S Weaver Quotes

Pity me that the heart is slow to learn What the swift mind beholds at every turn.

Love is a cunning weaver of fantasies and fables.

A lie took two parties - the weaver of the tale and the sucker who so badly wanted to believe it.

I will come back to you, I swear I will; And you will know me still. I shall be only a little taller Than when I went.

I didn’t gouge them out, Butcher. I plucked them. Delicately. Like a lady.

The Weaver” “My life is but a weaving Between my God and me. I cannot choose the colors He weaveth steadily. Oft’ times He weaveth sorrow; And I in foolish pride Forget He sees the upper And I the underside. Not ’til the loom is silent And the shuttles cease to fly Will God unroll the canvas And reveal the reason why. The dark threads are as needful In the weaver’s skillful hand As the threads of gold and silver In the pattern He has planned He knows, He loves, He cares; Nothing this truth can dim. He gives the very best to those Who leave the choice to Him.

I would kill for you, and I have. I would do it again, every damn day. I’d turn myself inside out for you. I would die for you. I don’t just like you, Sloane, and you fucking know it.

If he wasn't already holding my heart in the palm of his hand, I would have taken it out and given it to him right then.

I have come to believe that we do not walk alone in this life. There are others, fellow sojourners, whose journeys are interwoven with ours in seemingly random patterns, yet, in the end, have been carefully placed to reveal a remarkable tapestry. I believe God is the weaver at that loom.

I didn’t. My mother gave it to me as a keepsake, then took it back when I reached maturity—and gave it to the Weaver for safekeeping.” “Why?” “So I wouldn’t waste it.

Boobs plus murder don’t equal a relationship, Lark. That math ain’t mathin’.

The weaver went on, “I have to create, or it was all for nothing. I have to create, or I will crumple up with despair and never leave my bed. I have to create because I have no other way of voicing this.” Her hand rested on her heart, and my eyes burned. “It is hard,” the weaver said, her stare never leaving mine, “and it hurts, but if I were to stop, if I were to let this loom or the spindle go silent …” She broke my gaze at last to look to her tapestry. “Then there would be no Hope shining in the Void.

For those of you who read the trigger warnings and said “Accidental cannibalism?! Count me in!” This one’s for you.

Maybe I was right. We’re not normal people. We are monsters. But if we’re monsters, we’ll thrive in the dark. Together.

I spent all night weaving a poem for you to wear. You look so beautiful when you wear my light.

Without balance, a life is no longer worth the effort.

There's art in our scars. There's wonder in the way we can heal.

Being a serial killer who kills serial killers is a great hobby… Until you find yourself locked in a cage.

Llonio said life was a net for luck; to Hevydd the Smith life was a forge; and to Dwyvach the Weaver-Woman a loom. They spoke truly, for it is all of these. But you,' Taran said, his eyes meeting the potter's, 'you have shown me life is one thing more. It is clay to be shaped, as raw clay on a potter's wheel.

Funny, gorgeous, and a genius. What a package." He backed out of the parking space, smiling as he drove away. I loved that he left crazy off the list. I loved it even more that he would never think to add it.

No matter what your reality looks like, you're the girl I'm in love with today, and the same girl I'll be in love with tomorrow and all the days after that. Not just because of who you are, but because of who you were. It's all part of your story, Em. And I want to be a part of your story, too.

I think, writing-wise, I am probably more of a quilter than a weaver because I just get a little scrap here and a little scrap there and sew them together.

Did you just propose on a napkin with a ring you stuffed in a guy’s eye hole?

APD is primarily defined as a lack of empathy,' I said. I'd looked it up too, a few months ago. Empathy is what allows people to interpret emotion, the same way ears interpret sounds; without it you become emotionally deaf. 'It means I don't connect emotionally with other people. I wondered if he was going to pick that one.' 'How do you even know that?' she said. 'You're fifteen years old, for goodness' sake. You should be ... I don't know, chasing girls or playing video games.' 'You're telling a sociopath to chase girls?

Aren't I supposed to be brave, fearless? Isn't that what the world expects?" "Screw what the world expects. Think about all the things you've faced. You cracked, but you didn't break. You're still standing. I'd call that fearless. You've already conquered so much.

Getting a full-body buzz with a guy I'd just met was as weird as seeing dead people. But much more enjoyable.

You might be psycho,” I say with a grin as her eyes narrow, “but you’re my psycho, and I’m yours. Got it?

