Russ Love Quotes

The feeling of love comes and goes on a whim; you can't control it. But the action of love is something you can do, regardless of how you are feeling.

Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.

I love stories about people I don’t know, and places I haven’t been to. I’ve lived a thousand lives between a thousand pages, but no story, no life, no page has ever made me as happy as you do, Russ Callaghan.

You know it’s a bad sign when the theme song from Titanic describes your relationship.

Stop trying to control how you feel, and instead take control of what you do.

The mind loves telling stories; in fact, it never stops.

Don't rush into any kind of relationship. Work on yourself. Feel yourself, experience yourself and love yourself. Do this first and you will soon attract that special loving other.

To die on a dying Earth - I'd live, if only to weep.

There is this business of the narcissism of love, the fourth-dimensional curve that takes you out into the other who is the whole world, which is really a twist back into yourself, only a different self.

Before I met you, I hadn't considered what my happy ending might look like. I wasn't sure I'd get one. You’re my happy ending, Russ. I fell in love with you in Meadow Springs, and watching you help build our life here has made me fall in love with you a million more times. Thank you for giving me a life that feels too good to be true. Thank you for letting me bring home animals even when you say no. Thank you for letting me live my dreams every day?

I left her wallpapering her much-loved, much-tended little corner of hell.

And here, of course, we come to the one occupation of a female protagonist in literature, the one thing she can do, and by God she does it and does it and does it, over and over and over again. She is the protagonist of a Love Story.

Somewhere there is a book that says you ought to cry buckets of tears over yourself and love yourself with a passion and wrap your arms around yourself; only then will you be happy and free. That's a good book.

Adam Smith was not a big fan of the pursuit of fame and fortune. His view of what we truly want, of what really makes us happy, cuts to the core of things. It takes him only twelve words to get to the heart of the matter: Man naturally desires, not only to be loved, but to be lovely.

Love locally, trade globally.

At thirteen desperately watching TV, curling my long legs under me, desperately reading books, callow adolescent that I was, trying (desperately!) to find someone in books, in movies, in life, in history, to tell me it was O.K. to be ambitious, O.K. to be loud, O.K. to be Humphrey Bogart (smart and rudeness), O.K. to be James Bond (arrogance), O.K. to be Superman (power), O.K. to be Douglas Fairbanks (swashbuckling), to tell me self-love was all right, to tell me I could love God and Art and Myself better than anything on earth and still have orgasms.

Do whatever you like, go wherever you want, love however you feel it to be true. For if you wait, life won't do the same

I believe that God hears our prayers, and cherishes them. I believe He answers by sending us His spirit, giving us strenght, and peace, and insight. I don't think He responds by turning away bullets and curing cancer. Though sometimes that does happen." Harlene frowned. "In other words, sometimes, the answer is no?" "No. Sometimes the answer is "This is life, in all its variety. Make your way through it with grace, and never forget that I love you.

Story is a trojan horse for truth. It can sneak truth past the gates of our defenses and prepare our hearts to hear things we might have resisted if they had come as mere declaration.

Maybe they were back to not talking. That's what she missed the most: talking. Serious, silly, bone-deep, flippant, all their words and thoughts like gifts to each other, the only gifts they, with their hobbled hearts, could give.

If you want to make the world a better place, work on being trustworthy, and honor those who are trustworthy. Be a good friend and surround yourself with worthy friends. Don’t gossip. Resist the joke that might hurt someone’s feelings even when it’s clever. And try not to laugh when your friend tells you that clever joke at someone’s expense. Being good is not just good for you and those around you, but because it helps others be good as well. Set a good example, and by your loveliness you will not only be loved, but you may influence the world.

I cannot get into this swamp or I will never get out; and if I start crying again I'll remember that I have no one to love, and if anyone treats me like that again, I'll kill him. Only I mustn't because they'll punish me.

La vita è come le montagne russe. Scendi velocemente, rimani a lungo in basso e risali a fatica.

The more importance we place on avoiding unpleasant feelings in life, the more our life tends to go downhill.

They were the only three people I'd chosen on my own to love, and they were gone. But still, that morning in Mobay when I saw Russ for the last time, I saw clearly for the first time that loving Sister Rose and I-Man and even Bruce had left me with riches that I could draw on for the rest of my life, I was totally grateful to them.

If any theme runs through all my work, it is what Adrienne Rich once called "re-vision", i.e., the re-perceiving of experience, not because our experience is complex or subtle or hard to understand (though it is sometimes all three) but because so much of what's presented to us as "the real world" or "the way it is" is so obviously untrue that a great deal of social energy must be mobilized to hide that gross and ghastly fact. has a theatre critic (whose name I'm afraid I've forgotten) once put it," There's less there than meets the eye". Hence, my love for science fiction, which analyses reality by changing it.

