Rusty Rose Quotes

Nesta laughed again, a rusty, hoarse sound. She couldn’t remember the last time she’d laughed. A true, belly-deep laugh.

Lucien drawled from his seat along the length of the table, “I told you so, Tamlin.” He flicked a glance toward his friend. “Your skills with females have definitely become rusty in recent decades.” Tamlin. He glowered at Lucien, shifting in his seat. I tried not to stiffen at the other bit of information Lucien had given away. Decades. Tamlin

The patch of lawn before it had relapsed into a hayfield; but to the left an overgrown box-garden full of dahlias and rusty rose-bushes encircled a ghostly summer-house of trellis-work that had once been white, surmounted by a wooden Cupid who had lost his bow and arrow but continued to take ineffectual aim.

I don’t remember when first I heard Them calling, with their silvery voices, The little Angels of the trees and flowers. They offered to unlock my mind And take my soul away, to clean. And oh! I welcomed them, and lay Stretched out upon the fragrant Grass, light as an empty husk. Then they, with rueful smiles, did oil The rusty hinges of my mind, and swept Away the cobwebs, and hung my soul Upon a topmost bough, to air, Close to the purifying sun. And I was lucky For as it fluttered there, a robin chat’s sweet Song rose through the trees till every fiber Of my soul was bathed in harmony. When all was clean and new they fetched My soul and slipped it back and, smiling, Danced away. And I—well, for a day or two— I looked upon the world with all the Innocence and wonder of a newborn babe. And now, if I am sad, or filled With sudden rage, I find some quiet place With grass and leaves and earth, and sit there Silently, and hope that they will come And call me, with their silvery voices, And make me clean again, those Little Angels of the trees and flowers.

She took a puff, put the cigarette in the ashtray and stared at it. Without looking up, she said, But do you believe in love, Mr Evans? She rolled the cigarette end around in the ash tray. Do you? Outside, he thought, beyond this mountain and its snow, there was a world of countless millions of people. He could see them in their cities, in the heat and the light. And he could see this house, so remote and isolated, so far away, and he had a feeling that it once must have seemed to her and Jack, if only for a short time, like the universe with the two of them at its centre. And for a moment he was at the King of Cornwall with Amy in the room they thought of as theirs—with the sea and the sun and the shadows, with the white paint flaking off the French doors and with their rusty lock, with the breezes late of an afternoon and of a night the sound of the waves breaking—and he remembered how that too had once seemed the centre of the universe. I don’t, she said. No, I don’t. It’s too small a word, don’t you think, Mr Evans? I have a friend in Fern Tree who teaches piano. Very musical, she is. I’m tone-deaf myself. But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you’ve thrown a plum and an orchard comes back at you. You wouldn’t believe it, Mr Evans. These two completely different things, a note and a room, finding each other. It sounded … right. Am I being ridiculous? Do you think that’s what we mean by love, Mr Evans? The note that comes back to you? That finds you even when you don’t want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That’s beautiful. I’m not explaining myself at all well, am I? she said. I’m not very good with words. But that’s what we were. Jack and me. We didn’t really know each other. I’m not sure if I liked everything about him. I suppose some things about me annoyed him. But I was that room and he was that note and now he’s gone. And everything is silent.

That night James slept like the dead, and if his father rose in the middle of the night to check on him as if he were a small boy, if Will sat beside him on his bed and sang to him in rusty Welsh, James did not remember it when he woke up.

You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.

The waterwheel was twice a man’s height, wider than a man’s two stretched arms. The timbers, braced and bolted with rusty iron were heavy, hand-hewn, swollen with a century of wet. Moss bearded the paddles, which dripped as they rose. The sounds were good. Wooden stutter like children running down a hall at the end of school. Grudging axle thud like the heartbeat of a strong old man.

She was, after all, one with the others covered over when the house sank, those whose names concerned the old Joel, whose names now in gnarled October freckling leaves spelled on the wind. Still Idabel was back, a ghost, perhaps, but here, and in the room: Idabel the hoodlum out to stone a one-armed barber, and Idabel with roses, Idabel with sword, Idabel who said she sometimes cried: all of autumn was the sycamore leaf and its red the red of her hair and its stem the rusty color of her rough voice and its jagged shape the pattern, the souvenir of her face.

