with the officials. “Emerson receives the kick!” came the announcement over the loudspeaker. The ball sailed through the air. The game was on! The blue jerseys of State U swept down the field.

He was born in an obscure village, the child of a peasant. He grew up in another village, where he worked in a carpenter shop until he was 30. Then, for three years, he was an itinerant preacher. He never wrote a book. He never held an office. He never had a family or owned a home. He didn’t go to college. He never lived in a big city. He never traveled 200 miles from the place where he was born. He did none of the things that usually accompany greatness. He had no credentials but himself. He was only 33 when the tide of public opinion turned against him. His friends ran away. One of them denied him. He was turned over to his enemies and went through the mockery of a trial. He was nailed to a cross between two thieves. While he was dying, his executioners gambled for his garments, the only property he had on earth. When he was dead, he was laid in a borrowed grave, through the pity of a friend. [Twenty] centuries have come and gone, and today he is the central figure of the human race. I am well within the mark when I say that all the armies that ever marched, all the navies that ever sailed, all the parliaments that ever sat, all the kings that ever reigned—put together—have not affected the life of man on this earth as much as that one, solitary life.29 If

Passing him with frightening speed, I see him sailing downward with his open parachute. “It won’t open!” “Pull harder!” Looking down, I estimate that at this speed it will only be a matter of seconds before I collide with the black lava rocks below. They rigged it! is all I can think. President Volkov won. I lost. I failed Gemma. I failed Nicholas. I failed myself. All of a sudden, someone rams into me from behind and hooks his arms and legs around my body. I look back and see Cory. “You’re crazy!” I scream as we spin out of control. “I know!” He smiles like he really is, but he feeds off of this kind of insanity. “Hold on!” The ground is so close and I can see the green grass and smell the scent of it mixed with the sulfur. He helps me turn around and I lock my arms around his thick shoulders, my legs around his firm hips. We’ll die together, and he doesn’t seem to care one bit. He really is insane!

I hated hearing her talk about her ex-husband, and I definitely didn’t want to hear that he’d taught her to sail. That skewered my heart. I knew it was irrational to hate something that had happened long before Caro and I had gotten together, but I did. I hated every single second that she’d ever spent with him. I hated that he’d been her first. I hated that he’d nearly broken her, and if I ever saw that fucker again, I wouldn’t be responsible for my actions.

If a gentleman held a door for me, I would accept the courtesy and thank him. Gentlemen enjoy offering little gallantries; a lady enjoys accepting them graciously, with a smile and a word of thanks. I mention this because, by the 1970s, there were many females who would snub a man unmercifully if he offered a gallantry, such as holding a chair for a woman, or offering to help her in or out of a car. These women (a minority but a ubiquitous, obnoxious one) treated traditional courtesy as if it were an insult. I grew to think of these females as the “Lesbian Mafia.” I don’t know that all of them were homosexual (although I’m certain about some of them) but their behavior caused me to lump them all together. If some of them were not Lesbians, then where did they find heterosexual mates? What sort of wimp would put up with this sort of rudeness in women? I am sorry to say that by 1970 there were plenty of wimps of every sort. The wimps were taking over.

In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.

One thing about a tiny island like Singapore is that every man, woman, and monkey in it originated from somewhere else. Whether your distant ancestors sailed from China, India, the Malay archipelago or the United Kingdom, your decision to stay is the only thing that makes you Singaporean. Your presence counts more than your origins. At least, that’s how it was supposed to be. Beneath an upper crust of white colonial administrators, the rest of us were muddled together like a savoury stew under mashed potatoes.

I was out on the Mekong again today when an entire village of refugees floated past. They had been attacked upriver by the Khmer Rouge. It was a pathetic sight, a flotilla of hundreds of ragged houseboats lashed together into giant rafts, drifting slowly. They were carrying their dead with them. I could see the bodies, wrapped in cloth. They stared at me blankly as I glided silently past, my multicolored sail bright in the sunlight. A small child waved but didn’t smile. Then a gentle gust caught my sail and I was gone.

I was running after the sublime, where everything is good. I was chasing after an image of ruffled sails that raise themselves like a phantom ship on a sea of oil, drifting, coming together, breaking free at the command of imperceptible trade winds, trailing around an infinite sorrow to the four corners of the stage. And whether the ship was a galley, a schooner, a merchant ship, or a privateer vessel didn’t matter. What did I care whether it put up its sails or slowly stripped itself bare? Its wandering was what moved me.

The night's real hero is Regina. Guided by hands that knew her and respected her limits, she seemed alive in her element, like a conscious being. She had been through this, and much more, a hundred times and knew exactly what to do. Her every spar, block, bolt is an optimal solution, an age-old answer to the single question it is asked, perfected over time. Together, these parts embody the experience of thousands over centuries. Today I feel bound to them, and in their debt, for the courage and craft that even in death give service.

We Two Boys Together Clinging We two boys together clinging, One the other never leaving, Up and down the roads going, North and South excursions making, Power enjoying, elbows stretching, fingers clutching, Arm'd and fearless, eating, drinking, sleeping, loving. No law less than ourselves owning, sailing, soldiering, thieving, threatening, Misers, menials, priests alarming, air breathing, water drinking, on the turf or the sea-beach dancing, Cities wrenching, ease scorning, statutes mocking, feebleness chasing, Fulfilling our foray.

Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep. “Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together. If there is any scrape to be got into, in it will get! It ought to be put in irons--keelhauled--marooned--have its whiskers cut off. Can anyone see the little blighter?” All this didn’t mean that Drinian really disliked Reepicheep. On the contrary he liked him very much and was therefore frightened about him, and being frightened put him in a bad temper--just as your mother is much angrier with you for running out into the road in front of a car than a stranger would be. No one, of course, was afraid of Reepicheep’s drowning, for he was an excellent swimmer; but the three who knew what was going on below the water were afraid of those long, cruel spears in the hands of the Sea People. In a few minutes the Dawn Treader had come round and everyone could see the black blob in the water which was Reepicheep. He was chattering with the greatest excitement but as his mouth kept on getting filled with water nobody could understand what he was saying. “He’ll blurt the whole thing out if we don’t shut him up,” cried Drinian. To prevent this he rushed to the side and lowered a rope himself, shouting to the sailors, “All right, all right. Back to your places. I hope I can heave a mouse up without help.

As of old Phoenician men, to the Tin Isles sailing Straight against the sunset and the edges of the earth, Chaunted loud above the storm and the strange sea's wailing, Legends of their people and the land that gave them birth- Sang aloud to Baal-Peor, sang unto the horned maiden, Sang how they should come again with the Brethon treasure laden, Sang of all the pride and glory of their hardy enterprise, How they found the outer islands, where the unknown stars arise; And the rowers down below, rowing hard as they could row, Toiling at the stroke and feather through the wet and weary weather, Even they forgot their burden in the measure of a song, And the merchants and the masters and the bondsmen all together, Dreaming of the wondrous islands, brought the gallant ship along; So in mighty deeps alone on the chainless breezes blown In my coracle of verses I will sing of lands unknown, Flying from the scarlet city where a Lord that knows no pity, Mocks the broken people praying round his iron throne, -Sing about the Hidden Country fresh and full of quiet green. Sailing over seas uncharted to a port that none has seen.

If his submarine were caught on the surface in broad daylight, the mission to free Napoleon Bonaparte from exile would be over before it began. Delacroix lowered his spyglass and called down through the hatch. “Prepare to dive the boat!” Three men quickly lowered the sail in the gusting wind. With the bright sun at his back, Delacroix took one last look at the approaching frigate before ducking below and closing the copper hatch. His nostrils flared at the rank odor of fifteen men packed together inside the cramped quarters. “Did they spot us?” asked Yves Beaumont,

I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the

Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep. “Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together. If there is any scrape to be got into, in it will get! It ought to be put in irons--keelhauled--marooned--have its whiskers cut off. Can anyone see the little blighter?

Kya leaned closer to him, not enough to touch. But she felt a sensation—almost like the space between their shoulders had shifted. She wondered if Tate felt it. She wanted to lean in closer, just enough so their arms would gently brush together. To touch. And wondered if Tate would notice. And just at that second, the wind picked up, and thousands upon thousands of yellow sycamore leaves broke from their life support and streamed across the sky. Autumn leaves don’t fall; they fly. They take their time and wander on this, their only chance to soar. Reflecting sunlight, they swirled and sailed and fluttered on the wind drafts.

and then we were going somewhere together Andy and me with heavy suitcases we were going by boat, on the canal, only Andy was like no way am I getting in that boat and I was like sure I understand, so I took apart the sailboat screw by screw, and put the pieces in my suitcase, we were carrying it overland, sails and all, this was the plan, all you had to do was follow the canals and they’d take you right where you wanted to go or maybe just right back where you started but it was a bigger job than I’d thought, disassembling a sailboat, it was different than taking apart a table or chair and the pieces were too big to fit in the luggage

The one I had selected wavered indecisively before me, and, as I swung wide to make the boarding gentle, filled suddenly and darted away, the smart Mongols shouting a wild rhythm as they bent to the sweeps. But I had been ready for this. I luffed suddenly. Putting the tiller hard down, and holding it down with my body, I brought the main-sheet in, hand over hand, on the run, so as to retain all possible striking force. The two starboard sweeps of the junk were crumpled up, and then the two boats came together with a crash. The Reindeer's bowsprit, like a monstrous hand, reached over and ripped out the junk's chunky mast and towering sail.

I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.

...when the morning wind caught up with us, and with it some quite unexpected fog - soft and rolling. It would roll down the open channels in great round masses - hesitate for an island, and then roll over it and on. It would fill up all the bays - searching and exploring. It came on board and felt us all over with soft, damp fingers, and we hoisted our sails and fled before it. ...A little farther on, the wind blew harder, but it was steadier...The mountains grew higher and higher, and gossiped together across our heads. And somewhere down at their feet, on that narrow ribbon of water, our boat with the white sails flew swiftly along, completely dwarfed by its surroundings.

But in the Age of Discovery, more than half the world was unexplored, unmapped, and misunderstood by Europeans. Mariners feared they could literally sail over the edge of world. They believed that sea monsters lurked in the briny depths, waiting to devour them. And when they crossed the equator, the ocean would boil and scald them to death. Some of the most tenacious ideas about the world at large derived from Pliny the Elder, who died in the eruption of Mount Vesuvius in A.D. 79. His multivolume, encyclopedic Natural History, rediscovered and widely consulted in the Renaissance, sought to bring together everything that was known about the natural world: mountains, continents, flora and fauna.

And on April 30th, one month later, a royal decree was issued suspending all judicial proceedings against any criminals who would agree to ship out with Columbus, because, the document stated, “it is said that it is necessary to grant safe-conduct to the persons who might join him, since under no other conditions would they be willing to sail with him on the said voyage.”130 With the exception of four men wanted for murder, no known felons accepted the offer. From what historians have been able to tell, the great majority of the crews of the Niña, the Pinta, and the Santa María— together probably numbering a good deal fewer than a hundred—were not at that moment being pursued by the law, although, no doubt, they were a far from genteel lot.

