“
So fine was the morning except for a streak of wind here and there that the sea and sky looked all one fabric, as if sails were stuck high up in the sky, or the clouds had dropped down into the sea.
”
”
Virginia Woolf (To the Lighthouse)
“
What she really loved was to hang over the edge and watch the bow of the ship slice through the waves. She loved it especially when the waves were high and the ship rose and fell, or when it was snowing and the flakes stung her face.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
And I shall watch the ferry boats, and they'll get high,
On a bluer ocean against tomorrow's sky,
And I will never grow so old again,
And I will walk and talk, in gardens all wet with rain.
- Sweet Thing
”
”
Van Morrison (Lit Up Inside: Selected Lyrics)
“
Lines
I die but when the grave shall press
The heart so long endeared to thee
When earthy cares no more distress
And earthy joys are nought to me.
Weep not, but think that I have past
Before thee o'er the sea of gloom.
Have anchored safe and rest at last
Where tears and mouring can not come.
'Tis I should weep to leave thee here
On that dark ocean sailing drear
With storms around and fears before
And no kind light to point the shore.
But long or short though life may be
'Tis nothing to eternity.
We part below to meet on high
Where blissful ages never die.
”
”
Emily Brontë
“
And, Mr. Knightley, forget my theory about Icarus. If you don't sail high, with the risk of crashing and burning, do you really live? Can you love? I doubt it. I'm ready to fly. Love, Sam
”
”
Katherine Reay (Dear Mr. Knightley)
“
You should have Hugo throw you in the pool."
The golem turned his head toward Seth, who shrugged.
"Sure, that would be fun."
Hugo nodded, grabbed Seth, and, with a motion like a hook shot, flung him skyward. Kendra gasped. They were still thirty or forty feet away from the edge of the pool. She had pictured the golem carrying Seth much closer before tossing him. Her brother sailed nearly as high as the roof of the house before plummeting down and landing in the center of the deep end with an impressive splash.
Kendra ran to the side of the pool. By the time she arrived, Seth was boosting himself out of the waster, hair and clothes dripping. "That was the freakiest, awesomest moment in my life!" Seth declared. "But next time, let me take off my shoes.
”
”
Brandon Mull (Rise of the Evening Star (Fablehaven, #2))
“
Call me Ishmael. Some years ago - never mind how long precisely - having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship.
”
”
Herman Melville
“
You could just marry each other,” Yrene said, and Dorian whipped his head to her, incredulous. “It’d make it easier for you both, so you don’t need to pretend.” Chaol gaped at his wife. Yrene shrugged. “And be a strong alliance for our two kingdoms.” Dorian knew his face was red when he turned to Manon, apologies and denials on his lips. But Manon smirked at Yrene, her silver-white hair lifting in the breeze, as if reaching for the united people who would soon soar westward. That smirk softened as she mounted Abraxos and gathered up the reins. “We’ll see,” was all Manon Blackbeak, High Queen of the Crochans and Ironteeth, said before she and her wyvern leaped into the skies. Chaol and Yrene began bickering, laughing as they did, but Dorian strode to the edge of the aerie. Watched that white-haired rider and the wyvern with silver wings become distant as they sailed toward the horizon. Dorian smiled. And found himself, for the first time in a while, looking forward to tomorrow.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself!.. And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience, became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like the veil of things as they seem drawn back by an unseen hand. For a second you see, and seeing the secret, you are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on towards nowhere for no good reason.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
Where am I going? I don't quite know.
Down to the stream where the king-cups grow-
Up on a hill where the pine-trees blow-
Anywhere, anywhere. I don't know.
Where am I going? The clouds sail by,
Little ones, baby ones, over the sky.
Where am I going? The shadows pass,
Little ones, baby ones, over the grass.
If you were a cloud, and sailed up there,
You'd sail on the water as blue as air.
And you'd see me here in the fields and say:
"Doesn't the sky look green today?"
Where am I going? The high rooks call:
"It's awful fun to be born at all.
Where am I going? The ring-doves coo:
"We do have beautiful things to do."
If you were a bird, and lived on high,
You'd lean on the wind when the wind
came by,
You'd say to the wind when it took you away:
"That's where I wanted to go today!"
Where am I going? I don't quite know.
What does it matter where people go?
Down to the wood where the blue-bells grow-
Anywhere, anywhere. I don't know.
”
”
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
“
Some years ago - never mind how long precisely - having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
”
”
Herman Melville
“
He touched me as if I were the curved and delicate handle of a china cup, but he held me tightly just as I was, flesh and blood and full of human flaws and fears. In his arms I wasn't a girl dreaming of sailing the high seas, and I wasn't a farm kid jumping the train, either, but a fully grown woman riding the soft side of a crescent moon.
”
”
Ann Howard Creel (The Magic of Ordinary Days)
“
The beauty of the flute was in its simplicity, in its resemblance to the human voice. It always sounded clear. It sounded alone. The piano, on the other hand, was a network of parts—a ship, with its strings like rigging, its case a hull, its lifted lid a sail. Kestrel always thought that the piano didn't sound like a single instrument but a twinned one, with its low and high halves merging together or pulling apart.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Out of the sea will rise Behemoth and Leviathan, and sail 'round the high-pooped galleys... Dragons will wander about the waste places, and the phoenix will soar from her nest of fire into the air. We shall lay our hands upon the basilisk, and see the jewel in the toad's head. Champing his gilded oats, the Hippogriff will stand in our stalls, and over our heads will float the Blue Bird singing of beautiful and impossible things, of things that are lovely and that never happen, of things that are not and that should be.
”
”
Oscar Wilde
“
There’s a famous Russian proverb about this type of behavior. One day, a poor villager happens upon a magic talking fish that is ready to grant him a single wish. Overjoyed, the villager weighs his options: “Maybe a castle? Or even better—a thousand bars of gold? Why not a ship to sail the world?” As the villager is about to make his decision, the fish interrupts him to say that there is one important caveat: whatever the villager gets, his neighbor will receive two of the same. Without skipping a beat, the villager says, “In that case, please poke one of my eyes out.
”
”
Bill Browder (Red Notice: A True Story of High Finance, Murder, and One Man’s Fight for Justice)
“
Rare stories traveled of those who rose too high, the ships who sailed like Icarus towards the sun.
And like him, they crashed and burned for their arrogance.
”
”
Katherine McIntyre (The Airship Also Rises (Take to the Skies #3))
“
We must free ourselves of the hope that the sea will ever rest. We must learn to sail in high winds.” Aristotle Onassis
”
”
Matthew McCleery (Viking Raid (Robert Fairchild #2))
“
What would you have me do?
Seek for the patronage of some great man,
And like a creeping vine on a tall tree
Crawl upward, where I cannot stand alone?
No thank you! Dedicate, as others do,
Poems to pawnbrokers? Be a buffoon
In the vile hope of teasing out a smile
On some cold face? No thank you! Eat a toad
For breakfast every morning? Make my knees
Callous, and cultivate a supple spine,-
Wear out my belly grovelling in the dust?
No thank you! Scratch the back of any swine
That roots up gold for me? Tickle the horns
Of Mammon with my left hand, while my right
Too proud to know his partner's business,
Takes in the fee? No thank you! Use the fire
God gave me to burn incense all day long
Under the nose of wood and stone? No thank you!
Shall I go leaping into ladies' laps
And licking fingers?-or-to change the form-
Navigating with madrigals for oars,
My sails full of the sighs of dowagers?
No thank you! Publish verses at my own
Expense? No thank you! Be the patron saint
Of a small group of literary souls
Who dine together every Tuesday? No
I thank you! Shall I labor night and day
To build a reputation on one song,
And never write another? Shall I find
True genius only among Geniuses,
Palpitate over little paragraphs,
And struggle to insinuate my name
In the columns of the Mercury?
No thank you! Calculate, scheme, be afraid,
Love more to make a visit than a poem,
Seek introductions, favors, influences?-
No thank you! No, I thank you! And again
I thank you!-But...
To sing, to laugh, to dream
To walk in my own way and be alone,
Free, with a voice that means manhood-to cock my hat
Where I choose-At a word, a Yes, a No,
To fight-or write.To travel any road
Under the sun, under the stars, nor doubt
If fame or fortune lie beyond the bourne-
Never to make a line I have not heard
In my own heart; yet, with all modesty
To say:"My soul, be satisfied with flowers,
With fruit, with weeds even; but gather them
In the one garden you may call your own."
So, when I win some triumph, by some chance,
Render no share to Caesar-in a word,
I am too proud to be a parasite,
And if my nature wants the germ that grows
Towering to heaven like the mountain pine,
Or like the oak, sheltering multitudes-
I stand, not high it may be-but alone!
”
”
Edmond Rostand (Cyrano de Bergerac)
“
The Voyager
We are all lonely voyagers sailing on life's ebb tide,
To a far off place were all stripling warriors have died,
Sometime at eve when the tide is low,
The voices call us back to the rippling water's flow,
Even though our boat sailed with love in our hearts,
Neither our dreams or plans would keep heaven far apart,
We drift through the hush of God's twilight pale,
With no response to our friendly hail,
We raise our sails and search for majestic light,
While finding company on this journey to the brighten our night,
Then suddenly he pulls us through the reef's cutting sea,
Back to the place that he asked us to be,
Friendly barges that were anchored so sweetly near,
In silent sorrow they drop their salted tears,
Shall our soul be a feast of kelp and brine,
The wasted tales of wishful time,
Are we a fish on a line lured with bait,
Is life the grind, a heartless fate,
Suddenly, "HUSH", said the wind from afar,
Have you not looked to the heavens and seen the new star,
It danced on the abyss of the evening sky,
The sparkle of heaven shining on high,
Its whisper echoed on the ocean's spray,
From the bow to the mast they heard him say,
"Hope is above, not found in the deep,
I am alive in your memories and dreams when you sleep,
I will greet you at sunset and with the moon's evening smile,
I will light your path home.. every last lonely mile,
My friends, have no fear, my work was done well,
In this life I broke the waves and rode the swell,
I found faith in those that I called my crew,
My love will be the compass that will see you through,
So don't look for me on the ocean's floor to find,
I've never left the weathered docks of your loving mind,
For I am in the moon, the wind and the whale's evening song,
I am the sailor of eternity whose voyage is not gone.
”
”
Shannon L. Alder
“
In good company there is never such discourse between two, across the table, as takes place when you leave them alone. In good company, the individuals merge their egotism into a social soul exactly coextensive with the several consciousnesses there present. No partialities of friend to friend, no fondnesses of brother to sister, of wife to husband, are there pertinent, but quite otherwise. Only he may then speak who can sail on the common thought of the party, and not poorly limited to his own. Now this convention, which good sense demands, destroys the high freedom of great conversation, which requires an absolute running of two souls into one.
”
”
Ralph Waldo Emerson
“
The smell of the sea pleased him so much that he wanted one day to take it in, pure and unadulterated, in such quantities that he could get drunk on it. And later, when he learned from stories how large the sea is and that you can sail upon it in ships for days on end without ever seeing land, nothing pleased him more than the image of himself sitting high up in the crow's nest of the foremost mast on such a ship, gliding on through the endless smell of the sea -- which really was no smell, but a breath, an exhilaration of breath, the end of all smells -- dissolving with pleasure in that breath.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
I am Amora Montara, Princess of Visidia and heir to the High Animancer's throne. There is no ship i cannot sail. There is nothing i cannot master.
”
”
Adalyn Grace (All the Stars and Teeth (All the Stars and Teeth, #1))
“
The White Goddess
All saints revile her, and all sober men
Ruled by the God Apollo's golden mean -
In scorn of which we sailed to find her
In distant regions likeliest to hold her
Whom we desired above all things to know,
Sister of the mirage and echo.
It was a virtue not to stay,
To go our headstrong and heroic way
Seeking her out at the volcano's head,
Among pack ice, or where the track had faded
Beyond the cavern of the seven sleepers:
Whose broad high brow was white as any leper's,
Whose eyes were blue, with rowan-berry lips,
With hair curled honey-coloured to white hips.
The sap of Spring in the young wood a-stir
Will celebrate with green the Mother,
And every song-bird shout awhile for her;
But we are gifted, even in November
Rawest of seasons, with so huge a sense
Of her nakedly worn magnificence
We forget cruelty and past betrayal,
Heedless of where the next bright bolt may fall.
”
”
Robert Graves
“
God works in mysterious ways, baby, and there is never more evidence of this than when your life is going along fairly well, actually sailing. The sensation of wind through your hair becomes, for an extremely brief time, commonplace. It is then that God lowers the cosmic boom. He will not show up; that is the kind view. The unkind view is that he sits back to watch with a high-ball and a bowl of nuts.
”
”
Suzanne Finnamore (The Zygote Chronicles)
“
Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!
TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.
EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
This is a tale of arms and of a man. Fated to be an exile, he was the first to sail from the land of Troy and reach Italy, at its Lavinian shore. He met many tribulations on his way both by land on on the ocean; high Heaven willed it, for Juno was ruthless and could not forget her anger.
”
”
Virgil (The Aeneid)
“
Tell the world what scares you the most” says Brandy.
She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future”
Seth writes on the back of a card and hands the card to Brandy for her to read.
On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.”
Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle.
Seth hands her another, and Brandy reads:
Game shows are designed to make us feel better about the random useless facts that are all we have left from our education”
A kiss and the card’s on it’s way toward Lake Washington.
From Seth:
When did the future switch from being a promise to being a threat?”
A kiss and it’s off on the wind toward Ballard.
Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.”
Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write:
I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again.
Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net.
While I watch my future trapped in the suicide net Brandy reads another card from Seth.
We are all self-composting”
I write another card from the future and Brandy reads it:
When we don’t know who to hate, we hate ourselves”
An updraft lifts up my worst fears from the suicide net and lifts them away.
Seth writes and Brandy reads.
You have to keep recycling yourself”.
I write and Brandy reads.
Nothing of me is original. I am the combined effort of everybody I’ve ever known.”
I write and Brandy reads.
The one you love and the one who loves you are never ever the same person.
”
”
Chuck Palahniuk (Invisible Monsters)
“
Don't you know anything at all about numbers?"
"Well, I don't think they're very important," snapped Milo, too embarrassed to admit the truth.
"NOT IMPORTANT!" roared the Dodecahedron, turning red with fury. "Could you have tea for two without the two — or three blind mice without the three? Would there be four corners of the earth if there weren't a four? And how would you sail the seven seas without a seven?"
"All I meant was—" began Milo, but the Dodecahedron, overcome with emotion and shouting furiously, carried right on.
"If you had high hopes, how would you know how high they were? And did you know that narrow escapes come in all different widths? Would you travel the whole wide world without ever knowing how wide it was? And how could you do anything at long last," he concluded, waving his arms over his head, "without knowing how long the last was? Why, numbers are the most beautiful and valuable things in the world. Just follow me and I'll show you." He turned on his heel and stalked off into the cave.
”
”
Norton Juster (The Phantom Tollbooth)
“
Here I love you.
In the dark pines the wind disentangles itself.
The moon glows like phosphorous on the vagrant waters.
Days, all one kind, go chasing each other.
The snow unfurls in dancing figures.
A silver gull slips down from the west.
Sometimes a sail. High, high stars.
Oh the black cross of a ship.
Alone.
Sometimes I get up early and even my soul is wet.
Far away the sea sounds and resounds.
This is a port.
Here I love you.
Here I love you and the horizon hides you in vain.
I love you still among these cold things.
Sometimes my kisses go on those heavy vessels
that cross the sea towards no arrival.
I see myself forgotten like those old anchors.
The piers sadden when the afternoon moors there.
My life grows tired, hungry to no purpose.
I love what I do not have. You are so far.
My loathing wrestles with the slow twilights.
But night comes and starts to sing to me.
The moon turns its clockwork dream.
The biggest stars look at me with your eyes.
And as I love you, the pines in the wind
want to sing your name with their leaves of wire.
Pablo Neruda
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
Maybe you're getting into the rhythm of sailing life," says James. He looks out at the waves that are rolling in to lap against the dock. "You know, the tides going in and then out, the wind blowing east and then west, the high of a perfect day out on the water, the low of a thunderstorm or a wind that won't go your way.
”
”
Melissa C. Walker (Unbreak My Heart)
“
I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and singing rhythm of it, and for a moment I lost myself—actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself!
”
”
Eugene O'Neill
“
First there was the sky, high, pure and of a darker blue than he had ever seen. And then there was the sea, a lighter, immensely luminous blue that reflected blue into the air, the shadows and the sails; a sea that stretched away immeasurably when the surge raised the frigate high, showing an orderly array of great crests, each three furlongs from its predecessor, and all sweeping eastwards in an even, majestic procession.
”
”
Patrick O'Brian (The Thirteen-Gun Salute (Aubrey & Maturin, #13))
“
They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.
”
”
Upton Sinclair (The Jungle)
“
What had transpired that day in 1903, in the stiff winds and cold of the Outer Banks in less than two hours time, was one of the turning points in history, the beginning of change for the world far greater than any of those present could possibly have imagined. With their homemade machine, Wilbur and Orville Wright had shown without a doubt that man could fly and if the world did not yet know it, they did. Their flights that morning were the first ever in which a piloted machine took off under its own power into the air in full flight, sailed forward with no loss of speed, and landed at a point as high as that from which it started.
”
”
David McCullough (The Wright Brothers)
“
There’s no love lost between Hob and high-Lammer. The Hobs work our factories, sail our ships, wash our clothes. They are the beetle-back on which our city is built. And they do not have a gentle love for us.
”
”
Cat Hellisen (When the Sea Is Rising Red (Hobverse #1))
“
Beds unmade for days on end, piled high with bedding crumpled and disordered from the weight of dreams, stood like deep boats waiting to sail into the dank and confusing labyrinths of some dark starless Venice.
”
”
Bruno Schulz (The Street of Crocodiles)
“
But just the same, she dared not allow her mind to look up, for she sensed that the tattered images of her dreams were still hung high on the masts of her consciousness like the ragged remainders of sails flapping after a storm.
”
”
Edward Docx (Pravda)
“
Think of the armed struggle as the launch of a boat, Hughes said, getting a hundred people to push this boat out. This boat is stuck in the sand, right, and then get them to push the boat out and then the boat sailing off and leaving the hundred people behind, right. That’s the way I feel. The boat is away, sailing on the high seas, with all the luxuries that it brings, and the poor people that launched the boat are left sitting in the muck and the dirt and the shit and the sand, behind.
