β
He can run faster than Severus Snape confronted with shampoo.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
Death's got an Invisibility Cloak?" Harry interrupted again.
"So he can sneak up on people," said Ron. "Sometimes he gets bored of running at them, flapping his arms and shrieking...
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
Pain is inevitable. Suffering is optional.
β
β
Haruki Murakami (What I Talk About When I Talk About Running)
β
Reading is one form of escape. Running for your life is another.
β
β
Lemony Snicket
β
If you can't fly then run, if you can't run then walk, if you can't walk then crawl, but whatever you do you have to keep moving forward.
β
β
Martin Luther King Jr.
β
Dwell on the beauty of life. Watch the stars, and see yourself running with them.
β
β
Marcus Aurelius (Meditations)
β
Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.
β
β
Carlos Ruiz ZafΓ³n (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
β
Even if you are on the right track, youβll get run over if you just sit there.
β
β
Will Rogers
β
Lighthouses donβt go running all over an island looking for boats to save; they just stand there shining.
β
β
Anne Lamott
β
Still round the corner there may wait
A new road or a secret gate
And though I oft have passed them by
A day will come at last when I
Shall take the hidden paths that run
West of the Moon, East of the Sun.
β
β
J.R.R. Tolkien
β
Don't order any of the faerie food," said Jace, looking at her over the top of his menu. "It tends to make humans a little crazy. One minute you're munching a faerie plum, the next minute you're running naked down Madison Avenue with antlers on your head. Not," he added hastily, "that this has ever happened to me.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy...
β
β
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
β
A small but noteworthy note. I've seen so many young men over the years who think they're running at other young men. They are not. They are running at me.
β
β
Markus Zusak (The Book Thief)
β
There is more than one way to burn a book. And the world is full of people running about with lit matches.
β
β
Ray Bradbury
β
I like too many things and get all confused and hung-up running from one falling star to another till i drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion.
β
β
Jack Kerouac
β
Think you're escaping and run into yourself. Longest way round is the shortest way home.
β
β
James Joyce (Ulysses)
β
See, the problem is that God gives men a brain and a penis, and only enough blood to run one at a time.
β
β
Robin Williams
β
For attractive lips, speak words of kindness.
For lovely eyes, seek out the good in people.
For a slim figure, share your food with the hungry.
For beautiful hair, let a child run his fingers through it once a day.
For poise, walk with the knowledge youβll never walk alone.
...
We leave you a tradition with a future.
The tender loving care of human beings will never become obsolete.
People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed.
Never throw out anybody.
Remember, if you ever need a helping hand, youβll find one at the end of your arm.
As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others.
Your βgood old daysβ are still ahead of you, may you have many of them.
β
β
Sam Levenson (In One Era & Out the Other)
β
Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.
β
β
Donna Tartt (The Secret History)
β
At some point, you have to stop running and turn around and face whoever wants you dead.The hard thing is finding the courage to do it.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Because this is what happens when you try to run from the past. It just doesnβt catch up, it overtakes β¦ blotting out the future.
β
β
Sarah Dessen (Just Listen)
β
If you ever meet the man who could take advantage of Isabelle, youβll have to let me know. Iβd like to shake his hand. Or run away from him very fast, Iβm not sure which.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
You do not know how fast you have been running, how hard you have been working, how truly exhausted you are, until somewhat stands behind you and says, βItβs OK, you can fall down now. Iβll catch you.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
I'm lonely. And I'm lonely in some horribly deep way and for a flash of an instant, I can see just how lonely, and how deep this feeling runs. And it scares the shit out of me to be this lonely because it seems catastrophic.
β
β
Augusten Burroughs (Dry)
β
Spoon feeding in the long run teaches us nothing but the shape of the spoon.
β
β
E.M. Forster
β
I remembered the fox. One runs the risk of crying a bit if one allows oneself to be tamed.
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
And therein lies the whole of man's plight. Human time does not turn in a circle; it runs ahead in a straight line. That is why man cannot be happy: happiness is the longing for repetition.
β
β
Milan Kundera (The Unbearable Lightness of Being)
β
I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
True terror is to wake up one morning and discover that your high school class is running the country.
β
β
Kurt Vonnegut Jr.
β
For he would be thinking of love
Till the stars had run away
And the shadows eaten the moon.
β
β
W.B. Yeats (Selected Poems and Four Plays)
β
I have something I need to tell you," he says. I run my fingers along the tendons in his hands and look back at him. "I might be in love with you." He smiles a little. "I'm waiting until I'm sure to tell you, though."
"That's sensible of you," I say, smiling too. "We should find some paper so you can make a list or a chart or something."
I feel his laughter against my side, his nose sliding along my jaw, his lips pressing my ear.
"Maybe I'm already sure," he says, "and I just don't want to frighten you."
I laugh a little. "Then you should know better."
"Fine," he says. "Then I love you.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
It is an ironic habit of human beings to run faster when they have lost their way.
β
β
Rollo May
β
Demons run when a good man goes to war
Night will fall and drown the sun
When a good man goes to war
Friendship dies and true love lies
Night will fall and the dark will rise
When a good man goes to war
Demons run, but count the cost
The battle's won, but the child is lost
β
β
Steven Moffat
β
Imagine yourself as a living house. God comes in to rebuild that house. At first, perhaps, you can understand what He is doing. He is getting the drains right and stopping the leaks in the roof and so on; you knew that those jobs needed doing and so you are not surprised. But presently He starts knocking the house about in a way that hurts abominably and does not seem to make any sense. What on earth is He up to? The explanation is that He is building quite a different house from the one you thought of - throwing out a new wing here, putting on an extra floor there, running up towers, making courtyards. You thought you were being made into a decent little cottage: but He is building a palace. He intends to come and live in it Himself.
β
β
C.S. Lewis (Mere Christianity)
β
If a girl starts out all casual with a guy and she doesn't tell him that she wants a relationship, it will never become a relationship. If you give the guy the impression that casual is okay with you, that's all he'll ever want. Be straight with him from the start. If he gets scared and runs away, he wasn't right for you.
β
β
Susane Colasanti (Waiting for You)
β
The course of true love never did run smooth; But, either it was different in blood,
O cross! too high to be enthrallβd to low.
Or else misgraffed in respect of years,
O spite! too old to be engagβd to young.
Or else it stood upon the choice of friends,
O hell! to choose love by anotherβs eye.
β
β
William Shakespeare (A Midsummer Nightβs Dream)
β
Once I pulled a job, I was so stupid. I picked a guy's pocket on an airplane and made a run for it.
β
β
Rodney Dangerfield
β
Sometimes reality comes crashing down on you. Other times reality simply waits, patiently, for you to run out of the energy it takes to deny it.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
Whatβs going on?β he demanded.
