S L Gray Quotes

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From his inside jacket pocket he produces a ring and gazes up at me, his eyes bright gray and raw, full of emotion. "Anastasia Steele, I love you. I want to love, cherish and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me".
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I am tired of people saying that poor character is the only reason people do wrong things. Actually, circumstances cause people to act a certain way. It's from those circumstances that a person's attitude is affected followed by weakening of character. Not the reverse. If we had no faults of our own, we should not take so much pleasure in noticing those in others and judging their lives as either black or white, good or bad. We all live our lives in shades of gray.
Shannon L. Alder
I was waiting for you," he says softly, his eyes dark gray and luminous. "That's... that's such a lovely thing to say." "It's true. I didn't know it at the time." He smiles his shy smile. "I'm glad you waited." "You are worth waiting for, Mrs. Grey.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
No. No!” he says. “I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know. “You can’t go. Ana, I love you!” “I love you, too, Christian, it’s just—” “No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .” “No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What? “Christian, what are you doing?” He continues to stare down, not looking at me. “Christian! What are you doing?” My voice is high-pitched. He doesn’t move. “Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant. Holy Fuck . . . Christian. The submissive.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
No matter how dreary and gray our homes are, we people of flesh and blood would rather live there than in any other country, be it ever so beautiful. There is no place like home.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
I have late night conversations with the moon; he tells me about the sun, and I tell him about you.
S.L. Gray (Skin, Bones, and Too Much Love)
[Ana] “You’re a sadist?” “I’m a Dominant.” His eyes are a scorching gray, intense. “What does that mean?” I whisper. “It means I want you to willingly surrender yourself to me, in all things.” I frown at him as I try to assimilate this idea. “Why would I do that?” “To please me,” he whispers as he cocks his head to one side, and I see a ghost of a smile. Please him! He wants me to please him! I think my mouth drops open. Please Christian Grey. And I realize, in that moment, that yes, that’s exactly what I want to do. I want him to be damned delighted with me. It’s a revelation.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
He does, and his eyes shoot to mine, wide and gray, alive with wonder and joy. His lip part in disbelief. The word YES flashes on and off on the key ring. "Happy birthday", I whispered.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
How can i eat now? I'm going to Seattle by helicopter with Christian Gray..And he wants to bite my lip..
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
November is usually such a disagreeable month...as if the year had suddenly found out that she was growing old and could do nothing but weep and fret over it. This year is growing old gracefully...just like a stately old lady who knows she can be charming even with gray hair and wrinkles. We've had lovely days and delicious twilights.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
You may marry Miss Grey for her fifteen pounds but you will always be my Willoughby. My nightmare. My sorrow. My past. My mistake. My regret. My love.
Shannon L. Alder
What do you think it means if someone has a tattoo of Thanatos’s symbol?” “Nothing probably, since a lot of us have tattoos of various symbols.” “You don’t.” As soon as the words left my mouth, I regretted them. His eyes turned from gray to silver in a heartbeat. I imagined he was remembering how I would know if he had a tattoo hidden somewhere.
Jennifer L. Armentrout (Pure (Covenant, #2))
The last time we were in there you left me," he says quietly. "I will shy away from anything that could make you leave me again. I was devastated whe you left. I explained that. I never want to feel like that again. I've told you how I feel about you." His gray eyes are wide and intense with his sincerity.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Well, the good guys really weren't typical. They really weren't the good guys at all, but if I discovered anything, there was no such thing as white and black. There was a lot of gray in the middle.
Jennifer L. Armentrout (Obsession)
If I wore any color other than black, tan, or gray, I looked like an asylum escapee.
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
Walter's eyes were very wonderful. All the joy and sorrow and laughter and loyalty and aspirations of many generations lying under the sod looked out of their dark-gray depths.
L.M. Montgomery (Rainbow Valley (Anne of Green Gables, #7))
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
Between the radiant white of a clear conscience and the coal black of a conscience sullied by sin lie many shades of gray--where most of us live our lives. Not perfect but not beyond redemption.