I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.

STAINS With red clay between my toes, and the sun setting over my head, the ghost of my mother blows in, riding on a honeysuckle breeze, oh lord, riding on a honeysuckle breeze. Her teeth, the keys of a piano. I play her grinning ivory notes with cadenced fumbling fingers, splattered with paint, textured with scars. A song rises up from the belly of my past and rocks me in the bosom of buried memories. My mama’s dress bears the stains of her life: blueberries, blood, bleach, and breast milk; She cradles in her arms a lifetime of love and sorrow; Its brilliance nearly blinds me. My fingers tire, as though I've played this song for years. The tune swells red, dying around the edges of a setting sun. A magnolia breeze blows in strong, a heavenly taxi sent to carry my mother home. She will not say goodbye. For there is no truth in spoken farewells. I am pregnant with a poem, my life lost in its stanzas. My mama steps out of her dress and drops it, an inheritance falling to my feet. She stands alone: bathed, blooming, burdened with nothing of this world. Her body is naked and beautiful, her wings gray and scorched, her brown eyes piercing the brown of mine. I watch her departure, her flapping wings: She doesn’t look back, not even once, not even to whisper my name: Brenda. I lick the teeth of my piano mouth. With a painter’s hands, with a writer’s hands with rusty wrinkled hands, with hands soaked in the joys, the sorrows, the spills of my mother’s life, I pick up eighty-one years of stains And pull her dress over my head. Her stains look good on me.

When You Reveal Those Rose-Colored Cheeks Ghazal 1711 1941 When you reveal those rose-colored cheeks (of yours),you make the stones whirl2 from joy. Put (your) head out from the veil once again, for the sake of amazed lovers-- So that knowledge may lose the way, (and) the intellectual may shatter (his) learning; So that water may become a pearl3 from your reflection, (and) fire may quit war. 1945 With (the presence of) your beauty, I don't desire the (lovely full) moon or those few little hanging lanterns (in the heavens). (And) with (the presence of) your face, I don't call the ancient rusty sky a "mirror." You breathed into and created this narrow world4 in another form once again. O Venus,5 make that harp melodious again, in desire for his Mars-like eyes!

Nothing stirred in the drawing-room or in the dining-room or on the staircase. Only through the rusty hinges and swollen sea-moistened woodwork certain airs, detached from the body of the wind (the house was ramshackle after all) crept round corners and ventured indoors. Almost one might imagine them, as they entered the drawing-room questioning and wondering, toying with the flap of hanging wall-paper, asking, would it hang much longer, when would it fall? Then smoothly brushing the walls, they passed on musingly as if asking the red and yellow roses on the wall-paper whether they would fade, and questioning (gently, for there was time at their disposal) the torn letters in the wastepaper basket, the flowers, the books, all of which were now open to them and asking, Were they allies? Were they enemies? How long would they endure?

Mary Lincoln was already in the audience. Before leaving the house that morning she had vigorously brushed Lincoln's coat, had laid out a fresh collar and carefully ironed his best tie. She was anxious to have him appear to advantage. But the day was hot, and Lincoln knew the air in the hall would be oppressive. So he strode onto the platform without a coat, without a vest, without a collar, without a tie. His long, brown, skinny neck rose out of the shirt that hung loosely on his gaunt frame. His hair was disordered, his boots rusty and unkempt. One single knitted "gallis" held up his short, ill-fitting trousers. At the first sight of him, Mary Lincoln flushed with anger and embarrassment. She could have wept in her disappointment and despair. No one dreamed of it at the time, but we know now that this homely man, whose wife was ashamed of him, was starting out that hot October afternoon on a career that was to give him a place among the immortals.