He’s Rowan,” Sloane says, gesturing at me again. Rose narrows her eyes as though this is insufficient information. “He’s my f-fr…boy. Guy. A man-guy. I’m…with. Here.”  I snort a laugh as Rose’s face scrunches. “Man-guy,” I echo. “Real smooth, Blackbird.

I wanted to be alone with him. Really alone. "Maybe we should take this back to my place." He lifted his head to look at me, a strange expression on his face. I let out a nervous giggle. "That sounded better in my head." "It sounded pretty damn good out of it.

There is no 'the truth','a truth' - truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface. When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet

Bitterness is like drinking poison and waiting for the other person to die.

The world clamors, "Do more! Be all that you can be!" But our Father whispers, "Be still and know that I am God.

... but the rain Is full of ghosts tonight

The scientists have given [modern man] the impression that there is nothing he cannot know, and false propagandists have told him that there is nothing he cannot have.

Live for me. Breathe for me. Come back to life for me.

I inherited her. I preyed on her. I owned her life and had the piece of paper to prove it. Nila Weaver. Mine. And my task….. …. …. devour her.

Hysterical optimism will prevail until the world again admits the existence of tragedy, and it cannot admit the existence of tragedy until it again distinguishes between good and evil. . . Hysterical optimism as a sin against knowledge.

You have never been unlovable. You were just waiting for someone who will love you for who you are, not for who they want you to be. I can do that, if you'll let me.

I just want to be tossed around a bit. Manhandled, you know? Call me a dirty little slut and I’m all for it.

You know what they say, Blackbird. ‘It’s all fun and games until someone loses an eye,’” I whisper. “And that’s when the real fun begins.

I think we’re officially best friends now,” she says.  “Oh yeah? Do you want to go do karate in the garage?

You can either let it wreck you, let it get you killed like it nearly did with the Weaver, or you can learn to live with it.

If daughters couldn't soften a man, then nothing would.

Geallaim duit a bheith i mo fhear céile dílis duit, fad a mhairimid le chéile,

Tuxedo Guy looked even better the closer he got to us- tall wide shoulders, smooth skin, those lips.

Who is She? She is your power, your Feminine source. Big Mama. The Goddess. The Great Mystery. The web-weaver. The life force. The first time, the twentieth time you may not recognize her. Or pretend not to hear. As she fills your body with ripples of terror and delight. But when she calls you will know you’ve been called. Then it is up to you to decide if you will answer.

I want to ruin her so that she’s mine, my beautiful disaster. My wild creature. My goddess of chaos.

The issue ultimately involved is whether there is a source of truth higher than, and independent of, man; and the answer to the question is decisive for one’s view of the nature and destiny of man.

Old stories would tell how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act--to Weave--was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.

The hero can never be a relativist.

Bravery has nothing to do with not feeling fear, and everything to do with facing it.

How first you knew me in a book I wrote, How first you loved me for a written line

As the Weaver, so is the Thread

I need to know," we tell ourselves. "No," God answers softly, "You need to trust.

He bent down burying his face in my neck. I reached back to grab onto the iron bars behind me to hold myself up. My jacket slipped off my shoulders. I was pretty sure I was on fire and at that moment I would have sworn that bursting into flame was a glorious way to go.

He was my darkness & I was his light.We couldn't exist without each other.

A Writer in Love. I was just a word weaver What did I know of love? Only that Some days when the words weren’t enough, I knew I was in love.

Our dream of happiness is waiting for another universe to collide with our own, and change what we ourselves cannot.

You’ll love me one day,

Pick a safe word. Do it now.” I swallow. Hard. “Chainsaw.” He huffs a laugh, a burst of warmth against my core. “How fitting, love. Now be a good girl and find something to grab on to…” he says, then passes one long, slow lick over my center. “...Because I’m about to destroy you.

Piety is a discipline of the will through respect. It admits the right to exist of things larger than the ego, of things different from the ego.

If God did not exist it would be necessary to invent Him. But all nature cries aloud that He does exist." (Voltaire)

No boys allowed unless they have scales and a breeding kink.

Emerson, you just shared your deepest secret with me. I value that. Don't make light of it." If he wasn't already holding my heart in the palm of his hand, I would have taken it out and given it to him.

The modern state does not comprehend how anyone can be guided by something other than itself. In its eyes pluralism is treason.

It will be found that every attack upon religion, or upon characteristic ideas inherited from religion, when its assumptions are laid bare, turns out to be an attack upon mind.

We’re fucked, Nila Weaver. Well and truly fucked.