Sherry L. Hoppe (A Matter of Conscience: Redemption of a Hometown Hero, Bobby Hoppe)
And so a pattern develops: wake, work cry. sleep. I can't even escape him in my dreams. Gray burning eyes, his lost look, his hair burnished and bright and bright all haunt me. And the music... so much music-I cannot bear to hear any music. I am careful to avoid it at all costs. Even the jingles in commercials make me shudder.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Gilbert stretched himself out on the ferns beside the Bubble and looked approvingly at Anne. If Gilbert had been asked to describe his ideal woman the description would have answered point for point to Anne, even to those seven tiny freckles whose obnoxious presence still continued to vex her soul. Gilbert was as yet little more than a boy; but a boy has his dreams as have others, and in Gilbert's future there was always a girl with big, limpid gray eyes, and a face as fine and delicate as a flower.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
Thea! I was looking for you." It was Eric's voice. Warm, eager-everything that Thea wasn't. She turned to see green eyes flecked with dancing gray and an astonishing smile. A smile that drew her in, changing the world. Maybe everything was going to be all right, after all.
L.J. Smith (Night World, No. 1 (Night World, #1-3))
I was waiting for you, he says softly, his eyes dark gray and luminous.
E.L. James
It was muddy from all the rain. A few gray wooden houses on both sides and one old, tired store lined the road. Two dark mangy stray dogs, shivering in the damp cold, wandered the street and a few crows sat in the dead trees, waiting for who knew what.
L.M. Weeks (Bottled Lightning)
Seeing him on his knees in front of me, feeling his mouth on me, it's so unexpected and hot. My hands stay in his hair, pulling gently as I try to quiet my too loud breathing. He gazes up at me through impossibly long lashes, his eyes scorching smoky gray.
E.L. James
A gray leather couch was against the wall. Above it was a giant framed photo of One Direction.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
Yes, red-to give warmth to that milk-white skin and those shining gray-green eyes of yours. Golden hair wouldn't suit you at all Queen Anne-My Queen Anne-queen of my heart and life and home.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
This is not a story for the faint of heart; this is the story of one woman's very real struggle through a world against her, the people who hurt her, her real life demons and the people who showed her that every gray sky, no matter how dark, has a sun waiting to break through.
S.L. Jennings (Fear of Falling (Fearless, #1))
Sweetheart, I remember every second from the first moment I laid eyes on you and I’ve been trying to get my world upright ever since.
Tammy L. Gray (Mercy's Fight)
His eyes are gray oceans of loss and hurt and pain.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
I loved weather, all weather, not just the good kind. I loved balmy days, fearsome storms, blizzards, and spring showers. And the colors! Everyday brought something to be admired: the soft feathery patterns of cirrus clouds, the deep, dark grays of thunderheads, the lacy gold and peach of the early morning sunrise. The sky and its moods called to me.
L. Jagi Lamplighter (Prospero Lost (Prospero's Daughter, #1))
I cannot understand why you should wish to leave this beautiful country and go back to the dry, gray place you call Kansas." "That is because you have no brains," answered the girl. "No matter how dreary and gray our homes are, we people of flesh and blood would rather live there than in any other country, be it ever so beautiful. There is no place like home." The Scarecrow sighed. "Of course I cannot understand it," he said. "If your heads were stuffed with straw, like mine, you would probably all live in beautiful places, and then Kansas would have no people at all. It is fortunate for Kansas that you have brains.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
WITHIN THESE WALLS, he became my solace, my sanctuary, and my strength. Like a white knight, he saved me from a life of gray and showed me a world full of color.
J.L. Berg (Within These Walls (The Walls Duet, #1))
I think that's the hardest part about mistakes: Sometimes the consequences aren't physical. Sometimes they simply chip away at the essence of who you are.
Tammy L. Gray (My Hope Next Door)
We’re going to rectify the situation right now.” “What do you mean? What situation?” “Your situation. Ana, I’m going to make love to you, now.” “Oh.” The floor has fallen away. I’m a situation. I’m holding my breath. “That’s if you want to, I mean, I don’t want to push my luck.” “I thought you didn’t make love. I thought you fucked hard.” I swallow, my mouth suddenly dry. He gives me a wicked grin, the effects of which travel all the way down there. “I can make an exception, or maybe combine the two, we’ll see. I really want to make love to you. Please, come to bed with me. I want our arrangement to work, but you re­ally need to have some idea what you’re getting yourself into. We can start your training tonight – with the basics. This doesn’t mean I’ve come over all hearts and flowers, it’s a means to an end, but one that I want, and hopefully you do too.” His gray gaze is intense
E.L. James
I have learned to love me, and now I am free to love everyone else.