Then he was forming letters again, one at a time on her back, while Laurel clung to him, full of heart and body, still joined to him intimately. Wanting his words, needing them, moved profoundly by them. I love you. One letter after the other, until they were all there, telling her everything she needed to know here in the dark.

The fact that you can act with love even when you don’t feel love is very empowering. Why? Because whereas the feelings of love are fleeting and largely out of your control, you can take the actions of love anytime and anyplace for the whole rest of your life.

Often the best gifts we can give each other cost nothing.

Our core beliefs serve as the primary framework for shaping our perception and the construction of our reality.

the things we generally value most in life bring with them a whole range of feelings, both pleasant and unpleasant. For example, in an intimate long-term relationship, although you will experience wonderful feelings such as love and joy, you will also inevitably experience disappointment and frustration. There is no such thing as the perfect partner and sooner or later conflicts of interest will happen.

Smith is showing us a better path to contentment than the one the world holds out to seduce us with. There is another way to be loved. Instead of pursuing attention via wealth or fame or power, pursue wisdom and goodness. There are two ways to be loved, to satisfy the desire we all have in us to be noticed and to be somebody. The first path is to be rich, famous, powerful. The second path is to be wise and virtuous.

She's a bright girl. She learned in her thirteenth year that you can get old films of Mae West or Marlene Dietrich (who is a Vulcan; look at the eyebrows) after midnight on UHF if you know where to look, at fourteen that pot helps, at fifteen that reading's even better. She learned, wearing her rimless glasses, that the world is full of intelligent, attractive, talented women who manage to combine careers with their primary responsibilities as wives and mothers and whose husbands beat them. She's put a gold circle pin on her shirt as a concession to club day. She loves her father and once is enough. Everyone knows that much as women want to be scientists and engineers, they want foremost to be womanly companions to men (what?) and caretakers of childhood; everyone knows that a large part of a woman's identity inheres in the style of her attractiveness. Laur is daydreaming. She looks straight before her, blushes, smiles, and doesn't see a thing... Laur is daydreaming that she's Genghis Khan.

A modern way to capture what Smith is talking about when he talks about being loved and being lovely is authenticity. We want to be real, and we want the people around us to be real in how they think about us. Respect or love or attention that is inaccurate because I don’t deserve it isn’t real. Someone who is thought to be lovely, but who knows he isn’t, is living a lie.

In college, educated women (I found out) were frigid; active women (I knew) were neurotic; women (we all knew) were timid, incapable, dependent, nurturing, passive, intuitive, emotional, unintelligent, obedient, and beautiful. You can always get dressed up and go to a party. Woman is the gateway to another world; Woman is the earth-mother; Woman is the eternal siren; Woman is purity; Woman is carnality; Woman has intuition; Woman is the life-force; Woman is selfless love. "I am the gateway to another world," (said I, looking in the mirror) "I am the earth-mother; I am the eternal siren; I am purity," (Jeez, new pimples) "I am carnality; I have intuition; I am the life-force; I am selfless love." (Somehow it sounds different in the first person, doesn't it?) Honey (said the mirror, scandalised) Are you out of your fucking mind? I AM HONEY I AM RASPBERRY JAM I AM A VERY GOOD LAY I AM A GOOD DATE I AM A GOOD WIFE I AM GOING CRAZY Everything was peaches and cream.

There’s nothing more genuinely artistic than to love people,” said Vincent van Gogh.

We are drawn to beauty, and we instinctively know that somewhere, somehow, such a thing as perfection exists

For years I said Let me in, Love me, Approve me, Define me, Regulate me, Validate me, Support me. Now I say Move over.

We need to pay attention with a particular attitude: one of openness, curiosity, and receptiveness.

For years I have been saying Let me in, Love me, Approve me, Define me, Regulate me, Validate me, Support me. Now I say Move over.

and I realized that a person doesn’t reach the capacity for love. Love just is. It’s all-encompassing. There’s no trade-off. I don’t have to sacrifice my love for your dad or you and Chloe to love Russ. He doesn’t take any of your dad’s place in my heart because the heart doesn’t retract–it expands. My heart grew bigger for Russ. But I will always ache for your dad.

I've never slept with a girl. I couldn't. I wouldn't want to. That's abnormal and I'm not, although you can't be normal unless you do what you want and you can't be normal unless you love men. To do what I wanted would be normal, unless what I wanted was abnormal, in which case it would be abnormal to please myself and normal to do what I didn't want to do, which isn't normal.