Let us sail to the colourful island of mixed identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboard. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let’s toast to the minorities who are the majority. There is no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now.

It is for that moment when I might steady you so you don’t fall, I have added my blood to an inkwell. Indelible now will be my mark on history’s canvas and upon any sincere debate of God where reason finally prevails. And when you have the strength, you too may find another to hold up. They lean against each other in a storm, those cypresses grown tall together…through the years. If they had not trusted and protected one another the way they do, they would not have survived and given us their grace and shade—a place for our eyes to meet. Our friendship can be like this: a needed lift, a sail, a pillar, a springboard to taste the unfathomable. It is to tend you as you come into being, like a new world, that causes me to stay, gives me a purpose. Of course I thank you for that…for letting me help.

It’s nice when grown people whisper to each other under the covers. Their ecstasy is more leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavor would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher’s palm asking for witnesses in His name’s sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don’t have to look at themselves anymore; there is no stud’s eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers. But there is another part, not so secret. The part that touches fingers when one passes the cup and saucer to the other. The part that closes her neckline snap while waiting for the trolley; and brushes lint from his blue serge suit when they come out of the movie house into the sunlight. I envy them their public love. I myself have only known it in secret, shared it in secret and longed, aw longed to show it—to be able to say out loud what they have no need to say at all: That I have loved only you, surrendered my whole self reckless to you and nobody else. That I want you to love me back and show it to me. That I love the way you hold me, how close you let me be to you. I like your fingers on and on, lifting, turning. I have watched your face for a long time now, and missed your eyes when you went away from me. Talking to you and hearing you answer —that’s the kick. But I can’t say that aloud; I can’t tell anyone that I have been waiting for this all my life and that being chosen to wait is the reason I can. If I were able I’d say it. Say make me, remake me. You are free to do it and I am free to let you because look, look. Look where your hands are. Now.

What makes a human being dare the impossible? What fires the will when we glimpse something never done before and a wild urge surges up to cry, “Then let’s do it”? Here in San Francisco a young woman blind from birth decides to sail alone across the Pacific and succeeds; I can’t imagine getting as far as Alcatraz. Mountaineers decide that it is not enough merely to climb Mount Everest; they have to climb it alone, take no oxygen, and choose the most difficult ascent. And just a few months ago a man and woman mortgaged their future to put together a fragile plane with a cockpit smaller than a phone booth, so they could fly around the world without a stop. We ask, “Why did you do it?” And the pilot of the Voyager can only reply with a shrug, “Just for the hell of it.” He can give no better reason, yet everyone understands.

In ancient times, soldiers called it going amok—a descent into the battle craziness that took you out of yourself and dropped you into the warrior’s world of blood and darkness. Going amok was a form of insanity prized by the Greeks and Spartans and Vikings—it made for great warriors. Thus did Achilles slay Hector, Beowulf defeat Grendel. But unless you bring your heroes back to themselves—with a ritual purification or with a journey of some sort, like Odysseus’s long struggle home or World War II vets taking weeks to sail back across the sea together—there is a price to pay when the bloodied warrior returns. These days, soldiers return from Iraq and Afghanistan alone and in a matter of hours. We drop them back into society as if they were widgets that have simply gone missing for a while. But a lot of the widgets are bent hopelessly out of shape.

Jake opened one eye and blinked confusedly at the sunlight pouring through the window high above. Disoriented, he rolled over on a lumpy, unfamiliar bed and found himself staring up at an enormous black animal who flattened his ears, bared his teeth, and tried to bite him through the slats of his stall. “You damned cannibal!” he swore at the evil-tempered horse. “Spawn of Lucifer!” Jake added, and for good measure he aimed a hard kick at the wooden slats by way of retaliation for the attempted bite. “Ouch, dammit!” he swore as his bootless foot hit the board. Shoving himself to a sitting position, he raked his hands through his thick red hair and grimaced at the hay that stuck between his fingers. His foot hurt, and his head ached from the bottle of wine he’d drunk last night. Heaving himself to his feet, he pulled on his boots and brushed off his woolen shirt, shivering in the damp chill. Fifteen years ago, when he’d come to work on the little farm, he’d slept in this barn every night. Now, with Ian successfully investing the money Jake made when they sailed together, he’d learned to appreciate the comforts of feather mattresses and satin covers, and he missed them sorely. “From palaces to a damned cowshed,” he grumbled, walking out of the empty stall he’d slept in. As he passed Attila’s stall, a hoof punched out with deadly aim, narrowly missing Jake’s thigh. “That’ll cost you an early breakfast, you miserable piece of living glue,” he spat, and then he took considerable pleasure in feeding the other two horses while the black looked on. “You’ve put me in a sour mood,” he said cheerfully as the jealous horse shifted angrily while the other two steeds were fed. “Maybe if it improves later on, I’ll feed you.

The frenzies of the chase had by this time worked them bubblingly up, like old wine worked anew. Whatever pale fears and forebodings some of them might have felt before; these were not only now kept out of sight through the growing awe of Ahab, but they were broken up, and on all sides routed, as timid prairie hares that scatter before the bounding bison. The hand of Fate had snatched all their souls; and by the stirring perils of the previous day; the rack of the past night's suspense; the fixed, unfearing, blind, reckless way in which their wild craft went plunging towards its flying mark; by all these things, their hearts were bowled along. The wind that made great bellies of their sails, and rushed the vessel on by arms invisible as irresistible; this seemed the symbol of that unseen agency which so enslaved them to the race. They were one man, not thirty. For as the one ship that held them all; though it was put together of all contrasting things — oak, and maple, and pine wood; iron, and pitch, and hemp — yet all these ran into each other in the one concrete hull, which shot on its way, both balanced and directed by the long central keel; even so, all the individualities of the crew, this man's valor, that man's fear; guilt and guiltiness, all varieties were welded into oneness, and were all directed to that fatal goal which Ahab their one lord and keel did point to. The rigging lived. The mast-heads, like the tops of tall palms, were outspreadingly tufted with arms and legs. Clinging to a spar with one hand, some reached forth the other with impatient wavings; others, shading their eyes from the vivid sunlight, sat far out on the rocking yards; all the spars in full bearing of mortals, ready and ripe for their fate. Ah! how they still strove through that infinite blueness to seek out the thing that might destroy them!

golden opportunity to learn to cope with criticism and anger effectively. This came as a complete surprise to me; I hadn't realized what good fortune I had. In addition to urging me to use cognitive techniques to reduce and eliminate my own sense of irritation. Dr. Beck proposed I try out an unusual strategy for interacting with Hank when he was in an angry mood. The essence of this method was: (1) Don't turn Hank off by defending yourself. Instead, do the opposite—urge him to say all the worst things he can say about you. (2) Try to find a grain of truth in all his criticisms and then agree with him. (3) After this, point out any areas of disagreement in a straightforward, tactful, nonargumentative manner. (4) Emphasize the importance of sticking together, in spite of these occasional disagreements. I could remind Hank that frustration and fighting might slow down our therapy at times, but this need not destroy the relationship or prevent our work from ultimately becoming fruitful. I applied this strategy the next time Hank started storming around the office screaming at me. Just as I had planned, I urged Hank to keep it up and say all the worst things he could think of about me. The result was immediate and dramatic. Within a few moments, all the wind went out of his sails—all his vengeance seemed to melt away. He began communicating sensibly and calmly, and sat down. In fact, when I agreed with some of his criticisms, he suddenly began to defend me and say some nice things about me! I was so impressed with this result that I began using the same approach with other angry, explosive individuals, and I actually did begin to enjoy his hostile outbursts because I had an effective way to handle them. I also used the double-column technique for recording and talking back to my automatic thoughts after one of Hank's midnight calls (see Figure 16–1, page 415).

Zero has had a long history. The Babylonians invented the concept of zero; the ancient Greeks debated it in lofty terms (how could something be nothing?); the ancient Indian scholar Pingala paired Zero with the numeral 1 to get double digits; and both the Mayans and the Romans made Zero a part of their numeral systems. But Zero finally found its place around AD 498, when the Indian astronomer Aryabhatta sat up in bed one morning and exclaimed, "Sthanam sthanam dasa gunam" — which translates, roughly as, "place to place in ten times in value". With that, the idea of decimal based place value notion was born. Now Zero was on a roll: It spread to the Arab world, where it flourished; crossed the Iberian Peninsula to Europe (thanks to the Spanish Moors); got some tweaking from the Italians; and eventually sailed the Atlantic to the New World, where zero ultimately found plenty of employment (together with the digit 1) in a place called Silicon Valley.

Though the manner in which technological progress takes place was transformed during the nineteenth century, the nature of invention as a mental act remained the same. In the absence of detailed knowledge, one can only assume that men’s creative mental processes were the same before the Industrial Revolution as they are today. No invention is entirely new, and each one is necessarily made up of a combination of existing elements. As the full-rigged sailing ship demonstrates so well, the essence of invention consists of an act, which might almost be described as an act of violence, by which these elements are wrenched out of their accepted frameworks and put together in new combinations. Doing this requires a certain flexibility, not merely in the mind of the inventor, but also in the structure of the organization or social milieu to which he belongs. However, such flexibility merely constitutes a necessary condition for invention, never a sufficient one.

Elysian Mates are the most unpredictable of all the Star Bonds,” Zenith started. “An Elysian Mate is your absolute perfect match. Your other half, your soul mate, your twin flame, your one true love. It has many names. But in Solaria we call it this. Your Elysian Mate is Star Bound to you somewhere in this world. And if you come into contact with each other, the Zodiac will draw you together like two ends of a rope bound to a turning wheel. And the more time you spend together, the more you will be pulled magnetically and inescapably toward one another. But...” She trailed off and my heart pounded harder as the sky turned blood red above us. Two stars sailed across the heavens from opposing ends of the ceiling, tearing toward each other on a collision course. “The stars will test you. The longer you are in each other’s company, the more volatile the universe will become. And if you pass all of the tests the stars throw at you, you will be presented with your Divine Moment.

