Ruth Younger Quotes

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What the hell is the matter with Eddie? Ruth was thinking. If he doesn't stop staring at me, I'm going to drive off the road! Hannah had also noticed that Eddie was staring at Ruth. What the hell is the matter with Eddie? Hannah was thinking. Since when did the asshole take an interest in a younger woman?
John Irving (A Widow for One Year)
But even as I said that, I didn’t believe it. Neither did Ruth. “I don’t think so. I think her behavior suggests she is quite damaged—lacking in empathy and integrity and just plain kindness—all the qualities you brim with.” I shook my head. “That’s not true.” “It is true, Theo.” Ruth hesitated. “Don’t you think perhaps you’ve been here before?” “With Kathy?” Ruth shook her head. “I don’t mean that. I mean with your parents. When you were younger. If there’s a childhood dynamic here you might be replaying.” “No.” I suddenly felt irritated. “What’s happening with Kathy has got nothing to do with my childhood.” “Oh, really?” Ruth sounded disbelieving. “Trying to please someone unpredictable, someone emotionally unavailable, uncaring, unkind—trying to keep them happy, win their love—is this not an old story, Theo? A familiar story?” I clenched my fist and didn’t speak. Ruth went on hesitantly, “I know how sad you feel. But I want you to consider the possibility that you felt this sadness long before you met Kathy. It’s a sadness you’ve been carrying around for many years. You know, Theo, one of the hardest things to admit is that we weren’t loved when we needed it most. It’s a terrible feeling, the pain of not being loved.
Alex Michaelides (The Silent Patient)
WALTER (Gathering him up in his arms) You know what, Travis? In seven years you going to be seventeen years old. And things is going to be very different with us in seven years, Travis. … One day when you are seventeen I’ll come home—home from my office downtown somewhere— TRAVIS You don’t work in no office, Daddy. WALTER No—but after tonight. After what your daddy gonna do tonight, there’s going to be offices—a whole lot of offices.… TRAVIS What you gonna do tonight, Daddy? WALTER You wouldn’t understand yet, son, but your daddy’s gonna make a transaction … a business transaction that’s going to change our lives. … That’s how come one day when you ’bout seventeen years old I’ll come home and I’ll be pretty tired, you know what I mean, after a day of conferences and secretaries getting things wrong the way they do … ’cause an executive’s life is hell, man—(The more he talks the farther away he gets) And I’ll pull the car up on the driveway … just a plain black Chrysler, I think, with white walls—no—black tires. More elegant. Rich people don’t have to be flashy … though I’ll have to get something a little sportier for Ruth—maybe a Cadillac convertible to do her shopping in. … And I’ll come up the steps to the house and the gardener will be clipping away at the hedges and he’ll say, “Good evening, Mr. Younger.” And I’ll say, “Hello, Jefferson, how are you this evening?” And I’ll go inside and Ruth will come downstairs and meet me at the door and we’ll kiss each other and she’ll take my arm and we’ll go up to your room to see you sitting on the floor with the catalogues of all the great schools in America around you. … All the great schools in the world! And—and I’ll say, all right son—it’s your seventeenth birthday, what is it you’ve decided? … Just tell me where you want to go to school and you’ll go. Just tell me, what it is you want to be—and you’ll be it. … Whatever you want to be—Yessir! (He holds his arms open for TRAVIS) YOU just name it, son … (TRAVIS leaps into them) and I hand you the world!
Lorraine Hansberry (A Raisin in the Sun)
The fear Jackson refers to is not fear of lesbianism—or, at least, not only fear of lesbianism. It is the fear of what lesbianism represented to her, something that on one level she fervently desired even as she feared it: a life undefined by marriage, on her own terms. Constance and Merricat are indeed “two halves of the same person,” together forming one identity, just as a man and a woman are traditionally supposed to do in marriage. Not finding that wholeness in marriage, Jackson sought it elsewhere: first with Jeanne Beatty, and later with her friend Barbara Karmiller, also younger, who came back into her life shortly after she finished Castle. Indeed, the novel, in its final version, is not about “two women murdering a man.” It is about two women who metaphorically murder male society and its expectations for them by insisting on living separate from it, governed only by themselves.
Ruth Franklin (Shirley Jackson: A Rather Haunted Life)
Boaz Asleep Boaz, overcome with weariness, by torchlight made his pallet on the threshing floor where all day he had worked, and now he slept among the bushels of threshed wheat. The old man owned wheatfields and barley, and though he was rich, he was still fair-minded. No filth soured the sweetness of his well. No hot iron of torture whitened in his forge. His beard was silver as a brook in April. He bound sheaves without the strain of hate or envy. He saw gleaners pass, and said, Let handfuls of the fat ears fall to them. The man's mind, clear of untoward feeling, clothed itself in candor. He wore clean robes. His heaped granaries spilled over always toward the poor, no less than public fountains. Boaz did well by his workers and by kinsmen. He was generous, and moderate. Women held him worthier than younger men, for youth is handsome, but to him in his old age came greatness. An old man, nearing his first source, may find the timelessness beyond times of trouble. And though fire burned in young men's eyes, to Ruth the eyes of Boaz shone clear light
Victor Hugo
Aunt Ruth, who now lived with us, had seemed to become younger as the years went on. She had lived alone for so many years and I was her only family. Our letters, when I was in exile, had brought us close but it was since I had become lord of Stockton that she had become rejuvenated. Perhaps that was my children. I had four. Alfred, Rebekah, Isabelle and another son William who was now almost a year old. To my aunt this was a joy. Her husband, Sir Ralph, had been killed a few years after she had married. She had lost one child and never had another. My family became the family she never had and she spent as much time as my wife would allow with them. She came to me one evening after the children had been put to bed and my wife was telling the girls a story. “You know Thomas that I count myself the luckiest woman alive. I lost the only man I thought I could
Griff Hosker (Magna Carta (Border Knight, #4))
Bonhoeffer “always had some distance around him, some reserve,” said Ruth-Alice. But there was something compelling about him when he was preaching. “When you saw him preaching,” she said, “you saw a young man who was entirely in God’s grasp.” In some ways it was particularly difficult for the younger generations whose parents and grandparents were so adamantly opposed to the Nazis. Bonhoeffer and Finkenwalde made it easier for them. He was an encouragement. “In those days,” Ruth-Alice recalled, “the Nazis were always marching and saying, ‘The future belongs to us! We are the future!’ And we young ones who were against Hitler and the Nazis would hear this and we wondered, ‘Where is our future?’ But there in Finkenwalde, when I heard this man preaching, who had been captured by God, I thought: ‘Here. Here is our future.
Eric Metaxas (Bonhoeffer: Pastor, Martyr, Prophet, Spy)
My hair, always pale, is now flossy white and very, very long. It is fine too, finer it seems with each passing day. It is my one vanity- Lord knows I haven't much else to be vain about. Not any more. It has been with me a long time- since 1989, this present crop. I am fortunate indeed that Sylvia is happy to brush it for me, oh so gently; to plait it, day in, day out. It is above and beyond her job description and I am very grateful. I must remember to tell her so. I missed my chance this morning, I was too excited. When Sylvia brought my juice I could barely drink it. The thread of nervous energy that had infused me all week had overnight become a knot. She helped me into a new peach dress- the one Ruth bought me for Christmas- and exchanged my slippers for the pair of outside shoes usually left to languish in my wardrobe. The leather was firm and Sylvia had to push to make them fit, but such price respectability. I am too old to learn new ways and cannot abide the tendency of the younger residents to wear their slippers out. Face paint restored some life to my cheeks, but I was careful not to let Sylvia overdo it. I am wary of looking like an undertaker's mannequin. It doesn't take much rouge to tip the balance: the rest of me is so pale, so small. With some effort I draped the gold locket around my neck, its nineteenth-century elegance incongruous against my utilitarian clothing. I straightened it, wondering at my daring, wondering what Ruth would say when she saw.
Kate Morton (The House at Riverton)
Ruth was three years old when her sister was born. Like most firstborn children, Ruth assumed her younger sibling would be a miniature version of herself. She would have straight hair, brown eyes, and a soft, gentle voice. She would love books and numbers, and the two of them would be inseparable. It didn’t take long for Ruth to realize her mistake.
Lynda Cohen Loigman (The Wartime Sisters)