If you love somebody deeply and you lose that relationship - whether through death, rejection or separation - you will feel pain. That pain is called grief. Grief is a normal emotional reaction to any significant loss, whether a loved one, a job or a limb. There's no way to avoid or get rid of it - it's just there. And, once accepted, it will pass in its own time. Unfortunately, many of us refuse to accept grief. We will do anything rather than feel it. We may bury ourselves in work, drink heavily, throw ourselves into a new relationship 'on the rebound' or numb ourselves with prescribed medications. But no matter how hard we try to push grief away, deep down inside it's still there. And eventually it will be back. It's like holding a football underwater. As long as you keep holding it down, it stays beneath the surface. But eventually your arm gets tired and the moment you release your grip, the ball leaps straight up out of the water.

Living with limits is one of the ways we enter into beauty we would not have otherwise seen, good work we would not have chosen, and relationships we would not have treasured. For the Christian, accepting our limits is one of the ways we are shaped to fit together as living stones into the body of Christ. As much as our strengths are a gift to the church, so are our limitations.

What I’ve learned so far in my short life as a dog widower is that it doesn’t matter if you have a dog ten years or ten months––the pain and hurt is still the same. Luckily, the love stays with you forever!

Story is a trojan horse for truth. It can sneak truth past the gates of our defenses and prepare our hearts to hear things we might have resisted if they had come as mere declaration. Jesus relied on storytelling as his primary method of teaching for just this reason--to persuade Jews to empathize with Samaritans, wealthy people to care for the poor, and religious people to have compassion on society's fringe.

teased. "I read that in a book once. A woman went down into the basement and discovered her new husband had a whole ass sex room, with all kinds of freaky shit in there. It was actually pretty damn hot, even though the hero was a pastor.

THE SHEEPDOGS Most humans truly are like sheep Wanting nothing more than peace to keep To graze, grow fat and raise their young, Sweet taste of clover on the tongue. Their lives serene upon Life’s farm, They sense no threat nor fear no harm. On verdant meadows, they forage free With naught to fear, with naught to flee. They pay their sheepdogs little heed For there is no threat; there is no need. To the flock, sheepdog’s are mysteries, Roaming watchful round the peripheries. These fang-toothed creatures bark, they roar With the fetid reek of the carnivore, Too like the wolf of legends told, To be amongst our docile fold. Who needs sheepdogs? What good are they? They have no use, not in this day. Lock them away, out of our sight We have no need of their fierce might. But sudden in their midst a beast Has come to kill, has come to feast The wolves attack; they give no warning Upon that calm September morning They slash and kill with frenzied glee Their passive helpless enemy Who had no clue the wolves were there Far roaming from their Eastern lair. Then from the carnage, from the rout, Comes the cry, “Turn the sheepdogs out!” Thus is our nature but too our plight To keep our dogs on leashes tight And live a life of illusive bliss Hearing not the beast, his growl, his hiss. Until he has us by the throat, We pay no heed; we take no note. Not until he strikes us at our core Will we unleash the Dogs of War Only having felt the wolf pack’s wrath Do we loose the sheepdogs on its path. And the wolves will learn what we’ve shown before; We love our sheep, we Dogs of War. Russ Vaughn 2d Bn, 327th Parachute Infantry Regiment 101st Airborne Division Vietnam 65-66

It’s no secret that I love books. I love stories about people I don’t know, and places I haven’t been to. I’ve lived a thousand lives between a thousand pages, but no story, no life, no page has ever made me as happy as you do, Russ Callaghan. Before I met you, I hadn’t considered what my happy ending might look like. I wasn’t sure I’d get one. You’re my happy ending, Russ. I fell in love with you in Meadow Springs, and watching you help build our life here has made me fall in love with you a million more times. Thank you for giving me a life that feels too good to be true.

If Earth had been hit by plague, by fire, by war, by radiation, sterility, a thousand things, you name it, I'd still stand by her; I love her; I would fight every inch of the way there because my whole life is knit to her. And she'd need mourners. To die on a dying Earth- I'd live, if only to weep.

We live in communities that need goodness, truth, and beauty. And we play a role in advancing those transcendentals that make us human. We are to curate them for others. We play a role in blowing on the embers of "whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable.

Not only are we drawn to beauty, we are the only creatures who engage in certain behaviors purely for the sake of encountering beauty. We use vacation days to drive to places where we can see the sun come up over the ocean. We visit art museums, theaters, and symphonies. We look at the moon and the stars. We climb to high mountain lakes to put our feet in the frigid water to feel the rush and see the reflection of the summit in the ripples we have made. No other creature stops to behold something beautiful for no other reason than that it has stirred something in their souls. When we do these things, are we not like Moses and David, hungering to see the glory of God?