”
”
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
“
4. Confusion in the Market Place Indeed it was, for as they approached, Milo could see crowds of people pushing and shouting their way among the stalls, buying and selling, trading and bargaining. Huge wooden-wheeled carts streamed into the market square from the orchards, and long caravans bound for the four corners of the kingdom made ready to leave. Sacks and boxes were piled high waiting to be delivered to the ships that sailed the Sea of Knowledge, and off to one side a group of minstrels sang songs to the delight of those either too young or too old to engage in trade. But above all the noise and tumult of the crowd could be heard the merchants’ voices loudly advertising their products. “Get your fresh-picked ifs, ands, and buts.” “Hey-yaa, hey-yaa, hey-yaa, nice ripe wheres and whens.” “Juicy, tempting words for sale.
”
”
Norton Juster (The Phantom Tollbooth)
“
The smell of the sea pleased him so much that he wanted one day to take it in, pure and unadulterated, in such quantities that he could get drunk on it. And later, when he learned from stories how large the sea is and that you can sail upon it in ships fit days on end without ever seeing land, nothing pleased him more than the image of himself shutting high up in the crow's nest of the foremost mast on such ship, gliding on through the endless shell of the sea -- which really was no smell, but a breath, an exhilaration of breath, the end of all smells -- dissolving with pleasure in that breath.
”
”
Patrick Süskind
“
You are going to take the high sea of the world; change not, on that account, patron or sails, anchor or wind. Have Jesus always for your patron, His Cross for a mast on which you must spread your resolutions as a sail. Your anchor shall be a profound confidence in Him, and you shall sail prosperously.
May the favorable wind of celestial inspirations ever fill your vessel's sails fuller and fuller and make you happily arrive at the port of a holy eternity.
”
”
Francis de Sales
“
He turned his face over a shoulder, rere regardant. Moving through the air high spars of a threemaster, her sails brailed up on the crosstrees, homing, upstream, silently moving, a silent ship.
”
”
James Joyce (Ulysses)
“
FRIENDSHIP, n. A ship big enough to carry two in fair weather, but only one in foul.
The sea was calm and the sky was blue;
Merrily, merrily sailed we two.
(High barometer maketh glad.)
On the tipsy ship, with a dreadful shout,
The tempest descended and we fell out.
(O the walking is nasty bad!)
Armit Huff Bettle
”
”
Ambrose Bierce (The Unabridged Devil's Dictionary)
“
The last captain called to sea again
Sails intrepid forward
The waves they rock
But he cares not
He need only follow the stars
Looking down at that compass
Would just lead him astray
His great old vessel
Done in by monsters, maelstroms,
Tidal waves
Foundering toward lost Atlantis
But by ancient stars
Burning oh so bright
And sails high and strong
He’ll catch the gale
That will take him there
Out where he belongs
Not a distant shore
But heaven’s door
One with the sublime
Another bright light
In the starry night
Shining with
True greatness
”
”
A.D. Aliwat (In Limbo)
“
Morgon of Hed met the High One's harpist one autumn day when the trade-ships docked at Tol for the season's exchange of goods. A small boy caught sight of the round-hulled ships with their billowing sails striped red and blue and green, picking their way among the tiny fishing boats in the distance, and ran up the coast from Tol to Akren, the house of Morgon, Prince of Hed. There he disrupted an argument, gave his message, and sat down at the long, nearly deserted tables to forage whatever was left of breakfast. The Prince of Hed, who was recovering slowly from the effects of loading two carts of beer for trading the evening before, ran a reddened eye over the tables and shouted for his sister.
”
”
Patricia A. McKillip (Riddle-Master (Riddle-Master, #1-3))
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
The tidal current runs to and fro in its unceasing service, crowded with memories of men and ships it had borne to the rest of home or to the battles of the sea. It had known and served all the men of whom the nation is proud, from Sir Francis Drake to Sir John Franklin, knights all, titled and untitled--the great knights-errant of the sea. It had borne all the ships whose names are like jewels flashing in the night of time, from the Golden Hind returning with her round flanks full of treasure, to be visited by the Queen's Highness and thus pass out of the gigantic tale, to the Erebus and Terror, bound on other conquests--and that never returned. It had known the ships and the men. They had sailed from Deptford, from Greenwich, from Erith--the adventures and the settlers; kings' ships and the ships of men on 'Change; captains, admirals, the dark "interlopers" of the Eastern trade, and the commissioned "generals" of East India fleets. Hunters for gold or pursuers of fame, they all had gone out on that stream, bearing the sword, and often the torch, messengers of the might within the land, bearers of a spark from the sacred fire. What greatness had not floated on the ebb of that river into the mystery of an unknown earth!...The dreams of men, the seed of commonwealth, the germs of empires.
”
”
Joseph Conrad (Heart of Darkness)
“
The mountains that enfold the vale
With walls of granite, steep and high,
Invite the fearless foot to scale
Their stairway toward the sky.
The restless, deep, dividing sea
That flows and foams from shore to shore,
Calls to its sunburned chivalry,
"Push out, set sail, explore!"
And all the bars at which we fret,
That seem to prison and control,
Are but the doors of daring, set
Ajar before the soul.
Say not, "Too poor," but freely give;
Sigh not, "Too weak," but boldly try,
You never can begin to live
Until you dare to die.
”
”
Henry Van Dyke
“
In Dedication.
All saints revile her, and all sober men
Ruled by the God Apollo's golden mean -
In scorn of which I sailed to find her
In distant regions likeliest to hold her
Whom I desired above all things to know,
Sister of the mirage and echo.
It was a virtue not to stay,
To go my headstrong and heroic way
Seeking her out at the volcano's head,
Among pack ice, or where the track had faded
Beyond the cavern of the seven sleepers:
Whose broad high brow was white as any leper's,
Whose eyes were blue, with rowan-berry lips,
With hair curled honey-coloured to white hips.
Green sap of Spring in the young wood a-stir
Will celebrate the Mountain Mother,
And every song-bird shout awhile for her;
But I am gifted, even in November
Rawest of seasons, with so huge a sense
Of her nakedly worn magnificence
I forget cruelty and past betrayal,
Careless of where the next bright bolt may fall.
”
”
Robert Graves
“
After he had sailed around the Mediterranean in 1869, Mark Twain said that travel was “fatal to prejudice, bigotry, and narrow-mindedness.” Neuroscientists have been trying for years to pin down what it is about travel that alters us, how it effects mental change. Neural pathways become ingrained, automatic, if they operate only by habit. They are highly attuned to alterations, to novelty. New sights, sounds, languages, tastes, smells stimulate different synapses in the brain, different message routes, different webs of connection, increasing our neuroplasticity. Our brains have evolved to notice differences in our environment: it’s how we’re alerted to predators, to potential danger. To be sensitive to change, then, is to ensure survival.
”
”
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
The sea had changed. It was dark green now with white-horses, and the rocks shone yellow like phosphorus. Rumbling solemnly the thunder-storm came up from the south. It spread its black sail over the sea; it spread over half the sky and the lightning flashed with an ominous glint.
"It's coming right over the island," thought Snufkin with a thrill of joy and excitement. He imagined he was sailing high up over the clouds, and perhaps shooting out to sea on a hissing flash of lightning.
”
”
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
“
How many dawns, chill from his rippling rest
The seagull’s wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty—
Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
—Till elevators drop us from our day ...
”
”
Hart Crane
“
The sailed right down a waterfall a hundred meters high
then sank a dozen pirate ships ad they were passing by.
"It was two! Two! That's all. And the were boats, not ships!" Hal said, shaking his head at the dreaful exaggerations flowing from Stefan's and Jesper's lips. The crowd sang another chorus with them and Erak looked at him in pity.
"You probably had to be there to appreciate it," he said knowingly. Hal threw his arms wide in frustration. "I was there!" he protested. "It was nothing like this!
”
”
John Flanagan
“
Perfection may be an island out of reach, but setting your sails toward it makes for a magnificent voyage.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
am not afraid of storms, for I am learning how to sail my ship.~ Louisa May Alcott, “Little Women
”
”
Melissa Knight (Just the Facts (High School 101, #2))
“
When the tide gets high, Sail on.
You'll make it safe to the shore,
...And all the hidden treasures will be Yours!
”
”
Chinonye J. Chidolue
“
Whichever day it was, it was a gently day - mild, magical and innocent with great sailing of white cloud serene and impregnable in the high sky, moving along like kingly swans on quiet water. The sun was in the neighbourhood also, distributing his enchantment unobtrusively, colouring the sides of things that were unalive and livening the hearts of living things.
”
”
Flann O'Brien (The Third Policeman)
“
Poem in October"
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill's shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.
Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.
It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.
And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart's truth
Still be sung
On this high hill in a year's turning.
”
”
Dylan Thomas (Collected Poems)
“
embrace the journey that I find peace. My tale of the four orphans who set sail together on an odyssey isn’t quite finished. Their lives went far beyond the rolling farmlands and high bluffs and river towns and remarkable people they encountered on their meanderings that summer. Here is the end of the story begun many pages ago, an accounting of where the greater
”
”
William Kent Krueger (This Tender Land)
“
Each in His Own Tongue
A fire mist and a planet,
A crystal and a cell,
A jellyfish and a saurian,
And caves where the cave men dwell;
Then a sense of law and beauty,
And a face turned from the clod —
Some call it Evolution,
And others call it God.
A haze on the far horizon,
The infinite, tender sky,
The ripe, rich tint of the cornfields,
And the wild geese sailing high;
And all over upland and lowland
The charm of the goldenrod —
Some of us call it Autumn,
And others call it God.
Like tides on a crescent sea beach,
When the moon is new and thin,
Into our hearts high yearnings
Come welling and surging in;
Come from the mystic ocean,
Whose rim no foot has trod —
Some of us call it Longing,
And others call it God.
A picket frozen on duty,
A mother starved for her brood,
Socrates drinking the hemlock,
And Jesus on the rood;
And millions who, humble and nameless,
The straight, hard pathway plod —
Some call it Consecration,
And others call it God.
”
”
William Herbert Carruth
“
Oh, the middle third of the U.S.!” Leo spread his arms. “Piece of torta, then. We’ll just
search the entire middle of the country!”
“Still with the sarcasm,” Percy noted.
“Hey, man, I’ve sailed with the most sarcastic scalawags on the high seas.”
The two gave each other a high five, though I did not quite understand why. I thought
about a snippet of prophecy I’d heard in the grove: something about Indiana. It might be a
place to start….
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
The heart is the anarchist of the mind. The naughty child that never grows up. The hopeless romantic. The dreamer. The optimist. The risk taker. The sail that always wants to move. The wings that never want to land." CeCe
”
”
Katie Ray (Don't Kiss the Messenger (Edgelake High School, #1))
“
There was a great pirate ship that swung back and forth like a pendulum, sailing high out over the sides of the pier and the ocean beyond, while shrill screams carried into the night. I thought of that ride as the SS Fuck No.
”
”
Joe Hill (Full Throttle)
“
Take your rainbows
Oh! high monsoon instead cloak me and her with rain
so that we can hide from that tragic fate
Wrap us in one of those grey clouds
lets us sail through that gush and storm
hide us in these thunder and black clouds
until the end of time
or
until we melt too and drip through these very own skies
sell my soul to feisty east winds for more time in her arms
because
I know no separation
only death
oh! melancholy rain
oh! melancholy rain
do I have to cry louder than the thunder itself
and lose my ability to utter 'love you'
and be labelled as betrayer in front of her confessions
I better be unborn and with no existence
If there is no being; how can there be separation.
”
”
Yarro Rai
“
A lark sailed out of a grassy plot and soared high into the sky, and seeing it, he waited for the trill of liquid song to spray out of its throat and drip out of the blue. But there was no song, as there would have been in spring. He
”
”
Clifford D. Simak (Way Station)
“
Seaworth had a lordly ring to it, but down deep he was still Davos of Flea Bottom, coming home to his city on its three high hills. He knew as much of ships and sails and shores as any man in the Seven Kingdoms, and had fought his share of desperate fights sword to sword on a wet deck. But to this sort of battle he came a maiden, nervous and afraid. Smugglers do not sound warhorns and raise banners. When they smell danger, they raise sail and run before the wind.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
A red-tailed hawk rose high on an air current, calling out shrill, sequential rasps of raptor joy. She scanned the sky for another one. Usually when they spoke like that, they were mating. Once she'd seen a pair of them coupling on the wing, grappling and clutching each other and tumbling curve-winged through the air in hundred-foot death dives that made her gasp, though always they uncoupled and sailed outward and up again just before they were bashed to death in senseless passion.
”
”
Barbara Kingsolver
“
The drinking dens are spilling out
There's staggering in the square
There's lads and lasses falling about
And a crackling in the air
Down around the dungeon doors
The shelters and the queues
Everybody's looking for
Somebody's arms to fall into
And it's what it is
It's what it is now
There's frost on the graves and the monuments
But the taverns are warm in town
People curse the government
And shovel hot food down
The lights are out in the city hall
The castle and the keep
The moon shines down upon it all
The legless and asleep
And it's cold on the tollgate
With the wagons creeping through
Cold on the tollgate
God knows what I could do with you
And it's what it is
It's what it is now
The garrison sleeps in the citadel
With the ghosts and the ancient stones
High up on the parapet
A Scottish piper stands alone
And high on the wind
The highland drums begin to roll
And something from the past just comes
And stares into my soul
And it's cold on the tollgate
With the Caledonian Blues
Cold on the tollgate
God knows what I could do with you
And it's what it is
It's what it is now
What it is
It's what it is now
There's a chink of light, there's a burning wick
There's a lantern in the tower
Wee Willie Winkie with a candlestick
Still writing songs in the wee wee hours
On Charlotte Street I take
A walking stick from my hotel
The ghost of Dirty Dick
Is still in search of Little Nell
And it's what it is
It's what it is now
Oh what it is
What it is now
”
”
Mark Knopfler (Sailing to Philadelphia)
“
There is no pain - just travel.
On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again.
It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open.
It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever.
She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too.
Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge.
And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up.
She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down.
She wonders if she will ever hit the bottom, wonders will the splash ever come.
Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities.
And also they make forever seem like an okay thing.
”
”
Alden Bell (The Reapers are the Angels (Reapers, #1))
“
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance.
”
”
William Faulkner (Absalom, Absalom!)
“
What does Africa — what does the West stand for? Is not our own interior white on the chart? black though it may prove, like the coast, when discovered. Is it the source of the Nile, or the Niger, or the Mississippi, or a Northwest Passage around this continent, that we would find? Are these the problems which most concern mankind? Is Franklin the only man who is lost, that his wife should be so earnest to find him? Does Mr. Grinnell know where he himself is? Be rather the Mungo Park,the Lewis and Clark and Frobisher,of your own streams and oceans; explore your own higher latitudes — with shiploads of preserved meats to support you, if they be necessary; and pile the empty cans sky-high for a sign. Were preserved meats invented to preserve meat merely? Nay, be a Columbus to whole new continents and worlds within you, opening new channels, not of trade, but of thought. Every man is the lord of a realm beside which the earthly empire of the Czar is but a petty state, a hummock left by the ice. Yet some can be patriotic who have no self-respect, and sacrifice the greater to the less. They love the soil which makes their graves, but have no sympathy with the spirit which may still animate their clay. Patriotism is a maggot in their heads.What was the meaning of that South-Sea Exploring Expedition,with all its parade and expense, but an indirect recognition of the fact that there are continents and seas in the moral world to which every man is an isthmus or an inlet, yet unexplored by him, but that it is easier to sail many thousand miles through cold and storm and cannibals, in a government ship, with five hundred men and boys to assist one, than it is to explore the private sea, the Atlantic and Pacific Ocean of one's being alone.
”
”
Henry David Thoreau (Walden or, Life in the Woods)
“
There was no one else like him alive.
In his day, he was the mightiest man on earth,
high-born and powerful. He ordered a boat
that would ply the waves. He announced his plan:
to sail the swan’s road and search out that king,
the famous prince who needed defenders.
”
”
Seamus Heaney (Beowulf)
“
Call me Ishmael. Some years ago—never mind how long precisely— having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball.
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
I’m the Throne Warden of Anniera, and Kalmar is my charge. Do you hear me? I’ve battled Fangs and trolls! I’ve walked the Stony Mountains and sailed the Dark Sea! I’ve stood in Yurgen’s shadow and looked the dragon in the eye!” Lightning scraped the clouds as Janner stood in the rain and screamed. He flung a finger in Grigory’s terrified face. “The Maker has brought us safely this far, Grigory Bunge, and I will fear no guildling of the Green Hollows. If you insult the High King or the Song Maiden, you will reckon with the Throne Warden. Do you understand?
”
”
Andrew Peterson (The Monster in the Hollows (The Wingfeather Saga #3))
“
And on the edge of the black sky, where the dawn’s light had just squeezed through, a fleet of bombers, like bats, sailed through a bed of pale clouds and dove toward the Huangpu River, the art deco buildings, the Customs House, and the high-rises on the waterfront. American B-29s.
”
”
Weina Dai Randel (The Last Rose of Shanghai)
“
Why should we hate them? Because ours is the only true civilization! Even in science -- consider that we invented the sternpost rudder twelve hundred years before the Europeans did! Fore-and-aft sails in the third century! Treadmill paddle wheel for boats five hundred years later! Warships with rams and twenty paddle wheels by the twelfth century -- the British thought we had copied theirs, the fools! In the thirteenth century we had ships with fifty cabins for passengers, six-masts, double planking, water-tight compartments! Only in the last century did the barbarians even have transverse bulkheads! Five hundred years ago we already had ships four hundred and fifty feet long, and we grew fresh vegetables aboard in tubs! WE sailed the high seas to Sumatra and India, to Aden and Africa and even to Madagascar -- sixty years before the Portuguese bit a piece from the thigh of India! I curse Confucius and all those mad saints who persuaded us against war! Did you ever hear of Sun Wa, who lived three thousand years ago? No? Read the Art of War! 'If you are not in danger, do not fight,' he wrote. Now we are in danger!
”
”
Pearl S. Buck (Three Daughters of Madame Liang)
“
Not that people did much sailing on Ylla’s extensive oceans, nor swimming either—Yllan seawater tended to give humans strange rashes, and while humans were highly toxic morsels in the diet of the native sea monsters, the monsters were extremely stupid and kept not figuring this out.
”
”
Lois McMaster Bujold (Captain Vorpatril's Alliance (Vorkosigan Saga, #15))
“
Ethan’s parents constantly told him how brainy he was. “You’re so smart! You can do anything, Ethan. We are so proud of you, they would say every time he sailed through a math test. Or a spelling test. Or any test. With the best of intentions, they consistently tethered Ethan’s accomplishment to some innate characteristic of his intellectual prowess. Researchers call this “appealing to fixed mindsets.” The parents had no idea that this form of praise was toxic.
