Sage Quotes

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To paraphrase several sages: Nobody can think and hit someone at the same time.
Susan Sontag (Regarding the Pain of Others)
My God, Sage. Your eyes. How have I never noticed them?" That uncomfortable feeling was spreading over me again. "What about them?" "The color," he breathed. "When you stand in the light. They're amazing... like molten gold. I could paint those..." He reached toward me but then pulled back. "They're beautiful. You're beautiful.
Richelle Mead (Bloodlines (Bloodlines, #1))
Sage," he said. "What are you wearing?" I sighed and stared down at the dress. "I know. It's red. Don't start. I'm tired of hearing about it." "Funny," he said. "I don't think I could ever get tired of looking at it.
Richelle Mead (The Golden Lily (Bloodlines, #2))
But each time you use spirit, you're more likely to go crazy.” “Already crazy about you, Sage.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
You’re killing me here, Sage!” “I’m not doing anything.” “Exactly my point.
Richelle Mead (Bloodlines (Bloodlines, #1))
You look confused," said Adrian. I shook my head and sighed. "I think I'm just overthinking things." He nodded solemnly. "That's why I try to never do it.
Richelle Mead (Bloodlines (Bloodlines, #1))
Isn’t it obvious, Sage? No, of course it isn’t. I did it so I’d have a reason to be around you — one I knew you couldn’t refuse.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Relax, having kids is years away. But can you imagine? Your brains, my charm, our collective good looks... then add in the usual physical abilities dhampirs get. It's really not even fair to everyone else.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Do you want me to call you Celery Stick instead of Cupcake or Honey-Pie? It just doesn’t inspire the same warm and fuzzy feelings.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
A person can be educated and still be stupid, and a wise man can have no education at all.
Jennifer A. Nielsen (The False Prince (Ascendance, #1))
Who knows more about male weakness: you or me? Use my knowledge, Sage.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Is Adrian here?” “Who?” “Adrian. Tall. Brown hair. Green eyes.” She frowned. “Do you mean Jet?” “I … I’m not sure. Does he smoke like a chimney?” The girl nodded sagely. “Yup. You must mean Jet.
Richelle Mead (Bloodlines (Bloodlines, #1))
Really, Sage? A date?” I sighed. “Yes, Adrian. A date.” “A real date. Not, like, doing homework together,” he added. “I mean like where you go out to a movie or something. And a movie that’s not part of a school assignment. Or about something boring.” “A real date.
Richelle Mead (The Golden Lily (Bloodlines, #2))
I tried to be a better person for her– but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. […] You have no clue how beautiful you are or how brightly you shine.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Nice blouse, Sage,” Adrian told me, deadpan. “It really brings out the khaki in your pants.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Piece of Heaven?" "No, that other place I'm going to go to for thinking what I'm thinking.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
But perhaps the best part of all was that I, Sydney Katherine Sage, guilty of constantly analyzing the world around me, well, I stopped thinking.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Don't blow off another's candle for it won't make yours shine brighter.
Jaachynma N.E. Agu (The Prince and the Pauper)
You're my flame in the dark. We chase away the shadows around each other.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I’m not dangerous,” I breathed. He brought his face toward mine. “You are to me.” And somehow, against all reason, we were kissing.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
All the while, my mind reeled with what had happened. I have a hickey. I let Adrian Ivashkov give me a hickey.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Thanks for looking out for her, Sage. You're okay. For a human." I almost laughed. "Thanks." "You can say it too, you know." I walked over to Latte and paused. "Say what?" "That I'm okay...for a vampire," he explained. I shook my head, still smiling. "You'll have a hard time getting any Alchemist to admit that. But I can say you're okay for an irreverent party boy with occasional moments of brilliance." "Brilliant? You think I'm brilliant?" He threw his hands skyward. "You hear that, world? Sage says I'm brilliant.
Richelle Mead (Bloodlines (Bloodlines, #1))
Nothing he said could change what I think of you. I've had my mind made up about you for a long time... and it's all good.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Adrian gave me a look that said I was wasting his time. "Because Jet sounds badass.