βThe usual, old man,β I replied cheerily. βDanger, insane plans... you know, the stuff that runs in our family.
β
β
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
β
As mothers and daughters, we are connected with one another. My mother is the bones of my spine, keeping me straight and true. She is my blood, making sure it runs rich and strong. She is the beating of my heart. I cannot now imagine a life without her.
β
β
Kristin Hannah (Summer Island)
β
Sometimes I wonder whether the world is being run by smart people who are putting us on or by imbeciles who really mean it.
β
β
Laurence J. Peter (The Peter Principle)
β
Be you writer or reader, it is very pleasant to run away in a book.
β
β
Jean Craighead George (My Side of the Mountain (Mountain, #1))
β
We could do it, you know."
"What?"
"Leave the district. Run off. Live in the woods. You and I, we could make it.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Home's where you go when you run out of homes.
β
β
John le CarrΓ© (The Honourable Schoolboy (George Smiley, #6; Karla Trilogy, #2))
β
We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over.
β
β
Ray Bradbury (Fahrenheit 451)
β
In the long run, the sharpest weapon of all is a kind and gentle spirit.
β
β
Anne Frank (The Diary of Anne Frank)
β
How wrong to have been so negative, how wrong to have been so gloomy, how wrong to have run away from life, how wrong to have said no, again and again, instead of yes.
β
β
Jonathan Franzen
β
The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.
β
β
Ray Bradbury (Fahrenheit 451)
β
Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it's a bit of a shock and takes me a while to adjust.
β
β
Kazuo Ishiguro (Never Let Me Go)
β
The most important thing we learn at school is the fact that the most important things can't be learned at school.
β
β
Haruki Murakami (What I Talk About When I Talk About Running)
β
If you run from me, I will chase you, and I'll find you....
β
β
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
β
I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peetaβs eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock.
βLet me go!β I snarl at him, trying to wrest my arm from his grasp.
βI canβt,β he says.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Too bad that all the people who know how to run the country are busy driving taxicabs and cutting hair.
β
β
George Burns
β
Sometimes we have thoughts that even we don't understand. Thoughts that aren't even trueβthat aren't really how we feelβbut they're running through our heads anyway because they're interesting to think about.
β
β
Jay Asher (Thirteen Reasons Why)
β
He had noticed that events were cowards: they didn't occur singly, but instead they would run in packs and leap out at him all at once.
β
β
Neil Gaiman (Neverwhere (London Below, #1))
β
We have an unknown distance yet to run, an unknown river to explore.
β
β
John Powell SJ
β
When in danger or in doubt, run in circles, scream and shout.
β
β
Herman Wouk
β
Weβre all seeking that special person who is right for us. But if youβve been through enough relationships, you begin to suspect thereβs no right person, just different flavors of wrong. Why is this? Because you yourself are wrong in some way, and you seek out partners who are wrong in some complementary way. But it takes a lot of living to grow fully into your own wrongness. And it isnβt until you finally run up against your deepest demons, your unsolvable problemsβthe ones that make you truly who you areβthat weβre ready to find a lifelong mate. Only then do you finally know what youβre looking for. Youβre looking for the wrong person. But not just any wrong person: it's got to be the right wrong personβsomeone you lovingly gaze upon and think, βThis is the problem I want to have.β
I will find that special person who is wrong for me in just the right way.
β
β
Andrew Boyd (Daily Afflictions: The Agony of Being Connected to Everything in the Universe)
β
Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.
β
β
J.D. Salinger
β
Be like the sun for grace and mercy. Be like the night to cover others' faults. Be like running water for generosity. Be like death for rage and anger. Be like the Earth for modesty. Appear as you are. Be as you appear.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
What I said yesterday didn't mean anything! I love everyone in the flock! Plus, it was the Valium talking!"
"Uh-huh. You just keep telling yourself that. You looove me."
Max: (tries to punch him)
"Pick a tree. I'll go carve our initials in it."
Max: (screams and runs into bathroom)
β
β
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
β
FEAR stands for fuck everything and run.
β
β
Stephen King (Doctor Sleep (The Shining, #2))
β
Facts are like cows. If you look them in the face long enough, they generally run away.
β
β
Dorothy L. Sayers
β
Itβs probably not just by chance that Iβm alone. It would be very hard for a man to live with me, unless heβs terribly strong. And if heβs stronger than I, Iβm the one who canβt live with him. β¦ Iβm neither smart nor stupid, but I donβt think Iβm a run-of-the-mill person. Iβve been in business without being a businesswoman, Iβve loved without being a woman made only for love. The two men Iβve loved, I think, will remember me, on earth or in heaven, because men always remember a woman who caused them concern and uneasiness. Iβve done my best, in regard to people and to life, without precepts, but with a taste for justice.
β
β
Coco Chanel
β
And I can't be running back and fourth forever between grief and high delight.
β
β
J.D. Salinger (Franny and Zooey)
β
It's a rare person to face who they are and not run from it - not be broken by it.
β
β
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
β
We cannot live only for ourselves. A thousand fibers connect us with our fellow men; and among those fibers, as sympathetic threads, our actions run as causes, and they come back to us as effects.
β
β
Herman Melville
β
i felt her absence. it was like waking up one day with no teeth in your mouth. you wouldn't need to run to the mirror to know they were gone
β
β
James Dashner (The Scorch Trials (The Maze Runner, #2))
β
My dear, here we must run as fast as we can, just to stay in place. And if you wish to go anywhere you must run twice as fast as that.
β
β
Lewis Carroll (Alice in Wonderland)
β
No one can be independent of other people completely, so why not give up the attempt, she thought, go running in the other direction, depend on people for everything, allow them to depend on you, why not.
β
β
Sally Rooney (Normal People)
β
Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.
β
β
Margaret Atwood (The Robber Bride)
β
Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joyβthe experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.
β
β
BrenΓ© Brown
β
Faeries, come take me out of this dull world,
For I would ride with you upon the wind,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.
β
β
W.B. Yeats (The Land of Heart's Desire)
β
There are three questions every woman should be able to answer yes to before they commit to a man. If you answer no to any of the three questions, run like hell."
[...]
"Does he treat you with respect at all times? That's the first question. The second question is, if he is the exact same person twenty years from now that he is today, would you still want to marry him? And finally, does he inspire to be a better person? You find someone you can answer yes to all three, then you've found a good man.
β
β
Colleen Hoover (Slammed (Slammed, #1))
β
Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
I am haunted by waters.
β
β
Norman Maclean (A River Runs Through It and Other Stories)
β
Never knock on death's door. Ring the doorbell then run. He totally hates that.
- T-shirt
β
β
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
β
I will never look at you in the same way ever again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.