Little Ethan quickly learned that any academic achievement that required no effort was the behavior that defined his gift. When he hit junior high school, he ran into subjects that did require effort. He could no longer sail through, and, for the first time, he started making mistakes. But he did not see these errors as opportunities for improvement. After all, he was smart because he could mysteriously grasp things quickly. And if he could no longer grasp things quickly, what did that imply? That he was no longer smart. Since he didn’t know the ingredients making him successful, he didn’t know what to do when he failed. You don’t have to hit that brick wall very often before you get discouraged, then depressed. Quite simply, Ethan quit trying. His grades collapsed.
What happens when you say, ‘You’re so smart’
Research shows that Ethan’s unfortunate story is typical of kids regularly praised for some fixed characteristic. If you praise your child this way, three things are statistically likely to happen:
First, your child will begin to perceive mistakes as failures. Because you told her that success was due to some static ability over which she had no control, she will start to think of failure (such as a bad grade) as a static thing, too—now perceived as a lack of ability. Successes are thought of as gifts rather than the governable product of effort.
Second, perhaps as a reaction to the first, she will become more concerned with looking smart than with actually learning something. (Though Ethan was intelligent, he was more preoccupied with breezing through and appearing smart to the people who mattered to him. He developed little regard for learning.)
Third, she will be less willing to confront the reasons behind any deficiencies, less willing to make an effort. Such kids have a difficult time admitting errors. There is simply too much at stake for failure.
What to say instead: ‘You really worked hard’
What should Ethan’s parents have done? Research shows a simple solution. Rather than praising him for being smart, they should have praised him for working hard. On the successful completion of a test, they should not have said,“I’m so proud of you. You’re so smart. They should have said, “I’m so proud of you. You must have really studied hard”. This appeals to controllable effort rather than to unchangeable talent. It’s called “growth mindset” praise.
”
”
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
“
An alternative — and better — definition of reality can be found by naming some of its components: air, sunlight, wind, water, the motion of waves, the patterns of clouds before a coming storm. These elements, unlike 20th-century office routines, have been here since before life appeared on this planet, and they will continue long after office routines are gone. They are understood by everyone, not just a small segment of a highly advanced society. When considered on purely logical grounds, they are more real than the extremely transitory lifestyles of the modern civilization the depressed ones want to return to.If this is so, then it follows that those who see sailing as an escape from reality have their understanding of sailing and reality backward. Sailing is not an escape, but a return to and a confrontation of a reality from which modern civilization is itself an escape. For centuries, man suffered from the reality of an Earth that was too dark or too hot or too cold for his comfort, and to escape this he invented complex systems of lighting, heating and air conditioning.Sailing rejects these and returns to the old realities of dark and heat and cold. Modern civilization has found radio, television, movies, nightclubs and a huge variety of mechanized entertainment to titillate our senses and help us escape from the apparent boredom of the Earth and the Sun, the wind and the stars. Sailing returns to these ancient realities.
”
”
Robert M. Pirsig
“
Socrates is flying. No, he is soaring. The wings behind him beat in a calming rhythm while the cool air rushes past. His wings are all that matter, snapping at the rushing wind like the sails of some great sea vessel, the feathery appendages all he is and all he will ever want to be.
His back muscles flex with the effort that takes him high above the ground. He feels the effort, of course, but sweeping into the sky does not require much of one. The sensation is pleasurable, even exhilarating. With flight there is freedom beyond description, an ecstasy bordering on sexual.
He has only one destination, and that is to soar higher, to no longer be a prisoner of the earth. Here destinations seem irrelevant, the world below small. Flying exceeds every pleasure he knows. In the immense forever of blue sky, all that matters is flight and his ability to climb higher.
Up and up and up...
”
”
Kenneth C. Goldman (Of A Feather)
“
Lollipops and raindrops
Sunflowers and sun-kissed daisies
Rolling surf and raging sea
Sailing ships and submarines
Old Glory and “purple mountain’s majesty”
Screaming guitar and lilting rhyme
Flight of fancy and high-steppin’ dances
Set free my mind to wander…
Imagine the ant’s marching journeys.
Fly, in my mind’s eye, on butterfly wings.
Roam the distant depths of space.
Unfurl tall sails and cross the ocean.
Pictures made just to enthrall
Creating images from my truth
Painting hopes and dreams on my canvas
Capturing, through my lens, the ephemeral
Let me ruminate ‘pon sensual darkness…
Tremble o’er Hollywood’s fluttering Gothics…
Ride the edge of my seat with the hero…
Weep with the heroine’s desperation.
Yet… more than all these things…
Give me words spun out masterfully…
Terms set out in meter and rhyme…
Phrases bent to rattle the soul…
Prose that always miraculously inspires me!
The trill runs up my spine, as I recall…
A touch… a caress…a whispered kiss…
Ebony eyes embracing my soul…
Two souls united in beat of hearts.
A butterfly flutter in my womb
My lover’s wonder o’er my swelling
The testament of our love given life
Newly laid in my lover’s arms
Luminous, sweet ebony eyes
Just so much like his father’s
A gaze of wonder and contentment
From my babe at mother’s breast
Words of the Divine set down for me
Faith, Hope, Love, and Charity
Grace, Mercy, and undeserved Salvation
“My Shepherd will supply my need”
These are the things that inspire me.
”
”
D. Denise Dianaty (My Life In Poetry)
“
When this, our rose, is faded,
And these, our days, are done,
In lands profoundly shaded
From tempest and from sun:
Ah, once more come together,
Shall we forgive the past,
And safe from worldly weather
Possess our souls at last?
Or in our place of shadows
Shall still we stretch an hand
To green, remembered meadows,
Of that old pleasant land?
And vainly there foregathered,
Shall we regret the sun?
The rose of love, ungathered?
The bay, we have not won?
Ah, child! the world's dark marges
May lead to Nevermore,
The stately funeral barges
Sail for an unknown shore,
And love we vow to-morrow,
And pride we serve to-day:
What if they both should borrow
Sad hues of yesterday?
Our pride! Ah, should we miss it,
Or will it serve at last?
Our anger, if we kiss it,
Is like a sorrow past.
While roses deck the garden,
While yet the sun is high,
Doff sorry pride for pardon,
Or ever love go by."
-"Amantium Irae
”
”
Ernest Dowson (The Poems and Prose of Ernest Dowson)
“
In the twilight of autumn it sailed out of Mithlond, until the seas of the Bent World fell away beneath it, and the winds of the round sky troubled it no more, and borne upon the high airs above the mists of the world it passed into the Ancient West, and an end was come for the Eldar of story and of song.
”
”
J.R.R. Tolkien
“
The daily chocolate left Will in high spirits, so that some days he believed he could wheel with the gulls that fished the foaming water close to shore. Now that he felt so free, it came to him that the corner of England, which up till now had been his whole universe, was in fact only a scrap of a boundless realm.
”
”
Sara Sheridan (On Starlit Seas)
“
To fill the days up of his dateless year
Flame from Queen Helen to Queen Guenevere?
For first of all the sphery signs whereby
Love severs light from darkness, and most high,
In the white front of January there glows
The rose-red sign of Helen like a rose:
And gold-eyed as the shore-flower shelterless
Whereon the sharp-breathed sea blows bitterness,
A storm-star that the seafarers of love
Strain their wind-wearied eyes for glimpses of,
Shoots keen through February's grey frost and damp
The lamplike star of Hero for a lamp;
The star that Marlowe sang into our skies
With mouth of gold, and morning in his eyes;
And in clear March across the rough blue sea
The signal sapphire of Alcyone
Makes bright the blown bross of the wind-foot year;
And shining like a sunbeam-smitten tear
Full ere it fall, the fair next sign in sight
Burns opal-wise with April-coloured light
When air is quick with song and rain and flame,
My birth-month star that in love's heaven hath name
Iseult, a light of blossom and beam and shower,
My singing sign that makes the song-tree flower;
Next like a pale and burning pearl beyond
The rose-white sphere of flower-named Rosamond
Signs the sweet head of Maytime; and for June
Flares like an angered and storm-reddening moon
Her signal sphere, whose Carthaginian pyre
Shadowed her traitor's flying sail with fire;
Next, glittering as the wine-bright jacinth-stone,
A star south-risen that first to music shone,
The keen girl-star of golden Juliet bears
Light northward to the month whose forehead wears
Her name for flower upon it, and his trees
Mix their deep English song with Veronese;
And like an awful sovereign chrysolite
Burning, the supreme fire that blinds the night,
The hot gold head of Venus kissed by Mars,
A sun-flower among small sphered flowers of stars,
The light of Cleopatra fills and burns
The hollow of heaven whence ardent August yearns;
And fixed and shining as the sister-shed
Sweet tears for Phaethon disorbed and dead,
The pale bright autumn's amber-coloured sphere,
That through September sees the saddening year
As love sees change through sorrow, hath to name
Francesca's; and the star that watches flame
The embers of the harvest overgone
Is Thisbe's, slain of love in Babylon,
Set in the golden girdle of sweet signs
A blood-bright ruby; last save one light shines
An eastern wonder of sphery chrysopras,
The star that made men mad, Angelica's;
And latest named and lordliest, with a sound
Of swords and harps in heaven that ring it round,
Last love-light and last love-song of the year's,
Gleams like a glorious emerald Guenevere's.
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
Белая гвардия, путь твой высок:
Черному дулу — грудь и висок.
Божье да белое твое дело:
Белое тело твое — в песок.
Не лебедей это в небе стая:
Белогвардейская рать святая
Белым видением тает, тает…
Старого мира — последний сон:
Молодость — Доблесть — Вандея — Дон.
24 марта 1918
White Guard, your path is set noble and high:
Black muzzles - your breast and temple defy.
Godly and white is the cause you fight for:
White is your body - in sands to lie.
That is no flock of swans in the sky there:
Saintly the White Guard host sails by there,
White, as a vision, to fade and die there...
One last glimpse of a world that's gone:
Manliness - Daring - Vendée - Don.
”
”
Marina Tsvetaeva (The Demesne of the Swans)
“
SPRING MORNING
If you were a cloud, and sailed up there,
You'd sail on water as blue as air,
And you'd see me here in the fields and say:
'Doesn't the sky look green to-day?'
If you were a bird, and lived on high,
You'd lean on the wind when the wind came by,
You'd say to the wind when it took you away:
'That's where I wanted to go to-day!
”
”
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
“
Someone was listening outside his door. Mark closed his eyes and in his mind the monstrous waves soared high above their sails. He sang to soothe the water, but mostly he sang for the sailor who listened, and Laura, and Gale, and the ship. He could think of no greater honor than to sing in this place, where nothing lasted and everything mattered.
”
”
E.M. Prazeman (Confidante (The Lord Jester's Legacy, #2))
“
Beyond The Sea"
Somewhere beyond the sea
Somewhere waiting for me
My lover stands on golden sands
And watches the ships that go sailing
Somewhere beyond the sea
She's there watching for me
If I could fly like birds on high
Then straight to her arms
I'd go sailing
It's far beyond the stars
It's near beyond the moon
I know beyond a doubt
My heart will lead me there soon
We'll meet beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing
I know beyond a doubt
My heart will lead me there soon
We'll meet (I know we'll meet) beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing
No more sailing
So long sailing
Bye, bye sailing...
”
”
Bobby Darin
“
At Gabriel College there was a very holy object on the high altar of the Oratory, covered with a black velvet cloth... At the height of the invocation the Intercessor lifted the cloth to reveal in the dimness a glass dome inside which there was something too distant to see, until he pulled a string attached to a shutter above, letting a ray of sunlight through to strike the dome exactly. Then it became clear: a little thing like a weathervane, with four sails black on one side and white on the other, began to whirl around as the light struck it. It illustrated a moral lesson, the Intercessor explained, for the black of ignorance fled from the light, whereas the wisdom of white rushed to embrace it.
{Alluding to William Crookes's radiometer.}
”
”
Philip Pullman (Northern Lights: Oxford)
“
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved.
What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now.
Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
I didn’t belong here, high on a crag, among rocks and thorns; I belonged high in the blue, sailing through the clouds, heading to the city where there is no baking sun nor icy wind, where the zephyrs nourish every flower and the hills are always clad in green and no one wants for anything. What a fool I was. What was this hunger that drove me to seek more than what I already had?
”
”
Anthony Doerr (Cloud Cuckoo Land)
“
The expedition for the occupation of the Marquesas had sailed from Brest in the spring of 1842, and the secret of its destination was solely in the possession of its commander. No wonder that those who contemplated such a signal infraction of the rights of humanity should have sought to veil the enormity from the eyes of the world. And yet, notwithstanding their iniquitous conduct in this and in other matters, the French have ever plumed themselves upon being the most humane and polished of nations. A high degree of refinement, however, does not seem to subdue our wicked propensities so much after all; and were civilization itself to be estimated by some of its results, it would seem perhaps better for what we call the barbarous part of the world to remain unchanged. One
”
”
Herman Melville (Typee: A Peep at Polynesian Life)
“
They loved the sea. They taught themselves to sail, to navigate and read the weather. Without their mother's knowledge and long before she thought them old enough to sail outside the harbor, they were piloting their catboat all the way to the Isles of Shoals. They were on the return leg of one such excursion when the fickle weather of early spring took an abrupt turn and the sky darkened and the sun vanished and the wind came squalling off the open sea. They were a half mile from the harbor when the storm overtook them. The rain struck in a slashing torrent and the swells hove them so high they felt they might be sent flying--then dropped them into troughs so deep they could see nothing but walls of water the color of iron. They feared the sail would be ripped away. Samuel Thomas wrestled the tiller and John Roger bailed in a frenzy and both were wide-eyed with euphoric terror as time and again they were nearly capsized before at last making the harbor. When they got home and Mary Margaret saw their sodden state she scolded them for dunces and wondered aloud how they could do so well in their schooling when they didn't have sense enough to get out of the rain.
”
”
James Carlos Blake (Country of the Bad Wolfes)
“
Middle school is prime time for failure, even among kids who have sailed through school up to that point. The combined stressors of puberty, heightened academic expectations, and increased workload are a setup for failure. How parents, teachers, and students work together to overcome those inevitable failures predicts so much about how children will fare in high school, college, and beyond.
”
”
Jessica Lahey (The Gift of Failure: How the Best Parents Learn to Let Go So Their Children Can Succeed)
“
Look,” she said.
They both looked, but almost at once Drinian said in a low voice:
“Turn round at once, your Majesties--that’s right, with our backs to the sea. And don’t look as if we were talking about anything important.”
“Why, what’s the matter?” said Lucy as she obeyed.
“It’ll never do for the sailors to see all that,” said Drinian. “We’ll have men falling in love with a sea-woman, or falling in love with the under-sea country itself, and jumping overboard. I’ve heard of that kind of thing happening before in strange seas. It’s always unlucky to see these people.”
“But we used to know them,” said Lucy. “In the old days at Cair Paravel when my brother Peter was High King. They came to the surface and sang at our coronation.”
“I think that must have been a different kind, Lu,” said Edmund. “They could live in the air as well as under water. I rather think these can’t. By the look of them they’d have surfaced and started attacking us long ago if they could. They seem very fierce.”
“At any rate,” began Drinian, but at that moment two sounds were heard. One was a plop. The other was a voice from the fighting-top shouting, “Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep.
“Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
There was a huge crowd on hand for this important game between Emerson and State University. Vendors stood outside the stadium selling pennants and football pins, and hats and flowers of the colors of the two colleges. Inside, the bands of both schools were playing. This, together with whistles and high-pitched conversation, made a great din. It turned to thunderous applause and cheers as the two teams trotted onto the field. Nancy and her friends had seats ideally located near the center of the field. They cheered lustily, then quieted as a whistle was blown by the referee and the captains of the opposing teams met to confer with the officials. “Emerson receives the kick!” came the announcement over the loudspeaker. The ball sailed through the air. The game was on! The blue jerseys of State U swept down the field.
”
”
Carolyn Keene (Nancy's Mysterious Letter (Nancy Drew, #8))
“
And it was that self-same summer—June 5th, if precision is your watchword—that I first set eyes on a stringy southern hemisphere home-boy, a man-boy, a prankish puck by the name of La Roux (with very bad skin and even worse instincts), who sailed into the slow-beating heart of our half-arsed, high-strung, low-bred family, then casually capsized himself, but left us all drowning (now they don’t teach you that at the Sea Scouts, do they?).
”
”
Nicola Barker (Five Miles from Outer Hope)
“
It's Never Too Late for Rock'N'Roll
It may be too late to learn ancient Greek
Under a canopy of gnats
It may be too late to sail to Mozambique
With a psychotic cat
It may be too late to find a cure
Too late to save your soul
It may be too late to lose the heat
It may be too late to find your feet
It may be too late to draw a map
To the high desert of your heart
It may be too late to lose the poor
It’s never too late for rock’n’roll
It may be too late to dance like Fred Astaire
Or Michael Jackson come to that
It may be too late to climb the stair
And find the key under your mat
It may be too late to think that you’re
Never too late for rock’n’roll
We have to believe a couple of good thieves can still seize the day
We have to believe we can still clear the way
We have to believe we’ve found some common ground
We have to believe we have to believe
We can lose those last twenty pounds
”
”
Paul Muldoon
“
When the full moon was out the other night, it created one of the most spectacular scenes that I have seen in the Alps. The high glaciers of the Mont Blanc range were glowing an eerie bright blue-white, and they looked like huge ghost ships in the dark ocean of sky, sailing amongst black mountain valleys.
There were no clouds, and the moon was a huge and perfect disc tracking across the sky, shining on different parts of the glaciers through the night.
Looking up, I saw the black silhouette of the mid-altitude mountains below the ethereal shining high-mountain terrain, which created a weird vision: the ghostly glaciers floating, and appearing separate, contrasting sharply with the dark valleys beneath.
The Aiguille Verte especially, being so steep and isolated, seemed almost like a holographic mast with sails, plowing into the rolling waves, chasing after the Mont Blanc summit with its billowing spinnaker...
”
”
Steve Baldwin
“
[The Edfu Building Texts in Egypt] take us back to a very remote period called the 'Early Primeval Age of the Gods'--and these gods, it transpires, were not originally Egyptian, but lived on a sacred island, the 'Homeland of the Primeval Ones,' and in the midst of a great ocean. Then, at some unspecified time in the past, an immense cataclysm shook the earth and a flood poured over this island, where 'the earliest mansions of the gods' had been founded, destroying it utterly, submerging all its holy places, and killing most of its divine inhabitants. Some survived, however, and we are told that this remnant set sail in their ships (for the texts leave us in no doubt that these 'gods' of the early primeval age were navigators) to 'wander' the world. Their purpose in doing so was nothing less than to re-create and revive the essence of their lost homeland, to bring about, in short: 'The resurrection of the former world of the gods ... The re-creation of a destroyed world.'