Richelle Mead (Bloodlines (Bloodlines, #1))
Because I’ve got a lot more terms of endearment to use. Honey pie. Sugarplum. Bread pudding." “Why are they all high-calorie foods?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Are you in a suit?" I managed at last, my voice choking up. "You didn’t have to dress up for me." "Quiet, Sage," he said. "I’ll make the hilarious one-liners during this daring rescue.
Richelle Mead (Silver Shadows (Bloodlines, #5))
He was too perfect, despite being one of the most imperfect people I knew.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
He shook his head. “No. Because there's no one else out there who understands you like I do.” I waited for more. “That's it? You're not going to elaborate on what that means?” Those green eyes held me. “I don't think I need to.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Why would you do that? Why would you act like you didn't know how to drive?" "Isn't it obvious, Sage? No, of course it isn't. I did it so I'd have a reason to be around you - one I knew you couldn't refuse
Richelle Mead
I realized I’m in love. It's always been right in front of me.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Can you come over to Amberwood? I need you to help me break curfew and escape my dorm.” There were a few moments of silence. “Sage, I’ve been waiting two months to hear you say those words. You want me to bring a ladder?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
But when I touch you, your aura … it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
We need not take refuge in supernatural gods to explain our saints and sages and heroes and statesmen, as if to explain our disbelief that mere unaided human beings could be that good or wise.
Abraham H. Maslow
I’m not a warrior or a goddess,” I said at last. Adrian leaned closer. “As far as I’m concerned, you’re both.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Life is like a game of chess. To win you have to make a move. Knowing which move to make comes with IN-SIGHT and knowledge, and by learning the lessons that are acculated along the way. We become each and every piece within the game called life!
Allan Rufus (The Master's Sacred Knowledge)
Adrian stood there leaning against the doorframe, watching me with his heart in his eyes. In my chest, my own heart was breaking. On my cheek, the lily reminded me who I was. 
Richelle Mead (The Golden Lily (Bloodlines, #2))
I know I’m not supposed to say this, but I love you.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Everything's about my personal entertainment. The world is my stage. Keep it up- you're becoming a star performer in the show.
Richelle Mead (Bloodlines (Bloodlines, #1))
What am I supposed to do with a wool coat? Especially here in Palm Springs?” “Sleep with it,” he suggested. “Think of me.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I didn’t care about anything except her and the way touching her drove me wild, even as her calm and steady presence soothed the storms that raged within me.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Everything about her has to do with me.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Everyone gets scared at times. It's only the fools who won't admit it.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
Did Belikov bend the rules of time and space to get here so fast? He can do that, right?
Richelle Mead (The Fiery Heart (Bloodlines, #4))
But I can say you’re okay for an irreverent party boy with occasional moments of brilliance.” “Brilliant? You think I’m brilliant?” He threw his hands skyward. “You hear that, world? Sage says I’m brilliant.” “That’s not what I said!” ... “Come on, Sage. You understand how my mind works. You said I was brilliant, remember?” Eddie glanced at me in surprise. “You did?” “No! I never said that.” Adrian’s smile was infuriating. “Stop telling people that.
Richelle Mead (Bloodlines (Bloodlines, #1))
What is it with you and girls, Adrian, dear? Why do they either mean nothing to you or everything? It's always an extreme." "Because I don't do things in halves, mom. Especially when it comes to love.
Richelle Mead (Silver Shadows (Bloodlines, #5))
Love is a circular emotion that surrounds you, like a hug. Or a noose.
Jarod Kintz (Love quotes for the ages. And the ageless sages.)
I don't suppose that she gave you the job based on looks alone?" Adrian had been staring off but now flashed me a big smile. "Why, Sage, you sweet talker." "That's not what I meant! What happened?" He shrugged. "I told the truth." "Adrian!" "I'm serious. She asked me what my greatest strength was. I said getting along with people." "That's not bad." I admitted. "Then she asked what my greatest weakness was. And I said, 'Where should I start?'" "Adrian!" "Stop saying my name like that. I told her the truth. By the time I was on the fourth one, she told me I could go.