β
β
Jenny Han (It's Not Summer Without You (Summer, #2))
β
The cost of a thing is the amount of what I will call life which is required to be exchanged for it, immediately or in the long run.
β
β
Henry David Thoreau (Walden or, Life in the Woods)
β
Nothing whets the intelligence more than a passionate suspicion, nothing develops all the faculties of an immature mind more than a trail running away into the dark.
β
β
Stefan Zweig (The Burning Secret and other stories)
β
Sometimes truths are what we run from, and sometimes they are what we seek.
β
β
R.D. Ronald (The Elephant Tree)
β
Someday, weβll run into each other again, I know it.
Maybe Iβll be older and smarter and just plain better. If that happens,
thatβs when Iβll deserve you. But now, at this moment, you canβt hook
your boat to mine, because Iβm liable to sink us both.
β
β
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
β
I'm not choosing, but I'm running out of fight.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
Stay mad, but behave like normal people. Run the risk of being different, but learn to do so without attracting attention.
β
β
Paulo Coelho
β
Know thyself? If I knew myself, I'd run away.
β
β
Johann Wolfgang von Goethe
β
Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.
β
β
Hunter S. Thompson
β
The past can hurt. But the way I see it, you can either run from it, or learn from it.
β
β
Walt Disney Company
β
Every strike brings me closer to the next home run.
β
β
Babe Ruth
β
So the fact that Iβm me and no one else is one of my greatest assets. Emotional hurt is the price a person has to pay in order to be independent.
β
β
Haruki Murakami (What I Talk About When I Talk About Running)
β
In the long run, we shape our lives, and we shape ourselves. The process never ends until we die. And the choices we make are ultimately our own responsibility.
β
β
Eleanor Roosevelt
β
The problem with socialism is that you eventually run out of other people's money.
β
β
Margaret Thatcher
β
But if these years have taught me anything it is this: you can never run away. Not ever. The only way out is in.
β
β
Junot DΓaz (The Brief Wondrous Life of Oscar Wao)
β
Just follow me and run like your life depends on it. Because it does.
β
β
James Dashner (The Maze Runner (The Maze Runner, #1))
β
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen.
β
β
Virginia Woolf (Orlando)
β
Wisely and slow; they stumble that run fast.
β
β
William Shakespeare (Romeo and Juliet)
β
I seem to have run in a great circle, and met myself again on the starting line.
β
β
Jeanette Winterson (Oranges Are Not the Only Fruit)
β
Run mad as often as you choose, but do not faint!
β
β
Jane Austen (Love and Freindship (and Other Early Works))
β
My heart has joined the Thousand, for my friend stopped running today.
β
β
Richard Adams (Watership Down (Watership Down, #1))
β
The best way is not to fight it, just go. Don't be trying all the time to fix things. What you run from only stays with you longer. When you fight something, you only make it stronger.
β
β
Chuck Palahniuk (Invisible Monsters)
β
That is the fear: I have lost something important, and I cannot find it, and I need it. It is fear like if someone lost his glasses and went to the glasses store and they told him that the world had run out of glasses and he would just have to do without.
β
β
John Green (Looking for Alaska)
β
When I am attacked by gloomy thoughts, nothing helps me so much as running to my books. They quickly absorb me and banish the clouds from my mind.
β
β
Michel de Montaigne (Les Essais)
β
Sometimes writing is running downhill, your fingers jerking behind you on the keyboard the way your legs do when they canβt quite keep up with gravity.
β
β
Rainbow Rowell (Fangirl)
β
The entire universe has been neatly divided into things to (a) mate with, (b) eat, (c) run away from, and (d) rocks.
β
β
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
β
Maybe some women aren't meant to be tamed. Maybe they just need to run free until they find someone just as wild to run with them.
-Carrie Bradshaw
β
β
Candace Bushnell
β
Don't aim at success. The more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side effect of one's personal dedication to a cause greater than oneself or as the by-product of one's surrender to a person other than oneself. Happiness must happen, and the same holds for success: you have to let it happen by not caring about it. I want you to listen to what your conscience commands you to do and go on to carry it out to the best of your knowledge. Then you will live to see that in the long-runβin the long-run, I say!βsuccess will follow you precisely because you had forgotten to think about it
β
β
Viktor E. Frankl (Man's Search for Meaning)
β
She cast her fragrance and her radiance over me. I ought never to have run away from her... I ought to have guessed all the affection that lay behind her poor little stratagems. Flowers are so inconsistent! But I was too young to know how to love her...
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
Our life is made up of time; our days are measured in hours, our pay measured by those hours, our knowledge is measured by years. We grab a few quick minutes in our busy day to have a coffee break. We rush back to our desks, we watch the clock, we live by appointments. And yet your time eventually runs out and you wonder in your heart of hearts if those seconds, minutes, hours, days, weeks, months, years and decades were being spent the best way they possibly could. In other words, if you could change anything, would you?
β
β
Cecelia Ahern (Love, Rosie)
β
What don't kill me...
Had better start running!
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
He who would learn to fly one day must first learn to walk and run and climb and dance; one cannot fly into flying.
β
β
Friedrich Nietzsche
β
Donβt leave me,β he whispers.
βOh, for crying out loudβno! I am not going to go!β I shout and itβs cathartic. There, Iβve said it. I am not leaving.
βReally?β His eyes widen.
βWhat can I do to make you understand I will not run? What can I say?β
He gazes at me, revealing his fear and anguish again. He swallows. βThere is one thing you can do.β
βWhat?β I snap.
βMarry me,β he whispers.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Sometimes people run⦠to see if you'll come after them
β
β
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
β
Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving, and the rest he keeps for himself.
β
β
George Orwell (Animal Farm)
β
Β βI am running back my tent to get my sub-machinegun. There are too many Noggies to kill using a pistol!β He then ran to where his scrape was and returned with the weapon.
β
β
Michael G. Kramer
β
Run from what's comfortable. Forget safety. Live where you fear to live. Destroy your reputation. Be notorious. I have tried prudent planning long enough. From now on I'll be mad.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
They say a good love is one that sits you down, gives you a drink of water, and pats you on top of the head. But I say a good love is one that casts you into the wind, sets you ablaze, makes you burn through the skies and ignite the night like a phoenix; the kind that cuts you loose like a wildfire and you can't stop running simply because you keep on burning everything that you touch! I say that's a good love; one that burns and flies, and you run with it!
β
β
C. JoyBell C.
β
Part of me wanted to run away from him screaming, Fire! A more reckless part was tempted to see how close I could get without... combusting.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
It is worse to stay where one does not belong at all than to wander about lost for a while and looking for the psychic and soulful kinship one requires
β
β
Clarissa Pinkola EstΓ©s (Women Who Run With the Wolves)
β
It is easy to mourn the lives we aren't living. Easy to wish we'd developed other other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga.