[...]
The takeaway is that the texts invite us to consider the possibility that the survivors of a lost civilization, thought of as 'gods' but manifestly human, set about 'wandering' the world in the aftermath of an extinction-level global cataclysm. By happenstance it was primarily hunter-gatherer populations, the peoples of the mountains, jungles, and deserts--'the unlettered and the uncultured,' as Plato so eloquently put it in his account of the end of Atlantis--who had been 'spared the scourge of the deluge.' Settling among them, the wanderers entertained the desperate hope that their high civilization could be restarted, or that at least something of its knowledge, wisdom, and spiritual ideas could be passed on so that mankind in the post-cataclysmic world would not be compelled to 'begin again like children, in complete ignorance of what happened in early times.
”
”
Graham Hancock (America Before: The Key to Earth's Lost Civilization)
“
I was a lonely nightwalker and a steady stander-at-corners. I liked to walk through the wet town after midnight, when the streets were deserted and the window lights out, alone and alive on the glistening tramlines in dead and empty High Street under the moon, gigantically sad in the damp streets by ghostly Ebenezer Chapel. And I never felt more a part of the remote and overpressing world, or more full of love and arrogance and pity and humility, not for myself alone, but for the living earth I suffered on and for the unfeeling systems in the upper air, Mars and Venus and Brazell and Skully, men in China and St Thomas, scorning girls and ready girls, soldiers and bullies and policemen and sharp, suspicious buyers of secondhand books, bad, ragged women who’d pretend against the museum wall for a cup of tea, and perfect, unapproachable women out of the fashion magazines, seven feet high, sailing slowly in their flat, glazed creations through steel and glass and velvet.
”
”
Dylan Thomas (Portrait of the Artist as a Young Dog)
“
And that date, too, is far off?'
'Far off; when it comes, think your end in this world is at hand!'
'How and what is the end? Look east, west, south and north.'
'In the north, where you never yet trod, towards the point whence your instincts have warned you, there a spectre will seize you. 'Tis Death! I see a ship - it is haunted - 'tis chased - it sails on. Baffled navies sail after that ship. It enters the regions of ice. It passes a sky red with meteors. Two moons stand on high, over ice-reefs. I see the ship locked between white defiles - they are ice-rocks. I see the dead strew the decks - stark and livid, green mold on their limbs. All are dead, but one man - it is you! But years, though so slowly they come, have then scathed you. There is the coming of age on your brow, and the will is relaxed in the cells of the brain. Still that will, though enfeebled, exceeds all that man knew before you, through the will you live on, gnawed with famine; and nature no longer obeys you in that death-spreading region; the sky is a sky of iron, and the air has iron clamps, and the ice-rocks wedge in the ship. Hark how it cracks and groans. Ice will imbed it as amber imbeds a straw. And a man has gone forth, living yet, from the ship and its dead; and he has clambered up the spikes of an iceberg, and the two moons gaze down on his form. That man is yourself; and terror is on you - terror; and terror has swallowed your will. And I see swarming up the steep ice-rock, grey grisly things. The bears of the north have scented their quarry - they come near you and nearer, shambling and rolling their bulk, and in that day every moment shall seem to you longer than the centuries through which you have passed. And heed this - after life, moments continued make the bliss or the hell of eternity.'
'Hush,' said the whisper; 'but the day, you assure me, is far off - very far! I go back to the almond and rose of Damascus! - sleep!' ("The House And The Brain
”
”
Edward Bulwer-Lytton (Reign of Terror Volume 2: Great Victorian Horror Stories)
“
The people cast themselves down by the fuming boards
while servants cut the roast, mixed jars of wine and water,
and all the gods flew past like the night-breaths of spring.
The chattering female flocks sat down by farther tables,
their fresh prismatic garments gleaming in the moon
as though a crowd of haughty peacocks played in moonlight.
The queen’s throne softly spread with white furs of fox
gaped desolate and bare, for Penelope felt ashamed
to come before her guests after so much murder.
Though all the guests were ravenous, they still refrained,
turning their eyes upon their silent watchful lord
till he should spill wine in libation for the Immortals.
The king then filled a brimming cup, stood up and raised
it high till in the moon the embossed adornments gleamed:
Athena, dwarfed and slender, wrought in purest gold,
pursued around the cup with double-pointed spear
dark lowering herds of angry gods and hairy demons;
she smiled and the sad tenderness of her lean face,
and her embittered fearless glance, seemed almost human.
Star-eyed Odysseus raised Athena’s goblet high
and greeted all, but spoke in a beclouded mood:
“In all my wandering voyages and torturous strife,
the earth, the seas, the winds fought me with frenzied rage;
I was in danger often, both through joy and grief,
of losing priceless goodness, man’s most worthy face.
I raised my arms to the high heavens and cried for help,
but on my head gods hurled their lightning bolts, and laughed.
I then clasped Mother Earth, but she changed many shapes,
and whether as earthquake, beast, or woman, rushed to eat me;
then like a child I gave my hopes to the sea in trust,
piled on my ship my stubbornness, my cares, my virtues,
the poor remaining plunder of god-fighting man,
and then set sail; but suddenly a wild storm burst,
and when I raised my eyes, the sea was strewn with wreckage.
As I swam on, alone between sea and sky,
with but my crooked heart for dog and company,
I heard my mind, upon the crumpling battlements
about my head, yelling with flailing crimson spear.
Earth, sea, and sky rushed backward; I remained alone
with a horned bow slung down my shoulder, shorn of gods
and hopes, a free man standing in the wilderness.
Old comrades, O young men, my island’s newest sprouts,
I drink not to the gods but to man’s dauntless mind.”
All shuddered, for the daring toast seemed sacrilege,
and suddenly the hungry people shrank in spirit;
They did not fully understand the impious words
but saw flames lick like red curls about his savage head.
The smell of roast was overpowering, choice meats steamed,
and his bold speech was soon forgotten in hunger’s pangs;
all fell to eating ravenously till their brains reeled.
Under his lowering eyebrows Odysseus watched them sharply:
"This is my people, a mess of bellies and stinking breath!
These are my own minds, hands, and thighs, my loins and necks!"
He muttered in his thorny beard, held back his hunger
far from the feast and licked none of the steaming food.
”
”
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
“
Big woman, Miss Eileen McKenna. Not fat, just big, the way some women get in their fifties after years of being the boss: all out front, hoisted up high and solid, ready to sail through anything and not get wet. I could see her in a break-time corridor, girls skittering away in front of her before they even knew she was coming. Lots of chin; lots of eyebrow. Iron hair and steely glasses. I don't know women's gear but I know quality, and the greeny tweed was quality; the pearls weren't from Penney's.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
The Gauls’ own ships were built and rigged in a different manner from ours. They were made with much flatter bottoms, to help them to ride shallow water caused by shoals or ebb-tides. Exceptionally high bows and sterns fitted them for use in heavy seas and violent gales, and the hulls were made entirely of oak, to enable them to stand any amount of shocks and rough usage. The cross-timbers, which consisted of beams a foot wide, were fastened with iron bolts as thick as a man’s thumb. The anchors were secured with iron chains instead of ropes. They used sails made of raw hides or thin leather, either because they had no flax and were ignorant of its use, or more probably because they thought that ordinary sails would not stand the violent storms and squalls of the Atlantic and were not suitable for such heavy vessels. In meeting them the only advantage our ships possessed was that they were faster and could be propelled by oars; in other respects the enemy’s were much better adapted for sailing such treacherous and stormy waters. We could not injure them by ramming because they were so solidly built, and their height made it difficult to reach them with missiles or board them with grappling-irons. Moreover, when it began to blow hard and they were running before the wind, they weathered the storm more easily; they could bring in to shallow water with greater safety, and when left aground by the tide had nothing to fear from reefs or pointed rocks – whereas to our ships all these risks were formidable.
”
”
Gaius Julius Caesar (The Conquest of Gaul)
“
My love must be as free As is the eagle's "wing. Hovering o'er land and sea And everything. I must not dim my eye In thy saloon, I must not leave my sky And nightly moon. 26 Be not the fowler's net "Which stays my flight. And craftily i« set T' allure the sight. But the favoring gale That bears me on. And still doth fill my sail When thou art gone. I can not leave my sky For thy caprice. True love w^ould soar as high As heaven is. The eagle would not brook Her mate thus ^^on. Who trained his eye to look Beneath the sun. Nothing
”
”
Henry David Thoreau (Friendship, Love & Marriage)
“
To a captain, a ship is...more than just something that carriers cargo from place to place. To someone who loves her, it don't matter if she's old. Or her decks aren't tidy. Or her paint is chipped." I placed my palm flat against the warm deck. "When you see her, with her sails standing high against the sky, it's like being punched in the chest. For a moment you can't breathe. Her beauty strikes you that hard. You understand the life in her, and it calls out to you. That's when you know you love a ship. That's when she's yours.
”
”
Sarah Tolcser (Song of the Current (Song of the Current, #1))
“
So I said then, and still say in my heart, when on great days of sacrifice I stand before the gods, offering for the people on the High Citadel, Erechtheus’ sacred stronghold. The great Horse Father who came to my begetting, Earth-Shaker who held me up and spared my people even when he was angry, would never have led me into evil. I saw for my father a little sorrow, and then joy unlooked-for. How could I guess that he would so reproach himself; that he would not even wait till the ship reached harbor, to see if the sail told true?
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
Casabianca"
The boy stood on the burning deck
Whence all but he had fled;
The flame that lit the battle's wreck
Shone round him o'er the dead.
Yet beautiful and bright he stood,
As born to rule the storm;
A creature of heroic blood,
A proud, though child-like form.
The flames rolled on–he would not go
Without his Father's word;
That father, faint in death below,
His voice no longer heard.
He called aloud–'say, Father, say
If yet my task is done?'
He knew not that the chieftain lay
Unconscious of his son.
'Speak, father!' once again he cried,
'If I may yet be gone!'
And but the booming shots replied,
And fast the flames rolled on.
Upon his brow he felt their breath,
And in his waving hair,
And looked from that lone post of death
In still yet brave despair.
And shouted but once more aloud,
'My father! must I stay?'
While o'er him fast, through sail and shroud,
The wreathing fires made way.
They wrapt the ship in splendour wild,
They caught the flag on high,
And streamed above the gallant child,
Like banners in the sky.
There came a burst of thunder sound–
The boy–oh! where was he?
Ask of the winds that far around
With fragments strewed the sea!–
With mast, and helm, and pennon fair,
That well had borne their part–
But the noblest thing which perished there
Was that young faithful heart.
Notes:
Young Casabianca, a boy about thirteen years old, son of the admiral of the Orient, remained at his post (in the Battle of the Nile), after the ship had taken fire, and all the guns had been abandoned; and perished in the explosion of the vessel, when the flames had reached the powder.
”
”
Felicia Hemans
“
Call me Ishmael. Some years ago—never mind how long precisely— having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
Back country people. This is the way cars come, as though the kid knew anything about cars. Zé Dias shifted into first and turned onto the track. There were a couple of small bumps and the pick-up lilted along, its headlights shining directly into the tall palm grass growing between the ruts as high as the hood. The track began to curve to the right, but it was smooth, and the pick-up made a soft swishing sound as it pushed down the grass in front of it—a boat sailing through a grass sea. Sailing quickly—at this rate they’d get there and back in good time.
”
”
Arthur Powers (A Hero for the People: Stories of the Brazilian Backlands)
“
For, as on the coloured canvas
Subtle pencils softly blend
Dark and light in such proportions
That the dim perspectives end-
Now perhaps like famous cities,
Now like caves or misty capes,
For remoteness ever formeth
Monstrous or unreal shapes...
So it was, while I alone,
Saw their bulk and vast proportions
But their form remained unknown.
First they seemed to us uplifting
High in heaven their pointed towers,
Clouds that to the sea descended,
To conceive in sapphire showers
What they would bring forth in crystal.
And this fancy seemed more true,
As from their untold abundance
They, methought, could drink the blue
Drop by drop. Again sea monsters
Seemed to us the wandering droves,
Which, to from the train of Neptune,
Issued from their green alcoves.
For the sails, when lightly shaken,
Fanned by zephyrs as by slaves,
Seemed to us like outspread pinions
Fluttering o'er the darkened waves;
Then the mass, approaching nearer,
Seemed a mighty Babylon,
With its hanging gardens pictures
By the streamers fluttering down.
But at last our certain vision
Undeceived, becoming true,
Showed it was a great armada
For I saw the prows cut through
Foam....
”
”
Pedro Calderón de la Barca (El príncipe constante)
“
Jill had, as you might say, quite fall in love with the Unicorn. She thought- and she wasn't far wrong- that he was the shiningest, delicatest, most graceful animal she had ever met; and he was so gentle and soft of speech that, if you hadn't known, you would hardly have believed how fierce and terrible he could be in battle.
"Oh, this is nice!" said Jill. "Just walking along like this. I wish there could be more of this sort of adventure. It's a pity there's always so much happening in Narnia."
But the Unicorn explained to her that she was quite mistaken. He said that the Sons and Daughters of Adam and Eve were brought out of their own strange world into Narnia only at times when Narnia was stirred and upset, but she mustn't think it was always like that. In between their visits there were hundreds and thousands of years when peaceful King followed peaceful King till you could hardly remember their names or count their numbers, and there was really hardly anything to put into the History Books. And he went on to talk of old Queens and heroes whom she had never heard of. He spoke of Swanwhite the Queen who had lived before the days of the White Witch and the Great Winter, who was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards. He spoke of Moonwood the Hare who had such ears that he could sit by Caldron Pool under the thunder of the great waterfall and hear what men spoke in whispers at Cair Paravel. He told how King Gale, who was ninth in descent from Frank the first of all Kings, had sailed far away into the Eastern seas and delivered the Lone Islanders from a dragon and how, in return, they had given him the Lone Islands to be part of the royal lands of Narnia for ever. He talked of whole centuries in which all Narnia was so happy that notable dances and feasts, or at most tournaments, were the only things that could be remembered, and every day and week had been better than the last. And as he went on, the picture of all those happy years, all the thousands of them, piled up in Jill's mind till it was rather like looking down from a high hill on to a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance.
”
”
C.S. Lewis
“
I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass.Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun—slow dived from noon,—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I, the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain- battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night, good night!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
It was the afternoon of an April day in that same year, and the sky was blue above, with little sailing white clouds catching the pleasant sunlight. The earth in that northern country had scarcely yet put on her robe of green. The few trees grew near brooks running down from the moors and the higher ground. The air was full of pleasant sounds prophesying of the coming summer. The rush, and murmur, and tinkle of the hidden watercourses; the song of the lark poised high up in the sunny air; the bleat of the lambs calling to their mothers—everything inanimate was full of hope and gladness.
”
”
Elizabeth Gaskell (Sylvia's Lovers)
“
The smell of the sea pleased him so much that he wanted one day to take it in, pure and unadulterated, in such quantities that he could get drunk on it. And later, when he learned from stories how large the sea is and that you can sail upon it in ships for days on end without even seeing land, nothing pleased him more than the image of himself sitting high up in the crow's nest of the foremost mast on such a ship, gliding on through the endless smell of the sea - which really was no smell, but a breath, an exhalation of breath, the end of all smells - dissolving with pleasure in that breath.
”
”
Suskind Patrick (Perfume: The Story of a Murderer)
“
But to every mind there openeth,
A way, and way, and away,
A high soul climbs the highway,
And the low soul gropes the low,
And in between on the misty flats,
The rest drift to and fro.
But to every man there openeth,
A high way and a low,
And every mind decideth,
The way his soul shall go.
One ship sails East,
And another West,
By the self-same winds that blow,
'Tis the set of the sails
And not the gales,
That tells the way we go.
Like the winds of the sea
Are the waves of time,
As we journey along through life,
'Tis the set of the soul,
That determines the goal,
And not the calm or the strife.
”
”
Ella Wheeler Wilcox
“
My sisters and brothers. Let the directional signs I left for you guide you and lead you to a treasure I found. The markers I left behind me in searching for wisdom and enlightenment, dredging my pathway through rocks and dust, sailing across seas, and climbing high mountains led to finding the greatest treasure. I found you. Therefore, I found unconditional love. Kind love, love that loves the unlovable, love that forgives and remembers no wrongs, love that always perseveres. I wish you all, my sisters and brothers, to find it. It is so close. It is within you. And always know that I love you with all that I am.
K.A.
”
”
Kuona Ama
“
Many hundreds of craft of all sizes and nationalities - transatlantic steamers, full-rigged ships, barques, schooners, and fishing smacks - were running into the Sound from the open sea, making for the shelter of the roads of Elsinore. Not a single vessel was heading the other way, all were scudding in before the tempest; many of them, no doubt, had put to sea several days before, bound round the Skaw into the German Ocean, but had been compelled to turn back by the violence of the hurricane. They were all staggering along under the smallest possible amounts of canvas, pitching heavily into the frightfully high seas; here a full-rigged ship under close-reefed topsails; here a schooner under fore and main trysails; here a brig under bare poles; here a pilot-cutter under spit-fire jib, and the balance-reef down in her mainsail. Several vessels had lost spars or portions of their bulwarks; one Norwegian barque was evidently water-logged, and in a sinking condition, and was floundering slowly into smoother water, but just in time; and outside the Sound, on the raging Kattegat, were hundreds of other vessels, some hull down on the horizon, making for the same refuge, their fate still uncertain among those gigantic rollers, and, no doubt, with many an anxious heart on board of them.
”
”
Edward Frederick Knight (The Falcon on the Baltic: A Coasting Voyage from Hammersmith to Copenhagen in a Three-Ton Yacht)
“
The bottom of the sea was aflame with a vast bloody glow that spread beneath the schooner; the light slid under the keel and illuminated the sails and rigging from below. It was as though we were on a boat in the Drury Lane Theatre, lighted by an invisible row of flares.
‘Phosphorescence?’ I ventured.
‘Look,’ whispered Jellewyn.
The water had become as transparent as glass. At an enormous depth, we saw great dark masses with unreal shapes: there were manors with immense towers, gigantic domes, horribly straight streets lined with frenzied houses. We appeared to be flying over a furiously busy city at an incredible height.
‘There seems to be movement,’ I said.
‘Yes.’
We could see a swarming crowd of amorphous beings engaged in some sort of feverish and infernal activity.