No, Faith ain’t gonna get charged with assault. I’m not even sure the incident occurred cause neither are you. You get three days off on the Alpha to get your head back together. Then you decide if you want to help out or go in a hold. Or, hell, I’ll drop you off at a little town and you can fight zombies for supplies and fish for your supper. If you decide you want to help, God knows we need people who can organize and you should be able to do that. But if so, you’re going to have to climb down. And you sure as shit had better figure out a way to apologize to Lieutenant Smith or at some point you’re going to end up shark bait. Because the Marines, with the exception of Captain Milo ‘I’m scared of zombies’ Wilkes, just absolutely hate your fucking guts. And the one group you do not want pissed off at you in this Squadron is the fucking Marines. And of all the Marines, the one you seriously do not want to get on the bad side of is Faith Marie Smith. They call her Shewolf for a reason…

In the bows of the Desaix there was a sudden movement, a response to an order. Jack stepped to the wheel, taking the spokes from the quartermaster’s hands and looking back over his left shoulder. He felt the life of the sloop under his fingers: and he saw the Desaix begin to yaw. She answered her helm as quickly as a cutter, and in three heartbeats there were her thirty-seven guns coming round to bear. Jack heaved strongly at the wheel. The broadside’s roar and the fall of the Sophie’s maintopgallantmast and foretopsail yard came almost together – in the thunder a hail of blocks, odd lengths of rope, splinters, the tremendous clang of a grape-shot striking the Sophie’s bell; and then a silence. The greater part of the seventy-four’s roundshot had passed a few yards ahead of her stem: the scattering grape-shot had utterly wrecked her sails and rigging – had cut them to pieces. The next broadside must destroy her entirely. ‘Clew up,’ called Jack, continuing the turn that brought the Sophie into the wind. ‘Bonden, strike the colours.

Who found Vassa,” Nesta said with that same flat tone. As if she somehow already knew. Closer, those human ships sailed. So many—so, so many, bearing a variety of different flags that I could just start to make out, thanks to my Fae sight. “He calls himself the Prince of Merchants,” Drakon said. “Apparently, he discovered the human queens were traitors months ago, and has been gathering an independent human army to face Hybern ever since. He managed to find Queen Vassa—and together they rallied this army.” Drakon shrugged. “He told me that he’s got three daughters who live here. And that he failed them for many years. But he would not fail them this time.” The ships at the front of the human armada became clear, along with the gold lettering on their sides. “He named his three personal ships after them,” Drakon said with a smile. And there, sailing at the front … I beheld the names of those ships. The Feyre. The Elain. And leading the charge against Hybern, flying over the waves, unyielding and without an ounce of fear … The Nesta. With my father … our father at the helm.

If any of us knew what we were doing, or where we are going, then when we think we best know! We do not know today whether we are busy or idle. In times when we thought ourselves indolent, we have afterwards discovered, that much was accomplished, and much was begun in us. All our days are so unprofitable while they pass, that 'tis wonderful where or when we ever got anything of this which we call wisdom, poetry, virtue. We never got it on any dated calendar day. Some heavenly days must have been intercalated somewhere, like those that Hermes won with dice of the Moon, that Osiris might be born. It is said, all martyrdoms looked mean when they were suffered. Every ship is a romantic object, except that we sail in. Embark, and the romance quits our vessel, and hangs on every other sail in the horizon. Our life looks trivial, and we shun to record it. Men seem to have learned of the horizon the art of perpetual retreating and reference. `Yonder uplands are rich pasturage, and my neighbor has fertile meadow, but my field,' says the querulous farmer, `only holds the world together.

...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.

Theseus Within the Labyrinth pt.2 But nobody like Theseus likes a smart girl, always telling him to dress warmly and eat plenty of fiber. She was one of those people who are never in doubt. Had he sharpened his sword, tied his sandals? Without her, of course, he would have never escaped the labyrinth. Why hadn’t he thought of that trick with the ball of yarn? But as he looked down at her sleeping form, this woman who was already carrying his child, maybe he thought of their future together, how she would correctly foretell the mystery or banality behind each locked door. So probably he shook his head and said, Give me a dumb girl any day, and crept back to his ship and sailed away. Of course Ariadne was revenged. She would have told him to change the sails, to take down the black ones, put up the white. She would have reminded him that his father, the king of Athens, was waiting on a high cliff scanning the Aegean for Theseus’s returning ship, white for victory, black for defeat. She would have said how his father would see the black sails, how the grief for the supposed death of his one son would destroy him. But Theseus and his men had brought out the wine and were cruising a calm sea in a small boat filled to the brim with ex-virgins. Who could have blamed him? Until he heard the distant scream and his head shot up to see the black sails and he knew. The girls disappeared, the ship grew quiet except for the lap-lap of the water. Staring toward the spot where his father had tumbled headfirst into the Aegean, Theseus understood he would always be a stupid man with a thick stick, scratching his forehead long after the big event. But think, does he change his mind, turn back the ship, hunt up Ariadne and beg her pardon? Far better to be stupid by himself than smart because she’d been tugging on his arm; better to live in the eternal present with a boatload of ex-virgins than in that dark land of consequences promised by Ariadne, better to live like any one of us, thinking to outwit the darkness, but knowing it will catch us, that we will be surprised like the Minotaur on his couch when the door slams back and the hired gun of our personal destruction bursts upon us, upsetting the good times and scaring the girls. Better to be ignorant, to go into the future as into a long tunnel, without ball of yarn or clear direction, to tiptoe forward like any fool or saint or hero, jumpy, full of second thoughts, and bravely unprepared.

Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.

You have to get safe and know how to work together with your system of selves before you can work on the memories with all the details and all the feelings. Even then it’s not just letting it all hang out. It’s a long slow process that is designed to overwhelm you as little as possible. We can discuss it in depth at a later time. Right now, your situation reminds me of a bunch of folks on a big sailboat that’s taking on water. No one knows where the life vests are, or how to put them on. Half the crew is below decks refusing to come out, and the other half is fighting with each other. Then someone says, ‘Ooh there’s a hurricane, let’s sail into that!’ Doesn’t sound likely that the ship and the crew are going to do very well there, does it? Sometimes, even if you’re not prepared, a hurricane hits, but that’s different from deliberately sailing into one. ‘The first thing is that everyone needs to work on working together, getting safe from harm to yourselves and others. I really believe, from everything you’ve all said, that you’ve all been hurt enough. You don’t need any more harm coming to any of you or your body. You don’t have to like everyone, love everyone, or even trust everyone inside. It’s just a matter of seeing how you can begin to risk to work together.

I love Africa....... Each day each breath, she consumes me. I have never changed so much In such a short time Each day I feel more part of her. Her colour, smell, her smiles , the ever changing landscapes. Vast deserts rolling hills plaines & Mountains. Her beauty and her majesty. Like sweet wine flowing through my veins, my heart sings as I wave to all those faces going by. Back home to my Grandmothers Birth place. They said “welcome home”, those village boys. How did they know? You all said I would cry, I thought no, but yes I often do. Not for their pain but for their happiness . I cry now, together hearts will sing ,” I love Africa”. See her now as I write.. Kilimanjaro , it doesn’t get much better .Tears on a hard mans face. There is no time but now , no words just peace. Thousands of smiling faces, the mass of souls are singing out . Yes I see and feel it now.... In those trees I sense the Spirits of our saving , could it be our looking for? Sailing ships a familiar shore, now I’m crying happy and singing . Thoughts intense of please no more. I love Africa. An epiphany I can’t explain .Not like the ancient rituals , sound of rain, and men together by campfires. Beginning to end but there really is no such thing as time, just imaginings. We still love sitting by the camp fire and we love listening to the rain? I love Africa the Eden and our Birthplace , Man. How can I explain to you my friend what I have seen and felt unless you too have seen it all ... Africa. Michael Burke.

YOU CAN COME to the end of talking, about women, talking. In restaurants, cafés, kitchens, less frequently in bars or pubs, about relatives, relations, relationships, illnesses, jobs, children, men; about nuance, hunch, intimation, intuition, shadow; about themselves and each other; about what he said to her and she said to her and she said back; about what they feel. Something more definite, more outward then, some action, to drain the inner swamp, sweep the inner fluff out from under the inner bed, harden the edges. Men at sea, for instance. Not on a submarine, too claustrophobic and smelly, but something more bracing, a tang of salt, cold water, all over your calloused body, cuts and bruises, hurricanes, bravery and above all no women. Women are replaced by water, by wind, by the ocean, shifting and treacherous; a man has to know what to do, to navigate, to sail, to bail, so reach for the How-To book, and out here it’s what he said to him, or didn’t say, a narrowing of the eyes, sizing the bastard up before the pounce, the knife to the gut, and here comes a wave, hang on to the shrouds, all teeth grit, all muscles bulge together. Or sneaking along the gangway, the passageway, the right of way, the Milky Way, in the dark, your eyes shining like digital wristwatches, and the bushes, barrels, scuppers, ditches, filthy with enemies, and you on the prowl for adrenalin and loot. Corpses of your own making deliquesce behind you as you reach the cave, abandoned city, safe, sliding panel, hole in the ground, and rich beyond your wildest dreams!

Did you want to be buried there?” Fitzroy shook his head convulsively. “No. I want to be cremated and my ashes scattered. You’ll see that done, if I die before you?” “Of course,” Cliopher said, forbearing any protests or the grief that rose up in his throat at the mere thought. “Of course.” “Of course,” Fitzroy repeated, not quite sarcastically, and stared, dry-eyed, at the bones of his distant relative. “I suppose you’d want to be taken to the Island of the Dead? Someone pointed it out—To lie with your ancestors? In the manner of your people?” Cliopher was about to say of course, but there was a note in Fitzroy’s voice— And he recalled the stories that the Sea-Witch sent her birds down to fetch the spirits of those lost at sea, to return them home. The Sea-Witch had given him the garnet that still rattled in the efela the Grandmother (The Old Woman Who Lives in the Deeps, the in-gatherer of all life, in the end) had named Kiofa’a. Cliopher carried the mirimiri of Ani, to give to Vou’a to take to his fanoa. Vou’a was his great-uncle’s husband. He would not be lost, though he did not follow the traditions of his people. “If I die first,” he said, “cremate me and keep the ashes until—until—until they can be scattered with yours. So you can be free but you don’t have to be—alone—we can sail with the Ancestors together—” Fitzroy said, “Kip.” His voice was not the serene one, but fighting for equanimity. “I will not be lost, and neither will you,” Cliopher replied fiercely. “The Sea-Witch likes me. The Old Woman Who Lives in the Deeps likes me. Your ancestors have not forgotten you.

The Sailor-boy’s Gossip You say, dear mamma, it is good to be talking With those who will kindly endeavour to teach. And I think I have learnt something while I was walking Along with the sailor-boy down on the beach. He told me of lands where he soon will be going, Where humming-birds scarcely are bigger than bees, Where the mace and the nutmeg together are growing, And cinnamon formeth the bark of some trees. He told me that islands far out in the ocean Are mountains of coral that insects have made, And I freely confess I had hardly a notion That insects could world in the way that he said. He spoke of wide deserts where the sand-clouds are flying. No shade for the brow, and no grass for the feet; Where camels and travelers often lie dying, Gasping for water and scorching with heat. He told me of places away in the East, Where topaz, and ruby, and sapphires are found: Where you never are safe from the snake and the beast, For the serpent and tiger and jackal abound. I thought our own Thames was a very great stream, With its waters so fresh and its currents so strong; But how tiny our largest of rivers must seem To those he had sailed on, three thousand miles long. He speaks, dear mamma, of so many strange places, With people who neither have cities nor kings. Who wear skins on their shoulders, paint on their faces, And live on the spoils which their hunting-field brings. Oh! I long, dear mamma, to learn more of these stories, From books that are written to please and to teach, And I wish I could see half the curious glories The sailor-boy told me of down on the beach. Eliza Cook.