The place where we’ll be staying is just off the piazza. I knew the square was always full of people, but I hope we won’t have to suffer their constant noise.” “Here?” Mada squealed, wrinkling her nose. “This isn’t how I remember Palazzo Alioni at all. This whole neighborhood looks so run-down. So old.” Marco nodded grimly as the driver slowed the horses to a stop. “Your father sent word to warn me that your aunt’s living conditions had deteriorated, but I had hoped for better than this.” They had pulled over in front of a three-story palazzo made of red stucco and trimmed with marble. The chipped roof tiles and peeling paint made Cass think of Agnese’s villa. “It’s not so bad,” she said, with forced cheerfulness. “It looks lived-in.” The carriage driver opened the wooden double doors that led into the palazzo’s courtyard. Mada’s face fell even further. Up close, the house looked even older than Agnese’s villa, and the only thing growing in the garden was weeds. A rusty bucket sat on the edge of a well. Mada turned to Cass incredulously. “It looks like no one’s lived here for a hundred years,” she insisted.

Rose was sixteen, and the only light in her dark world had been extinguished. She’d tried to kill herself with a rusty nail that night. Sylous had come to her for the first time then. Whispered to her about how he could protect her, save her, and set her on a different path. A chosen path on which she would be safe from all the cruel people who lived in sin. All she had to do was agree. Would she? She had. And as his first show of power, Sylous had killed her father in his home office as Rose looked on. He showed Pastor monsters terrifying enough to send him into cardiac arrest. It was the first time Rose had seen a Fury—the true wrath of God, not the manipulated version Pastor used to justify his violence.

On Aigburth Road, wind was doing its best to direct the shoppers, but failed to throw Rose under a car. Layer on layer of dark cloud piled up like sediment at the horizon. Against the sky trees glared, bunches of frayed rusty wire. Birds were scraps of light high overhead, in danger of being blown out. Above a church doorway a Virgin and Child were caged by wire netting, which rattled as though they were trying to escape.

I was awakened early by the massed cockerels of Osh. There had been heavy rain overnight, and as I lay in bed I could hear the first traffic splashing through deep puddles in the potholed streets. Unfamiliar birdsong floated in, and a thin steam rose off the windowsills. I found myself in a faded hotel suite of two bedrooms, bathroom and huge sitting room full of ancient threadbare sofas draped in rugs. I felt very much at home; even more so when the hotelier brought in a breakfast tray of fresh, hot bread, honey, butter and chai. I even enjoyed the stampede of silverfish that fled the bathroom and the rusty water of the shower. I knew for certain I was going to like Kyrgyzstan.

The golden-haired High Fae's mask gleamed with the last rays of the afternoon sunshine. 'Before you ask again: the food is safe for you to eat.' He pointed to the chair at the other end of the table. No sign of his claws. When I didn't move, he sighed sharply. 'What do you want, then?' I said nothing. To eat, flee, save my family. Lucien drawled from his seat along the length of the table. 'I told you so, Tamlin.' He flicked a glance toward his friend. 'Your skills with females have definitely become rusty in recent decades.

Care to dance, my dear? It is a party, after all.” I lower my voice to a low, sensual croon. “I’d rather cut your dick off with a rusty knife and make you swallow it.

Beautiful, life loving ladies and birds will always find their hearts surrounded by a rose garden, no matter how hard a rusty, old gatekeeper tries to keep them out.

Within her, the rusty gates to her heart groaned as they slowly, slowly began to open.

Your eminence, I don’t care a rusty half-credit coin for Anacreon, Smyrno, or all your local politics and petty wars. I tell you this is a State-supported tax-free institution.’ ‘State-supported? But we are the State, Dr Pirenne, and we’re not supporting.’ Pirenne rose angrily. ‘Your eminence, I am the direct representative of—’ ‘—his august majesty, the Emperor,’ chorused Anselm haut Rodric sourly, ‘and I am the direct representative of the King of Anacreon. Anacreon is a lot nearer, Dr Pirenne.