‘Get back!’ Jellewyn shouted, pulling me violently by the belt.
One of those beings was rising toward us with astounding speed. In less than a second its immense bulk had hidden the undersea city from us; it was as though a flood of ink had instantaneously spread around us.
The keel received a tremendous blow. In the crimson light, we saw three enormous tentacles, three times as high as the mainmast, hideously writhing in the air. A formidable face composed of black shadows and two eyes of liquid amber rose above the port side of the ship and gave us a terrifying look.
”
”
Jean Ray (Ghouls in My Grave)
“
Well, on my coronation day, with Aslan’s approval, I swore an oath that, if once I established peace in Narnia, I would sail east myself for a year and a day to find my father’s friends or to learn of their deaths and avenge them if I could. These were their names: the Lord Revilian, the Lord Bern, the Lord Argoz, the Lord Mavramorn, the Lord Octesian, the Lord Restimar, and--oh, that other one who’s so hard to remember.”
“The Lord Rhoop, Sire,” said Drinian.
“Rhoop, Rhoop, of course,” said Caspian. “That is my main intention. But Reepicheep here has an even higher hope.” Everyone’s eyes turned to the Mouse.
“As high as my spirit,” it said. “Though perhaps as small as my stature.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
I’ve climbed the high mountains an sailed the wide seas Fair faces a-plenty I’ve gazed on But with one glance, her beauty sent me to my knees, O hard-hearted Annie I never shall please. I’ve roved an I’ve rambled all o’er the wide world And kisses a-plenty I’ve tasted But it’s her wine-sweet lips that I’m still dreaming of O hard-hearted Annie, cruel Annie my love. I’ve loved many women an wooed many girls And many soft arms have embraced me If only she’d lie with me one fleeting night With hard-hearted Annie I’d die of delight. Oh many fine beauties did beg me to stay But none until Annie did snare me Though she hurts me an shuns me an makes my heart bleed My hard-hearted Annie I never shall leave. I
”
”
Moira Young (Blood Red Road (Dust Lands, #1))
“
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!"
Carlyle waited and her words came with a rush.
“Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?"
He handed one over and held a match for her silently.
"Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?"
"Sort of. You never were beaten and you never apologized."
"Never!"
She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below.
Her voice floated up to him again.
"And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things."
She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level.
"All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless."
She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock.
"I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male."
"But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?"
Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above.
"Why," she called back, "then I'd have won!
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
Old Ironsides"
Aye tear her tattered ensign down
long has it waved on high,
And many an eye has danced to see
That banner in the sky;
Beneath it rung the battle shout,
And burst the cannon's roar;--
The meteor of the ocean air
Shall sweep the clouds no more.
Her deck, once red with heroes' blood,
Where knelt the vanquished foe,
When winds were hurrying o'er the flood,
And waves were white below,
No more shall feel the victor's tread,
Or know the conquered knee;--
The harpies of the shore shall pluck
The eagle of the sea!
Oh, better that her shattered hulk
Should sink beneath the wave;
Her thunders shook the mighty deep,
And there should be her grave;
Nail to the mast her holy flag,
Set every threadbare sail,
And give her to the god of storms,
The lightning and the gale!
”
”
Oliver Wendell Holmes Sr.
“
Call me Ishmael. Some years ago—never mind how long precisely— having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can.
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
But the worst that the wind did was to be the primary cause of a huge, vicious, boat-flipping, morale-shattering seaway. The helicopter pilots, who, while hovering, had to dodge them, said the waves were as high as fifty feet. If that estimate were true, it still misses the point, for the danger of the waves lay not in their height but in their shape. “At daybreak the seas were spectacular,” remembered Peter Bruce, a commander in the Royal Navy who was navigator in Eclipse. “They had become very large, very steep, and broke awkwardly, but the boat was handling well.” George Tinley, who had been so badly beaten around in his Windswept, later said, “There were seas coming at one angle with breakers on them, but there were seas coming at another angle also with breakers, and then there were the most fearsome things where the two met in the middle.” After the gale, Major Maclean vividly described the appearance of the waves at night: “All around were white horses with their spray flurrying horizontally and slashing against us with the added impetus of the occasional rain squalls. But these white horses were just the top of some monster waves which hunched up, their tops flaring with spume, and marched on leaving us high at one minute so we could glimpse around, and then bringing us some fifty feet down into their troughs so we could appreciate the enormity of the next wave following. Some waves had boiling foam all over them where they were moving through the break of a previous wave, or, when the foam had fizzled away, they were deep green from the disturbance of the water. Otherwise the sea was black.
”
”
John Rousmaniere (Fastnet, Force 10: The Deadliest Storm in the History of Modern Sailing)
“
Riding high and above the waves on extemporaneous notions of an afterlife, Michael brought one foot forward and let it dangle over the roof’s edge. He knew that he did not have much time before the other would follow. Some patients below could see the figure atop the building from
the courtyard. They started to rile with anticipation, their irate murmurings incomprehensible. A
groundskeeper looked up to see what justified the commotion. Michael could hear the shouts
from below. He almost toppled when the wind picked up again, but recovered and kept one foot
dangling with the other anchored to the roof. The hoots came louder now, almost calling him
toward them like sirens guiding ships in the night. From below it was impossible to make out the
face of the balancing figurine now poised in suspended descent. Another gust came. He closed
his eyes, felt the levity manifesting, and felt the complete freedom inside. He could feel himself
gliding down like the sail of a weightless craft, forever plunging into the great beyond, below
where mermaids sing and summon their lovers home, further down into the depths of some
complacent serenity, further down where thoughts float away and never return and the lightness
is so grand that there is no other worldly place imaginable, for there is no world left to be
considered. There is only the soul, free from the prison of the body, and it is released to travel
another millennium through time, carrying with it the progress and industry gathered from the
mind previously occupied. The time it spans inconceivable. He let his other foot go from the roof
and felt himself completely let go.
”
”
Matthew Chase Stroud (Paths of Young Men)
“
~We were here~
We were here years ago
Dusk swept away the white day
departing monotonous sun to sleep
“You came out of abyss or on High?”
The scent of her willingness breasts
I breathe !
Eyes closed !
Naked bodies sailed in colour,
sound and smell
her swan-like arms coiled
The shadowy light of lamp
the flamboyant bits of dying coal sighed in air
Blood depurated the tawny flesh of bodies
Beside on a table
words scattered like flock of birds
grief, dejection and melancholy
b r o k e n bones of free verse
In contrivance of our sweetest submission
words rupture; secret message deciphered
unrhymed metamorphosed to rhymes
they read our skins like first love poem
besotted in warm delighted air
flying high as kite
You were coaxed to sing in flow; I danced wobbly
Wary sky above the roof ceased
in our devout brittle embrace.
”
”
Satbir Singh Noor
“
O my dark Rosaleen,
Do not sigh, do not weep!
The priests are on the ocean green,
They march along the deep.
There’s wine from the royal Pope,
Upon the ocean green;
And Spanish ale shall give you hope,
My Dark Rosaleen!
My own Rosaleen!
Shall glad your heart, shall give you hope,
Shall give you health, and help, and hope,
My Dark Rosaleen!
Over hills, and thro’ dales,
Have I roam’d for your sake;
All yesterday I sail’d with sails
On river and on lake.
The Erne, at its highest flood,
I dash’d across unseen,
For there was lightning in my blood,
My Dark Rosaleen!
My own Rosaleen!
O, there was lightning in my blood,
Red lighten’d thro’ my blood.
My Dark Rosaleen!
All day long, in unrest,
To and fro, do I move.
The very soul within my breast
Is wasted for you, love!
The heart in my bosom faints
To think of you, my Queen,
My life of life, my saint of saints,
My Dark Rosaleen!
My own Rosaleen!
To hear your sweet and sad complaints,
My life, my love, my saint of saints,
My Dark Rosaleen!
Woe and pain, pain and woe,
Are my lot, night and noon,
To see your bright face clouded so,
Like to the mournful moon.
But yet will I rear your throne
Again in golden sheen;
‘Tis you shall reign, shall reign alone,
My Dark Rosaleen!
My own Rosaleen!
‘Tis you shall have the golden throne,
‘Tis you shall reign, and reign alone,
My Dark Rosaleen!
Over dews, over sands,
Will I fly, for your weal:
Your holy delicate white hands
Shall girdle me with steel.
At home, in your emerald bowers,
From morning’s dawn till e’en,
You’ll pray for me, my flower of flowers,
My Dark Rosaleen!
My fond Rosaleen!
You’ll think of me through daylight hours
My virgin flower, my flower of flowers,
My Dark Rosaleen!
I could scale the blue air,
I could plough the high hills,
Oh, I could kneel all night in prayer,
To heal your many ills!
And one beamy smile from you
Would float like light between
My toils and me, my own, my true,
My Dark Rosaleen!
My fond Rosaleen!
Would give me life and soul anew,
My Dark Rosaleen!
O, the Erne shall run red,
With redundance of blood,
The earth shall rock beneath our tread,
And flames wrap hill and wood,
And gun-peal and slogan-cry
Wake many a glen serene,
Ere you shall fade, ere you shall die,
My Dark Rosaleen!
My own Rosaleen!
The Judgement Hour must first be nigh,
Ere you can fade, ere you can die,
My Dark Rosaleen!
”
”
James Clarence Mangan
“
Jake opened one eye and blinked confusedly at the sunlight pouring through the window high above. Disoriented, he rolled over on a lumpy, unfamiliar bed and found himself staring up at an enormous black animal who flattened his ears, bared his teeth, and tried to bite him through the slats of his stall. “You damned cannibal!” he swore at the evil-tempered horse. “Spawn of Lucifer!” Jake added, and for good measure he aimed a hard kick at the wooden slats by way of retaliation for the attempted bite. “Ouch, dammit!” he swore as his bootless foot hit the board.
Shoving himself to a sitting position, he raked his hands through his thick red hair and grimaced at the hay that stuck between his fingers. His foot hurt, and his head ached from the bottle of wine he’d drunk last night.
Heaving himself to his feet, he pulled on his boots and brushed off his woolen shirt, shivering in the damp chill. Fifteen years ago, when he’d come to work on the little farm, he’d slept in this barn every night. Now, with Ian successfully investing the money Jake made when they sailed together, he’d learned to appreciate the comforts of feather mattresses and satin covers, and he missed them sorely.
“From palaces to a damned cowshed,” he grumbled, walking out of the empty stall he’d slept in. As he passed Attila’s stall, a hoof punched out with deadly aim, narrowly missing Jake’s thigh. “That’ll cost you an early breakfast, you miserable piece of living glue,” he spat, and then he took considerable pleasure in feeding the other two horses while the black looked on. “You’ve put me in a sour mood,” he said cheerfully as the jealous horse shifted angrily while the other two steeds were fed. “Maybe if it improves later on, I’ll feed you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Whiskey?” Camille cried as she stood on a wharf in Port Adelaide harbor. “You brought us onto a whiskey cargo ship?”
Ira spread out his arms. “And rum, love. Don’t forget the rum.”
The high tide slowly swallowed the wharf pilings, and the Juggernaut, a whiskey runner, was in the final process of loading.
“Listen,” Ira said to both Oscar and Camille, who looked at their escort with doubt. “There couldn’t be a better cargo to ride with than whiskey and rum. You think if there were pots and pans and spoons in there, the captain would take her full chisel to Talladay? People pay a pretty price for liquor, mates, and the ones delivering it make out like bandits.”
The Juggernaut wasn’t worth the ten crowns it cost Monty to secure a spot aboard. The schooner didn’t look seaworthy with its chipped paint, barnacle-covered hull, sloppy lines, and patched canvas sail.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
What’s this crazy sail plan you’ve got there?” He was walking down to the ship now. Someone had placed a boarding ramp against the rail and he climbed up, studying the twin yardarms and the bundled-up sails. Hal and Stig joined him. Others clustered round the bow of the beached ship, straining to see. “It’s my design, Oberjarl. It’s based on a bird’s wing,” Hal said. Erak frowned. He shoved one of the yardarms with his toe. “Why? What’s the point? I mean, it’s pretty, but why do you want a sail like a bird’s wing?” “She’ll point higher into the wind than a square sail,” Hal said. Erak looked doubtful. “So you say.” “She’ll point three times as high as a wolfship,” Stig interjected indignantly. “She’ll sail rings around a wolfship!” Erak turned slowly to regard him. There was a long silence and Stig’s face began to redden. “Who are you? His lawyer?” Erak asked.
”
”
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
“
Piracy, Hollywood Style: An Ode to Errol Flynn
His galleon emblazoned and beckoned to the coral’s black mire,
And ol’ wispy eyed Errol, the pirate, stiffened his lip:
Her Majesty’s Rogue Navy may have set ol’ Bessie afire—
But I’d be a fool to go down and drown with me ship!”
“Fer, a pirate I am, and A pirate I’ll be,
I don’t need to die ‘proper’ with false dignity—
All I need is a new ship, and a flagon of ale.
The latter to drown in, the former to sail!
“Aye! Give me a strong wind, and twenty good men,
And I’ll take to the high seas, and pirate again!
And should I be lucky to spot a Royal ship in me scope—
I’ll hang her good captain from ten yards of rope!
“Aye! And when her cowardly crew gives me their lip,
I’ll give them the ‘dignity’ to go down with their ship!
Aye! Give me a strong wind and twenty good men,
And I’ll take to the high seas, and pirate again!
”
”
Beryl Dov
“
The field stretched on for miles, climbing a gentle slope of land, and standing at the horizon was the Dark Tower. It was a pillar of dumb stone rising so high into the sky that he could barely discern its tip. Its base, surrounded by red, shouting roses, was formidable, titanic with weight and size, yet the Tower became oddly graceful as it rose and tapered. The stone of which it had been made was not black, as he had imagined it would be, but soot-colored. Narrow, slitted windows marched about it in a rising spiral; below the windows ran an almost endless flight of stone stairs, circling up and up. The Tower was a dark grey exclamation point planted in the earth and rising above the field of blood-red roses. The sky arched above it was blue, but filled with puffy white clouds like sailing ships. They flowed above and around the top of the Dark Tower in an endless stream.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
That is my main intention. But Reepicheep here has an even higher hope.” Everyone’s eyes turned to the Mouse.
“As high as my spirit,” it said. “Though perhaps as small as my stature. Why should we not come to the very eastern end of the world? And what might we find there? I expect to find Aslan’s own country. It is always from the east, across the sea, that the great Lion comes to us.”
“I say, that is an idea,” said Edmund in an awed voice.
“But do you think,” said Lucy, “Aslan’s country would be that sort of country--I mean, the sort you could ever sail to?”
“I do not know, Madam,” said Reepicheep. “But there is this. When I was in my cradle a wood woman, a Dryad, spoke this verse over me:
“Where sky and water meet,
Where the waves grow sweet,
Doubt not, Reepicheep,
To find all you seek,
There is the utter East.
“I do not know what it means. But the spell of it has been on me all my life.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
The capitalist who does no useful work has the economic power to take from a thousand or ten thousand workingmen all they produce, over and above what is required to keep them in working and producing order, and he becomes a millionaire, perhaps a multi-millionaire. He lives in a palace in which there is music and singing and dancing and the luxuries of all climes. He sails the high seas in his private yacht. He is the reputed “captain of industry” who privately owns a social utility, has great economic power, and commands the political power of the nation to protect his economic interests. He is the gentleman who furnishes the “political boss” and his swarm of mercenaries with the funds with which the politics of the nation are corrupted and debauched. He is the economic master and the political ruler and you workingmen are almost as completely at his mercy as if you were his property under the law.
”
”
Chris Hedges (America: The Farewell Tour)
“
MAMEEN
Be infinitessimal under that sky, a creature
even the sailing hawk misses, a wraith
among the rocks where the mist parts slowly.
Recall the way mere mortals are overwhelmed
by circumstance, how great reputations
dissolve with infirmity and how you,
in particular, live a hairsbreadth from losing
everyone you hold dear.
Then, look back down the path as if seeing
your past and then south over the hazy blue
coast as if present to a wide future.
Remember the way you are all possibilities
you can see and how you live best
as an appreciator of horizons,
whether you reach them or not.
Admit that once you have got up
from your chair and opened the door,
once you have walked out into the clean air
toward that edge and taken the path up high
beyond the ordinary, you have become
the privileged and the pilgrim,
the one who will tell the story
and the one, coming back
from the mountain,
who helped to make it.
”
”
David Whyte (River Flow: New & Selected Poems 1984-2007)
“
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
Time out of mind, Minos had been High King of all the islands; they had traded by his laws and paid him his tribute. From Dia it had been very great, because the land was rich. This year it had been due again; now they would keep for themselves their olives and corn and sheep and honey, and their wine, than which there is none better; and all their boys and girls would dance at home. There was a feast tomorrow, of Dionysos, who himself planted the vine there, when he came sailing from the east as bridegroom of the Mother; and they would keep the day as it had never been kept before. But it surpassed all the rest for them, when they heard who Ariadne was. The people are mixed in Dia, but Naxos and its royal house are Cretan, the ancient stock without Hellene blood. They have the old religion, and a reigning Queen. So when they saw the Goddess-on-Earth among them, it was a greater thing than if Minos himself had come.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.”
They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot.
Their silence broke when the carriage door closed them in.
“You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?”
“Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.”
“It’s not yours to fight.”
“You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.”
He gave her a cynical look. “Do you deny that he is the superior fighter?”
“So he will draw first blood. He will be satisfied, and we will both walk away with honor.”
“He said something about a death-price.”
That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.”
Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god.
“Really, Arin.”
His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?”
She thought of his claim that Enai could never have loved her, or if she had, it was a forced love.
“You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Then, in 1497, five years after Columbus first stumbled across the Caribbean while searching for a westward route to the spice-producing lands of Asia, Giovanni Caboto sailed from Bristol, not in search of the Bristol secret but in the hopes of finding the route to Asia that Columbus had missed. Caboto was a Genovese who is remembered by the English name John Cabot, because he undertook this voyage for Henry VII of England. The English, being in the North, were far from the spice route and so paid exceptionally high prices for spices. Cabot reasoned correctly that the British Crown and the Bristol merchants would be willing to finance a search for a northern spice route. In June, after only thirty-five days at sea, Cabot found land, though it wasn’t Asia. It was a vast, rocky coastline that was ideal for salting and drying fish, by a sea that was teeming with cod. Cabot reported on the cod as evidence of the wealth of this new land,
”
”
Mark Kurlansky (Cod: A Biography of the Fish that Changed the World)
“
[Vandenberg] said: "I do not know why we must be the only silent partner in this Grand Alliance. There seems to be no fear of disunity, no hesitation in Moscow, when Moscow wants to assert unilateral war and peace aims which collide with ours. There seems to be no fear of disunity, no hesitation in London, when Mr. Churchill proceeds upon his unilateral way to make decisions often repugnant to our ideas and ideals....