T.L. Gray
Welcome to Four Paths. Nobody would stay here if they had a choice.
C.L. Herman (The Devouring Gray (The Devouring Gray, #1))
Sometimes I felt connections begging to be made, sometimes I cursed myself for not having ten percent more gray matter, sometimes the report carbons just made me think of Lee.
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others.
L.M. Montgomery (Anne of Green Gables)
Sinners who were led astray, Wandered through the woods one day, Stumbled right into the Gray, Never to return. Hear the lies our gods will tell, The prison the Four wove so well, But listen to us when we say, Branches and stones, daggers and bones, Will meet their judgement day.
C.L. Herman (The Devouring Gray (The Devouring Gray, #1))
Everything was bleak and gray, the lake dull and lusterless under a thin layer of ice. From so far and so high, it looked like a fogged mirror, and I imagined God reaching down to smear the glass clean with his sleeve.
M.L. Rio (If We Were Villains)
Don’t,” he murmurs, then kisses me lightly. “Why don’t you like to be touched?” I whisper, staring up into soft gray eyes. “Because I’m fifty shades of fucked up, Anastasia.
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
Sometimes people wear indifference because it's easier than facing the truth.
Tammy L. Gray (Until I Knew Myself (Bentwood #1))
Three little words. My world stands still, tilts, then spins on a new axis; and I savor the moment, gazing into his sincere, beautiful gray eyes.
E.L. James
The euphoria of new love consumed me. I couldn't eat, could hardly sleep, and my stomach was in a perpetual state of nervous excitement.
Tammy L. Gray (Shattered Rose (Winsor, #1))
I hope you never waste a moment of your life afraid to change it.
S.L. Gray (Skin, Bones, and Too Much Love)
No matter how dreary and gray our homes are, we people of flesh and blood would rather live there than in any other country, be it ever so beautiful. There is no place like home." The
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
Destarte! How musical! What does it mean?" "You can't say it except in Mescalero. It means Morning, but that isn't what it means, either. Indian words are more than just that. They also mean the feel and the sound of the name. It means like Crack of Dawn, the first bronze light that makes the buttes stand out against the gray desert. It means the first sound you hear of a brook curling over some rocks-some trout jumping and a beaver crooning. It means the sound a stallion makes when he whistles at some mares just as the first puff of wind kicks up at daybreak. "It means like you get up in the first light and you and her go out of the wickiup, where it smells smoky and private and just you and her, and kind of safe with just the two of you there, and you stand outside and smell the first bite of the wind coming down from the high divide and promising the first snowfall. Well, you just can't say what it means in English. Anyway, that was her name. Destarte.
Louis L'Amour (Hondo)
I’m going home to an old country farmhouse, once green, rather faded now, set among leafless apple orchards. There is a brook below and a December fir wood beyond, where I’ve heard harps swept by the fingers of rain and wind. There is a pond nearby that will be gray and brooding now. There will be two oldish ladies in the house, one tall and thin, one short and fat; and there will be two twins, one a perfect model, the other what Mrs. Lynde calls a ‘holy terror.’ There will be a little room upstairs over the porch, where old dreams hang thick, and a big, fat, glorious feather bed which will almost seem the height of luxury after a boardinghouse mattress. How do you like my picture, Phil?" "It seems a very dull one," said Phil, with a grimace. "Oh, but I’ve left out the transforming thing," said Anne softly. "There’ll be love there, Phil—faithful, tender love, such as I’ll never find anywhere else in the world—love that’s waiting for me. That makes my picture a masterpiece, doesn’t it, even if the colors are not very brilliant?" Phil silently got up, tossed her box of chocolates away, went up to Anne, and put her arms about her. "Anne, I wish I was like you," she said soberly.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Three Meatloaf Haikus Oh yucky meatloaf sitting under the hot lights so gray and gristly. Nothing tastes worse than you, not cauliflower or even lima beans. And what is that weird thing sticking out--a whisker? hair? a rubber band?