But Israel’s God was different. He was definite, and his character was immutably fixed. And they were to love him for it with everything they had. They were to love him with all their heart. In the seat of their deepest dreams and desires, in the place where they wrestled with their sorrows and clung to flickering hopes, they were to love him. They were to love him with all their soul. In the place that made each individual unique, in the inner court of the mind where decisions were made, in the forming of the bonds between friends and lovers, as well as in the coming together of a community, they were to love him. They were to love him with all their might. In the outward expressions of the passions and decisions of the heart and soul, in the places where men’s thoughts turned to action and resolve turned to progress, they were to love him. In their creativity and in their learning, in their working and in their resting, in their building up and in their tearing down, they were to love him. They were to love him as whole people, in all their weakness and in all their strength. On their best days and on their worst, in the darkest hours of their loneliest nights, and at the tables of their most abundant feasts, they were to love him. This was the heart of Israel’s religion: love. Only divine love made sense of the world. This love went beyond a mere feeling. This love was doctrine. Israel’s story was a story of being kept, and the only reasonable response was to love the Keeper.

The reply to this was that Three took out a small revolver, and this surprised me; for everyone knows that anger is most intense towards those you know: it is lovers and neighbors who kill each other. There's no sense, after all, in behaving that way toward a perfect stranger; where's the satisfaction? No love, no need; no need, no frustration; no frustration, no hate, right? It must have been fear.

One thing I've learned through all of this, Olive, is that people don't fill up on love. There's no brim on the cup. Love overflows. It grows and bubbles over and over. I used to believe there was something I would be trading to let another man into my life. That I would have to give away a part of my heart that belonged to somebody else. And then I met Russ, and I realized that a person doesn't reach the capacity for love. Love just is.

LOVE is not just an acronym: it is a useful way of thinking about “love” itself. If you think of love as an ongoing process of letting go, opening up, valuing, and engaging, then it is always available to you—even when the feelings of love are absent. So in this sense of the word, you really can have everlasting love. But if you think of love merely as an emotion or feeling, then it can never last for long because all feelings and emotions continually change.

The impulse behind fantasy I find to be dissatisfaction with literary realism. Realism leaves out so much. Any consensual reality (though wider even than realism) nonetheless leaves out a great deal also. Certainly one solution to the difficulty of treating experience that is not dealt with in the literary tradition, or even in consensual reality itself, is to 'skew' the reality of the piece of fiction, that is, to employ fantasy. [...] After all, reality is--collectively speaking--a social invention and is not itself really real. Individually, it is as much something human beings do as it is something refractory that is prior to us and outside of us. [...] When I was seventeen and in a writing class in college, I learned that the kinds of things I wrote about--things that came out of my experience as a seventeen-year-old girl--were not serious literary subjects. My realism wouldn't do. So I decided at some point to write fantasy and science fiction. (I did love them!) Nobody could pull me up on the importance or the accuracy of those. The stories in this book are here because they are good stories and because they are part of a fascinating tradition of fantasy. But they are also here (I suspect) because many fine writers who are women have discovered that fantasy, fantastic elements and methods, or simply even the tone of fantasy, give them the method to handle the specifically female elements of their experience in a way that the literary tradition of realism was designed not to do. And I once thought I was the only one!

deep inside the smoldering stump of Israel, a remnant of life was rising to push back the darkness and break through the crust of the desolation of the people of God to find the light of day. Though they struggled to see it, God loved them. He loved them with an everlasting, unfailing love. Salvation was coming, and when all was said and done, “He will dwell with them and they will be his people and God himself will be with them as their God. He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore. ” (Rev 21:3-4) “Behold,” he says, “I am making all things new.

I cannot think of a single thing in my life that doesn't bear the touch of others. I'm guessing you can't either. Of course we wish some of those chisel marks never happened--the ones that draw from us a plea for mercy, the ones that kindle a hunger for the renewal of all things. But other marks have been necessary to give us eyes to behold goodness, truth, and beauty we would not have known otherwise. Living with limits is one of the ways we enter into beauty we would not have otherwise seen, good work we would not have chosen, and relationships we would not have treasured. For the Christian, accepting our limits is one of the ways we are shaped to fit together as living stones into the body of Christ. As much as our strengths are a gift to the church, so are our limitations.