The House had a taste for romance novels. Nesta stayed up later than she should have to finish the one it had left the day before, and when she returned to her room that evening, another was waiting. 'Don't tell me you somehow read these?' She leafed through the volume on her nightstand. In answer, two more books thumped on the surface. Each one utterly filthy. Nesta let out a small chuckle. 'It must get awfully dull up here.' A third book plopped atop the others. Nesta laughed again, a rusty, hoarse sound. She couldn't remember the last time she'd laughed. A true, belly-deep laugh. Maybe before her mother had died. She'd certainly had nothing to laugh about once they'd fallen into poverty. Nesta nodded toward the desk. 'No dinner tonight?' Her bedroom door only swung open to reveal the dimly lit hallway. 'I've had enough of him for one day.' She'd barely been able to speak to Cassian for the rest of their lesson, unable to stop thinking of how he'd put up a wall without her so much as saying a word, anticipating that she would go after him, assuming that she was so awful she couldn't have a normal conversation. That she'd mock him about his mother and their pain. 'I'd rather stay here.' The door opened wider. Nesta sighed. Her stomach ached with hunger. 'You're as much a busybody as the rest of them,' she muttered, and aimed for the dining room.

them calm while he removed the harness straps and collars. Looking at the two wagons behind, she saw that the other two freighters were similarly occupied. None of them were looking toward her. Slowly but purposefully, she moseyed over to the wagon, her gaze jackrabbiting between Dietrich and the other two men. She dried her sweaty hands on her jeans, then, with another quick look around, reached out and placed her hands around the rifle's weathered wood. Biting her lower lip, she lifted the rifle from the two rusty steel hooks it hung on and quickly stuck it inside her blanket. With one hand, she held the rifle straight down before her. With her free hand, she held the blanket closed at her chest. Dietrich's angry voice rose suddenly, and Faith froze in her tracks. "Goddamn it,

J. Edgerton/ The Spirit of Christmas Page 17 Continued JONAS AND JAMES (SINGING) “O come all ye faithful. Joyful and triumphant. O come ye, o come ye to Bethlehem. Come and behold him. Born the king of angels. O come let us adore him. O come let us adore him. O come let us adore him. Christ the lord.” “Sing, choirs of angels, Sing in exultations. Sing, all ye citizens of heavn above; Glory to god, Glory in the highest. O come let us adore him. O come let us adore him. O come let us adore him, Christ the lord!” An occasional passer-by dropped a coin into the cup held by the littlest Nicholas. Thorn tipped his hat to them, trying to keep his greedy looks to a minimum. “Sing loudly my little scalawags. We’ve only a few blocks to go of skullduggery. Then you’ll have hot potato soup before a warm fire.” The Nicholas boys sang louder as they shivered from the falling snow and the wind that seemed to cut right through their shabby clothes, to their very souls. A wicked smile spread over the face of the villainous Mr. Thorn, as he heard the clink of a coin topple into the cup. “That’s it little alley muffins, shiver more it’s good for business.” His evil chuckle automatically followed and he had to stifle it. They trudged on, a few coins added to the coffer from smiling patrons. J. Edgerton/ The Spirit of Christmas Page 18 Mr. Angel continued to follow them unobserved, darting into a doorway as Mr. Thorn glanced slyly behind him, like a common criminal but there was nothing common about him. They paused before the Gotham Orphanage that rose up with its cold stone presence and its’ weathered sign. Thorn’s deep voice echoed as ominous as the sight before them, “Gotham Orphanage, home sweet home! A shelter for wayward boys and girls and a nest to us all!” He slyly drew a coin from his pocket, and twirled it through his fingers. Weather faced Thorn then bit down on the rusty coin, to make sure that it was real. He then deposited all of the coin into the inner pocket of his coat, with an evil chuckle. IV. “GOTHAM ORPHANAGE” “Now never you mind about the goings on of my business. You just mind your own. Now off with ya. Get into the hall to prepare for dinner, such as it is,” Thorn’s words echoed behind them. “And not a word to anyone of my business or you’ll see the back of me hand.” He pushed the boy toward the dingy stone building that was their torment and their shelter. The tall Toymaker glanced after them and then trod cautiously towards Gotham Orphanage. Jonas and James paced along the cracked stone pathway and up the front steps of the main entryway, that towered in cold stone before them. Thorn ushered the boys through the weathered front door to Gotham’s Orphanage. Mr. Angel paced after them and paused, unobserved, near the entrance. As they trudged across the worn hard wood floors of Gotham Orphanage, gala Irish music was heard coming from the main hall of building. Thorn herded the boys into the main hall of the orphanage that was filled with every size and make of both orphan boys and girls seated quietly at tables, eating their dinner. Then he turned with an evil look and hurriedly headed down the long hallway with the money they’ve earned. Jonas and James paced hungrily through the main hall, before a long table with a large, black kettle on top of it and loaves of different types of bread. They both glanced back at a small makeshift stage where orphans in shabby clothes sat stone faced with instruments, playing an Irish Christmas Ballad. Occasionally a sour note was heard. At a far table sat Men and Women of the Community who had come to have dinner and support the orphanage. In front of them was a small, black kettle with a sign that said “Donations”.

