Rust And Bone Quotes

Love blurs your vision; but after it recedes, you can see more clearly than ever. It's like the tide going out, revealing whatever's been thrown away and sunk: broken bottles, old gloves, rusting pop cans, nibbled fishbodies, bones. This is the kind of thing you see if you sit in the darkness with open eyes, not knowing the future.

Love blurs your vision; but after it recedes, you can see more clearly than ever. It's like the tide going out, revealing whatever's been thrown away and sunk: broken bottles, old gloves, rusting pop cans, nibbled fishbodies, bones. This is the kind of thing you see if you sit in the darkness with open eyes, not knowing the future. The ruin you've made.

That's the van? It looks like a rotting banana." This was undeniable - Eric had painted the van a neon shade of yellow, and it was blotched with dings and rust like splotches of decay.

The dragon is withered, His bones are now crumbled; His armour is shivered, His splendour is humbled! Though sword shall be rusted, And throne and crown perish With strength that men trusted And wealth that they cherish, Here grass is still growing, And leaves are yet swinging, The white water flowing, And elves are yet singing Come! Tra-la-la-lally! Come back to the valley!

You believed you could transcend the body as you aged, she tells herself. You believed you could rise above it, to a serene, nonphysical realm. But it’s only through ecstasy you can do that, and ecstasy is achieved through the body itself. Without the bone and sinew of wings, no flight. Without that ecstasy you can only be dragged further down by the body, into its machinery. Its rusting, creaking, vengeful, brute machinery.

Growing up out here in the country taught me things. Taught me that after the first fat flush of life, time eats away at things: it rusts machinery, it matures animals to become hairless and featherless, and it withers plants [...] since Mama got sick, I learned pain can do that too. Can eat a person until there’s nothing but bone and skin and a thin layer of blood left. How it can eat your insides and swell you in wrong ways.

Everything becomes... too late, finally. You know it's going on... up on the hill; you can see the dust, and hear the cries, and the steel... but you wait; and time happens. When you do go, sword, shield... finally... there's nothing there... save rust; bones; and the wind.

In glades they meet skull after skull/Where pine-cones lay--the rusted gun,/Green shoes full of bones, the mouldering coat/And cuddled-up skeleton;/And scores of such. Some start as in dreams,/And comrades lost bemoan:/By the edge of those wilds Stonewall had charged--/But the Year and the Man were gone. ("The Armies of the Wilderness")

Speak, thou vast and venerable head,” muttered Ahab, “which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world’s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor’s side, where sleepless mothers would give their lives to lay them down. Thou saw’st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw’st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed — while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!

Long after you go down and the vessel rusts apart your bones sunken buried in the ocean floor I wonder if you miss people?

There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors. p.116

The dragon is withered His bones are now crumbled; His armour is shivered, His splendour is humbled! Though sword shall be rusted And throne and crown perish With strength that men trusted And wealth that they cherish, Here grass is still growing, And leaves are yet swinging, The white water flowing, And elves are yet singing Come! Tra-la-la-lally! Come back to the Valley! The stars are far brighter Than gems without measure, The moon is far whiter Than silver in treasure: The fire is more shining On hearth in the gloaming Than gold won by mining, So why go a-roaming? O! Tra-la-la-lally Come back to the Valley! O! Where are you going, So late in returning? The river is flowing, The stars are all burning! O! Wither so laden, So sad and so dreary? Here elf and elf-maiden Now welcome the weary With Tra-la-la-lally Come back to the Valley, Tra-la-la-lally Fa-la-la-lally Fa-la!

He was like one of those saprophytic orchids that can create harmony and wonder even as it grows and blossoms on a pile of shit, in a place of skulls and bones. He let his rifle rust, and even los it once or twice, but he won battles armes with nothing but a mandolin. (195-196)

Magic was just something people liked to believe in, something they thought they could feel or sense, something that made everything more than just mechanical certainty. Something that made them more than flesh and bone.

But when the springtime turns to dust (A thousand shades of blood and rust) And everything is ash and stone (Contagion writ in blood and bone) Then what exists to have and hold? (What story, then, has not been told?) Let this be my sacred vow (O Mother Mary hear me now): I will not fail, I will not fall (Though Heaven, Hell and Chaos call). We are the children of the Risen. This world our home, this prayer our prison.