Ayant entendu pendant la nuit des bruits étranges dans la cage d'escalier, elle acheta le lendemain au marché noir un 7 x 57 mm Mauser et des munitions et annonça à son mari, qui la regardait en fronçant les sourcils, qu'elle abattrait sans sommation tout inconnu qui franchirait le seuil de son appartement sans son autorisation. Quand Léon lui fit remarquer qu'un pistolet accroché au mur au premier acte devait servir à faire feu au second acte, elle haussa les épaules en répliquant que la vraie vie obéissait à d'autres lois que les pièces de théâtres russes. Et quand il voulut savoir pourquoi elle avait choisi précisément une arme allemande, elle lui répondit que les inspecteurs allemands, s'ils trouvaient des balles allemandes dans un cadavre allemand, chercheraient très probablement le coupable parmi les Allemands.

Suppose your partner has deep-seated fears of abandonment: afraid that you will leave her for someone “better.” Or suppose she fears becoming trapped, controlled, or “smothered.” Then when you fight, these fears will well up inside her; she may not even be aware of them because they very quickly get buried under blame or resentment. Or suppose deep inside your partner feels deeply unworthy: that he is inadequate, unlovable, not good enough. This is painful in itself, but when people feel this way inside, they often act in ways that strain the relationship. Your partner may continually seek approval, demand recognition for what he achieves or contributes, ask for reassurance that you love or admire him, or become quite jealous and possessive. If you then react with frustration, scorn, criticism, impatience, or boredom, you will reinforce his deep-seated sense of unworthiness. And this then gives rise to even more pain.

Do you know, all this time you preached at me? You told me that even Grendel's mother was actuated by maternal love. You told me ghouls were male. Rodan is male—and asinine. King Kong is male. I could have been a witch, but the Devil is male. Faust is male. The man who dropped the bomb on Hiroshima was male. I was never on the moon. Then there are the birds, with (as Shaw so nobly puts it) the touching poetry of their loves and nestings in which the males sing so well and beautifully and the females sit on the nest, and the baboons who get torn in half (female) by the others (male), and the chimpanzees with their hierarchy (male) written about by professors (male) with their hierarchy, who accept (male) the (male) view of (female) (male). You can see what's happening. At heart I must be gentle, for I never even thought of the praying mantis or the female wasp; but I guess I am just loyal to my own phylum. One might as well dream of being an oak tree. Chestnut tree, great-rooted hermaphrodite.

So we need to make a schedule, but where do we begin? The common approach is to make a to-do list. We write down all the things we want to do and hope we’ll find the time throughout the day to do them. Unfortunately, this method has some serious flaws. Anyone who has tried keeping such a list knows many tasks tend to get pushed from one day to the next, and the next. Instead of starting with what we’re going to do, we should begin with why we’re going to do it. And to do that, we must begin with our values. According to Russ Harris, author of The Happiness Trap, values are “how we want to be, what we want to stand for, and how we want to relate to the world around us.” They are attributes of the person we want to be. For example, they may include being an honest person, being a loving parent, or being a valued part of a team. We never achieve our values any more than finishing a painting would let us achieve being creative. A value is like a guiding star; it’s the fixed point we use to help us navigate our life choices.

Einstein served as a source of inspiration for many of the modernist artists and thinkers, even when they did not understand him. This was especially true when artists celebrated such concepts as being “free from the order of time,” as Proust put it in the closing of Remembrance of Things Past. “How I would love to speak to you about Einstein,” Proust wrote to a physicist friend in 1921. “I do not understand a single word of his theories, not knowing algebra. [Nevertheless] it seems we have analogous ways of deforming Time.”54 A pinnacle of the modernist revolution came in 1922, the year Einstein’s Nobel Prize was announced. James Joyce’s Ulysses was published that year, as was T. S. Eliot’s The Waste Land. There was a midnight dinner party in May at the Majestic Hotel in Paris for the opening of Renard, composed by Stravinsky and performed by Diaghilev’s Ballets Russes. Stravinsky and Diaghilev were both there, as was Picasso. So, too, were both Joyce and Proust, who “were destroying 19th century literary certainties as surely as Einstein was revolutionizing physics.” The mechanical order and Newtonian laws that had defined classical physics, music, and art no longer ruled.