Jennifer L. Holm (Middle School Is Worse Than Meatloaf: A Year Told Through Stuff)
Mrs. Grey, if a job's worth doing, it's worth doing well. Lift your hips." His eyes glow summer storm gray.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Beauty fades, hair turns gray. Some people are lost before their time. But in the end, we don't remember them for how they looked. We remember how they made us feel.
Shari L. Tapscott (Audette of Brookraven (Eldentimber, #4))
If we are sons and daughters of a mighty God, why do we live our life as orphans?
Tammy L. Gray (Until I Knew Myself (Bentwood #1))
Curled up on one of her pillows a gray fluff of kitten yawned, showing its pink tongue, tucked its head under again, and went back to sleep.
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
I was my own worst enemy, analyzing and re-analyzing everything around me, but when I ran, I felt invincible.
T.L. Gray (Shattered Rose (Winsor, #1))
The storms in life don't make you any less perfect; they make you beautiful and full of character
T.L. Gray
Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
Prayer is not about changing your situation, although sometimes God grants those requests. It's about changing your heart.
Tammy L. Gray (Love and a Little White Lie)
wondering how my savior had somehow become a morally gray man with no boundaries and a distinct lack of understanding how an actual courtship worked.
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
The planet's tyrant, dotard Death, had held his gray mirror before them for a moment and shown them the image of things to come.
Dorothy L. Sayers
The world of Katherine Kavanagh is very clear, very black and white. Not the intangible, mysterious, vague hues of gray that color my world. Welcome to my world.
E.L. James (Fifty Shades Trilogy Boxed Set: Fifty Shades of Grey, Fifty Shades Darker, Fifty Shades Freed)
Just promise to remember me when you find yourself in all the places that I will never be.
S.L. Gray (Skin, Bones, and Too Much Love)
When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
She wanted a world where girls did not need to grow a spine of steel just to survive. Where they could be as soft and silly as they wanted. Where they could walk into a room full of new people and see endless possibilities instead of potential threats.
C.L. Herman (The Deck of Omens (The Devouring Gray, #2))
God wants you to have so much more. He wants you to have a supernatural love, one that sustains when both of you give up. You can’t have that with someone who lacks faith. It’s just not possible.
Tammy L. Gray (Splintered Oak (Winsor, #3))
The truth is, we do not have addiction problems. We have misdirected worship. I’m convinced every human being is in recovery and being weaned from some form of addiction because of idolatry. Your addiction or mine may not have us eating out of trash cans, but our sin habit is hurting and diminishing God’s glory in our lives.
Derwin L. Gray (Limitless Life: You Are More Than Your Past When God Holds Your Future)
He came to me in pieces, like a painting in the works. His gray-blue eyes were the first to pop out from behind the fog of fear. They were sapphire and silver swirled together, the color of a moonstone. Next was his straight nose and symmetrical lips, his cheekbones sharp enough to cut diamonds. He was pungently masculine and intimidating in his looks, but that was not what made me recognize him immediately. It was what rolled off of him in dangerous quantities, the menace and the ruggedness. He was a dark knight made of coarse material. Cruel in his silence and punishing in his confidence.
L.J. Shen (Scandalous (Sinners of Saint, #3))
was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
That is because you have no brains," answered the girl. "No matter how dreary and gray our homes are, we people of flesh and blood would rather live there than in any other country, be it ever so beautiful. There is no place like home.
L. Frank Baum (The Wonderful Wizard of Oz)
Spring is singing in my blood today, and the lure of April is abroad on the air. I'm seeing visions and dreaming dreams, Pris. That's because the wind is from the west. I do love the west wind. It sings of hope and gladness, doesn't it? When the east wind blows I always think of sorrowful rain on the eaves and sad waves on a gray shore. When I get old I shall have rheumatism when the wind is east." "And
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
The gospel Paul preached destroyed racism (“neither Jew no Greek”), economic classism (“slave nor free”), and gender inequality (“no male and female”). The local church should be a mosaic that the world looks at and says, “So that’s what heaven looks like.