I’m more like a multiple deleter.

Come on, Blackbird. I need some dragonman DP.

I'm on the edge, Neblin, I'm off the edge - I'm over the edge and falling into hell on the other side.' 'Calm down, John,' he said. 'We can work through this. Just tell me where you are.' 'I'm down in the cracks of the sidewalks,' I said, 'in the dirt and in the blood, and the ants are looking up and we're damning you all, Neblin. I'm down in the cracks and I can't get out.

In keeping with his cryptic nature, all your Story Weaver said was 'The horses know where to go.' It's certainly not a military strategy I would use, but I've learned that the south uses its own strategy. And, strangely enough, it works.

A great weight had been lifted off of my shoulders. Ben wasn’t what I wanted or needed. I wanted someone who knew me, the real me. I needed the person who knew all my secrets and fears. I wanted a person who lived and fought passionately. I wanted my best friend.

I am a teller of stories...a weaver of dreams. I can dance, sing, and in the right weather stand on my head. I know seven words of Latin. I have a little magic and a trick or two. I know the proper way to meet a dragon, can fight dirty but not fair, and once swallowed thirty oysters in a minute. I am not domestic. I am a luxury, and in that sense, necessary.

The Weaver is a really godlike power. It's not even a blind idiot god, a sort of Lovecraft thing, it's just a purely capricious god. It's an intelligence you can't understand, so you can't trust it." -Amazon.com interview

God the Grand Weaver seeks those with tender hearts so that he can put his imprint on them. Your hurts and your disappointments are part of that design, to shape your heart and the way you feel about reality. The hurts you live through will always shape you. There is no other way.

A spider conducts operations that resemble those of a weaver, and a bee puts to shame many an architect in the construction of her cells. But what distinguishes the worst architect from the best of bees is this, that the architect raises his structure in imagination before he erects it in reality.

There is no correlation between the degree of comfort enjoyed and the achievement of a civilization. On the contrary, absorption in ease is one of the most reliable signs of present or impending decay.

as jolaha ka maram na jana, jinh jag ani pasarinhh tana; dharti akas dou gad khandaya, chand surya dou nari banaya; sahastra tar le purani puri, ajahu bine kathin hai duri; kahai kabir karm se jori, sut kusut bine bhal kori; No one could understand the secret of this weaver who, coming into existence, spread the warp as the world; He fixed the earth and the sky as the pillars, and he used the sun and the moon as two shuttles; He took thousands of stars and perfected the cloth; but even today he weaves, and the end is difficult to fathom. Kabir says that the weaver, getting good or bad yarn and connecting karmas with it, weaves beautifully.

The Weaver My life is but a weaving between my Lord and me; I cannot choose the colors He worketh steadily. Oft times He weaveth sorrow And I, in foolish pride, Forget He sees the upper, And I the underside. Not til the loom is silent And the shuttles cease to fly, Shall God unroll the canvas And explain the reason why. The dark threads are as needful In the Weaver's skillful hand, As the threads of gold and silver In the pattern He has planned.

So where does one begin? With self-crucifixion. In effect, we go to our own funeral and bury the self-will so that God’s will can reign supremely in our hearts. Our will has no power to do God’s will until it first dies to its own desires and the Holy Spirit brings a fresh power within.

Lobotomy,’ I mouth at him, trying to make it look like I’m scratching my forehead when I tap it and nod toward David. Rowan’s head tilts and I roll my eyes, gritting my teeth. ‘Lo-bo-to-my.’ Rowan’s head tilts in the other direction, his brow still furrowed but a hint of a grin playing at his lips. He subtly points at me, and then at himself. ‘You love me?’ he mouths.  I smack my head.

Because I ‘like you’...?” Rowan cackles an incredulous laugh. “Like. You. Seriously…? Christ, Sloane. You are fucking brilliant but also the most willfully oblivious person I have ever met. Do you really think I just like you when I framed a drawing you left for me on a scrap of paper you tore from a notebook? The one I hung it in the kitchen so I can look at it every day and think of you? Do you think I just like you when I tattoo it on my skin? I play this fucking game every year and tear my heart out watching you walk away, only to do it all over again, and I like you? You think I just like you when I fuck you like this?

The Land of Dreams, that mystical realm, where the oddest of visions appear, come wander through scenes of joyful peace, or stampeded through nightmares of fear. Dare we open those secret doors, down dusty paths of mind, in long-forgotten corners, what memories we'll find. Who rules o'er the Kingdom of Night, where all is not what it seems? 'Tis I, the Weaver of Tales, for I am the Dreamer of Dreams!

I let him hold me. I let him shake and shudder. Time held no meaning as we existed in each other’s embrace and fed each other with love and togetherness. I would hold him for the rest of my life and ensure he never felt anything but acceptance, adoration, and unconditional love.

But finding someone who could understand me for all the shattered pieces beneath the mask? I needed that. Before you came along, something was missing. You, Rowan. You were missing. You made it safe to feel seen. Safe to play on our terms. Safe to have fun, even though our fun might not be everyone’s idea of a good time.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

According to Thomas, the city [of Bath] had once been a veritable hotbed of manifestations, with every sorcerer, bunyip, golem, goblin, pict, pixie, demon, thylacine, gorgon, moron, cult, scum, mummy, rummy, groke, sphinx, minx, muse, flagellant, diva, reaver, weaver, reaper, scabbarder, scabmettler, dwarf, midget, little person, leprechaun, marshwiggle, totem, soothsayer, truthsayer, hatter, hattifattener, imp, panwere, mothman, shaman, flukeman, warlock, morlock, poltergeist, zeitgeist, elemental, banshee, manshee, lycanthrope, lichenthrope, sprite, wight, aufwader, harpy, silkie, kelpie, klepto, specter, mutant, cyborg, balrog, troll, ogre, cat in shoes, dog in a hat, psychic and psychotic seemingly having decided that this was the hot spot to visit.

You exist by the Weavers' grace. Only as long as you are what they expect of you. Do not understand how fragile that is? But if you replace your other, you might be safe. You might make your familiars happy, and then they will always keep you. So if only for my sake, child, hope that happens." "I don't wish for her to die!" "Then I will wish it," she replies ruthlessly.

Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces. Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web. It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept... ..I have danced with the spider. I have cut a caper with the dancing mad god.

Only if you are willing to pray sincerely for God’s will to be done and are willing to live the life apportioned to you will you see the breathtaking view of God that he wants you to have, through the windows he has placed in your life. You cannot always live on the mountaintop, but when you walk through the valley, the memory of the view from the mountain will sustain you and give you the strength to carry you through.

And the strangest thing about the nightmare street was that none of the millions of things for sale were made there. They were only sold there. Where were the workshops, the factories, where were the farmers, the craftsmen, the miners, the weavers, the chemists, the carvers, the dyers, the designers, the machinists, where were the hands, the people who made? Out of sight, somewhere else. Behind walls. All the people in all the shops were either buyers or sellers. They had no relation to the things but that of possession.

Tomorrow we go back to normal?" "Sure," Mab said. "It'll be like none of this happened. Except I'll still be pregnant, and you'll still be making dragons, and Glenda will still be pretending that Dreamland is Cancun, and Weaver will still own the only green velvet demon in captivity. Other than that, perfectly normal." "I just meant no demons trying to kill us," Cindy said. "My baseline for normal is a lot lower than yours.

He domesticated and developed the native wild flowers. He had one hill-side solidly clad with that low-growing purple verbena which mats over the hills of New Mexico. It was like a great violet velvet mantle thrown down in the sun; all the shades that the dyers and weavers of Italy and France strove for through centuries, the violet that is full of rose colour and is yet not lavender; the blue that becomes almost pink and then retreats again into sea-dark purple—the true Episcopal colour and countless variations of it.

No. Christ. Now give me that dragon dick, Blackbird.”  “No way.” I manage to slip out of my chair with the e-reader before he can grab me, waving it toward him in a taunt as I back away toward our rooms. “Goodnight, weirdo. I’m going to bed. Early bird gets the worm, you know. Might plan myself a solo hiking trip to Davis Creek. No boys allowed unless they have scales and a breeding kink.”  “Of all the times to forget my dinosaur onesie at home.” Rowan sighs,

In war," answered the weaver, "the strong make slaves of the weak, and in peace the rich make slaves of the poor. We must work to live, and they give us such mean wages that we die. We toil for them all day long, and they heap up gold in their coffers, and our children fade away before their time, and the faces of those we love become hard and evil. We tread out the grapes, another drinks the wine. We sow the corn, and our own board is empty. We have chains, though no eye beholds them; and are slaves, though men call us free.

The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.

Do we take less pride in the possession of our home because its walls were built by some unknown carpenter, its tapestries woven by some unknown weaver on a far Oriental shore, in some antique time? No. We show our home to our friends with the pride as if it were our home, which it is. Why then should we take less pride when reading a book written by some long-dead author? Is it not our book just as much, or even more so, than theirs? So the landowner says, ‘Look at my beautiful home! Isn’t it fine?’ And not, ‘Look at the home so-and-so has built.’ Thus we shouldn’t cry, ‘Look what so-and-so has written. What a genius so-and-so is!’ But rather, ‘Look at what I have read! Am I not a genius? Have I not invented these pages? The walls of this universe, did I not build? The souls of these characters, did I not weave?

Language signifies when instead of copying thought it lets itself be taken apart and put together again by thought. Language bears the sense of thought as a footprint signifies the movement and effort of a body. The empirical use of already established language should be distinguished from its creative use. Empirical language can only be the result of creative language. Speech in the sense of empirical language - that is, the opportune recollection of a preestablished sign – is not speech in respect to an authentic language. It is, as Mallarmé said, the worn coin placed silently in my hand. True speech, on the contrary - speech which signifies, which finally renders "l'absente de tous bouquets" present and frees the sense captive in the thing - is only silence in respect to empirical usage, for it does not go so far as to become a common noun. Language is oblique and autonomous, and if it sometimes signifies a thought or a thing directly, that is only a secondary power derived from its inner life. Like the weaver, the writer works on the wrong side of his material. He has only to do with the language, and it is thus that he suddenly finds himself surrounded by sense.

Just as when we step into a mosque and its high open dome leads our minds up, up, to greater things, so a great carpet seeks to do the same under the feet. Such a carpet directs us to the magnificence of the infinite, veiled, yet never near, closer than the pulse of jugular, the sunburst that explodes at the center of a carpet signals this boundless radiance. Flowers and trees evoke the pleasures of paradise, and there is always a spot at the center of the carpet that brings calm to the heart. A single white lotus flower floats in a turquoise pool, and in this tiniest of details, there it is: a call to the best within, summoning us to the joy of union. In carpets, I now saw not just intricacies of nature and color, not just mastery of space, but a sign of the infinite design. In each pattern lay the work of a weaver of the world, complete and whole; and in each knot of daily existence lay mine.

Religion, with its metaphysical error of absolute guilt, dominated the broadest, the cosmic realm. From there, it infiltrated the subordinate realms of biological, social and moral existence with its errors of the absolute and inherited guilt. Humanity, split up into millions of factions, groups, nations and states, lacerated itself with mutual accusations. "The Greeks are to blame," the Romans said, and "The Romans are to blame," the Greeks said. So they warred against one another. "The ancient Jewish priests are to blame," the early Christians shouted. "The Christians have preached the wrong Messiah," the Jews shouted and crucified the harmless Jesus. "The Muslims and Turks and Huns are guilty," the crusaders screamed. "The witches and heretics are to blame," the later Christians howled for centuries, murdering, hanging, torturing and burning heretics. It remains to investigate the sources from which the Jesus legend derives its grandeur, emotional power and perseverance. Let us continue to stay outside this St. Vitus dance. The longer we look around, the crazier it seems. Hundreds of minor patriarchs, self-proclaimed kings and princes, accused one another of this or that sin and made war, scorched the land, brought famine and epidemics to the populations. Later, this became known as "history." And the historians did not doubt the rationality of this history. Gradually the common people appeared on the scene. "The Queen is to blame," the people's representatives shouted, and beheaded the Queen. Howling, the populace danced around the guillotine. From the ranks of the people arose Napoleon. "The Austrians, the Prussians, the Russians are to blame," it was now said. "Napoleon is to blame," came the reply. "The machines are to blame!" the weavers screamed, and "The lumpenproletariat is to blame," sounded back. "The Monarchy is to blame, long live the Constitution!" the burgers shouted. "The middle classes and the Constitution are to blame; wipe them out; long live the Dictatorship of the Proletariat," the proletarian dictators shout, and "The Russians are to blame," is hurled back. "Germany is to blame," the Japanese and the Italians shouted in 1915. "England is to blame," the fathers of the proletarians shouted in 1939. And "Germany is to blame," the self-same fathers shouted in 1942. "Italy, Germany and Japan are to blame," it was said in 1940. It is only by keeping strictly outside this inferno that one can be amazed that the human animal continues to shriek "Guilty!" without doubting its own sanity, without even once asking about the origin of this guilt. Such mass psychoses have an origin and a function. Only human beings who are forced to hide something catastrophic are capable of erring so consistently and punishing so relentlessly any attempt at clarifying such errors.