As it is my practice here to conceal nothing, I shall relate on this page the episode of the wall. Virigilia and Lobo Neves were soon to sail. Entering Dona Placida’s house, I saw on the table a folded piece of paper. It was a note from Virgilia. It said that she would be waiting for me in the garden at sundown, without fail. It concluded, “The wall is low on the side toward the little path.” I made a gesture of displeasure. The letter seemed to me extraordinary audacious, ill-considered, and even ridiculous. It not only invited scandal, it invited it together with laughter and sneers. I pictured myself leaping over the wall and caught in the act by an officer of the law, who led me off to jail. “The wall is low…” And what if it was low? Obviously Virgilia did not know what she was doing; perhaps by now she wished she had not sent the note. I looked at it, a small piece of paper, wrinkled by inflexible. I felt an urge to tear it in thirty thousand pieces and to throw it to the wind as the last vestige of my adventure; but I did not do so. Self-love, shame at the thought of fleeing from danger…There was no way out; I would have to go. “Tell her I’ll go.” “Where?” asked Dona Placida. “Where she said she would wait for me.” “She said nothing to me.” “In this note.” Dona Placida stared. “But this paper, I found it this morning in your drawer, and I thought that…” I felt a queer sensation. I reread the paper and looked at it a long time; it was, indeed an old note that Virgilia had sent me in the early days of our love, and I had leaped the cooperatively low wall and had met her in the garden. I had put the note away and…I felt a queer sensation.

The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.

Faith’s like a goddess to the Marines, and she’s actually good at her job, especially given she’d just finished seventh grade. Which is an important job. She does really important shit. “Right now, you’re just getting your head together. Like the pamphlet says, maybe you decide to help out. We can use people who know how to get shit done. Not just as military. I only took the Lieutenancy they offered cause I have to work with the Navy and Marines to get my job done and it helps. But there’s lots of ways a guy with your background and work ethic and general get-it-done attitude could help. Problem being, even if you wanted to, right now the only reason the Marines haven’t gotten together to kick the crap out of you is that they’re too busy. When they get less busy or, for example, this evening when they break from killing zombies, I would not want to be in your shoes.” “So what is this?” Zumwald said. “A military dictatorship? Beatings for free?” “Yeah,” Isham said, looking at him as if he was nuts. “We’re on ships. And they are all officially US Navy vessels. Even most of the dinky little yachts. The commanders, including this one, are all Navy officers, even if the ink is still wet on the commissions. And even if they weren’t, captains of vessels at sea have a lot of legal control in any circumstances. By the way, I talked Captain Graham, boss of this boat, out of pressing charges against you for assault. Because you don’t get how badly you fucked up. I get that. He’s another Faith lover, but it’s also you don’t get to just grab any cookie and tell her you want another scotch. You don’t. This isn’t Hollywood, and, sorry, you’re not some big time movie executive anymore. You’re a fucking refugee in a squadron that spends half its time on the ragged edge. Still. You got no clue how tough it is to keep these vessels supplied.

Not many people understood her. She loved visiting temples. She loved children and flowers, simple things and actually everything reminded her of God's Love. She found Kindness more beautiful than anything of this world. She breathed in Faith and trusted God no matter what. She was free as a bird and travelled far and wide only to know in her heart that one day she will find what Her Soul's been searching for since eternity in God's Timing. She was often looked at as pretty and intelligent, and she loved the compliments but when someone called her Godloving that stole her heart. She loved dreams and knew that all she ever wants is a Man who could walk beside her, hand in hand, living dreams and following passions in a journey of Love's adventure. She didn't just want to be a wife, she wanted to be a partner in dreams, a co-sharer of aspirations, a travel mate through the happiness and difficulties of Life. She wasn't looking for a smooth sail, she knew every bond has trying moments, just that she wanted someone who would stand by her every step of the way, just like she would have his back every single time. She wasn't looking for a hero, she was looking for an equal, a soul-counterpart sailing through life with Love, Respect and Passion. She wasn't looking for a ring, she was waiting for a Heart that was already written in the stars as hers forever. And she knew no matter what, someday someone will come who will bend his knees before God and ask Him to make her all of his, not just for a temporary timespan but for lifetimes that their souls needed to take human shape in. She knows someday she wouldn't visit temples alone, someone would stand right beside her and together they would pray for the family that would create in the blessings of Him who has already got it all planned. - and the right person would understand her because God understands Souls and Love.

I can’t understand this. There is not a breath of wind. The sail hangs dead. The sea is as flat as a pond. And yet we drive on as fast as if there were a gale behind us.” “I’ve been thinking that, too,” said Caspian. “We must be caught in some strong current.” “H’m,” said Edmund. “That’s not so nice if the World really has an edge and we’re getting near it.” “You mean,” said Caspian, “that we might be just--well, poured over it?” “Yes, yes,” cried Reepicheep, clapping his paws together. “That’s how I’ve always imagined it--the World like a great round table and the waters of all the oceans endlessly pouring over the edge. The ship will tip up--stand on her head--for one moment we shall see over the edge--and then, down, down, the rush, the speed--” “And what do you think will be waiting for us at the bottom, eh?” said Drinian. “Aslan’s country, perhaps,” said the Mouse, its eyes shining. “Or perhaps there isn’t any bottom. Perhaps it goes down for ever and ever. But whatever it is, won’t it be worth anything just to have looked for one moment beyond the edge of the world.” “But look here,” said Eustace, “this is all rot. The world’s round--I mean, round like a ball, not like a table.” “Our world is,” said Edmund. “But is this?” “Do you mean to say,” asked Caspian, “that you three come from a round world (round like a ball) and you’ve never told me! It’s really too bad of you. Because we have fairy-tales in which there are round worlds and I always loved them. I never believed there were any real ones. But I’ve always wished there were and I’ve always longed to live in one. Oh, I’d give anything--I wonder why you can get into our world and we never get into yours? If only I had the chance! It must be exciting to live on a thing like a ball. Have you ever been to the parts where people walk about upside-down?” Edmund shook his head. “And it isn’t like that,” he added. “There’s nothing particularly exciting about a round world when you’re there.

Over the course of two years, from June 2004 to June 2006, two separate deaths did nothing to ease my overall anxiety. Steve’s beloved Staffordshire bull terrier Sui died of cancer in June 2004. He had set up his swag and slept beside her all night, talking to her, recalling old times in the bush catching crocodiles, and comforting her. Losing Sui brought up memories of losing Chilli a decade and a half earlier. “I am not getting another dog,” Steve said. “It is just too painful.” Wes, the most loyal friend anyone could have, was there for Steve while Sui passed from this life to the next. Wes shared in Steve’s grief. They had known Sui longer than Steve and I had been together. Two years after Sui’s death, in June 2006, we lost Harriet. At 175, Harriet was the oldest living creature on earth. She had met Charles Darwin and sailed on the Beagle. She was our link to the past at the zoo, and beyond that, our link to the great scientist himself. She was a living museum and an icon of our zoo. The kids and I were headed to Fraser Island, along the southern coast of Queensland, with Joy, Steve’s sister, and her husband, Frank, our zoo manager, when I heard the news. An ultrasound had confirmed that Harriet had suffered a massive heart attack. Steve called me. “I think you’d better come home.” “I should talk to the kids about this,” I said. Bindi was horrified. “How long is Harriet going to live?” she asked. “Maybe hours, maybe days, but not long.” “I don’t want to see Harriet die,” she said resolutely. She wanted to remember her as the healthy, happy tortoise with whom she’d grown up. From the time Bindi was a tiny baby, she would enter Harriet’s enclosure, put her arms around the tortoise’s massive shell, and rest her face against her carapace, which was always warm from the sun. Harriet’s favorite food was hibiscus flowers, and Bindi would collect them by the dozen to feed her dear friend. I was worried about Steve but told him that Bindi couldn’t bear to see Harriet dying. “It’s okay,” he said. “Wes is here with me.” Once again, it fell to Wes to share his best mate’s grief.

Let’s take the threshold idea one step further. If intelligence matters only up to a point, then past that point, other things—things that have nothing to do with intelligence—must start to matter more. It’s like basketball again: once someone is tall enough, then we start to care about speed and court sense and agility and ball-handling skills and shooting touch. So, what might some of those other things be? Well, suppose that instead of measuring your IQ, I gave you a totally different kind of test. Write down as many different uses that you can think of for the following objects: a brick a blanket This is an example of what’s called a “divergence test” (as opposed to a test like the Raven’s, which asks you to sort through a list of possibilities and converge on the right answer). It requires you to use your imagination and take your mind in as many different directions as possible. With a divergence test, obviously there isn’t a single right answer. What the test giver is looking for are the number and the uniqueness of your responses. And what the test is measuring isn’t analytical intelligence but something profoundly different—something much closer to creativity. Divergence tests are every bit as challenging as convergence tests, and if you don’t believe that, I encourage you to pause and try the brick-and-blanket test right now. Here, for example, are answers to the “uses of objects” test collected by Liam Hudson from a student named Poole at a top British high school: (Brick). To use in smash-and-grab raids. To help hold a house together. To use in a game of Russian roulette if you want to keep fit at the same time (bricks at ten paces, turn and throw—no evasive action allowed). To hold the eiderdown on a bed tie a brick at each corner. As a breaker of empty Coca-Cola bottles. (Blanket). To use on a bed. As a cover for illicit sex in the woods. As a tent. To make smoke signals with. As a sail for a boat, cart or sled. As a substitute for a towel. As a target for shooting practice for short-sighted people. As a thing to catch people jumping out of burning skyscrapers.

The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it. She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them. ‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused. Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.

I’m telling you, you bastard, you’re going to pay for that rum. In gold or goods, I don’t care which.” “Captain Mallory.” Gray’s baritone was forbidding. “And I apply that title loosely, as you are no manner of captain in my estimation…I have no intention of compensating you for the loss of your cargo. I will, however, accept your thanks.” “My thanks? For what?” “For what?” Now O’Shea entered the mix. “For saving that heap of a ship and your worthless, rum-soaked arse, that’s what.” “I’ll thank you to go to hell,” the gravelly voice answered. Mallory, she presumed. “You can’t just board a man’s craft and pitch a hold full of spirits into the sea. Right knaves, you lot.” “Oh, now we’re the knaves, are we?” Gray asked. “I should have let that ship explode around your ears, you despicable sot. Knaves, indeed.” “Well, if you’re such virtuous, charitable gents, then how come I’m trussed like a pig?” Sophia craned her neck and pushed the hatch open a bit further. Across the deck, she saw a pair of split-toed boots tied together with rope. Gray answered, “We had to bind you last night because you were drunk out of your skull. And we’re keeping you bound now because you’re sober and still out of your skull.” The lashed boots shuffled across the deck, toward Gray. “Let me loose of these ropes, you blackguard, and I’ll pound you straight out of your skull into oblivion.” O’Shea responded with a stream of colorful profanity, which Captain Grayson cut short. “Captain Mallory,” he said, his own highly polished boots pacing slowly, deliberately to halt between Mallory’s and Gray’s. “I understand your concern over losing your cargo. But surely you or your investor can recoup the loss with an insurance claim. You could not have sailed without a policy against fire.” Gray gave an ironic laugh. “Joss, I’ll wager you anything, that rum wasn’t on any bill of lading or insurance policy. Can’t you see the man’s nothing but a smuggler? Probably wasn’t bound for any port at all. What was your destination, Mallory? A hidden cove off the coast of Cornwall, perhaps?” He clucked his tongue. “That ship was overloaded and undermanned, and it would have been a miracle if you’d made it as far as Portugal. As for the rum, take up your complaint with the Vice Admiralty court after you follow us to Tortola. I’d welcome it.

Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. With finocchio in fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

When he had made all the necessary preparations the army began to embark at the approach of the dawn; while according to custom he offered sacrifice to the gods and to the river Hydaspes, as the prophets directed. When he had embarked he poured a libation into the river from the prow of the ship out of a golden goblet, invoking the Acesines as well as the Hydaspes, because he had ascertained that it is the largest of all the rivers which unite with the Hydaspes, and that their confluence was not far off. He also invoked the Indus, into which the Acesines flows after its junction with the Hydaspes. Moreover he poured out libations to his forefather Heracles, to Ammon, and the other gods to whom he was in the habit of sacrificing, and then he ordered the signal for starting seawards to be given with the trumpet. As soon as the signal was given they commenced the voyage in regular order; for directions had been given at what distance apart it was necessary for the baggage vessels to be arranged, as also for the vessels conveying the horses and for the ships of war; so that they might not fall foul of each other by sailing down the channel at random. He did not allow even the fast-sailing ships to get out of rank by outstripping the rest. The noise of the rowing was never equalled on any other occasion, inasmuch as it proceeded from so many ships rowed at the same time; also the shouting of the boatswains giving the time for beginning and stopping the stroke of the oars, and the clamour of the rowers, when keeping time all together with the dashing of the oars, made a noise like a battle-cry. The banks of the river also, being in many places higher than the ships, and collecting the sound into a narrow space, sent back to each other an echo which was very much increased by its very compression. In some parts too the groves of trees on each side of the river helped to swell the sound, both from the solitude and the reverberation of the noise. The horses which were visible on the decks of the transports struck the barbarians who saw them with such surprise that those of them who were present at the starting of the fleet accompanied it a long way from the place of embarkation. For horses had never before been seen on board ships in the country of India; and the natives did not call to mind that the expedition of Dionysus into India was a naval one. The shouting of the rowers and the noise of the rowing were heard by the Indians who had already submitted to Alexander, and these came running down to the river’s bank and accompanied him singing their native songs. For the Indians have been eminently fond of singing and dancing since the time of Dionysus and those who under his bacchic inspiration traversed the land of the Indians with him.

So I loved you because I thought you would be fat. I thought you would increase, multiply, develop a big belly, double cheeks, triple chins, dimpled knees. I thought there would be more of you. You'd stand out in a crowd, flaunt fashion. We'd have to buy clothes in stores catering to the big fellow. In your hands birds would nest. On your knees children would perch. You would rock marvelously— better than any rocking chair, better than any row boat. You would conjure up the sound and feel of water, the expanse of sea—its waves and calms, its storms under control. In your arms I would be sailing without the bother of shipwreck. All our gardens would grow if you dropped the seeds. Pumpkins would explode for fullness. Tomatoes so heavy would collapse their vines. Cauliflowers sprouting the size of streetlights. Your voice would fill the house— raise the ceilings, flood the windows. I'd hear you in every room. Over storms your voice would carry, lightning would not diminish you. What happened? You are no larger than me. Our voices fill the same small space. No soft flesh to press my fingers into deeply before I hit the road of your body. Your bones are as clear to find as mine, neither distinct nor hidden. They are simply the usual set— they suffice. They hold us together with no genius. The self you offer me is not unlike my self— no great dimensions, no extraordinary appetite. I don't live in the tower of your sound. Trees are outside our human scale and birds belong more properly in them. The only nest we can build is a nest for ourselves. In short, my dear you are my equal. We can only grow what every other can grow— the seeds we have been given.

gimbals

sloop.

gyre

macrobiotics?

probiotics?

picavet,

genoa

bilge,

gland

halyard

heave

halyard.

intrathoracic

emesis.

Travel, we agreed, was a litmus test: if we could make the best of the chaos and serendipity that we’d inevitably meet in transit, then we’d surely be able to sail through the rest of life together just fine. So far, we’d done pretty well.

Every ship is a romantic object, except that we sail in. Embark, and the romance quits our vessel, and hangs on every other sail in the horizon. Our life looks trivial, and we shun to record it. Men seem to have learned of the horizon the art of perpetual retreating and reference. “Yonder uplands are rich pasturage, and my neighbor has fertile meadow, but my field,” says the querulous farmer, “only holds the world together.

Net of love! What are these scenes unfolding, Over the water of the lake, Where boats are sailing though water is randomly flowing, Is it a sight of motion with no mistake? As the fisherman casts his net, And its octagonal boundaries gradually sink into the water, Where they now lie in their world wet, And wait as octagonal shapes and one single net, when put together, A shoal of fish swims freely and maybe happily too, As they enter this octagonal mesh that waits in silence, The fisherman feels something stir in his mind too, And pulls the net breaking his wait of prolonged patience, And he smiles at the fish struggling to break free, He holds them one by one and tosses them on the floor, This is how it has always been and this is how it shall always be, The struggle for the floor to be the sky and for the sky to even invade the floor, For what spring and summer tames as beauty, Shall be confounded by the Autumn that appears to appear too soon, For in the temple of life there is no deity, There is only the law of bane and the boon, So I watch the fish wriggle on the floor of the boat, As my thoughts sail away with the one I love, And I cast my net over the vast expanse of fate as I wait, To notice in her the same feeling of love reflecting all over my net of love, That I cast only to seek her attention and few smiles, While her beauty glides throughout the universe, Her charm is rendered eternal across the universe’s infinite miles, And my net of love also gets cast across this endless universe!

Wedging between his spread legs, I curl up in a ball on his lap, face in his neck, hand flat against his heart. “If you carry me to the finish line, I’ll carry you for the rest of our lives.” Ever so slowly, Jack’s hands release the arms of the chair and embrace me. Head bowed. Lips pressed to my head. He is my Baines. I am his Ada. And together, we will sail away to a future filled with unimaginable happiness.

They sometimes played a game where they pulled out a roll if blank wallpaper, blank side up, ...eachbplayer took a colourd piece of chalk and together they drew " something like a sixteenth century chart, with headlands and straits andreefs and islands abd whales and mermaids " Then each player took turns, eyes shut, to sail a line from harbour at one end..Nicholson and Moore won every time.

Undestination (The Sonnet) I gave up my country in your love, I gave up my home for your sweetness. I stand at your door without identity, Will you take me in and fill my emptiness! I've sailed my ship towards undestination, Let the waves take me where they may. Embracing the unknown I became a pal of all. Come out my friend from your cage of dismay. Come with me, and we'll explore all impossibility. If we must be awful let's be awful together. Let us lose all maps and walk around as vagrants. Why worry, when we have each other! To hell with destination, let us savor the journey! Before success and achievement, let us first have unity.

Into the unknown; we do not know where we are headed. We sail in a leaking vessel, aware we are dying animals. We dream of Byzantium, bailing with all our strength, we sail together. We are argonauts, cosmonauts, adventurers, explorers. We are on a journey.

my experience began to match my theories, and the two came together to create a reasonably successful vision for conducting the principal mission of our ship. It was a small victory in a small universe, but a powerful lesson for me that our visions need both theory and experience to be valid.

The Being is The Bridge (The Sonnet) I came to life at Dakshineswar, At Kapadokya I got my sight. I found my might at Shaolin, At Liberty Island I came to light. In Pernik I bathed in love, By the Volga I tasted sapience. Lika taught me the role of innovation, Sudbury gave me the sail of science. Streets of Calcutta showed me suffering, Streets of Chicago reminded, I'm the answer. It's not the place but people who hold magic, Revolution rose when all of them came together. You won't know me as the father of a nation. You'll know me as the maker of amalgamation.

He drove, to her direction. They followed a suite of quiet residential streets, emerging onto a commercial boulevard. They said nothing, as if they were a sunset couple taking their ten thousandth car ride together in this life. He wanted to give her the wheel, to see if she still drove like she was sailing an ice boat across a windy northern lake.

And yet, sailing across vast oceans and into ports unknown taught me something vital: there is nothing out there as dark as our doubts, nor as dangerous as our inaction. Go out. See for yourselves. And if what you find there is broken, know that together we can fix it.

with others and having the best manners.” “If there were, you’d be a pauper, Grimble,” Commander Tagg said. “He’s the best captain here,” Commander Usher called, casting a sideways glance at King Whitson, “and no one can argue with that. He’d out-sail and out-fight any rabbit alive.” “Surely we’ll make our fortunes together—sail on together, fight together—serving our king,” Captain Walters said, looking into Captain Grimble’s haughty face. “Will we not?

Drunk as drunk on turpentine From your open kisses, Your wet body wedged Between my wet body and the strake Of our boat that is made of flowers, Feasted, we guide it - our fingers Like tallows adorned with yellow metal - Over the sky's hot rim, The day's last breath in our sails. Pinned by the sun between solstice And equinox, drowsy and tangled together We drifted for months and woke With the bitter taste of land on our lips, Eyelids all sticky, and we longed for lime And the sound of a rope Lowering a bucket down its well. Then, We came by night to the Fortunate Isles, And lay like fish Under the net of our kisses.

Every maxi-yacht owner is rich. What set Sayonara apart from its peers was the quality of the crew, the way its members had learned to work together, and Ellison’s ability to retain them race after race. To some extent it was self-perpetuating: everyone likes being on the winning team. But the real key to Sayonara’s success lay in the degree to which its crewmen specialized in their jobs. On many boats, decisions about tactics and the trim of a sail are second-guessed as a matter of course. Second-guessing on Sayonara was unusual. Ellison had come to appreciate the skill of his crew, and he rarely overruled them.

Today is only the start of another chapter in the story of our lives together.

Relationships aren’t easy. I know we’re sold the idea that once you’re with someone it’s smooth sailing. No one tells you about the rough waters or storms that will undoubtedly come. But you’re not alone. You can weather the storms together.

This is also evidenced by wider genealogies of similar gods across Polynesia, where they also hold dominion over the afterlife. These connections of death and creation show that Kane and Kanaloa were two necessary halves of the world, a philosophy that is not overly concerned with the dichotomy of good versus evil. In cultural activities and old chants, there exists a vast amount of mythical and religious lore that invokes Kane and Kanaloa together. Both gods were invoked by those involved with canoes, whether they were builders, explorers, or sailors, with Kane being for the consecration of newly built canoes and Kanaloa for sailing.

The first really organized investigation of the seas didn’t come until 1872, when a joint expedition between the British Museum, the Royal Society, and the British government set forth from Portsmouth on a former warship called HMS Challenger. For three and a half years they sailed the world, sampling waters, netting fish, and hauling a dredge through sediments. It was evidently dreary work. Out of a complement of 240 scientists and crew, one in four jumped ship and eight more died or went mad- "driven to distraction by the mind-numbing routine o f years of dredging" in the words of the historian Samantha Weinberg. But they sailed across almost 70,000 nautical miles of sea, collected over 4,700 new species of marine organisms, gathered enough information to create a fifty-volume report (which took nineteen years to put together), and gave the world the name of a new scientific discipline: oceanography. They also discovered, by means of depth measurements, that there appeared to be submerged mountains in the mid-Atlantic, prompting some excited observers to speculate that they had found the lost continent of Atlantis.

Mombasa, too, furnished with such Palaces and sumptuous houses, Will be laid waste with iron and fire In payment for its former treachery. Along the Indian coast, swarming With enemy ships plotting Portugal's Downfall, Lourenço with sail and with oar Will give his uttermost, and then give more. Though the powerful Samorin's giant ships Choke the entire sea, his cannon-shot Thundering from hot brass Will pulverize rudder, mast, and sail; Then, daring to grapple the enemy Flagship, watch him leap On deck, armed only with lance and sword, To drive four hundred Muslims overboard. But God's inscrutable wisdom (He knows Best what is best for his servants) Will place him where neither strength nor wisdom Can avail in preserving his life. In Chaul, the very seas will churn With blood, fire, and iron resistance, As the combined fleets of Egypt and Cambay Confront him with his destiny that day. The united power of many enemies (Might was defeated only by might), Faltering winds and a swelling sea Will all be ranged against him. Here, let ancient heroes rise To learn from this scion of courage This second Scaeva who, however maimed, Knows no surrender and will not be tamed. With one thighbone completely shattered By a wayward cannon-ball, still He battles on with his forearms alone And a heart not to be daunted, Until another ball snaps the ties Binding flesh and spirit together: The leaping soul slips its body's prison To claim the greater prize of the arisen. Go in peace, O soul! After war's Turbulence, you have earned supreme peace! As for that scattered, broken body, He who fathered it plans vengeance. Already, I hear their hot perdition Looming in a thunderous barrage On Mameluke and cruel Cambayan From catapult, from ordnance and cannon. Here comes the father, magnified By his anger and grief, his heart On fire, his eyes swimming, his soul Transfixed by paternal love. He has taken an oath his noble rage Will make blood run knee-high In the enemy ships; the Nile will mourn, The Indus witness, the Ganges be forlorn.

We’re two untethered ships, attached to nothing and no one as we sail through a storm. If we could only find a way to sail side by side, we could put all of our hurt behind us and weather the waves together.

The whole sport of high-performance windsurfing really started from that. As soon as I did it, there were about ten of us who sailed all the time together and within one or two days there were various boards out there that had footstraps of various kinds on them, and we were all going fast and jumping waves and stuff. It just kind of snowballed from there. (Shah 2000) By 1998, more than a million people were engaged

The bad blood that pitted Archer and Ratcliffe against Smith had its beginnings in 1607, in Jamestown’s earliest days, when the three men served together on the colony’s ruling council. In the months when colonists were dying of hunger and illness, Smith discovered that the duo, along with a few others, were planning to steal supplies and a small boat they could use to flee Virginia for the safety of England. While Smith would almost certainly have been happy to see the last of the two men he thought of as cowards and traitors, he knew the colony could not survive without the boat and that the supplies the men were about to steal were sorely needed by the hungry colonists. Smith, in typical John Smith fashion, soon spiked those plans when he ordered several of the settlement’s cannon turned on the boat and ordered those on board to come ashore or be shot out of the water. Neither Archer nor Ratcliffe was the type of man to take such effrontery lying down, especially from a man they would have considered their social inferior. A few weeks later, the two saw an opportunity to even the score. At that time (it was after Smith’s rescue by Pocahontas, when he returned to Jamestown), Archer and Ratcliffe used the Bible as a legal text and charged Smith with murder under Levitical law. Ludicrous as it seems, the two argued that the “eye for an eye” verse made Smith responsible for the deaths of two of his men who had been killed when Smith was captured by the Powhatan people. It is a measure of Smith’s unpopularity with the “better sort” of colonists (not only Ratcliffe and Archer) that he was—within hours of his return to Jamestown—charged, tried, found guilty, and sentenced to die, with the execution scheduled for the next morning. That night (it was in early 1608), Smith was saved from death when Captain Christopher Newport, the man who later served as the Sea Venture’s captain, unexpectedly sailed up to Jamestown with a handful of new colonists and a shipload of food and other supplies. Newport, who recognized Smith’s value to the colony even if some of the other leaders did not and who, no doubt, saw the idiocy of making Smith responsible for the death of the men who had been killed by the Indians, immediately ordered him freed and all charges against him dropped.

Not that she'd ever be completely cool when she was around Austin. Oh no, that ship had long since sailed. Sure, she could be the serene, put-together owner of Eden with others, but as soon as she got near the bearded man, she wanted to melt. Or kneel and lower her gaze.

River Rafting in Rishikesh is one of the most thrilling water based adventure sports that gives you an up close splatter of untamed nature in a world where the royal river is what you are up adjacent to. Aboard a raft, when the water wave hits your face for the first time; you be familiar with that it will take a little more than a few ounces of bravery to tame the river beast and indeed this duel next to mother nature will enrich your life forever, even if tried only once in a life time…The modern raft is a boat that is inflated comprising of a very durable and thick coated rubberized or vinyl fabric and also has a number of air chambers. The chief apparatus required for rafting are a life jacket ,Safety helmet, Safety Helmet, Paddles, River guide and a Self-Bailing Raft, etc. It is a very daring activity and it may appear a very perilous sport, but once you knowledge it, you will certainly realize the actual thrill of rafting. The best time for water river rafting is spiral summer to February to May and in winter September to November. You probably think that there is completely no way to extreme sports such as rafting can be fun at all. This is false, because all you need for a great sport like this is fun to be an expert to take manages of all rafting. It is a fun place to take part in all the summer sports, when it's nice and warm and all you need is a movement related to the water to take temperatures down. It is also a thrilling sport that many people can participate at the same time. Friends and family can get together and everybody can have a brilliant day of fun. As you begin your boat journey, you will encounter a number of rapids, which you will be necessary to sail over. Uttarakhand adventure is well known rafting company in Rishikesh. This excursion will roughly be two hours long, and will make you use all your power and skill to keep the boat under control. Water will stay splash all over you, and will keep you invigorated and bouncing if you start feeling tired due to the corporeal work that you will do. As an extreme sport, rafting certainly has its drawbacks, but not all make games? The best way to take safety measures so that you can avoid fatal accidents is to acquire a knowledgeable scout who is qualified for the chore and the best gear for rafting. For example, you should always have a life jacket on the obverse rafting, in the unfortunate event that the boat capsize; you'll be able to stay afloat and hope to swim to defense. Also, if you are unsure of your rafting skills, rapids and waterfalls stay away from very high.

Entertaining Possibilities "Why sometimes I've believed as many as six impossible things before breakfast." - The Queen of Hearts, Alice in Wonderland riding bareback on a triceratops through green galaxies while you ride beside me on your favorite mastodon running a finger over those I love and like a highlighter pen turning them neon noting them forever so I can return to them easily when I need them thinking something good can come of "ethnic cleansing" swimming in an ocean deep and wet enough to fill the eternity of love between these two sheets walking into the vowels of a word like open and becoming it locking away Pandora's box putting evil back in its place for good and swallowing the key lighting myself with a single match then watching me melt warm and liquid over your body cooling gently in the shape of you sitting flat in round anticipation I will be page 233 in the book that you have just opened and I will chew on each delicious moment of every turn as you move page by page closer to me stowing away in your pillowcase and sailing your dreams so that when you are sent to walk the plank I can catch you together we can be the mutiny on any bounty letting my best ideas ripen beside yours on the vine then stomping it all juicy between toes yours and mine aging then bottling it all till the sun falls and we uncork our store one by one and drink forever in the twilight planting a memory watering the spot watching it grow tall, tender, familiar, then putting my ear to its blossom and hearing my grandmother's voice tell me again that I can be both the gift and the giver

We couldn’t stop following the news. Every ten seconds we refreshed our browsers and gawked at the headlines. Dully we read blogs of friends of friends of friends who had started an organic farm out on the Wichita River. They were out there pickling and canning and brewing things in the goodness of nature. And soon we’d worry it was time for us to leave the city and go. Go! To Uruguay or Morocco or Connecticut? To the Plains or the Mountains or the Bay? But we’d bide our time and after some months or years, our farmer friends would give up the farm and begin studying for the LSATs. We felt lousy about this, and wonderful. We missed getting mail. We wondered why we even kept those tiny keys on our crowded rings. Sometimes we would send ourselves things from the office. Sometimes we would handwrite long letters to old loved ones and not send them. We never knew their new address. We never knew anyone’s address, just their cross streets and what their doors looked like. Which button to buzz, and if the buzzers even worked. How many flights to climb, and which way to turn off the stairs. Sometimes we missed those who hadn’t come to the city with us— or those who had gone to other, different cities. Sometimes we journeyed to see them, and sometimes they ventured to see us. Those were the best of times, for we were all at home and not at once. Those were the worst of times, for we inevitably longed to all move here or there, yet no one ever came— somehow everyone only left. Soon we were practically all alone. Soon we began to hate the forever cramping of our lives. Sleeping on top of strangers and sipping coffee with people we knew we knew but couldn’t remember where from. Living out of boxes we had no space to unpack. Soon we named the pigeons roosting in our windowsills; we worried they looked mangier than the week before. We heard bellowing in the apartments below us and bedsprings creaking in the ones above. Everywhere we saw people with dogs and wodnered how they managed it. Did they work form home?Did they not work? Had they gone to the right schools? Did they have connections? We had no connections. Our parents were our guarantors in name only; they called us from their jobs in distant, colorless, suburban office parks and told us we could come home anytime, and this terrified us always. But then came those nights, creeping up on us while we worked busily in dark offices, like submariners lost at sea, sailing through the dark stratosphere in our cement towers. We’d call each other to report: a good thing happened, a compliment had been paid, a favor had been appreciated, an inch of ground had been gained. We wouldn’t trade those nights for anything or anywhere. Those nights, we remembered why we came to the city. Because if we were really living, then we wanted to hear the cracking in our throats and feel the trembling in our extremities. And if our apartments were coffins and our desks headstones and our dreams infections— if we were all slowly dying — then at least we were going about that great and terrible business together.