Richelle Mead (Bloodlines (Bloodlines, #1))
It doesn't matter. Take Eddie's blood. Take Belikov's blood. Take your own for all I care. But If she doesn't want to give hers, then that's all there is to it. She said no. This conversation is done.
Richelle Mead (The Golden Lily (Bloodlines, #2))
How?" I demanded. "How could you have screwed this one up?" "When I got in, they said the manager was on the phone and would be a few minutes. So, I sat down and ordered a drink." This time, I did lean my forehead against the steering wheel. "What did you order?" "A martini." "A martini." I lifted my head. "You ordered a martini before a job interview." "It's a bar, Sage. I figured they'd be cool with it.
Richelle Mead (Bloodlines (Bloodlines, #1))
An image of Sydney's face appeared in my mind's eye, calm and lovely. I believe in you. My anxiety faded. I took a deep breath and met the gazes of all those watching me in the room. Who was I to do this? I was Adrian Ivashkov. And I was about to kick some ass.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Don't set your goals by what other people deem important.
Jaachynma N.E. Agu (The Prince and the Pauper)
Why not see which is brighter: your aura or the sun?
Richelle Mead (The Golden Lily (Bloodlines, #2))
Ivashkov," she repeated, her face the picture of serenity. "My name is Sydney Ivashkov.
Richelle Mead (Silver Shadows (Bloodlines, #5))
Sydney spent a lot of time on my bed these days. Unfortunately, it wasn't with me.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
...yelling doesn't make a thing any more possible.
Angie Sage (Queste (Septimus Heap, #4))
No matter how long or how difficult, we will undo whatever that Moroi boy has done to you." I managed a wavering smile, tasting blood in my mouth. "You sure about that, Dad? Because he's done everything to me.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I won’t lie. Walking into a room and seeing your girlfriend reading a baby-name book can kind of make your heart stop. “I’m no expert,” I began, choosing my words carefully. “Well—actually, I am. And I’m pretty sure there are certain things we have to do before you need to be reading that.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I never denied being a fool. That's the difference between us.
Jennifer A. Nielsen
Escape plan number seventeen," I told her. "Run away and open a juice stand in Fresno." "Why Fresno?" "Sounds like the kind of place people drink a lot of juice.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Life is like a sandwich! Birth as one slice, and death as the other. What you put in-between the slices is up to you. Is your sandwich tasty or sour? Allan Rufus.org
Allan Rufus
To live content with small means. To seek elegance rather than luxury, and refinement rather than fashion. To be worthy not respectable, and wealthy not rich. To study hard, think quietly, talk gently, act frankly, to listen to stars, birds, babes, and sages with open heart, to bear all cheerfully, do all bravely, await occasions, hurry never. In a word, to let the spiritual, unbidden and unconscious, grow up through the common. This is to be my symphony.
William Henry Channing
Moroi shied from the sunlight but as I watched Sydney, I knew without a doubt that humans had been made for the sun.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I love you, and beneath all that logic, calculation, and superstition, I know you love me too.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Oh... Adrian, I've got one more favor to ask you. A big one." "Fondue?" he asked hopefully.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
My boyfriend was insanely sexy, vampire or not, and I couldn't keep my hands off him.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Whatever happened to the dragon?" I mustered my primmest tone. "He has a name, you know." Adrian pulled back and gave me a curious look. "I didn't know, actually. What'd you decide on?" "Hopper." When Adrian laughed, I added, "Best rabbit ever. He'd be proud to know his name is being passed on." "Yes, I'm sure he would. Did you name the Mustang too?" "I think you mean the Ivashkinator." He stared at me in wonder. "I told you I loved you, right? "Yes," I assured him. "Many times.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Pity the nation whose people are sheep, and whose shepherds mislead them. Pity the nation whose leaders are liars, whose sages are silenced, and whose bigots haunt the airwaves. Pity the nation that raises not its voice, except to praise conquerors and acclaim the bully as hero and aims to rule the world with force and by torture. Pity the nation that knows no other language but its own and no other culture but its own. Pity the nation whose breath is money and sleeps the sleep of the too well fed. Pity the nation — oh, pity the people who allow their rights to erode and their freedoms to be washed away. My country, tears of thee, sweet land of liberty.