It takes no effort to miss the friends we didn't make and the work we didn't do the people we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out.
But it is not lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy.
We can't tell if any of those other versions would of been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on.
β
β
Matt Haig (The Midnight Library (The Midnight World, #1))
β
A good snapshot keeps a moment from running away.
β
β
Eudora Welty
β
people run from rain but
sit
in bathtubs full of
water.
β
β
Charles Bukowski (The Roominghouse Madrigals: Early Selected Poems, 1946-1966)
β
...Next time you're faced with a choice, do the right thing. It hurts everyone less in the long run.
β
β
Wendelin Van Draanen (Flipped)
β
Take it from me: If you hear the past speaking to you, feel it tugging up your back and runing its fingers up your spine, the best thing to do-the only thing-is run.
β
β
Lauren Oliver (Delirium (Delirium, #1))
β
And now I know why they invented words for love, why they had to: It's the only thing that can come close to describing what I feel in that moment, the baffling mixture of pain and pleasure and fear and joy, all running sharply through me at once.
β
β
Lauren Oliver (Delirium (Delirium, #1))
β
We ruined each other by being together. We destroyed each otherβs dreams.
β
β
Kate Chisman (Run)
β
Finnick!" Something between a shriek and a cry of joy. A lovely if somewhat bedraggled young woman--dark tangled hair, sea green eyes--runs toward us in nothing but a sheet. "Finnick!" And suddenly, it's as if there's no one in the world but these two, crashing through space to reach each other. They collide, enfold, lose their balance, and slam against a wall, where they stay. Clinging into one being. Indivisible.
A pang of jealousy hits me. Not for either Finnick or Annie but for their certainty. No one seeing them could doubt their love.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Maybe it meant something. Maybe not, in the long run, but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
You call yourself a free spirit, a "wild thing," and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself.
β
β
Truman Capote (Breakfast at Tiffanyβs and Three Stories)
β
You deserve every star in the galaxy laid out at your feet and a thousand diamonds in your hair. You deserve someone who'll run with you as far and as fast as you want to. Holding your hand, not holding you back.
β
β
Jay Kristoff (Illuminae (The Illuminae Files, #1))
β
The only thing more unthinkable than leaving was staying; the only thing more impossible than staying was leaving. I didn't want to destroy anything or anybody. I just wanted to slip quietly out the back door, without causing any fuss or consequences, and then not stop running until I reached Greenland.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Soon, the whole world would be searching for her--Linh Cinder.
A deformed cyborg with a missing foot.
A Lunar with a stolen identity.
A mechanic with no one to run to, nowhere to go.
But they will be looking for a ghost.
β
β
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
β
It was like when you're a little kid and you run into your teacher or librarian at the grocery store or Wal-mart and it's just so startling, because it never occurred to you they existed outside of school.
β
β
Sarah Dessen (Just Listen)
β
If you saw Atlas, the giant who holds the world on his shoulders, if you saw that he stood, blood running down his chest, his knees buckling, his arms trembling but still trying to hold the world aloft with the last of his strength, and the greater his effort the heavier the world bore down upon his shoulders - What would you tell him?"
Iβ¦don't know. Whatβ¦could he do? What would you tell him?"
To shrug.
β
β
Ayn Rand (Atlas Shrugged)
β
But if I'm it, the last of my kind, the last page of human history, like hell I'm going to let the story end this way. I may be the last one, but I am the one still standing. I am the one turning to face the faceless hunter in the woods on an abandoned highway. I am the one not running but facing. Because if I am the last one, then I am humanity. And if this is humanity's last war, then I am the battlefield.
β
β
Rick Yancey (The 5th Wave (The 5th Wave, #1))
β
I don't get it,' Caroline said, bemused. 'She's the only one with wings. Why is that?'
There were so many questions in life. You couldn't ever have all the answers. But I knew this one.
It's so she can fly,' I said. Then I started to run.
β
β
Sarah Dessen (The Truth About Forever)
β
You've got this life and while you've got it, you'd better kiss like you only have one moment, try to hold someone's hand like you will never get another chance to, look into people's eyes like they're the last you'll ever see, watch someone sleeping like there's no time left, jump if you feel like jumping, run if you feel like running, play music in your head when there is none, and eat cake like it's the only one left in the world!
β
β
C. JoyBell C.
β
Try to imagine a life without timekeeping. You probably canβt. You know the month, the year, the day of the week. There is a clock on your wall or the dashboard of your car. You have a schedule, a calendar, a time for dinner or a movie. Yet all around you, timekeeping is ignored. Birds are not late. A dog does not check its watch. Deer do not fret over passing birthdays. an alone measures time. Man alone chimes the hour. And, because of this, man alone suffers a paralyzing fear that no other creature endures. A fear of time running out.
β
β
Mitch Albom (The Time Keeper)
β
Pain is inevitable. Suffering is optional. Say youβre running and you think, βMan, this hurts, I canβt take it anymore. The βhurtβ part is an unavoidable reality, but whether or not you can stand anymore is up to the runner himself.
β
β
Haruki Murakami (What I Talk About When I Talk About Running)
β
Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life, and it is the main obstacle between you and a shitty first draft. I think perfectionism is based on the obsessive belief that if you run carefully enough, hitting each stepping-stone just right, you won't have to die. The truth is that you will die anyway and that a lot of people who aren't even looking at their feet are going to do a whole lot better than you, and have a lot more fun while they're doing it.
β
β
Anne Lamott (Bird by Bird)
β
I run for I don't know how long. Hours, maybe, or days. Alex told me to run. So I run. You have to understand. I am no one special. I am just a single girl. I am five feet two inches tall and I am in-between in every way. But I have a secret. You can build walls all the way to the sky and I will find a way to fly above them. You can try to pin me down with a hundred thousand arms, but I will find a way to resist. And there are many of us out there, more than you think. People who refuse to stop believing. People who refuse to come to earth. People who love in a world without walls, people who love into hate, into refusal, against hope,and without fear. I love you. Remember. They cannot take it.
β
β
Lauren Oliver (Delirium (Delirium, #1))
β
Laugh, even when you feel too sick or too worn out or tired.
Smile, even when you're trying not to cry and the tears are blurring your vision.
Sing, even when people stare at you and tell you your voice is crappy.
Trust, even when your heart begs you not to.
Twirl, even when your mind makes no sense of what you see.
Frolick, even when you are made fun of. Kiss, even when others are watching. Sleep, even when you're afraid of what the dreams might bring.
Run, even when it feels like you can't run any more.
And, always, remember, even when the memories pinch your heart. Because the pain of all your experience is what makes you the person you are now. And without your experience---you are an empty page, a blank notebook, a missing lyric. What makes you brave is your willingness to live through your terrible life and hold your head up high the next day. So don't live life in fear. Because you are stronger now, after all the crap has happened, than you ever were back before it started.
β
β
Alysha Speer
β
But kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, like an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head.
β
β
Holly Black (The Cruel Prince (The Folk of the Air, #1))
β
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning-- So we beat on, boats against the current, borne back ceaselessly into the past.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
In those days, I didn't understand anything. I should have judged her according to her actions, not her words. She perfumed my planet and lit up my life. I should never have run away! I ought to have realized the tenderness underlying her silly pretensions. Flowers are so contradictory! But I was too young to know how to love her.
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
Harry looked around; there was Ginny running toward him; she had a hard blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments, or it might have been half an hour-or possibly several sunlit days- they broke apart.
β
β
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β
Want to play baseball?ββ she asked. Shaneβs eyes opened, and he stopped stroking her hair. βWhat?ββ βFirst base,ββ she said. βYouβre already there.ββ βIβm not running the bases.ββ βWell, you could at least steal second.ββ βJeez, Claire. I used to distract myself with sports stats at times like these, but now youβve gone and ruined it.
β
β
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
β
Here's what I think, Mr. Wind-Up Bird," said May Kasahara. "Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person. But I can't seem to do it. They just don't get it. Of course, the problem could be that I'm not explaining it very well, but I think it's because they're not listening very well. They pretend to be listening, but they're not, really. So I get worked up sometimes, and I do some crazy things.
β
β
Haruki Murakami (The Wind-Up Bird Chronicle)
β
Every morning in Africa, a gazelle wakes up, it knows it must outrun the fastest lion or it will be killed. Every morning in Africa, a lion wakes up. It knows it must run faster than the slowest gazelle, or it will starve. It doesn't matter whether you're the lion or a gazelle-when the sun comes up, you'd better be running.
β
β
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
β
How I go to the wood
Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.
I donβt really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love
you very much.
β
β
Mary Oliver (Swan: Poems and Prose Poems)
β
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
β
β
Cormac McCarthy (The Road)
β
The best way to measure how much you've grown isn't by inches or the number of laps you can now run around the track, or even your grade point average-- though those things are important, to be sure. It's what you've done with your time, how you've chosen to spend your days, and whom you've touched this year. That, to me, is the greatest measure of success.
β
β
R.J. Palacio (Wonder (Wonder, #1))
β
We'd start slow, the way we always did, because the run, and the game, could go on for awhile. Maybe even forever.
That was the thing. You just never knew. Forever was so many different things. It was always changing, it was what everything was really all about. It was twenty minutes, or a hundred years, or just this instant, or any instant I wished would last and last. But there was only one truth about forever that really mattered, and that was this: it was happening. Right then, as I ran with Wes into that bright sun, and every moment afterwards. Look, there. Now. Now. Now.
β
β
Sarah Dessen (The Truth About Forever)
β
You could run from someone you feared, you could try to fight someone you hated. All my reactions were geared toward those kinds of killers β the monsters, the enemies. When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give your beloved, how could you not give it? If it was someone you truly loved?
β
β
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
β
This evening I spied her in the back orchard. I decided to sacrifice one of my better old shirts and carried it out to her. The weatherβs been warm of late. Buds on the apple trees are ready to burst. Usually by this time of the year, at that time of day, the back orchard is full of screaming children. Damutβs boys were the only two. They were on the terrace below her, running through the slanted sunlight, chasing each other around tree trunks. She stood above them, like a merlin watching rabbits play.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
The bridge will only take you halfway there, to those mysterious lands you long to see. Through gypsy camps and swirling Arab fair, and moonlit woods where unicorns run free. So come and walk awhile with me and share the twisting trails and wondrous worlds I've known. But this bridge will only take you halfway there. The last few steps you have to take alone.
β
β
Shel Silverstein
β
What's that?" he snarled, staring at the envelope Harry was still clutching in his hand. "If it's another form for me to sign, you've got another -"
"It's not," said Harry cheerfully. "It's a letter from my godfather."
"Godfather?" sputtered Uncle Vernon. "You haven't got a godfather!"
"Yes, I have," said Harry brightly. "He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy....
β
β
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
β
And as I sat there brooding on the old, unknown world, I thought of Gatsbyβs wonder when he first picked out the green light at the end of Daisyβs dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matterβto-morrow we will run faster, stretch out our arms farther. . . . And one fine morningββ
So we beat on, boats against the current, borne back ceaselessly into the past.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
Nobody will protect you from your suffering. You can't cry it away or eat it away or starve it away or walk it away or punch it away or even therapy it away. It's just there, and you have to survive it. You have to endure it. You have to live through it and love it and move on and be better for it and run as far as you can in the direction of your best and happiest dreams across the bridge that was built by your own desire to heal.
β
β
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
β
Life moves on, whether we act as cowards or heroes. Life has no other discipline to impose, if we would but realize it, than to accept life unquestioningly. Everything we shut our eyes to, everything we run away from, everything we deny, denigrate or despise, serves to defeat us in the end. What seems nasty, painful, evil, can become a source of beauty, joy, and strength, if faced with an open mind. Every moment is a golden one for him who has the vision to recognize it as such
β
β
Henry Miller
β
He grinned. It was a wicked grin, the kind that made the blood in Clary's veins run a little faster. "You want to go on a date?"
Caught off guard, she stammered. "A wh-what?"
"A date," Jace repeated. "Often 'a boring thing you have to memorize in history class,' but in this case, 'an offering of an evening of blisteringly white-hot romance with yours truly."
"Really?" Clary was not sure what to make of this. "Blisteringly white-hot?"
"It's me," said Jace. "Watching me play Scrabble is enough to make most women swoon. Imagine if I actually put in some effort.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
Cycles exist because they are excruciating to break. It takes an astronomical amount of pain and courage to disrupt a familiar pattern. Sometimes it seems easier to just keep running in the same familiar circles, rather than facing the fear of jumping and possibly not landing on your feet.
My mother went through it.
I went through it.
I'll be damned if I allow my daughter to go through it.
I kiss her on the forehead and make her a promise. "It stops here. With me and you. It ends with us.
β
β
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
β
One must always be careful of books,' said Tessa, 'and what is inside them, for words have the power to change us.'
'I'm not sure a book has ever changed me,' said Will. 'Well there is one volume that promises to teach one how to turn oneself into an entire flock of sheep-'
'Only the very weak minded refuse to be influenced by literature and poetry,' said Tessa, determined not to let him run wildly off with the conversation.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky."
"She's drunk," Joe Bell informed me.
"Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
β
β
Truman Capote (Breakfast at Tiffanyβs and Three Stories)
β
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
β
β
Rudyard Kipling (If: A Father's Advice to His Son)
β
you are a horse running alone
and he tries to tame you
compares you to an impossible highway
to a burning house
says you are blinding him
that he could never leave you
forget you
want anything but you
you dizzy him, you are unbearable
every woman before or after you
is doused in your name
you fill his mouth
his teeth ache with memory of taste
his body just a long shadow seeking yours
but you are always too intense
frightening in the way you want him
unashamed and sacrificial
he tells you that no man can live up to the one who
lives in your head
and you tried to change didn't you?
closed your mouth more
tried to be softer
prettier
less volatile, less awake
but even when sleeping you could feel
him travelling away from you in his dreams
so what did you want to do love
split his head open?
you can't make homes out of human beings
someone should have already told you that
and if he wants to leave
then let him leave
you are terrifying
and strange and beautiful
something not everyone knows how to love.
β
β
Warsan Shire
β
When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth......
But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed; For love is sufficient unto love. And think not you can direct the course of love, if it finds you worthy, directs your course. Love has no other desire but to fulfil itself."
But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
β
β
Kahlil Gibran (Le Prophète)
β
Hey, can I see that sword you were using?"
I showed him Riptide, and explained how it turned from a pen into a sword just by uncapping it.
"Cool! Does it ever run out of ink?"
"Um, well, I don't actually write with it."
"Are you really the son of Poseidon?"
"Well, yeah."
"Can you surf really well, then?"
I looked at Grover, who was trying hard not to laugh.
"Jeez, Nico," I said. "I've never really tried."
He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.)
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
I know exactly how that is. To love somebody who doesnβt deserve it. Because they are all you have. Because any attention is better than no attention. For exactly the same reason, it is sometimes satisfying to cut yourself and bleed. On those gray days where eight in the morning looks no different from noon and nothing has happened and nothing is going to happen and you are washing a glass in the sink and it breaks-accidentally-and punctures your skin. And then there is this shocking red, the brightest thing in the day, so vibrant it buzzes, this blood of yours. That is okay sometimes because at least you know youβre alive.
β
β
Augusten Burroughs (Running with Scissors)
β
Sensitive people are the most genuine and honest people you will ever meet. There is nothing they wonβt tell you about themselves if they trust your kindness. However, the moment you betray them, reject them or devalue them, they become the worse type of person. Unfortunately, they end up hurting themselves in the long run. They donβt want to hurt other people. It is against their very nature. They want to make amends and undo the wrong they did. Their life is a wave of highs and lows. They live with guilt and constant pain over unresolved situations and misunderstandings. They are tortured souls that are not able to live with hatred or being hated. This type of person needs the most love anyone can give them because their soul has been constantly bruised by others. However, despite the tragedy of what they have to go through in life, they remain the most compassionate people worth knowing, and the ones that often become activists for the broken hearted, forgotten and the misunderstood. They are angels with broken wings that only fly when loved.
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Shannon L. Alder
β
That taught us how to block a sword with two knives. But what if an ax man's coming at me?"
Gilan looked suspicious. "An ax man? I don't recommend trying to block an ax with two knives."
But Will wouldn't take no for an answer. "But what if he's charging at me?" Horace walked over.
Gilan looked away. "Uh...shoot him."
Horace intervened. "Can't, his bowstring's broken."
Gilan gritted his teeth. "Run and hide."
Will kept on him. "There's a sheer cliff behind me."
Horace caught on. "There's a sheer cliff behind him, and his bowstring's broken. What should he do?"
Gilan thought for a moment. "Jump off the cliff, it'll be less messy that way.
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John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
β
You can be just friends with people, you know," Orla said. "I think it's crazy how you're in love with all those raven boys."
Orla wasn't wrong, of course. But what she didn't realize about Blue and her boys was that they were all in love with one another. She was no less obsessed with them than they were with her, or one another, analyzing every conversation and gesture, drawing out every joke into a longer and longer running gag, spending each moment either with one another or thinking about when next they would be with one another. Blue was perfectly aware that it was possible to have a friendship that wasn't all-encompassing, that wasn't blinding, deafening, maddening, quickening. It was just that now that she'd had this kind, she didn't want the other.
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Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β
Sky, I'm not kissing you tonight but believe me when I tell you, I've never wanted to kiss a girl more. So stop thinking I'm not attracted to you because you have no idea just how much I am. You can hold my hand, you can run your fingers through my hair, you can straddle me while I feed you spaghetti, but you are not getting kissed tonight. And probably not tomorrow, either. I need this. I need to know for sure that you're feeling every single thing that I'm feeling the moment my lips touch yours. Because I want your first kiss to be the best first kiss in the history of first kisses.
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Colleen Hoover (Hopeless (Hopeless, #1))
β
Don't go far off, not even for a day,
because I don't know how to say it - a day is long
and I will be waiting for you, as in
an empty station when the trains are
parked off somewhere else, asleep.
Don't leave me, even for an hour, because then
the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.
Oh, may your silhouette never dissolve
on the beach, may your eyelids never flutter
into the empty distance. Don't LEAVE me for
a second, my dearest, because in that moment you'll
have gone so far I'll wander mazily
over all the earth, asking, will you
come back? Will you leave me here, dying?
β
β
Pablo Neruda
β
When God Created Mothers"
When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one."
And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands."
The angel shook her head slowly and said. "Six pairs of hands.... no way."
It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have."
That's on the standard model?" asked the angel. God nodded.
One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word."
God," said the angel touching his sleeve gently, "Get some rest tomorrow...."
I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower."
The angel circled the model of a mother very slowly. "It's too soft," she sighed.
But tough!" said God excitedly. "You can imagine what this mother can do or endure."
Can it think?"
Not only can it think, but it can reason and compromise," said the Creator.
Finally, the angel bent over and ran her finger across the cheek.
There's a leak," she pronounced. "I told You that You were trying to put too much into this model."
It's not a leak," said the Lord, "It's a tear."
What's it for?"
It's for joy, sadness, disappointment, pain, loneliness, and pride."
You are a genius, " said the angel.
Somberly, God said, "I didn't put it there.
β
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Erma Bombeck (When God Created Mothers)
β
Q: You'er presented with a smooth-faced, eight-foot-high wooden wall. Your objective? Get over it. To, like, save comrades or something. How to accomplish this?
A: Take a running start, brace one foot against the wall, throw one hand to the top, try to hang on long enough for a comrade to either grab your hand at the top or for another comrade to push your butt up from below. It takes team work!
BKA (bird kid answer): Or you could just, like, fly over it.
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James Patterson (Max (Maximum Ride, #5))
β
Anyone who imagines that bliss is normal is going to waste a lot of time running around shouting that he has been robbed. The fact is that most putts donβt drop, most beef is tough, most children grow up to be just like people, most successful marriages require a high degree of mutual toleration, and most jobs are more often dull than otherwise. Life is just like an old time rail journey ... delays, sidetracks, smoke, dust, cinders, and jolts, interspersed only occasionally by beautiful vistas and thrilling bursts of speed. The trick is to thank the Lord for letting you have the ride.
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Jenkin Lloyd Jones
β
Say something in Mandarin,β said Tessa, with a smile.
Jem said something that sounded like a lot of breathy vowels and
consonants run together, his voice rising and falling melodically: βNi
hen piao liang.β
βWhat did you say?β Tessa was curious.
βI said your hair is coming undone β here,β he said, and reached out
and tucked an escaping curl back behind her ear. Tessa felt the blood
spill hot up into her face, and was glad for the dimness of the
carriage. βYou have to be careful with it,β he said, taking his hand
back, slowly, his fingers lingering against her cheek.
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Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Iβm the kind of person who likes to be by himself. To put a finer point on it, Iβm the type of person who doesnβt find it painful to be alone. I find spending an hour or two every day running alone, not speaking to anyone, as well as four or five hours alone at my desk, to be neither difficult nor boring. Iβve had this tendency ever since I was young, when, given a choice, I much preferred reading books on my own or concentrating on listening to music over being with someone else. I could always think of things to do by myself.
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Haruki Murakami (What I Talk About When I Talk About Running)
β
One final paragraph of advice: do not burn yourselves out. Be as I am - a reluctant enthusiast....a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While itβs still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.
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Edward Abbey
β
When you run with the Doctor, it feels like it'll never end. But however hard you try you can't run forever. Everybody knows that everybody dies and nobody knows it like the Doctor. But I do think that all the skies of all the worlds might just turn dark if he ever for one moment, accepts it. Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. (In the library, the Doctor walks back to the TARDIS. He stops, looking at the doors. Then he raises his hand, and stands there poised like that for a long moment. Finally he snaps his fingers. The doors open. He smiles slowly and walks in, joining Donna. Then he snaps his fingers again, and the doors close. River's voice continues over this.) Now and then, every once in a very long while, every day in a million days, when the wind stands fair, and the Doctor comes to call... everybody lives.
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Steven Moffat
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I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect.
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George R.R. Martin
β
Your real, new self (which is Christ's and also yours, and yours just because it is His) will not come as long as you are looking for it. It will come when you are looking for Him. Does that sound strange? The same principle holds, you know, for more everyday matters. Even in social life, you will never make a good impression on other people until you stop thinking about what sort of impression you are making. Even in literature and art, no man who bothers about originality will ever be original whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it. The principle runs through all life from top to bottom, Give up yourself, and you will find your real self. Lose your life and you will save it. Submit to death, death of your ambitions and favourite wishes every day and death of your whole body in the end submit with every fibre of your being, and you will find eternal life. Keep back nothing. Nothing that you have not given away will be really yours. Nothing in you that has not died will ever be raised from the dead. Look for yourself, and you will find in the long run only hatred, loneliness, despair, rage, ruin, and decay. But look for Christ and you will find Him, and with Him everything else thrown in.
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C.S. Lewis (Mere Christianity)
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1. Iβm lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. Youβre a ghost town Iβm too patriotic to leave.
6. I stay because youβre the beginning of the dream I want to remember.
7. I didnβt call him back because he likes his girls voiceless.
8. Itβs not that he wants to be a liar; itβs just that he doesnβt know the truth.
9. I couldnβt love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didnβt want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. Iβm not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, Iβm insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didnβt work out.
21. My dad walked out one afternoon and never came back.
22. I canβt sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didnβt want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. Youβre the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said βI love you so bad.β
29. His heart wasnβt as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. Iβm a lover without a lover.
33. Iβm lovely and lonely.
34. I belong deeply to myself .
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Warsan Shire
β
Does this mean youβre going to make love to me tonight, Christian?β Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly.
βNo, Anastasia it doesnβt. Firstly, I donβt make love. I fuckβ¦ hard. Secondly, thereβs a lot more paperwork to do, and thirdly, you donβt yet know what youβre in for. You could still run for the hills. Come, I want to show you my playroom.β
My mouth drops open. Fuck hard! Holy shit, that sounds so⦠hot. But why are we looking at a playroom? I am mystified.
βYou want to play on your Xbox?β I ask. He laughs, loudly.
βNo, Anastasia, no Xbox, no Playstation. Come.ββ¦ Producing a key from his pocket, he unlocks yet another door and takes a deep breath.
βYou can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. Itβs fine whatever you decide.β
βJust open the damn door, Christian.β
He opens the door and stands back to let me in. I gaze at him once more. I so want to know whatβs in here. Taking a deep breath I walk in.
And it feels like Iβve time-traveled back to the sixteenth century and the Spanish Inquisition.
Holy fuck.
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E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Do you love me?' I asked her. She smiled. 'Yes.' 'Do you want me to be happy?' as I asked her this I felt my heart beginning to race. 'Of course I do.' 'Will you do something for me then?' She looked away, sadness crossing her features. 'I don't know if I can anymore.' she said. 'but if you could, would you?' I cannot adequately describe the intensity of what I was feeling at that moment. Love, anger, sadness, hope, and fear, whirling together sharpened by the nervousness I was feeling. Jamie looked at me curiously and my breaths became shallower. Suddenly I knew that I'd never felt as strongly for another person as I did at that moment. As I returned her gaze, this simple realization made me wish for the millionth time that I could make all this go away. Had it been possible, I would have traded my life for hers. I wanted to tell her my thoughts, but the sound of her voice suddenly silenced the emotions inside me. 'yes' she finally said, her voice weak yet somehow still full of promise. 'I would.' Finally getting control of myself I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. even now she was perfect. My throat began to tighten again, but as I said, I knew what I had to do. Since I had to accept that it was not within my power to cure her, what I wanted to do was give her something that she'd wanted. It was what my heart had been telling me to do all along. Jamie, I understood then, had already given me the answer I'd been searching for, the answer my heart needed to find. She'd told me outside Mr. Jenkins office, the night we'd asked him about doing the play. I smiled softly, and she returned my affection with a slight squeeze of my hand, as if trusting me in what I was about to do. Encouraged, I leaned closer and took a deep breath. When I exhaled, these were the words that flowed with my breath. 'Will you marry me?
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Nicholas Sparks (A Walk to Remember)
β
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain personβs back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you donβt see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
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Lemony Snicket
β
It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.
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Hanya Yanagihara (A Little Life)
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It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.
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Deb Caletti (The Secret Life of Prince Charming)
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I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
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Audre Lorde
β
And I told him, I said: "One day you're going to miss the subway because it's not going to come. One of these days, it's going to break down and it's not going to come around and everyone else will just wait for the next one or will take the bus, or walk, or run to the next station: they will go on with their lives. And you're not going to be able to go on with your life! You'll be standing there, in the subway station, staring at the tube. Why? Because you think that everything has to happen perfectly and on time and when you think it's going to happen! Well guess what! That's not how things happen! And you'll be the only one who's not going to be able to go on with life, just because your subway broke down. So you know what, you've got to let go, you've got to know that things don't happen the way you think they're going to happen, but that's okay, because there's always the bus, there's always the next station...you can always take a cab.
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β
C. JoyBell C.
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
When I was little and running on the race track at school, I always stopped and waited for all the other kids so we could run together even though I knew (and everybody else knew) that I could run much faster than all of them! I pretended to read slowly so I could "wait" for everyone else who couldn't read as fast as I could! When my friends were short I pretended that I was short too and if my friend was sad I pretended to be unhappy. I could go on and on about all the ways I have limited myself, my whole life, by "waiting" for people. And the only thing that I've ever received in return is people thinking that they are faster than me, people thinking that they can make me feel bad about myself just because I let them and people thinking that I have to do whatever they say I should do. My mother used to teach me "Cinderella is a perfect example to be" but I have learned that Cinderella can go fuck herself, I'm not waiting for anybody, anymore! I'm going to run as fast as I can, fly as high as I can, I am going to soar and if you want you can come with me! But I'm not waiting for you anymore.
β
β
C. JoyBell C.
β
Why aren't you in school? I see you every day wandering around."
"Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
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Ray Bradbury (Fahrenheit 451)
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We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break.
So that was that. We were finally, finally over.
I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.'
I couldnβt even be mad at him, because this was who he was. This was who heβd
always been. Heβd never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever.
Maybe this was why I came, so I could really know. So I could say good-bye.
I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.'
I would say it, so he would know it and I would know it, and I could never take it back. But I wasnβt that brave or honest, so all I did was look at him. And I think he knew anyway.
'I release you. I evict you from my heart. Because if I don't do it now, I never will.'
I was the one to look away first.
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Jenny Han (It's Not Summer Without You (Summer, #2))
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Abe held my gaze a bit longer and then broke into an easy smile. ΚΊOf course, of course. This is a family gathering. A celebration. And look: hereΚΉs our newest member.ΚΊ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ΚΊMr. Mazur,ΚΊ he said formally, nodding a greeting to both of them. ΚΊGuardian Hathaway.ΚΊ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ΚΊAh, Belikov,ΚΊ said Abe, shaking DimitriΚΉs hand. ΚΊIΚΉd been hoping weΚΉd run into each other. IΚΉd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. ThatΚΉs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. IΚΉve certainly got a lot of questions IΚΉd like to ask you. A lot of things IΚΉd like to tell you too.ΚΊ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ΚΊActually,ΚΊ said my mom casually. ΚΊIΚΉd like to come along. I also have a number of questionsβespecially about when you two were back at St. VladimirΚΉs.ΚΊ
ΚΊDonΚΉt you guys have somewhere to be?ΚΊ I asked hastily. ΚΊWeΚΉre about to start.ΚΊ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ΚΊOf course,ΚΊ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ΚΊIΚΉm glad youΚΉre back.ΚΊ Then, with a wink, he said to Dimitri:
ΚΊLooking forward to our chat.ΚΊ
ΚΊRun,ΚΊ I said when they were gone. ΚΊIf you slip out now, maybe they wonΚΉt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
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Richelle Mead (Last Sacrifice (Vampire Academy, #6))
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The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we β¦ kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok β¦ But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
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Bill Hicks
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Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
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Mary Schmich (Wear Sunscreen: A Primer for Real Life)
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The less you associate with some people, the more your life will improve.
Any time you tolerate mediocrity in others, it increases your mediocrity. An
important attribute in successful people is their impatience with negative
thinking and negative acting people. As you grow, your associates will
change. Some of your friends will not want you to go on. They will want you
to stay where they are. Friends that don't help you climb will want you to
crawl. Your friends will stretch your vision or choke your dream. Those that
don't increase you will eventually decrease you.
Consider this:
Never receive counsel from unproductive people. Never discuss your problems
with someone incapable of contributing to the solution, because those who
never succeed themselves are always first to tell you how. Not everyone has
a right to speak into your life. You are certain to get the worst of the
bargain when you exchange ideas with the wrong person. Don't follow anyone
who's not going anywhere.
With some people you spend an evening: with others you invest it. Be careful
where you stop to inquire for directions along the road of life. Wise is the
person who fortifies his life with the right friendships. If you run with
wolves, you will learn how to howl. But, if you associate with eagles, you
will learn how to soar to great heights.
"A mirror reflects a man's face, but what he is really like is shown by the
kind of friends he chooses."
The simple but true fact of life is that you become like those with whom you
closely associate - for the good and the bad.
Note: Be not mistaken. This is applicable to family as well as friends.
Yes...do love, appreciate and be thankful for your family, for they will
always be your family no matter what. Just know that they are human first
and though they are family to you, they may be a friend to someone else and
will fit somewhere in the criteria above.
"In Prosperity Our Friends Know Us. In Adversity We Know Our friends."
"Never make someone a priority when you are only an option for them."
"If you are going to achieve excellence in big things,you develop the habit in little matters.
Excellence is not an exception, it is a prevailing attitude.."..
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Colin Powell
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Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Eraβthe kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .
History is hard to know, because of all the hired bullshit, but even without being sure of βhistoryβ it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the timeβand which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nightsβor very early morningsβwhen I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handleβthat sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didnβt need that. Our energy would simply prevail. There was no point in fightingβon our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water markβthat place where the wave finally broke and rolled back.
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Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
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Iβm a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. Iβve been up linked and downloaded, Iβve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. Iβm a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
Iβm new wave, but Iβm old school and my inner child is outward bound. Iβm a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so Iβm interactive, Iβm hyperactive and from time to time Iβm radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. Iβm on-point, on-task, on-message and off drugs. Iβve got no need for coke and speed. I've got no urge to binge and purge. Iβm in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. Iβm a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
Iβve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You canβt shut me up. You canβt dumb me down because Iβm tireless and Iβm wireless, Iβm an alpha male on beta-blockers.
Iβm a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! Iβm a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and Iβve got a love-child that sends me hate mail.
But, Iβm feeling, Iβm caring, Iβm healing, Iβm sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! Iβm gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the βFβ word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. Iβm toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. Iβve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
Iβm a rude dude, but Iβm the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. Iβve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I donβt snooze, so I donβt lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. Iβm hangin in, there ainβt no doubt and Iβm hangin tough, over and out!
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George Carlin
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The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctorβs clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
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John Richard Spencer