Derwin L. Gray (The High Definition Leader: Building Multiethnic Churches in a Multiethnic World)
Answered prayers come in many different forms, most of which we don’t recognize. This one, though, came exactly how I’d hoped.
Tammy L. Gray (Love and the Silver Lining (State of Grace, #2))
We can't spend our whole lives worrying about how some random person perceives us.
Tammy L. Gray (Love and the Silver Lining (State of Grace, #2))
All this time I thought God had forgotten me. That He had left me purposeless and broken. But He was here the whole time, and like Louie, I just had to find my way home.
Tammy L. Gray (Love and the Silver Lining (State of Grace, #2))
Even while I resisted, and long before I surrendered, God was working in my life—guiding me, protecting me, and training me.
Tammy L. Gray (Splintered Oak (Winsor, #3))
Complaining is the front door to self-pity, which is a horribly unattractive quality, even for someone as beautiful as you.
Tammy L. Gray (Until I Knew Myself (Bentwood #1))
She wore the gray Alexander Wang dress I’d bought for her birthday—it took me forever to find a cheap knock-off that’d make her rich friends laugh at her behind her back
L.J. Shen (Vicious (Sinners of Saint, #1))
I started to detest my tears; coming and going at will; never caring if the moment was appropriate.
T.L. Gray
The cyclone had set the house down gently, very gently – for a cyclone—in the midst of a country of marvelous beauty. There were lovely patches of green sward all about, with stately trees bearing rich and luscious fruits. Banks of gorgeous flowers were on every hand, and birds with rare and brilliant plumage sang and fluttered in the trees and bushes. A little way off was a small brook, rushing and sparkling along between green banks, and murmuring in a voice very grateful to a little girl who had lived so long on the dry, gray prairies.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
There had been no snow up to this time, but as Diana crossed the old log bridge on her homeward way the white flakes were beginning to flutter down over the fields and woods, russet and gray in their dreamless sleep. Soon the far-away slopes and hills were dim and wraith-like through their gauzy scarfing, as if pale autumn had flung a misty bridal veil over her hair and was waiting for her wintry bridegroom.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
I hadn't thought you such a faithless coward. You are a princess of the Summer Throne, wedded Queen of the Craig, and my wife. You swore an oath, before a priest and your father's court, to accept my counsel and my care. You swore to offer me all the fruits of your life. And now, you would deny me that which you swore to offer? Do you have so little honor?" The accusation stole the silver from her eyes, leaving them pure, plain gray filled with shock and dismay. "I...No! Of course not! I'm no oathbreaker." "Then come to your bath. Accept my care, as you swore you would. Offer me the fruits of your life, that I may dine once more on peace instead of war.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
Because sometimes it's more about loving a person through a hard time than it is about forcing a conversion. God was going to do what He wanted to do. Meanwhile, I was convicted to use every part of this amazing ministry to show you His love.
Tammy L. Gray (Love and a Little White Lie)
When life spirals out of control, you start to grab onto everything you can. Eventually, you stop spinning, but it's hard to say what finally grounded you. Was it the many things you experienced during the trial or just the last thing you held onto?
Tammy L. Gray (Until I Knew Myself (Bentwood #1))
The lesson of a love that should display itself easily in spoken word and open look was one Marilla could never learn. But she had learned to love this slim, gray-eyed girl with an affection all the deeper and stronger from its very undemonstrativeness. Her love made her afraid of being unduly indulgent, indeed. She had an uneasy feeling that it was rather sinful to set one's heart so intensely on any human creature as she had set hers on Anne, and perhaps she performed a sort of unconscious penance for this by being stricter and more critical than if the girl had been less dear to her.
L.M. Montgomery (Anne of Green Gables Collection: 11 Books)
Preacher walks away and stands for a spell staring out the cell window with his long, skinny hands folded behind him. Ben looks at those hands and shivers. What kind of a man would have his fingers tattooed that way? he thinks. The fingers of the right hand, each one with a blue letter beneath the gray, evil skin—L—O—V—E. And the fingers of the left hand done the same way only now the letters spell out H—A—T—E. What kind of a man? What kind of a preacher?
Davis Grubb (The Night of the Hunter)
Avery, I found this picture the other day after our talk and knew I had to get it for you. I know sometimes you wonder why I feel the way I do about you, when you are still learning to love yourself. You said you were flawed and damaged, but, my love, we all are. The storms in your life don’t make you less than perfect; they make you beautiful and full of character, with the ability to use all you’ve learned to impact the rest of the world. I’ve been wishing for months there was a way you could see yourself through my eyes. Well, here it is. This is how I see you, and the rain has only made you more breathtaking. All my love, Parker
T.L. Gray (Shattered Rose (Winsor, #1))
The next time you look around and find yourself doubting if God loves you because you feel that you are not in the job for which you were created, just remember that your past, present, and future are held in the nail-pierced hands of Jesus; He knows the best position for you to be in. You can trust Him, even when you don’t understand.
Derwin L. Gray (Limitless Life: You Are More Than Your Past When God Holds Your Future)
Reera did not keep them in misery more than a few seconds, for she touched each one with her right hand and instantly the fishes were transformed into three tall and slender young women, with fine, intelligent faces and clothed in handsome, clinging gowns. The one who had been a goldfish had beautiful golden hair and blue eyes and was exceedingly fair of skin; the one who had been a bronzefish had dark brown hair and clear gray eyes and her complexion matched these lovely features. The one who had been a silverfish had snow-white hair of the finest texture and deep brown eyes. The hair contrasted exquisitely with her pink cheeks and ruby-red lips, nor did it make her look a day older than her two companions.
L. Frank Baum (Glinda of Oz (Illustrated))
Few things are black-and-white, Lis. Most of life exists in that messy gray area in between, but if you wanted what was happening— you enjoyed it and so did the other— then there’s nothing wrong, she’d said. Anyone who tells you different either hasn’t been where you’ve been or they’re just living a different life. Doesn't make either of you right or wrong.
Jennifer L. Armentrout (Fall of Ruin and Wrath (Awakening, #1))
Like Louie, I’ve been yelling and yelling, trying to get God to see how disappointed I am with this life He forced on me. How afraid I am to trust Him again. And He’s been patiently waiting, pushing me past boundaries, asking me to be vulnerable, testing me with new challenges, all to help me see that His way is better and perfect and it’s okay that it doesn’t always make sense.
Tammy L. Gray (Love and the Silver Lining (State of Grace, #2))
The drug dealer, the ducking and diving political leader, the wife beater, the chronically “crabby” boss, the “hot shot” junior executive, the unfaithful husband, the company “yes man,” the indifferent graduate school adviser, the “holier than thou” minister, the gang member, the father who can never find the time to attend his daughter’s school programs, the coach who ridicules his star athletes, the therapist who unconsciously attacks his clients’ “shining” and seeks a kind of gray normalcy for them, the yuppie—all these men have something in common. They are all boys pretending to be men. They got that way honestly, because nobody showed them what a mature man is like. Their kind of “manhood” is a pretense to manhood that goes largely undetected as such by most of us. We are continually mistaking this man’s controlling, threatening, and hostile behaviors for strength. In reality, he is showing an underlying extreme vulnerability and weakness, the vulnerability of the wounded boy.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering Masculinity Through the Lens of Archetypal Psychology - A Journey into the Male Psyche and Its Four Essential Aspects)
Les bonnes résolutions ne sont que d'inutiles efforts pour contrarier les lois scientifiques. Elles ont leur source dans notre vanité. Leur résultat est absolument nil. Elles nous donnent, de temps à autre, quelques-unes de ces riches et stériles émotions qui ne sont pas sans charme pour les âmes faibles. Voilà tout ce qu'on peut dire en leur faveur. Ce sont des chèques tirés sur une banque où l'on n'a pas de compte ouvert.
Oscar Wilde (The Picture of Dorian Gray)
IT WAS A DARK AND STORMY NIGHT. In her attic bedroom Margaret Murry, wrapped in an old patchwork quilt, sat on the foot of her bed and watched the trees tossing in the frenzied lashing of the wind. Behind the trees clouds scudded frantically across the sky. Every few moments the moon ripped through them, creating wraithlike shadows that raced along the ground. The house shook. Wrapped in her quilt, Meg shook. ... The window rattled madly in the wind, and she pulled the quilt close about her. Curled up on one of her pillows, a gray f luff of kitten yawned, showing its pink tongue, tucked its head under again, and went back to sleep.
Madeleine L'Engle
And the dusk, the gritty Southern grayness of it, its harsh gathering, stopped Joe Howard from seeing out beyond the solitude of his own reflection, a soldier’s reflection: dark hair, a trimmed mustache, eyes he didn’t bother looking into, and farther down from them, the ghostly shadow of a khaki uniform, of lieutenant’s bars and a medal. There was no brain, no blood, no bone, no friend called L. C. Hoover sprayed all over this Joe Howard Wilson—at least not anymore.
Deborah Johnson (The Secret of Magic)
Une fatalité s'attache à toute supériorité de l'esprit ou du corps, cette même fatalité qu'on voit, à travers l'histoire, s'élancer sur les pas mal assurés des rois. Mieux vaut ne pas différer de ses compagnons. Les laiderons et les sots ont la meilleure part en ce monde. Ils peuvent s'asseoir à l'aise et bayer au spectacle. S'ils ignorent le triomphe, en revanche, l'épreuve de la défaite leur est épargnée. Ils vivent, comme nous devrions vivre tous, tranquilles, insouciants, impassibles. Ils ne causent la ruine de personne et personne ne renverse leur fortune.
Oscar Wilde (The Picture of Dorian Gray)
L'intelligence est, par sa nature, une sorte d'hypertrophie ; elle détruit fatalement l'harmonie d'un visage. Dès qu'une personne se met à penser, elle devient tout nez, tout front, ou je ne sais quoi d'horrible. Regardez les hommes éminents dans n'importe quelle branche du savoir. Ils sont tous parfaitement hideux. Excepté, bien entendu, les gens d'Église. Mais c'est que les gens d'Église ne pensent point. Un évèque répète, à quatre-vingts ans, les paroles qu'il a apprises quand il en avait vingt ; la conséquence naturelle en est qu'il conserve toujours un aspect absolument délicieux.
Oscar Wilde (The Picture of Dorian Gray)
Susan Baker and the Anne Shirley of other days saw her coming, as they sat on the big veranda at Ingleside, enjoying the charm of the cat's light, the sweetness of sleepy robins whistling among the twilit maples, and the dance of a gusty group of daffodils blowing against the old, mellow, red brick wall of the lawn. Anne was sitting on the steps, her hands clasped over her knee, looking, in the kind dusk, as girlish as a mother of many has any right to be; and the beautiful gray-green eyes, gazing down the harbour road, were as full of unquenchable sparkle and dream as ever. Behind her, in the hammock, Rilla Blythe was curled up, a fat, roly-poly little creature of six years, the youngest of the Ingleside children. She had curly red hair and hazel eyes that were now buttoned up after the funny, wrinkled fashion in which Rilla always
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
SATURDAY AT THE STORE is a nightmare. We are besieged by do-it-yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton and John and Patrick—the two other part-timers—and I are besieged by customers. But there’s a lull around lunchtime, and Mrs. Clayton asks me to check on some orders while I’m sitting behind the counter at the register discreetly eating my bagel. I’m engrossed in the task, checking catalog numbers against the items we need and the items we’ve ordered, eyes flicking from the order book to the computer screen and back as I make sure the entries match. Then, for some reason, I glance up … and find myself locked in the bold gray gaze of Christian Grey, who’s standing at the counter, staring at me. Heart failure. “Miss Steele. What a pleasant surprise.” His gaze is unwavering and intense. Holy crap. What the hell is he doing here, looking all outdoorsy with his tousled hair and in his cream chunky-knit sweater, jeans, and walking boots? I think my mouth has popped open, and I can’t locate my brain or my voice. “Mr. Grey,” I whisper, because that’s all I can manage. There’s a ghost of a smile on his lips and his eyes are alight with humor, as if he’s enjoying some private joke. “I was in the area,” he says by way of explanation. “I need to stock up on a few things. It’s a pleasure to see you again, Miss Steele.” His voice is warm and husky like dark melted chocolate fudge caramel … or something.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Who’s Josie?” Alex asked, confused. “Uh . . .” I looked over at Deacon. “You want to do the honors? I know how much you love awkward conversations.” A wide smile broke out across his face. “Of course, especially when I’m not the center of the awkwardness.” Luke snorted. “So!” Deacon clapped his hands together as he faced Alex and Aiden. “Did you guys happen to notice a certain girl out on the quad when you did your magic doorway thing?” Aiden glanced at Alex. She raised a shoulder. “There were a lot of people out there that I hadn’t seen before.” She paused. “I noticed Boobs, though.” I slowly shook my head. “Um, that’s not who I’m talking about. Anyway,” Deacon said, his gray eyes light. “She’s pretty tall. Well, taller than you and everyone is practically taller than you, Alex. Has long blondish-brown hair. Kind of weird hair.” “Awesome hair,” Luke added. Alexander frowned silently. “She does. It’s like an array of colors. One moment it looks completely blonde. The next it’s long brown and then it changes again. It’s very cool,” Deacon continued, and I had to agree with him on that. “And when you see her, you’re going to think, wow, this girl looks familiar. You won’t be able to put a finger on it at first, but it’s going to nag at you and then, when it hits you, you’ll—” “Deacon,” Aiden warned. “Who is Josie?” His brother pouted for a second and then sighed. “Fine. She’s a demigod. Like, a born demigod. Powers unlocked and all, and she’s super-cool and really nice.” His gaze slid over to where I stood and his expression turned sly. “Isn’t that right, Seth?” I eyed him. “Right.” “You’re forgetting the best part.” Solos walked past the couch, sending me a long look. “Which god she came from.” Aiden seemed to get what wasn’t being said first. His eyes closed as he rubbed his fingers along his brow. “Gods.” “What?” Alex looked at him and then at me. “Whose kid is she?” “Apollo’s,” Deacon answered, his smile going up a notch when Alex’s gaze flew to him. “Yep. Josie is Apollo’s daughter.” Her mouth dropped open. “And that kind of makes you and her cousins? I guess?” Luke frowned. “I don’t know what exactly, but it does make you two related. Somehow. I don’t know how, but she does have some of your mannerisms. It gets really weird sometimes.
Jennifer L. Armentrout (The Power (Titan, #2))
Longevi, ci chiamavamo tra noi. Eravamo una sorta di Dorian Gray ambulanti senza un ritratto marcescente in soffitta e, durante i secoli, avevamo collezionato i più stravaganti epiteti: streghe, vampiri, angeli, demoni, doppelgänger. Non avremmo mai conosciuto le gioie della maternità o della paternità, poiché i nostri figli morivano – senza eccezioni – appena venuti alla luce. Avremmo potuto tentare all’infinito, accontentarci di sentire per nove mesi i loro calci ovattati attraverso la pelle del ventre, per poi dover accettare di vederli spegnersi appena fatto capolino nel mondo. Avevo seppellito tre figli, tutti nati morti alle prime avvisaglie di autunni distanti vite intere l’uno dell’altro. Alcune sere percepivo ancora la sensazione asfissiante della terra bagnata sotto le unghie. Temere che la propria creatura, di cui non hai mai udito il pianto, possa sentire freddo sotto la terra è il primo segnale di una follia disperata. Scavare tra le lacrime per riabbracciare quel corpo inerme e bianco, che non è mai stato vivo se non nel buio del tuo grembo, e poi desistere in un barlume di lucidità è un’esperienza straziante. Si rimane con un pugno di fango in mano, la gola stretta dall’angoscia e il cuore vuoto. Ho sentito tre figli crescere e perire dentro di me. E se fossi così folle da riprovarci, un quarto, un quinto e un sesto mi farebbero singhiozzare dalla gioia e poco dopo dal tormento. Così sarà per sempre. È una delle mie tante condanne. Malachia, Robert e io non potevamo dirci amici. Tuttavia lo eravamo, quasi inevitabilmente, per una serie di eventi e per la maledizione che ci univa. Nella mia lunga carriera ne avevo profanati di sarcofagi, templi e necropoli. Così innumerevoli, che ormai avevo perso il conto. Eppure, con tutti gli anatemi che mi ero tirata addosso, nessuno di questi era ancora riuscito a farmi apprezzare quello sotto il quale ero nata.
Giorgia Penzo (La Stella di Seshat)