Lawrence Ferlinghetti
They would all be sorry... particularly the duck.
Angie Sage
I had an accident." "That seemes to happen a lot." "It wasn't my fault." "It never is." "I just have bad luck." "Or you're just trouble." "You got a problem with that?" "No problem at all." "Oh my God! Are you going to help or not?
Richelle Mead (The Fiery Heart (Bloodlines, #4))
The Yogic sages say that all the pain of a human life is caused by words, as is all the joy. We create words to define our experience and those words bring attendant emotions that jerk us around like dogs on a leash. We get seduced by our own mantras (I'm a failure... I'm lonely... I'm a failure... I'm lonely...) and we become monuments to them. To stop talking for a while, then, is to attempt to strip away the power of words, to stop choking ourselves with words, to liberate ourselves from our suffocating mantras.
Elizabeth Gilbert (Eat, Pray, Love)
And besides . . . I don’t want to leave you. Er, you guys.” He smiled, and it lit up his whole face. “Well, ‘we’ are certainly happy to hear that. Oh, and I’m also happy to watch our darling little love child dragon while you’re in St. Louis.” I grinned back.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
He froze, and for one moment, we stood locked in time. I could feel the silk of his shirt against my skin and the warmth of his body. The lingering scent of the overpriced cologne he wore floated around me. No smoke for a change. I’d always told him the cologne couldn’t be worth what he spent, but suddenly, I reconsidered. It was amazing.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Paracelsus At times I almost dream I too have spent a life the sages’ way, And tread once more familiar paths. Perchance I perished in an arrogant self-reliance Ages ago; and in that act a prayer For one more chance went up so earnest, so Instinct with better light let in by death, That life was blotted out — not so completely But scattered wrecks enough of it remain, Dim memories, as now, when once more seems The goal in sight again.
Robert Browning
Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate and our opinions evolve--if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew.
Amor Towles (A Gentleman in Moscow)
However mean your life is, meet and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich man’s abode; the snow melts before its doors as early in the spring. Cultivate property like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts… Superfluous wealth can buy superfluities only. Money is not required to buy one necessary of the soul.
Henry David Thoreau (Walden)
Above all else, I think that you are a compulsive liar." My laughter was tense, but sincere. "Hardly. In fact, I consider myself a compulsive truth teller. It's only that everyone else seems compelled to misunderstand me.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
Wow,” said Adrian. He sat down on the bed and tested its bounciness, giving it a nod of approval. “This is amazing. What do you think, buttercup?” “I have no words,” I said honestly. He patted the spot beside him. “Want to try it out?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
The future of our relationship hinged on advice from a fifteen-year old girl, a probably untrue story from a one-eyed Chihuahua trainer, and me unromantically – yet skillfully – kissing you on top of silverware and china?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I wanted someone a little more approachable," I explained. "What, like Captain McTropicalShorts back there? Where on earth did you find him anyway?" "Just did an Internet search." Feeling a need to defend my research, I added, "He comes highly recommended." "By who? Long John Silver?
