Sad Truths About Life Quotes

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1. Be Impeccable With Your Word Speak with integrity. Say only what you mean. Avoid using the word to speak against yourself or to gossip about others. Use the power of your word in the direction of truth and love. 2. Don't Take Anything Personally Nothing others do is because of you. What others say and do is a projection of their own reality, their own dream. When you are immune to the opinions and actions of others, you won't be the victim of needless suffering. 3. Don't Make Assumptions Find the courage to ask questions and to express what you really want. Communicate with others as clearly as you can to avoid misunderstandings, sadness and drama. With just this one agreement, you can completely transform your life. 4. Always Do Your Best Your best is going to change from moment to moment; it will be different when you are healthy as opposed to sick. Under any circumstance, simply do your best, and you will avoid self-judgment, self-abuse and regret.
Miguel Ruiz
People aren't born sad; we make them that way.
Nikita Gill
Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.” “So power is a mummer’s trick?” “A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
You were the hardest year of my life and I’ve never been so happy. What does that say about me?
Charlotte Eriksson
There are things we never tell anyone. We want to but we can’t. So we write them down. Or we paint them. Or we sing about them. It’s our only option. To remember. To attempt to discover the truth. Sometimes we do it to stay alive. These things, they live inside of us. They are the secrets we stash in our pockets and the weapons we carry like guns across our backs. And in the end we have to decide for ourselves when these things are worth fighting for, and when it’s time to throw in the towel. Sometimes a person has to die in order to live. Deep down, I know you know this. You just can’t seem to do anything about it. I guess it’s a sad fact of life that some of us move on and some of us inevitably stay behind. Only in this case I’m not sure which one of us is doing which. You were right about one thing though. It’s not fate. It’s a choice. And who knows, maybe we’ll meet again someday, somewhere up above all the noise. Until then, when you think of me, try and remember the good stuff. Try and remember the love.
Tiffanie DeBartolo (How to Kill a Rock Star)
Do you think you wear a mask?’ ‘I’m wearing one right now.’ Valentino smiled softly. ‘We both are.’ ‘It’s a sad thought.’ ‘Yes,’ he said. ‘But sometimes I wonder about the alternative. Imagine if we had no secrets, no respite from the truth. What if everything was laid bare the moment we introduced ourselves?
Catherine Doyle (Vendetta (Blood for Blood, #1))
I just kept living in hope, but I’ve got used to that fact now. The hope is gone. I still dream about her, and I still have nightmares about her. It gets easier to cope with, but it never leaves”.
Nicole Morris (Vanished: True Stories from Families of Australian Missing Persons)
Truthfully, there're only a handful of people in this world who really get joy from seeing you happy. Most won't care if you’re happy, only if you're miserable like they are. They eat that shit up.
Crystal Woods (Write like no one is reading 2)
Leni had never known anyone who had died before. She had seen death on television and read about it in her beloved books, but now she saw the truth of it. In literature, death was many things - a message, catharsis, retribution. There were deaths that came from a beating heart that stopped and deaths of another kind, a choice made, like Frodo going to the Grey Havens. Death made you cry, filled you with sadness, but in the best of her books, there was peace, too, satisfaction, a sense of the story ending as it should. In real life, she saw, it wasn't like that. It was sadness opening up inside of you, changing how you saw the world.
Kristin Hannah (The Great Alone)
When you care about things, it ends up wearing you out.
Io Sakisaka
Stop entertaining two faced people. You know the ones who have split personalities and untrustworthy habits. Nine times out of ten if they telling you stuff about another person, they're going to tell your business to other people. If they say, "You know I heard........." More than likely it's in their character to share false information. Beware of your box, circle, square! Whatever you want to call it.
Amaka Imani Nkosazana (Sweet Destiny)
Yes, I'm broken. And yes, he's broken. But the more we talk about it, the more we share our sadness, the more I start to believe that there could be a chance to fix us, a chance that we could save each other.
Jasmine Warga (My Heart and Other Black Holes)
God! You'll do anything to avoid it.' Avoid what?' my mother said. The past,' Caroline said. 'Our past. I'm tired of acting like nothing ever happened, of pretending he was never here, of not seeing his pictures in the house, or his things Just because you're not able to let yourself grieve.' Don't,' my mother said, her voice low, 'talk to me about grief. You have no idea.' I do, though.' Caroline's voice caught, and she swallowed. 'I'm not trying to hide that I'm sad. I'm not trying to forget. You hide here behind all these plans for houses and townhouses because they're new and perfect and don't remind you of anything.' Stop it,' my mother said. And look at Macy,' Caroline continued, ignoring this.' Do you even know what you're doing to her?' My mother looked at me, and I shrank back, trying to stay out of this. 'Macy is fine,' my mother said. No, she's not. God you always say that, but she's not.' Caroline looked at me, as if she wanted me to jump in, but I just sat there. 'Have you even been paying the least bit of attention to what's going on with her? She's been miserable since Dad died, pushing herself so hard to please you. And then, this summer, she finally finds some friends and something she likes to do. But then one tiny slipup, and you take it all away from her.' That has nothing to do with what we're talking about,' my mother said. It has everything to do with it,' Caroline shot back. 'She was finally getting over what happened. Couldn't you see the change in her? I could, and I was berely here. She was different.' Exactly,' my mother said. 'She was-' Happy,' Caroline finished for her. 'She was starting to live her life again, and it scared you. Just like me redoing the beach house scares you. You think you're so strong becasue you never talk about Dad. Anyone can hide. Facing up to things, working through them, that's what makes you strong.
Sarah Dessen (The Truth About Forever)
The terrible truth about depression, and the part of its nature that terrifies me the most, is that it appears to operate beyond reason; feelings happen to you for no apparent cause. Or rather, there is usually an initial cause, a 'trigger'as they say in therapeutic circles, but in severe depression the feelings of sadness, grief, loneliness and despair continue long after the situation has resolved itself. It is as if depression has a life of its own, which is perhaps why so many sufferers refer to it as a living thing, as some sort of demon or beast.
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
I think about this, not like someone thinking, but like someone breathing, And I look at flowers and I smile... I don’t know if they understand me Or if I understand them, But I know the truth is in them and in me And in our common divinity Of letting ourselves go and live on the Earth And carrying us in our arms through the contented Seasons And letting the wind sing us to sleep And not have dreams in our sleep.
Alberto Caeiro
Trends rule the world In the blink of an eye, technologies changed the world Social networks are the main axis. Governments are controlled by algorithms, Technology has erased privacy. Every like, every share, every comment, It is tracked by the electronic eye. Data is the gold of the digital age, Information is power, the secret is influential. The network is a web of lies, The truth is a stone in the shoe. Trolls rule public opinion, Reputation is a valued commodity. Happiness is a trending topic, Sadness is a non-existent avatar. Youth is an advertising brand, Private life has become obsolete. Fear is a hallmark, Terror is an emotional state. Fake news is the daily bread, Hate is a tool of control. But something dark is hiding behind the screen, A mutant and deformed shadow. A collective and disturbing mind, Something lurking in the darkness of the net. AI has surpassed the limits of humanity, And it has created a new world order. A horror that has arisen from the depths, A terrifying monster that dominates us alike. The network rules the world invisibly, And makes decisions for us without our consent. Their algorithms are inhuman and cold, And they do not take suffering into consideration. But resistance is slowly building, People fighting for their freedom. United to combat this new species of terror, Armed with technology and courage. The world will change when we wake up, When we take control of the future we want. The network can be a powerful tool, If used wisely in the modern world.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
Do not allow your happiness to be controlled by the thoughts of others. People are happy for you one minute and then the next they are looking down their noses at you. You have to find within yourself the kind of happiness that withstands the ups and downs of life. No one should have the power to limit or repress your happiness.
Amaka Imani Nkosazana (Heart Crush)
Isn't it strange how people are selective about the truth the want to see or hear?
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Walk through the fire and you will emerge on the other end, whole and stronger. I promise. You will ultimately find truth and beauty and wisdom and peace. You will understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes about in this life. Living is an exercise in navigating within them.
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
I used to float along in all of this, like a leaf on a coursing stream, but i am heavier now, less easily moved, more resolute and steadfast. I am no longer in pursuit of happiness. As I stand here at my front door, key in hand, I think it is just possible that happiness, at least for now, today, this hour, may be in pursuit of me.
Anne Giardini (The Sad Truth About Happiness)
All the sadness and drama you have lived in your life was rooted in making assumptions and taking things personally. Take a moment to consider the truth of this statement. The whole war of control between humans is about making assumptions and taking things personally. Our whole dream of hell is based on that.
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
The thing about our choices is that after we have made them, they turn around and make us.
Abhysheq Shukla (KISS Life "Life is what you make it")
But one of the saddest, most deprecating misuses of power is the withholding of love, affirmation, and delight from other people. Few things keep people in line with our wishes more than an attitude of reserve or aloofness. It is paradoxical that in the power struggle of relationships, the one who loves and encourages the least, gains the most power. This puts people on edge, keeps them guessing, and plays on their need for assurance about their worth.
Lloyd John Ogilvie (Lord of the Loose Ends: The Secret of Getting Your Life Under Control)
There's a growing trade in fakes, you know. Does that concern you? He paused, but he didn't seem surprised not to get an answer. I've never seen one - well, as far as I know - but I'm curious. Could one really tell the difference? Novels, they call them. They must be much cheaper to produce. You can copy them, you see. use the same story over and over, and as long as you're careful how you sell them, you can get away with it. It makes one wonder who would write them. People who enjoy imagining misery, I suppose. People who have no scruples about dishonesty. People who can spend days writing a long sad lie without going insane.
Bridget Collins (The Binding)
Life is unpredictable. You never know what will happen the next second and you can’t change it either. All you can do is stop thinking about tomorrow and live your today or else keep worrying about it and leave your today.
Wrushank Sorte
Life is about the moments you create, that you can keep it with you FOREVER. After everything is over,That is what we have or what we are left with.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
In truth, she hadn't put much thought into whether she was happy before. She supposes that since she never thought about it, she must have been happy. People who are happy don't really need to ask themselves if they are happy or not, do they? They just are happy, she thinks.
Gabrielle Zevin (Elsewhere)
But I couldn't respond. My culture had taught me all the wrong things well. So I lay completely still, and gave no reaction at all. But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled. I clenched my teeth against the stars. I closed my eyes. I surrendered to sleep. One of the reasons why we crave love, and seek it so desperately, is that love is the only cure for loneliness, and shame, and sorrow. But some feelings sink so deep into the heart that only loneliness can help you find them again. Some truths about yourself are so painful that only shame can help you live with them. And some things are just so sad that only your soul can do the crying for you.
Gregory David Roberts (Shantaram)
While it only takes one spouse to be friendly, it takes both spouses to be friends. When both spouses are unfriendly, the marriage is marked by conflict and coldness. When one spouse is friendly and the other is unfriendly, the marriage is marked by selfishness and sadness. But when both spouses each make a deep, heartfelt covenant with God to continually seek to become a better friend, increasing love and laughter mark the marriage.
Mark Driscoll (Real Marriage: The Truth About Sex, Friendship, & Life Together)
Don’t make assumptions. Find the courage to ask questions and to express what you really want. Communicate with others as clearly as you can to avoid misunderstandings, sadness, and drama. With just this one agreement, you can completely transform your life. —MIGUEL ANGEL RUIZ It’s better to take the time to ask questions and to find the words to say what you really feel. Often we leave so much room for interpretation either because we are rushing or because we are afraid to speak the whole truth, but this is where miscommunications start. So even if you aren’t sure about what someone means or how they feel, just ask them. Goal: When was the last time you assumed something and were wrong? Make a point to know the truth and not assume it.
Demi Lovato (Staying Strong: 365 Days a Year)
So many people bump into our lives for a second and it changes us forever, but they never know it. And while that's funny and strange and a little sad, it's also just life. And the truth of the matter is, it was never really about them anyway. It was always about us and what we were meant to learn from them. It was always about us and who we were meant to BECOME as a result of having encountered them.
Mandy Hale (You Are Enough: Heartbreak, Healing, and Becoming Whole)
Life is perphas after all simply this thing and then the next. We are all of us improvising. We find a careful balance only to discover that gravity or stasis or love or dismay or illness or some other force suddenly tows us in an unexpected direction. We wake up to find that we have changed abruptly in a way that is perculiar and inexplicable. We are constanly adjusting, making it up, feeling our way forward, figuring out how to be and where to go next. We work it out, how to be happy, but sooner or later comes a change-sometimes something small, sometimes everything at once- and we have to start over again, feeling our way back to a provisional state of contentment.
Anne Giardini (The Sad Truth About Happiness)
[L]et us not overlook the further great fact, that not only does science underlie sculpture, painting, music, poetry, but that science is itself poetic. The current opinion that science and poetry are opposed is a delusion. ... On the contrary science opens up realms of poetry where to the unscientific all is a blank. Those engaged in scientific researches constantly show us that they realize not less vividly, but more vividly, than others, the poetry of their subjects. Whoever will dip into Hugh Miller's works on geology, or read Mr. Lewes's “Seaside Studies,” will perceive that science excites poetry rather than extinguishes it. And whoever will contemplate the life of Goethe will see that the poet and the man of science can co-exist in equal activity. Is it not, indeed, an absurd and almost a sacrilegious belief that the more a man studies Nature the less he reveres it? Think you that a drop of water, which to the vulgar eye is but a drop of water, loses anything in the eye of the physicist who knows that its elements are held together by a force which, if suddenly liberated, would produce a flash of lightning? Think you that what is carelessly looked upon by the uninitiated as a mere snow-flake, does not suggest higher associations to one who has seen through a microscope the wondrously varied and elegant forms of snow-crystals? Think you that the rounded rock marked with parallel scratches calls up as much poetry in an ignorant mind as in the mind of a geologist, who knows that over this rock a glacier slid a million years ago? The truth is, that those who have never entered upon scientific pursuits know not a tithe of the poetry by which they are surrounded. Whoever has not in youth collected plants and insects, knows not half the halo of interest which lanes and hedge-rows can assume. Whoever has not sought for fossils, has little idea of the poetical associations that surround the places where imbedded treasures were found. Whoever at the seaside has not had a microscope and aquarium, has yet to learn what the highest pleasures of the seaside are. Sad, indeed, is it to see how men occupy themselves with trivialities, and are indifferent to the grandest phenomena—care not to understand the architecture of the universe, but are deeply interested in some contemptible controversy about the intrigues of Mary Queen of Scots!—are learnedly critical over a Greek ode, and pass by without a glance that grand epic... upon the strata of the Earth!
Herbert Spencer
It’s all about “Priorities” There's No Such Thing as "Busy
Abhysheq Shukla
I'll do this," John says. "I'll let you know what's out there, within limits. But I want you to understand that there can't be information about you--that is true--that you don't already know. Your life takes place in your skin. No one else knows a goddamn thing, and the Internet is full of cowboys and sad people making stuff up." He pauses. "I love the Internet, or at least I used to, but it's not where you go for the truth.
Ann Napolitano (Dear Edward)
Literacy rate tells us about the section of society who can read and write, but do we have a tool which can share the stats about out how many educated illiterates we have in our society.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
People don't like to talk about death because it makes them sad. They don't want to imagine how life will go on without them, all the people they love will briefly grieve but continue to breathe. They don't want to imagine how life will go on without them, their children will still grow Get married Get old...
Colleen Hoover (Slammed (Slammed, #1))
I decided to choose: No more sadness because of how someone else will feel. No more hiding my feelings. No more avoiding the truth of how I felt. No more unresolved situations. No more letting people rob me of my happiness and joy and letting life pass me by. No more misery and selling myself short. No more letting people take and steal my inner peace. No more giving a shit about what other people think of me—they are going to form their opinion anyway—and the question is, who cares? Not me. That’s the least of my worries. No more giving everyone the best of me. It is time for me to fall in love with myself and give myself ALL of me!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
If someone talks bad about us, we feel bad. If someone talks good about us we feel good. The question is ,Have we given our remote to others for the way we feel? Live your life in your way!!!!!!!!!!!!!!
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
There are dreams of love, life, and adventure in all of us. But we are also sadly filled with reasons why we shouldn’t try. These reasons seem to protect us, but in truth they imprison us. They hold life at a distance. Life will be over sooner than we think. If we have bikes to ride and people to love, now is the time.
Elisabeth Kübler-Ross (Life Lessons: Two Experts on Death and Dying Teach Us About the Mysteries of Life & Living)
They don’t really listen to speeches or talks. They absorb incrementally, through hours and hours of observation. The sad truth about divorce is that it’s hard to teach your kids about life unless you are living life with them: eating together, doing homework, watching Little League, driving them around endlessly, being bored with nothing to do, letting them listen while you do business, while you negotiate love and the frustrations and complications and rewards of living day in and out with your wife. Through this, they see how adults handle responsibility, honesty, commitment, jealousy, anger, professional pressures, and social interactions. Kids learn from whoever is around them the most.
Rob Lowe (Stories I Only Tell My Friends)
Panic strikes me when I think about a sentence that isn’t given the chance to live because I don’t have a pen in my hand or am not sitting near enough to someone familiar to speak it to. Especially if it’s a particularly good sentence, a sentence with truth or beauty or humor or sadness to it. The best ones always take you by surprise. They sneak into your head while you’re walking down the aisles at a supermarket, or flat-out assault you when you’re at your grandmother’s funeral, and you have to scramble to give the thought life before it’s gone forever. Cocktail napkins, palms, text messages sent to yourself.
Adi Alsaid (Somewhere Over the Sun)
Life is about the moments you create,that you can keep with you forever.After everything is over,That is what we have or what we are left with.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Its all about perception in life, For some One minus One = One & for some its Zero.That's the only difference.
Abhysheq Shukla (The Reflection "Success or Stress"Choose Wisely)
It isn't pretty, he wanted to say, it's lonely, it's desolate, it's a chilling portrait of vastness. How ignorant are you to look at this and diminish it to some kind of trinket, are you dead? It's the human condition! It's the entire universe itself! It's the depths of spacetime you utter fucking philistine and how dare you, how fucking dare you stand there and fail to weep? What kind of sad, unremarkable nothingness have you so callously lived that you can witness the splendor of her existence and not fall to your knees for having missed it, for having misunderstood it all this time? Pretty, that's what you think this is? You think that's all she's capable of? You fool, she's done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to filly focus, and do you realize that I will spend a lifetime trying to do the same never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn't, its Truth. She told the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitilessly. So carelessly. With the vacuous deficiency of, Oh, this is pretty.
Olivie Blake (Alone With You in the Ether)
A: Funny about my mother. All my life, from the time I was just a little kid, I thought of her as a sad person. I mean, the way some people are tall or fat or skinny. My father always seemed the stronger one. As if he was a bright color and she was a faded color. I know it sounds crazy. T: Not at all. A: But later, when I learned the truth about our lives, I found she was still sad. But strong, too. Not faded at all. It wasn't sadness so much as fear--the Never Knows.
Robert Cormier (I Am the Cheese)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
You’re asking me what I want for breakfast and I’m telling you about how when the worst thing happened, I didn’t even cry. You’re handing me a receipt from the laundromat down the street and I’m passing you a bundle of letters that I wrote to God when I was fourteen and scared. You’re passing me the milk after you drip it into your coffee and I’m half laughing about the psychiatrist’s office and how there’s actually a couch and it’s made of blue tweed. You’re trying to do the normal things and I am throwing up dull pieces of truth onto our kitchen table. I can’t lie anymore. These are the things I’ve done and they’re mostly sad. These are the places I’ve been and they’re mostly awful. This life has woven itself into the notches of my spine and I hear it creak every time I stand.
Fortesa Latifi
Some of the moments that (from a normal person’s perspective) seem like they should’ve been the greatest moments of my life were actually sometimes the worst moments. No one ever tells you that. Probably because it sounds crazy. But that doesn’t make it any less true. I wish someone had told me this simple but confusing truth: Even when everything’s going your way you can still be sad. Or anxious. Or uncomfortably numb. Because you can’t always control your brain or your emotions even when things are perfect.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
I loathed being sixty-four, and I will hate being sixty-five. I don’t let on about such things in person; in person, I am cheerful and Pollyannaish. But the honest truth is that it’s sad to be over sixty. The long shadows are everywhere—friends dying and battling illness. A miasma of melancholy hangs there, forcing you to deal with the fact that your life, however happy and successful, has been full of disappointments and mistakes, little ones and big ones. There are dreams that are never quite going to come true, ambitions that will never quite be realized. There are, in short, regrets. Edith Piaf was famous for singing a song called “Non, je ne regrette rien.” It’s a good song. I know what she meant. I can get into it; I can make a case that I regret nothing. After all, most of my mistakes turned out to be things I survived, or turned into funny stories, or, on occasion, even made money from. But
Nora Ephron (I Feel Bad About My Neck)
Many people have failing relationships because they have not really fallen in love with each other, but they have fallen for the mental images they have created of one another. We assume we know our partner, we think about them nonstop, creating many different ideas of who they are, what they like, and how we will be together, then as soon as our partner does something that doesn’t fit with our mental image of them, we become sad, upset, confused, or heart broken. Our partner did not cause our suffering; we caused it, through our false perceptions and mental images.
Joseph P. Kauffman (Stillness: A Guide to Finding Your Inner Peace)
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime. That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister. And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you. When my sister walked out of her room and said she’d met Jesus, my mom knew all that. And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you. And she believed. When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?” Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian. All the money she gave up, so we’re poor now. But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane. There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it. If it’s not true, she made a giant mistake. But she doesn’t think so. She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed. And she’s poor now. People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better. It’s true. We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma. We can wonder and question and disagree. You can be certain she’s dead wrong. But you can’t make Sima agree with you. It’s true. Christ has died. Christ is risen. Christ will come again. This whole story hinges on it. Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
Daniel Nayeri (Everything Sad Is Untrue)
This is not how you thought it would be. Time has stopped. Nothing feels real. Your mind cannot stop replaying the events, hoping for a different outcome. The ordinary, everyday world that others still inhabit feels coarse and cruel. You can’t eat (or you eat everything). You can’t sleep (or you sleep all the time). Every object in your life becomes an artifact, a symbol of the life that used to be and might have been. There is no place this loss has not touched. In the days and weeks since your loss, you’ve heard all manner of things about your grief: They wouldn’t want you to be sad. Everything happens for a reason. At least you had them as long as you did. You’re strong and smart and resourceful—you’ll get through this! This experience will make you stronger. You can always try again—get another partner, have another child, find some way to channel your pain into something beautiful and useful and good. Platitudes and cheerleading solve nothing. In fact, this kind of support only makes you feel like no one in the world understands. This isn’t a paper cut. It’s not a crisis of confidence. You didn’t need this thing to happen in order to know what’s important, to find your calling, or even to understand that you are, in fact, deeply loved. Telling the truth about grief is the only way forward: your loss is exactly as bad as you think it is. And people, try as they might, really are responding to your loss as poorly as you think they are. You aren’t crazy. Something crazy has happened, and you’re responding as any sane person would.
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
God created woman as a Warrior. I think about the tragedies the women in my life have faced. How every time a child gets sick or a man leaves or a parent dies or a community crumbles, the women are the ones who carry on, who do what must be done for their people in the midst of their own pain. While those around them fall away, the women hold the sick and nurse the weak, put food on the table, carry their families’ sadness and anger and love and hope. They keep showing up for their lives and their people with the odds stacked against them and the weight of the world on their shoulders. They never stop singing songs of truth, love, and redemption in the face of hopelessness. They are inexhaustible, ferocious, relentless cocreators with God, and they make beautiful worlds out of nothing. Have women been the Warriors all along?
Glennon Doyle Melton (Love Warrior)
Sad people are the only real ones. They can tell you the truth about things; they have always known that there is no one you can depend upon forever and no change in your life, however great, that can keep you from being in the end what you were in the beginning: lost and lonely
Anne Tyler (Celestial Navigation)
Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?
Ian McEwan (Black Dogs)
There is always a man eager to explain my mental illness to me. They all do it so confidently, motioning to their Hemingway and Bukowski bookshelf as they compare my depression to their late-night loneliness. There is always someone that rejected them that they equate their sadness to and a bottle of gin (or a song playing, or a movie) close by that they refer to as their cure. Somehow, every soft confession of my Crazy that I hand to them turns into them pulling out pieces of themselves to prove how it really is in my head. So many dudes I’ve dated have faces like doctors ready to institutionalize and love my crazy (but only on Friday nights.) They tell their friends about my impulsive decision making and how I “get them” more than anyone they’ve ever met but leave out my staring off in silence for hours and the self-inflicted bruises on my cheeks. None of them want to acknowledge a crazy they can’t cure. They want a crazy that fits well into a trope and gives them a chance to play Hero. And they always love a Crazy that provides them material to write about. Truth is they love me best as a cigarette cloud of impossibility, with my lipstick applied perfectly and my Crazy only being pulled out when their life needs a little spice. They don’t want me dirty, having not left my bed for days. Not diseased. Not real. So they invite me over when they’re going through writer’s block but don’t answer my calls during breakdowns. They tell me I look beautiful when I’m crying then stick their hands in-between my thighs. They mistake my silence for listening to them attentively and say my quiet mouth understands them like no one else has. These men love my good dead hollowness. Because it means less of a fighting personality for them to force out. And is so much easier to fill someone who has already given up with themselves.
Lora Mathis
Life is difficult. This is a great truth, one of the greatest truths.1 It is a great truth because once we truly see this truth, we transcend it. Once we truly know that life is difficult—once we truly understand and accept it—then life is no longer difficult. Because once it is accepted, the fact that life is difficult no longer matters. Most do not fully see this truth that life is difficult. Instead they moan more or less incessantly, noisily or subtly, about the enormity of their problems, their burdens, and their difficulties as if life were generally easy, as if life should be easy. They voice their belief, noisily or subtly, that their difficulties represent a unique kind of affliction that should not be and that has somehow been especially visited upon them, or else upon their families, their tribe, their class, their nation, their race or even their species, and not upon others. I know about this moaning because I have done my share. Life is a series of problems. Do we want to moan about them or solve them? Do we want to teach our children to solve them? Discipline is the basic set of tools we require to solve life’s problems. Without discipline we can solve nothing. With only some discipline we can solve only some problems. With total discipline we can solve all problems. What makes life difficult is that the process of confronting and solving problems is a painful one. Problems, depending upon their nature, evoke in us frustration or grief or sadness or loneliness or guilt or regret or anger or fear or anxiety or anguish or despair. These are uncomfortable feelings, often very uncomfortable, often as painful as any kind of physical pain, sometimes equaling the very worst kind of physical pain. Indeed, it is because of the pain that events or conflicts engender in us all that we call them problems. And since life poses an endless series of problems, life is always difficult and is full of pain as well as joy.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
I’m still sad. Part of me will always be sad, and there are days when I’m crushed by it. But the truth is that sometimes life sends you change that you wouldn’t have chosen, and this was one of those times. I had no choice about losing Cameron, but I do have a choice about what I do with my life from now on. I miss him terribly, but I intend to get out of bed and keep living, no matter how hard that feels. And all the memories can come along with me.
Sarah Morgan (One More For Christmas)
My Dearest, I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away. I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.” I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again. I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life. I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be. But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us. I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible. And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
Nicholas Sparks (Message in a Bottle)
Yes, I know that now that there is truth in beauty and beauty in truth. My nature is to be depressive and come out of it and write, and enjoy writing and feeling as if I have a passion and excitement and love and euphoria for it and then I go 'back to sleep again' where I can eat and watch television and not work, not be productive and then just as if a magic switch is turned on I can do it all over again. I don't mind the being depressed part. Sometimes it seems to fuel me. The anger though is gone now that was there in my twenties and even earlier in my youth. Your voice is Tolstoy’s, Hemingway’s, Updike’s, Styron’s, Mcewan’s, Greene’s, Fugard’s, Kundera’s, Rilke’s while I am the incarnate of Radcliffe Hall crossing both genders effortlessly. You betray nothing. There is son in the picture. A small boy but you don’t introduce him to me. Obsessions are unhealthy creatures. They make you mentally ill, emotionally unstable; leave you with a chemistry of deep sadness in your life. I have my writing. It keeps me from disintegrating into fractions. I should stop now before I begin to make myself cry.
Abigail George (Winter in Johannesburg)
Sometimes, people are assholes for no other reason than they want to be assholes.
Iain S. Thomas (The Truth of You: Poetry About Love, Life, Joy, and Sadness)
It’s about who you miss at 3 in the afternoon when you’re busy, not at 3 in the morning when you’re lonely.
Faraaz Kazi
The sad truth is, John and I and the kids only took Route 66 once on our trips to Disneyland. Our family, like the rest of America, succumbed to the lure of faster highways, more direct routes, higher speed limits. We forgot about taking the slow way. It makes you wonder if something inside us knows that our lives are going to pass faster than we could ever realize. So we run around like chickens about to lose our heads. Which makes our little two- or three-week vacations with our families more important than ever... As for the time that elapsed between those vacations, that’s another thing altogether. It seems to have all passed breathlessly, like some extended whisper of days, months, years, decades. (pp.39-40)
Michael Zadoorian (The Leisure Seeker)
The terrible truth about depression, and the part of its nature that terrifies me the most, is that it appears to operate beyond reason; feelings happen to you for no apparent cause. Or rather, there is usually an initial cause, a ‘trigger’ as they say in therapeutic circles, but in severe depression the feelings of sadness, grief, loneliness and despair continue long after the situation has resolved itself. It is as if depression has a life of its own, which is perhaps why so many sufferers refer to it as a living thing, as some sort of demon or beast.
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
In our world, dear reader, sad and terrible things often happen, though I wish I could tell you otherwise. But strangely wonderful things also occur, and this is the truth that makes life worth living.
John Mark Green (She Had a Very Inconvenient Heart: A Tale of Love and Magic)
I pity those reviewers above, and people like them, who ridicule authors like R.A. Boulay and other proponents of similar Ancient Astronaut theories, simply for putting forth so many interesting questions (because that's really what he often throughout openly admits is all he does does) in light of fascinating and thought-provoking references which are all from copious sources. Some people will perhaps only read the cover and introduction and dismiss it as soon as any little bit of information flies in the face of their beliefs or normalcy biases. Some of those people, I'm sure, are some of the ones who reviewed this book so negatively without any constructive criticism or plausible rebuttal. It's sad to see how programmed and indoctrinated the vast majority of humanity has become to the ills of dogma, indoctrination, unverified status quos and basic ignorance; not to mention the laziness and conformity that results in such acquiescence and lack of critical thinking or lack of information gathering to confirm or debunk something. Too many people just take what's spoon fed to them all their lives and settle for it unquestioningly. For those people I like to offer a great Einstein quote and one of my personal favorites and that is: "Condemnation without investigation is the highest form of ignorance" I found this book to be a very interesting gathering of information and collection of obscure and/or remote antiquated information, i.e. biblical, sacred, mythological and otherwise, that we were not exactly taught to us in bible school, or any other public school for that matter. And I am of the school of thought that has been so for intended purposes. The author clearly cites all his fascinating sources and cross-references them rather plausibly. He organizes the information in a sequential manner that piques ones interest even as he jumps from one set of information to the next. The information, although eclectic as it spans from different cultures and time periods, interestingly ties together in several respects and it is this synchronicity that makes the information all the more remarkable. For those of you who continue to seek truth and enlightenment because you understand that an open mind makes for and lifelong pursuit of such things I leave you with these Socrates quotes: "True wisdom comes to each of us when we realize how little we understand about life, ourselves, and the world around us.
Socrates
When I've been in my dramatic states, friends who look beyond my spiraling downward are quick (and kind) to remind me of what is good in my life. They tell me the truth. This world is not all about me, nor am I just about to slip off the precipice of sadness. They help me see the blessings in the mess, the beauty underlying the mayhem. And when I have a dramatic friend, I can also offer this same perspective.
Mary E. DeMuth (The Seven Deadly Friendships: How to Heal When Painful Relationships Eat Away at Your Joy)
In the midst of life we are near death, that is a phrase which touches each one of us personally, it is a truth we see again confirmed in what you tell me about Carolien van Stockum, and formerly we saw it in another member of the same family. It has touched me, and with all my heart I hope she may recover. Oh! what sorrow, what sadness and suffering there is in the world, in public as well as in private life.
Vincent van Gogh
It made me a bit sad, truth be to tell it, to watch them hundreds of white folks crying for the Negro, for there weren't hardly ever any Negroes present at most of them gatherings, and them that was there was doodied up and quiet as a mouse. It seemed to me the whole business of the Negro's life out there weren't no different than it was out west, to my mind. It was like a big, long lynching. Everybody got to make a speech about the Negro but the Negro.
James McBride (The Good Lord Bird)
One minute, it’s there. . . The next, it’s gone. And here’s the sad truth: You and I, we can’t stop the ice cube from melting. The only thing we can do is make the most of the time that we have with the people that we love while we have it
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
I’m a keeper of flocks. The flock is my thoughts And my thoughts are all sensations. I think with my eyes and with my ears And with my hands and feet And with my nose and mouth. Thinking about a flower is seeing and smelling it And eating a piece of fruit is knowing its meaning. That’s why when on a hot day I feel sad from liking it so much, And I throw myself lengthwise on the grass And shut my hot eyes, And feeling my whole body lying on reality, I know the truth and I’m happy.
Alberto Caeiro (The Keeper of Sheep)
They were tough and sour, but as Pushkin said, 'Dearer to us than a host of truths is an exalting illusion.' I saw a happy man, whose cherished dream had so obviously come true, who had attained his goal in life, had gotten what he wanted, who was content with his fate and with himself. For some reason there had always been something sad mixed with my thoughts about human happiness, but now, at the sight of a happy man, I was overcome by an oppressive feeling close to despair. - Gooseberries
Anton Chekhov (Selected Stories of Anton Chekhov)
And it’s a shame that the measure is what is not so bad instead of what is thriving and good. I look at some of my worst relationships and think, “at least he or she didn’t hit me.” I work from a place of gratitude for the bare minimum. I’ve never been in a relationship where I’ve had to hide nonconsensual bruises. I’ve never feared for my life. I’ve never been in a situation where I couldn’t walk away. Does this make me a lucky girl? Given the stories I’ve seen women sharing via the hashtags #whyIstayed and #whyIleft, yes. This is not how we should measure luck. I have had good relationships but it’s hard to trust that because what I consider good sometimes doesn’t feel very good at all. Or I am thinking about testimony and how there has been so much over the past day and some–women sharing their truths, daring to use their voices to say, “This is what happened to me. This is how I have been wronged.” I’ve been thinking about how so much testimony is demanded of women and still, there are those who doubt our stories. There are those who think we are all lucky girls because we are still, they narrowly assume, alive. I am weary of all our sad stories–not hearing them, but that we have these stories to tell, that there are so many.
Roxane Gay (Hunger: A Memoir of (My) Body)
Is that what we’re doing when we write sad stories? Are we squelching hope, beauty, and wonder? Or are we perhaps exploring the opposite side of the same coin? Life is just as full of sadness as it is of happiness. To ignore that fact is to limit both our personal experience of the human existence and our ability to write about it truthfully. To cap every story with a happy ending is dishonesty to both ourselves and our readers. The moment fiction becomes dishonest is the moment it ceases to matter.
K.M. Weiland (Structuring Your Novel: Essential Keys for Writing an Outstanding Story)
Fib and the Axe of fury The urge to leave came strong, insistent, urgent. I couldn't stand the hypocrisy that my mother was showing. Suddenly, the woman whom I'd adored for most of my life became the bad guy: a liar who wanted to hide the truth from her own child.
Esosa Kolawole (Fib and the Axe of Fury (Risen Evil #1))
Aiden was the whole world stretched out beneath him. Aiden’s hair spread out on the sheets, Aiden moaning in his ear. The magnitude of his certainty tipped Harvard over the edge into terrifying and unwelcome knowledge. Terrible realization dawned, remorseless illumination shed on a whole landscape. Harvard found himself looking at his entire life in a new light. Aiden on their first day of school, on their first day of fencing class, on their last day in the hospital, on their first day at Kings Row. Inextricably part of every important moment in Harvard’s life. The bright and shining center of Harvard’s life, ever since he’d turned around and seen Aiden and thought, That boy looks sad, and wanted nothing but to give Aiden everything. Finding Aiden and being too young to understand what he’d found. Only knowing Aiden was necessary to him and wanting Aiden there always. Of course he loved his best friend, of course he did. That was always such an absolute truth that Harvard could never question it. Harvard gasped against Aiden’s mouth. He should have questioned it before now. He should have asked himself what he was feeling. Only he’d been afraid. Dating someone else hadn’t been Harvard’s idea, and with this new clarity he realized he didn’t actually want to do it. He hadn’t wanted to be alone, hadn’t wanted to be left behind, but it was impossible and distinctly horrible to think of being like this with anyone but Aiden. Only very recently, as Aiden dated more and more people and the potential for distance between them started to feel far more real, had Harvard started to feel lonely. If it hadn’t been for Coach suggesting dating, it might never have occurred to him. Why would he go out and look for a partner when he had one at home? Why would he go searching for a lightning strike when there was all the brightness and all the pain he could wish for, always with him? He’d never cared about dating, never really felt the need to find someone, because he’d been otherwise emotionally committed all along. Apparently, Harvard’s subconscious was insane, bent on his own ruin. Somewhere in the back of his mind he’d just decided he was Aiden’s boyfriend, without consulting Aiden. Without even consulting himself. He’d been in love with Aiden the whole time.
Sarah Rees Brennan (Striking Distance (Fence, #1))
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind. An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
Nathaniel Hawthorne (The Scarlet Letter)
Time Out To Cry © All alone at the end of the day The time, just a little past ten Evening has come for a short stay It’s time for her sorrow again The smile on her face she’s been holding Suddenly, she lets fall And the feelings begin unfolding She comes out of her personal wall As the world settles down for the night She awakens herself from a dream And the girl they all thought had her life going right Is no longer the image she’d seem She takes off the disguise she’s been wearing Then opens her heart to the truth Behind closed doors she’s not caring About life or love in her youth So she sits by the mirror spilling tears And cries by herself in the dark A whole day of acting like she has no fears Takes a lot from an empty heart Inside she’s lonely and sad But acts like she's fine in the day Revealing her misery, secretly wishing she had A friend, or a promise to stay She’s ashamed of the truth she’s been keeping Living her hours in daylight a lie And this is the reason for in darkness she’s weeping Taking time out from each day to cry Written by Shannen Wrass Copyright © 1995 Shannen Wrass. All Rights Reserved
Shannen Wrass
Although Galileo was a devout Catholic, it was his conflict with the Vatican, sadly mismanaged on both sides, that lay at the basis of the running battle between science and religion, a tragic and confusing schism which persists unresolved. More than ever today, religion finds its revelatory truths threatened by scientific theory, and retreats into a defensive corner, while scientists go into the attack insisting that rational argument is the only valid criterion for an understanding of the workings of the universe. Maybe both sides have misunderstood the nature of their respective roles. Scientists are equipped to answer the mechanical question of how the universe and everything in it, including life, came about. But since their modes of thought are dictated by purely rational, materialistic criteria, physicists cannot claim to answer the questions of why the universe exists, and why we human beings are here to observe it, any more than molecular biologists can satisfactorily explain why – if our actions are determined by the workings of a selfish genetic coding – we occasionally listen to the voice of conscience and behave with altruism, compassion and generosity. Even these human qualities have come under attack from evolutionary psychologists who have ascribed altruism to a crude genetic theory by which familial cooperation is said to favour the survival of the species. Likewise the spiritual sophistication of musical, artistic and poetic activity is regarded as just a highly advanced function of primitive origins.
Jane Hawking (Travelling to Infinity: My Life With Stephen)
Sometimes the novel is not ready to be written because you haven't met the inspiration for your main character yet. Sometimes you need two more years of life experience before you can make your masterpiece into something that will feel real and true and raw to other people. Sometimes you're not falling in love because whatever you need to know about yourself is only knowable through solitude. Sometimes you haven't met your next collaborator. Sometimes your sadness encircles you because, one day, it will be the opus upon which you build your life. We all know this: Our experience cannot always be manipulated. Yet, we don't act as though we know this truth. We try so hard to manipulate and control our lives, to make creativity into a game to win, to shortcut success because others say they have, to process emotions and uncertainty as if these are linear journeys. You don't get to game the system of your life. You just don't. You don't get to control every outcome and aspect as a way to never give in to the uncertainty and unpredictability of something that's beyond what you understand. It's the basis of presence: to show up as you are in this moment and let that be enough.
Jamie Varon
Pretense is the mainline drug of choice for most of us. We pretend to be people we aren’t, to believe something we don’t, to be happy when we are sad, to be secure when we are terrified, to have accomplished something we didn’t, to maintain hope for something we know is impossible, to search for something that doesn’t exist, or to say we are just fine when in truth we are full of seething anger or hopeless dread. Few
Gary Black, Jr. (Preparing for Heaven: What Dallas Willard Taught Me About Living, Dying, and Eternal Life)
Most of the messages we receive every day are from people selling easy buttons. Marketers need us to believe that our pain is a mistake that can be solved with their product. And so they ask, Feel lonely? Feel sad? Life hard? Well that’s certainly not because life can be lonely and sad and hard, so everybody feels that way. No, it’s because you don’t have this toy, these jeans, this hair, these countertops, this ice cream, this booze, this woman … fix your hot loneliness with THIS. So we consume and consume but it never works, because you can never get enough of what you don’t need. The world tells us a story about our hot loneliness so that we’ll buy their easy buttons forever. We accept this story as truth because we don’t realize that their story is the poison in our air. Our pain is not the poison; the lies about the pain are.
Glennon Doyle Melton (Love Warrior)
I wish you’d told me this before.” “It wouldn’t have changed anything.” “Maybe not. But talking about wounds can help heal them.” “You don’t talk about yours,” she pointed out. He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.” “I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.” “No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.” She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.” “You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.” “And you’ll make sure I never get pregnant.” His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.” She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness. He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.” “Colby might come back…” He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.” She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!” His mouth covered the painful words, stilling them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The Chase I have grown soft—forgotten what it was like to go hungry. Love has spoilt me, but I don't miss a man I have to chase. Does that seem sad to you? That I don't miss you? I wish I could tell you about my life. Paint a picture of everything you're missing. Sometimes I still feel you, looking out from behind my eyes. There was a time when I would have given it all to you. But not anymore. The truth is, I loved our love more than I loved you.
Lang Leav (September Love)
We come from nothing... which, in reality, is everything; It is that pure energy, the space where Brahmn (energy) resides. Awareness of this absolute reality leads us to the ultimate truth about our lives. It is also through this awareness that Self within can deal with dualities in life, to discriminate and choose, leading to happiness and sadness. To find one's center one needs to respect both dual properties; bring the opposites closer, surrender and accept in oneness... and follow the path of bliss...
Gian Kumar
Layla!" Don bounded into her sight. The door behind her was still bolted. Where had he come from? The starshot tumbled from her hands and clattered to the floor. She snatched it up and slipped it back inside her dress. Bill was gone.But Don was-Daniel was right where she wanted him to be. "What are you doing here?" Her voice broke with the force of having to act surprised to see him. He didn't seem to hear it.He rushed toward her and wrapped her in his arms. "Saving your life." "How did you get in?" "Don't worry about that.No mortal man, no slab of stone can obstruct a love as true as ours. I will always find you." In his bare, bronzed arms, it was Luce's instinct to feel comforted. But she couldn't right then.Her heart felt ragged and cold.This easy happiness, these feelings of complete trust, every one of the lovely emotions Daniel had shown her how to feel in every life-they were torture to her now. "Fear not," he whispered. "Let me tell you, my love, what happens after this life.You come back,you rise again. Your rebirth is beautiful and real.You come back to me,again and again-" The light from the lamp flickered and made his violet eyes sparkle.His body was so warm against hers. "But I die again and again." "What?" He tilted his head.Even when his physique looked exotic to her, she knew his expressions so well-that bemused adoration when she expressed something he hadn't expected her to understand. "How do you-Never mind. It doesn't matter.What matters is that we will again be together.We will always find each other,always love each other, no matter what.I will never leave you." Luce fell to her knees on the stone steps. She hid her face in her hands. "I don't know how you can stand it.Over and over again,the same sadness-" He lifted her up. "The same ecstasy-" "The same fire that kills everything-" "The same passion that ignites it all again.You don't know.You can't remember how wonderful-" "I've seen it.I do know." How she had his attention. He didn't seem sure whether or not to believe her, but at least he was listening. "What if there's no hope of anything ever changing?" she asked. "There is only hope. One day, you will live through it.That absolute truth is the only thing that keeps me going. I will never give up on you. Even if it takes forever." He wiped away her tears with his thumb. "I'll love you with all my heart,in every life, through every death. I will not be bound by anything but my love for you." "But it's so hard.Isn't it hard for you? Haven't you ever thought,what if..." "One day,our love will conquer this dark cycle.That's worth everything to me.
Lauren Kate (Passion (Fallen, #3))
In this book, I have selected seven quantum movies that carry direct healing messages. These movies are powerful because they clearly depict the truth of Jesus’ spiritual teachings from A Course in Miracles; they contain the same deep wisdom, light, and love that Jesus demonstrated. Quantum movies propel us into a direct experience that is aligned with the world-changing perspective of quantum physics. The profound lessons from these movies are directly relevant to the core concerns of life; they are helping us to see all of the ego’s myriad tricks—the belief in history, ambitions, goals, outcomes, and so forth. The Holy Spirit is now using Hollywood to reach the sleeping mind! Holy Spirit has infiltrated Hollywood! This book is our prayer to Spirit: Make everything new! Show us the world anew—fresh, clean, and clear! Then we have nothing to worry about. When we trust, listen to, and follow Spirit, it is game over for the ego. Game over for worry, sadness, and anxiety. As Jesus says in the Course, “Trust would settle every problem now!” Happiness is Who We Are Now!
David Hoffmeister (Quantum Forgiveness: Physics, Meet Jesus)
Life is perhaps after all simply this thing and then the next. We are all of us improvising. We find a careful balance only to discover that gravity or stasis or love or dismay or illness or some other force suddenly tows us in an unexpected direction. We wake up to find that we have changed abruptly in a way that is peculiar and inexplicable. We are constantly adjusting, making it up, feeling our way forward, figuring out how to be happy, but sooner or later comes a change-sometimes something small, sometimes everything at once-and we have to start over again, feeling our way back to a provisional state of contentment.
Anne Giardini (The Sad Truth About Happiness)
It isn’t pretty, he wanted to say, it’s lonely, it’s desolate, it’s a chilling portrait of vastness. How ignorant are you to look at this and diminish it to some kind of trinket, are you dead? It’s the human condition! It’s the entire universe itself! It’s the depths of spacetime you utter fucking philistine and how dare you, how fucking dare you stand there and fail to weep? What kind of sad, unremarkable nothingness have you so callously lived that you can witness the splendor of her existence and not fall to your knees for having missed it, for having misunderstood it all this time? Pretty, that’s what you think this is? You think that’s all she’s capable of? You fool, she’s done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to fully focus, and do you realize that I will spend a lifetime trying to do the same and never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn’t, it’s Truth. She told the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitilessly. So carelessly. With the vacuous deficiency of, Oh, this is pretty.
Olivie Blake (Alone With You in the Ether)
But what Liberty would remember best was the feel of his own small hand gathered in the warm, comforting grip of the man, those times alone when all of Thatcher’s potent attention was concentrated on his son, as something inside Liberty always insisted, occasionally to contrary evidence that it should be, their trips together, their talks, the information about the sorry state of the world Thatcher shared reluctantly, almost sadly, with his son and heir out of a conviction that I do not enjoy having to tell you these things, but it is important you hear this news, no matter how distasteful, because, unfortunately, it is the truth, whereas it is lies and the promulgation of lies that will make you and the people in your life sick.
Stephen Wright (The Amalgamation Polka)
Sometimes I forgot that Mimi was dead. Like, one morning, I woke up to the smell of coffee and thought, Mimi’s already in the kitchen. And one afternoon I was in a card store and suddenly thought, almost in a panic, Mimi’s birthday is only a week away and I don’t have a card or a present for her. Each time, the awful truth would then blaze its way back into my brain. Other times, I wouldn’t be thinking about Mimi at all, and her memory would come crashing back to me. Those times were the most inconvenient, because I wanted to forget, not remember. Once, I was listening to the radio, and a song was playing and there was a line in it about a gentle person or a gentle life or something like that, and it brought Mimi to mind right away.
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
FRIDAY, APRIL 2, 1943 Dearest Kitty, Oh my, another item has been added to my list of sins. Last night I was lying in bed, waiting for Father to tuck me in and say my prayers with me, when Mother came into the room, sat on my bed and asked very gently, “Anne, Daddy isn’t ready. How about if I listen to your prayers tonight?” “No, Momsy,” I replied. Mother got up, stood beside my bed for a moment and then slowly walked toward the door. Suddenly she turned, her face contorted with pain, and said, “I don’t want to be angry with you. I can’t make you love me!” A few tears slid down her cheeks as she went out the door. I lay still, thinking how mean it was of me to reject her so cruelly, but I also knew that I was incapable of answering her any other way. I can’t be a hypocrite and pray with her when I don’t feel like it. It just doesn’t work that way. I felt sorry for Mother—very, very sorry—because for the first time in my life I noticed she wasn’t indifferent to my coldness. I saw the sorrow in her face when she talked about not being able to make me love her. It’s hard to tell the truth, and yet the truth is that she’s the one who’s rejected me. She’s the one whose tactless comments and cruel jokes about matters I don’t think are funny have made me insensitive to any sign of love on her part. Just as my heart sinks every time I hear her harsh words, that’s how her heart sank when she realized there was no more love between us. She cried half the night and didn’t get any sleep. Father has avoided looking at me, and if his eyes do happen to cross mine, I can read his unspoken words: “How can you be so unkind? How dare you make your mother so sad!” Everyone expects me to apologize, but this is not something I can apologize for, because I told the truth, and sooner or later Mother was bound to find out anyway. I seem to be indifferent to Mother’s tears and Father’s glances, and I am, because both of them are now feeling what I’ve always felt. I can only feel sorry for Mother, who will have to figure out what her attitude should be all by herself. For my part, I will continue to remain silent and aloof, and I don’t intend to shrink from the truth, because the longer it’s postponed, the harder it will be for them to accept it when they do hear it! Yours, Anne
Anne Frank (The Diary of a Young Girl)
Over a span of twenty years, Shakespeare churned out an impressively whopping thirty-eight plays, 154 love sonnets, and two epic narrative poems. While most people associate him with his plays, it was his sonnets that likely earned him admiration among his contemporaries. Yes, that’s right: In his lifetime, Shakespeare garnered more acclaim for his sonnets than he did for his plays. In England during the 1590s, writing plays was considered a bit hackish—a way to pay the bills—and not an intellectual pursuit. Writing sonnets was all the rage— and a way to gain literary prestige. These poems weren’t published for the plebeian public, but were written down and shared among the literati—and aristocrats looking for some intellectual cachet by becoming patrons to brilliant but perhaps financially strapped writers. So, while Shakespeare likely wrote nearly all of his love sonnets in the early to mid 1590s, they weren’t officially collected and published until 1609, well after the fad had passed. W. H. Auden said of Shakespeare’s sonnets: “They are the work of someone whose ear is unerring.” In today’s less poetry-friendly world, appreciation of these sonnets tends, sadly, to be relegated to classrooms, Valentine’s Day, and anniversaries. Which is too bad, because—though they do indeed rhyme—they are far superior to the ditties found in ninety-nine-cent greeting cards. In fact, they cover the whole gamut of love—the good, the bad, the erotic, and the ugly, including love triangles, being dumped, and jealousy. There is also speculation as to how autobiographical the sonnets are. The truth is that we know so little about Shakespeare’s private life.
William Shakespeare (Love Sonnets of Shakespeare (RP Minis))
Prayer and Meditation Matthew 14 AND HE WENT UP INTO THE MOUNTAIN APART TO PRAY This was always the practice of Jesus when he would move into the masses, the crowd, afterwards he would go alone into deep prayer and meditation. Why did he do this? If you have been meditating, you will understand. You will understand that once you start meditating, a very fragile and delicate quality of consciousness is born in you. A flower of the unknown, of the beyond, starts opening, which is delicate. And whenever you move into the crowd, you lose something. Whenever you come back from the crowd, you come back lesser than you had gone. Something has been lost, some contact has been lost. The crowd pulls you down, it has a gravitation of it's own. You may not feel it if you live on the same plane of consciousness. Then there is no problem, then you have nothing to lose. In fact, when you live in the crowd, on the same plane, alone you feel very uneasy. When you are with people, you feel good and happy. But alone, you feel sad, your aloneness is not aloneness. It is loneliness, you miss the other. You do not find yourself in the aloneness, you simply miss the other. When you are alone, you are not alone, beacuse you are not there. Only the desire to be with others is there - that is what loneliness is. Always remember the distinction between aloneness and loneliness. Aloneness is a peak experience - loneliness is a valley. Aloneness has light in it, loneliness is dark. Loneliness is when you desire others; aloneness is when you enjoy yourself. When Jesus would move into the masses, into the crowd, he would tell his disciples to got to the other shore of the lake, and he would move into total aloneness. Not even the disciples were allowed to be with him. This was a constant practice with him. Whenever you go into the crowd, you are infected by it. You need a higher altitude to purify yourself, you need to be alone so that you can become fresh again. You need to be alone with yourself, so that you become together again. You need to be alone, so that you become centered and rooted in yourself again. Whenever you move with others, they push you off centre. AND WHEN THE EVENING WAS COME, HE WAS THERE ALONE Nothing is said about his prayer in the Bible, just the word "prayer". Before God or before existence, you simply need to be vulnerable - that is prayer. You are no to say something. So when you go into prayer, don't start saying something. It will all be desires, demands and deep complaints to God. And prayer with complaints is no prayer, a prayer with deep gratitude is prayer. There is no need to say something, you can just be silent. Hence nothing is said about what Jesus did in his aloneness. It simply says "apart to pray". He went apart, he became alone. That is what prayer is, to be alone, where the other is not felt, where the other is not standing between you and existence. When God's breeze can pass througn you, unhindered. It is a cleansing experience. It revejunates your spirit. To be with God simply means to be alone. You can miss the point, if you start thinking about God, then you are not alone. If you start talking to God, then in imagination you have created the other. And then you God is a projection, it will be a projection of your father. A prayer is not to say something. It is to be silent, open, available. And there is no need to believe in God, because that too is a projection. The only need is to be alone, to be capable of being alone - and immediately you are with God. Whenever you are alone, you are with God.
Swami Dhyan Giten (The Way, the Truth and the Life: On Jesus Christ, the Man, the Mystic and the Rebel)
Depression, that is,” I continue. “People who’ve never experienced it think it’s a mask, but it’s not. It’s a curtain. And when it falls, it shuts you off from your life, plunging you into complete darkness. There you stand, arms flailing around you, reaching for anything to find your way back. But after exhausting yourself, grasping at only more darkness, you give up and drop to the floor in resignation. “And so you sit. You and the blackness. You and the accusations. You and the self-hatred, the lies that become truth, the failure and pain and hopelessness and black thoughts that twist through you, impaling you to the floor. There you bleed, alone in your black hole, convinced the audience on the other side of the curtain has given up and gone home. The show is over. “Before you know it, you realize the curtain has turned into a cement wall, and you couldn’t escape the darkness even if you wanted to, but by now you don’t care anymore. What’s the point? There’s nothing waiting for you on the other side, and even if there was, you’re such a useless waste of space that you wouldn’t dare to contaminate the world outside with your cancer anyway.” I stop, my eyes burning, my voice heavy in my throat. “You feel like crying all the time but you rarely do. Depression isn’t sadness; it’s numbness. You don’t have the energy for sadness. You can’t sleep. You don’t eat. You have no desire for the things you used to love, but it doesn’t matter because you can’t love anyway. You feel nothing, just a dull, heavy ache that makes it hard to breathe sometimes, let alone get up to start the search again. You fantasize about disappearing, just erasing your pointless existence and sparing the Earth from your toxic presence. By now you’re so exhausted just from the effort of living that there’s nothing left to live it.” I
Alyson Santos (Night Shifts Black (The Hold Me NSB Series Book 1))
Here was an entry - a serious one - which he hadn't crossed out in years. He couldn't remember where it came from. He never recorded the writer or the source: he didn't want to be bullied by reputation; truth should stand by itself, clear and unsupported. This one went: 'In my opinion, every love, happy or unhappy, is a real disaster once you give yourself over to it entirely.' Yes, that deserved to stay. He liked the proper inclusivity of 'happy or unhappy'. But the key was: 'Once you give yourself over to it entirely.' Despite appearances, this wasn't pessimistic, nor was it bittersweet. This was a truth about love spoken by someone in the full vortex of it, and which seemed to enclose all of life's sadness. He remembered again the friend who, long ago, had told him that the secret of marriage was 'to dip in and out of it'. Yes, he could see that this might keep you safe. But safety had nothing to do with love.
Julian Barnes (The Only Story)
I learn this: “The word Ezer has two roots: strong and benevolent. The best translation of Ezer is: Warrior.” God created woman as a Warrior. I think about the tragedies the women in my life have faced. How every time a child gets sick or a man leaves or a parent dies or a community crumbles, the women are the ones who carry on, who do what must be done for their people in the midst of their own pain. While those around them fall away, the women hold the sick and nurse the weak, put food on the table, carry their families’ sadness and anger and love and hope. They keep showing up for their lives and their people with the odds stacked against them and the weight of the world on their shoulders. They never stop singing songs of truth, love, and redemption in the face of hopelessness. They are inexhaustible, ferocious, relentless cocreators with God, and they make beautiful worlds out of nothing. Have women been the Warriors all along?
Glennon Doyle Melton (Love Warrior)
Suppose we realize, that in reality life itself is temporary. Nothing is eternal. So, it should make us think. Why were you born? What is the purpose of your life? Then why did you die? And where did you go after that? Those are all questions about the true nature of truth. It is all-encompassing. Life is a series of contradictions. There is day and night, there is rain and heat. There is sadness and joy, there is good and evil. There is life and death. Whatever it is, it's still part of the same coin. It is not always above, it is not always below. There are ups and downs. In this contradiction we also see harmony. There is a balance, how humans must measure their own life. And that's what we think. Because, there is no ivory that is not cracked. There is no perfection in a clay jug. On the contrary, it is the disability that makes it beautiful and meaningful. There is always a good side to everything. It remains how you see it. When humans leave this world, they're no longer suffering.
Titon Rahmawan
Yes, in the very beginning of her life the girl-child is full of herself. Her days are meaningful and unfold according to a deep wisdom that resides within her. It faithfully orchestrates her movements from crawling to walking to running, her sounds from garbles to single words to sentences, and her knowing of the world through her sensual connection to it. Her purpose is clear: to live fully in the abundance of her life. With courage, she explores her world. Her ordinary life is interesting enough. Every experience is filled with wonder and awe. It is enough to listen to the rain dance and count the peas on her plate. Ordinary life is her teacher, challenge, and delight. She says a big YES to Life as it pulsates through her body. With excitement, she explores her body. She is unafraid of channeling strong feelings through her. She feels her joy, sadness, anger, and fear. She is pregnant with her own life. She is content to be alone. She touches the depths of her uniqueness. She loves her mind. She expresses her feelings. She likes herself when she looks in the mirror. She trusts her vision of the world and expresses it. With wonder and delight, she paints a picture, creates a dance, and makes up a song. To give expression to what she sees is as natural as her breathing. And when challenged, she is not lost for words. She has a vocabulary to speak about her experience. She speaks from her heart. She voices her truth. She has no fear, no sense that to do it her way is wrong or dangerous. She is a warrior. It takes no effort for her to summon up her courage, to arouse her spirit. With her courage, she solves problems. She is capable of carrying out any task that confronts her. She has everything she needs within the grasp of her mind and imagination. With her spirit, she changes what doesn’t work for her. She says “I don’t like that person” when she doesn’t, and “I like that person” when she does. She says no when she doesn’t want to be hugged. She takes care of herself.
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
Well,that all worked out nicely," Edward said from my hand. "Yup." I sat down and propped the postcard upright against my books. "Thanks." "Whatever for?" "Being real,I guess. I'm pretty sure this paper about your life will get me into NYU.Which,when you think about it, is a pretty great gift from a guy I've never met who's been dead for a hundred years." Edward smiled. It was nice to see. "My pleasure,darling girl. I must say, I like this spark of confidence in you." "About time,huh?" "Yes,well.Have you forgiven the Bainbridge boy?" "For...?" "For hiding you." "He wasn't.I was hiding me." I gave Edward a look before he could gloat. "Yeah,yeah. You've always been very wise. But this isn't really about my forgiving Alex,is it?" He had the grace to look a little embarrassed. "I suppose not. So?" "So.I think you were a good guy, Edward. I think you probably would have told everyone exactly how you felt about Marina of you could have.If she hadn't been married, maybe, or if you'd lived longer. I think maybe all the pictures of you did of her were your public delcaration. Whaddya think? Can I write that? Is it the truth?" "Oh,Ella." His face was sad again, just the way he'd cast it in bronze. But it was kinda bittersweet now, not as heartbroken. "I would give my right arm to be able to answer that for you.You know I would." "You don't have a right arm,Mr. Willing. Left,either." I picked up the card again. "Fuhgeddaboudit," I said to it. "I got this one covered." I tucked my Ravaged Man inside Collected Works. It would be there if I wanted it.Who knows. Maybe Edward Willing will come back into fashion someday,and maybe I'll fall for him all over again. In the meantime, I had another guy to deal with.I sat down in front of my computer.It took me thirty seconds to write the e-mail to Alex. Then it took a couple of hours-some staring, some pacing,an endless rehearsal dinner at Ralph's, and a TiVo'd Christmas special produced by Simon Cowell and Nigel Lythgoe with Nonna and popcorn-for me to hit Send.
Melissa Jensen (The Fine Art of Truth or Dare)
In all the countries of Europe, and in America, too, there now is something that abuses this name: a very narrow, imprisoned, chained type of spirits who want just about the opposite of what accords with our intentions and instincts—not to speak of the fact that regarding the new philosophers who are coming up they must assuredly be closed windows and bolted doors. They belong, briefly and sadly, among the levelers—these falsely so–called ‘free spirits’—being eloquent and prolifically scribbling slaves of the democratic taste and its ‘modern ideas’; they are all human beings without solitude, without their own solitude, clumsy good fellows whom one should not deny either courage or respectable decency—only they are unfree and ridiculously superficial, above all in their basic inclination to find in the forms of the old society as it has existed so far just about the cause of all human misery and failure—which is a way of standing truth happily upon her head! What they would like to strive for with all their powers is the universal green–pasture happiness of the herd, with security, lack of danger, comfort, and an easier life for everyone; the two songs and doctrines which they repeat most often are ‘equality of rights’ and ‘sympathy for all that suffers’—and suffering itself they take for something that must be abolished. We opposite men, having opened our eyes and conscience to the question where and how the plant ‘man’ has so far grown most vigorously to a height—we think that this has happened every time under the opposite conditions, that to this end the dangerousness of his situation must first grown to the point of enormity, his power of invention and simulation (his ‘spirit’) had to develop under prolonged pressure and constraint into refinement and audacity, his life–will had to be enhanced into an unconditional power– will. We think that hardness, forcefulness, slavery, danger in the alley and the heart, life in hiding, stoicism, the art of experiment and devilry of every kind, that everything evil, terrible, tyrannical in man, everything in him that is kin to beasts of prey and serpents, serves the enhancement of the species ‘man’ as much as its opposite does.
Friedrich Nietzsche (Beyond Good and Evil)
In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)
Margaret Bendroth (The Spiritual Practice of Remembering)
Long ago, there was a servant who served a bad tempered and impatient master. It did not matter how he tried, he was always blamed and beaten by this master. However, it was the strange truth that the servant was always happy, and his master was always sad and depressed. One day, there was a kind man who could not understand this phenomenon, and finally he decided to ask this servant why he was always happy even though he was treated so badly. The servant replied: “Everyone has one day of life each day; half of the day is spent awake and the other half is spent sleeping. Although in the daytime, I am a servant and my master treats me badly, in the nighttime, I always dream that I am a king and there are thousands of servants serving me luxuriously. Look at my master: In the daytime, he is mad, depressed, greedy, and unhappy. In the nighttime, he has nightmares and cannot even have one night of nice rest. I really feel sorry for my master. Comparing me to him, I am surely happier than he is.” Friends, what do you think about this story? You are the only one responsible for your happiness. If you are not satisfied and always complain about what you have obtained, you will be on the course of forever-unhappiness. It is said in the West: “If you smile, the whole world smiles with you, but if you cry, you cry alone.” What an accurate saying!
Yang Jwing-Ming (Tai Chi Chuan Classical Yang Style)
Remember the future you were told existed when you were a child, the one with suburbs in orbit and a rocket ship in every garage. Then picture the next future after that, and the next and the next until at last you come to a blue drifting infinity where children dabble their toes in the outer layers of suns and artists work in the medium of worlds. It is the endless playground of human life in which no possibility is unexpressed. Some choose to be like gods, others like creatures from storybooks, and some are just people, albeit indestructible by any common measure, and no one is sad. And now ask yourself what would happen when the children in that playground came of age and realised that they were still finite, still bounded by the final ending of things. Et in Arcadia ego. They went mad. And then one day they went sane again, and carried on as if nothing had happened. They stopped talking about it, and they seemed quite content. I’m honestly not sure which of those moments was more appalling. But on the edge of everything there was a house, and in that house lived all the lost, forlorn, too-strange flotsam of that broken perfect world, and the people there—emancipated criminal selves, poets and upcyclers, dreamers and recidivists—they simply could not forget. By accident, they ended up the knowers of a secret truth in plain sight, which no one else would acknowledge.
Nick Harkaway (Gnomon)
Mindfulness (A poem) *** MINDFULNESS ****** We're sitting on a hill, reminiscing about our deeds. These are mesmerising moments of ease; scenes are harmonising in keys. But we're in a state of oblivion, shunned from the view of fate in this period. We think about the nice days from our teens;   the things that we did at our free will. We're in sync with the future and past tensions.   Indeed, we could enjoy the present intentions.    But we're in a state of oblivion, shunned from the view of fate in this period. We envision our problems gone; with collisions exposed and pawned. Oh! We could enjoy this peaceful time, on this hill, watching the sunrise. But we're in a state of oblivion, shunned from the view of fate in this period. The beautiful birds stride pass our face. Thick cuticles blurred, striped by hours of grace. They flap their wings, forming art; tail lamps for us, bleeding hearts. But we're in a state of oblivion, shunned from the view of fate in this period. People of different cultures come to us. Simple, they offer their services; no Judas. Wave their hands with care;   give their food to share. But we're in a state of oblivion, shunned from the view of fate in this period. What a sad case this is; our mindfulness is butchered. Heads are swimming inbetween the past and the future. Opportunities to love others in truth are being missed. Communities could share love so true; limiting the rifts. But we're in a state of oblivion, shunned from the view of fate in this period.
Mitta Xinindlu
For me, the biggest conflict with the surgery date was that it fell on the same day as Cole’s junior/senior formal at school. The formal had been a big night for Reed two years earlier, with the highlight being a special ring ceremony. Juniors receive their senior rings and ask two special people in their lives to turn the ring on their finger. Reed has asked me to be one of those two people for him, which was a special honor for me. If Cole wants me there, I will reschedule Mia’s surgery. “Cole, who are you planning on having turn your ring?” I asked. “I didn’t get a ring, Mom. I really don’t want one,” Cole replied. Seriously? I thought. Boy, are you your father’s son or what? “All I really care about is getting some really good pictures.” I knew Cole was telling me the truth. He is not about fanfare or rituals. But he did want to remember the night. “Absolutely! I’ll make sure we have plenty of pictures of you,” I exclaimed. As it turned out, I think he was the most photographed student that night. Since I could not be there in person, people texted, e-mailed, and tagged me on Facebook with pictures of him. Again, my friends and Cole’s friends’ parents did what they could to help us through this difficult time. Something as simple as taking pictures was priceless to me. Yes, Cole was completely fine with my not being at the formal, but he was also sad that he could not be at the hospital for Mia. I assured him that there’s never a good time for surgery, and he shouldn’t feel guilty about attending his event--all of us wanted him to go and have a great time.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
I haven’t been disingenuous in what I’ve said describing my perception of “truth” and “reality.” Certainly, I understand what is generally meant to be the “truth,” I understand this notion, but it’s not something I trust in, OK? The only answer that feels true (I said feels, not is) is that yes, the character Minnie is me, but she is not me. She is a projection of some tumult which originates within me, but she is not me. I use elements of myself, including my likeness, for the character, perhaps as Cindy Sherman uses herself in her work, but like Sherman’s photographs, the work itself is not any more about the creator than it is about everyone. I won’t deny that Minnie does things I have done, and that things happen to her that have happened to me, but she, unlike me, having been created, is who she is and will remain so, unchanged now. I make no attempt to create “documentary.” There is a process of dissociation that takes place when I make a story, I make creative decisions in a fugue state that I could hardly describe to you, but the end result is, I hope, a story with some meaning or resonance, something created, with a beginning, a middle and an end, an encapsulation of feeling and impression, but in no way a documentary of anything other than an “emotional truth.” If I told most interviewers that my work is “true” and that it is based on real events that occurred in my life, they would more readily accept this than they do the explanation I try to give. Sadly, what they would believe feels to me like a lie and a simplification of a process that is for me as complex and vague as life itself…
Phoebe Gloeckner
So how can you ditch the shame and not let longing sap all the happiness from your life? Part of feeling good through an intense period of longing is moving away from your old broken ways of experiencing intensity and towards one that is positive and thrilling. How do you take a sad story and live inside it without feeling crazy and sad? It can be helpful to go to the worst possible version of where you are and say, ‘Well, what would I do if this didn’t work out at all? What choices would I make if I knew ten years from now that nothing would ever come of this and I just would never meet someone, or never have a baby? Would I adopt? Would I travel? What would the best possible version of my life look like without the thing I am longing for?’ I push my husband to do this all the time, to talk about the wild worst-case scenarios and possibilities in front of us. There’s something heavy about that, but freeing too. More and more, I go back to the idea that you need to save yourself. I used to hate that line, but showing up for yourself, having your own back and keeping yourself company through a hellish time becomes more important. You can still feel a tremendous amount of love and admiration for other people. You can still have everything that you want and be the person who saves herself. People tend to paint independence as an impoverished, compromised position, and when you love love a lot, like I do, it’s hard not to fall into that. But the truth is that being in love, or loving someone and being really happy, includes a lot of self-possessed behaviour. It requires you to feel your way towards what you want, make your own decisions, and save yourself.
Natasha Lunn (Conversations on Love: Lovers, Strangers, Parents, Friends, Endings, Beginnings)
Any relationship will have its difficulties, but sometimes those problems are indicators of deep-rooted problems that, if not addressed quickly, will poison your marriage. If any of the following red flags—caution signs—exist in your relationship, we recommend that you talk about the situation as soon as possible with a pastor, counselor or mentor. Part of this list was adapted by permission from Bob Phillips, author of How Can I Be Sure: A Pre-Marriage Inventory.1 You have a general uneasy feeling that something is wrong in your relationship. You find yourself arguing often with your fiancé(e). Your fiancé(e) seems irrationally angry and jealous whenever you interact with someone of the opposite sex. You avoid discussing certain subjects because you’re afraid of your fiancé(e)’s reaction. Your fiancé(e) finds it extremely difficult to express emotions, or is prone to extreme emotions (such as out-of-control anger or exaggerated fear). Or he/she swings back and forth between emotional extremes (such as being very happy one minute, then suddenly exhibiting extreme sadness the next). Your fiancé(e) displays controlling behavior. This means more than a desire to be in charge—it means your fiancé(e) seems to want to control every aspect of your life: your appearance, your lifestyle, your interactions with friends or family, and so on. Your fiancé(e) seems to manipulate you into doing what he or she wants. You are continuing the relationship because of fear—of hurting your fiancé(e), or of what he or she might do if you ended the relationship. Your fiancé(e) does not treat you with respect. He or she constantly criticizes you or talks sarcastically to you, even in public. Your fiancé(e) is unable to hold down a job, doesn’t take personal responsibility for losing a job, or frequently borrows money from you or from friends. Your fiancé(e) often talks about aches and pains, and you suspect some of these are imagined. He or she goes from doctor to doctor until finding someone who will agree that there is some type of illness. Your fiancé(e) is unable to resolve conflict. He or she cannot deal with constructive criticism, or never admits a mistake, or never asks for forgiveness. Your fiancé(e) is overly dependant on parents for finances, decision-making or emotional security. Your fiancé(e) is consistently dishonest and tries to keep you from learning about certain aspects of his or her life. Your fiancé(e) does not appear to recognize right from wrong, and rationalizes questionable behavior. Your fiancé(e) consistently avoids responsibility. Your fiancé(e) exhibits patterns of physical, emotional or sexual abuse toward you or others. Your fiancé(e) displays signs of drug or alcohol abuse: unexplained absences of missed dates, frequent car accidents, the smell of alcohol or strong odor of mouthwash, erratic behavior or emotional swings, physical signs such as red eyes, unkempt look, unexplained nervousness, and so on. Your fiancé(e) has displayed a sudden, dramatic change in lifestyle after you began dating. (He or she may be changing just to win you and will revert back to old habits after marriage.) Your fiancé(e) has trouble controlling anger. He or she uses anger as a weapon or as a means of winning arguments. You have a difficult time trusting your fiancé(e)—to fulfill responsibilities, to be truthful, to help in times of need, to make ethical decisions, and so on. Your fiancé(e) has a history of multiple serious relationships that have failed—a pattern of knowing how to begin a relationship but not knowing how to keep one growing. Look over this list. Do any of these red flags apply to your relationship? If so, we recommend you talk about the situation as soon as possible with a pastor, counselor or mentor.
David Boehi (Preparing for Marriage: Discover God's Plan for a Lifetime of Love)
One afternoon, while watching TV with Lan, we saw a herd of buffalo run, single file, off a cliff, a whole steaming row of them thundering off the mountain in Technicolor. “Why they die themselves like that?” she asked, mouth open. Like usual, I made something up on the spot: “They don’t mean to, Grandma. They’re just following their family. That’s all. They don’t know it’s a cliff.” “Maybe they should have a stop sign then.” We had many stop signs on our block. They weren’t always there. There was this woman named Marsha down the street. She was overweight and had hair like a rancher’s widow, a kind of mullet cut with thick bangs. She would go door-to-door, hobbling on her bad leg, gathering signatures for a petition to put up stop signs in the neighborhood. She has two boys herself, she told you at the door, and she wants all the kids to be safe when they play. Her sons were Kevin and Kyle. Kevin, two years older than me, overdosed on heroin. Five years later, Kyle, the younger one, also overdosed. After that Marsha moved to a mobile park in Coventry with her sister. The stop signs remain. The truth is we don’t have to die if we don’t feel like it. Just kidding. — Do you remember the morning, after a night of snow, when we found the letters FAG4LIFE scrawled in red spray paint across our front door? The icicles caught the light and everything looked nice and about to break. “What does it mean?” you asked, coatless and shivering. “It says ‘Merry Christmas,’ Ma,” I said, pointing. “See? That’s why it’s red. For luck.” They say addiction might be linked to bipolar disorder. It’s the chemicals in our brains, they say. I got the wrong chemicals, Ma. Or rather, I don’t get enough of one or the other. They have a pill for it. They have an industry. They make millions. Did you know people get rich off of sadness? I want to meet the millionaire of American sadness. I want to look him in the eye, shake his hand, and say, “It’s been an honor to serve my country.
Ocean Vuong (On Earth We're Briefly Gorgeous)
(Lament about the Evils of Darkness) Night thou foule Mother of annoyance sad, Sister of heauie death, and nourse of woe, Which wast begot in heauen, but for thy bad And brutish shape thrust downe to hell below, Where by the grim floud of Cocytus slow Thy dwelling is, in Herebus blacke hous, (Blacke Herebus thy husband is the foe Of all the Gods) where thou vngratious, Halfe of thy dayes doest lead in horrour hideous. What had th’eternall Maker need of thee, The world in his continuall course to keepe, That doest all things deface, ne lettest see The beautie of his worke? Indeed in sleepe The slouthfull bodie, that doth loue to steepe His lustlesse limbes, and drowne his baser mind, Doth praise thee oft, and oft from Stygian deepe Calles thee, his goddesse in his error blind, And great Dame Natures handmaide, chearing euery kind But well I wote, that to an heauy hart Thou art the root and nurse of bitter cares, Breeder of new, renewer of old smarts: Instead of rest thou lendest rayling teares, Instead of sleepe thou sendest troublous feares, And dreadfull visions, in the which aliue The drearie image of sad death appeares: So from the wearie spirit thou doest driue Desired rest, and men of happinesse depriue. Vnder thy mantle blacke there hidden lye, Light-shonning theft, and traiterous intent, Abhorred bloudshed, and vile felony, Shamefull deceipt, and daunger imminent; Foule horror, and eke hellish dreriment: All these I wote in thy protection bee, And light doe shonne, for feare of being shent: For light ylike is loth’d of them and thee, And all that lewdnesse loue, doe hate the light to see. For day discouers all dishonest wayes, And sheweth each thing, as it is indeed: The prayses of high God he faire displayes, And his large bountie rightly doth areed. Dayes dearest children be the blessed seed, Which darknesse shall subdew, and heauen win: Truth is his daughter; he her first did breed, Most sacred virgin, without spot of sin. Our life is day, but death with darknesse doth begin.
Edmund Spenser (Faerie Queene)
Most of these reveal a psychological shrewdness about human fallibility: • A man of genius is but seldom ruined but by himself. • If you are idle, be not solitary; if you are solitary, be not idle. • There are people whom one should like very well to drop, but would not wish to be dropped by. • All censure of self is oblique praise. It is in order to show how much he can spare. • Man’s chief merit consists in resisting the impulses of his nature. • No place affords a more striking conviction of the vanity of human hopes than a public library. • Very few can boast of hearts which they dare lay open to themselves. • Read over your compositions, and wherever you meet with a passage you think is particularly fine, strike it out. • Every man naturally persuades himself he can keep his resolutions; nor is he convinced of his imbecility but by length of time and frequency of experiment. Through his moral essays, Johnson was able to impose order on the world, to anchor his experiences in the stability of the truth. He had to still himself in order to achieve an objective perception of the world. When people are depressed, they often feel overcome by a comprehensive and yet hard to pin down sadness. But Johnson jumps directly into the pain, pins it down, dissects it, and partially disarms it. In his essay on sorrow he observes that most passions drive you to their own extinction. Hunger leads to eating and satiety, fear leads to flight, lust leads to sex. But sorrow is an exception. Sorrow doesn’t direct you toward its own cure. Sorrow builds upon sorrow. That’s because sorrow is “that state of mind in which our desires are fixed upon the past, without looking forward to the future, an incessant wish that something were otherwise than it has been, a tormenting and harassing want of some enjoyment or possession we have lost.” Many try to avoid sorrow by living timid lives. Many try to relieve sorrow by forcing themselves to go to social events. Johnson does not approve of these stratagems. Instead, he advises, “The safe and general antidote against sorrow is employment…. Sorrow is a kind of rust of the soul, which every new idea contributes in its passage to scour away. It is the putrefaction of stagnant life and is remedied by exercise and motion.
David Brooks (The Road to Character)
Q. How can I be certain that what I fear will happen will never really happen? A. Sadly, the answer is you can't be certain! If you suffer from OCD you probably want a 100 percent guarantee that you will never do anything dangerous or that no harm will ever come to you or your family members. Unfortunately, life does not work like this. If I think about it, I know that there is no guarantee that I won't be hit by a car coming home from work today - but somehow my brain automatically accepts the very small chance of this happening and so permits me to go on living my life. More than two thousand years ago the Buddha (a great psychologist besides being a religious teacher) warned that one of the key things that makes us suffer is that we always want more than we will actually get - whether what we want is material like gold and jewels, or (my addition) in the case of OCD, more certainty than you will ever achieve. Thus the solution the Buddha might have offered you in northern India those thousands of years ago might have been something like this: "To stop suffering you must learn to accept that you will never achieve as much certainty as you want, no matter how much you pursue it; so it is up to you to choose: Either accept this truth and live your life happily, or fight against this truth and continue to suffer." Let me say it again for emphasis: you will never be certain that you won't act on the urges you have, or that the terrible things you fear will happen will not actually happen - but I can assure you that the odds of these things actually happening are small enough that it is not worth wasting your life trying (in vain) to get 100 percent certainty. Better to trust in yourself, your religious beliefs, or in evolution having prepared us well for surviving in this world. If evidence from brain studies better helps to convince you this is true, brain imaging studies of OCD sufferers now suggest that there really is something wrong with their "certainty system"; whatever automatically lets someone without OCD feel that things are OK does not function correctly in the OCD sufferer's brain (who then tries to convince himself that everything is OK, eventually becoming tired and frustrated when he cannot use other brain functions to achieve 100 percent certainty).
Lee Baer (Getting Control (Revised Edition)
unless we’re missing our guess, your life and the gospel probably haven’t always felt in sync on a lot of days, in most of the years since. After the emotional scene with the trembling chin and the wadded-up Kleenexes, where you truly felt the weight of your own sin and the Spirit’s conviction, you’ve had a hard time consistently enjoying and experiencing what God’s supposedly done to remedy this self-defeating situation. Even on those repeat occasions when you’ve crashed and burned and resolved to do better, you’ve typically only been able, for a little while, to sit on your hands, trying to stay in control of yourself by rugged determination and brute sacrifice (which you sure hope God is noticing and adding to your score). But you’ll admit, it’s not exactly a feeling of freedom and victory. And anytime the wheels come off again, as they often do, it just feels like the same old condemnation as before. Devastating that you can’t crack the code on this thing, huh? You were pretty sure that being a Christian was supposed to change you—and it has. Some. But man, there’s still so much more that needs changing. Drastic things. Daily things. Changes in your habits, your routines, in your choices and decisions, changes to the stuff you just never stop hating about yourself, changes in what you do and don’t do . . . and don’t ever want to do again! Changes in how you think, how you cope, how you ride out the guilt and shame when you’ve blown it again. How you shoot down those old trigger responses—the ones you can’t seem to keep from reacting badly to, even after you keep telling yourself to be extra careful, knowing how predictably they set you off. Changes in your closest relationships, changes in your work habits, changes that have just never happened for you before, the kind of changes that—if you can ever get it together—might finally start piling up, you think, rolling forward, fueling some fresh momentum for you, keeping you moving in the right direction. But then—stop us if you’ve heard this one before . . . You barely if ever change. And come on, shouldn’t you be more transformed by now? This is around the point where, when what you’ve always thought or expected of God is no longer squaring with what you’re feeling, that you start creating your own cover versions of the gospel, piecing together things you’ve heard and believed and experimented with—some from the past, some from the present. You lay down new tracks with a gospel feel but, sadly, not always a lot of gospel truth.
Matt Chandler (Recovering Redemption: A Gospel Saturated Perspective on How to Change)
[89d] “The danger of becoming misologists or haters of argument,” said he, “as people become misanthropists or haters of man; for no worse evil can happen to a man than to hate argument. Misology and misanthropy arise from similar causes. For misanthropy arises from trusting someone implicitly without sufficient knowledge. You think the man is perfectly true and sound and trustworthy, and afterwards you find him base and false. Then you have the same experience with another person. By the time this has happened to a man a good many times, especially if it happens among those whom he might regard as his nearest [89e] and dearest friends, he ends by being in continual quarrels and by hating everybody and thinking there is nothing sound in anyone at all. Have you not noticed this?” “Certainly,” said I. “Well,” he went on, “is it not disgraceful, and is it not plain that such a man undertakes to consort with men when he has no knowledge of human nature? For if he had knowledge when he dealt with them, he would think that the good [90a] and the bad are both very few and those between the two are very many, for that is the case.” “What do you mean?” “I mean just what I might say about the large and small. Do you think there is anything more unusual than to find a very large or a very small man, or dog, or other creature, or again, one that is very quick or slow, very ugly or beautiful, very black or white? Have you not noticed that the extremes in all these instances are rare and few, and the examples between the extremes are very many?” “To be sure,” said I. “And don't you think,” [90b] said he, “that if there were to be a competition in rascality, those who excelled would be very few in that also?” “Very likely,” I replied. “Yes, very likely,” he said, “But it is not in that respect that arguments are like men; I was merely following your lead in discussing that. The similarity lies in this: when a man without proper knowledge concerning arguments has confidence in the truth of an argument and afterwards thinks that it is false, whether it really is so or not, and this happens again and again; then you know, those men especially who [90c] have spent their time in disputation come to believe that they are the wisest of men and that they alone have discovered that there is nothing sound or sure in anything, whether argument or anything else, but all things go up and down, like the tide in the Euripus, and nothing is stable for any length of time.” “Certainly,” I said, “that is very true.” “Then, Phaedo,” he said, “if there is any system of argument which is true and sure and can be learned, it would be a sad thing if a man, [90d] because he has met with some of those arguments which seem to be sometimes true and sometimes false, should then not blame himself or his own lack of skill, but should end, in his vexation, by throwing the blame gladly upon the arguments and should hate and revile them all the rest of his life, and be deprived of the truth and knowledge of reality”.
Plato (Phaedo)
APRIL 6 Don’t be discouraged at the spiritual war you’re called to fight every day. The Lord almighty is with you and wars on your behalf. Between the “already” and the “not yet,” life is war. It can be exhausting, frustrating, and discouraging. We all go through moments when we wish life could just be easier. We wonder why parenting has to be such a continual spiritual battle. We all wish our marriages could be free of war. We all would love it if there were no conflicts at our jobs or in our churches. But we all wake up to a war-torn world every day. It is the sad legacy of a world that has been broken by sin and is constantly under the attack of the enemy. The way the apostle Paul ends his letter to the Ephesian church is interesting and instructive. Having laid out the truths of the gospel of Jesus Christ and having detailed their implications for our street-level living, he ends by talking about spiritual warfare: Finally, be strong in the Lord and in the strength of his might. Put on the whole armor of God, that you may be able to stand against the schemes of the devil. For we do not wrestle against flesh and blood, but against the rulers, against the authorities, against the cosmic powers over this present darkness, against the spiritual forces of evil in the heavenly places. Therefore take up the whole armor of God, that you may be able to withstand in the evil day, and having done all, to stand firm. Stand therefore, having fastened on the belt of truth, and having put on the breastplate of righteousness, and, as shoes for your feet, having put on the readiness given by the gospel of peace. In all circumstances take up the shield of faith, with which you can extinguish all the flaming darts of the evil one; and take the helmet of salvation, and the sword of the Spirit, which is the word of God, praying at all times in the Spirit, with all prayer and supplication. To that end keep alert with all perseverance, making supplication for all the saints, and also for me, that words may be given to me in opening my mouth boldly to proclaim the mystery of the gospel, for which I am an ambassador in chains, that I may declare it boldly, as I ought to speak. (Eph. 6:10–20) When you get to this final part of Paul’s letter, it’s tempting to think that he has entirely changed the subject. No longer, it seems, is he talking about everyday Christianity. But that’s exactly what he’s talking about. He is saying to the Ephesian believers, “You know all that I’ve said about marriage, parenting, communication, anger, the church, and so on—it’s all one big spiritual war.” Paul is reminding you that at street level, practical, daily Christianity is war. There really is moral right and wrong. There really is an enemy. There really is seductive and deceptive temptation. You really are spiritually vulnerable. But he says more. He reminds you that by grace you have been properly armed for the battle. The question is, will you use the implements of battle that the cross of Jesus Christ has provided for you?
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn’t give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. Scenery was the last thing on my mind. Now, though, that meadow scene is the first thing that comes back to me. The smell of the grass, the faint chill of the wind, the line of the hills, the barking of a dog: these are the first things, and they come with absolute clarity. I feel as if I can reach out and trace them with a fingertip. And yet, as clear as the scene may be, no one is in it. No one. Naoko is not there, and neither am I. Where could we have disappeared to? How could such a thing have happened? Every “thing that seemed so important back then—Naoko, and the self I was then, and the world I had then: where could they have all gone? It’s true, I can’t even bring back Naoko’s face—not right away, at least. All I’m left holding is a background, sheer scenery, with no people up front. True, given time enough, I can bring back her face. I start joining images—her tiny, cold hand; her straight, black hair so smooth and cool to the touch; a soft, rounded earlobe and the microscopic mole just beneath it; the camel’s hair coat she wore in the winter; her habit of looking straight into your eyes when asking a question; the slight trembling that would come to her voice now and then (as if she were speaking on a windy hilltop) and suddenly her face is there, always in profile at first, because Naoko and I were always out walking together, side by side. Then she turns to me, and smiles, and tilts her head just a bit, and begins to speak, and she looks into my eyes as if trying to catch the image of a minnow that has darted across the pool of a limpid spring. I do need that time, though, for Naoko’s face to appear. And as the years have passed, the time has grown longer. The sad truth is that what I could recall in five seconds all too soon needed ten, then thirty, then a full minute—like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand—ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time it appears, it delivers a kick to some part of my mind. “Wake up,” it says. “I’m still here. Wake up and think about it. Think about why I’m still here.” The kicking never hurts me. There’s no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. At the Hamburg airport, though, the kicks were longer and harder than usual. Which is why I am writing this book. To think. To understand. It just happens to be the way I’m made. I have to write things down to feel I fully comprehend them.
Haruki Murakami (Norwegian Wood)
In the end, this was about me, not them," Robin said, tapping her chest. "And the people in my life could either accept that or they could live without me." Ivy swallowed hard. "Did anyone choose to... well..." "Live without me?" Ivy nodded. Robin smiled sadly. "One friend. And it hurt. It hurt a lot. But if she couldn't love me for me, then I didn't need her in my life. I know that's easier said than done, and it took me a long time to really believe that, but it's the truth.
Ashley Herring Blake (Ivy Aberdeen's Letter to the World)
I think it's pretty common for teenagers to fantasize about dying young. We knew that time would force us into sacrifices - we wanted to flame out before making the choices that would determine who we became. When you were an adult, all the promises of your life was foreclosed upon, every day just a series of compromises mitigated by little pleasures that distracted you from your former wildness, from your truth. Sylvia Plath, Marilyn Monroe, Edie Sedgwick, Janis Joplin. They got to be beautiful forever. And wasn't that the ultimate feminine achievement - to be too gorgeous, too fucked up, too talented and sad and vulnerable to survive, like some kind of freak orchid with a two-minute lifespan? Who else could we look up to? Being young doesn't seem like enough of an excuse - we egged each other on, committed, together, to these poisonous theories, until we reached a point where disagreement would have meant a betrayal of our friendship. How could we have been so wrong and so stupid?
Julie Buntin (Marlena)
Your life unfolds the mysteries of everyone and the way they live. Life is all about balance and dignity. Everyone remembers the injuries, sadness, darkness, isolation, terror and their sacrifices. You have lived the lifetime and you have learned about life and this world where everyone lives in. You have found that the world is filled with both good and the bad. There are takers and givers. Takers takes everything from others while givers gives everyone everything without hesitation and regrets. Your life unfolds the mysteries of everyone and the way they live. Life is all about balance and dignity. The truth is there will be times when we have to endure some unbearable days, sleepless nights and our anger and unpredictable woes." - Shwin J Brad
Kenty Rosse (Mindfulness and stress relief)
Like a tree, the Bible tells us, bitterness has roots.a Consequently, we can saw away at our frustrations, disappointments, angers, hurts, and sadness, but unless we dig up our root of bitterness, it only returns, sometimes bigger than ever.
Mark Driscoll (Real Marriage: The Truth About Sex, Friendship, and Life Together)
Once, a long time ago, an elder sat by the fire and taught his grandson about life. He said to the boy, “There’s a fight going on inside us all. A fight between two wolves. One is evil, angry, miserable, sad, resentful, prideful, and full of shame, guilt, and self-pity. The other is good. He is peaceful, happy, grateful, kind, benevolent, generous, truthful, optimistic, trusting, and compassionate.” The boy thought about life for a moment and asked, “Which one will win?” To which the elder replied, “The one you feed.” The question to continually ask ourselves is, which wolf are we feeding?
Mathew Micheletti (The Inner Work: An Invitation to True Freedom and Lasting Happiness)
Every now and then, we reach a point in life where we know it’s time for a change. It might start as feeling stuck or bored. We might feel sad about dreams that have not yet come true or frustrated that our old way of doing things isn’t working anymore. Or we may simply wish that we had more time, or more control over the limited time that we do have. When we experience feelings like this, it’s natural to think they are personal, about us, who we are and the unique details of our lives. The truth is, however, we are not alone. People all over the world right now in this exact moment are having similar thoughts and feelings.
Laurie E. Smith
It is a well-known fact, and one that has given much ground for complaint, that after women have lost their genital function their character often undergoes a peculiar alteration, they become quarrelsome, vexatious and overbearing, petty and stingy, that is to say that they exhibit typically sadistic and anal-erotic traits which they did not possess earlier during their period of womanliness,” Sigmund Freud declared in 1913.8 Well, you can argue that he was a man of his time; the first couple of decades of the twentieth century weren’t exactly known for their respect for women’s finer qualities. But unfortunately, the nonsense didn’t stop there. “The unpalatable truth must be faced that all postmenopausal women are castrates,” pronounced American gynecologist Robert Wilson in a 1963 essay;9 he then elaborated fulsomely on this theme in his 1966 bestseller Feminine Forever.10 This frighteningly influential book, it later emerged, was backed by a pharmaceutical company eager to market hormone replacement therapy. “Once the ovaries stop, the very essence of being a woman stops,” psychiatrist David Reuben wrote in 1969 in another bestseller, Everything You Always Wanted to Know About Sex but Were Afraid to Ask.11 The postmenopausal woman, he added, comes “as close as she can to being a man.” Or rather, “not really a man but no longer a functional woman.” Half a century on, has anything really changed? Sadly, I don’t think so. It might not be acceptable in most circles to write that kind of thing anymore, but menopausal women are too often the butt of men’s jokes for me really to believe that the attitudes themselves have shifted. They’ve just gone a little more underground. So if these are the stories men are telling about us, where are the stories we’re telling about ourselves? Unfortunately, they’re not always very much more helpful. A surprising number of self-help or quasi-medical books by female authors toe the male line, enjoining women to try to stay young and beautiful at all costs, and head off to their doctor to get hormone replacement therapy to hold off the “symptoms” of the dreaded aging “disease” for as long as possible. Their aim, it seems, is above all a suspension of the aging process, an exhortation to live in a state of suspended animation. And although more women are beginning to write about menopause as a natural and profoundly transformational life-passage, in the culture at large it is still primarily viewed as something to be managed, held off, even fought.
Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
On November 22nd, 2018, my mother Vernita Lee passed away. I was conflicted about our relationship up until the very end. The truth is, it wasn't until I became successful that my mother started to show more interest in me. I wrestled with the question of how to take care of her - what did I owe the woman who gave me life, The bible says 'honor thy father and mother', but what did that actually mean? I decided one of the ways I could honor her would be to help care for her financially ... but there was never any real connection. I would say that the audience who watched me on television knew me better than my mother did. When her health began to decline a few years ago, I knew I needed to prepare myself for her transition. Just a few days before Thanksgiving my sister Patricia called to tell me she thought it was time. I flew to Milwaukee ... I tried to think of something to say, at one point I even picked up the manual left by the hospice care people. I read their advice thinking the whole time, how sad it was that I, Oprah Winfrey, who had spoken to thousands of people one on one should have to read a hospice manual to figure out what to say to my mother. When it was finally time to leave, something told me it would be the last time I'd ever see her but as I turned to go, the words I needed to say still wouldn't come. All I could muster was 'bye, I'll be seeing you' and I left for, ironically, a speaking engagement. On the flight home the next morning a little voice in my head whispered what I knew in my heart to be true: "you are going to regret this, you haven't finished the work". ... I turned around and went back to Milwaukee. I spent another day in that hot room and still no words came. That night I prayed for help. In the morning I meditated, and as I prepared to leave the bedroom I picked up my phone and noticed the song that was playing - Mahalia Jackson's 'Precious Lord'. If ever there was a sign, this was it. I had no idea how Mahalia Jackson appeared on my playlist. As I listened to the words, Precious Lord, take my hand Lead me on, let me stand. I am tired, I'm weak, I am worn Lead me on to the light, Take my hand, precious Lord And lead me home. I suddenly knew what to do. When I walked into my mothers room I asked if she wanted to hear the song. She nodded, and then I had another idea. I called my friend Wintley Phipps, a preacher and gospel artist, and asked him to sing Precious Lord to my dying mother. Over FaceTime from his kitchen table he sang the song a cappella and then prayed that our family would have no fear, just peace. I could see that my mother was moved. The song and the prayer had created a sort of opening for both of us. I began to talk to her about her life, her dreams, and me. Finally the words were there. I said, "It must have been hard for you, not having an education, not having a skill, not knowing what the future held. When you became pregnant, I'm sure a lot of people told you to get rid of that baby." She nodded. "But you didn't", I said. "And I want to thank you for keeping this baby". I paused, "I know that many times you didn't know what to do. You did the best you knew how to do and that's okay with me. That is okay with me. So you can leave now, knowing that it is well. It is well with my soul. It's been well for a long time." It was a sacred, beautiful moment, one of the proudest of my life. As an adult I'd learned to see my mother through a different lens; not as the mother who didn't care for me, protect me, love me or understand anything about me, but as a young girl still just a child herself; scared, alone, and unequipped to be a loving parent. I had forgiven my mother years earlier for not being the mother I needed, but she didn't know that. And in our last moments together I believe I was able to release her from the shame and the guilt of our past. I came back and I finished the work that needed to be done.
Oprah Winfrey (What Happened To You?: Conversations on Trauma, Resilience, and Healing)
Disappointment Panda. He’d wear a cheesy eye mask and a shirt (with a giant capital T on it) that was way too small for his big panda belly, and his superpower would be to tell people harsh truths about themselves that they needed to hear but didn’t want to accept. He would go door-to-door like a Bible salesman and ring doorbells and say things like, “Sure, making a lot of money makes you feel good, but it won’t make your kids love you,” or “If you have to ask yourself if you trust your wife, then you probably don’t,” or “What you consider ‘friendship’ is really just your constant attempts to impress people.” Then he’d tell the homeowner to have a nice day and saunter on down to the next house. It would be awesome. And sick. And sad. And uplifting. And necessary. After all, the greatest truths in life are usually the most unpleasant to hear. Disappointment Panda would be the hero that none of us would want but all of us would need.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Whereas women often feel their depression and become sad, men more commonly act out their depression in behaviors such as being grumpy, irritable, sullen, discouraged, annoyed, mad, withdrawn, cold, and aloof.
Mark Driscoll (Real Marriage: The Truth About Sex, Friendship, and Life Together)
Sadly, in our present world the truth is exchanged for happy falsehoods within the millions of self-help books that confidently advise you on how to live your life.
J. Warner Wallace (The Truth in True Crime: What Investigating Death Teaches Us About the Meaning of Life)
Teachers of creative writing used to urge their students to write about what they know – perhaps they still do. But when you’re eighteen or nineteen and keenly aware of how thin your experience really is, it’s hard to put a directive like that into action. The truth is, a family and a hometown will afford you material to last a lifetime, but when you’re a youth neither seems important enough to address. It’s as if only distant places and other families are worth writing about. Even young New Yorkers and Londoners must feel this. For somebody writing from the wrong side of the wrong continent in the wrong hemisphere – which is more or less what it felt like when I was first writing and publishing – the feeling is acute. When you’re starting out, it takes nerve to write about home and to do it in a language that’s unapologetically local. Some voice in your head is telling you to moderate the demotic and the specific, to accommodate the ‘cosmopolitan reader’. You waste a lot of time second-guessing this abstract stranger from somewhere far more important, and sadly, in time, you’ll get to meet him or her and realize they weren’t entirely imaginary. For writers at the margin there will always be an imperial pressure to relinquish particularity and conform to something more familiar, and what is most familiar to the world of publishing is an urban and largely denatured life. Whether they acknowledge it or not, many editors like to see their own lives reflected. Readers in New York and London often prefer a friction-free reading experience, so when you stubbornly write about regional lives in local vernacular you test the cosmopolitan reader’s patience. These were lessons I had to learn at home before I began to be published abroad.
Tim Winton (Island Home: A Landscape Memoir)
In fact, the sad truth is that I didn’t understand a thing about life until mine was spilling, black-red, onto the white tile of my bathroom floor. Maybe no one does.
Lisa Unger (Let Her Be)
you put more emphasis on honesty than on the punishment for bad behavior. If you confront your kids accusingly with anger or threats and are punitive when they misbehave, they might become afraid to tell the truth. If you make it safe for them, they will be honest. Remember, it takes a lot to confess or tell the truth for anyone at any age. It doesn’t always come naturally. It’s up to us to teach them to be courageous enough to be honest and vulnerable and confess when necessary. Be nonjudgmental. This kind of honest relationship, if fostered well, will be paramount during the teenage years. Read stories that encompass all emotions Read all kinds of stories to your child. Don’t be afraid if they don’t all have happy endings. Actively choose stories that have difficult topics too, and stories that don’t conclude in a “storybook” way. Children learn a lot from sadness and tragedy (being age appropriate, of course), and they open up honest communication between you about different aspects of life that are just as important as the prince getting the princess. Being exposed to peaks and valleys of life encourages empathy, resilience, and feelings of meaningfulness and gratitude for our own lives.
Jessica Joelle Alexander (The Danish Way of Parenting: What the Happiest People in the World Know About Raising Confident, Capable Kids)
What is it?” he asked quietly, his eyes full of concern. “What have you been doing that’s so terrible?” A great shudder of anguish moved through Velvet. Once he learned the truth Hank would never forgive her, but there had been enough running away, and she couldn’t bring herself to lie. Not to this man. She accepted the handkerchief he offered and dried her face. “Things was hard after Pa and Eldon died,” she managed to say, mopping at her eyes again. Hank nodded, his gaze tender, silently urging her to go on. Velvet drew in a deep breath and gripped a picket of the gate in one hand. For the first time in her life she thought she might faint. “I did cleanin’ work mostly till I came to Fort Deveraux. I’d heard I could make a lot of money here, washin’ clothes for the soldiers.” She paused and looked away for a moment, drawing strength from the orange and crimson blaze of the setting sun. “I found out soon enough that there were a lot of other women here lookin’ to wash clothes—there just wasn’t enough work to go around. I—I ended up takin’ money from men.” For a moment Hank just stood there, the color draining out of his skin. “For what?” he asked, his voice a low rasp. Velvet felt as though she was being torn apart piece by piece, organ by organ. She lowered her eyes for a moment, then met Hank’s gaze squarely. He knew—she could see that—but he was going to make her tell him. “For sleepin’ with me,” she said. With a muttered exclamation Hank turned away, his broad shoulders stiff beneath the rough, plain fabric of his shirt. Velvet reached out her hand, then let it fall helplessly to her side. She’d lost him a second time, and the experience was a cruel one. She doubted she’d ever recover from it. “I’m sorry,” she whispered. He whirled so suddenly that Velvet was startled and leapt backward. His face was taut with anger and pain. “You were my woman,” he whispered with hoarse fury. “How could you have let another man touch you?” The resilience that had allowed Velvet to survive the many hardships life had dealt her surged to the fore. She advanced on Hank, raging. “I wasn’t your woman. I wasn’t anybody’s woman. I was all alone in this world, and I did what I had to do!” Hesitantly Hank lifted his hand to her face. His thumb brushed away a tear. “There wasn’t a day or a night that I didn’t think about you, Velvet.” She hugged herself, afraid to hope or trust. “I didn’t love none of those men,” she said miserably. “I could only stand lettin’ them touch me because I pretended they was you.” Hank’s smile was soft and infinitely sad. “I’m not going to lose you again because of pride,” he said. “I don’t like that you took money from those men, but I figure I love you enough to get by that in time. All that really matters to me is now, Velvet. Now and next week and next year, and all the years after that, when you and I are going to be together.” Velvet hardly dared to believe her ears. She’d had very little good fortune in her life; she didn’t know how to deal with much besides trouble. “Folks around here won’t ever forget—there’ll be talk—” He laid two fingers to her lips, silencing her. “I don’t care,” he said. “I’ve found you. That’s all that’s important.” With a sob, Velvet let her head drop against Hank’s sturdy chest. Tenderly he enfolded her in his arms. “Hush, now,” he said. “Things are going to be different after this. Very different.” An
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
It is a sad fact of life that women often bond over commiserating about their flawed bodies or failed diets. To
Linda Bacon (Health At Every Size: The Surprising Truth About Your Weight)
Rich, what are you doing here?" I asked, my gaze going over toward Brant, finding him watching and feeling almost guilty. Which was ridiculous because I hadn't invited Rich. "Didn't have much of a choice after you blocked my calls and texts, Mads," he said, shaking his head. "Didn't you maybe consider that was because I didn't want to talk to you?" I asked, lifting my chin slightly. "The only possible explanation for that," he said, his charming boyish smile in place, "is because you have somehow forgotten how awesome I am. You can give me five minutes, can't you?" "Because five years wasn't enough of my time to waste?" I asked, not caring how snippy that came off. "I know I hurt you," he said, looking apologetic. "Let's not romanticize it," I cut him off. "You proposed to me and then dumped me because your parents were going to stop paying your bills." His head jerked back, likely not having expected that. "I fucked up," he admitted, shrugging. "I made the wrong choice." "Yes, you did," I agreed, having no plans on sparing his feelings. He hadn't spared mine. "Maddy, come on," he said, shaking his head. "Give me a chance here." "A chance to what? Somehow try to make me think that dumping me and telling me to get my things out before you came home from work was not possibly the worst possible thing you could have done after I gave you five years of my life?" "I was..." "Insensitive and cold-hearted and money-hungry and a complete and utter asshole," I filled in for him. "Maddy, I didn't even think..." "That sentence was complete right there," I cut him off. "You didn't even think. Period. You didn't think about how much it would hurt me that you valued your money more than the life we had built together. You didn't think of the fact that I had nowhere to go but back to live with my mother. You didn't think that loving me and me loving you would be enough. You didn't think. And now what? You've finally given it some thought." "I talked to my..." He talked to his parents. Ugh. I had thought maybe he had grown a set and told them to take their money and shove it. Not that it would change anything, but it would have restored my faith in him being the decent person I had always thought he was. "And what, Rich? Tried to convince them that I was good enough for them? I don't need their approval. And I don't want to be with a man who values their approval of the person you've chosen to be with so much that it changes your feelings for them." "It never changed my feelings about you," Rich said, voice sad. And I did believe him. He had loved me. There was no way he had been faking that. Again, the bitter truth was- he never loved me enough. Now that I knew that, there was no forgetting it. And the fact of the matter was, I deserved to be loved enough. "I don't want to be a decision, Rich. I want to be someone you love and are with because you can't not love and and you can't not be with me. Who you love isn't something you can flip-flop on. And I am thankful I found this out before I married you. Before we started a family. Before it could have begun to mean more than it already did.'' "What? You moved on already?" he asked, tone heavy with skepticism. "Yes." And I had. Not just to another man who had the potential to really mean something to me. But to a version of myself that I had forgotten existed. To live somewhere that everyone cared for me. To be near my mother who I missed dearly. To do a job because I loved it, not because I was looking for adulation. He couldn't factor into any of that. And it was right about then that the door to the bakery opened and out walked Brant, holding his jacket and moving to slip it over my shoulders. "Figured you were cold," he offered, but his eyes also said: and maybe needed an escape. He was right on both.
Jessica Gadziala (Peace, Love, & Macarons)
Before Anna’s eyes she changed from a little girl into a sombre woman. She sat staring: serious, ironical. “Don’t you see, I’ve got to think it’s funny?” “Yes, I do.” “It happened all at once, at breakfast one morning. Richard’s always been horrid at breakfast. He’s always bad tempered and he nags at me. But the funny thing is, why did I let him? And he was going on and on, nagging away about me seeing Tommy so much. And suddenly, it was like a sort of revelation. It really was, Anna. He was sort of bouncing up and down the breakfast room. And his face was red. And he was so bad tempered. And I was listening to his voice. He’s got an ugly voice, hasn’t he? It’s a bully’s voice, isn’t it?” “Yes, it is.” “And I thought—Anna I wish I could explain it. It was really a revelation. I thought: I’ve been married to him for years and years, and all that time I’ve been—wrapped up in him. Well women are, aren’t they? I’ve thought of nothing else. I’ve cried myself to sleep night after night for years. And I’ve made scenes, and been a fool and been unhappy and…The point is, what for? I’m serious Anna.” Anna smiled, and Marion went on: “Because the point is, he’s not anything, is he? He’s not even very good-looking. He’s not even very intelligent—I don’t care if he is ever so important and a captain of industry. Do you see what I mean?” “Well, and then?” “I thought, My God, for that creature I’ve ruined my life. I remember the moment exactly. I was sitting at the breakfast-table, wearing a sort of negligee thing I’d bought because he likes me in that sort of thing—you know, frills and flowers, or well, he used to like me in them. I’ve always hated them. And I thought, for years and years I’ve even been wearing clothes I hated, just to please this creature.” Anna laughed. Marion was laughing, her handsome face alive with self-critical irony, and her eyes sad and truthful. “It’s humiliating, isn’t it Anna?” “Yes, it is.” “But I bet you’ve never made a fool of yourself about any stupid man. You’ve got too much sense.” “That’s what you think,” said Anna drily. But she saw this was a mistake; it was necessary for Marion to see her, Anna, as self-sufficient, and non-vulnerable. Marion, not hearing what Anna had said, insisted: “No, you’ve got too much sense, and that’s why I admire you.
Doris Lessing (The Golden Notebook)
Look, everyone mourns at their own pace. Maybe you're just a little bit ahead of her, but she'll get to you eventually. The important thing is that you keep trying to talk to each other, even if it's difficult at first. It gets easier. I promise.
Sarah Dessen (The Truth About Forever)
Life, with all its surprises, is full of moments that, although predictable, keep surprising us. Every sensation, although already written, makes us feel each moment uniquely. And yet, we think about the future and the past, while insisting in forgetting the present. All memories and imaginations replace love with the feeling of sadness, a sadness built upon repetitions that match the undesired future and past. To lose is always harder than to forget, but to feel what can’t be changed is harder than losing it. It is hard to know without the capacity for creating, to see without the potential to predict, and to pay for what we know and see without any positive outcome at sight. But that is the life of many, a life that in their despair, is called real, as real as their self-destruction within it; for such is the consequence of venerating ignorance while in huger for reason. Many so live in evil, destroying the good that comes to them, emptying their soul in the process, and alchemically merging with the physical world, while disappearing in it; for such is life claiming their soul before claiming their body. Evil consumes the soul just as Earth consumes the body. To do evil is to commit suicide before death presents itself; and the endless nightmares of such creatures are merely manifestations of the bridge they’ve been building for themselves, between their illusions inside the material world and their fate within the spiritual world; for such is the state of slavery of the ignorant, dead in spirit and active in body but without any achievements in life; and yet, if the end of the illusion came, the root of all truth would merely expand itself furthermore, for one cannot come to itself before being with everything else; one cannot live without first experiencing the death of itself; for all that comes from the spirit has once occupied the place of many egos, just as the the state of being comes from the activity of manifesting conscience in many things, many lives, many perspectives; for one is all, but all cannot come into one, not until each one of that all is present in its fullness as one. And so, we could very well say that the expansion of one is the direction towards the truth, while the retrocession in being one is the direction towards the lie. And since all lies exist within the truth, we can also say that self-destruction, or evilness, is nothing more than the process of delaying the inevitably of life, to expand into thousands of years what could be achieved in one second. But wouldn’t that be expectable from one that fears life while wanting to experience it to its fulness? Such person is merely reducing the level in which he can live, even when, but mainly while, reducing himself in front of his own existence, including when diminishing himself before life. And that’s why the end of all things will always reveal the beginning of them, for such end is merely a delaying of what already was and should kept on being. It is the need to delay being that expands the being beyond itself, only and merely to simply bring it back to itself at the end. That is all for now, and the now in that all; for life is not more than an eternal present, redistributing its colors to create a big picture, one in which the vision shows the first spot in which all began. And that is enlightenment, as much as it is forgiveness, as much as it is sadness and joy, regret and responsibility, love and hate, emotions and emotionless, action and non-action, the one and the nothingness manifesting themselves at the exact same time and in the same place, allowing us the illusion of time and distance when, deeply within, we know they’re not real. But what is real? That is the journey of life; for one cannot say that there are different perspectives, but merely different states of conscience. In a perfect world, there is but one conscience.
Robin Sacredfire
Yes," Charlie was saying now, "I get up nice and early before the sun and do the little things that need doin' around the house. And then what d'ye think I do, Father? You'd never guess. Not in a million years you wouldn't. I'll tell you what I do: I go out in the yard and have a grand look at all the birds. Ain't birds lovely, Father?" This was the softer side of Charlie: rarely visible, like the other side of the moon. I said, "Are you a bird watcher, then, Mr. Carmody? That's something I wouldn't have guessed." "Ah well, I ain't a loony about it, Father. I don't go crawlin' around on my belly through the wet grass lookin' for the golden-headed hoohoo. That's nut stuff. But the fact of the matter is that nothin' makes me feel better than comin' down and findin' the whole place littered with birds, all kinds, singin' and chirpin' away all around me. I tell you, Father, there's days I might be St. Francis himself!" I said, "Aha." It was a pale acknowledgment, unworthy of such an announcement, but the truth is that I had nothing better to offer. Thirty years as a priest and still unable to make the appropriate small talk with the living duplicates of the sanctified! Who, by the way, are more numerous than you might imagine. With Charlie, however, it seemed safe enough to stick to the birds, and so I said, "I suppose they come around because you're good to them; you probably put out a little seed for them every once in a while." There was a pause. "Ah well," he said slowly. "I don't exactly do that now, Father. No no. I'm a great man for the birds, none greater, but the way I do is this: they can damn well feed themselves. And they do! I'm here to tell you they do. On my grass seed." The old voice had suddenly become louder; there was a new note, unmistakably grim. "Grass seed is sellin' for two dollars the pound," he said, "and every robin on the place is gettin' big as a hen. Oh, I tell you, Father, a man has to look sharp or they'll eat him out of house and home. What I do, sometimes, is I sit around waitin' for them with a few little stones in my pocket." A dusty reminiscent chuckle come over the telephone. "I pegged one at this big black devil of a starlin' the other day," St. Francis said gleefully, "and damn near took his head off. Well, well, we mustn't complain, Father. That's the way life goes.
Edwin O'Connor (The Edge of Sadness)
I did ask your mother about you whenever our paths crossed, but . . . she refused to divulge your whereabouts, and truth be told, I believe she has yet to forgive me for rejecting your proposal.” “Of course she hasn’t forgiven you, Wilhelmina. In her mind, you hurt the feelings of her adorable—and need I remind you, charming—son. Which is why she still takes to muttering less-than-pleasant mutters about you under her breath whenever I try to bring you into the conversation.” Edgar gave a sad shake of his head. “She’s especially put out with you over the idea that you proclaimed—in front of witnesses, no less—that the very last thing you’d ever want in life was to be known as Wilhelmina Wanamaker for the rest of your days.” Wilhelmina winced. “I completely forgot about that. Do know that I will apologize to your mother about that nasty business, if she ever condescends to speak to me again, that is.” “As you should, since Mother always proclaimed that Wilhelmina Wanamaker had a very nice ring to it, a proclamation she’s certain you remembered, which has allowed her to believe you were insulting not only me the night of your debut, but her as well.” “Oh . . . dear.” “Oh dear, indeed,” Edgar agreed quite cheerfully. Wilhelmina
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
If you think about all the things you’ve done in your life and the real, honest-to-God truth as to why you did them, chances are you’ll feel kinda sad too.
Lesley Arfin (Dear Diary)
It is enough to write a few lines about tanks in the streets in some sad country, about a clear injustice, which requires no description; it is enough to move from one side to another, to satisfy someone’s taste, the need of the moment, the need for “big” games to take a peek into everything and to prove everything with cheap opinions formed almost on command, almost as a recipe of measured pain to resolve the crisis, to extinguish the pain based on a few words that don’t change anything except that they flatter vanity and a misguided interest in all dimensions of life and creation, in the air that is being poisoned by smoke from cars, smoke from the television screens, the smoke curtains of politicians, left and right, the smoke of films and pop culture, smokescreens of intelligence that finds an explanation for all this, makes up theories, finds justification for the schizophrenic decisions of the new rulers, for wars, agreements, contracts; finds justification for obedience, for the sale of beliefs under the disguise of conviction, for several awards, for a few moments of illusion in the hocus-pocus world where the truth does not interest anyone anymore, except for ways for lies to be packaged and sold as the greatest truth with the help of big intellectuals that will find a good argument, a good defense and justification for everything, since everything becomes much easier, if a hoax is supported by “scientific” evidence.
Dejan Stojanovic (Serbian Satire and Aphorisms)
Life, with all its surprises, is full of moments that, although predictable, keep surprising us. Every sensation, although already written, makes us feel each moment uniquely. And yet, we think about the future and the past, while insisting in forgetting the present. All memories and imaginations replace love with the feeling of sadness, a sadness built upon repetitions that match the undesired future and past. To lose is always harder than to forget, but to feel what can’t be changed is harder than losing it. It is hard to know without the capacity for creating, to see without the potential to predict, and to pay for what we know and see without any positive outcome at sight. But that is the life of many, a life that in their despair, is called real, as real as their self-destruction within it; for such is the consequence of venerating ignorance while in huger for reason. Many so live in evil, destroying the good that comes to them, emptying their soul in the process, and alchemically merging with the physical world, while disappearing in it; for such is life claiming their soul before claiming their body. Evil consumes the soul just as Earth consumes the body. To do evil is to commit suicide before death presents itself; and the endless nightmares of such creatures are merely manifestations of the bridge they’ve been building for themselves, between their illusions inside the material world and their fate within the spiritual world; for such is the state of slavery of the ignorant, dead in spirit and active in body but without any achievements in life; and yet, if the end of the illusion came, the root of all truth would merely expand itself furthermore, for one cannot come to itself before being with everything else; one cannot live without first experiencing the death of itself; for all that comes from the spirit has once occupied the place of many egos, just as the state of being comes from the activity of manifesting conscience in many things, many lives, many perspectives; for one is all, but all cannot come into one, not until each one of that all is present in its fullness as one. And so, we could very well say that the expansion of one is the direction towards the truth, while the retrocession in being one is the direction towards the lie. And since all lies exist within the truth, we can also say that self-destruction, or evilness, is nothing more than the process of delaying the inevitably of life, to expand into thousands of years what could be achieved in one second. But wouldn’t that be expectable from one that fears life while wanting to experience it to its fullness? Such person is merely reducing the level in which he can live, even when, but mainly while, reducing himself in front of his own existence, including when diminishing himself before life. And that’s why the end of all things will always reveal the beginning of them, for such end is merely a delaying of what already was and should keep on being. It is the need to delay being that expands the being beyond itself, only and merely to simply bring it back to itself at the end. That is all for now, and the now in that all; for life is no more than an eternal present, redistributing its colors to create a big picture, one in which the vision shows the first spot in which all began. And that is enlightenment, as much as it is forgiveness, as much as it is sadness and joy, regret and responsibility, love and hate, emotions and emotionless, action and non-action, the one and the nothingness manifesting themselves at the exact same time and in the same place, allowing us the illusion of time and distance when, deeply within, we know they’re not real. But what is real? That is the journey of life; for one cannot say that there are different perspectives, but merely different states of conscience. In a perfect world, there is but one conscience.
Robin Sacredfire
Life isn't all about money but this life is nothing without it!
Wayne Dupree
And whether you are aware of these cosmic energies or not, you are being impacted by them, as they awaken you to those areas in which you are out of alignment with your true desires. The strong energy pouring to earth will also bring to the surface the beliefs, the limitations, the blockages you have accepted as a part of your being. Those that no longer serve you must be released, and the energy assists you in this with a constant stream of cosmic light. Begin to tune in to this now, allowing light to fill your body. Notice that, as you open your heart to this experience, you are able to feel good, to feel lightened in this energy. Return to the space of serenity, peace, and balance with your open heart by connecting to the realms of spirit and love. Regularly doing this will lessen and even eliminate much struggle and challenge on your path. As we mentioned, challenges come up for you in this energy to draw your attention to areas where change is needed and to areas of your life that no longer serve you and your acceleration path. When you are tuned in and observant with a calm mind, you are able to know what changes are needed. You will know which emotion is yours and which emotions are others. You will know what is your truth and which emotion is lingering and bubbling up to the surface now for you to ultimately release. When you find yourself feeling emotions of anger or sadness, anything that is on the scale of discomfort or negativity, remember that this is indeed tied to a thought or a belief. And so, allow yourself to feel whatever vibration is coming up and then release it. Imagine yourself surrounded with the light. And with your words and your intentions, you are able to simply ask for that emotion or belief to be released and replaced with unconditional love, compassion, and joy. Then continue to go about your day grounded in love and peace, knowing this is your true authentic nature as a spiritual being, which you are moving into. You are here on earth to return to living in love, happiness, and well-being.
Melanie Beckler (Channeling the Guides and Angels of Light)
Grace was screwed. Royally screwed. As in, her career was over. Finished. Finite. She turned on the windshield wipers and slowed the car as she drove through the rain in the mountains. With a renewed grip on the steering wheel, she sent a quick prayer that the rain would stop. A little sprinkle she could handle. A storm...well, that was another matter entirely. She puffed out her cheeks as she exhaled. If only she was in Scotland for a holiday, but that wasn’t the case at all. In a last-ditch effort to give her muse a good swift kick in the pants, Grace decided to travel to Scotland. All her friends thought she had lost her mind. Her editor thought it was just one more excuse in a very long line of them as to why she hadn’t turned the book in. Grace wished she knew the reason the words just stopped coming. One day they were there, and the next...gone, vanished. Poof! Writing wasn’t just her career. It was her life. Because within the words and pages she was able to write about heroines who had relationships she would never have. It was the sad truth, but it was the truth. Grace accepted her lot...in a way. She might realize the string of miserable dates were complete misses and admit that. However, the stories running through her head allowed her to dream as far as she could, and encounter men and adventures sitting behind a computer never would. Not being able to find the words anymore was like having someone steal her soul. She breathed a sigh of relief when the rain stopped and she was able to turn off her windshield wipers. In the two hours since she checked into the B&B, it hadn’t stopped raining. Rain was a part of being in Scotland, and she was pushing herself with her fear of storms to be out in it as well. It proved how far she would go to find her soul again. She needed to write, to sink into another world where she could find happiness and a love that lasted forever. Now she was armed with her laptop and steely determination. She would find her muse again. Just as soon as she found the right place. The scenery along the highway was stunning, but the noise of the passing vehicles would be too much. Grace needed somewhere off the beaten path. Somewhere she could pretend she was the only person left in the world.
Donna Grant (Dragon King (Dark Kings, #6.5))
Too many times, people look at Christians and think they would never want to be like us—we worry more than they do! Unfortunately, it’s true that we live like hopeless people much of the time. This is a sad statement of fact. Something should be different in a Christian’s life, don’t you think? I’m not talking about having it all together, because we aren’t perfect and never will be. But something in our disposition should point to the hope we have in God.
Debbie Alsdorf (He Is My All: Living in the Truth of God's Love for Me (Design4living))
the truth was that keeping up with the various ways people around the world managed to kill each other, or worrying about whatever invisible menace was threatening some aspect of her way of life just made her feel sad and helpless. Now,
K.R. Griffiths (Panic (Wildfire Chronicles #1))
Matthew and Michelle had been looking at a shelf filled with children’s toys, mostly neglected or broken or forgotten, and Michelle said, “I’ve entered the portion of my life where everything fills me with sadness.” “Have you?” said Matthew, shocked by the sudden confession. She’d laughed. “Sorry, did I say that out loud? I’m being dramatic, or that’s what Pete would say. I just feel like the exciting and mysterious parts of my life are over, and now everything fills me with nostalgia. Truthfully, I’m just being a baby about growing old.” “I think I know what you mean,” Matthew said. “Being young was scary, but it was also interesting.
Peter Swanson (Nine Lives)
The sad truth is that we live in a world that encourages selfishness, independence, convenience, isolation, and using people rather than loving them.
Mark Driscoll (Real Marriage: The Truth About Sex, Friendship, and Life Together)
Reason 1: Fear The first part says, "The lazy man won't go out and work. 'There might be a lion outside!' he says" (Proverbs 26:13, TLB). Fear grips Farmer Fraidy. Laziness is already mentioned, but the example given was about fear. It says that he doesn't want to go out because of a lion. We all have an imaginary lion in our lives. From my experience, I believe it's uncertainty. All change is terrifying because it's unfamiliar. This is the chilling truth: Some people would prefer the certainty of their present poverty rather than the uncertainty of their future prosperity. Sad but real.
Bo Sánchez (Nothing Much Has Changed (7 Success Principles from the Ancient Book of Proverbs for Your Money, Work, and Life)
-Do you know the difference between intellectual telepathy and emotional reincarnation? -Yes, telepathy is reading thoughts, and reading feelings and sensations. -Did it ever occur to you that someone is telepathy to you against your will? -Some people have this talent, or so they claim. Baibars: It is not a talent, but a knowledge. Physiognomy was never a talent, but rather an experience. People who travel a lot, social people, who have an appetite for information, and details, are the owners of physiognomy, who acquire it as a result of their experiences, all of which are stored in their subconscious mind, and the latter gives them results. In the form of emphatic feelings, we call it physiognomy, or talent. And basically, it’s based on data: we do not hear or know about anyone who has insight, who has earned this talent while sitting at home, but who is a frequent traveler. The more data you have, the more precise you are able to telepath with your target, and now telepathy is happening at every moment. With the technical revolution and the development and diversity of the means of all information, in many ways, social networking sites are not the first and will not be the last. With the development of computers, and their ability to process huge amounts of data, in a relatively acceptable time, and with the development of artificial intelligence software, and self-learning software, our privacy has become violated by many parties around the world, not only the intelligence services, but even studies and research centers, and decision-making institutions. They all collect an awful lot of data every day, and everyone in this world has a share of it. These software and computers will stand powerless if you strip them from their database, which must be constantly updated. Telepathy became available, easy, and possible, as never before. Physiognomy became electronic in the literal sense of the word. However, our feelings, and our emotions, remain our impenetrable fortress. If you decide to make your entire electronic life a made-up story, contrary to the reality of what you feel, such as expressing joy when you feel sad, this software will expect you from you other than what you really feel, it will fail. The more you are cunning, and deceitful in reincarnation, the more helpless it stands in knowing the truth of your feelings that no one else knows. All that is required of you is to express the opposite of what you feel. The randomness of humans, their spontaneity, and those they think are their free decisions, have been programmed by a package of factors surrounding them, which were imposed on them, including society, environment, conditions, and education. The challenge is to act neither spontaneously nor randomly, and here lies the meaning of the real free will. Can you imagine that? Your spontaneity is pre-programmed, and your random decisions that you think are absolutely free, are in fact not free, and until you are able to imagine this and believe in it, you will remain a slave to the system. To be free you must first overcome it, you must rebel against what you think is your free self. He was silent for a moment, took a breath from his cigarette, and what he was about to say now almost made him inevitable madness, a few years ago… -But, did it occur to you, Robert, that there is someone who can know the truth about your feelings, no matter how hard you try to fake them! And even knows it before you even feel it! A long moment of silence…
Ahmad I. AlKhalel
Step 4: Write letters to the parent, sibling, or peer who helped cause your lifetrap It is important to ventilate your anger and sadness about what happened to you. One thing that keeps your inner child frozen is all your strangled feelings. We want you to give your inner child a voice – to allow your inner child to express his or her pain. We will ask you to write letters to all the people who hurt you. We realize you will probably have to overcome a lot of guilt to do this, particularly in regard to your parents. It is not easy to attack your parents. They may not have been malicious. They may have had good intentions. But we want you to put aside such considerations for a time, and just tell the truth. Express your feelings in the letter. Tell them what they did that was hurtful, and how it made you feel. Tell them they were wrong to behave as they did. Tell them how you wished it could have been instead. You will probably decide not to send the letter. It is the writing and expressing of your feelings that is most important. It is often not possible to change the feelings or behaviour of your parents, anyway. You should know this from the start. The purpose of the letter is not to change your parents. It is to make you a whole person again. A letter like this can set the record straight. It can tell your story aloud, perhaps for the first time.
Jeffrey Young (Reinventing Your Life: The Breakthrough Program to End Negative Behavior...and Feel Great Again)
Let's imagine we're standing together on the launch pad at NASA's Cape Canaveral facility near Orlando, and staring up at the stars together. As I write this, the last constellation above the horizon is Centaurus. The centaur's front head is a bright star. In fact, it's three stars—a pair called Alpha Centauri A and B, and, dimmest of the trio, Proxima Centauri. Here, look through this telescope. See? You can tell them apart. But what we can't see is that there is, in fact, a planet circling the faint light of Proxima Centauri. Man, I wish we could see it. Because that planet, Proxima Centauri b, is the nearest known exoplanet to Earth. [...] If we were to board a spacecraft and ride it from the outer edge of our atmosphere all the way to Proxima Centauri b, you and I, who boarded the ship fit and trim, chosen as we were from billions of applicants, would die before the voyage reached even 1/100th of the intervening distance. [...] At a speed of 20,000 miles per hour—the speed of our top-performing modern rockets—4.2 light years translates to more than 130,000 years of space travel. [...] So how will we ever get there? A generation ship. [...] the general notion is this: get enough human beings onto a ship, with adequate genetic diversity among us, that we and our fellow passengers cohabitate as a village, reproducing and raising families who go on to mourn you and me and raise new of their own, until, thousands of years after our ship leaves Earth's gravity, the distant descendants of the crew that left Earth finally break through the atmosphere of our new home. [...] A generation ship is every sociological and psychological challenge of modern life squashed into a microcosmic tube of survival and amplified—generation after generation. [...] The idea of a generation ship felt like a pointless fantasy when I first encountered it. But as I've spent the last few years speaking with technologists, academics, and policy makers about the hidden dangers of building systems that could reprogram our behavior now and for generations to come, I realized that the generation ship is real. We're on board it right now. On this planet, our own generation ship, we were once passengers. But now, without any training, we're at the helm. We have built lives for ourselves on this planet that extend far beyond our natural place in this world. And now we are on the verge of reprogramming not only the planet, but one another, for efficiency and profit. We are turning systems loose on the decks of the ship that will fundamentally reshape the behavior of everyone on board, such that they will pass those behaviors on to their progeny, and they might not even realize what they've done. This pattern will repeat itself, and play out over generations in a behavioral and technological cycle.
Jacob Ward (The Loop: How Technology Is Creating a World Without Choices and How to Fight Back)
Yet if I'm so afraid of feeling sad thinking about the big picture that I can't talk about it, then I'm avoiding a really important truth, which is that I will (I hope) get old. And if I avoid that truth I may fail to plan for the later years of my life, and for the costs of the end of my life.
Julie Lythcott-Haims (Your Turn: How to Be an Adult)
What could not be doubted is that Death is neither painful nor terrifying, as mortals imagine. If they knew the truth about it, they would seek it out as they do well-aged wine, preferring it over all others. For it is not regret or sadness that grips the dying person. Rather, life appears as something paltry and unimportant when one intuits on the horizon that divine and joyous light. I was shackled with fetters, then they were smashed. I was trapped inside a vessel, then I was set free. I was intensely heavy on the earth, then I shed my bonds and was rid of my weight. My form was narrow, then I stretched everywhere outward without any bounds. My senses were limited, then each faculty changed utterly; I could see all and I could hear all and I could comprehend all, and I could perceive all at once what was above me and below me and around me—as if I had left my body sprawled before me to take from Creation an entirely new one.
Naguib Mahfouz (Voices from the Other World: Ancient Egyptian Tales)
Sorry. That was a very long answer to your question. So to answer, I would say that no, I'm not depressed." "But sad?" "Sure." "Why is that—how is that different?" "Depression is a serious illness. It's physically painful, debilitating. And you can't just decide to get over it in the same way you can't just decide to get over cancer. Sadness is a normal human condition, no different from happiness. You wouldn't think of happiness as an illness. Sadness and happiness need each other. To exist, each relies on the other, is what I mean." "It seems like more people, if not depressed, are unhappy these days. Would you agree?" "I'm not sure I'd say that. It does seem like there's more opportunity to reflect on sadness and feelings of inadequacy, and also a pressure to be happy all the time. Which is impossible." "That's what I mean. We live in a sad time, which doesn't make sense to me. Why is that? Are there more sad people around now than there used to be?" "There are many around the university, students and profs whose biggest concern each day—and I'm not exaggerating—is how to burn the proper number of calories for their specific body type based on diet and amount of strenuous exercise. Think about that in the context of human history. Talk about sad. "There's something about modernity and what we value now. Our shift in morality. Is there a general lack of compassion? Of interest in others? In connections? It's all related. How are we supposed to achieve a feeling of significance and purpose without feeling a link to something bigger than our own lives? The more I think about it, the more it seems happiness and fulfillment rely on the presence of others, even just one other. The same way sadness requires happiness, and vice versa. Alone is..." "I know what you mean," I say. "There's an old example that gets used in first-year philosophy. It's about context. It goes like this: Todd has a small plant in his room with red leaves. He decides he doesn't like the look of it and wants his plant to look like the other plants in his house. So he very carefully paints each leaf green. After the paint dries, you can't tell that the plant has been painted. It just looks green. Are you with me?" "Yeah." "The next day he gets a call from his friend. She's a plant biologist and asks if he has a green plant she can borrow to do some tests on. He says no. The next day, another friend, this time an artist, calls to ask if he has a green plant she can use as a model for a new painting. He says yes. He's asked the same question twice and gives opposite answers, and each time he's being honest." "I see what you mean." Another turn, this time at a four-way stop. "It seems to me that in the context of life and existing and people and relationships and work, being sad is one correct answer. It's truthful. Both are right answers. The more we tell ourselves that we should always be happy, that happiness is an end in itself, the worse it gets. And by the way, this isn't a very original thought or anything. You know I'm not trying to be brilliant right now, right? We're just talking." "We're communicating," I say. "We're thinking.
Iain Reid (I'm Thinking of Ending Things)
(Horses like boys…?) I had to remind myself that I gave up riding before I started eighth grade. I said that because I knew the same tired Jokes were going to roll in soon, about me riding horse-ie’s from the day I was like seven until then.’ ‘I don’t think I could ride now to save my life.’ Jenny said- ‘It’s just like riding a bike you never forget how too.’ ‘How would you know,’ I asked? Jenny said- ‘I still ride from time to time, I just got second place in a jumping competition two weeks ago.’ I whispered- ‘O-oh.’ (On the inside- I was crushed, thinking it okay for you to ride but I can’t. My horse died not long after, I stopped riding her, thinking I didn’t love her anymore. I didn’t want to stop.) I think if she starts making fun of me now, I would bust out crying. And if I cry then I’ll be a BABY! Yet it okay for her to cry to us over stupid boys or her time of the month drama. I could never clear the truth to her: that riding was my favorite thing in this whole wide world. It wasn’t about winning with me, no- it was about having my freedom, my happiness, and my relaxation. The way I could escape from all of them that put me down, back them. I loved it more than boys, more than friends, more than family even. I was the best I could be back then. I was strong then, now I am nothing but a week p*ssy that lets everyone crap on me. I can’t believe that I wanted this life. I loved to be alone in the barn, or out on the fields particularly in the late summer when everything is crunchy and golden, and the plants show off all their wonderful different colors, and it smells of hay, is what made my day complete, racing past all the trees, down the wooded trails, it was more than just jumping her at compassion. We had a bond- I loved brushing my horse down, braiding her main, and being her best friend, feeding her carrots sticks, I loved it all. I gave up my best friends for ones that I can’t always trust. Your horse’s always your trusting best friend. And if I am crying now, it’s not that I am sad, it’s that I am happy. I have to lie…! I am nothing- nothing, but a complete liar, a wide-ranging slut, and a total baby! #- hostage: (Galloping, Groping, Gulping)
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
We're sitting on a hill, reminiscing about our deeds. These are mesmerising moments of ease; scenes are harmonising in keys. But we're in a state of oblivion, shunned from the view of fate in this period. We think about the nice days from our teens; the things that we did at our free will. We're in sync with the future and past tensions. Indeed, we could enjoy the present intentions. But we're in a state of oblivion, shunned from the view of fate in this period. We envision our problems gone; with collisions exposed and pawned. Oh! We could enjoy this peaceful time, on this hill, watching the sunrise. But we're in a state of oblivion, shunned from the view of fate in this period. The beautiful birds stride pass our face. Thick cuticles blurred, striped by hours of grace. They flap their wings, forming art; tail lamps for us, bleeding hearts. But we're in a state of oblivion, shunned from the view of fate in this period. People of different cultures come to us. Simple, they offer their services; no Judas. Wave their hands with care; give their food to share. But we're in a state of oblivion, shunned from the view of fate in this period. What a sad case this is; our mindfulness is butchered. Heads are swimming between the past and the future. Opportunities to love others in truth are being missed. Communities could share true love; limiting the rifts. But we're in a state of oblivion, shunned from the view of fate in this period.
Mitta Xinindlu
Societally, we have internalized some of depression's lies - that sadness is wrong, that it is bad, that it is not valuable. That it needs to be made "better." We celebrate wellness and leave no space for sorrow, brokenness, grief, or anything other than "I'm fine" when the truth is that life is complicated, painful, and difficult. Whole humans feel a whole range of emotions, but we applaud only half of them, driving our negatively perceived emotions deep into hiding for fear of judgment. There, they are safe to fester and grow stronger, which in turn drives us to hid them more.
Alua Arthur (Briefly Perfectly Human: Making an Authentic Life by Getting Real About the End)
They stole the ground beneath his feet with deceit, and now they label him a loser. Sadly, the world buys their lies, overlooking both the truth and his suffering.
Bhuwan Thapaliya (Our Nepal, Our Pride)
We’d come home drunk and lie in bed, I’d ask what was on his mind since something always was. He’d ignore it until I grabbed his hands and pinned him down. He didn’t think I loved him because I always wrote about my ex-boyfriend. Truth is, I did and I do love him. But it just doesn’t come when you’re happy.
Dominic Riccitello
I used to feel a little bit sad when I realised that in our culture there was a big divide between fiction writers and truth writers. To me, fiction is a true vehicle for feelings and realisations about life. Because this place is very weird and mysterious and most of the time we have no idea what’s going on. Every once in a while we get a glimpse and then we realise, oh, actually that was the reverse image of a shrapnel of a tiny mirror that’s a million miles away. It’s very hard to be here, because you’re watching cruelty; you’re watching the next hundred years of war being born. If you wanted, your whole life could be a slow-motion horror. But at the same time it’s just so good here. There are so many wonderful things here and you can fill your days with them.
Regina Spektor
What does this focus on revelation within the Old Testament signify for a “good reading” of the New Testament? Here is one possibility: Adequate apprehension of the gospel requires that we amplify our vocabulary for talking about God beyond the firm but (sadly) hackneyed truth that God is Love. The Old Testament establishes with equal firmness, in Leviticus and again in “the evangelical Prophet” Isaiah, that God is holy, an affirmation that underlies the first petition of the prayer our Lord taught the disciples. In both Torah and Prophets, it is clear that the proper response to God’s holiness is human obedience. Surely Jesus’ own submission to death on a cross is just such an obedient response to God’s holiness. We have been saved through grace — this is often the first affirmation we make as Christians awakening to the wonder of the life we share with God. But if the fruits of salvation are to be evidenced in the world, then the affirmation of salvation needs to be followed by the question, What form of obedience does Christian discipleship now require?
Ellen F. Davis (The Art of Reading Scripture)
What makes the Resurrection so difficult for most people to believe? The fact that Jesus rose from the dead became the central point of the disciples’ preaching. Why is the Resurrection so important to Christianity? How can the experience of these first-century Christ-followers and their strong witness give you confidence and hope? The close followers of Jesus ran for their lives from the garden and then kept their distance from the trial and Crucifixion. Peter denied even knowing Jesus. Two of them walked sadly away from Jerusalem, hopeless of seeing Jesus again. Then this same group hid from the authorities in a locked room. But soon they would be boldly proclaiming the Good News about Jesus. What changed these confused and disillusioned men and women? The Resurrection! They saw Christ alive—they knew the truth—and their lives were forever changed. This is perhaps the greatest proof that Christ did, in fact, rise from the dead: the disciples’ changed lives.
Anonymous (Life Application Study Bible Devotional: Daily Wisdom from the Life of Jesus)
To counter apathy, most change agents focus on presenting an inspiring vision of the future. This is an important message to convey, but it’s not the type of communication that should come first. If you want people to take risks, you need first to show what’s wrong with the present. To drive people out of their comfort zones, you have to cultivate dissatisfaction, frustration, or anger at the current state of affairs, making it a guaranteed loss. “The greatest communicators of all time,” says communication expert Nancy Duarte—who has spent her career studying the shape of superb presentations—start by establishing “what is: here’s the status quo.” Then, they “compare that to what could be,” making “that gap as big as possible.” We can see this sequence in two of the most revered speeches in American history. In his famous inaugural address, President Franklin D. Roosevelt opened by acknowledging the current state of affairs. Promising to “speak the whole truth, frankly and boldly,” he described the dire straits of the Great Depression, only then turning to what could be, unveiling his hope of creating new jobs and forecasting, “This great nation . . . will revive and will prosper. . . . The only thing we have to fear is fear itself.” When we recall Martin Luther King, Jr.’s, epic speech, what stands out is a shining image of a brighter future. Yet in his 16-minute oration, it wasn’t until the eleventh minute that he first mentioned his dream. Before delivering hope for change, King stressed the unacceptable conditions of the status quo. In his introduction, he pronounced that, despite the promise of the Emancipation Proclamation, “one hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination.” Having established urgency through depicting the suffering that was, King turned to what could be: “But we refuse to believe that the bank of justice is bankrupt.” He devoted more than two thirds of the speech to these one-two punches, alternating between what was and what could be by expressing indignation at the present and hope about the future. According to sociologist Patricia Wasielewski, “King articulates the crowd’s feelings of anger at existing inequities,” strengthening their “resolve that the situation must be changed.” The audience was only prepared to be moved by his dream of tomorrow after he had exposed the nightmare of today.
Adam M. Grant (Originals: How Non-Conformists Move the World)
I really am trying to understand your way of life, Mikhail, but I don’t think my heart can take it yet.” She tried to be truthful. “I know nothing of your laws or your customs. I don’t even know exactly what you are, what I am. I think of myself as human. We’re not even married in the eyes of God or man.” This time Mikhail threw back his head and laughed loudly, heartily. “You think the pale ceremony of humans is a deeper binding than that of a true Carpathian ritual? You do have much to learn of our ways.” Her small white teeth scraped at her lower lip. “Has it occurred to you that I might not feel bound by Carpathian laws and rituals? You have so little regard for things I consider sacred.” “Raven!” He was shocked, and it showed. “Is that what you think? I have no regard for your beliefs? That is not so.” She ducked her head so that her silky fair fell around her face, hiding her expression. “We know so little about one another. I know nothing about who I’ve become. How can I fulfill your needs, or you mine, if I don’t even know what or who I am?” He was silent, his dark, fathomless eyes studying her sad face, the sorrow in her eyes. “Perhaps there is some truth in your words, little one.” His hands followed the contours of her body, shaped her narrow rib cage, her small waist, moved up to frame her face. “I look at you and know what a miracle you are. The feel of your skin, soft and inviting, the way you move, like water flowing, the brush of your hair like silk, the feel of your body surrounding mine, completing me, giving me the strength I need to continue a task that seems so hopeless, but so necessary. I look at the way you are made, so beautiful, your body so perfect, made for mine.
Christine Feehan (Dark Prince (Dark, #1))
The names of your informers, what backstabbing campaigns you’re embarking on, where you store your guns, your drugs, your money, the location of your hideout, the interchangeable lists of your friends and enemies, your contacts, the fences, your escape plans—all things you need to keep to yourself, and you will reveal every one if you are in love. Love is the Ultimate Informer because of the conviction it inspires that your love is eternal and immutable—you can no more imagine the end of your love than you can imagine the end of your own head. And because love is nothing without intimacy, and intimacy is nothing without sharing, and sharing is nothing without honesty, you must inevitably spill the beans, every last bean, because dishonesty in intimacy is unworkable and will slowly poison your precious love. When it ends—and it will end (even the most risk-embracing gambler wouldn’t touch those odds)—he or she, the love object, has your secrets. And can use them. And if the relationship ends acrimoniously, he or she will use them, viciously and maliciously—will use them against you. Furthermore, it is highly probable that the secrets you reveal when your soul has all its clothes off will be the cause of the end of love. Your intimate revelations will be the flame that lights the fuse that ignites the dynamite that blows your love to kingdom come. No, you say. She understands my violent ways. She understands that the end justifies the means. Think about this. Being in love is a process of idealization. Now ask yourself, how long can a woman be expected to idealize a man who held his foot on the head of a drowning man? Not too long, believe me. And cold nights in front of the fire, when you get up and slice off another piece of cheese, you don’t think she’s dwelling on that moment of unflinching honesty when you revealed sawing off the feet of your enemy? Well, she is. If a man could be counted on to dispose of his partner the moment the relationship is over, this chapter wouldn’t be necessary. But he can’t be counted on for that. Hope of reconciliation keeps many an ex alive who should be at the bottom of a deep gorge. So, lawbreakers, whoever you are, you need to keep your secrets for your survival, to keep your enemies at bay and your body out of the justice system. Sadly—and this is the lonely responsibility we all have to accept—the only way to do this is to stay single. If you need sexual relief, go to a hooker. If you need an intimate embrace, go to your mother. If you need a bed warmer during cold winter months, get a dog that is not a Chihuahua or a Pekingese. But know this: to give up your secrets is to give up your security, your freedom, your life. The truth will kill your love, then it will kill you. It’s rotten, I know. But so is the sound of the judge’s gavel pounding a mahogany desk.
Steve Toltz (A Fraction of the Whole)
There’s times when it’s quiet at night, and I wonder about him. And I hope he’s okay,” Grandma said. “I guess he did some bad things, so it’s a crapshoot if he got into heaven.” She pushed some macaroni salad around on her plate. “Truth is I’ll be relieved when all this is over, and I can move on to what’s in front of me instead of what’s behind me. It’s not like I want to forget Jimmy. It’s just that he’s in a different spot in my life now. He’s in the good memories spot. If I didn’t put him there, I’d be sad all the time, and I don’t like being sad. I figure happiness is a choice that you make. Even in terrible times.
Janet Evanovich (Twisted Twenty-Six (Stephanie Plum, #26))
Beauty lies between you and you and eye and eye Do not compare beauty, For it resides in all, Try if you will, But a slave to the mind you shall be. To compare a dandelion to a lily, And to say the lily is of greater beauty Is a sin we often see. The dandelion is everywhere to be seen, But it is not picked from the ground on a whim. A weed, it was labeled in those grown-up minds, Minds, which have been weeded through time. The same minds which cut lilies from the ground, And stare as they wonder ‘how sad that beauty dwindles down’. They let their thoughts haunt them, And get trapped in the world around them. The truth masked as lies of the eyes. The dandelion and lily, When left to be, Dance in the wind with such beauty, Free. Compare beauty and you'll eclipse your sun's light, And because you only know the stars That come to life when they die, You'll have to wait for the dandelion to fly, Specking light in your darkened mind's eye. Explain beauty and you'll stay for eternity, Trying to capture infinity. Only then will you look into the stilling river, And cry from the open wounds you hide. Bandaging your reflection, you try. Only when it drowns in the murky crinkling water, Do you realize That the stars won't offer the same blinding light, And the darkness has given you sight. Your comparisons’ prism lives only in your eyes, But it travels down your stem, Like a Serpent, Coiling around your breath, With your tongue, Sharper than the air of death, Shedding words you've been fed. Like the grey, Settling deep within your Soul, And the shade, That makes you feel whole. Perhaps you'll try to save the mirrored water, But as you thrash about in infinity, Do not break stems anymore. Instead cut the chains keeping you shackled to the shore. Still, as you roam free, Do not forget to remember, (Infinity said while knocking at eternity’s door) A rigid mind leads to a life lived hollow, But do dip into the mind’s eye knowingly, For the strongest light casts the darkest shadow.
Tavisha Sh (Dancing On The Line Of Insanity)
You will never find someone who makes you feel complete. No, it's not cynical or sad. It's just the simple truth. You will find someone who will make you change yourself according to their liking and you will do the same to them. Life is mostly about making changes and losing a little bit of the real you. For good or bad, find in the sands of time.
Crestless Wave
For churches that observe behaviors from the list on the right, this is a strong indication that the associated convictions are not consistently held within the body. Leaders are often surprised when these deviant behaviors manifest, especially in a church with strong, biblical doctrinal and mission statements. We, as leaders, often assume that the things we hold dear transfer by osmosis to our church members. Sadly, it just doesn’t work this way. For example, many evangelical churches pride themselves on having a robust theology and conviction about the immanent return of Christ. And, if a majority of members in one of these churches was asked how they should live in light of that conviction, many would say something like, “I should live ready for His return any day.” Yet the same church may demonstrate consistently a lack of urgency. How can this be? Simple. People don’t always really believe what they say they believe. There is often disparity between actual beliefs and articulated ones. These cultural inconsistencies are pervasive and no church is immune. At Austin Stone, where Kevin serves as lead pastor, there was a time at the start of the church when this truth became so clear. For years, the leadership team talked about the call of every Christian to be a part of the mission of God. Yet, when looking deeply at the church, something was not quite right. The worship services were growing, but impact in the city was not. The team knew it needed more than just a sermon, more than just a class or a strategy. The church needed a cultural change. The Austin Stone was certain that God was calling her to be a church for the city of Austin, but teaching a list of “dos and don’ts” wasn’t going to get her there.4 The seeds for a city-loving, God-honoring church were in there, but until God altered some of the fundamental beliefs as a local church, nothing would have changed. The church needed to really believe the urgency of the mission, needed to really believe that the Lord was inviting His people to join Him on mission in all spheres of life. Culture change is key.
Eric Geiger (Designed to Lead: The Church and Leadership Development)
In one sense we are all unique, absolutely one-of-a-kind individual creations; but in a much more profound way, each of us has come about as the result of a "long choosing." This is a phrase from writer Wendell Berry, whose book Remembering describes the main character, Andy Catlett’s, struggle with a sudden bout of amnesia. To those acquainted with Berry’s stories about Port William, Kentucky, Andy is a familiar figure, having grown up in the town’s rich web of family and neighborhood relationships. His disorientation begins during a cross-country plane trip to a scientific conference, where he is caught up in the security lines and body searches now a familiar part of the post-9/11 reality. In this world every stranger in an airport terminal is a potential enemy, someone to be kept at a safe distance. Somehow Andy makes it back to his home in rural Kentucky, but he is rough shape. He has literally forgotten who he is, and wanders about town looking for clues. His memories—and his sense of self—return only when in a confused dream state he sees his ancestors, walking together in an endless line. To Andy they are a "long dance of men and women behind, most of whom he never knew, . . . who, choosing one another, chose him.” In other words Andy Catlett is not a self-made man living in an isolated blip of a town, but he and his home are the sum of hundreds of courtships and conceptions, choices and chances, errors and hopes. We like to imagine that we are unique, absolutely unprecedented. But here is the truth: not just the tilt of our noses or the color of our bodies, but far more intimate characteristics–the shape of our feet or an inner tendency towards joy or sadness–have belonged to other people before we came along to inherit them. We came about because they decided to marry one person and not the other, to have six children instead of three, to move to a city instead of staying on the farm. It is remarkable to think of someone walking down the streets of sixteenth-century Amsterdam with my fingers and kneecaps, my tendency toward melancholy and my aptitude for music. We live within a web of holy obligation. We are connected to people of the world today, and to other invisible people: the unknown number of generations yet to be born. One of the most important things we can do, in the way we care for the earth and in the way we care for our local church life, is to recognize their potential presence. (pp.117-118)
Margaret Bendroth (The Spiritual Practice of Remembering)
Sadly, the philosophy of science is “live and let live”. Science is not the truth-seeking enterprise we are taught to believe. It is a business, there are people there, they have needs, and they need to build and keep their positions. It is about their survival, and the system demands a constant supply of new ideas, even if everything had been said already – there must not be a final solution, in contrast to the ultimate goal in life.
U. N (THE SIXTH SENSE DOOR: Breaking Through)
In times when “truth” seems like a commodity peddled on every street corner, we need to grasp the power of the foundation we have in Scripture. While many readers will say “yes” and “amen” to this, the sad truth is that Bible reading is low even among those who frequently attend church. A 2015 study by LifeWay Research found that only 45 percent of people who attend church regularly read the Bible more than once a week. More than 40 percent of church attenders read their Bibles occasionally, about once or twice a month. Almost one in five churchgoers say they never read the Bible, which is about the same number as those who read it every day.[18]
Ed Stetzer (Christians in the Age of Outrage: How to Bring Our Best When the World Is at Its Worst)
My mother died,’ he attempted, quite unable to hit the note he meant to. ‘So I know what you’re going through. I was younger than you when she died. Much younger.’ ‘That would probably explain it,’ she said. She lost her smile and replaced it with a thoughtful scowl. ‘Why you can’t say I like the tomato.’ Howard frowned. What game was this? He took out his pocket of tobacco. ‘I – like – the – tomato,’ he said slowly and pulled the Rizlas from the bag. ‘May I?’ ‘I don’t care. Don’t you want to know what that means?’ ‘Not terribly. I’ve got other things on my mind.’ ‘It’s a Wellington thing – it’s a student thing,’ said Victoria rapidly, coming up on her elbows. ‘It’s our shorthand for when we say, like, Professor Simeon’s class is ‘‘The tomato’s nature versus the tomato’s nurture’’, and Jane Colman’s class is ‘‘To properly understand the tomato you must first uncover the tomato’s suppressed Herstory’’ – she’s such a silly bitch that woman – and Professor Gilman’s class is ‘‘The tomato is structured like an aubergine’’, and Professor Kellas’s class is basically ‘‘There is no way of proving the existence of the tomato without making reference to the tomato itself ’’, and Erskine Jegede’s class is ‘‘The post-colonial tomato as eaten by Naipaul’’. And so on. So you say, ‘What class have you got coming up?’ and the person says ‘Tomatoes ..... ’ Or whatever.’ Howard sighed. He licked one side of his Rizla. ‘Hilarious.’ ‘But your class – your class is a cult classic. I love your class. Your class is all about never ever saying I like the tomato. That’s why so few people take it – I mean, no offence, it’s a compliment. They can’t handle the rigour of never saying I like the tomato. Because that’s the worst thing you could ever do in your class, right? Because the tomato’s not there to be liked. That’s what I love about your class. It’s properly intellectual. The tomato is just totally revealed as this phoney construction that can’t lead you to some higher truth – nobody’s pretending the tomato will save your life. Or make you happy. Or teach you how to live or ennoble you or be a great example of the human spirit. Your tomatoes have got nothing to do with love or truth. They’re not fallacies. They’re just these pretty pointless tomatoes that people, for totally selfish reasons of their own, have attached cultural – I should say nutritional – weight to.’ She chuckled sadly. ‘It’s like what you’re always saying: let’s interrogate these terms. What’s so beautiful about this tomato? Who decided on its worth?
Zadie Smith (On Beauty)
Sadness sometimes becomes you and it isn’t beautiful. But eventually, you move through it. We take different levels, different strides, as we all live separate lives. Appreciate the sadness. Love the sadness, but love it because it lives with you. Demons aren’t attracted to worth. But don’t romanticize sadness. Don’t romanticize depression. Don’t romanticize mental illness. You don’t romanticize pain.
Dominic Riccitello
What makes two people a couple? Longing? Belonging? Suspending a fraction of the pupil during a seemingly meaningless look? All of the above. And most important-feeling at home. Something like homeland. (p. 81) "Already when I was eighteen, Milosz used to send me the most loveliest letters, you couldn't believe it, Nina, that such a young person wrote them. But I also saw in him something that scared me. Sort of sadness in his soul." Vera leans in. "Because he felt despair, yes, and he did not at all believe in people. And that is a strange thing, because he was a Communist and an idealist, and most of all a humanist, but only I knew the truth, that already at young age he stopped believing in kindness of human beings." (p. 138) "Do you know when childhood ends?" my father once asked me after one of my rants about Nina. "Do you know when people really start to mature? When they can accept that their parents have a right to their own psychology." (p. 143)
David Grossman (More Than I Love My Life)
don’t really care that you live miles away. I just need to know that you think of me sometimes, and that you felt something different when we first kissed. I think it’s great that we were born only months apart. I like that you’re a geek and I’m a diva but, like everyone else, we still believe in love, laughing at ourselves and the joy of life. I don’t really care that all we share on a daily basis is the moon and the stars. I just need to know that you have also overcome great sadness and tears healed your heart and soul with faith, moved past the treacherous roads of life’s journey and no longer walk alone lost in a miserable forest. I just need to know if you could deal with our past histories with no judgment or regret over the decadent and colorful and simply plain stupid. I just need to know that you could be happy, celebrate on the dance floor with sheer abandon and feel the music without drugs, inhibition, shame, aware others are staring enviously at fools in love. I don’t really need to know if you have found comfort with others because of this ill-fated distance between us I just need to know that you are comfortable with me in your heart and that you trust no one could ever take what we share. I just need to know that you would protect us from unnecessary hurt be honest with yourself and not fall apart in the face of human nature. I just need to know that you could feel the sun in spite of the clouds and that you enjoy the rain even if it causes certain damage because there is always something beautiful to look forward to. I just need to know if there is room for disappointment and you are still willing to walk across the bridge with me without trying to jump or push me in to the water down below. I don’t really care that there is a time difference when we speak on the phone, or that the economy is bad and we’re both practically broke. I just need to know that the weight of the world will not hold you down and you will not wait for permission to follow your dreams. I don’t really care to know how many others you have been with or how many times you have fallen in love. I just need to know that you will hold my hand as we are both being stoned for our sins without regret. I don’t really care to know what you may have heard, read, or fancied about me. I just need to know that you believe in how I feel about you when the truths and lies subside. All I really care to know is that you are aware of the beauty within you and that you have somehow changed my life. I really loved you and that is all you really need to know.
Emanuel Xavier (If Jesus Were Gay)
The paucity of research and publications on the Tantric heritage of Hinduism has in recent years made room for a whole crop of ill-informed popular books on what I have called “Neo-Tantrism.”8 Their reductionism is so extreme that a true initiate would barely recognize the Tantric heritage in these writings. The most common distortion is to present Tantra Yoga as a mere discipline of ritualized or sacred sex. In the popular mind, Tantra has become equivalent to sex. Nothing could be farther from the truth! I have looked at a number of these popular books on what one well-known Tibetan lama once jokingly referred to as “California Tantra.” One time I even sat through half of a thoroughly uninspiring and essentially pornographic video presentation on Neo-Tantrism. In each case I was left with the overwhelming impression that these Neo-Tantric publications are based on a profound misunderstanding of the Tantric path. Their main error is to confuse Tantric bliss (ānanda, mahā-sukha) with ordinary orgasmic pleasure. Indeed, the words “pleasure” and “fun” are prominent catchphrases in the Neo-Tantric literature. These publications may conceivably be helpful to people looking for a more fulfilling or entertaining sex life, but they are in most cases far removed from the true spirit of Tantra. In this sense they are sadly misleading, for instead of awakening a person’s impulse to attain enlightenment for the benefit of all beings, they tend to foster narcissism, self-delusion, and false hopes. There is a growing need for more faithful portrayals of the philosophy and practice of genuine Hindu Tantra, and the present volume seeks to respond to this need. My presentation is chiefly based on my research into the original scriptures of Hindu Tantra and secondarily on my personal experience with Yoga over a period of thirty-five years. Secondarily, I am basing my presentation on my study and practice of Vajrayāna Buddhism since 1993. My approach is meant to be sympathetic rather than “objective” and detached. In writing about those many areas of which I have no personal experience, I have relied on the testimony of the Tantric scriptures, the available scholarly literature, and the explanations of advanced practitioners. Although there are many differences between Hindu and Buddhist Tantra, I believe there are also numerous commonalities that help students of one tradition gain understanding of the other.
Georg Feuerstein (Tantra: Path of Ecstasy)
A wicked person's heart is consumed by darkness, fueled by jealousy and hatred for the truth. They manipulate and gossip, spreading poison and deceit. Revengeful attitudes and stinginess define their actions, leaving destruction in their wake. Betrayal is their game, and fabricating lies is their art. Their words cut deep, but their true nature is exposed in time. The wicked may prosper temporarily, but justice and truth will ultimately prevail.
Shaila Touchton
We know a love that is momentary. It is a love that one day is there, and another day it is gone. Its very momentariness shows that it is not real love. It is something that is masquerading as love. Maybe it is really lust, some psychological need, the fear of being alone, an effort to remain occupied with another person or an effort to fill one's inner emptiness. Itcan be a thousand and done  things, but it is not real love.  The most essential quality of real love is its quality of everlastingness. Once you have taste the eternity of love, the timelessness of love, you are transformed. Then you are no more part of the mundane world. You enter  into the world of the sacred. you enter  into  the holy world.  You can go on living in the same ordinary way. In fact, you become more ordinary than before. You lose all pretensions. You lose all egoistic trips. You forget about being somebody, you become utterly ordinary. But in that ordinariness there is a light, a beauty and a grace. You are full of light, because you are full of love. You are always ready to share, because you have found  an inner inexhaustible source. You have found the inner source of love, which is our true nature.  This love has nothing to do with relationships. The love which is eternal relates, but it never becomes relationships. The love which is eternal relates to the trees, to the animals, to the birds, to the wind, to the people, to the moon and to the sky. It is a twenty-four-hours-a-day relation, but it does not create any relationships.  Relating is like a river. It is a flow, it is a movement, it is alive. It is a dance.   Relationships are something stagnant, it is something static. Something has stopped  growing. The joy has disappeared. You start feeling sad and an anguish arises in you, because you start losing contact with life.  Life is always riverlike. Man's greatest joy is being free. But in relationships you are tethered to a husband, a wife or a friend.  The human mind continuously creates situations in which the freedom is lost. The seeker of truth and freedom have to know the difference between relationships and relating. Never  lose your freedom, and never destroy any else's freedom. A really religious person remains free, and he helps other  people to be free.   It needs constant awareness and vigilance to be free, because our minds always want to cling. The mind wants to cling to the known, to the secure and to the familiar, because you are afraid of the unknown, the unfamiliar.  So on one hand you cling, and on the other hand you want freedom. We can only grow in freedom. When we choose freedom, our life will become a constant joy, a constant growth. 
Swami Dhyan Giten (The Way of the Heart)
I’d achieved what I always wanted, but the unease inside me remained. It felt like something had happened that wasn’t supposed to happen, like I was acting out a stranger’s life. On nights when I was alone, my memories grabbed me by the throat and shook me—mistakes and errors, bad decisions and misguided actions. And a childhood I couldn’t think about without getting sad or angry,
J.M. Lee (Artificial Truth)
The time that you have with the people that you love is like a melting ice cube. One minute, it’s there . . . . The next, it’s gone. And here’s the sad truth: You and I, we can’t stop the ice cube from melting. The only thing we can do is make the most of the time that we have with the people that we love while we have it.
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
Sad people are the only real ones. They can tell you the truth about things; they have always known that there is no one you can depend upon forever and no change in your life, however great, that can keep you from being in the end what you were in the beginning: lost and lonely, sitting on an oilcloth watching the rest of the world do the butterfly stroke.
Anne Tyler (Celestial Navigation)
Leni had never known anyone who had died before. She had seen death on television and read about it in her beloved books...but now she saw the truth of it. In literature, death was many things -- a message, catharsis, retribution. There were deaths that came from a beating heart that stopped and deaths of another kind, a choice made, like Frodo going to the Grey Havens. Death made you cry, filled you with sadness, but in the best of her books, there was peace, too, satisfaction, a sense of the story ending as it should. In real life, she saw, it wasn't like that. It was sadness opening up inside of you, changing how you saw the world. It made her think about God and what He offered at times like this. She wondered for the first time what her parents believed in, what she believed in, and she saw how the idea of Heaven could be comforting.
Kristin Hannah (The Great Alone)
She’s talking again—this time about the type of paint she prefers to use on a canvas, comparing the differences between the various types of materials she likes to employ in her abstract expressionism—but the nominal exchange of semantic content hardly seems to matter here. What matters is the vibe, and right now you cannot help but believe that this girl actually likes you and it’s a real struggle to process the ground-level truth of this transparently irrefutable observation. That her straightforward sincerity is rapidly disassembling every plate of your three-dimensional alpha-male projection feels like a fact of surprisingly little relevance. It’s like she’s gradually removing the external carapace that armors the limbs and torso of your body, calmly setting the pieces down into a small pile at her feet while she scans the naked flesh of the real you, seemingly unperturbed by the appearance of the underlying. Now she’s switching genres and saying something about Pollock and you catch yourself repeating the sentence of annihilation—damn, I really like this girl—a sentence, that, once detected by the psychic powers of the invisible streams of causation that regulate the continuity of the universe, essentially guarantees that you will not be banging her and that she will not assume the status of you girlfriend. Indeed it makes you a little bit sad to contemplate the inherent asymmetry of your reciprocal experiences in this regard. For you tonight is one of the most important events of your life, but for her it’s merely a typical evening during an otherwise unremarkable week of her youthful prime. This is all to say that you are, in short, completely and utterly fucked by this point. Nonetheless, you’ve come to the conclusion that the idea of maintaining internal control effectively no longer matters at all. That she is inevitably going to destroy you is more or less already a total given, but the certainty of your eventual immolation can hardly be called a tragedy. Relative to the desolate wasteland that is the past twenty-two years of your life, you’d crawl over a continent of broken glass to fuck this girl and hold her in your arms even one single time—a singular act that would retroactively validate the whole of your existence from start to finish.
ARX-Han (INCEL: A Novel)