Sheep In Fog The hills step off into whiteness. People or stars Regard me sadly, I disappoint them. The train leaves a line of breath. O slow Horse the colour of rust, Hooves, dolorous bells ---- All morning the Morning has been blackening, A flower left out. My bones hold a stillness, the far Fields melt my heart. They threaten To let me through to a heaven Starless and fatherless, a dark water.

And then...it wasn't just that we lost all those jobs, it was that people didn't have anything to be good at anymore. There's only so good you can be about pushing a mop or emptying a bedpan. We're trending backwards as a nation, probably for the first time in history, and it's not the kids with the green hair and bones through their noses. Personally I don't care for it, but those things are inevitable. The real problem is the average citizen does not have a job he can be good at. You lose that, you lose the country.

The stony actors poise and pause for breath. I brought my love to bear, and then you died. It was the gangrene ate you to the bone My mother said; you died like any man. How shall I age into that state of mind? I am the ghost of an infamous suicide, My own blue razor rusting in my throat. O pardon the one who knocks for pardon at Your gate, father—your hound-bitch, daughter, friend. It was my love that did us both to death.

Rust is nature's rebuke of our vanity that the things we build of iron and steel will last. From "Tractor Bones and Rusted Trucks" - not yet published

Twenty-seven bones make up the human hand. Lunate and capitate and navicular, scaphoid, and triquetrum, the tiny horn-shaped pisiforms of the outer wrist. Though different in shape and density each is smoothly aligned and flush-fitted, lashed by a meshwork of ligatures running under the skin. All vertebrates share a similar set of bones, and all bones grow out of the same tissue: a bird's wing, a whale's dorsal fine, a gecko's pad, your own hand. Bust an arm or leg and the knitting bone's sealed in a wrap of calcium so it's stronger than before. Bust a bone in your hand and it never heals right.

In the borough, three boys circled a white camel that wept because at dawn there was no other way except through the needle's eye! Oh cross! Oh, nails! Oh, thorn! Oh, thorn driven to the bone until the planet rust to pieces!

Look — here it comes, its bones are plastic, it builds itself from pallet slat & bottle top, rises from sift, is lashed & trussed with fishing line. It is drift: it has cuttlefish nails & sea-poppy horns, it breathes in rain & it breathes out rust.

They began to come upon chains and packsaddles, singletrees, dead mules, wagons. Saddletrees eaten bare of their rawhide coverings and weathered white as bone, a light chamfering of miceteeth along the edges of the wood. They rode through a region where iron will not rust nor tin tarnish. The ribbed frames of dead cattle under their patches of dried hide lay like the ruins of primitive boats upturned upon that shoreless void and they passed lurid and austere the black and desiccated shapes of horses and mules that travelers had stood afoot.

Once upon a time “my body” meant “me,” pretty much, but now “me” is my mind and my body is a selection box of ailments and aches. My molar throbs, the pain in my right side is jaggedy, rheumatism rusts my knuckles and knees, and if my body was a car I’d have traded it in, years ago.

Speak, thou vast and venerable head," muttered Ahab, "which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world's foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home.

As of February 2022, it has been four years since my diagnosis. And I wouldn’t describe myself as healed from complex PTSD. I wouldn’t even say I am in remission. I’ve learned that the beast of C-PTSD is a wily shape-shifter. Just when I believe I can see the ghoul for exactly what it is, it dissipates like a puff of smoke, then slithers into another crevice in the back of my mind. I know now it will emerge again in another form in a month or a week or two hours from now. Because loss is the one guaranteed constant in life, and since my trauma reliably resurfaces with grief, C-PTSD will be constant, too. Rage will always coat the tip of my tongue. I will always walk with a steel plate around my heart. My smile will always waver among strangers and my feet will always be ready to run. In the past few years, my joints have continued to rust and swell. I cannot transfuse the violence out of my blood.

Growing up out here in the country taught me things. Taught me that after the first fat flush of life, time eats away at things: it rusts machinery, it matures animals to become hairless and featherless, and it withers plants. Once a year or so, I see it in Pop, how he got leaner and leaner with age, the tendons in him standing out, harder and more rigid, every year. His Indian cheekbones severe. But since Mama got sick, I learned pain can do that, too. Can eat a person until there's nothing but bone and skin and a thin layer of blood left. How it can eat your insides and swell you in wrong ways: Mama's feet look like water balloons set to burst under the cover.

