Running Streak Quotes

They rode on and the sun in the east flushed pale streaks of light and then a deeper run of color like blood seeping up in sudden reaches flaring planewise and where the earth drained up into the sky at the edge of creation the top of the sun rose out of nothing like the head of a great red phallus until it cleared the unseen rim and sat squat and pulsing and malevolent behind them.

But owning the pain, running through it, overcoming it, was a matter of self-will and discipline.

Time seems to pass. The world happens, unrolling into moments, and you stop to glance at a spider pressed to its web. There is a quickness of light and a sense of things outlined precisely and streaks of running luster on the bay. You know more surely who you are on a strong bright day after a storm when the smallest falling leaf is stabbed with self-awareness. The wind makes a sound in the pines and the world comes into being, irreversibly, and the spider rides the wind-swayed web.

An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.

When one contemplates the streak of insanity running through human history, it appears highly probable that homo sapiens is a biological freak, the result of some remarkable mistake in the evolutionary process. The ancient doctrine of original sin, variants of which occur independently in the mythologies of diverse cultures, could be a reflection of man's awareness of his own inadequacy, of the intuitive hunch that somewhere along the line of his ascent something has gone wrong.

Your reckless streak will be your best friend or your worst enemy.

Another mistaken notion connected with the law of large numbers is the idea that an event is more or less likely to occur because it has or has not happened recently. The idea that the odds of an event with a fixed probability increase or decrease depending on recent occurrences of the event is called the gambler's fallacy. For example, if Kerrich landed, say, 44 heads in the first 100 tosses, the coin would not develop a bias towards the tails in order to catch up! That's what is at the root of such ideas as "her luck has run out" and "He is due." That does not happen. For what it's worth, a good streak doesn't jinx you, and a bad one, unfortunately , does not mean better luck is in store.

What could be more absurd? Yet it is nature's folly, not ours. When she set about her chief masterpiece, the making of man, she should have thought of one thing only. Instead, turning her head, looking over her shoulder, into each one of us she let creep instincts and desires which are utterly at variance with his main being, so that we are streaked, variegated, all of a mixture; the colours have run. Is the true self this which stands on the pavement in January, or that which bends over the balcony in June? Am I here, or am I there? Or is the true self neither this nor that, neither here nor there, but something so varied and wandering that it is only when we give the rein to its wishes and let it take its way unimpeded that we are indeed ourselves?

Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.

They rode on and the sun in the east flushed pale streaks of light and then a deeper run of color like blood seeping up in sudden reaches flaring planewise and where the earth drained up into the sky at the edge of creation the top of the sun rose out of nothing like the head of a great red phallus until it cleared the unseen rim and sat squat and pulsing and malevolent behind them. The shadows of the smallest stones lay like pencil lines across the sand and the shapes of the men and their mounts advanced elongate before them like strands of the night from which they’d ridden, like tentacles to bind them to the darkness yet to come.

Run across a field of daisies at warp speed but keep your eyes on the ground. It's ace. Pedaled stars and dandelion comets streak the green universe.

I want to remember this day,” she whispered. “But I also want to have so many good days that this one gets lost in the plethora. Cary, I want to make you so happy that all your happy memories run together. I want the rest of your life to be a bright gold streak.

this is not a Quote it's a poem. "A Thousand Kisses Deep" The ponies run, the girls are young, The odds are there to beat. You win a while, and then it’s done – Your little winning streak. And summoned now to deal With your invincible defeat, You live your life as if it’s real, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. You lose your grip, and then you slip Into the Masterpiece. And maybe I had miles to drive, And promises to keep: You ditch it all to stay alive, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. Confined to sex, we pressed against The limits of the sea: I saw there were no oceans left For scavengers like me. I made it to the forward deck. I blessed our remnant fleet – And then consented to be wrecked, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. I guess they won’t exchange the gifts That you were meant to keep. And quiet is the thought of you, The file on you complete, Except what we forgot to do, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. The ponies run, the girls are young, The odds are there to beat . . .

When Father exited Helen’s house, he did not see the running figure of Annie, who, having heard of his need for an Italian speaking military man, was shattered at the thought of being without Sly at Christmas. Tears streaked down her face as she raced toward the comfort and security of home.

Zane sniffed and pried at a piece of glass in the heel of his hand. “My lucky streak is about played out.” “Want a little cheese with that whine, maestro?” Ty drawled.

Rule 1. Markets are risky. Rule 2. Trouble runs in streaks. Rule 3. Markets have a personality. Rule 4. Markets mislead. Rule 5. Market time is relative

The thousands stand and chant. Around them in the world, people ride escalators going up and sneak secret glances at the faces coming down. People dangle teabags over hot water in white cups. Cars run silently on the autobahns, streaks of painted light. People sit at desks and stare at office walls. They smell their shirts and drop them in the hamper. People bind themselves into numbered seats and fly across time zones and high cirrus and deep night, knowing there is something they've forgotten to do.