"Honest candor compels us to reassert in high places our American faith in the Atlantic Charter. These basic pledges cannot now be dismissed as a mere nautical nimbus. They march with our armies. They sail with our fleets...they sleep with our martyred dead. The first requisite of honest candor...is to relight this torch.
"I am not prepared to guarantee permanently the spoils of an unjust peace. It will not work. I am prepared by effective international cooperation to do our full part in charting happier and safer tomorrows.
”
”
T.R. Fehrenbach (This kind of peace)
“
It had borne all the ships whose names are like jewels flashing in the night of time, from the Golden Hind returning with her round flanks full of treasure, to be visited by the Queen’s Highness and thus pass out of the gigantic tale, to the Erebus and Terror, bound on other conquests — and that never returned. It had known the ships and the men. They had sailed from Deptford, from Greenwich, from Erith — the adventurers and the settlers; kings’ ships and the ships of men on ‘Change; captains, admirals, the dark “interlopers” of the Eastern trade, and the commissioned “generals” of East India fleets. Hunters for gold or pursuers of fame, they all had gone out on that stream, bearing the sword, and often the torch, messengers of the might within the land, bearers of a spark from the sacred fire. What greatness had not floated on the ebb of that river into the mystery of an unknown earth! . . . The dreams of men, the seed of commonwealths, the germs of empires.
”
”
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
“
Letter
You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
Cocks and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.
”
”
Victor Hugo
“
Our king Apollo, O child of mighty Zeus,
when you were born your father gave you
a gold headband and a lyre of tortoise shell,
and more: a chariot drawn by swans. You were
to go to Delphi and the Kastalian springs
whose waters are the gift of broad Kephissos,
and there deliver justice to the Hellenes
through the oracles. But when you seized the reins,
you made the swans sail north to the distant land
of the Hyperboreans, and though the Delphians
begged you to return—with paeans of flutes
and circles of women dancing about the tripod—
Apollo, you remained to rule that people
through the long year. Came the season when the tripod
rings loud and clear in Delphi, you turned the swans
to Parnassos. It was high noon of summer
when you glided back from the far northlands;
swallows and nightingales were singing; cicadas
also sang about you; silver brooks poured down
from Kastalia, and the great river Kephissos
threw blue-foaming waves into the bright wind, yes,
even the waters knew a god was coming home.
”
”
Alcaeus
“
MOBY DICK; OR THE WHALE by Herman Melville CHAPTER 1 Loomings Call me Ishmael. Some years ago—never mind how long precisely— having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
The slightly vulgar lady whom the man with an eye for women wouldn’t bother to look at as he passed by and would exclude from the poetic scene nature presents to his eyes, is beautiful too; the light on her dress is the same light that falls on the sail of that boat, everything is equally precious, the tawdry dress and the sail that is beautiful in itself are both mirrors of the same light. All the worth they have is conferred upon them by the painter’s eye.’ And this eye had been able to arrest the passage of the hours for all time in this luminous moment when the lady had felt hot and stopped dancing, when the tree was encircled by a ring of shade, when the sails seemed to be gliding over a glaze of gold. But precisely because that moment had such a forceful impact, the fixity of the canvas conveyed the impression of something highly elusive: you felt that the lady would soon return home, the boats vanish from the scene, the shadow shift, night begin to fall; that pleasure fades away, that life passes, and that the instant, illuminated by multiple and simultaneous plays of light, cannot be recaptured.
”
”
Marcel Proust (The Guermantes Way)
“
My Camille,” he said, his voice as soft and powerful as a blow from a bellows, “did you believe you’d sail with me forever?”
She wanted to say yes, just to be able to say yes. But she shook her head.
“This is all my fault,” her father mumbled.
Camille sat back in the chaise longue and curled her legs beneath her. “What is?”
“I shouldn’t have let you accompany me to sea all these years. I should have sent you to a proper finishing school, given you a chance to find your place here in San Francisco. Instead, I was selfish and wanted you with me every moment.”
Camille relaxed her shoulders. “I don’t mind your selfishness, Father.”
He sent her a grin, but it was the one he used when there was a caveat attached.
“It did have to end sometime, Camille. True ladies don’t belong on merchant ships, and it’s high time you were a lady instead of a child.”
He was right, though she wished he weren’t. “True ladies” didn’t sail on ships. Their palms weren’t blistered from hauling line, the bridges of their noses and apples of their cheeks weren’t bronzed from the sun, and they most certainly didn’t associate with sailors.
Camille sighed. “Being a true lady sounds achingly dull.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
Torminster in A City of Bells is Wells. If the houses in the Close, hidden behind their high walls, could be seen with the eyes of imagination as fortresses, the Palace was one in actual fact. Grey, battlemented walls, with loopholes for arrows, surrounded it and its gardens, completely hiding them from sight, and a wide moat, brimful of water, surrounded the walls. The portcullis was still there, and the drawbridge that linked this warlike island to the peace of Torminster. As they stood watching, the swans obligingly rounded the curve of the moat and sailed royally towards the drawbridge… The foremost swan…pulled with his beak the bell-rope that hung from the Palace wall. He rang it once, imperiously…and instantly a human menial showered bread from a window. This ringing of the bell was the superb accomplishment of the swans of Torminster, an accomplishment that had made them world-famous.36 Small wonder that Elizabeth said, linking her own childhood experience with that of Robert Louis Stevenson: Looking back from such a different world, through such a length of time, it seems that the sheltered happy childhoods of Victorian and Edwardian days had a very special magic.37
”
”
Christine Rawlins (Beyond the Snow: The Life and Faith of Elizabeth Goudge)
“
Theseus Within the Labyrinth pt.2
But nobody like Theseus likes a smart girl, always
telling him to dress warmly and eat plenty of fiber.
She was one of those people who are never in doubt.
Had he sharpened his sword, tied his sandals?
Without her, of course, he would have never escaped
the labyrinth. Why hadn’t he thought of that trick
with the ball of yarn? But as he looked down
at her sleeping form, this woman who was already
carrying his child, maybe he thought of their
future together, how she would correctly foretell
the mystery or banality behind each locked door.
So probably he shook his head and said, Give me
a dumb girl any day, and crept back to his ship
and sailed away. Of course Ariadne was revenged.
She would have told him to change the sails,
to take down the black ones, put up the white.
She would have reminded him that his father,
the king of Athens, was waiting on a high cliff
scanning the Aegean for Theseus’s returning ship,
white for victory, black for defeat. She would
have said how his father would see the black sails,
how the grief for the supposed death of his one son
would destroy him. But Theseus and his men had
brought out the wine and were cruising a calm sea
in a small boat filled to the brim with ex-virgins.
Who could have blamed him? Until he heard the distant
scream and his head shot up to see the black sails
and he knew. The girls disappeared, the ship grew
quiet except for the lap-lap of the water. Staring
toward the spot where his father had tumbled
headfirst into the Aegean, Theseus understood
he would always be a stupid man with a thick stick,
scratching his forehead long after the big event.
But think, does he change his mind, turn back
the ship, hunt up Ariadne and beg her pardon?
Far better to be stupid by himself than smart
because she’d been tugging on his arm; better
to live in the eternal present with a boatload
of ex-virgins than in that dark land of consequences
promised by Ariadne, better to live like any one of us,
thinking to outwit the darkness, but knowing
it will catch us, that we will be surprised like
the Minotaur on his couch when the door slams back
and the hired gun of our personal destruction bursts
upon us, upsetting the good times and scaring the girls.
Better to be ignorant, to go into the future as into
a long tunnel, without ball of yarn or clear direction,
to tiptoe forward like any fool or saint or hero,
jumpy, full of second thoughts, and bravely unprepared.
”
”
Stephen Dobyns (Velocities: New and Selected Poems, 1966-1992)
“
POEM – MY AMAZING
TRAVELS
[My composition in my book Travel Memoirs with Pictures]
My very first trip I still cannot believe
Was planned and executed with such great ease.
My father, an Inspector of Schools, was such a strict man,
He gave in to my wishes when I told him of the plan.
I got my first long vacation while working as a banker
One of my co-workers wanted a travelling partner.
She visited my father and discussed the matter
Arrangements were made without any flutter.
We travelled to New York, Toronto, London, and Germany,
In each of those places, there was somebody,
To guide and protect us and to take us wonderful places,
It was a dream come true at our young ages.
We even visited Holland, which was across the Border.
To drive across from Germany was quite in order.
Memories of great times continue to linger,
I thank God for an understanding father.
That trip in 1968 was the beginning of much more,
I visited many countries afterward I am still in awe.
Barbados, Tobago, St. Maarten, and Buffalo,
Cirencester in the United Kingdom, Miami, and Orlando.
I was accompanied by my husband on many trips.
Sisters, nieces, children, grandchildren, and friends, travelled with me a bit.
Puerto Rico, Los Angeles, New York, and Hialeah,
Curacao, Caracas, Margarita, Virginia, and Anguilla.
We sailed aboard the Creole Queen
On the Mississippi in New Orleans
We traversed the Rockies in Colorado
And walked the streets in Cozumel, Mexico.
We were thrilled to visit the Vatican in Rome,
The Trevi Fountain and the Colosseum.
To explore the countryside in Florence,
And to sail on a Gondola in Venice.
My fridge is decorated with magnets
Souvenirs of all my visits
London, Madrid, Bahamas, Coco Cay, Barcelona.
And the Leaning Tower of Pisa
How can I forget the Spanish Steps in Rome?
Stratford upon Avon, where Shakespeare was born.
CN Tower in Toronto so very high
I thought the elevator would take me to the sky.
Then there was El Poble and Toledo
Noted for Spanish Gold
We travelled on the Euro star.
The scenery was beautiful to behold!
I must not omit Cartagena in Columbia,
Anaheim, Las Vegas, and Catalina,
Key West, Tampa, Fort Lauderdale, and Pembroke Pines,
Places I love to lime.
Of course, I would like to make special mention,
Of two exciting cruises with Royal Caribbean.
Majesty of the Seas and Liberty of the Seas
Two ships which grace the Seas.
Last but not least and best of all
We visited Paris in the fall.
Cologne, Dusseldorf, and Berlin
Amazing places, which made my head, spin.
Copyright@BrendaMohammed
”
”
Brenda C. Mohammed (Travel Memoirs with Pictures)
“
A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.”
They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot.
Their silence broke when the carriage door closed them in.
“You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?”
“Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.”
“It’s not yours to fight.”
“You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.”
He gave her a cynical look. “Do you deny that he is the superior fighter?”
“So he will draw first blood. He will be satisfied, and we will both walk away with honor.”
“He said something about a death-price.”
That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.”
Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god.
“Really, Arin.”
His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?”
She thought of his claim that Enai could never have loved her, or if she had, it was a forced love.
“You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Although he always talked about technology and Oracle with passion and intensity, he didn’t have the methodical relentlessness that made Bill Gates so formidable and feared. By his own admission, Ellison was not an obsessive grinder like Gates: “I am a sprinter. I rest, I sprint, I rest, I sprint again.” Ellison had a reputation for being easily bored by the process of running a business and often took time off, leaving the shop to senior colleagues. One of the reasons often trotted out for Oracle’s success in the 1990s was Ellison’s decision to hire Ray Lane, a senior executive credited with bringing order and discipline to the business, allowing Ellison just to do the vision thing and bunk off to sail his boats whenever he felt like it. But Lane had left Oracle nearly eighteen months before after falling out with Ellison. Since then, Ellison had taken full control of the company—how likely was it that he would he stay the course? One reason to be skeptical was that Ellison just seemed to have too many things going on in his life besides Oracle. During the afternoon, we took a break from discussing the future of computing to take a tour of what would be his new home—nearly a decade in the making, and at that time, still nearly three years from completion. In the hills of Woodside, California, framing a five-acre artificial lake, six wooden Japanese houses, perfect replicas of the fifteenth- and sixteenth-century originals in Kyoto, were under construction. The site also contained two full-size ornamental bridges, hundreds of boulders trucked in from the high Sierras and arranged according to Zen principles and an equal number of cherry trees jostling for attention next to towering redwoods. Ellison remarked: “If I’m remembered for anything, it’s more likely to be for this than Oracle.”3 In the evening, I noticed in Ellison’s dining room a scale model of what would become his second home: a graceful-looking 450-foot motor-yacht capable of circumnavigating the globe. Already the owner of two mega-yachts, bought secondhand and extensively modified (the 192-foot Ronin based in Sausalito and the 244-foot Katana, which was kept at Antibes in the South of France), Ellison wanted to create the perfect yacht. The key to achieving this had been his successful courtship of a seventy-two-year-old Englishman, Jon Bannenberg, recognized as the greatest designer of very big, privately-owned yachts. With a budget of $200 million—about the same as that for the Japanese imperial village in Woodside—it would be Bannenberg’s masterpiece. Bannenberg had committed himself to “handing over the keys” to Ellison in time for his summer holiday in 2003.
”
”
Matthew Symonds (Softwar: An Intimate Portrait of Larry Ellison and Oracle)
“
The model favoured by Schreck, one that had been in existence for some forty years, placed the planets in orbit around the sun, and the sun and moon in orbit around the earth. Complex though this was, it appeared to a majority of astronomers the one that best corresponded to the available evidence. There were some, however, who preferred an altogether more radical possibility. Among them was a Czech Jesuit, Wenceslas Kirwitzer, who had met Galileo in Rome, and then sailed with Schreck to China, where he had died in 1626. Prior to his departure, he had written a short pamphlet, arguing for heliocentrism: the hypothesis that the earth, just like Venus and the other planets, revolved around the sun.24 The thesis was not Kirwitzer’s own. The first book to propose it had been published back in 1543. Its author, the Polish astronomer Nicolaus Copernicus, had in turn drawn on the work of earlier scholars at Paris and Oxford, natural philosophers who had argued variously for the possibility that the earth might rotate on its axis, that the cosmos might be governed by laws of motion, even that space might be infinite. Daring though Copernicus’ hypothesis seemed, then, it stood recognisably in a line of descent from a long and venerable tradition of Christian scholarship. Kirwitzer was not the only astronomer to have been persuaded by it. So too had a number of others; and of these the most high profile, the most prolific, the most pugnacious, was Galileo.
”
”
Tom Holland (Dominion: How the Christian Revolution Remade the World)
“
When they had gone less than a bowshot from the shore, Drinian said, “Look! What’s that?” and everyone stopped.
“Are they great trees?” said Caspian.
“Towers, I think,” said Eustace.
“It might be giants,” said Edmund in a lower voice.
“The way to find out is to go right in among them,” said Reepicheep, drawing his sword and pattering off ahead of everyone else.
“I think it’s a ruin,” said Lucy when they had got a good deal nearer, and her guess was the best so far. What they now saw was a wide oblong space flagged with smooth stones and surrounded by gray pillars but unroofed. And from end to end of it ran a long table laid with a rich crimson cloth that came down nearly to the pavement. At either side of it were many chairs of stone richly carved and with silken cushions upon the seats. But on the table itself there was set out such a banquet as had never been seen, not even when Peter the High King kept his court at Cair Paravel. There were turkeys and geese and peacocks, there were boars’ heads and sides of venison, there were pies shaped like ships under full sail or like dragons and elephants, there were ice puddings and bright lobsters and gleaming salmon, there were nuts and grapes, pineapples and peaches, pomegranates and melons and tomatoes. There were flagons of gold and silver and curiously-wrought glass; and the smell of the fruit and the wine blew toward them like a promise of all happiness.
“I say!” said Lucy.
They came nearer and nearer, all very quietly.
“But where are the guests?” asked Eustace.
“We can provide that, Sir,” said Rhince.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
She remembered those fancy receipt books written by Lady Nonesuch, or Countess Thingumabob, and laughed out loud. They boasted how damnable high bred the lady was, and how the reader might herself be reckoned à la mode, if she could only cook such stuff herself.
No, her book would hold a dark mirror to such conceits. Since Mother Eve's day, women had whispered of herblore and crafty potions, the wise woman's weapons against the injustices of life; a life of ill treatment, the life of a dog. If women were to be kicked into the kitchen they might play it to their advantage, for what was a kitchen but a witch's brewhouse? Men had no notion of what women whispered to each other, hugger-mugger by the chimney corner; of treaclish syrups and bitter pods, of fat black berries and bulbous roots. Such remedies were rarely scribbled on paper; they were carried in noses, fingertips and stealthy tongues. Methods were shared in secret, of how to make a body hot with lust or shiver with fever, or to doze for a stretch or to sleep for eternity.
Like a chorus the hungry ghosts started up around her: voices that croaked and cackled and damned their captors headlong into hell. Her ghosts were the women who had sailed out beside her to Botany Bay, nearly five years back on the convict ship Experiment. She made a start with that most innocent of dishes: Brinny's best receipt for Apple Pie. For there was magic in even that- the taking of uneatables: sour apples, claggy fat, dusty flour- and their abradabrification into a crisp-lidded, syrupy miracle. Mother Eve's Secrets, she titled her book, a collection of best receipts and treacherous remedies.
”
”
Martine Bailey (A Taste for Nightshade)
“
My favourite part of my new book so far:
Chapter 48: Creatures of The Night
A figure stood in the stairwell beneath the Smoke's Poutinerie close to Simcoe Street and Adelaide Street West. He munched his pulled pork poutine and watched the strange object glide through the fog that engulfed the tall blue R.B.C. building.
“Nice night for a stroll,” smiled The Rooster.
Upon heading North, Fred had decided to take a detour and glide the exact opposite way: South. It was why he was now flying through the fog that suspended over the R.B.C. building. Through the billowing cloud he sailed and higher up into the air as he was heading towards the business district of Toronto where all the skyscrapers were. As Fred got closer, he understood why they were labeled as skyscrapers: they basically scraped the sky. But the view from up here was fantastic. It was a rainy and cold night, but Fred felt very warm in his upgraded suit. Soon, he was zooming past the green windowed T.D. building and back towards the North side of Yonge Street.
However, as he sailed home, he began to worry about Allen. The Rooster had already cut up his ex-girlfriend so what would he do to Allen? Allen had been a friend to Fred when no one else had been there. Of course, he used to have many friends in preschool, elementary school, and high school but no one he clicked with. Allen McDougal was really the only family he had left and he didn't want The Rooster to kill his old friend in any way.