You’ll look at the ground and it will become very clear that I’m not there. What have I always told you, Bessie? What have I always said? You’re my angel. I am you. I’m the bones in your body and the blood that fills you up and the meat around your legs. I’m the softness of your cheeks and the way they freckle in the summer, and I’m the streaks of rust in your hair, and I’m the nose under your nose and the eyes that narrow with fire and roll backward in delight at all the same things. I’m your style. I’m your laugh. I’m the rage in your heart that I’m not here. You’re the body I left behind. I made sure of that. From the moment I met you, I never stopped telling you my stories. Because nobody will write them but you.

I held on to my mama’s Spelman College sweater. Wore it the first day I got there myself and still have it now. Held on to my own daddy’s stethoscope until I pulled it out of its black leather case one winter and saw the rubber had melted into sticky pieces of nothing and the silver disk was flaked with rust. Seems all I had from them was the memories of fire and smoke.

Summer days in the valley were the closest thing I had to religion. The shattered-glass water in the creek, the abundance of the mill, running like the wind was carrying me against an earth full of bones. It was awe and repentance, holy baptism washing the soles of my dirty feet. It was daydreaming that felt real for survival. It was all sacred ritual, inadvertent and weightless as grace.

I thought nothing. The surface of my mind was perfectly still. But under the surface there was a shifting and a stirring. I felt the great swell of the undercurrent. For years a wreck had sat in the depths, a rusting vessel with its cargo of bones. Now it shifted. I had disturbed it, and it created a turbulence that lifted clouds of sand from the seabed, motes of grit swirling wildly in the dark disturbed water.

It was a black and hooded head; and hanging there in the midst of so intense a calm, it seemed the Sphynx’s in the desert. “Speak, thou vast and venerable head,” muttered Ahab, “which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world’s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor’s side, where sleepless mothers would give their lives to lay them down. Thou saw’st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw’st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed—while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!

It was a black and hooded head; and hanging there in the midst of so intense a calm, it seemed the Sphynx’s in the desert. “Speak, thou vast and venerable head,” muttered Ahab, “which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world’s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor’s side, where sleepless mothers would give their lives to lay them down. Thou saw’st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw’st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed- while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou has seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!

What have I always told you, Bessie? What have I always said? You’re my angel. I am you. I’m the bones in your body and the blood that fills you up and the meat around your legs. I’m the softness of your cheeks and the way they freckle in the summer, and I’m the streaks of rust in your hair, and I’m the nose under your nose and the eyes that narrow with fire and roll backward in delight at all the same things. I’m your style. I’m your laugh. I’m the rage in your heart that I’m not here. You’re the body I left behind.

That head upon which the upper sun now gleams, has moved amid this world's foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor's side, where sleepless mothers would give their lives to lay them down. Thou saw'st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw'st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed—while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!

Nocturne" That scraping of iron on iron when the wind rises, what is it? Something the wind won’t quit with, but drags back and forth. Sometimes faint, far, then suddenly, close, just beyond the screened door, as if someone there squats in the dark honing his wares against my threshold. Half steel wire, half metal wing, nothing and anything might make this noise of saws and rasps, a creaking and groaning of bone-growth, or body-death, marriages of rust, or ore abraded. Tonight, something bows that should not bend. Something stiffens that should slide. Something, loose and not right, rakes or forges itself all night.

I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green weed hung down. While his gills were breathing in the terrible oxygen —the frightening gills, fresh and crisp with blood, that can cut so badly— I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. —It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip —if you could call it a lip— grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels—until everything was rainbow, rainbow, rainbow! And I let the fish go.

Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.

Speak, thou vast and venerable head,” muttered Ahab, “which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world’s foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor’s side, where sleepless mothers would give their lives to lay them down. Thou saw’st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw’st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed — while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou has seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!