Smudge continued running laps, flames flickering like tiny orange banners on his back. He was never wrong about danger, but he couldn’t tell you if that danger was a meteorite streaking toward the roof or an amorous moose running amok in the parking lot.

and move a section of hair above my right ear to inspect a thick streak of silver hidden beneath the part. I lift it, coiling the hair around my finger, marveling at this single patch of silver. Ephraim shifts on the bed, and I hear the soft pad of feet on the floorboards. “I like it,” he says lifting the streak from my hand. He slides it through his fingers. “It is one thing to be old,” I tell him, “and another to feel old. That makes me feel old.” “Well, it makes me feel like a king.” He smiles at my curious look. “Only a fool would be upset to find a vein of silver running through his beloved territory.

My father once told me that it’s not enough for a man to be lucky; that a guy has to know when that streak is on for him.

I blinked and wiped my hand over my face. My fingers came back damp. I glanced across the room and saw my reflection in the mirror, hair snarled, mascara running, face streaked with tears. "Yep, you look like shit," Adam said. "And I took plenty of pictures, which I will keep until an appropriate opportunity for blackmail arises.

A streak of Puritanism runs deep within American society. Permissive and pioneering as we may be on the one hand, we are strict and conservative on the other. As much as we may be a country of mavericks and entrepreneurs, we are also a country of finger waggers and name-callers. As much as we may be a country of compassion for the underdog, we are also a country that believes in self-reliance.

I suppose that there's a caddish streak in every man that runs crosswire across his character and disposition and general outlook. With some men it's secret and we never know it's there until they strike us in the dark one night.

Josey?” She heard her mother’s voice in the hall, then the thud of her cane as she came closer. “Please don’t tell her I’m here,” the woman in the closet said, with a strange sort of desperation. Despite the cold outside, she was wearing a cropped white shirt and tight dark blue jeans that sat low, revealing a tattoo of a broken heart on her hip. Her hair was bleached white-blond with about an inch of silver-sprinkled dark roots showing. Her mascara had run and there were black streaks on her cheeks. She looked drip-dried, like she’d been walking in the rain, though there hadn’t...

It was then that he felt someone silently tap him on the shoulder. He froze as he felt the breath on his ear through his matted hair. “Mi asavo! Non faccio niente!”he yelled [I give up, I didn’t do anything!] But his captor said nothing, only continued his breathing and had even begun making some unknown soft growling noise. In the dark, he could see nothing from the corner of his eye. But his captor could see all. Wondering why this man was suddenly stiff as a board when he had been so entertaining only a few moments before, Kitty decided to ask him in her usual way. Leaning closer to the man’s ear, with her paw on his shoulder, she said very loudly, “Meow!” It was as if a bomb had exploded in his ear. The man jumped in the air, causing Kitty to streak backward, unintentionally marking him with two relatively deep scratches. He shot from the pantry, running straight into a wall, and knocked himself out.

Song of myself Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.

For a second after Askan had breathed upon him the stone lion looked just the same. Then a tiny streak of gold began to run all over him as the flame licks all over a bit of paper- then, while his hindquaters were still obviously stone, the lion shook his mane and all the heavy, stone folds rippled into living hair.

I hate the small looking-glass on the stairs," said Jinny. "It shows our heads only; it cuts off our heads...So I skip up the stairs past them, to the next landing, where the long glass hangs, and I see myself entire. I see my body and head in one now; for even in this serge frock they are one, my body and my head. Look, when I move my head I ripple all down my narrow body; even my thin legs rippled like a stalk in the wind. I flicker between the set face of Susan and Rhoda's vagueness; I leap like one of those flames that run between the cracks of the earth; I move, I dance, I never cease to move and dance. I move like the leaf that moved in the hedge as a child and frightened me. i dance over these streaked, these impersonal, distempered walls with their yellow skirting as firelight dances over teapots. i catch fire even from women's cold eyes. when I read, a purple rim runs around the black edge of the textbook. yet I cannot follow any word through its changes. I cannot follow any thought from present to past. I do not stand lost, like Susan, with tears in my eyes remembering home; or lie, like Rhoda, crumpled among the ferns, staining my pink cotton green, while I dream of plants that flower under the sea, and rocks through which the fish swim slowly. I do not dream.

If you will count, count the stars, dear one. How many stars in the sky, looking down on us as we lie in each other's arms and taste joy? How many gleaming fish in the lake where I splash our son in the water and hear his streaks of glee ring out in the clear air? A fine little salmon you made, that night in the rain. How many times does the heart beat, how fast does the blood run when at last we touch, and touch again, and breathe the same desperate, longing breath? Count those things, for they are the stuff of life and hope.