One of them, the wide clear current of Christianity, has provided the smooth underlying stream of history for nineteen hundred years, and nations and dynasties, battles and armadas have been only surface excitations upon it. Most of us have supposed, have even taken for granted, that we should sail on it forever without check, so that when the black countercurrent appeared we did not recognize its strength in time. I was caught in the turmoil at the very point where the tides came together and I have fought the new force and seen its vigor and the appeal it exerts on men’s imaginations.

You said to get involved with people, that I can’t learn about connections in a vacuum.” I agreed. “So what’s not working?” She pulled a long list from her purse. “This,” Linda said, “is a list I put together of all the involvements I’ve had in the past few months. And nothing’s happening.” I read the list, which looked something like this: Dancing lessons: ballroom, disco, and line Sports: sailing, rollerblading, golf, and tennis Music: opera, modern, and piano lessons Art: ceramics and museums Spiritual: Bible study, worship, and missions Career: Ongoing training, night school to earn an MBA “What are you grinning at?” Linda asked me. I wasn’t even aware I was smiling. I told her, “This is a proud moment for me. I’ve never met a real live renaissance woman.” “Now I’m really confused,” Linda said. I explained, “Linda, this is the most well-rounded, comprehensive, and exhausting list I’ve ever seen. I can’t imagine how you can even get up in the mornings. But it’s not solving your problem. “These are all great activities, designed to develop you and help you in your life. But each of them is primarily functional, rather than relational. Their goal is competence in some skill, or recreation, or learning more about God’s creation. But relationship isn’t the goal. These are ‘doing’ things, not ‘connecting’ things.” Linda started to get it. “You know, I’ve noticed that I am talking to people at these activities. But all the talk is about tennis or management theories. I’ve wondered when someone in the classroom was going to ask me about my emotional and spiritual life.” “Don’t hold your breath,” I said.

1891, a journalist from the Amrita Bazar Patrika managed to rummage through the wastepaper basket at the office of Viceroy Lord Lansdowne. There he found the fragments of a torn-up letter, which with great enterprise he managed to piece together. The letter contained explosive news, revealing as it did in considerable detail the viceroy’s plans to annex the Hindu Maharaja-ruled Muslim-majority state of Jammu & Kashmir. To the consternation of the British authorities, Amrita Bazar Patrika published the letter on its front page. The cat was out of the bag: the newspaper reached the Maharaja of Kashmir, who promptly protested, set sail for London and vehemently lobbied the authorities there to honour their predecessors’ guarantees of his state’s ‘independent’ status. The Maharaja was successful, and Indian nationalists congratulated the Patrika on having thwarted the colonialists’ imperial designs. Had this exposé not taken place, Kashmir would not have remained a ‘princely state’, free to choose the country, and the terms, of its accession upon Independence in 1947; it would have been a province of British India, subject to being carved up by a careless British pen during Partition. The contours of the ‘Kashmir problem’ would have looked very different today. Nonetheless,

Well, that might be fine for the lot of you,” Kerry broke in, “but given you’re siding with Mr. Wingman here, it hardly does me any good. What happened to the whole sisterhood thing? And this after I came to you, hat in hand--” “You were dragged in,” Fiona reminded her. “Laundry basket in hand. Then we had to all but sit on you to squeeze the details out of you. If you want us to be all supportive and on your side, then, you know, you have to actually give us something to side with. So far, all we’ve heard is how you didn’t know how he felt, and then he sent your entire world spinning off its axis with that--” “Fiona--” Kerry said, clear warning in her tone. But it was too late. Logan had walked back to the group and was just saying he had a sailboat lined up and did they want a captain or were they going to sail it themselves, when he overheard the last bit of Fiona’s statement and paused. He turned to look at Kerry, then perhaps a tad more menacingly at Cooper. “With that…what?” Before Cooper could remind him about their recently established wingman/bro code status, Logan’s wife slid past him and hooked her arm through her husband’s and tipped up on her toes to kiss him on the cheek. “Remember our first kiss?” She gave him a meaningful look to go with what was clearly a very private smile. “So I really don’t think you want to go there. Do you?” Logan cleared his throat. “Right, so…as you were,” he finally said. “I’ve got to get back to the station. Keep the mean streets of Blueberry Cove safe.” “Coward!” Kerry called after his retreating back. “See?” Delia said. “We have our ways.” “Except you’re supporting the wrong side,” Kerry said. “Oh, that all depends on how you define ‘sides,’” Grace put in. “We’re on the side of love.” She drew out that last word, making it sound almost like a coo, with Fiona joining her, both of them adding an exaggerated batting of lashes, aimed first at Kerry, then at Cooper. Fiona added a little heart made by steepling her fingers together. Logan looked back over his shoulder. He was grinning now. “If you know what’s good for you, you’ll head back to the airport right now,” he called to Cooper. Cooper lifted his hand in a wave. “No worries, mate.

Cucumber Sandwiches • Mayonnaise • Cucumbers, thinly sliced • Salt and pepper • Parsley, chopped fine Spread each slice of your sandwich bread with the thinnest bit of mayonnaise you can spread. Pile 8 to 10 slices of cucumber on one side. Salt and pepper. Top with the other slice of bread. Trim off any cucumber sticking out over the edges. Then cut the sandwich into 4 triangles. Spread very thin mayo on one edge of each of the triangles and then dip that into your chopped parsley. Arrange on a plate, standing up like little sails with the parsley side showing. Pepper Jelly Triple-Decker Surprise Sandwiches • Pepper jelly • Cream cheese Spread pepper jelly on one slice of bread and cream cheese on the other. You know what to do—put them together. Now spread cream cheese on the top of that sandwich. Take another slice of bread and spread pepper jelly on that and put it on top. You should now have a triple-decker sandwich with pretty stripes. These get sliced into 4 long fingers. Pimento Cheese and Tomato Sandwiches • Pimento cheese (I know I put my pimento cheese recipe in here somewhere. Just look it up because I am not writing it down again.) • Cherry tomatoes This is a real pretty open-face sandwich. Spread your pimento cheese on a slice of bread all the way to the edges. Cut the bread into quarters. Slice 2 cherry tomatoes in half. Top each bread quarter with a tomato half, cut side up. If you have a wait before you start eating, cover the sandwiches with a wet paper towel that you’ve wrung out till it’s just damp. I like to arrange them all nice and fancy on my pressed-glass plate that I got from my mama. Then I call a girlfriend over for a chat and some sweet tea. What occasion could be more special than that? Serves 2.

The Gondola Experience When the performance ended, we returned to the comfort of the Count's gondola, and celebrated the beauty of the evening with more champagne. By now, I was head over heels in love, bewildered by beauty. What had been an enchanted day turned into an unfathomable evening. The organza curtains were drawn, shielding us from the departing theatre crowds. Romantic candles burned as we began, again, the love dance left incomplete, on Lido. Mario’s expert hands blissfully caressed every inch of my smooth body as Andy lowered his expert mouth on my growing organ. I wanted both the Count and Andy, together, at the same moment. As the gondola sailed out into the wide expanse of the Grand Canal, both lovers were inside me, moving in tandem with the rhythmic sounds of waves lapping against the Love-Boat. I surrendered myself wholly to indescribable sexual ecstasy, rocking to the motion of their sliding cocks filling me to the brim. I wanted them and I desired every drop of their precious seed to feed my deepest center. I was awakened by the chirping sounds of two love birds perched on the gondola's window. My lovers lay in deep slumber, their arms draped around my naked body. I gently lifted their arms, and sat up. I saw the majestic steeples of Saint Mark's Cathedral. The singing larks turned long enough to look at me with knowing smiles. I had been to heaven; I did not want my night's pleasures to end.

Take me for a lesson and a cheap one at that. I’m named for the secret, vital core of a ship. Ballast is the weight down in the deep of you that keeps a vessel upright in dark water. ... Oh, the cargo you carry will do it for a while, or even the heft of a crew, mates and mettles, if you love them enough. But a ship’s not a ship till she’s got ballast of her own. Down in the belly, a big massy mess of rope and wood and hardtack and love letters and harpoons and old lemons. Anything that ever fascinated the ship, made it sail true, patched it or broke it, anything the ship loved or longed for, anything it could use. Bo’sun gets in a fistfight with a deckhand over a missing cannonball and they bloody each other up some, but that ball’s just circled down into the baby ballast. Some’ll tell you a ship’s not born till she gets a name or has a bottle of wanderwhiskey broke over her bow, but it’s not so. Without ballast, she’s just wood. ... It all just sort of sinks down and jumbles up together into something hot and heavy inside you, and the weight of everything you ever wanted in the world will keep you steady even when the worst winds blow.

Fundamentals of Esperanto The grammatical rules of this language can be learned in one sitting. Nouns have no gender & end in -o; the plural terminates in -oj & the accusative, -on Amiko, friend; amikoj, friends; amikon & amikojn, accusative friend & friends. Ma amiko is my friend. A new book appears in Esperanto every week. Radio stations in Europe, the United States, China, Russia & Brazil broadcast in Esperanto, as does Vatican Radio. In 1959, UNESCO declared the International Federation of Esperanto Speakers to be in accord with its mission & granted this body consultative status. The youth branch of the International Federation of Esperanto Speakers, UTA, has offices in 80 different countries & organizes social events where young people curious about the movement may dance to recordings by Esperanto artists, enjoy complimentary soft drinks & take home Esperanto versions of major literary works including the Old Testament & A Midsummer Night’s Dream. William Shatner’s first feature-length vehicle was a horror film shot entirely in Esperanto. Esperanto is among the languages currently sailing into deep space on board the Voyager spacecraft. - Esperanto is an artificial language constructed in 1887 by L. L. Zamenhof, a polish oculist. following a somewhat difficult period in my life. It was twilight & snowing on the railway platform just outside Warsaw where I had missed my connection. A man in a crumpled track suit & dark glasses pushed a cart piled high with ripped & weathered volumes— sex manuals, detective stories, yellowing musical scores & outdated physics textbooks, old copies of Life, new smut, an atlas translated, a grammar, The Mirror, Soviet-bloc comics, a guide to the rivers & mountains, thesauri, inscrutable musical scores & mimeographed physics books, defective stories, obsolete sex manuals— one of which caught my notice (Dr. Esperanto since I had time, I traded my used Leaves of Grass for a copy. I’m afraid I will never be lonely enough. There’s a man from Quebec in my head, a friend to the purple martins. Purple martins are the Cadillac of swallows. All purple martins are dying or dead. Brainscans of grown purple martins suggest these creatures feel the same levels of doubt & bliss as an eight-year-old girl in captivity. While driving home from the brewery one night this man from Quebec heard a radio program about purple martins & the next day he set out to build them a house in his own back yard. I’ve never built anything, let alone a house, not to mention a home for somebody else. Never put in aluminum floors to smooth over the waiting. Never piped sugar water through colored tubes to each empty nest lined with newspaper shredded with strong, tired hands. Never dismantled the entire affair & put it back together again. Still no swallows. I never installed the big light that stays on through the night to keep owls away. Never installed lesser lights, never rested on Sunday with a beer on the deck surveying what I had done & what yet remained to be done, listening to Styx while the neighbor kids ran through my sprinklers. I have never collapsed in abandon. Never prayed. But enough about the purple martins. Every line of the work is a first & a last line & this is the spring of its action. Of course, there’s a journey & inside that journey, an implicit voyage through the underworld. There’s a bridge made of boats; a carp stuffed with flowers; a comic dispute among sweetmeat vendors; a digression on shadows; That’s how we finally learn who the hero was all along. Weary & old, he sits on a rock & watches his friends fly by one by one out of the song, then turns back to the journey they all began long ago, keeping the river to his right.