Speak, thou vast and venerable head," muttered Ahab, "which, though ungarnished with a beard, yet here and there lookest hoary with mosses; speak, mighty head, and tell us the secret thing that is in thee. Of all divers, thou hast dived the deepest. That head upon which the upper sun now gleams, has moved amid this world's foundations. Where unrecorded names and navies rust, and untold hopes and anchors rot; where in her murderous hold this frigate earth is ballasted with bones of millions of the drowned; there, in that awful water-land, there was thy most familiar home. Thou hast been where bell or diver never went; hast slept by many a sailor's side, where sleepless mothers would give their lives to lay them down. Thou saw'st the locked lovers when leaping from their flaming ship; heart to heart they sank beneath the exulting wave; true to each other, when heaven seemed false to them. Thou saw'st the murdered mate when tossed by pirates from the midnight deck; for hours he fell into the deeper midnight of the insatiate maw; and his murderers still sailed on unharmed— while swift lightnings shivered the neighboring ship that would have borne a righteous husband to outstretched, longing arms. O head! thou hast seen enough to split the planets and make an infidel of Abraham, and not one syllable is thine!

heu, uatum ignarae mentes! quid uota furentem, quid delubra iuuant? est mollis flamma medullas interea et tacitum uiuit sub pectore uulnus. uritur infelix Dido totaque uagatur urbe furens, qualis coniecta cerua sagitta, quam procul incautam nemora inter Cresia fixit pastor agens telis liquitque uolatile ferrum nescius: illa fuga siluas saltusque peragrat Dictaeos; haeret lateri letalis harundo. nunc media Aenean secum per moenia ducit Sidoniasque ostentat opes urbemque paratam, incipit effari mediaque in uoce resistit; nunc eadem labente die conuiuia quaerit, Iliacosque iterum demens audire labores exposcit pendetque iterum narrantis ab ore. post ubi digressi, lumenque obscura uicissim luna premit suadentque cadentia sidera somnos, sola domo maeret uacua stratisque relictis incubat. illum absens absentem auditque uidetque, aut gremio Ascanium genitoris imagine capta detinet, infandum si fallere possit amorem. non coeptae adsurgunt turres, non arma iuuentus exercet portusue aut propugnacula bello tuta parant: pendent opera interrupta minaeque murorum ingentes aequataque machina caelo. (Alas, poor blind interpreters! What woman In love is helped by offerings or altars? Soft fire consumes the marrow-bones, the silent Wound grows, deep in the heart. Unhappy Dido burns, and wanders, burning, All up and down the city, the way a deer With a hunter’s careless arrow in her flank Ranges the uplands, with the shaft still clinging To the hurt side. She takes Aeneas with her All through the town, displays the wealth of Sidon, Buildings projected; she starts to speak, and falters, And at the end of the day renews the banquet, Is wild to hear the story, over and over, Hangs on each word, until the late moon, sinking, Sends them all home. The stars die out, but Dido Lies brooding in the empty hall, alone, Abandoned on a lonely couch. She hears him, Sees him, or sees and hears him in Iulus, Fondles the boy, as if that ruse might fool her, Deceived by his resemblance to his father. The towers no longer rise, the youth are slack In drill for arms, the cranes and derricks rusting, Walls halt halfway to heaven.) Book IV 65-89

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

This went on for five minutes. At no time did he disappear. “Can you still see me?” “Afraid so.” “Damn!” His eyes snapped open. “Nothing? Didn’t my skin turn opaque?

The skin of Herbert’s chest and arms and head turned opaque as a nearly colorless essence, smoke or mist or fog, rose off his body.

The Alpha Ghur was the meanest bitch that ever bit into a bone. She had never once been mounted. She ruled over the others with a rusted, double sided battle-axe, chipped along both blades. Among hyenas the females were the biggest, the strongest, and the meanest. So it was among the Ghur.

Some love is fire: some love is rust: But the fiercest, cleanest love is lust. And their lust was tremendous. It had the feel Of hammers clanging; and stone; and steel: And torches of the savage, roaring kind That rip through iron, and strike men blind: Of long trains crashing through caverns under Grey trembling streets, like angry thunder: Of engines throbbing; and hoarse steam spouting; And feet tramping; and great crowds shouting. A lust so savage, they could have wrenched The flesh from bone, and not have blenched.

Does my brother, Connor Holstrom, remain in the Bone Quarter, or has his soul passed through the Dead Gate?” The Astronomer whispered, “Luna above.” He fiddled with one of the faintly glowing rings atop his hand. “This question requires a … riskier method of contact than usual. One that borders on the illegal. It will cost you.” Bryce said, “How much?” Scam-artist bullshit. “Another hundred gold marks.” Bryce started, but Ithan said, “Done.” She turned to warn him not to spend one more coin of the considerable inheritance his parents had left him, but the Astronomer hobbled toward a metal cabinet beneath the dials and opened its small doors. He pulled out a bundle wrapped in canvas. Bryce stiffened at the moldy, rotten earth scent that crept from the bundle as he unfolded the fabric to reveal a handful of rust-colored salt. “What the fuck is that?” Ithan asked. “Bloodsalt,” Bryce breathed. Tharion looked to her in question, but she didn’t bother to explain more. Blood for life, blood for death—it was summoning salt infused with the blood from a laboring mother’s sex and blood from a dying male’s throat. The two great transitions of a soul in and out of this world. But to use it here … “You can’t mean to add that to their water,” Bryce said to the Astronomer. The old male hobbled back down the ramp. “Their tanks already contain white salts. The bloodsalt will merely pinpoint their search.