I'm a victim of penis envy (said Laura) so I can't ever be happy or lead a normal life. My mother worked as a librarian when I was little and that's not feminine. She thinks it's deformed me. The other day a man came up to me in the bus and called me sweetie and said, "Why don't you smile? God loves you!" I just stared at him. But he wouldn't go away until I smiled, so finally I did. Everyone was laughing. I tried once, you know, went to a dance all dressed up, but I felt like such a fool. Everyone kept making encouraging remarks about my looks as if they were afraid I'd cross back over the line again; I was trying , you know, I was proving their way of life was right, and they were terrified I'd stop. When I was five I said, "I'm not a girl, I'm a genius," but that doesn't work, possibly because other people don't honor the resolve. Last year I finally gave up and told my mother I didn't want to be a girl but she said Oh no, being a girl is wonderful. Why? Because you can wear pretty clothes and you don't have to do anything; the men will do it for you. She said that instead of conquering Everest, I could conquer the conqueror of Everest and while he had to go climb the mountain, I could stay home in lazy comfort listening to the radio and eating chocolates. She was upset, I suppose, but you can't imbibe someone's success by fucking them.

Ever seen a movie where the hero gets punched right in the face? A gruesome slow-mo close-up, where a spray of sweat and blood flies through the air? Notice how you wince, or flinch, or turn away even though you know it’s only a movie? Even though you know it’s make-believe, you can’t help relating to it on some level. How ironic is it that we can so easily relate to the nonexistent pain of a fictitious movie character, but we often completely forget about the very real pain of the people we love? Humans are social animals. When it comes to affairs of the heart, most of us are pretty similar. We want to be loved, respected, and cared for. We want to get along with others and generally have a good time with them. When we fight with, reject, or distance ourselves from the people we love, we don’t feel good. And when they fight with, reject, or distance themselves from us, we feel even worse. So when you fight with your partner, you both get hurt. Your partner may not reveal his pain to you; he may just get angry, or storm out of the house, or quietly switch on the TV and start drinking, but deep inside he hurts just like you. Your partner may refuse to talk to you, she may criticize you in scathing tones, or go out on the town with her friends, but deep inside, she hurts just as you are. It is so important to recognize and remember this. We tend to get so caught up in

During [Erté]’s childhood St. Petersburg was an elegant centre of theatrical and artistic life. At the same time, under its cultivated sophistication, ominous rumbles could be distinguished. The reign of the tough Alexander III ended in 1894 and his more gentle successor Nicholas was to be the last of the Tsars … St. Petersburg was a very French city. The Franco-Russian Pact of 1892 consolidated military and cultural ties, and later brought Russia into the First World war. Two activities that deeply influenced [Erté], fashion and art, were particularly dominated by France. The brilliant couturier Paul Poiret, for whom Erté was later to work in Paris, visited the city to display his creations. Modern art from abroad, principally French, was beginning to be show in Russia in the early years of the century … In St. Petersburg there were three Imperial theatres―the Maryinsky, devoted to opera and ballet, the Alexandrinsky, with its lovely classical façade, performing Russian and foreign classical drama, and the Michaelovsky with a French repertoire and company … It is not surprising that an artistic youth in St. Petersburg in the first decade of this century should have seen his future in the theatre. The theatre, especially opera and ballet, attracted the leading young painters of the day, including Mikhail Vrubel, possibly the greatest Russian painter of the pre-modernistic period. The father of modern theatrical design in Russia was Alexandre Benois, an offspring of the brilliant foreign colony in the imperial capital. Before 1890 he formed a club of fellow-pupils who were called ‘The Nevsky Pickwickians’. They were joined by the young Jew, Leon Rosenberg, who later took the name of one of his grandparents, Bakst. Another member introduced his cousin to the group―Serge Diaghilev. From these origins emerged the Mir Iskustva (World of Art) society, the forerunner of the whole modern movement in Russia. Soon after its foundation in 1899 both Benois and Bakst produced their first work in the theatre, The infiltration of the members of Mir Iskustva into the Imperial theatre was due to the patronage of its director Prince Volkonsky who appointed Diaghilev as an assistant. But under Volkonsky’s successor Diagilev lost his job and was barred from further state employment. He then devoted his energies and genius to editing the Mir Iskustva magazine and to a series of exhibitions which introduced Russia to work of foreign artists … These culminated in the remarkable exhibition of Russian portraiture held at the Taurida Palace in 1905, and the Russian section at the salon d'Autumne in Paris the following year. This was the most comprehensive Russian exhibition ever held, from early icons to the young Larionov and Gontcharova. Diagilev’s ban from Russian theatrical life also led to a series of concerts in Paris in 1907, at which he introduced contemporary Russian composers, the production Boris Godunov the following year with Chaliapin and costumes and décor by Benois and Golovin, and then in 1909, on May 19, the first season of the ballet Russes at the Châtelet Theatre.