Three Opening Topics of Conversation Use your information-gathering skills to devise topics that would interest you both. As your conversation proceeds, listen carefully to the answers to your questions; they will provide you with material for further conversation. 1. The situation you’re both in. For example, if you meet someone in a continuing-education class, you know that you share an interest in learning, as well as in the topic of the course itself. Questions such as “Have you taken other adult education classes?” or “How did you become interested in English history?” should get the ball rolling. If you meet someone at a party, you might start off by talking about how you know the people throwing the party. “Oh, you and Bob went to sailing camp together? Do you still sail?” And so on. Take your cues from them, and let them know you are interested by following up—both verbally with questions, and nonverbally with your body language. 2. The other person. First, observe what the person is doing, wearing, saying, or reading. Look for things you share in common, or find something that you’d like to know more about. (But watch their body language to be sure they are approachable. A person who is busy changing a tire or engrossed in a book may not want to be disturbed, even by friendly, approachable you.) 3. Yourself. Talking about yourself is a step leading toward conversational intimacy. But it is only effective if you provide an easy way for you intended companion to turn the conversation around to him or her. A compliment such as “I wish I had your sense of color” starts out with you, but focuses on the other person. It makes her feel immediately appreciated, and offers her a chance to take the conversation further if she likes. When someone mentions something you know about or like, indicate it by nodding or by a short sentence (“I’ve been interested in gardening for years!”). Be careful not to talk about yourself too much—especially at first. That can be a real turnoff.

At about this time David hit on a scheme to end their financial problems. With his growing family, their limited income must have been the cause of constant worry to him. Stories of the rich strikes in the Klondike a decade earlier, perhaps bolstered by his spell of active service in South Africa, seem to have persuaded him that gold-mining might be the answer. On hearing that a new goldfield had been discovered in Ontario, he staked several claims to forty acres near the small township of Swastika, in the Great Lakes area. Only small quantities of gold had been found there so far, but a big seam was believed to exist. ---- Over the next twenty years or so, David would travel to Ontario many times to work the claim. He had already been there alone when, in the spring of 1912, he and Sydney decided to go together and – the biggest treat — they were to sail on the maiden voyage of the Titanic. Fortunately, something happened to make this impossible, and their departure was delayed until autumn of the following year. ---- It is not difficult to see why David remained keen, although the mining project eventually came to nothing. Furthermore, he and Sydney were at their closest in the shack at Swastika through the winter in that inhospitable climate, and it was one of the happiest times of David’s life. It was there that Sydney conceived their fifth child. ---- The parents, still hoping for a second boy, were disappointed, but soon came round. There was time for another boy. In David’s absence Sydney called her Unity after an actress (Unity Moore) she admired, and then Grandfather Redesdale said that she must have a topically apposite second name so they added Valkyrie, after Wagner’s Norse war-maidens. Almost from the time of her birth she was known in family circles as ‘Bobo’, but with hindsight, Unity Valkyrie’s unusual name, combined with the place of her conception, Swastika, seems almost like an eerie prophecy which the fifth Mitford child had no alternative but to fulfil.

It’s supposed to have hassles and obstacles. Love is never neat nor easy nor smooth-sailing all the way. Love is about disagreements and fighting and difficulties and making up and adjusting and growing together. It’s about passion, it’s about getting hurt, it’s about laying our neck out in the line for each other. Love isn’t about lying down letting your partner steamroll you just because you ‘don’t want a fight’.

Company Team Buildingis a tool that can help inside inspiring a team for that satisfaction associated with organizational objectives. Today?azines multi-cultural society calls for working in a harmonious relationship with assorted personas, particularly in global as well as multi-location companies. Business team building events strategies is a way by which team members tend to be met towards the requirements of the firm. They help achieve objectives together instead of working on their particular. Which are the benefits of company team building events? Team building events methods enhance conversation among co-workers. The huge benefits include improved upon morality as well as management skills, capacity to handle difficulties, and much better understanding of work environment. Additional positive aspects would be the improvements inside conversation, concentration, decision making, party problem-solving, and also reducing stress. What are the usual signs that reveal the need for team building? The common signs consist of discord or even hostility between people, elevated competitors organizations between staff, lack of function involvement, poor decision making abilities, lowered efficiency, as well as poor quality associated with customer care. Describe different methods of business team development? Company team development experts as well as person programs on ?working collaboratively? can supply different ways of business team building. An important method of business team building is actually enjoyment routines that want communication between the members. The favored activities are fly-fishing, sailing regattas, highway rallies, snow boarding, interactive workshops, polls, puzzle game titles, and so forth. Each one of these routines would help workers be competitive and hone their own side considering abilities. Just what services are offered by the team building events trainers? The majority of the coaches offer you enjoyable functions, coming from accommodation to be able to dishes and much more. The actual packages include holiday packages, rope courses, on-going business office video games, and also ice-breakers. Coaching fees would depend on location, number of downline, classes, and sophistication periods. Special discounts are available for long-term deals of course, if the quantity of associates will be higher. Name some well-known corporate team development event providers within the U.Utes. Several well-liked companies are Accel-Team, Encounter Based Studying Inc, Performance Supervision Organization, Team development Productions, The education Haven Incorporated, Enterprise Upwards, Group Contractors In addition, and Team development USA.If you want to find out more details, make sure you Clicking Here

It’s a universal law that if you unscrew or unbolt more than 10 parts from any machine that there is only a 3% chance that it will ever go back together again and work. 

The chance for the people of Scotland to come together and define a new set of rules for how we will run our country, to arrange our institutional sails so they can catch the winds of the new world – and, for the first time for any British people, to do these things for ourselves – is a hugely exciting prospect. It brings the opportunity to define what a modern, forward-looking democracy looks like.

board we had built with footstraps, and thought "it's dumb not to use this for jumping." That's when I first started jumping with footstraps and discovering controlled flight. I could go so much faster than [ ever thought and when you hit a wave it was like a motorcycle rider hitting a ramp; you just flew into the air. All of a sudden not only could you fly into the air, but you could land the thing, and not only that, but you could change direction in the air! The whole sport of high-performance windsurfing really started from that. As soon as I did it, there were about ten of us who sailed all the time together and within one or two days

East of home, the long ridge lies across the skyline like the low hull of a submarine. Above it, the eastern sky is bright with reflections of distant water, and there is a feeling of sails beyond land. Hill trees mass together in a dark-spired forest, but when i move towards them they slowly fan apart, the sky descends between, and they are solitary oaks and elms, each with its own wide territory of winter shadow. The calmness, the solitude of horizons lures me towards them, through them, and on to others. They layer the memory like strata.

When you lash two boats together, you don’t just join ropes, but sails and anchors as well. When

One Solitary Life”   He never wrote a book He never held an office He never went to college He never visited a big city He never travelled more than two hundred miles From the place where he was born He did none of the things Usually associated with greatness He had no credentials but himself…   Nineteen centuries have come and gone… All the armies that have ever marched All the navies that have ever sailed All the parliaments that have ever sat All the kings that ever reigned put together Have not affected the life of mankind on earth As powerfully as that one solitary life                  - by Dr. James Allan

The next morning, Francine, Muffy, and Buster stood before Arthur. They weren’t taking any chances. “Do we have a turkey?” they asked. Arthur just smiled. The whole school filed into the auditorium. “OOOoo!” said the kids when the lights went out. “Shhhh!” said the teachers as the curtain went up. “In 1620, we sailed to America on the Mayflower,” recited Buster, proudly. “Phew!” said Arthur. The play continued smoothly. Muffy didn’t drop the cranberries. The Brain had his costume on correctly. Sue Ellen said her lines in a loud, clear voice. And Francine had even taken off her movie-star glasses. Then it came time for Francine’s big speech. She crossed her fingers and began. “When the Indians and Pilgrims finally found a turkey, there was great rejoicing. Today, when we think of Thanksgiving, we think of turkey.” There was a lot of fumbling behind the curtain. Arthur took a deep breath. He walked onstage. As soon as he did, the audience began to laugh. Arthur turned bright red. This was going to be even worse than he had thought it would be. “The turkey,” Arthur began, “is a symbol, a symbol of…of…” “Of togetherness and Thanksgiving!” said a chorus of voices behind him. Arthur turned around and smiled. “I guess Mom was right. The world is full of turkeys! Okay, turkeys, all together now. Let’s hear that last line, loud and clear.” “Happy Thanksgiving!

Hang Gliding Jim Bob had always wanted to try hang gliding, but it was pretty expensive. So he worked hard and over time was able to save enough money to buy his new toy.  When he got home, he read through the manual and quickly assembled his glider.  Then he took it up the highest mountain, near his home.  He readied everything for his first flight and got strapped in.    Just like he had learned, he ran as fast as he could to the edge of the cliff and jumped into the wind.  He was flying! Around that same time Ma and Pa Kettle were sitting on their front porch enjoying some tea together.  Pa was looking up into the sky, enjoying the calm of the early evening, when he suddenly let out a gasp and said, “That has got to be the biggest bird I have ever seen!”  “I need my rifle, can you get it for me Ma?” he asked his wife. Ma Kettle ran into the house and returned shortly with a long rifle.  She handed it to Pa.  He took aim and fired twice at the big bird.  The bird kept sailing through the sky.  “It looks like you missed,” Ma said. “Yes, but at least that bird let go of Jim Bob.

A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.

After this meeting and before sailing on August 2, Troubridge had called his captains together and warned them that “they must not be surprised if they saw me with the squadron run away.

I am still not quite sure what happened at that moment. For some reason that I cannot analyse, the sight of the big white bird, strange to me; the smell of the lemon-flowers, the clicking of the mill-sails and the sound of spilling water; the sunlight dappling through the leaves on the white anemones with their lamp-black centres; and, above all, my first real sight of the legendary White Mountains . . . all this seemed to rush together into a point of powerful magic, happiness striking like an arrow, with one of those sudden shocks of joy that are so physical, so precisely marked, that one knows the exact moment at which the world changed.

suggest that, together with the safety factors built into Outward Leg—the self-righting system, and the cool-tubes to prevent capsize—we realized at St. Croix that what we had under our feet was one of the fastest, and one of the safest, cruising vessels afloat under sail.