Hollow (2020) Written in response to the toppling of the Edward Colston statue in Bristol on Sunday 7th June 2020. You came down easy in the end the righteous wrench of two ropes in a grand plie briefly, you flew corkscrewed, then met the ground with the clang of toy guns, loose change chains a rain of cheers. Standing ovation on the platform of your neck punk ballet. Act 1. there is more to come. And who carved you? They took such care with that stately pose and propped chin. Wise and virtuous the plaque assured us. Victors wish history odourless and static but history is a sneaky mistress moves like smoke, Colston, like saliva in a hungry mouth. This is your rightful home here, in the pit of chaos with the rest of us. Take your twisted glory and feed it to the tadpoles. Kids will write raps to that syncopated splash. I think of you lying in that harbour with the horrors you hosted. There is no poem more succinct than that. But still you are permanent. You who perfected the ratio. Blood to sugar to money to bricks. Each bougie building we flaunt haunted by bones. Children learn and titans sing under the stubborn rust of your name. But the air is gently throbbing with newness. Can you feel it? Colston, I can’t get the sound of you from my head. Countless times I passed that plinth its heavy threat of metal and marble. But as you landed a piece of you fell off broke away and inside nothing but air. This whole time You were hollow.

The dragon is withered, His bones are now crumbled; His armour is shivered, His splendour is humbled! Though sword shall be rusted, And throne and crown perish With strength that men trusted And wealth that they cherish, Here grass is still growing, And leaves are yet swinging, The white water flowing, And elves are yet singing Come! Tra-la-la-lally! Come back to the valley!

The dragon is withered, His bones are now crumbled; His armour is shivered, His splendour is humbled! Though sword shall be rusted, And throne and crown perish With strength that men trusted And wealth that they cherish, Here grass is still growing, And leaves are yet swinging, The white water flowing, And elves are yet singing Come! Tra-la-la-lally! Come back to the valley! The stars are far brighter Than gems without measure, The moon is far whiter Than silver in treasure: The fire is more shining On hearth in the gloaming Than gold won by mining, So why go a-roaming? O! Tra-la-la-lally Come back to the Valley.

The figure was probably seven feet tall and humanoid, with unnaturally long, gangly limbs. Its clothes were ragged and torn, blotchy rust-colored stains covering the front of what was once a band T-shirt. It had long, greasy brown hair that hung partway over a skeletal face, the skin hanging loose over the bones. Where the lips should have been was nothing but ragged, red flesh and gnashing, jagged teeth behind it.

easy’. Yet sometimes an easy word is translated into a bafflingly polysyllabic alternative. ‘Rust’, we are assured, is ‘the red desquamation of old iron’ or ‘the tarnished or corroded surface of any metal’, while a ‘scale’ is ‘any thing exfoliated or desquamated’. Confusingly, when we turn to the entry for ‘desquamation’, we are told that it is ‘the act of scaling foul bones’.

Dark against the bright rust of the dead leaves, an unfledged starling lay flabbily upon its back. It was loose-skinned, helpless, and frog-like. Its eyes were closed, but twitching; its whole body twitched, its legs moved feebly, pathetically, feeling for foothold upon the unresisting air. It had probably been dropped there by the jay I had disturbed a few minutes earlier. It is sad to see life ending before it has really begun. So much apparent cruelty is mercifully concealed from us by the sheltering leaves. We seldom see the bones of pain that hang beyond the green summer day. The woods and fields and gardens are places of endless stabbing, impaling, squashing, and mangling. We see only what floats to the surface: the colour, the song, the nesting, and the feeding. I do not think we could bear a clear vision of the animal world.