But Kievan Rus’s glory days were short-lived. Lying on his deathbed in 1054 Yaroslav had pleaded with his offspring to ‘love one another’ for ‘If ye dwell in envy and dissension, quarrelling with one another, then ye will perish yourselves and bring to ruin the land of your ancestors . . .’11

If I wanted, I could come up with reasons to be angry with everyone I know; there are sins of commission or omission I could hang on every last person in my life… The truth is, I will never run out of people to indict. We are all guilty of so many failures to love well that if I wanted--and sometimes I do want--I could find some fault or transgression in everyone I know that I could then use to justify writing them off. I could blaze that trail to hell if I wanted to, and just the thought of it scares me off

Marion had long been inspired, intellectually, by Russ’s conviction that a gospel of love and community was truer to Christ’s teachings than a gospel of guilt and damnation. But lately she’d begun to wonder.

In my later entries of the diary homework, I pondered, “Why art?” In answer to my cry, my professor wrote back in typical eloquence, “Mako, that is one of the most important questions to ask. And I would like to push you to ask a deeper question through your art and writing: ‘Why live?

The same time and pressure that gave us the stone from which David was cut could reclaim him at any moment.

On the other side of the veil is the tangible glory of unfailing perfection, but it is just out of our reach. So we have given ourselves to the pursuit of making copies from the dust of the earth, compressed by time, crafted by pressure, but conceived by something more than mere imagination. Our best attempts at achieving perfection this side of glory come from an innate awareness that it not only exists, but that we were made for it.

Depicting Jesus as he actually was—a Middle Eastern, dark-skinned Jew—wasn’t a value at that time because the goal of art wasn’t historical accuracy; it was accessibility.

It is hard to render an honest self-portrait if we want to conceal what is unattractive and hide what is broken. We want to appear beautiful. But when we do this, we hide what needs redemption —what we trust Christ to redeem. And everything redeemed by Christ becomes beautiful.

This woman did not know me, but she knew this stretch of trail. She didn't know if I was kind or mean, gentle or abrasive, honest or a liar. She didn't need to know what I had accomplished in life or what I had wasted. She just knew that if I was there in her hospital on my birthday, I was probably feeling a little lost. On that basis alone, i mattered to her.

I, the infirm, find myself caring for the sorrows and fears of the well.

Dex saw the threat for what it was, and nodded again. "I'm trying, sir." "Don't try...do." "Yes, sir.

she said aloud, “my darling; my love.  In just a moment, you will break that glass.  I want you to know that my heart had been broken as well, and it lay in sharp and fragile shards that neither time nor well-intentioned advice had ever removed.               “For that to happen; for the splinters of the past to be brushed away, I needed a miracle; I needed someone strong enough both in himself and in his God to take the pieces of my life and, loving me, to make them whole.  That was the miracle that God has given me…in you.               “And now, my past begins the moment I met you; my present is the time I hold your hand; my future is whatever and wherever and however Our Lord may grant, knowing all the time that your love has made me whole.  My love is wholly with you now, and beyond the edge of time.               “You are my husband; you are my friend; you are my love…”               Jerry Westfield took one step closer to the wrapped glass and to Ruth.               “Ruth,” he said, his eyes boring deeply into hers, “I was alive and functioned in this world, but I saw weakly; I felt weakly; I knew weakly all its joys and all the fullness that it had to offer.  I needed someone who would help me see; someone who could point the path ahead; someone who could give the meaning and the wealth to all that would come by.  I needed someone special I could hold who would hold on to me; whose feet would walk my path.  I needed someone who could share my heart and know my God and take my life upon her to share it well beyond the edge of time, who would share it well beyond the gates of forever; straight into the everlasting, loving mind of God.               “That one is you.  Without knowing your name, I have loved you all my life.  In all my blindness born of hurt and rage, it was you and you alone I sought.  It was my God who pointed me to you…to you and you alone…               “You are my wife; you are my friend; you are my love…

If there are differences and divisions, let them be healed by counsel, by careful words of loving confrontation that bring repentance in the heart. May none of God’s people have to know what it is like to have someone they worship with turn on them with wounding words. If you have a complaint against anyone, you must, for the sake of your soul and the sake of gospel unity and the sake of Christ, go to them. May there be no gossip, no hidden anger or bitterness. “May our lives be all covered with that harvest of righteousness that Jesus Christ produces to the glory of God.” (Philippians 1:11) (Moffatt 1922).

The Law of the Lord is a love story.

Historically, God deals with those he loves by breaking them.