Just as there is a violent streak running through the whole of society, so too there is a religious one.

The mistake can only be ascribed to the streak of stupidity that fatally runs through the most competent tyranny.

Freddie Freeman led all Braves’ starters with a (.282) batting average in 2011. Not bad for a rookie. Then again, this is the kid who hit his first big league bomb against none other than Roy Halladay … the same kid whose leather at first is so flashy than at times it’s hard to decide which to be more excited about, his bat or his glove, the same kid who joined teammate Dan Uggla with concurrent 20-game hitting streaks in 2011—a first in modern era Braves’ history—and the same kid who won NL Rookie of the Month honors in July after hitting .362 with six homers, 17 runs, and 18 RBIs.

The Russian Revolution is a radical change in history. The abolition of private property has created a new world. You may like it or detest it, but it’s new. Hitler’s socialism was a sham to get a mob of gangsters into power. He’s frozen the German economy just as it was, smashed the labor unions, lengthened the working hours, cut the pay, and kept all the old rich crowd on top, the Krupps and Thyssens, the men who gave him the money to run for office. The big Nazis live like barons, like sultans. The concentration camps are for anybody who still wants the socialist part of National Socialism." [...] "I’m sorry. I’m impressed with Hitler’s ability to use socialist prattle when necessary, and then discard it. He uses doctrines as he uses money, to get things done. They’re expendable. He uses racism because that’s the pure distillate of German romantic egotism, just as Lenin used utopian Marxism because it appealed to Russia’s messianic streak. Hitler means to hammer out a united Europe.... He understands them, and he may just succeed. A unified Europe must come. The medieval jigsaw of nations is obsolete. The balance of power is dangerous foolishness in the industrial age. It must all be thrown out. Somebody has to be ruthless enough to do it, since the peoples with their ancient hatreds will never do it themselves. It’s only Napoleon’s original vision, but he was a century ahead of his time.

There, sitting cross-legged on the floor, he stared absently at his legs. They began to look strange. They no longer seemed to grow from his trunk at all, but rather, completely unconnected, they sprawled rudely before him. When he got this far, he realized something he had never noticed before—that his legs were unbearably hideous. With hair growing unevenly and blue streaks running rampant, they were terribly strange creatures.

My mother believed in God's will for many years. It was af if she had turned on a celestial faucet and goodness kept pouring out. She said it was faith that kept all these good things coming our way, only I thought she said "fate" because she couldn't pronounce the "th" sound in "faith". And later I discovered that maybe it was fate all along, that faith was just an illusion that somehow you're in control. I found out the most I could have was hope, and with that I wasn't denying any possibility, good or bad. I was just saying, If there is a choice, dear God or whatever you are, here's where the odds should be placed. I remember the day I started thinking this, it was such a revelation to me. It was the day my mother lost her faith in God. She found that things of unquestioned certainty could never be trusted again. We had gone to the beach, to a secluded spot south of the city near Devil's Slide. My father had read in Sunset magazine that this was a good place to catch ocean perch. And although my father was not a fisherman but a pharmacist's assistant who had once been a doctor in China, he believed in his nenkan, his ability to do anything he put his mind to. My mother believed she had nenkan to cook anything my father had a mind to catch. It was this belief in their nenkan that had brought my parents to America. It had enabled them to have seven children and buy a house in Sunset district with very little money. It had given them the confidence to believe their luck would never run out, that God was on their side, that house gods had only benevolent things to report and our ancestors were pleased, that lifetime warranties meant our lucky streak would never break, that all the elements were now in balance, the right amount of wind and water.

She had streaked blonde hair, long and straight, parted in the middle framing high cheek bones, an aquiline nose and beautiful deep blue eyes. She was young, around 30, tall and lithe with a good body, athletic, not skinny. She wore a sleeveless black dress that exposed her toned arms and shoulders, indicating regular workouts or yoga. There was a hint of vein running the length of her lean muscle. This girl stood out like an arabian in a corral full of draft horses.

Limper flopped violently. The gag flew out of his mouth. His ankle bonds parted. He gained his feet, tried to run, tried to mouth some spell that would protect him. He had gone thirty feet when a thousand fiery snakes streaked out of the night and swarmed him. They covered his body. They slithered into his mouth and nose, into his eyes and ears. They went in the easy way and came gnawing out through his back and chest and belly. And he screamed. And screamed. And screamed.

La mala racha" Mientras dura la mala racha pierdo todo. Se me caen las cosas de los bolsillos y de la memoria: pierdo llaves. lapiceras, dinero, documentos, nombres, caras, palabras. Yo no se si será gualicho de alguien que me quiere mal y me piensa peor, o pura casualidad, pero a veces el bajón demora en irse y yo ando de pérdida en pérdida, pierdo lo que encuentro, no encuentro lo que busco, y siento mucho miedo de que se me caiga la vida en alguna distracción. "When Luck Runs Out” During streaks of bad luck, I lose everything. Things fall out of my pockets and my memory: I lose keys, pens, money, documents, names, faces, words. I don’t know whether someone wishes me harm and has put the evil eye on me or whether it’s pure happenstance, but sometimes this slump just won’t end and I lose one thing after another. I lose what I find, I can’t find what I’m looking for, and I’m quite afraid of losing life through some little hole in my pocket.” Eduardo Galeano: El libro de los abrazos (The Book of Embraces)

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

Tell me something else instead. Tell me what you’re looking forward to most about going to school here.” “You go first. What are you most excited about?” Right away, Peter says, “That’s easy. Streaking the lawn with you.” “That’s what you’re looking forward to more than anything? Running around naked?” Hastily I add, “I’m never doing that, by the way.” He laughs. “It’s a UVA tradition. I thought you were all about UVA traditions.” “Peter!” “I’m just kidding.” He leans forward and puts his arms around my shoulders, rubbing his nose in my neck the way he likes to do.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.

It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.

Mel lets us in the house, and we aren't two steps inside before Mary Magdalene, our tubby little orange cat, is running a purring streak around Jared's legs. He touches her nose lightly with his finger. "I see you," he whispers, and Mary Mags does an ecstatic lopsided spin to the floor, like a falling propeller.

For a second after Aslan had breathed upon him the stone lion looked just the same. Then a tiny streak of gold began to run all over him as the flame licks all over a bit of paper- then, while his hindquarters were still obviously stone, the lion shook his mane and all the heavy, stone folds rippled into living hair.

And later, when the sun begins to sink and the infinite sky is streaked with red and gold, I'll stroll out into the courtyard- perhaps even climb the steps to the gatehouse. And I'll gaze across the Chasm to the other side of the island, where I can still sometimes catch sight of a curly-haired urchin running joyously through the tall purple grass, her faithful dog at her heels.

Takes them less than a week to run the Line thro’ somebody’s House. About a mile and a half west of the Twelve-Mile Arc, twenty-four Chains beyond Little Christiana Creek, on Wednesday, April 10th, the Field-Book reports, “At 3 Miles 49 Chains, went through Mr. Price’s House.” “Just took a wild guess,” Mrs. Price quite amiable, “where we’d build it,— not as if my Husband’s a Surveyor or anything. Which side’s to be Pennsylvania, by the way?” A mischievous glint in her eyes that Barnes, Farlow, Moses McClean and others will later all recall. Mr. Price is in Town, in search of Partners for a Land Venture. “Would you Gentlemen mind coming in the House and showing me just where your Line does Run?” Mason and Dixon, already feeling awkward about it, oblige, Dixon up on the Roof with a long Plumb-line, Mason a-squint at the Snout of the Instrument. Mrs. Price meantime fills her Table with plates of sour-cherry fritters, Neat’s-Tongue Pies, a gigantick Indian Pudding, pitchers a-slosh with home-made Cider,— then producing some new-hackl’d Streaks of Hemp, and laying them down in a Right Line according to the Surveyors’ advice,— fixing them here and there with Tacks, across the room, up the stairs, straight down the middle of the Bed, of course, . . . which is about when Mr. Rhys Price happens to return from his Business in town, to find merry Axmen lounging beneath his Sassafras tree, Strange Stock mingling with his own and watering out of his Branch, his house invaded by Surveyors, and his wife giving away the Larder and waving her Tankard about, crying, “Husband, what Province were we married in? Ha! see him gape, for he cannot remember. ’Twas in Pennsylvania, my Tortoise. But never in Maryland. Hey? So from now on, when I am upon this side of the House, I am in Maryland, legally not your wife, and no longer subject to your Authority,— isn’t that right, Gents?” “Ask the Rev,” they reply together,

And although my father was not a fisherman but a pharmacist's assistant who had once been a doctor in China, he believed in his nengkan, his ability to do anything he put his mind to. My mother believed she had nengkan to cook anything my father had a mind to catch. It was this belief in their nengkan that had brought my parents to America. It had enabled them to have seven children and buy a house in the Sunset district with very little money. It had given them the confidence to believe their luck would never run out, that God was on their side, that the house gods had only benevolent things to report and our ancestors were pleased, that lifetime warranties meant our lucky streak would never break, that all the elements were in balance, the right amount of wind and water.

When we think of an institution, we can usually see it as embodied in a building: the Vatican, the Pentagon, the Sorbonne, the Treasury, the Massachusetts Institute of Technology, the Kremlin, the Supreme Court. What we cannot see, until we become close students of the institution, are the ways in which power is maintained and transferred behind the walls and beneath the domes, the invisible understandings which guarantee that it shall reside in certain hands but not in others, that information shall be transmitted to this one but not to that one, the hidden collusions and connections with other institutions of which it is supposedly independent. When we think of the institution of motherhood, no symbolic architecture comes to mind, no visible embodiment of authority, power, or of potential or actual violence. Motherhood calls to mind the home, and we like to believe that the home is a private place. Perhaps we imagine row upon row of backyards, behind suburban or tenement houses, in each of which a woman hangs out the wash, or runs to pick up a tear-streaked two-year-old; or thousands of kitchens, in each of which children are being fed and sent off to school. Or we think of the house of our childhood, the woman who mothered us, or of ourselves. We do not think of the laws which determine how we got to these places, the penalties imposed on those of us who have tried to live our lives according to a different plan, the art which depicts us in an unnatural serenity or resignation, the medical establishment which has robbed so many women of the act of giving birth, the experts—almost all male—who have told us how, as mothers, we should behave and feel. We do not think of the Marxist intellectuals arguing as to whether we produce “surplus value” in a day of washing clothes, cooking food, and caring for children, or the psychoanalysts who are certain that the work of motherhood suits us by nature. We do not think of the power stolen from us and the power withheld from us, in the name of the institution of motherhood.

All of a sudden, she was there, breaking away from the little group of women and running toward him. She raced across the space between them and threw her arms around his neck. The force of her body knocked him back a few steps as she wrapped around him like a trumpet vine on a cornstalk. He regained his footing and snaked his arms around her, holding her close. His exhaustion disappeared in a moment, erased by the incredible fact that Catherine was in his arms right here on the street in front of half the town, lifting her face to kiss him. He couldn’t refuse her offer and bent his head to cover her soft lips with his. The heat and pressure of her mouth took away all the residual anxiety and fear still floating in him and filled him with wild elation instead. After several long minutes of feasting on her mouth like a starving man, he pulled away and his eyes opened. Her tear-streaked face filled his vision. His stomach dropped. Why was she crying? What had happened to her? He was aware of the crowd of people around them. Glancing up, he saw many eyes focused on him and Catherine, mouths talking, expressions of surprise and shock. He let go of her and stepped back, although it was far too late to protect her reputation. Catherine cupped his face, drawing his attention back to her, and her lips were moving. “…don’t you? Never again!” She frowned and signed as she spoke. “Never! Understand? I love you.” Her graceful hands made the love sign, which looked as though she was offering her heart to him. At last Jim realized she was upset with him for putting himself in danger. If he’d doubted that she cared, those doubts evaporated under the force of her fury. He nodded and promised.

He wants to play major college football at a university far away, where nobody will know about his tragic family history. Then he wants to play in the NFL. Every catch brings him closer to that reality. That's how he thinks of it, anyway. Every time he runs downfield, sees the ball in the air, and hears the defensive back laboring to catch up, whenever he feels that ball fall out of the sky and into his waiting hands, he inches closer to his goals.

One by one the dragons came to ground, and the wolves slid down from them. Anders transformed as soon as his paws hit the earth, and once human, silently pulled off Rayna’s harness so she could do the same. Nearby, Lisabet was seeing to Ellukka. Both the harnesses were charred in places, and he wasn’t sure Rayna’s would hold if they used it again. One by one the dragons transformed, until the eleven children stood in a circle. Some leaned over to rest their hands on their knees, exhausted, others hugged themselves, staring at their companions in the moonlight. The tableau was broken when Kess suddenly streaked across the circle, leaping down from Lisabet’s arms to run straight for Anders, scaling his body and perching on his shoulders. He was so exhaustedly happy to see her, he didn’t even mind the places where she sank her claws in. As if the cat’s movement had woken her up, Viktoria spoke in a whisper. “What have we done?” “The same thing as us,” Ellukka replied. “You can’t go home. Neither can we.” “We had to,” Lisabet said, sounding just as tired as the others. “If we hadn’t brought the Sun Scepter, the wolves would have weakened the dragons until they killed them. If we hadn’t kept it from the dragons, they’d have used it against the wolves until they could attack instead. We’re the only reason they’re not at war right now.” “All we did was destroy half of Holbard instead,” said Theo, looking sick.

Her brows had drawn together over those big eyes, in an expression that no doubt she thought stern, but that was, in reality, rather adorable. Like a small girl chiding a kitten. A streak of anger surged through him. She shouldn’t be out by herself in the ruined garden. If he’d been another type of man—a brutal man, like the ones who’d run Bedlam—her dignity, perhaps even her life, might’ve been in danger. Didn’t she have a husband, a brother, a father to keep her safe? Who was letting this slip of a woman wander into danger by herself?

And for a second nothing seems to have happened; and then you notice a tiny streak of flame creeping along the edge of the newspaper. It was like that now. For a second after Aslan had breathed upon him the stone lion looked just the same. Then a tiny streak of gold began to run along his white marble back then it spread—then the colour seemed to lick all over him as the flame licks all over a bit of paper—then, while his hindquarters were still obviously stone, the lion shook his mane and all the heavy, stone folds rippled into living hair.

But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.

So I drive into town for my first date in two years in a red 1941 Chevrolet four-on-the-floor with a John Deere motor grader hooked behind me. The engine sputters and churns and I wonder if the truck will make it. Chunks of mud spray behind me off the tires. The engine stalls on the main road, sending my dress and bag flying onto the dirty floor. I have to restart twice. At five forty-five, a black thing streaks out in front of me and I feel a thunk. I try to stop but braking’s just not something you can do very quickly with a 10,000-pound piece of machinery behind you. I groan and pull over. I have to go check. Remarkably, the cat stands up, looks around stunned, and shoots back into the woods as quickly as it came. At three minutes to six, after doing twenty in a fifty with horns honking and teenagers hollering at me, I park down the street from Hilly’s house since Hilly’s cul-de-sac doesn’t provide adequate parking for farm equipment. I grab my bag and run inside without even knocking, all out of breath and sweaty and windblown and there they are, the three of them, including my date. Having highballs in the front living room.

The idea that America is one great shopping mall, and that all anyone wants to do is, you know, grasp their credit card and run out and buy stuff is a stereotype, and it’s a generalization but, but but as a way to summarize a certain kind of ethos in the U.S., it’s pretty accurate. [...] Language like that, the wounded inner child, the inner pain, is part of the kind of pop psychological movement in the, in the United-States, that is a sort of popular Freudianism, that, that has its own paradox which is that the more we are thought to list and resent the things of which we were deprived as children, the more we live in that anger and frustration and the more we remain children. For young people in America, there are very mixed messages from the culture, that, there is a streak of moralism in American life that extol the virtues of being grown up and having a family and being a responsible citizen, but there is also the sense of… of . Do what you want, Gratify your appetites because of … of when I’m a corporation appealing to the parts of you that are selfish and self-centered and want to have fun all the time is the best way to sell you things, right?” ZDF German Television Interview

AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.

How To Make A Human Take the cat out of the sphinx and what is left? Riddle Me That. Take the horse from the centaur and you take away the sleek grace, the strength of harnessed power. What is left can still run across fields, after a fashion, but is easily winded; what is left will therefore erect buildings to divide the open plains so he no longer must face the wide expanse where once his equine legs raced the winds and, sometimes, won. Take the bull from the Minotaur but what is left will still assemble a herd for the sake of ruling over it. What is left will kill for sport, in an arena thronged with spectators shouting "Ole" at each deadly thrust. Take the fish from the Merman: What is left can still swim, if only with lots of splashing; gone is the sleek sliding through the waves, alert to the subtle changes in the current. What is left will build ships so he can cross the oceans without getting his feet wet, what is left won't care if his boats pollute the seas he can no longer breathe so long as their passage can keep him from sinking. Take the goat from the satyr but what is left will dance out of reach before you have the chance to get that Dionysian streak of myschief, the love of music and wine, the rutting parts that like to party all the day through. What is left will still be stubborn and refuse to give way; what is left will lock horns and butt heads with anyone who challenges him. Take the bird from the harpy, but the memory of flying, a constant yearning ache for skies so tantalizingly distant, will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects. What is left will cut down the whole forest to feather his sprawling urban nest. At the end of these operations, tell me: what is left? The answer: Man, a creature divorced from nature, who's forgotten where he came from.

something in. I wonder what the heck he’s doing. It was almost like he was waiting for me. I don't say anything, not wanting to be rude. Maybe he lives in the building. He’s not a tall man, maybe five-eleven, which doesn’t seem so big after having Mason in my space. Mason’s more than a few inches over six foot. But what this man doesn’t have in height, he has in muscles. He looks like someone who used to wrestle, I think absently. His gray hair streaks over his once-solid black hair. If I had to guess, I’d say he’s in his early fifties. The elevator dings, and he follows me on, hitting the button for both of us. When I step out, he follows me out the building and down the street. I start walking faster, unsure what the heck is going on. “Miss Myers.” When he says my name, I stop and turn, and he almost runs into me. “I’m your security. No need to be scared of me.” “Security?” “Seems you like to wander. I’m here to make sure you don’t wander into trouble.” “I don’t wander,” I fire back. He raises his eyebrows and smiles. “Just doing my job, ma’am.” His easy smile forces me to release the tension in my shoulders. Sometimes things would get a little scary when I walked home to my old apartment. It wasn’t in the nicest neighborhood. Heck, sometimes I didn’t even feel safe in my apartment.

Though social psychologist Elaine Hatfield is one of the nicest people you could ever meet, her life has been filled with controversy, mostly because of her independent streak. When she was a young professor at the University of Minnesota in 1963, there were two rules. Women were not allowed to hang their coats in the faculty cloak room. Women were not allowed to dine at the Faculty Club. One Monday evening, Hatfield decided to challenge the rules. She and fellow psychologist Ellen Berscheid approached the table where their male colleagues were sitting. When we walked into the Faculty Club and chorused: “May we sit down?” our six colleagues couldn’t have been more courtly. “Of course! Do sit down.” But, Colleague #1 glanced at his watch and declared, “Oh, do excuse me I have to run.” Colleague #2 shifted uneasily, then remembered that his wife was picking him up. Colleague #3 snatched up a dinner roll and said that he better walk out with his friend. The remaining men realized that they’d better be going, too. Within minutes Ellen and I were sitting alone at the elegant table, surrounded by six heaping plates. Shamed but undeterred, they kept returning to the Faculty Club until they finally obtained their own table. Eventually, Hatfield became a full professor at the University of Wisconsin, where she pioneered research into the psychology of falling in love. The

I would tell you the safe procedure to avoid lightning strikes while on an exposed ridge, but I see no reason you should not learn it as I did. If you get tweaked by God's long electric fingers, I can hardly be to blame. You are a fat-assed nerd anyway, without a pistol within reach and incapable of running more than three miles without the last rites. You, fart-brain, are a reader, and the only thing I despise more is a writer, who simply ought to announce himself a public masturbator and be done with it. But I am telling my story, you are listening, and so we have a truce, if not respect. I am a writer, you a reader, and if there were a God, he might be amused to have mercy on our souls. Or piss on them. In long electric streaks.

Tell me something else instead. Tell me what you’re looking forward to most about going to school here.” “You go first. What are you most excited about?” Right away, Peter says, “That’s easy. Streaking the lawn with you.” “That’s what you’re looking forward to more than anything? Running around naked?” Hastily I add, “I’m never doing that, by the way.” He laughs. “It’s a UVA tradition. I thought you were all about UVA traditions.” “Peter!” “I’m just kidding.” He leans forward and puts his arms around my shoulders, rubbing his nose in my neck the way he likes to do. “Your turn.” I let myself dream about it for a minute. If I get in, what am I most looking forward to? There are so many things, I can hardly name them all. I’m looking forward to eating waffles every day with Peter in the dining hall. To us sledding down O-Hill when it snows. To picnics when it’s warm. To staying up all night talking and then waking up and talking some more. To late-night laundry and last-minute road trips. To…everything. Finally I say, “I don’t want to jinx it.” “Come on!” “Okay, okay…I guess I’m most looking forward to…to going to the McGregor Room whenever I want.” People call it the Harry Potter room, because of the rugs and chandeliers and leather chairs and the portraits on the wall. The bookshelves go from the floor to the ceiling, and all of the books are behind metal grates, protected like the precious objects they are. It’s a room from a different time. It’s very hushed--reverential, even. There was this one summer--I must have been five or six, because it was before Kitty was born--my mom took a class at UVA, and she used to study in the McGregor Room. Margot and I would color, or read. My mom called it the magic library, because Margot and I never fought inside of it. We were both quiet as church mice; we were so in awe of all the books, and of the older kids studying. Peter looks disappointed. I’m sure it’s because he thought I would name something having to do with him. With us. But for some reason, I want to keep those hopes just for me for now. “You can come with me to the McGregor Room,” I say. “But you have to promise to be quiet.” Affectionately Peter says, “Lara Jean, only you would look forward to hanging out in a library.

I stood for a second staring at this imbecile, feeling like a burned-out sentinel watching the meteor streak toward the planet, bracing himself for the lethal impact. The Devil’s Whisper—the fart that happens just before you run for the bathroom to expel your waste—still hung in the air like the Grim Reaper blowing you a kiss as he passes by. I was too stunned to speak and too incensed to stutter. But I’m glad I was there, for as I regarded this kiddy pool of a grown child lying in a horrific amalgam of Technicolor Yawn, top soil, and literal shit, certain things started to occur to me: contemplation of my own misdeeds, realization that if I didn’t rein in my own uncontrollable urges, I might end up looking as pathetic as this pain in my ass. All of this shot through my big-ass brain in what felt like an eternity but in actuality was possibly just a millisecond. In that moment of clarity a tone was set. I also remembered how early it was in the morning. So I did what anyone with half an IQ would have done in my shabby shoes.

Look into this one,' the Bomb says with a strange expression. It's Cardan as a very small child. He is dressed in a shirt that's too large for him. It hangs down like a gown. He is barefoot, his feet and shirt streaked with mud, but he wears dangling hoops in his ears, as though an adult gave him their earrings. A horned faerie woman stands nearby, and when he runs to her, she grabs his wrists before he can put his dirty hands on her skirts. She says something stern and shoves him away. When he falls, she barely notices, too busy being drawn in to conversation with other courtiers. I expect Cardan to cry, but he doesn't. Instead, he stomps off to a tree that an older boy is climbing. The boy says something, and Cardan grabs for his ankle. A moment later, the boy is on the ground, and Cardan's small grubby hand is forming a fist. At the sound of the scuffle, the faerie woman turns and laughs, clearly delighted by his escapade. When Cardan looks back at her, he's smiling, too. I shove the crystal ball back in to the drawer. Who would cherish this? It's horrible.

Iain MacGregor,” she whispered longingly, looking up. The woods were quiet. Strips of moonlight shone through tree limbs that reached like surreal black fingertips across her vision. A single tear slid down her cheek. She touched her mouth, imagining his kiss. Taking a small pocket knife out of her cargo pants, she looked about. A mystic had once told her that if she left pieces of herself around while she lived, it would expand her haunting territory when she died. Jane wasn’t sure she believed in sideshow magic tricks—or the Old Magick as the mystic had spelled it on her sign. She had no idea what had possessed her to talk to the palm reader and ask about ghosts. Still, just in case, she was leaving her stamp all over the woods. She cut her palm and pressed it to a nearby tree under a branch. Holding the wound to the rough bark stung at first, but then it made her feel better. This forest wouldn’t be a bad eternity. The sound of running feet erupted behind her and she stiffened. No one ever came out here at night. She’d walked the woods hundreds of times. Her mind instantly went to the creepy girl ghosts chanting by the stream. “Whoohoo!” Jane whipped around, startled as a streak of naked flesh sprinted past her. The Scottish voice was met with loud cheers from those who followed him. “Water’s this way, lads, or my name isn’t Raibeart MacGregor, King of the Highlands!” Another naked man dashed through the forest after him. “It smells of freedom.” Jane stayed hidden in the branches, undetected, with her hand pressed to the bark. “Aye, freedom from your proper Cait,” Raibeart answered, his voice coming through the dark where he’d disappeared into the trees. “Murdoch, stop him before he reaches town. Cait will not teleport ya out of jail again,” a third man yelled, not running quite so fast. “Raibeart, ya are goin’ the wrong way!” “Och, Angus, my Cait canna live without me,” Murdoch, the second streaker, answered. “She’ll always come to my rescue.” “I said stop him, Murdoch, we’re new to this place.” Angus skidded to a stop and lifted his jaw, as if sensing he was being watched. He looked in her direction and instantly covered his manhood as his eyes caught Jane’s shocked face in the tree limbs. “Oh, lassie.” “Oh, naked man,” Jane teased before she could stop herself. “That I am,” Angus answered, “but there is an explanation for it.” “I don’t think some things need explained,” Jane said.

Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance

Bobby ran up on the deck and skidded to a stop in front of them. “It’s time for the Kowalski Fourth of July Football Game of Doom!” Cat laughed and pushed herself out of her seat. “We’ll talk about this some other time, Emma. Go have fun.” “I’m not sure I want to play football. Especially if there’s doom involved,” she said, but Bobby grabbed her hand and dragged her off the deck. They were divvied up into teams roughly by size, each with an assortment of men, women and children. Emma was on Sean’s team, which was good. She’d just hide behind him, because the only thing she knew about football was that it involved a lot of hitting. It only took a few plays to see that the Kowalskis played by their own rules and the few they had were fluid. Mostly they served to ensure the smaller kids didn’t get plowed over, victims of the adults’ competitive streak. Five minutes into the game, Emma somehow ended up with the ball. She squealed and looked around for somebody—anybody—to hand it off to, but there was nobody. Well, there was Danny, but he was doubled over in laughter. “Run, Emma,” Lisa yelled. She ran in the direction her friend was frantically waving her hand, but she only went a few feet before two very strong arms wrapped around her waist and then she was falling. Luckily, she landed on a body instead of the ground. “I love football,” Mitch said, grinning up at her. Emma grimaced and managed to get one of her knees on solid ground so she could push herself to her feet. He was quicker and freed himself to stand and help her up. “They should give you the ball more often,” he said, his blue eyes sparkling and the grin so like Sean’s—but not quite as naughty—in full force. “Hands off my girl,” Sean told him, pulling on Emma’s elbow. “You should do a better job of blocking for her. “Let’s go,” Brian shouted. The very next play, Mitch intercepted Mike’s pass to Evan and turned to run toward the other end zone. He was halfway there when Sean took him down hard. They hit the ground with a bone-jarring thud that made Emma wince, and came up pushing and shoving. When Sean drew back his arm to throw the first punch, Mary blew her whistle from the sidelines. “Boys! Enough!” Instead of heading straight for the huddle, Sean walked to Emma and pulled her into his arms for a hard, almost punishing caveman kiss that made her skin sizzle and her knees go wobbly. