“
Jem told me what Ragnor Fell said about my father,” Will said. “That for my father, there was only ever one woman he loved, and it was her for him, or nothing. You are that for me. I love you, and I will only ever love you until I die —
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life. A kiss that confirms that the universe is aligned, that the world's greatest resource is love, and maybe even that God is a woman. With or without a belief in God, all kisses are metaphors decipherable by allocations of time, circumstance, and understanding
”
”
Saul Williams (, said the shotgun to the head.)
“
I clinked my bottle against his. “To being the only girl a
guy with no standards doesn’t want to sleep with.” I said,
taking a swig.
“Are you serious?” he asked, pulling the bottle from my
mouth. When I didn’t recant, he leaned toward me. “First of
all…I have standards. I’ve never been with an ugly woman.
Ever. Second of all, I wanted to sleep with you. I thought
about throwing you over my couch fifty different ways, but I
haven’t because I don’t see you that way anymore. It’s not
that I’m not attracted to you, I just think you’re better than
that.”
I couldn’t hold back the smug smile that crept across my
face. “You think I’m too good for you.”
He sneered at my second insult. “I can’t think of a single
guy I know that’s good enough for you.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
Did you know that she was cyborg?” asked a woman in an unhidden tone of disgust.
Kai stared at her, appearing confused, then let his gaze dance over the crowd. He shuffled his feet
closer to the podium, a wrinkle forming on the bridge of his nose.
Cinder bit the inside of her cheek and braced herself for adamant disgust. Who would ever invite a
cyborg to the ball?
But instead, Kai said simply, “I don’t see that her being cyborg is relevant. Next question?”
Cinder’s metal fingers jolted.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
”
”
William Goldman (The Princess Bride)
“
I taught him, 'he quavered, "to trust in love. I said:'when love comes, that is reality.' I said: 'Passion does not blind. No. Passion is sanity, and the woman you love, she is the only person you will ever really understand.
”
”
E.M. Forster (A Room With a View)
“
The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you have no teeth. It was enough to be called a witch. If it came to that, the book never gave you the evidence of anything. It talked about "a handsome prince"... was he really, or was it just because he was a prince that people called handsome? As for "a girl who was as beautiful as the day was long"... well, which day? In midwinter it hardly ever got light! The stories don't want you to think, they just wanted you to believe what you were told...
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with visions of myself dancing and laughing and crying with them. Three years down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not a very popular one, who once had dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.
When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lay your head.
I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiveness that was as wide as wavering as the ocean. And if I said that I didn't plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obsession for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me.
Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
”
”
Lana Del Rey
“
I loved her first,” Thomas said. “But you, Liis…you are the last woman I will ever love.
”
”
Jamie McGuire (Beautiful Redemption (The Maddox Brothers, #2))
“
Abel wanted a traditional marriage with a traditional wife. For a long time I wondered why he ever married a woman like my mom in the first place, as she was the opposite of that in every way. If he wanted a woman to bow to him, there were plenty of girls back in Tzaneen being raised solely for that purpose. The way my mother always explained it, the traditional man wants a woman to be subservient, but he never falls in love with subservient women. He’s attracted to independent women. “He’s like an exotic bird collector,” she said. “He only wants a woman who is free because his dream is to put her in a cage.
”
”
Trevor Noah (Born a Crime: Stories From a South African Childhood)
“
If ever you get to be my age," said the old woman, "you will know all there is to know about regrets, and you will know that one more, here or there, will make no difference in the long run.
”
”
Neil Gaiman (Stardust)
“
I choose to believe that I owe my very
life to you--ay--smile, and think it an exaggeration if you will.
I believe it, because it adds a value to that life to think--oh,
Miss Hale!' continued he, lowering his voice to such a tender
intensity of passion that she shivered and trembled before him,
'to think circumstance so wrought, that whenever I exult in
existence henceforward, I may say to myself, "All this gladness
in life, all honest pride in doing my work in the world, all this
keen sense of being, I owe to her!" And it doubles the gladness,
it makes the pride glow, it sharpens the sense of existence till
I hardly know if it is pain or pleasure, to think that I owe it
to one--nay, you must, you shall hear'--said he, stepping
forwards with stern determination--'to one whom I love, as I do
not believe man ever loved woman before.' He held her hand tight
in his. He panted as he listened for what should come.
”
”
Elizabeth Gaskell (North and South)
“
Anticipation is more potent than a whip and more compelling than handcuffs. The ability to tease and arouse a woman is a subtle skill few men ever bother to learn,” I said. “But learning the art of anticipation can make a woman go weak at the knees with longing.
”
”
Jason Luke (Interview with a Master (Interview with a Master, #1))
“
Listen to me, Amin," I said slowly. "Listen to me very carefully. Nothing is the same. Nothing will ever be the same again. There lives on this earth a woman who can be my friend and my lover. Do you understand that? Do you understand what a marvelous thing that is?"
"A friend is a friend," Uthman interrupted, "and a woman is a woman. You can't have them in one person. The whole world knows that."
"If that's what the whole world knows, ...then the whole world is wrong. I believed the whole world, and I lost her.
”
”
Barbara Cohen (Seven Daughters and Seven Sons)
“
I took a step toward her. "It is my right to reside in my own mind. It is my right," I said. "It is my right to be unsociable and it is my right to be unpleasant to be around. Do you ever listen to yourself? This is crazy, that is crazy, everything is crazy to you. By whose measure? Well, it is my right to be crazy, as you love to say so much. I have no shame. I have felt many things in my life, but shame is not among them." The volume of my voice caused me to stand on my tiptoes. I could not remember yelling like this, ever. "You may think that I have an obligation to you but I assure you that us being thrown together in this arbitrary arrangement does not cohesion make. I have never had less of an obligation to anyone in my life, you aggressively ordinary woman.
”
”
Carmen Maria Machado (Her Body and Other Parties: Stories)
“
You act young," he said, "because you are young. But you know things, Roza. Things people older than you don't even know. That day...." I knew instantly which day he referred to. The one up against the wall. "You were right, about how I fight to stay in control. No one else has ever figured that out- and it scared me. You scare me."
"Why? Don't you want anyone to know?"
He shrugged. "Whether they know that fact or not doesn't matter. What matters is that someone- that you- know me that well. When a person can see into your soul, it's hard. It forces you to be open. Vulnerable. It's much easier being with someone who's just more of a casual friend."
"Like Tasha."
"Tasha Ozera is an amazing woman. She's beautiful and she's brave. But she doesn't-"
"She doesn't get you," I finished.
He nodded. "I knew that. But I still wanted the relationship. I knew it would be easy and that she could take me away from you. I thought she could make me forget you."
I'd thought the same thing about Mason. "But she couldn't."
"Yes. And, so.....that's a problem.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
I've never thought of you like that,' said Christopher. 'How could I? If you were any other woman, I could tell you I loved you, easily enough, but not you-- because you've always seemed to me like a part of myself, and it would be like saying I loved my own eyes or my own mind. But have you ever thought of what it would be to have to live without your mind or your eyes, Kate? To be mad? Or blind?
”
”
Elizabeth Marie Pope (The Perilous Gard)
“
Hitch: making rules about drinking can be the sign of an alcoholic,' as Martin Amis once teasingly said to me. (Adorno would have savored that, as well.) Of course, watching the clock for the start-time is probably a bad sign, but here are some simple pieces of advice for the young. Don't drink on an empty stomach: the main point of the refreshment is the enhancement of food. Don't drink if you have the blues: it's a junk cure. Drink when you are in a good mood. Cheap booze is a false economy. It's not true that you shouldn't drink alone: these can be the happiest glasses you ever drain. Hangovers are another bad sign, and you should not expect to be believed if you take refuge in saying you can't properly remember last night. (If you really don't remember, that's an even worse sign.) Avoid all narcotics: these make you more boring rather than less and are not designed—as are the grape and the grain—to enliven company. Be careful about up-grading too far to single malt Scotch: when you are voyaging in rough countries it won't be easily available. Never even think about driving a car if you have taken a drop. It's much worse to see a woman drunk than a man: I don't know quite why this is true but it just is. Don't ever be responsible for it.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Don't talk. Kill it."
That might be the sweetest thing a woman's ever said to me on a first date.
”
”
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
“
If only you would realize some day, how much have you hurt me,
If only your heart ever, craves for me or my presence…
If only you feel that love again someday for me,
If only you are affected someday by my absence…
Only you can end all my suffering and this unbearable pain,
If only you would know what you could never procure…
If only you go through the memories of past once again,
Since the day you left my heart has bled, no one has its cure…
If only you would bring that love, those showers and that rain…
If only you would come back and see what damage you create,
I’ve been waiting for your return since forever more…
If only you would see the woman that you have made,
You said we cannot sail through, how were you so sure?
If only you can feel the old things that can never fade,
You may have moved on, but a piece of my heart is still with you…
I know how I’ve come so far alone; I know how I’m able to wade,
People say that I’m insane and you won’t ever come back again…
Maybe you would have never made your separate way,
Maybe you would have stayed with me and proved everyone wrong…
If only you would know the pain of dying every day,
If only you would feel the burden of smiling and being strong…
”
”
Mehek Bassi (Chained: Can you escape fate?)
“
He leaned deeper toward me and said softly, "I'm gonna tell you what I make of this. What I make of it, Gwendolyn, is if my woman had a sister who I knew was in some serious shit, she would not be havin' a chat with Kane Allen, she would not be sleepin' alone and therefore she would not ever have to worry about whether she needs a baseball bat of crowbar because she'd be in bed beside me." Mitch Lawson
”
”
Kristen Ashley (Mystery Man (Dream Man, #1))
“
Over the years I’ve collected a thousand memories of you, every glimpse, every word you’ve ever said to me. All those visits to your family’s home, those dinners and holidays—I could hardly wait to walk through the front door and see you.” The corners of his mouth quirked with reminiscent amusement. “You, in the middle of that brash, bull-headed lot…I love watching you deal with your family. You’ve always been everything I thought a woman should be. And I have wanted you every second of my life since we first met.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Moscow was, as some said, the most beautiful mistress a man could ever want, but never cross her: like any good woman, she might just cut off your balls for the hell of it.
”
”
Marjorie M. Liu (Shadow Touch (Dirk & Steele, #2))
“
Close your eyes, Maxon."
"What?"
"Close your eyes.
Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—"
"Stop it!"
"Sorry."
"Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?"
"Maxon, I..."
"Tell me the truth."
"Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate."
"A boy? How old?"
"Nine."
"Have you ever been like that? Starving?...How bad?"
"Maxon, it will only upset you more."
"Probably, but I'm only starting to realize how much I don't know about my own country. Please."
"We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon."
"Good God. When you said that you were only here for the food, you weren't kidding, were you?"
"Really, Maxon, we've been doing pretty well lately. I—"
"I'll see you at dinner.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Look, we say stuff to women all the time. We say we’ll call them, then we don’t. We tell them they’re beautiful, then spend the evening looking at other women. We say we don’t love them when we do, and say we do when we don’t. Christ, if I was a woman, I wouldn’t listen to a goddamn thing any man ever said to me.
”
”
Lani Diane Rich (The Comeback Kiss)
“
He watched Attolia out of the corner of his eye. She was still cool, like a breath of winter in the warm evening air, but in the last few days he had begun to sense a subtle humor in her chilly words. When Gen had complained earlier that evening that Petrus, the palace physician, should stop fussing over him like a worried old woman, Attolia had asked, archly,"And me as well?"
"When you stop fussing," Gen had said, slipping to his knees beside her couch, "I will sleep with two knives under my pillow."
Attolia had looked down at him and said sharply, "Don't be ridiculous."
Only when Eugenides laughed had Sounis realized her implication: If she ever turned against Eugenides, a second knife wouldn't save him. He almost swallowed the olive in his mouth unchewed.
”
”
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
“
I was in the parking lot, with the key in the car, and I thought to myself: If this is my last night on earth, would I rather spend it at a business meeting or with this woman? I ran across the parking lot, asked her if she'd have dinner with me. She said yes, we walked into town, and we've been together ever since.
”
”
Steve Jobs
“
Tell me everything about this woman you once knew. Tell me everything she ever told you about Jesus of Nazareth."
Marcus saw the fever in his eyes. "Why?" he said, frowning. "Why does it matter?"
"Just tell me, Marcus Lucianus Valerian. Tell me everything. From the beginning. Let me decide for myself what matters."
And so Marcus did as he was asked. He gave in to his deep need to speak of Hadassah. And all the while he talked of her, he failed to see the irony in what he was doing. For as he told the story of a simple Judean slave girl, Marcus Lucianus Valerian, a Roman who didn't believe in anything, proclaimed the gospel of Jesus Christ.
”
”
Francine Rivers (An Echo in the Darkness (Mark of the Lion, #2))
“
Even though Liz might have been at the bottom of our class in P&E, she is the best person I've ever seen at getting me out of bed, which is saying something, considering the woman who raised me. Macey was asleep in her headphones, so Liz felt free to yell, "We're doing this for you!" as she pulled on my left leg and Bex went in search of breakfast. Liz put her foot against the mattress for leverage as she tugged. "Come on, Cam. GET. UP. " "No!" I said, burrowing deeper into the covers. "Five more minutes. " Then she grabbed my hair, which is totally a low blow, since everyone knows I'm tender-headed. "He's a honeypot. " "He'll still be one in an hour, " I pleaded. Then Liz dropped down beside me. She leaned close. She whispered, "Tell Suzie she's a lucky cat. " I threw the covers aside. "I'm up!
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
That was some first kiss,” she said with a tired, contented expression.
I scanned her face and smiled. “Your last first kiss.”
Abby blinked, and then I fell onto the mattress beside her, reaching across her bare middle. Suddenly the morning was something to look forward to. It would be our first day together, and instead of packing in poorly concealed misery, we could sleep in, spend a ridiculous amount of the morning in bed, and then just enjoy the day as a couple. That sounded pretty damn close to heaven to me. Three months ago, no one could have convinced me that I would feel that way. Now, there was nothing else I wanted more.
A big, relaxing breath moved my chest up and down, relaxing slowly as I fell asleep next to the second woman I’d ever loved.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
He said he loved me,” she whispered.
Daniel swallowed, and he had the strangest sensation, almost a premonition of what it must like to be a parent.
Someday, God willing, he’d have a daughter, and that daughter would look like the woman standing in front of him, and if ever she looked at him with that bewildered expression, whispering, “He said he loved me . . .”
Nothing short of murder would be an acceptable response.
”
”
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
“
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with vision of myself dancing and laughing and crying with them. Three year down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not very popular one, who once has dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.
When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lied you head.
I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiviness that was as wide as wavering as the ocean. And if I said that I didn’t plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obssesion for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me.
Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
LIVE FAST. DIE YOUNG. BE WILD. AND HAVE FUN.
I believe in the country America used to be. I belive in the person I want to become, I believe in the freedom of the open road. And my motto is the same as ever- *I believe in the kindness of strangers. And when I’m at war with myself- I Ride. I Just Ride.*
Who are you? Are you in touch with all your darkest fantasies?
Have you created a life for yourself where you’re free to experience them?
I Have.
I Am Fucking Crazy. But I Am Free.
”
”
Lana Del Rey
“
If you don't want to have sex, I don't want to talk about our feelings."
He scrubbed his hand through his hair, looking confused. "Well, that's for damn sure the first time a woman's ever said that to me.
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
The most insightful thing I ever heard, was overheard. I was waiting for a rail replacement bus in Hackney Wick. These two old women weren’t even talking to me - not because I’d offended them, I hadn’t, I’d been angelic at that bus stop, except for the eavesdropping. Rail replacement buses take an eternity, because they think they’re doing you a favour by covering for the absent train, you’ve no recourse.
Eventually the bus appeared, on the distant horizon, and one of the women, with the relief and disbelief that often accompanies the arrival of public transport said, ‘Oh look, the bus is coming.’ The other woman - a wise woman, seemingly aware that her words and attitude were potent and poetic enough to form the final sentence in a stranger’s book - paused, then said, ‘The bus was always coming.
”
”
Russell Brand (My Booky Wook)
“
I saw you stand,” I said. “Saw your courage, back at Twelve. Saw the steel in your will, the power you command. You say there’s nothing of woman about you? You aren’t some painted vase, delicate and useless. You’re a fucking lioness. The strongest damn thing that ever lived. There’s nothing of you but woman.
”
”
Ed McDonald (Blackwing (Raven's Mark, #1))
“
It is often said that the first sound we hear in the womb is our mother’s heartbeat. Actually, the first sound to vibrate our newly developed hearing apparatus is the pulse of our mother’s blood through her veins and arteries. We vibrate to that primordial rhythm even before we have ears to hear. Before we were conceived, we existed in part as an egg in our mother’s ovary. All the eggs a woman will ever carry form in her ovaries while she is a four-month-old fetus in the womb of her mother. This means our cellular life as an egg begins in the womb of our grandmother. Each of us spent five months in our grandmother’s womb and she in turn formed within the womb of her grandmother. We vibrate to the rhythms of our mother’s blood before she herself is born. . . .
”
”
Ashley Audrain (The Push)
“
You know I love you. You're the only one."
"She isn't the first woman he's ever said that to. He shouldn't have used it up so much earlier in his life, he shouldn't have treated it like a tool, a wedge, a key to open women. By the time he got around to meaning it, the words sounded fraudulent to him and he'd been ashamed to pronounce them.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
Take off your shirt," I said, sitting up and pulling at the hem of the garment.
"Why?" he asked, but sat up and obliged. I knelt in front of him, admiring his naked body.
"Because I want to look at you," I said. He was beautifully made, with long, graceful bones and flat muscles that flowed smoothly from the curves of chest and shoulder to the slight concavities of belly and thigh. He raised his eyebrows.
"Well then, fair's fair. Take off yours, then." He reached out and helped me squirm out of the wrinkled chemise, pushing it down over my hips. Once it was off, he held me by the waist, studying me with intense interest. I grew almost embarrassed as he looked me over.
"Haven't you ever seen a naked woman before?" I asked.
"Aye, but not one so close." His face broke into a broad grin. "And not one that's mine.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
A woman at one of mother's parties once said to me, "Do you like reading?" which smote us all to silence, for how could one tell her that books are like having a bath or sleeping, or eating bread - absolute necessities which one never thinks of in terms of appreciation. And we all sat waiting for her to say that she had so little time for reading, before ruling her right out for ever and ever.
”
”
Rachel Ferguson (The Brontës Went to Woolworths)
“
Zerbrowski said, "I only ever understood one woman, and she was kind enough to marry me so I didn't have to decipher anyone else.
”
”
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
“
You cannot make this kind of decision," he said. "Go off with someone you barely know. You're seventeen."
"And you're the guy who got drunk on eggnog last Christmas and danced to 'Turn The Beat Around' in Aunt Rachel's wig, so stop acting like you're in charge."
"We agreed not to mention that ever again," Jason whispered furiously.
”
”
Leigh Bardugo (Wonder Woman: Warbringer)
“
That's great," Katie said. "Actually, it's revolutionary. If you can work and be in love at the same time, you're the first woman I ever knew that could. Maybe you're the missing link, Amanda."
Maybe you ought to get a job for the 'Ladies Home Journal.' They like simplistic shit like that.
”
”
Ellen Gilchrist
“
The driver, an old Irish woman, the only such cabbie I’ve ever seen, turned to us at a traffic light and said the immortal words, “Honey, if men could get pregnant, abortion would be a sacrament!
”
”
Gloria Steinem (My Life on the Road)
“
Angela could not be the bomber, not that sweet, pretty thing. Thing? Is that how she regarded that young woman, as a thing? And what had she ever said to her except "I hear you're getting married, Angela" or "How pretty you look, Angela." Had anyone asked her about her ideas, her hopes, her plans? If I had been treated like that I'd have used dynamite, not fireworks; no, I would have just walked out and kept right on going. But Angela was different.
”
”
Ellen Raskin (The Westing Game)
“
when I was four years old
they tried to test my I.Q.
they showed me a picture
of 3 oranges and a pear
they said,
which one is different?
it does not belong
they taught me different is wrong
but when I was 13 years old
I woke up one morning
thighs covered in blood
like a war
like a warning
that I live in a breakable takeable body
an ever-increasingly valuable body
that a woman had come in the night to replace me
deface me
see,
my body is borrowed
yeah, I got it on loan
for the time in between my mom and some maggots
I don't need anyone to hold me
I can hold my own
I got highways for stretchmarks
see where I've grown
I sing sometimes
like my life is at stake
'cause you're only as loud
as the noises you make
I'm learning to laugh as hard
as I can listen
'cause silence
is violence
in women and poor people
if more people were screaming then I could relax
but a good brain ain't diddley
if you don't have the facts
we live in a breakable takeable world
an ever available possible world
and we can make music
like we can make do
genius is in a back beat
backseat to nothing if you're dancing
especially something stupid
like I.Q.
for every lie I unlearn
I learn something new
I sing sometimes for the war that I fight
'cause every tool is a weapon -
if you hold it right.
”
”
Ani DiFranco
“
I heard someone walk out of the alley behind me, and my body went tense and tight, despite my weariness. Then a young woman's voice said, in a passable British accent, "The Little People are easily startled, but they'll soon be back. And in greater numbers."
I sagged in sudden, exhausted relief. The bad guys hardly ever quote Star Wars.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Nick continued, unable to keep the smug smile form his lips. "Shall I tell you what I would do if I discovered I'd been a royal ass and had lost the only woman I'd ever really wanted?"
Ralston's eyes narrowed on his brother. "I don't imagine I could stop you."
Indeed not," Nick said, "I can tell you I wouldn't be standing in this godforsaken field in this godforsaken cold waiting for that idiot Oxford to shoot at me. I would walk away from this ridiculous, antiquated exercise, and I would find that womand tell her that I was a royal ass. And then I would do whatever it takes to convince her that she should take a chance on me despite my being a royal ass. And once that's done, I would get her, immediatley, to the nearest vicar and get the girl married. And with child.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
Anticipation is more potent than a whip and more compelling than handcuffs. The ability to tease and arouse a woman is a subtly skill few men ever bother to learn,” I said. “But learning the art of anticipation can make a woman go weak at the knees with longing.
”
”
Jason Luke (Interview with a Master (Interview with a Master, #1))
“
Your love is different from mine. What I mean is, when you close your eyes, for that moment, the center of the universe comes to reside within you. And you become a small figure within that vastness, which spreads without limit behind you, and continues to expand at tremendous speed, to engulf all of my past, even before I was born, and every word I've ever written, and each view I've seen, and all the constellations, and the darkness of outer space that surrounds the small blue ball that is earth. Then, when you open your eyes, all that disappears.
I anticipate the next time you are troubled and must close your eyes again.
The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe.
Oddly, at that moment, she looked over at me and smiled. As if in response to what I'd been thinking, she said, "That was beautiful. I'll never forget it.
”
”
Banana Yoshimoto (Lizard)
“
She looked up at him and said,"What did you say?"
"You have beautiful eyes."
"You told my father that he has beautiful eyes?"
He smiled. "No. You distracted me. I told your father that, while I was very grateful for the lesson, I doubt I would ever need of it again- because I was planning to court only one woman in my lifetime.
”
”
Sarah MacLean (The Season)
“
His chest swelled with pride at her words. “Good, because no one touches my girl unless she wants to be touched. No woman should ever be violated. That’s something my mom made sure we understood. She said a woman’s body was a temple, and you should never enter it without an invitation. I was just a kid and didn’t understand at the time, but she stressed it so much that I remember.
”
”
J.M. Darhower (Sempre (Sempre, #1))
“
How did I dance with a guy who's never heard of feminism?"
"I've heard of it, but that doesn't mean a woman can do everything a man can do," he goaded. I went to smack him on the back of his head, but he ducked with a snicker."I'm learning," he informed me. "How did I ever consider dating such a violent girl?"
"We're both lucky we got out early before we really knew each other."
"Oh yes, good thing neither one of is still interested in the other," Brent said with a playful grin.
”
”
Lani Woodland (Intrinsical (The Yara Silva Trilogy, #1))
“
No buts," he said, "because there are none. You see yourself as someone who couldn't get away. I see the courageous woman who escaped. You see yourself as someone who should be ashamed or guilty because she let it happen. I see a kind, beautiful woman who should feel proud because she stopped it from happening ever again. Not many women have the strength to do what you did..
”
”
Nicholas Sparks (Safe Haven)
“
Dear Josh,
Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always
just right. It made sense. You were my home. When I was with you I knew everything would be okay.
You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was
falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet.
Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I
never doubted my worth because you taught me I was worthy.
When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for
another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He
doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me
would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll
always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart
always.
Love,
Your Eva Blue
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
The Couple Overfloweth
We sometimes go on as though people can’t express themselves. In fact they’re always expressing themselves. The sorriest couples are those where the woman can’t be preoccupied or tired without the man saying “What’s wrong? Say something…,” or the man, without the woman saying … and so on. Radio and television have spread this spirit everywhere, and we’re riddled with pointless talk, insane quantities of words and images. Stupidity’s never blind or mute. So it’s not a problem of getting people to express themselves but of providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people expressing themselves but rather force them to express themselves; What a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, and ever rarer, thing that might be worth saying. What we’re plagued by these days isn’t any blocking of communication, but pointless statements. But what we call the meaning of a statement is its point. That’s the only definition of meaning, and it comes to the same thing as a statement’s novelty. You can listen to people for hours, but what’s the point? . . . That’s why arguments are such a strain, why there’s never any point arguing. You can’t just tell someone what they’re saying is pointless. So you tell them it’s wrong. But what someone says is never wrong, the problem isn’t that some things are wrong, but that they’re stupid or irrelevant. That they’ve already been said a thousand times. The notions of relevance, necessity, the point of something, are a thousand times more significant than the notion of truth. Not as substitutes for truth, but as the measure of the truth of what I’m saying. It’s the same in mathematics: Poincaré used to say that many mathematical theories are completely irrelevant, pointless; He didn’t say they were wrong – that wouldn’t have been so bad.
(Negotiations)
”
”
Gilles Deleuze (Negotiations 1972-1990)
“
I should have thought,' said Fanny after a pause of recollection and exertion, 'that every woman must have felt the possibility of a man's not being approved, not being loved by someone of her sex, at least, let him be ever so generally agreeable. Let him have all the perfections in the world, I think it ought not to be set down as certain, that a man must be acceptable to every woman he may happen to like himself.
”
”
Jane Austen (Mansfield Park)
“
It wasn't a meaningless act for me either," Marcus said, his raspy whisper tickling her ear. "Yesterday I finally realized that all the things that I thought were wrong about you were actually the things I enjoyed most. I don't give a damn what you do, so long as it pleases you. Run barefoot on the front lawn. Eat pudding with your fingers. Tell me to go to hell as often as you like. I want you just as you are. After all, you're the only woman aside from my sisters who has ever dared to tell me to my face that I'm an arrogant ass. How could I resist you?" His mouth moved to the soft cushion of her cheek. "My dearest Lillian," he whispered, easing her head back to kiss her eyelids. "If I had the gift of poetry, I would shower you with sonnets. But words have always been difficult for me when my feelings are strongest. And there is one word in particular that I can't bring myself to say to you...'goodbye'. I couldn't bear the sight of you walking away from me. If you won't marry me for the sake of your honor, then do it for the sake of everyone who would have to tolerate me otherwise. Marry me because I need someone who will help me to laught at myself. Because someone has to teach me how to whistle. Marry me, Lillian...because I have the most irresistable fascination for your ears.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Sartaq said to her, clear and steady, “I heard the spies’ stories of you. The fearless Balruhni woman in Adarlan’s empire. Neith’s Arrow. And I knew …” Nesryn sobbed, tugging and tugging. Sartaq smiled at her—gently. Sweetly. In a way she had not yet seen. “I loved you before I ever set eyes on you,” he said. “Please,” Nesryn wept. Sartaq’s hand tightened on hers. “I wish we’d had time.” A hiss behind him, a rising bulk of shining black— Then the prince was gone. Ripped from her hands. As if he had never been.
”
”
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
“
Ever man should have the courage to stand up and face the enemy,' I said, 'cause ever person that looks like a enemy on the outside ain't necessarily one on the inside. We all has more in common that we think. You stood up with courage and faced me when I was dangerous, and it changed my life. You loved me for who I was on the inside, the person God meant for me to be, the one that had just gotten lost for a while on some ugly roads in life.
”
”
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
“
Woolsey quirked an eyebrow. “You are a funny thing,” he said. “I would say I could see what those boys see in you, but …” He shrugged. His yellow dressing gown had a long, bloody tear in it now. “Women are not something I have ever understood.”
“What about them do you find mysterious, sir?”
“The point of them, mainly.”
“Well, you must have had a mother,” said Tessa.
“Someone whelped me, yes,” said Woolsey without much enthusiasm. “I remember her little.”
“Perhaps, but you would not exist without a woman, would you? However little use you may find us, we are cleverer and more determined and more patient than men. Men may be stronger, but it is women who endure.”
“Is that what you are doing? Enduring? Surely an engaged woman should be happier.” His light eyes raked her. “A heart divided against itself cannot stand, as they say. You love them both, and it tears you apart.”
“House,” said Tessa.
He raised an eyebrow. “What was that?”
“A house divided against itself cannot stand. Not a heart. Perhaps you should not attempt quotations if you cannot get them correct.
”
”
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
“
But if you knew that, why on earth did you marry her?" Rosemary asked.
"Why?" Rhett's mouth twisted in a smile.
"Because she was so full of fire and so recklessly, stubbornly brave.Because she was such a child beneath all her pretenses.Because she was unlike any woman I had ever known. She fascinated
me,infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease."
There was a weight of sorrow in his voice. He bowed his head into his two hands and laughed shakily. His voice was muffled and blurred by his fingers. "What a grotesque practical joke life is. Now Ashley Wilkes is a free man and would marry Scarlett on a moment's notice, and I want to be rid of her. Naturally that makes her determined to have me. She wants only what she cannot have."
Rhett raised his head. "I'm afraid," he said quietly, "afraid that it will all begin again. I know that she's heartless and completely selfish, that she's like a child who cries for a toy and then breaks it once she has it. But there are moments when she tilts her head at a certain angle, or she smiles that gleeful smile, or she suddenly looks lost-and I come close to forgetting what I know.
”
”
Alexandra Ripley (Scarlett)
“
Why not?" she said, "and take note of what I am about to say to you. Never feel secure with the woman you love, for there are more dangers in woman's nature than you imagine. Women are neither as good as their admirers and defenders maintain, nor as bad as their enemies make them out to be. Woman's character is characterlessness. The best woman will momentarily go down into the mire, and the worst unexpectedly rises to deeds of greatness and goodness and puts to shame those that despise her. No woman is so good or so bad, but that at any moment she is capable of the most diabolical as well as of the most divine, of the filthiest as well as of the purest, thoughts, emotions, and actions. In spite of all the advances of civilization, woman has remained as she came out of the hand of nature. She has the nature of a savage, who is faithful or faithless, magnanimous or cruel, according to the impulse that dominates at the moment. Throughout history it has always been a serious deep culture which has produced moral character. Man even when he is selfish or evil always follows principles, woman never follows anything but impulses. Don't ever forget that, and never feel secure with the woman you love.
”
”
Leopold von Sacher-Masoch (Venus In Furs)
“
So Janie waited a bloom time, and a green time and an orange time. But when the pollen again gilded the sun and sifted down on the world she began to stand around the gate and expect things. What things? She didn't know exactly. Her breath was gusty and short. She knew things that nobody had ever told her. For instance, the words of the trees and the wind. She often spoke to falling seeds and said, 'Ah hope you fall on soft ground,' because she had heard seeds saying that to each other as they passed. She knew the world was a stallion rolling in the blue pasture of ether. She knew that God tore down the old world every evening and built a new one by sun-up. It was wonderful to see it take form with the sun and emerge from the gray dust of its making. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
Dear Son,
I would call you by name, but I’m waiting for your mother to decide. I only hope she is joking when she calls you Albert Dalbert.
For weeks now I have watched your mother zealously gather her tokens for this box. She’s so afraid of you not knowing anything about her, and it bothers me greatly that you’ll never know her strength firsthand. I’m sure by the time you read this, you’ll know everything I do about her.
But you’ll never know her for yourself and that pains me most of all. I wish you could see the look on her face whenever she talks to you. The sadness she tries so hard to hide. Every time I see it, it cuts through me.
She love you so much. You’re all she talks about. I have so many orders from her for you. I’m not allowed to make you crazy the way I do your Uncle Chris. I’m not allowed to call the doctors every time you sneeze and you are to be allowed to tussle with your friends without me having a conniption that someone might bruise you.
Nor am I to bully you about getting married or having kids. Ever.
Most of all, you are allowed to pick your own car at sixteen. I’m not supposed to put you in a tank. We’ll see about that one. I refuse to promise her this last item until I know more about you. Not to mention, I’ve seen how other people drive on the roads. So if you have a tank, sorry. There’s only so much changing man my age can do.
I don’t know what our futures will hold. I only hope that when all is said and done, you are more like your mother than you are like me. She’s a good woman. A kind woman. Full of love and compassion even though her life has been hard and full of grief. She bears her scars with a grace, dignity, and humor that I lack.
Most of all, she has courage the likes of which I haven’t witnessed in centuries. I hope with every part of me that you inherit all her best traits and none of my bad ones.
I don’t really know what more to say. I just thought you should have something of me in here too.
Love,
Your father (Wulf)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
Why do you suppose the poets talk about hearts?' he asked me suddenly. 'When they discuss emotional damage? The tissue of hearts is tough as a shoe. Did you ever sew up a heart?'
I shook my head. 'No, but I've watched. I know what you mean.' The walls of a heart are thick and strong, and the surgeons use heavy needles. It takes a good bit of strength, but it pulls together neatly. As much as anything it's like binding a book.
The seat of human emotion should be the liver,' Doc Homer said. 'That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers.'
I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.
”
”
Barbara Kingsolver
“
What do you mean, 'Angle of Repose?' she asked me when I dreamed we were talking about Grandmother's life, and I said it was the angle at which a man or woman finally lies down. I suppose it is; and yet ... I thought when I began, and still think, that there was another angle in all those years when she was growing old and older and very old, and Grandfather was matching her year for year, a separate line that did not intersect with hers. They were vertical people, they lived by pride, and it is only by the ocular illusion of perspective that they can be said to have met. But he had not been dead two months when she lay down and died too, and that may indicate that at that absolute vanishing point they did intersect. They had intersected for years, for more than he especially would ever admit.
”
”
Wallace Stegner (Angle of Repose)
“
Has she accepted you?"
"Not yet.She wants to discuss it with you first."
"Thank God.Because I'll tell her that it's the worst idea I've ever heard."
Leo arched a brow."You doubt I could protect her?"
"I doubt you could keep from murdering each other!I doubt she could ever be happy in such volatile circumstances.I doubt...no,I won't bother listing all my concerns,it would take too bloody long." Harry's eyes were ice-cold. "The answer is no,Ramsay.I'll do what is necessary to take care of Cat.You can return to Hampshire."
"I'm afraid it won't be that easy to get rid of me," Leo said."Perhaps you didn't notice that I haven't asked for your permission.There is no choice.Certain things have happened that can't be undone.Do you understand?"
He saw from Harry's expression that only a few fragile constraints stood between him and certain death.
"You seduced her deliberately," Harry managed to say.
"Would you be happier if I claimed it was an accident?"
"The only thing that would make me happy is to weight you with rocks and toss you into the Thames."
"I understand.I even sympathize.I can't imagine what it would be like to face a man who's compromised your sister,how difficult it would be to keep from murdering him on the spot.Oh, but wait.." Leo tapped a forefinger thoughtfully on his chin. "I can imagine.Because I went through it two bloody months ago."
Harry's eyes narrowed."That wasn't the same.Your sister was still a virgin when I married her."
Leo gave him an unrepenting glance. "When I compromise a woman,I do it properly."
"That does it," Harry muttered, leaping for his throat.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
Ah yes," Gabe said, "Pinter is ever the gallant when it comes to the ladies. He wouldn't risk leaving us alone with poor Miss Lake, for the fear one of us might spirit her off to our lair."
"Why?" Miss Lake asked, with a lift of her brow. "Do you three make a habit of spiriting women off?"
"Only on Tuesdays and Fridays," Masters said. "Seeing as how it's Wednesday, your safe."
"Unless you're wearing a blue garter, madam," Gabe quipped. "On Wednesdays, Masters and I have a great fondness for blue garters. Are your gaters blue, Miss Lake?"
"Only on Mondays and Thursdays." She dealt thirteen cards apiece to the two of them, then put the rest aside as the stock, turning the top card faceup. "Sorry gentlemen. I guess you'll have to spirit off some other woman.
”
”
Sabrina Jeffries (A Hellion in Her Bed (Hellions of Halstead Hall, #2))
“
Have you ever tried really hard not to love somebody too much?”
“Why?”
“It’s simple, really. If I love her too much, it’s painful. I can’t take it. I don’t think my heart can stand it, which is why I’m trying not to fall in love with her.”
“What are you doing, exactly, so that you don’t love her too much?”
“I’ve tried all kinds of things,” he said. “But it all boils down to intentionally thinking negative thoughts about her as much as I can. I mentally list as many of her defects as I can come up with—her imperfections, I should say. And I repeat these over and over in my head like a mantra, convincing myself not to love this woman more than I should.”
“Has it worked?”
“No, not so well.
”
”
Haruki Murakami (Hombres sin mujeres)
“
Henry's face went red in anger as he blustered at her audacity. It wasn't often anyone got the better of him, and Sin knew no woman had ever flummoxed him before. Not even Eleanor.
"You are willing to declare war for him ?" Henry asked indignantly.
She didn't hesitate with her response. "I am. Are you?"
Sin closed his eyes as he heard the most precious words of his life. She who believed in nothing but peace was willing to fight for him. He could die happily knowing that.
Still, he couldn't let her do this. Henry would not rest until he buried her and her clan. A king's reputation was all he had, and if Henry lost face…
"Callie," Sin said, waiting until her gaze met his. "Thank you, but you can't do this. You can't start a war over me. I'm not worth the cost."
"You are worth everything to me.
”
”
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
“
What's that you're doing, Sassenach?"
"Making out little Gizmo's birth certificate--so far as I can," I added.
"Gizmo?" he said doubtfully. "That will be a saint's name?"
"I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus."
"Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee.
"One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him.
"Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him."
Jamie looked blank.
"What has that got to do wi' chickens?"
"I haven't the faintest idea. Take it up with the Vatican," I advised him.
"Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist.
"And what's he the patron of?"
"He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--"
"A what?"
"Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring."
"Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?"
He laughed.
"Any man who's had his prayer answered could tell yet that, Sassenach."
(PP. 841-842)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
Bran knew. "She's a child. A child of the forest." He shivered, as much from wonderment as cold. They had fallen into one of Old Nan's tales.
"The First Men named us children," the little woman said. "The giants called us wok dak nag gran, the squirrel people, because we were small and quick and fond of trees, but we are no squirrels, no children. Our name in the True Tongue means those who sing the song of the earth. Before your Old Tongue was ever spoken, we had sun our songs ten thousand years."
Meera said, "You speak the Common Tongue now."
"For him. The Bran boy. I was born in the time of the dragon, and for two hundred years I walked the world of men, to watch and listen and learn. I might be walking still, but my legs were sore and my heart was weary, so I turned my feet for home."
"Two hundred years?" said Meera.
The child smiled. "Men, they are the children.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
It was the shadow of Some one who had gone by long before: of Some one who had gone on far away quite out of reach, never, never to come back. It was bright to look at; and when the tiny woman showed it to the Princess, she was proud of it with all her heart, as a great, great, treasure. When the Princess had considered it a little while, she said to the tiny woman, And you keep watch over this, every day? And she cast down her eyes, and whispered, Yes. Then the Princess said, Remind me why. To which the other replied, that no one so good and so kind had ever passed that way, and that was why in the beginning. She said, too, that nobody missed it, that nobody was the worse for it, that Some one had gone on to those who were expecting him--
'Some one was a man then?' interposed Maggy.
Little Dorrit timidly said yes, she believed so; and resumed:
'-- Had gone on to those who were expecting him, and that this remembrance
was stolen or kept back from nobody. The Princess made answer, Ah! But when the cottager died it would be discovered there. The tiny woman told her No; when that time came, it would sink quietly into her own grave, and would never be found.
”
”
Charles Dickens (Little Dorrit)
“
I do not want to be relieved from any obligation,' said he, goaded by her calm manner. 'Fancied, or not fancied - I question not myself to know which - I choose to believe that I owe my very life to you - ay - smile, and think it an exaggeration if you will. I believe it, because it adds a value to that life to think - oh, Miss Hale!' continued he, lowering his voice to such a tender intensity of passion that she shivered and trembled before him, 'to think circumstance so wrought, that whenever I exult in existence henceforward, I may say to myself, "All this gladness in life, all honest pride in doing my work in the world, all this keen sense of being, I owe to her!" And it doubles the gladness, it makes the pride glow, it sharpens the sense of existence till I hardly know if it is pain or pleasure, to think that I owe it to one - nay, you must, you shall hear' - said he, stepping forwards with stern determination - 'to one whom I love, as I do not believe man ever loved woman before.
”
”
Elizabeth Gaskell (North and South)
“
The voice boomed from the Throne. "One more goodbye."
Together, Luce and Daniel turned to acknowledge the Throne, but the second their eyes fell upon it, the stately figure of the woman blazed into white-hot glory, and they had to shield their eyes.
The Throne was indiscernible again, a gathering of light too brilliant to be gazed upon by angels.
"Hey, guys." Arriane sniffed. "I think she meant for you two to say goodbye to each other."
"Oh," Luce said, turning to Daniel, suddenly panicked. "Right now? We have to-"
He took her hand. His wings brushed hers. He kissed the centers of her cheeks.
"I'm afraid," she whispered.
"What did I tell you?"
She sifted through the million exchanges she and Daniel had ever shared-the good, the sad, the ugly. One rose above the clouds of her mind.
She was shaking. "That you will always find me."
"Yes. Always. No matter what."
"Daniel-"
"I can't wait to make you the love of my mortal life."
"But you won't know me. You won't remember. Everything will be different."
He wiped away her tear with his thumb. "And you think that will stop me?"
She closed her eyes. "I love you too much to say goodbye."
"It isn't goodbye." He gave her one last angelic kiss and embraced her so tightly she could hear his steady heartbeat, overlapping her own. "It's until we meet again.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers.
One day, a woman saw this bird and fell in love with him.
She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird.
But then she thought: He might want to visit far-off mountains!
And she was afraid, afraid that she would never feel the same way about any other bird.
And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.”
The bird, who was also in love, returned the following day, fell into the trap and was put in a cage.
She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.”
However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest.
The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage.
One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds.
If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body.
Without the bird, her life too lost all meaning, and Death came knocking at her door.
“Why have you come?” she asked Death.
“So that you can fly once more with him across the sky,” Death replied.
“If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.
”
”
Paulo Coelho (Eleven Minutes)
“
Do you ever think when you look at someone, when to you listen to someone, does that person really have a life?" Abdul was asking the boy who was not listening. "Like that woman who just went to hang herself, or her husband, who probably beat her before she did this? I wonder what kind of life is that," Abdul went on. "I go through tensions just to see it. But it is a life. Even the person who lives like a dog still has a kind of life. Once when my mother was beating me, and that thought came to me. I said, 'If what is happening now, you beating me, is to keep happening for the rest of my life, it would be a bad life, but it would be a life, too.' And my mother was so shocked when I said that. She said, "Don't confuse yourself by thinking about such terrible lives.'" Sunil though that he, too, had a life. A bad life, certainly-the kind that could be ended as Kalu's had been and then forgotten, because it made no difference to the people who lived in the overcity. But something he'd come to realize on the roof, leaning out, thinking about what would happen if he leaned to far, was that a boy's life could still matter to himself.
”
”
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
“
THE ARRANGEMENTS AT the green house had become slightly peculiar, for Roen had decided to take the house back from Brigan and give it to Fire.
‘I can understand you taking it from Brigan, if that’s your pleasure,’ Fire said, standing in the small green kitchen, having this argument with Roen for the third or fourth time. ‘You’re the queen, and it’s the queen’s house, and whatever Brigan may accomplish, he’s highly unlikely ever to be queen. But Nash will have a queen someday, Roen, and the house by rights should be hers.’
‘We’ll build her something else,’ Roen said with a careless sweep of her arm.
‘This is the queen’s house,’ Fire repeated.
‘It’s my house,’ Roen said. ‘I built it, and I can give it to whomever I want, and I don’t know anyone who needs a peaceful retreat from the court more than you do, Fire—’
‘I have a retreat. I have a house of my own in the north.’
‘Three weeks away,’ Roen snorted, ‘and miserable half the year. Fire. If you’re to stay at court then I want you to have this house, for your own daily retreat. Take Brigandell and Hannadell in if you like, or send them out on their ears.’
‘Whatever woman Nash marries is already going to resent me enough—’
Roen spoke over her. ‘You are queenly, Fire, whether you see it or not. And you’d be spending most of your time here anyway if I left the house to Brigan; and I’m through with arguing. Besides, it matches your eyes.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
I know I'm just a human woman, but so help me, if anything happens to her while she's with you-”
“I assure you she'll be in good hands.”
“Mm-hm, that's part of what I'm worried about.” She pointed at his hands. “Hands off, mister."
His eyes widened, and so did mine.
“Patti!” I said.
She crossed her arms, fierce and serious. We both shrank back a fraction.
“Bring her back to me safely, with her virtue intact.”
I closed my eyes. Someone kill me now.
“Yes, ma'am,” Kaidan responded.
I couldn't speak or move because of my hot-faced embarrassment.
“And thank you for doing this,” Patti added.
She came forward, sat down next to Kaidan, and hugged him. She liked him! He hesitated for a second before wrapping his own arms around her in return. It was one of the strangest sights I'd ever witnessed-an embrace between two people who didn't seem to belong in the same universe, as far as I was concerned. When Patti pulled away, her face was calm.
“So we'll leave in the morning then, yes?” Kaidan raised a last eyebrow at me and I shivered, breaking into a cold sweat as I nodded my agreement.
What had I done?
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
You have not been yourself all day," said Henry, and rose from his seat with face unmoved. Margaret rushed at him and seized both his hands. She was transfigured.
"Not any more of this!" she cried. "You shall see the connection if it kills you, Henry! You have had a mistress—I forgave you. My sister has a lover—you drive her from the house. Do you see the connection? Stupid, hypocritical, cruel—oh, contemptible!—a man who insults his wife when she's alive and cants with her memory when she's dead. A man who ruins a woman for his pleasure, and casts her off to ruin other men. And gives bad financial advice, and then says he is not responsible. These men are you. You can't recognise them, because you cannot connect. I've had enough of your unneeded kindness. I've spoilt you long enough. All your life you have been spoiled. Mrs. Wilcox spoiled you. No one has ever told what you are—muddled, criminally muddled. Men like you use repentance as a blind, so don't repent. Only say to yourself, 'What Helen has done, I've done.
”
”
E.M. Forster (Howards End)
“
That was exactly what Tabucchi was suggesting with his title ("La Nostalgie du Possible") --that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. 'Pass by' and at the same time be 'so close' that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you've never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affiar with her had crossed your mind. Perhaps she would have liked that --probably, in fact-- but nothing every happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimeters towards the face of the other for the first kiss.
”
”
Antoine Laurain (The Red Notebook)
“
I squeezed her hand and said nothing. I knew little about Keats or his poetry, but I thought it possible that in his hopeless situation he would not have wanted to write precisely because he loved her so much. Lately I'd had the idea that Clarissa's interest in these hypothetical letters had something to do with our own situation, and with her conviction that love that did not find its expression in a letter was not perfect. In the months after we'd met, and before we'd bought the apartment, she had written me some beauties, passionately abstract in the ways our love was different from and superior to any that had ever existed. Perhaps that's the essence of a love letter, to celebrate the unique. I had tried to match her, but all that sincerity would permit me were the facts, and they seemed miraculous enough to me: a beautiful woman loved and wanted to be loved by a large, clumsy, balding fellow who could hardly believe his luck.
”
”
Ian McEwan (Enduring Love)
“
It is often said that the first sound we hear in the womb is our mother's heartbeat. Actually, the first sound to vibrate our newly developed hearing apparatus is the pulse of our mother's blood through her veins and arteries. We vibrate to that primordial rhythm even before we have ears to hear. Before we were conceived, we existed in part as an egg in our mother's ovary. All the eggs a woman will ever carry form in her ovaries while she is a four-month-old fetus in the womb of her mother. This means our cellular life as an egg begins in the womb of our grandmother. Each of us spent five months in our grandmother's womb and she in turn formed within the womb of her grandmother. We vibrate to the rhythms of our mother's blood before she herself is born. And this pulse is the thread of blood that runs all the way back through the grandmothers to the first mother. We all share the blood of the first mother. We are truly children of one blood.
”
”
Layne Redmond (When The Drummers Were Women: A Spiritual History of Rhythm)
“
I have said that the soul is not more than the body,
And I have said that the body is not more than the soul,
And nothing, not God, is greater to one than one's self is,
And whoever walks a furlong without sympathy walks to his own
funeral drest in his shroud,
And I or you pocketless of a dime may purchase the pick of the
earth,
And to glance with an eye or show a bean in its pod confounds the
learning of all times,
And there is no trade or employment but the young man following it
may become a hero,
And there is no object so soft but it makes a hub for the wheel'd
universe,
And I say to any man or woman, Let your soul stand cool and composed
before a million universes.
And I say to mankind, Be not curious about God,
For I who am curious about each am not curious about God,
(No array of terms can say how much I am at peace about God and
about death.)
I hear and behold God in every object, yet understand God not in the
least,
Nor do I understand who there can be more wonderful than myself.
Why should I wish to see God better than this day?
I see something of God each hour of the twenty-four, and each moment
then,
In the faces of men and women I see God, and in my own face in the
glass,
I find letters from God dropt in the street, and every one is sign'd
by God's name,
And I leave them where they are, for I know that wheresoe'er I go,
Others will punctually come for ever and ever.
”
”
Walt Whitman
“
But,” Shane said. He had to say this next part. It had been eating away at him for too long. “You want to get married, right? To a woman, I mean. You’re not...like me. You like women. And I’m sure...Svetlana is gorgeous and fun and...all that stuff. Right?”
“Yes,” Ilya said. “I do. She is. But.”
“But?”
Ilya shrugged, and he looked like he was possibly blushing. “I have this problem,” he mumbled.
Shane waited.
“I like women. I always was thinking that to get married would be nice. Kids. All of that. Someday. But...this problem will not go away.”
Shane bit his lip. “Tell me about this problem.”
“Is so annoying.” Ilya sighed, and Shane could see him fighting a grin. “Always I am with beautiful women. Wonderful women. Everywhere.”
“Sounds rough.”
“Yes. Listen. These women, they are so sexy and fun, but is no matter. I cannot stop thinking about this short fucking hockey player with these stupid freckles and a weak backhand.”
“A weak backhand?” Shane couldn’t stop smiling.
“Yes. And he is just so boring and he drives a terrible car and...that is my problem. All of these beautiful women and I am always wishing they were him.”
Ilya bent to take his third shot. “Is terrible problem.”
Fuck. Shane was going start crying right here in his games room. He swallowed and steadied himself. “Do you want the problem to go away?”
“No,” Ilya said seriously, looking Shane dead in the eye. “I do not want the problem to ever go away.
”
”
Rachel Reid (Heated Rivalry (Game Changers #2))
“
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic.
One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these:
"I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.
"I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.
"I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
"I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice.
"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
”
”
Charles Dickens (A Tale of Two Cities)
“
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled.
The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.”
“Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?”
A growl like none Butch had ever heard came out of the guy.
“Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.”
It took a minute before the model let go.
“That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.”
Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.”
The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly.
“Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?"
“Don’t have one.”
“Then I’m coming after your girlfriend.”
Butch dragged in some air. “Got no woman.”
“So if the chicks won’t do you, what makes you think I’d want to?”
“Was hoping to piss you off.”
“Now why’d you want to do that?” Blondie asked.
“If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight.
Would’ve killed me first. Before I had a chance at you.”
Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone.
“You know, I kind of like this big dummy,” the guy drawled.
Someone cleared a throat. Rather officiously.
Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray.
“Pardon me, gentlemen. Dinner will be served in about fifteen minutes.”
“Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray.
“Yes, Sire.”
“Hot damn.”
The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this?
“Might I ask a favor?” the butler said.
Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.”
Yeah, guess the guy wasn’t really normal. Just relatively so.
The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?”
“No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight blue dress seemed to have been made to match the darkness of the cab. Every now and then her thinly daubed, beautifully formed lips would quiver slightly as if she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation that I was feeling could be.
It finally hit me some dozen or so years later. I had come to Santa Fe to interview a painter and was sitting in a local pizza parlor, drinking beer and eating pizza and watching a miraculously beautiful sunset. Everything was soaked in brilliant red—my hand, the plate, the table, the world—as if some special kind of fruit juice had splashed down on everything. In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her.
But neither Nagasawa nor I could have managed that. As so many of those I knew had done, Hatsumi reached a certain stage in her life and decided—almost on the spur of the moment—to end it. Two years after Nagasawa left for Germany, she married, and two years after that she slashed her wrists with a razor blade.
It was Nagasawa, of course, who told me what had happened. His letter from Bonn said this: “Hatsumi’s death has extinguished something. This is unbearably sad and painful, even to me.” I ripped his letter to shreds and threw it away. I never wrote to him again.
”
”
Haruki Murakami (Norwegian Wood)
“
You speak as if you envied him."
"And I do envy him, Emma. In one respect he is the object of my envy."
Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying,
"You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment."
"Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself."
"Thank you," said he, in an accent of deep mortification, and not another syllable followed.
Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house.
"You are going in, I suppose?" said he.
"No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think."
"As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?"
He stopped in his earnestness to look the question, and the expression of his eyes overpowered her.
"My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more."
Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling.
"I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.
”
”
Jane Austen (Emma)
“
It was drizzling. As people rushed along, they began opening umbrellas over their heads, and all at once the streets were crowded, too. Arched umbrella roofs collided with one another. The men were courteous, and when passing Tereza they held their umbrellas high over their heads and gave her room to go by. But the women would not yield; each looked straight ahead, waiting for the other woman to acknowledge her inferiority and step aside. The meeting of the umbrellas was a test of strength. At first Tereza gave way, but when she realized her courtesy was not being reciprocated, she started clutching her umbrella like the other women and ramming it forcefully against the oncoming umbrellas. No one ever said "Sorry." For the most part no one said anything, though once or twice she did hear a "Fat cow!" or "Fuck you!"
The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries.
She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world.
I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea.
I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
Father Brendan Flynn: "A woman was gossiping with her friend about a man whom they hardly knew - I know none of you have ever done this. That night, she had a dream: a great hand appeared over her and pointed down on her. She was immediately seized with an overwhelming sense of guilt. The next day she went to confession. She got the old parish priest, Father O' Rourke, and she told him the whole thing. 'Is gossiping a sin?' she asked the old man. 'Was that God All Mighty's hand pointing down at me? Should I ask for your absolution? Father, have I done something wrong?' 'Yes,' Father O' Rourke answered her. 'Yes, you ignorant, badly-brought-up female. You have blamed false witness on your neighbor. You played fast and loose with his reputation, and you should be heartily ashamed.' So, the woman said she was sorry, and asked for forgiveness. 'Not so fast,' says O' Rourke. 'I want you to go home, take a pillow upon your roof, cut it open with a knife, and return here to me.' So, the woman went home: took a pillow off her bed, a knife from the drawer, went up the fire escape to her roof, and stabbed the pillow. Then she went back to the old parish priest as instructed. 'Did you gut the pillow with a knife?' he says. 'Yes, Father.' 'And what were the results?' 'Feathers,' she said. 'Feathers?' he repeated. 'Feathers; everywhere, Father.' 'Now I want you to go back and gather up every last feather that flew out onto the wind,' 'Well,' she said, 'it can't be done. I don't know where they went. The wind took them all over.' 'And that,' said Father O' Rourke, 'is gossip!
”
”
John Patrick Shanley (Doubt, a Parable)
“
She slid a slim volume of poetry off the shelf and returned to her chair, swishing her rather unnattractive skirts before she sat down.
Benedict frowned. He'd never really noticed before how ugly her dress was. Not as bad as the one Mrs. Cabtree had lent her, but certainly not anything designed to bring out the best in a woman.
He ought to buy her a new dress. She would never accept it,of course, but maybe if her current garments were accidentally burned...
"Mr. Bridgerton?"
But how could he manage to burn her dress? She'd have to not be wearing it, and that posed a certain challenge in and of itself...
"Are you even listening to me?" Sophie demanded.
"Hmmm?"
"You're not listening to me."
"Sorry," he admitted. "My apologies. My mind got away from me. Please continue."
She began anew, and in his attempt to show how much attention he was paying her, he focused his eyes on her lips, which proved to be a big mistake.
Because suddenly those lips were all he could see, and he couldn't stop thinking about kissing her, and he knew- absolutely knew-that if one of them didn't leave the room in the next thirty seconds, he was going to do something for which he'd owe her a thousand apologies.
Not that he didn't plan to seduce her. Just that he'd rather do it with a bit more finesse.
"Oh, dear," he blurted out.
Sophie gave him an odd look. He didn't blame her. He sounded like a complete idiot. He didn't think he'd uttered the phrase, "Oh,dear," in years. If ever.
Hell,he sounded like his mother.
"Is something wrong?" Sophie asked.
"I just remembered something," he said, rather stupidly, in his opinion.
She raised her brows in question.
"Something that I'd forgotten," Benedict said.
"The things one remembers," she said, looking exceedingly amused, "are most often things one had forgotten.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.
”
”
Virginia Woolf
“
It seems right now that all I’ve ever done in my life is making my way here to you.’
I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused.
‘Don, what are you…what have you done to yourself?’
‘I’ve made some changes.’
‘Big changes.’
‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’
Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care.
‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required.
‘I need a minute to think,’ she said.
I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision.
‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead.
'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’
‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter.
‘According to your definition, no.’
Rosie looked extremely unhappy. The evening had turned into a disaster.
'I thought my behaviour would make you happy, and instead it’s made you sad.’
‘I’m upset because you can’t love me. Okay?’
This was worse! She wanted me to love her. And I was incapable.
Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
”
”
Graeme Simsion (The Rosie Project (Don Tillman, #1))
“
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.'
But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich.
Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth.
Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ.
I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.'
I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain.
I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again.
This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))