At the Fishhouses Although it is a cold evening, down by one of the fishhouses an old man sits netting, his net, in the gloaming almost invisible, a dark purple-brown, and his shuttle worn and polished. The air smells so strong of codfish it makes one's nose run and one's eyes water. The five fishhouses have steeply peaked roofs and narrow, cleated gangplanks slant up to storerooms in the gables for the wheelbarrows to be pushed up and down on. All is silver: the heavy surface of the sea, swelling slowly as if considering spilling over, is opaque, but the silver of the benches, the lobster pots, and masts, scattered among the wild jagged rocks, is of an apparent translucence like the small old buildings with an emerald moss growing on their shoreward walls. The big fish tubs are completely lined with layers of beautiful herring scales and the wheelbarrows are similarly plastered with creamy iridescent coats of mail, with small iridescent flies crawling on them. Up on the little slope behind the houses, set in the sparse bright sprinkle of grass, is an ancient wooden capstan, cracked, with two long bleached handles and some melancholy stains, like dried blood, where the ironwork has rusted. The old man accepts a Lucky Strike. He was a friend of my grandfather. We talk of the decline in the population and of codfish and herring while he waits for a herring boat to come in. There are sequins on his vest and on his thumb. He has scraped the scales, the principal beauty, from unnumbered fish with that black old knife, the blade of which is almost worn away. Down at the water's edge, at the place where they haul up the boats, up the long ramp descending into the water, thin silver tree trunks are laid horizontally across the gray stones, down and down at intervals of four or five feet. Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals . . . One seal particularly I have seen here evening after evening. He was curious about me. He was interested in music; like me a believer in total immersion, so I used to sing him Baptist hymns. I also sang "A Mighty Fortress Is Our God." He stood up in the water and regarded me steadily, moving his head a little. Then he would disappear, then suddenly emerge almost in the same spot, with a sort of shrug as if it were against his better judgment. Cold dark deep and absolutely clear, the clear gray icy water . . . Back, behind us, the dignified tall firs begin. Bluish, associating with their shadows, a million Christmas trees stand waiting for Christmas. The water seems suspended above the rounded gray and blue-gray stones. I have seen it over and over, the same sea, the same, slightly, indifferently swinging above the stones, icily free above the stones, above the stones and then the world. If you should dip your hand in, your wrist would ache immediately, your bones would begin to ache and your hand would burn as if the water were a transmutation of fire that feeds on stones and burns with a dark gray flame. If you tasted it, it would first taste bitter, then briny, then surely burn your tongue. It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.

The Trail-Makers NORTH and west along the coast among the misty islands, Sullen in the grip of night and smiling in the day: Nunivak and Akutan, with Nome against the highlands, On we drove with plated prow agleam with frozen spray. Loud we sang adventuring and lustily we jested; Quarreled, fought, and then forgot the taunt, the blow, the jeers; Named a friend and clasped a hand—a compact sealed, attested; Shared tobacco, yarns, and drink, and planned surpassing years. Then—the snow that locked the trail where famine's shadow followed Out across the blinding white and through the stabbing cold, Past tents along the tundra over faces blotched and hollowed; Toothless mouths that babbled foolish songs of hidden gold. Wisdom, lacking sinews for the toil, gave over trying; Fools, with thews of iron, blundered on and won the fight; Weaklings drifted homeward; else they tarried—worse than dying— With the painted lips and wastrels on the edges of the night. Berries of the saskatoon were ripening and falling; Flowers decked the barren with its timber scant and low; All along the river-trail were many voices calling, And e'en the whimpering Malemutes they heard—and whined to go. Eyelids seared with fire and ice and frosted parka-edges; Firelight like a spray of blood on faces lean and brown; Shifting shadows of the pines across our loaded sledges, And far behind the fading trail, the lights and lures of town. So we played the bitter game nor asked for praise or pity: Wind and wolf they found the bones that blazed out lonely trails.... Where a dozen shacks were set, to-day there blooms a city; Now where once was empty blue, there pass a thousand sails. Scarce a peak that does not mark the grave of those who perished Nameless, lost to lips of men who followed, gleaning fame From the soundless triumph of adventurers who cherished Naught above the glory of a chance to play the game. Half the toil—and we had won to wealth in other station; Rusted out as useless ere our worth was tried and known. But the Hand that made us caught us up and hewed a nation From the frozen fastness that so long was His alone. . . . . . . Loud we sang adventuring and lustily we jested; Quarreled, fought, and then forgot the taunt, the blow, the jeers; Sinned and slaved and vanished—we, the giant-men who wrested Truth from out a dream wherein we planned surpassing years.