I always encourage the students to address their employer’s self-love and not just their humanity—to come up with some reason XYZ will benefit from hiring them. How would your skills serve the goals of XYZ? Do you have any idea what those goals are? The idea that other people care about themselves is generally a good thing to remember if you want them to do something for you in return. But

Sometimes this is the artist’s work—to stand and knock on the door of glory and, whenever possible, siphon little wisps of smoke from those places where we catch a glimpse of the light so that others might see and believe. What can we show each other of glory anyway except light in shadow? What glory can anyone see in any of us except for wisps of smoke, traces of the great burning fire? And is that not enough for now—to show enough to prove there’s more?

It’s no secret that I love books. I love stories about people I don’t know, and places I haven’t been to. I’ve lived a thousand lives between a thousand pages, but no story, no life, no page has ever made me as happy as you do, Russ Callaghan.

If everything falls apart because I rocked the boat, who’s going to notice if I fall overboard? Who’s there if I sink?” “I notice everything you do, Halle. And I bet I could sail a boat if I tried.” “You do say you’re good at everything.” “And Russ is too responsible to let anyone not wear a life jacket. Aurora probably has enough money to buy the Coast Guard. The guys trained to be lifeguards in high school to meet girls. Robbie would love bossing people around. You’re not sinking, Cap. I’m not letting you.

I believe that prayer focuses our human thoughts and energies, sends them to the people we’re praying for. I believe that helps, in ways we can’t yet understand.” Harlene looked surprised. She had probably expected a quick yes. Followed by an exhortation to the Almighty to keep everyone safe. “I believe that God hears our prayers, and cherishes them. I believe He answers by sending us His spirit, giving us strength, and peace, and insight. I don’t think He responds by turning away bullets and curing cancer. Though sometimes that does happen.” Harlene frowned. “In other words, sometimes, the answer is no?” “No. Sometimes the answer is ‘This is life, in all its variety. Make your way through it with grace, and never forget that I love you.

We shouldn’t,” he whispers. “We definitely shouldn’t,” I whisper back. “But if you happen to want to, then just know I can be super quiet.” Russ’s laugh is low and husky, dirtier than normal, and I start to throb. That’s there I am at: throbbing at dirty laughs. “You’re so smart,” he teases, and I swear this man is trying to end me. “But I love it when you’re loud.

But Russ looks at you the way my dad looks at my papa when he isn’t looking, so I think he might love you.

It’s no secret that I love books. I love stories about people I don’t know, and places I haven’t been to. I’ve lived a thousand lives between a thousand pages, but no story, no life, no page has ever made me as happy as you do, Russ Callaghan. Before I met you, I hadn’t considered what my happy ending might look like. I wasn’t sure I’d get one. You’re my happy ending, Russ. I fell in love with you in Meadow Springs, and watching you help build our life here has made me fall in love with you a million more times. Thank you for giving me a life that feels too good to be true. Thank you for letting me being home animals even when you say no. Thank you for letting me live my dreams every day.

Henri Nouwen wrote in The Return of the Prodigal Son, “Our brokenness has no other beauty but the beauty that comes from the compassion that surrounds it.

Within the Bible, nothing is of more importance than love. We are told the astonishing and beautiful truth: “God is Love.” We are assured that “Love conquers all.” It is love that brings you here today in the union of two hearts and spirits. As your lives interweave as one, remember that it was love that brought you here today, it is love that will make this a glorious union, and it is love, which will cause this union to endure. “Marriage is the most important of all earthly relationships. It should be entered into reverently, thoughtfully, and with a full understanding of its sacred nature. Your marriage must stand by the strength of your love and the power of faith in each other and in God. Just as two threads woven in opposite directions form a beautiful tapestry, so too, will your two lives, when merged, make a beautiful marriage.

I’m on fire and I love it. For Russ, I can’t help but burn.

crickets singing for love before the frosts came and mowed them all down.

Sometimes the answer is ‘This is life, in all its variety. Make your way through it with grace, and never forget that I love you.

the greatest thing a human soul ever does in this world is to see something and tell what it saw in a plain way . . . To see clearly is poetry, prophecy, and religion—all in one.”14

we will experience wonderful feelings such as love and joy. But sooner or later, in even the best relationships, we will experience conflict, disappointment, and frustration. (There is no such thing as the perfect relationship.)

The more we engage with beauty, the more we train our hearts to anticipate finding beauty, until eventually, everywhere we go, we're looking for it.

So many things in our world are beautiful but didn't need to be. God chose to make them that way so he might arrest his people by their senses to awaken us from the slumbering economy of pragmatism. That awakening is a vital function of beauty.

Eve did not solve the problem of Adam's limitations. God didn't put the man to sleep and graft into him the rest of what he lacked. Instead, God took something out of the man and made a partner to come alongside, helpful but distinct.