Richelle Mead (The Golden Lily (Bloodlines, #2))
You might not believe this, but there is no one like her at this school." "Oh I believe it," I said, thinking back to the time Angeline had forgotten her locker's combination and tried to get into it with an axe. No one was really sure where she'd gotten it from.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I sent a quick text to Adrian: I have a hickey! You can’t ever kiss me again. I honestly hadn’t expected him to be awake this early, so I was surprised to get a response: Okay. I won’t kiss you on your neck again. So typical of him. No! You can’t ever kiss me ANYWHERE. You said you were going to keep your distance. I’m trying, he wrote back. But you won’t keep your distance from me. I didn’t dignify that with a response.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
If you went twenty-four hours without cigarettes, I'd drink a can of pop. Regular pop. The whole can." Isaw the glimmer of Adrian's earlier smile returning. "You would not." "I totally would." "Half a can would put you into a coma." Sonya frowned. "Are you diabetic?" she asked me. "No," said Adrian, "but Sage is convinced one extraneous calorie will make her go from super skinny to just regular skinny. Tragedy." "Hey," I said. "You think it’d be a tragedy to go an hour without a cigarette." "Don’t question my steel resolve, Sage. I went without one for two hours today." "Show me twenty-four, and then I’ll be impressed." He gave me a look of mock surprise. "You mean you aren’t already? And here I thought you were dazzled from the moment you met me.
Richelle Mead (The Golden Lily (Bloodlines, #2))
He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips to mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills, ran over my skin, and fire burned inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have ever imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric.
Richelle Mead (The Golden Lily (Bloodlines, #2))
I had never thought I could love another person this much. I also never thought I’d live in such fear of losing another person. Was this how everyone in love felt? Did they all cling tightly to their beloved and wake up terrified in the middle of the night, afraid of being alone? Was that an inevitable way of life when you loved so deeply? Or was it just those of us who walked on a precipice who lived in such panic?
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Master Graves was incensed and said, as punishment for my disruption, I would have to write my letters an extra ten times that day. "Ten times the better I'll know them, then." I said. "How strange that you should punish me by ensuring I come out more educated than Roden, who has tried to obey you.
Jennifer A. Nielsen (The False Prince (Ascendance, #1))
I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me-and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.
Richelle Mead (The Golden Lily (Bloodlines, #2))
The word "We" is as lime poured over men, which sets and hardens to stone, and crushes all beneath it, and that which is white and that which is black are lost equally in the grey of it. It is the word by which the depraved steal the virtue of the good, by which the weak steal the might of the strong, by which the fools steal the wisdom of the sages. What is my joy if all hands, even the unclean, can reach into it? What is my wisdom, if even the fools can dictate to me? What is my freedom, if all creatures, even the botched and impotent, are my masters? What is my life, if I am but to bow, to agree and to obey? But I am done with this creed of corruption. I am done with the monster of "We," the word of serfdom, of plunder, of misery, falsehood and shame. And now I see the face of god, and I raise this god over the earth, this god whom men have sought since men came into being, this god who will grant them joy and peace and pride. This god, this one word: "I.
Ayn Rand (Anthem)
Pity the nation that is full of beliefs and empty of religion. Pity the nation that wears a cloth it does not weave and eats a bread it does not harvest. Pity the nation that acclaims the bully as hero, and that deems the glittering conqueror bountiful. Pity a nation that despises a passion in its dream, yet submits in its awakening. Pity the nation that raises not its voice save when it walks in a funeral, boasts not except among its ruins, and will rebel not save when its neck is laid between the sword and the block. Pity the nation whose statesman is a fox, whose philosopher is a juggler, and whose art is the art of patching and mimicking Pity the nation that welcomes its new ruler with trumpeting, and farewells him with hooting, only to welcome another with trumpeting again. Pity the nation whose sages are dumb with years and whose strongmen are yet in the cradle. Pity the nation divided into fragments, each fragment deeming itself a nation.
Kahlil Gibran (The Garden of The Prophet)
You'll have a good, secure life when being alive means more to you than security, love more than money, your freedom more than public or partisan opinion, when the mood of Beethoven's or Bach's music becomes the mood of your whole life … when your thinking is in harmony, and no longer in conflict, with your feelings … when you let yourself be guided by the thoughts of great sages and no longer by the crimes of great warriors … when you pay the men and women who teach your children better than the politicians; when truths inspire you and empty formulas repel you; when you communicate with your fellow workers in foreign countries directly, and no longer through diplomats...
Wilhelm Reich (Listen, Little Man!)
His eyes were on his heart, completely caught up in his work. 'Just something kicking around in my head. Reminds me of you. Fiery and sweet, all at the same time. A flame in the dark, lighting my way.' His voice... his words... I recognized one of his spirit-driven moments. It should've unnerved me, but there was something sensual about the way he spoke, something that made my breath catch. A flame in the dark.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Our lips met hungrily, and his clever artistic hands wrapped around my hips. A sudden buzz from my regular cell phone startled me from the kissing. "Don't," said Adrian, his eyes ablaze and breathing ragged. "What if there's a crisis at school?" I asked. "What if Angeline 'accidentally' stole one of the campus buses and drove it into the library?" "Why would she do that?" "Are you saying she wouldn't?" He sighed. "Go check it.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Adrian smiled and clasped my hands, taking a few steps toward me. "And as for who you are, you’re the same beautiful, brave, and ridiculously smart caffeinated fighter you’ve been since the day I met you.” Finally, he put “beautiful” at the top of his list of adjectives. Not that I should have cared. “Sweet talker,” I scoffed. “You didn’t know anything about me the first time we met.” “I knew you were beautiful,” he said. “I just hoped for the rest.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
You know," he said, "under normal circumstances, you inviting me to the bedroom would be the highlight of my day." I crossed my arms and sat on the bed. I did so out of simple fatigue, but a moment later, I was struck by what I was doing. This is where Adrian sleeps. I'm touching the covers he's wrapped in every night. What does he wear? Does he wear anything? I jumped up.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Adrian Ivashkov wasn’t easy to surprise, but I surprised him then when I brought his mouth toward mine. I kissed him, and for a moment, he was too stunned to respond. That lasted for, oh, about a second. Then the intensity I’d come to know so well in him returned. He pushed me backward, lifting me so that I sat at the table. The tablecloth bunched up, knocking over some of the glasses. I heard what sounded like a china plate crash against the floor. Whatever logic and reason I normally possessed had melted away. There was nothing but flesh and fire left, and I wasn’t going to lie to myself—at least not tonight.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.
Sarah Williams (Twilight Hours: A Legacy of Verse)
Adrian looked over at me again. “Who knows more about male weakness: you or me?” “Go on.” I refused to directly answer the question. “Get a new dress. One that shows a lot of skin. Short. Strapless. Maybe a push-up bra too.” He actually had the audacity to do a quick assessment of my chest. “Eh, maybe not. But definitely some high heels.” “Adrian,” I exclaimed. “You’ve seen how Alchemists dress. Do you think I can really wear something like that?” He was unconcerned. “You’ll make it work. You’ll change clothes or something. But I’m telling you, if you want to get a guy to do something that might be difficult, then the best way is to distract him so that he can’t devote his full brainpower to the consequences.” “You don’t have a lot of faith in your own gender.” “Hey, I’m telling you the truth. I’ve been distracted by sexy dresses a lot.” I didn’t really know if that was a valid argument, seeing as Adrian was distracted by a lot of things. Fondue. T-shirts. Kittens. “And so, what then? I show some skin, and the world is mine?” “That’ll help.” Amazingly, I could tell he was dead serious. “And you’ve gotta act confident the whole time, like it’s already a done deal. Then make sure when you’re actually asking for what you want that you tell him you’d be ‘so, so grateful.’ But don’t elaborate. His imagination will do half the work for you. ” I shook my head, glad we’d almost reached our destination. I didn’t know how much more I could listen to. “This is the most ridiculous advice I’ve ever heard. It’s also kind of sexist too, but I can’t decide who it offends more, men or women.” “Look, Sage. I don’t know much about chemistry or computer hacking or photosynthery, but this is something I’ve got a lot of experience with.” I think he meant photosynthesis, but I didn’t correct him. “Use my knowledge. Don’t let it go to waste.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Take the case of courage. No quality has ever so much addled the brains and tangled the definitions of merely rational sages. Courage is almost a contradiction in terms. It means a strong desire to live taking the form of a readiness to die. 'He that will lose his life, the same shall save it,' is not a piece of mysticism for saints and heroes. It is a piece of everyday advice for sailors or mountaineers. It might be printed in an Alpine guide or a drill book. This paradox is the whole principle of courage; even of quite earthly or brutal courage. A man cut off by the sea may save his life if we will risk it on the precipice. He can only get away from death by continually stepping within an inch of it. A soldier surrounded by enemies, if he is to cut his way out, needs to combine a strong desire for living with a strange carelessness about dying. He must not merely cling to life, for then he will be a coward, and will not escape. He must not merely wait for death, for then he will be a suicide, and will not escape. He must seek his life in a spirit of furious indifference to it; he must desire life like water and yet drink death like wine. No philosopher, I fancy, has ever expressed this romantic riddle with adequate lucidity, and I certainly have not done so. But Christianity has done more: it has marked the limits of it in the awful graves of the suicide and the hero, showing the distance between him who dies for the sake of living and him who dies for the sake of dying.
G.K. Chesterton (Orthodoxy)
Adrian tipped my face up toward his and kissed me. Like always, the world around me stopped moving. No, the world became Adrian, only Adrian. Kissing him was as mind-blowing as ever, full of that same passion and need I had never believed I’d feel. But today, there was even more to it. I no longer had any doubt about whether this was wrong or right. It was a culmination of a long journey . . . or maybe the beginning of one. I wrapped my arms around his neck and pulled him closer. I didn’t care that we were out in public. I didn’t care that he was Moroi. All that mattered was that he was Adrian, my Adrian. My match. My partner in crime, in the long battle I’d just signed on for to right the wrongs in the Alchemist and Moroi worlds. Maybe Marcus was right that I’d also signed myself up for disaster, but I didn’t care. In that moment, it seemed that as long as Adrian and I were together, there was no challenge too great for us. I don’t know how long we stood there kissing. Like I said, the world around me was gone. Time had stopped. I was awash in the feel of Adrian’s body against mine, in his scent, and in the taste of his lips. That was all that mattered right now.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Do you know anything about silent films?” “Sure,” I said. “The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn’t until the 1920s that sound become truly incorporated into films, eventually making silent ones obsolete in cinema.” Bryan gaped, as though that was more than he’d been expecting. “Oh. Okay. Well, um, there’s a silent film festival downtown next week. Do you think you’d want to go?” I shook my head. “No, I don’t think so. I respect it as an art form but really don’t get much out of watching them.” “Huh. Okay.” He smoothed his hair back again, and I could almost see him groping for thoughts. Why on earth was he asking me about silent films? “What about Starship 30? It opens Friday. Do you want to see that?” “I don’t really like sci-fi either,” I said. It was true, I found it completely implausible. Bryan looked ready to rip that shaggy hair out. “Is there any movie out there you want to see?” I ran through a mental list of current entertainment. “No. Not really.” The bell rang, and with a shake of his head, Bryan slunk back to his desk. “That was weird,” I muttered. “He has bad taste in movies.” Glancing beside me, I was startled to see Julia with her head down on her desk while she shook with silent laughter. “What?” “That,” she gasped. “That was hilarious.” “What?” I said again. “Why?” “Sydney, he was asking you out!” I replayed the conversation. “No, he wasn’t. He was asking me about cinema.” She was laughing so hard that she had to wipe away a tear. “So he could find out what you wanted to see and take you out!” “Well, why didn’t he just say that?” “You are so adorably oblivious,” she said. “I hope I’m around the day you actually notice someone is interested in you.” I continued to be mystified, and she spent the rest of class bursting out with spontaneous giggles.
Richelle Mead (Bloodlines (Bloodlines, #1))
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.” Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?” “Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.” “Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?” “One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.” He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.” “I already feel that way,” I said quietly. Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.” I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
Richelle Mead (The Indigo Spell (Bloodlines, #3))