People by Maisie Aletha Smikle Annatto top Rust top Cotton top Butter top Night top Tight curls Loose curls No curls Tail length Ear length Lambs’ wool Goat strands Cotton ball Fur ball Spongy tall Donkey eyes Monkey eyes Triangle nose Square nose Pear nose Fat lip Flat lip Colorful tone Colorless tone People atone down to the bone

Is it bad?” asked Marra. “It would probably kill you in a week or so,” said the dust-wife, bending over her hands. “You’d get a taste for human flesh first, though, which would be exciting for everyone…Oh, don’t look so stricken.” She unstoppered the jar. Marra smelled honey, but the liquid that the dust-wife dabbed onto her wounds was red as fire. “What is it?” “Rust honey. Made by clockwork bees.” The dust-wife rubbed it into the joints of Marra’s fingers, muttering words that Marra couldn’t quite make out. Eventually she sat back. “That should do it. Tell me if you get the urge to take a bite out of someone, though.” “There’s a long list of people I’d like to bite,” said Marra, a bit dryly. The dust-wife snorted. “Fair enough. Just tell me if you get the urge to chew afterward, then.

Our armies, with their shining armour and singing swords are rust and dusty bones. We are like... an echo of something that came before.

You have loved me Through my asymmetries Of bone, of scar, of heart…

WERE YOU SILENT WHEN WE DIED? Did you see photos in sixty-eight Of children with their hair becoming rust: Sickly patches nestled on those small heads, Then falling off like rotten leaves on dust? Imagine children with arms like toothpicks. With footballs for bellies and skin stretched thin. It was kwashiorkor--difficult word, A word that was not quite ugly enough, a sin. You needn't imagine. There were photos Displayed in gloss-filled pages of your Life. Did you see? Did you feel sorry briefly, Then turn round to hold your lover or wife? Their skin had turned the tawny of weak tea And showed cobwebs of vein and brittle bone; Naked children laughing, as if the man Would not take photos and then leave, alone.

This is her tenth pregnancy. Hasn’t she learnt anything? There are reports warning of random population growth. Random – that’s the word I’ve been looking for for ages. We’re living in a random world. We’re multiplying and our children stand naked. Sources of inspiration for film-makers, or for discussion around the table at the G8. We are small people but they can’t live without us. For our sake some buildings have fallen down and some railway stations have been blown up. Iron is liable to rust. For our sake there are plenty of picture messages. We are actors who don’t get paid. Our role is to stand as naked as when our mothers gave birth to us, as when the Earth gave birth to us, as the news bulletins gave birth to us, and the multi-page reports, and the villages that border on settlements, and the keys my grandfather carries. My poor grandfather, he didn’t know that the locks had changed. My grandfather, may the doors that open with digital cards curse you and may the sewage water that runs past your grave curse you. May the sky curse you, and not rain. Never mind, your bones can’t grow from under the soil, so the soil is the reason we don’t grow again.

Sunrise, Grand Canyon We stand on the edge, the fall Into depth, the ascent Of light revelatory, the canyon walls moving Up out of Shadow, lit Colors of the layers cutting Down through darkness, sunrise as it Passes a Precipitate of the river, its burnt tangerine Flare brief, jagged Bleeding above the far rim for a split Second I have imagined You here with me, watching day’s onslaught Standing in your bones-they seem Implied in the record almost By chance- fossil remains held In abundance in the walls, exposed By freeze and thaw, beautiful like a theory stating Who we are is Carried forward by the x Chromosome down the matrilineal line Recessive and riverine, you like Me aberrant and bittersweet... Riding the high Colorado Plateau as the opposing Continental plates force it over A mile upward without buckling, smooth Tensed, muscular fundament, your bones Yet to be wrapped around mine- This will come later, when I return To your place and time... The geologic cross section Of the canyon Dropping From where I stand, hundreds millions of shades of terra cotta, of copper Manganese and rust, the many varieties of stone- Silt, sand, and slate, even “green River rock...”my body voicing its immense Genetic imperatives, human geology falling away Into a Depth i am still unprepared for The canyon cutting down to The great unconformity, a layer So named by the lack Of any fossil evidence to hypothesize About and date such A remote time by, at last no possible Retrospective certainties... John Barton

She’d brought a flask of whiskey and we grew warm and silly, sitting in the middle of the rusted junk that hummed with so much moon. I loved it out there. It felt scary, in a good way: the old jaws of the threshers grinning at us and nobody awake for miles and miles of night. I felt like we were stargazing on dinosaur bones.

My father, who’d always been an intimidating physical presence, seemed to grow smaller day by day, some vital bone or organ now broken within him. He reminded me more and more of those rusted old cars on concrete blocks, colorless weeds growing all around him.

It’s been fun living life on a planet such as earth, but time has made me weary and ready for my star birth. So scatter my bones and sprinkle their rust, decorate the cosmos with my stardust.

You've become your own cage, bars forged from fears you once called armor, now rusted, bleeding into the veins of your dreams. Each step is tethered to the weight of who you were, but that old skin no longer fits your bones. Look down- your shadow clings like a desperate lover, begging you to stay. But beyond the edge, the wind whispers of freedom, of shedding this worn-out shell.

You’ve been chasing ghosts down the same worn path, feet pounding rhythms of a song long dead. But the soil is barren here— no fruit grows from the roots you planted in yesterday’s dust. You’ve become your own cage. Bars forged from fears you once called armor now rust and bleed into the veins of your dreams. Each step is tethered to the weight of who you were, but that old skin no longer fits your bones. Look down. Your shadow clings like a desperate lover begging you to stay.

I’ve learned that the beast of C-PTSD is a wily shape-shifter. Just when I believe I can see the ghoul for exactly what it is, it dissipates like a puff of smoke, then slithers into another crevice in the back of my mind. I know now it will emerge again in another form in a month or a week or two hours from now. Because loss is the one guaranteed constant in life, and since my trauma reliably resurfaces with grief, C-PTSD will be a constant, too. Rage will always coat the tip of my tongue. I will always walk with a steel plate around my heart. My smile will always waver among strangers and my feet will always be ready to run. In the past few years, my joints have continued to rust and swell. I cannot transfuse the violence out of my blood. Every time the beast returns, I have to fight it slightly differently. The wars are shorter now, and often, the old tools work well. Counting colors and curiosity and conversations with my child-self muzzle the beast and shove it back into its hovel. Sometimes the beast requires new weapons—new forms of IFS or CBT, new mantras, new boundaries. Sometimes the beast bites a chunk out of me and gives a relationship a decent thrashing before I can get it in check again. Sometimes I fall into familiar pits of catastrophizing or dissociation, sometimes I find new, unpleasant swamps to wade through. Each episode is its own odyssey through past, present, and future, requiring new bursts of courage and new therapy sessions. But there are two main differences now: I have hope, and I have agency. I know my feelings, no matter how disconsolate they are, are temporary. I know that regardless of how unruly it is, I am the beast’s master, and at the end of each battle I stand strong and plant my flag: I am alive, I am proud, I am joyful, still. So this is healing, then, the opposite of the ambiguous dread: fullness. I am full of anger, pain, peace, love, of horrible shards and exquisite beauty, and the lifelong challenge will be to balance all of those things, while keeping them in the circle. Healing is never final. It is never perfection. But along with the losses are the triumphs. I accept the lifelong battle and its limitations now. Even though I must always carry the weight of grief on my back, I have become strong. My legs and shoulders are long, hard bundles of muscle. The burden is lighter than it was. I no longer cower and crawl my way through this world. Now, I hitch my pack up. And as I wait for the beast to come, I dance.

You’ve become your own cage, bars forged from fears you once called armor, now rusted, bleeding into the veins of your dreams. Each step is tethered to the weight of who you were, but that old skin no longer fits your bones. Look down— your shadow clings like a desperate lover, begging you to stay. But beyond the edge, the wind whispers of freedom, of shedding this worn-out shell.

It was, for a time, a loud twittering flight of psychedelic-colored canaries: a cloud of startle and get-out in the ornamental irons of the rib cage. Night when the moon was wide like the great eye of a universal beast coming close for a kill, it was a cave of bitten bones and snake skins, eggshell dust, and charred scraps of a frozen-over flame. All the things it has been: kitchen knife and the ancient carp's frown, cavern of rust and worms in the airless tire swing, cactus barb, cut-down tree, dead cat in the plastic crate. Still, how the great middle ticker marched on, and from all its four chambers to all its forgiveness, unlocked the sternum's door, reversed and reshaped until it was a new bright carnal species, more accustomed to grief, and ecstatic at the sight of you.

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