I must radio him, thought Fred as he shot past Dundas Square. But when he pressed the button on the helmet that alerted his Butler's phone, there was no answer. Damn it. They've already got him.
”
”
Andy Ruffett
“
SWEETEST IN THE GALE
by
Michelle Valois
After Emily Dickinson
You won’t lose your hair, I heard at the start of treatment, and though I didn’t, I lost a litany of other lesser and greater luxuries—saliva, stamina, taste buds, my voice—but my hair, during that chilly sojourn in the land of extremity to which I had sailed on a strange and stormy sea, my hair was not taken from me.
Had it been, I would have perched one of those 18th century wigs on my head, such as those worn by the French aristocracy, measuring three, four, even five feet high and stuffed, as they were known to be, with all sorts of things: ribbons, pearls, jewels, flowers, tunes without words, reproductions of great sailing vessels, my soul inside a little bird cage—ornaments selected to satisfy a theme: the signs of the Zodiac (à la Zodiaque) or the discovery of a new vaccine (à l’inoculation) or, as was the case in June of 1782, the first successful hot air balloon flight by the brothers Michel and Etienne Montgolfier.
Regarde, I exclaim to my ladies in waiting, pointing to the sky on that bright afternoon as the balloon, made of linen and paper, rises some 6,000 feet. Later, a duck, then a sheep, and finally a human is carried away. I watch, inspired, hopeful, whispering, lest my doctors overhear: when the storm turns sore, and that little bird escapes her little bird cage and is abashed without reckoning, I will sail away in my balloon, prepared, if it fails me, to pluck a few ostrich feathers from the high hair of the Queen of France herself; they and hope (which never asked for a crumb) will carry me beyond disease for as long as I have left to choose between futility and flight.
”
”
Michelle Valois
“
The ridge of the Lammer-muir hills... consists of primary micaceous schistus, and extends from St Abb's head westward... The sea-coast affords a transverse section of this alpine tract at its eastern extremity, and exhibits the change from the primary to the secondary strata... Dr HUTTON wished particularly to examine the latter of these, and on this occasion Sir JAMES HALL and I had the pleasure to accompany him. We sailed in a boat from Dunglass ... We made for a high rocky point or head-land, the SICCAR ... On landing at this point, we found that we actually trode [sic] on the primeval rock... It is here a micaceous schistus, in beds nearly vertical, highly indurated, and stretching from S.E. to N. W. The surface of this rock... has thin covering of red horizontal sandstone laid over it, ... Here, therefore, the immediate contact of the two rocks is not only visible, but is curiously dissected and laid open by the action of the waves... On us who saw these phenomena for the first time, the impression will not easily be forgotten. The palpable evidence presented to us, of one of the most extraordinary and important facts in the natural history of the earth, gave a reality and substance to those theoretical speculations, which, however probable had never till now been directly authenticated by the testimony of the senses... What clearer evidence could we have had of the different formation of these rocks, and of the long interval which separated their formation, had we actually seen them emerging from the bosom of the deep? ... The mind seemed to grow giddy by looking so far into the abyss of time; and while we listened with earnestness and admiration to the philosopher who was now unfolding to us the order and series of these wonderful events, we became sensible how much farther reason may sometimes go than imagination can venture to follow.
”
”
John Playfair (Biographical Account of James Hutton, M.D. F.R.S. Ed. (Cambridge Library Collection - Earth Science))
“
Let’s take the threshold idea one step further. If intelligence matters only up to a point, then past that point, other things—things that have nothing to do with intelligence—must start to matter more. It’s like basketball again: once someone is tall enough, then we start to care about speed and court sense and agility and ball-handling skills and shooting touch. So, what might some of those other things be? Well, suppose that instead of measuring your IQ, I gave you a totally different kind of test. Write down as many different uses that you can think of for the following objects: a brick a blanket This is an example of what’s called a “divergence test” (as opposed to a test like the Raven’s, which asks you to sort through a list of possibilities and converge on the right answer). It requires you to use your imagination and take your mind in as many different directions as possible. With a divergence test, obviously there isn’t a single right answer. What the test giver is looking for are the number and the uniqueness of your responses. And what the test is measuring isn’t analytical intelligence but something profoundly different—something much closer to creativity. Divergence tests are every bit as challenging as convergence tests, and if you don’t believe that, I encourage you to pause and try the brick-and-blanket test right now. Here, for example, are answers to the “uses of objects” test collected by Liam Hudson from a student named Poole at a top British high school: (Brick). To use in smash-and-grab raids. To help hold a house together. To use in a game of Russian roulette if you want to keep fit at the same time (bricks at ten paces, turn and throw—no evasive action allowed). To hold the eiderdown on a bed tie a brick at each corner. As a breaker of empty Coca-Cola bottles. (Blanket). To use on a bed. As a cover for illicit sex in the woods. As a tent. To make smoke signals with. As a sail for a boat, cart or sled. As a substitute for a towel. As a target for shooting practice for short-sighted people. As a thing to catch people jumping out of burning skyscrapers.
”
”
Malcolm Gladwell (Outliers: The Story of Success)
“
The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it.
She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them.
‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused.
Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.
”
”
Margrét Helgadóttir (The Stars Seem so Far Away)
“
In the very midst of this panic came the news that the steamer Central America, formerly the George Law, with six hundred passengers and about sixteen hundred thousand dollars of treasure, coming from Aspinwall, had foundered at sea, off the coast of Georgia, and that about sixty of the passengers had been providentially picked up by a Swedish bark, and brought into Savannah. The absolute loss of this treasure went to swell the confusion and panic of the day. A few days after, I was standing in the vestibule of the Metropolitan Hotel, and heard the captain of the Swedish bark tell his singular story of the rescue of these passengers. He was a short, sailor-like-looking man, with a strong German or Swedish accent. He said that he was sailing from some port in Honduras for Sweden, running down the Gulf Stream off Savannah. The weather had been heavy for some days, and, about nightfall, as he paced his deck, he observed a man-of-war hawk circle about his vessel, gradually lowering, until the bird was as it were aiming at him. He jerked out a belaying pin, struck at the bird, missed it, when the hawk again rose high in the air, and a second time began to descend, contract his circle, and make at him again. The second time he hit the bird, and struck it to the deck. . . . This strange fact made him uneasy, and he thought it betokened danger; he went to the binnacle, saw the course he was steering, and without any particular reason he ordered the steersman to alter the course one point to the east. After this it became quite dark, and he continued to promenade the deck, and had settled into a drowsy state, when as in a dream he thought he heard voices all round his ship. Waking up, he ran to the side of the ship, saw something struggling in the water, and heard clearly cries for help. Instantly heaving his ship to, and lowering all his boats, he managed to pick up sixty or more persons who were floating about on skylights, doors, spare, and whatever fragments remained of the Central America. Had he not changed the course of his vessel by reason of the mysterious conduct of that man-of-war hawk, not a soul would probably have survived the night.
”
”
William T. Sherman (The Memoirs Of General William T. Sherman)
“
We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree.
As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts.
And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain.
Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.”
Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones.
These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.
”
”
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
“
I’m telling you, you bastard, you’re going to pay for that rum. In gold or goods, I don’t care which.”
“Captain Mallory.” Gray’s baritone was forbidding. “And I apply that title loosely, as you are no manner of captain in my estimation…I have no intention of compensating you for the loss of your cargo. I will, however, accept your thanks.”
“My thanks? For what?”
“For what?” Now O’Shea entered the mix. “For saving that heap of a ship and your worthless, rum-soaked arse, that’s what.”
“I’ll thank you to go to hell,” the gravelly voice answered. Mallory, she presumed. “You can’t just board a man’s craft and pitch a hold full of spirits into the sea. Right knaves, you lot.”
“Oh, now we’re the knaves, are we?” Gray asked. “I should have let that ship explode around your ears, you despicable sot. Knaves, indeed.”
“Well, if you’re such virtuous, charitable gents, then how come I’m trussed like a pig?” Sophia craned her neck and pushed the hatch open a bit further. Across the deck, she saw a pair of split-toed boots tied together with rope.
Gray answered, “We had to bind you last night because you were drunk out of your skull. And we’re keeping you bound now because you’re sober and still out of your skull.”
The lashed boots shuffled across the deck, toward Gray. “Let me loose of these ropes, you blackguard, and I’ll pound you straight out of your skull into oblivion.”
O’Shea responded with a stream of colorful profanity, which Captain Grayson cut short.
“Captain Mallory,” he said, his own highly polished boots pacing slowly, deliberately to halt between Mallory’s and Gray’s. “I understand your concern over losing your cargo. But surely you or your investor can recoup the loss with an insurance claim. You could not have sailed without a policy against fire.”
Gray gave an ironic laugh. “Joss, I’ll wager you anything, that rum wasn’t on any bill of lading or insurance policy. Can’t you see the man’s nothing but a smuggler? Probably wasn’t bound for any port at all. What was your destination, Mallory? A hidden cove off the coast of Cornwall, perhaps?” He clucked his tongue. “That ship was overloaded and undermanned, and it would have been a miracle if you’d made it as far as Portugal. As for the rum, take up your complaint with the Vice Admiralty court after you follow us to Tortola. I’d welcome it.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see.
“Boo!” A handful of bryozoa rushed up at me from the lake.
I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me.
I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from.
Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top.
I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally.
Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges.
“Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line.
But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm.
Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
…yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in;
Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple’s self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o’ercast,
They alway must be with us, or we die.
For ‘twas the morn: Apollo’s upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
Man’s voice was on the mountains; and the mass
Of nature’s lives and wonders puls’d tenfold,
To feel this sun-rise and its glories old.
With a faint breath of music, which ev’n then
Fill’d out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,—ere their death, oer-taking
The surgy murmurs of the lonely sea.
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear’d to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And lo! from opening clouds, I saw emerge
The loveliest moon, that ever silver’d o’er
A shell for Neptune’s goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent—
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais’d
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?
”
”
John Keats
“
sir?’ ‘The ship’s captain on such occasions will be in bed with a high fever and will be asleep.’ It might have been a better idea, Magnusson thought, to have made him the ship’s captain, but he supposed a naval ship had to have a naval captain. ‘I see, sir,’ he said. The admiral gestured. ‘A great deal will depend on you, my lad,’ he said briskly. ‘Which is why you’re being done the honour of a personal briefing, something not normally granted to a junior officer. At the right time a sighting will be reported, showing you to be in mid-Atlantic, and inevitably the Germans will pick it up. Another sighting will be arranged later to show you off the Faeroes. In fact, you will sail up the Irish Sea, through the Minches, and, keeping well out from land to avoid being spotted, you will make your landfall west of the Lofotens and put into Narvik. There, you will be informed of what’s going on by our contact, a woman called Annie Egge, who runs the Norwegian equivalent of our Missions to Seamen. She will give you – you, Magnusson, because as the linguist, she’ll be dealing with you – she will give you your information. I don’t know what she’s like – like most middle-aged ladies who run Missions to Seamen, I suppose – all God and woollen comforts – but she has been feeding us reliable information for some time about German shipping, gleaned no doubt over the cups of tea and the meat and potato pie or whatever it is they serve up in Norway. Since, in the event of a German move into Norway, we shall need to know a few facts, you will keep your eyes open and take note of all Norwegian naval vessels, fortifications and movements, and all army and air force installations. You will remain there for several days under the guise of Finnish sailors making repairs after the voyage across the North Atlantic to enable you to reach Mariehamn.
”
”
Max Hennessy (North Strike (WWII Naval Thrillers Book 4))
“
After trying to bodysurf, the group decided to play with a beachball. “Lilian.” Kevin bumped the ball with an underhand hit that sent it sailing towards the redhead standing opposite of him. “Alex.” Lilian, in turn, hit the ball to Alex, who bumped it to Eric. “Gothic Hottie!” “Stop calling me that!” Despite her tsukkomi act, Christine didn’t miss a beat and hit the beach ball towards Andrew, who then bounced it at Iris. “Snow Wench.” Christine gritted her teeth as Iris gleefully smacked the ball towards her harder than necessary. “Fox Cunt.” In retaliation, Christine hit the ball twice as hard, not even bothering to hide that fact by lobbing it high like Iris had done. “Bitch Tits.” Iris returned the retaliation by reinforcing her muscles and smacking the ball again. The ball ended up getting whacked so hard that it was a wonder the thing didn’t pop. “Go suck a dick, bitch!” “Maybe later. And at least I can get a dick to suck. I’d be surprised if anyone wanted you touching theirs, flatty.” “I wouldn’t mind if Gothic Hottie sucked my—” “Not another word out of you, pervert!” “BUAFF!” And just like that, their game ended when Christine slammed the ball into Eric’s face, not only causing it to burst, but also sending the perverted lech into blissful catatonia.
”
”
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
“
I could feel that pulsing blue cloud, as if it fanned a spark deep within. It sang to me, hinting at wonders so divine a mortal would be hard-pressed to live after experiencing them. Wouldn’t want to. Wouldn’t want to exist in a life devoid of the power and majesty within that blue cloud. I felt my heart reach out, as if extending from my chest. My body started to flush, then heat, prickles sticking my arms, my chest and my head—just like acupuncture—and awakening my senses. Something in my middle blossomed, expanding outward until my skin felt stretched over it. I wanted to laugh so hard, my face cracked and my teeth loosened. I wanted to jump so high, I sailed over God; dance so hard, I broke a hip.
”
”
K.F. Breene (Into the Darkness (Darkness, #1))
“
Once superintelligent AI has settled another solar system or galaxy, bringing humans there is easy — if humans have succeeded in programming the AI with this goal. All the necessary information about humans can be transmitted at the speed of light, after which the AI can assemble quarks and electrons into the desired humans. This could be done either in a low-tech way by simply transmitting the 2 gigabytes of information needed to specify a person’s DNA and then incubating a baby to be raised by the AI, or the AI could assemble quarks and electrons into full-grown people who would have all the memories scanned from their originals back on Earth.
This means that if there’s an intelligence explosion, the key question isn’t if intergalactic settlement is possible, but simply how fast it can proceed. Since all the ideas we've explored above come from humans, they should be viewed as merely lower limits on how fast life can expand; ambitious superintelligent life can probably do a lot better, and it will have a strong incentive to push the limits, since in the race against time and dark energy, every 1% increase in average settlement speed translates into 3% more galaxies colonized.
For example, if it takes 20 years to travel 10 light-years to the next star system with a laser-sail system, and then another 10 years to settle it and build new lasers and seed probes there, the settled region will be a sphere growing in all directions at a third of the speed of light on average. In a beautiful and thorough analysis of cosmically expanding civilizations in 2014, the American physicist Jay Olson considered a high-tech alternative to the island-hopping approach, involving two separate types of probes: seed probes and expanders. The seed probes would slow down, land and seed their destination with life. The expanders, on the other hand, would never stop: they'd scoop up matter in flight, perhaps using some improved variant of the ramjet technology, and use this matter both as fuel and as raw material out of which they'd build expanders and copies of themselves. This self-reproducing fleet of expanders would keep gently accelerating to always maintain a constant speed (say half the speed of light) relative to nearby galaxies, and reproduce often enough that the fleet formed an expanding spherical shell with a constant number of expanders per shell area.
Last but not least, there’s the sneaky Hail Mary approach to expanding even faster than any of the above methods will permit: using Hans Moravec’s “cosmic spam” scam from chapter 4. By broadcasting a message that tricks naive freshly evolved civilizations into building a superintelligent machine that hijacks them, a civilization can expand essentially at the speed of light, the speed at which their seductive siren song spreads through the cosmos. Since this may be the only way for advanced civilizations to reach most of the galaxies within their future light cone and they have little incentive not to try it, we should be highly suspicious of any transmissions from extraterrestrials! In Carl Sagan’s book Contact, we earthlings used blueprints from aliens to build a machine we didn’t understand — I don’t recommend doing this ...
In summary, most scientists and sci-fi authors considering cosmic settlement have in my opinion been overly pessimistic in ignoring the possibility of superintelligence: by limiting attention to human travelers, they've overestimated the difficulty of intergalactic travel, and by limiting attention to technology invented by humans, they've overestimated the time needed to approach the physical limits of what's possible.
”
”
Max Tegmark (Leben 3.0: Mensch sein im Zeitalter Künstlicher Intelligenz)
“
Within the time span of a single generation surrounding the year 1500, Leonardo, Michelangelo, and Raphael created their many masterworks of the High Renaissance, revealing the birth of the new human as much in da Vinci's multiform genius and the godlike incarnations of the David and the Sistine Creation of Adam as in the new perspectival objectivity and poietic empowerment of the Renaissance artist; Columbus sailed west and reached America, Vasco da Gama sailed east and reached India, and the Magellan expedition circumnavigated the globe, opening the world forever to itself; Luther posted his theses on the door of the Wittenberg castle church and began the enormous convulsion of Europe and the Western psyche called the Reformation; and Copernicus conceived the heliocentric theory and began the even more momentous Scientific Revolution. From this instant, the human self, the known world, the cosmos, heaven and earth were all radically and irrevocably transformed. All this happened within a period of time briefer than that which has passed since Woodstock and the Moon landing. (p. 4)
”
”
Richard Tarnas (Cosmos and Psyche: Intimations of a New World View)
“
Dawn Landscape
The last watch has sounded in the Amble-Awe.
Radiant color spreads above Solar-Terrace
Mountain, then cold sun clears high peaks.
Mist and cloud linger across layered ridges,
And earth split-open hides river sails deep.
Leaves clatter at heaven’s clarity. I listen,
And face deer at my bramble gate-so close
Here, we touch our own kind in each other.
Tu Fu
”
”
David Hinton (Awakened Cosmos: The Mind of Classical Chinese Poetry)
“
The harvest moon was just past the full, and it seemed to sail overhead in a sea of luminous iridescence, due to the vaporous clouds in the high steely vault of the sky.
”
”
E.C.R. Lorac (Murderer's Mistake (Robert Macdonald #28))
“
In February 1959, the Journal of Commerce, in a story headlined “Cargo Ship with Methane on High Seas,” announced that a converted World War II freighter, renamed the Methane Pioneer, had set sail from Louisiana for England. It carried a cargo that had never before been shipped over the seas—liquefied natural gas—LNG. Liquefied natural gas is the product of a complex process that refrigerates natural gas to extreme cold, down to minus 260 degrees Fahrenheit, thus compressing it into a liquid. Since in its liquid form the gas takes up only one six-hundredth of the space that it would in its gaseous state, it can be pumped into tanks on refrigerated ships and transported across oceans and then “regasified”—turned back into gas—at the other end and pumped into a pipeline system in the receiving country.
”
”
Daniel Yergin (The New Map: Energy, Climate, and the Clash of Nations)
“
The season that my picture shows, it seems to me now, is the moral equinox, the uncertain days we live in, when light and dark in the world are equally balanced. Or perhaps, more accurately, the weeks just after it, at the start of the old New Year, when the long winter nights behind us are beginning to give place at last to the long summer days ahead. Outside the windows of the train, the northwestern suburbs, too, are full of sunshine, and everywhere there’s the same shimmer of green that’s spreading across the woods in the picture. There’s also a travailler here—me, coming down from the winter air in the high passes, heading for the soft lands of summer, where the ship’s waiting to weigh anchor and set sail for Jerusalem. And what a delight it is to have some great journey to undertake, some great enterprise under way, so that all one’s thoughts and efforts are guided by its onward momentum. Everything we do has bad as well as good in it, dark as well as light, and that includes the enterprise I’m embarked upon now. But the days are drawing out and the nights are drawing in, and I know that the good is going to predominate.
”
”
Michael Frayn (Headlong: A Novel (Bestselling Backlist))
“
Just one day earlier many of these men had been eager to sail. Now they wanted to go home. The adventure was no adventure at all, once begun. But turning back could not be. No one dared risk the wrath of the High Command, for High Command was a jealous god, believed capable of anything— including the destruction of an uncooperative member state.
”
”
Glen Cook (The Heirs of Babylon)
“
Think of the armed struggle as the launch of a boat, Hughes said, “getting a hundred people to push this boat out. This boat is stuck in the sand, right, and get them to push the boat out and then the boat sailing off and leaving the hundred people behind, right. That’s the way I feel. The boat is away, sailing on the high seas, with all the luxuries that it brings, and the poor people that launched the boat are left sitting in the muck and the dirt and the shit and the sand, behind.
”
”
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
“
was a stirring sight for us, who had been months on the ocean without seeing anything but two solitary sails; and over two years without seeing more than the three or four traders on an almost desolate coast. There were the little coasters, bound to and from the various towns along the south shore, down in the bight of the bay, and to the eastward; here and there a square-rigged vessel standing out to seaward; and, far in the distance, beyond Cape Ann, was the smoke of a steamer, stretching along in a narrow, black cloud upon the water. Every sight was full of beauty and interest. We were coming back to our homes; and the signs of civilization, and prosperity, and happiness, from which we had been so long banished, were multiplying about us. The high land of Cape Ann and the rocks and shore of Cohasset were full in sight, the lighthouses, standing like sentries in white before the harbors, and even the smoke from the chimney on the plains of Hingham was seen rising slowly in the morning air. One of our boys was the son of a bucket-maker; and his face lighted up as he saw the tops of the well-known hills which surround his native place. About ten o’clock a little boat came bobbing over the water, and put a pilot on board, and sheered off in pursuit of other vessels bound in. Being now within the scope of the telegraph stations, our signals were run up at the fore, and in half an hour afterwards, the owner on ‘change, or in his counting-room, knew that his ship was below; and the landlords, runners, and sharks in Ann street learned that there was a rich prize for them down in the bay: a ship from round the Horn, with a crew to be paid off with two years
”
”
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
“
For some time now, the King of Hybern has found himself unhappy with the Treaty the other ruling High Fae of the world made with you humans long ago. He resents that he was forced to sign it, to let his mortal slaves go and to remain confined to his damp green isle at the edge of the world. And so, a hundred years ago, he dispatched his most-trusted and loyal commanders, his deadliest warriors, remnants of the ancient armies that he once sailed to the continent to wage such a brutal war against you humans, all of them as hungry and vile as he. As spies and courtiers and lovers, they infiltrated the various High Fae courts and kingdoms and empires around the world for fifty years, and when they had gathered enough information, he made his plan. But nearly five decades ago, one of his commanders disobeyed him. The Deceiver. And—” The Suriel straightened. “We are not alone.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I got this to remind myself of hope, of respair, of all I would do to get back to you. No sea too wide. No cost too high. No risk too great.
”
”
Clare Sager (Through Dark Storms (Beneath Black Sails, #4))
“
Life's a melody, a symphony of highs,
Once so happy, now rollercoaster skies.
Unpredictable, like whispers in the breeze,
A journey through time, an odyssey of unease.
Hold your decisions, let not the winds sway,
For it's your right to stand firm and say,
In the dance of chaos, in the cosmic play,
Wait and watch, let not resolve decay.
Life's capricious, like a fickle tide,
But within you, a power to abide.
Be positive, face the storm with pride,
For in the chaos, dreams will not hide.
Creator of destiny, author of your tale,
In the crucible of struggle, where dreams prevail.
Compromise not with dreams, let them set sail,
You're the brightest star, let the world exhale.
Struggle, a chapter, God's narrative grand,
Your story, the echo, across the land.
Known by the world, your destiny's hand,
A tale that weeps, where dreams withstand.
Fear not the struggle, be a rebel true,
Not for the world, but for the "you."
Ask daily, are you living your dream in view,
In this one life, make your dreams breakthrough.
Be the positive force in the universe's scheme,
As I write this, I feel the motivation gleam.
Creating a story, a powerful beam,
Hold your promise, let your dreams redeem.
You possess the power to dismantle the night,
A force within, burning bright.
Destiny's architect, shaping with might,
Hold your dream, set the universe alight.
”
”
Manmohan Mishra (Self Help)
“
Raising Hands Raising Hell Raise ’Em High”—The Wind & The Wave “Jailhouse Rock”—Elvis Presley “My Girl”— The Temptations “Burnin’ Love”—Elvis Presley “Ticking Bomb”— Aloe Blacc “Lovers in a Dangerous Time”— Barenaked Ladies “Sail”—Awolnation “Ain’t No Rest for the Wicked”—Cage the Elephant
”
”
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
“
We sailed down this magnificent bay with a light wind, the tide, which was running out, carrying us at the rate of four or five knots. It was a fine day; the first of entire sunshine we had had for more than a month. We passed directly under the high cliff on which the presidio is built, and stood into the middle of the bay, from whence we could see small bays making up into the interior, large and beautifully wooded islands, and the mouths of several small rivers. If California ever becomes a prosperous country, this bay will be the centre of its prosperity. The abundance of wood and water; the extreme fertility of its shores; the excellence of its climate, which is as near to being perfect as any in the world; and its facilities for navigation, affording the best anchoring-grounds in the whole western coast of America — all fit it for a place of great importance.
”
”
Richard Henry Dana Jr. (Two Years Before the Mast; A Personal Narrative (1911): WITH A SUPPLEMENT BY THE AUTHOR AND INTRODUCTION AND ADDITIONAL CHAPTER BY HIS SON)
“
I have seen people with smiling faces and feeling lonely desolate inside their hearts.
I have seen people with public success and private failures in their life.
I have seen most of us chasing small highs in their life rather than trying to achieve something concrete.
I have seen big giants losing basic moral values for small profits in their materialistic pursuit.
I have seen people dancing whole day to the tunes of life and crying alone at midnight.
I have seen best of relationships breaking off with the test of time.
I have seen young teenagers with broken hearts and old ones with cracked minds.
And you know what this is not the end of the list. To put it simple, I just wish to say that, life is short. Don’t put too much pressure on yourself trying to overdo everything. Don’t hanker after all the things you see others doing or achieving. Have some good moral values in your life. Be with friends who possess golden hearts rather than gold in their pockets or lockers. Keep few but good relationships. Have absolute faith in God and yourself. And try to be simple yet Happy. In the end what matters is not the number of cars you drive or money you possess in your bank account but what matters most is how well you sail through the winds of life against all the storms and hurricanes past over you.
Think what makes you – YOU.
”
”
Gaurav S. Kaintura
“
After another forty-five minutes, the train reached the station at Heron's Point, a seaside town located in the sunniest region in England. Even now in autumn, the weather was mild and clear, the air humid with healthful sea breezes. Heron's Point was sheltered by a high cliff that jutted far out into the sea and helped to create the town's own small climate. It was an ideal refuge for convalescents and the elderly, with a local medical community and an assortment of clinics and therapeutic baths. It was also a fashionable resort, featuring shops, drives and promenades, a theatre, and recreations such as golf and boating.
The Marsdens had often come here to stay with the duke's family, the Challons, especially in summer. The children had splashed and swum in the private sandy cove, and sailed near the shore in little skiffs. On hot days they had gone to shop in town for ices and sweets. In the evenings, they had relaxed and played on the Challons' back veranda, while music from the town band floated up from the concert pavilion. Merritt was glad to bring Keir to a familiar place where so many happy memories had been created. The seaside house, airy and calm and gracious, would be a perfect place for him to convalesce.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
His sister sailed in, then screeched to a halt on her extremely high heels. He wasn't sure why she bothered wearing them. The stilettos were long and lethal enough to kill a rhino, and Pet would still have trouble getting on half the rides at Disneyland Paris.
”
”
Lucy Parker (Battle Royal (Palace Insiders, #1))
“
The great teachers of our historical culture insist that morality is deeper and more substantial than effervescent foam. It stands to reason, they insist, that where there are waves and foam there is a deeper body of water. These sources describe a sea of substantial morality that lies beneath the ephemeral and ever-changing surface expressions of emotion, taste, and satisfaction in ordinary human intercourse. They describe character as the gravity that keeps us afloat and virtues as the sails that propel us and the instruments that help us to maintain our course, even when the ship is being rocked by stormy waters and high seas.
Sailors need to know when to use ballast or throw down the anchor, lest the ship sink and they drown. In like manner, the virtues enable us to respond correctly to those moments of life that are the moral equivalents to such conditions at sea. However, an ability to discern these moments and respond appropriately entails more than formal techniques of decision-making, just as successful sailing requires that one know more than just the techniques of good navigation. As the latter requires a knowledge of and familiarity with the sea that cannot be taught in books but can only be learned from seafaring itself, so the moral life requires that we be virtuous. The virtues are not just the moral equivalent of techniques of good sailing; rather, they are the way as well as the end of goodness and happiness. If we assume, however, as so many of the textbooks would have believe, that problems and quandaries are the whole subject matter of ethics and that the decisions we make are the purpose of morality, then we are likely to interpret even the virtues in the same superficial, utilitarian way in which we already think of values. But if we pay heed to the ancient sources, we will recognize that the virtues are related to a much thicker and deeper moral reality. We will see the virtues as the qualities of character that we need in order to steer our way through the complicated and mysterious sea of morality into which we all have been placed. For such journeying, a pocketful of values is neither sufficient ballast nor a substitute for sails, compass, or sextant.
”
”
Vigen Guroian (Tending the Heart of Virtue: How Classic Stories Awaken a Child's Moral Imagination)
“
Norman slid down a 30 cm (12 inches) wide bench of snow beside the creek on his hip until he reached a rock bowl. At the far side, the stream emptied over an icy waterfall on to sharp rocks 15 m (50 ft) below. Somehow he used cracks to worm his way down from rocky crease to icy blister. The slope wasn’t steep here, but Norman had to traverse giant shale boulders. His stomach was chewing itself and exhaustion tore at him like an animal. He staggered woozily on until looked up and saw the meadow of snow 180 m (600 ft) down slope. But the mountain still wasn’t done with him. Now the enemy was a snarling mass of buckthorn, which lurked below a thin layer of snow. He dropped into it and stuck deep in the well formed by the jagged branches, unable to climb out. A plane passed high above. He yelled and waved. It circled. It had seen him. No. It sailed over the massive ridgeline. ‘I never gave up. My dad taught me to never give up.’ From Crazy for the Storm by Norman Ollestad. With the last ounces of his strength, Norman scrabbled and slithered out of the nest of buckthorn. With a flush of euphoria he found he had made it to the oasis of the snow meadow. It was tempting to sit down and celebrate, but he knew he might never get up again. He had to push on. But how would he get out? The vines wove a dense forest on the other side of the meadow. Then, he found some footprints. They were fresh. Norman followed them. After a few minutes, he realized the boot tracks made a circle. Was he delirious? Panic flooded his system. Then: ‘Hello! Anybody there?’ Norman screamed his lungs out. A teenage boy and his dog appeared out of the thickening gloom. ‘You from the crash?’ ‘Yes.’ ‘Anyone else?
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Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
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His favorites were the handful of adventure books, the ones that let him pretend he was a knight fighting a dragon to rescue a kidnapped princess, or an explorer sailing on the high seas, holding tight to a mast while a hurricane raged about him. He liked to forget he was Luke Garner, third child hidden in the attic.
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Margaret Peterson Haddix (Among the Hidden (Shadow Children, #1))
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She looked over her shoulder at the ship’s bow. The smallest and highest section of the deck at the front of the vessel, the forecastle, had but one lone figure standing atop it. The flying jib front sail billowed above and ahead of him, stretching out into the endless blue of the sea and sky. Gavin stood with his hands braced on the railing, his tall figure displaying his broad shoulders and narrow waist while showing off his powerful thighs. The glint of a short sword shimmered at his hip. Excitement flared within her again.
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Lauren Smith (Devil of the High Seas (Pirates of King's Landing #3))
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She looked over her shoulder at the ship’s bow. The smallest and highest section of the deck at the front of the vessel, the forecastle, had but one lone figure standing atop it. The flying jib front sail billowed above and ahead of him, stretching out into the endless blue of the sea and sky. Gavin stood with his hands braced on the railing, his tall figure displaying his broad shoulders and narrow waist while showing off his powerful thighs. The glint of a short sword shimmered at his hip. Excitement flared within her again. “My pirate,” she whispered with a dreamy smile. My lover, she silently added with a blush.
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Lauren Smith (Devil of the High Seas (Pirates of King's Landing #3))
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Noting that “consciousness is presumably at its minimum in creatures whose nervous system is simple,” James suggests that consciousness “is most needed where the nervous system is highly evolved,” and he asks what defects exist in highly evolved nervous systems for which consciousness might be the remedy. “Whoever studies consciousness, from any point of view whatever, is ultimately brought up against the mystery of interest and selective attention.” James concludes that the function of consciousness is to enable us to select, to give us the ability “always to choose out of the manifold experiences present to it [consciousness] at a given time some one for particular accentuation, and to ignore the rest.” The passenger may, if it interests him, and if he selects it for attention, take hold of the helm and raise, lower, or reef the sail, and so, in small but meaningful ways, direct the voyage. Such a person, taking such actions, cannot fairly be called an automaton.17
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Robert D. Richardson Jr. (William James: In the Maelstrom of American Modernism)
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On the morning of the 6th January, 1871, we were sailing through the channel that separates the fruitful island of Zanzibar from Africa. The high lands of the continent loomed like a lengthening shadow in the grey of dawn.
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Henry Morton Stanley (How I Found Livingstone: Enriched edition. Travels, adventures, and discoveres in Central Africa, including an account of four months' residence with Dr. Livingstone, by Henry M. Stanley)
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O Soul touched of God, dissevered from sin, in the first estate of grace, ascend by divine grace into the seventh estate of grace, where the soul hath her fullhead of perfection by divine fruition in life of peace. And among you, actives and contemplatives, that to this life may come, hear now some crumbs[1] of the clean love, of the noble love, and of the high love of the free souls, and how the Holy Ghost hath his sail in his ship.
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Marguerite Porete (The Mirror of Simple Souls)
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But in spite of the stones it was marvellous to be working up on the Pian del Sotto: going out on to it while the morning star was still shining brilliantly in a sky that was the colour of blue-black ink; seeing the sun coming up behind Bismantova, below and far away, first illuminating the forest on the mountainside above, then flooding the plateau; sometimes rising behind dark clouds and then shining red through a hole in one of them, as if someone had opened the door of a furnace. And I liked being there when the sun was high overhead and torn white and grey clouds were racing over the mountain top from the west casting dark shadows on the pale fields, and hordes of starlings would swoop over them, and high over everything a goshawk as pale as the clouds and with wing-tips as ragged-looking as they were, soared on the wind which sighed in the trees like the wind in the rigging of a sailing-ship. And I liked it, too, when the sun had gone behind the mountain and everything on the plateau was in shadow and there was a smoky blueness in the woods which were still so green in the sunlight that it was difficult to believe that autumn had come and was well advanced.
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Eric Newby (Love and War in the Apennines)
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Why leave me hanging on a star
When you deem me so high
When you deem me so high
When you deem me so high
And why leave me sailing in a sea
When you hear me so clear
When you hear me so clear
When you hear me so clear
And why leave me hanging on a star
When you deem me so high
When you deem me so high
When you deem me so high
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Nick Drake
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million-dollar smile. The earnest, all-American niceness of the guy. Not to mention the pure, high, spiraling arc of the thrown football as it zeros in, laser-like, on the expected position of the wide receiver. Never mind that said receiver is flat-out running for his life, dancing, dodging, leaping and spinning in a million directions just inches ahead of several thundering tons of rival linebackers. And never mind that the architect of that exquisite spiral was himself beset, nanoseconds earlier, with similar masses of murderous muscle bearing down on him as he threw. The ball hammers down precisely into the receiver’s arms as he sails across the line, and the fans go wild. TOUCHDOWN! Who could not love Tom Brady? The accomplishments, honors, and accolades go on and on: youngest quarterback ever to win three Super Bowls. Only quarterback ever to win NFL MVP by unanimous vote. As of 2013 he had been twice Super Bowl MVP, twice NFL MVP, nine times invited to the Pro Bowl, twice on the AP All-Pro First Team, five times an AFC Champion, and twice leader of the NFL in passing yards. He had also been (at least once, and in some cases multiple times) Sports Illustrated Sportsman of the Year, Sporting News Sportsman of the year, AP Male Athlete of the Year, NFL Offensive Player of the Year, AFC Offensive Player of the Year, AP NFL Comeback Player of the Year, PFWA NFL Comeback Player of the Year, and the New England Patriots’ all-time leader in passing touchdowns, passing yards, pass completion, pass attempts, and career wins. But Tom Brady didn’t get to be Tom Brady overnight. And he didn’t get there alone.
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Jordan Lancaster Fliegel (Reaching Another Level: How Private Coaching Transforms the Lives of Professional Athletes, Weekend Warriors, and the Kids Next Door)
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If everything falls apart because I rocked the boat, who’s going to notice if I fall overboard? Who’s there if I sink?”
“I notice everything you do, Halle. And I bet I could sail a boat if I tried.”
“You do say you’re good at everything.”
“And Russ is too responsible to let anyone not wear a life jacket. Aurora probably has enough money to buy the Coast Guard. The guys trained to be lifeguards in high school to meet girls. Robbie would love bossing people around. You’re not sinking, Cap. I’m not letting you.
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Hannah Grace (Daydream (Maple Hills, #3))