When he was three years old Jackie ran into the house crying. I asked, "What's happened? What's wrong?" He showed me his bleeding hand - the palm of his hand had been scraped. "How did you do that? It isn't bad! Did you hurt it on something dirty?" I patted the blood away with a tissue. He stopped crying; he pressed against me with his wet face. My husband said, coming into the kitchen, "Let's see what happened -" He took Jackie's hand and stared down at it. Jackie's hand was very small in his; his own hand was not clean. He had been working on the lawn mower. "Should this be washed out or what?" he said, looking at me. "You think there's some germs in it?" "I'd better wash it out." I turned on the hot water. "Maybe it should be sterilised. It should be washed out good," my husband said slowly. He stared down at Jackie's hand and for a few seconds he was silent. He loved Jackie very much; he was always afraid of Jackie getting hit by a car. Now Jackie tried to get away from him, uneasy. My husband looked strange, as if the sight of blood frightened him. "I can wash it out. I'll put a bandage on it," I said. He paid no attention to me. Instead, he turned on one of the electric burners of the stove, still holding Jackie's hand. "If it was something rusty... if it was some dirt, some filth, he could get very sick," my husband said. "The germs should be all killed." "What? What are you going to do?" "I know what to do," he said irritably, vaguely. "All it needs is a bandage...." Jackie began to cry, afraid of his father. He tried to get away. "Goddam it, hold still! You want to get lockjaw or something? Why is this kid always crying?" He pulled Jackie to the stove and before I could stop him he pressed his palm down onto the burner - Jackie screamed, kicked, broke away - it was all over in a second. "You're crazy! You burned him!" I cried. My husband stared at me. Jackie was screaming, gasping for breath, he had backed away against the kitchen table. His screams rose higher and higher. My husband stared at him and at me, very pale. "You're crazy!" I shouted at him. I ran cold water for Jackie to stick his hand under. The burn was not bad - the stove hadn't been hot enough. "I didn't mean to hurt him," my husband said slowly, "I... I don't know what...." "Putting his hand on the stove! God, you must be crazy!" There was something pulsating in me, a bright, thrilling nerve - I wanted to laugh in my husband's face, I wanted to claw at him, I wanted to gather Jackie up in my arms and run out of the house with him! I hated my husband and I was glad that he had made such a stupid mistake. I was glad he had burned Jackie and that Jackie was crying in my arms, pressing against me, terrified of his father. "I don't know what I was thinking off," he said. His voice was vague and slow and surprised. "I didn't mean...I'm sorry...." "Don't scare him anymore!" "I'm sorry. I must be going crazy...." "Where did you ever get such an idea?" He rubbed his hands violently across his face, across his eyes. "Jesus, I must be going crazy," he said. "You're just lucky the stove wasn't hot." Jackie kept crying, frightened. I took him into the bathroom and put a bandage on the cut - only a small scratch - no real burn at all.

My eyes blinked like a camera shutter clicking through the frames of my life, except the images were mismatched and haphazard: a ragged-looking doll with a rose-colored dress; crocheted white baby mittens, slightly unraveled; a row of tulips, vibrant red; Rex's smile; a rusty weather vane whirling in the wind. My eyelids fluttered, fighting to remain open, but when they closed, the welcoming image that waited beckoned me to stay, promising to give me the comfort, the peace I longed for. The camellias. I could see them, seemingly endless rows of big, bushy green trees with waxy leaves and showy flowers the size of saucers. Pinks, reds- bursting into bloom, as if they'd been painted by the Queen of Hearts.

I told you so, Tamlin.” He flicked a glance toward his friend. “Your skills with females have definitely become rusty in recent decades.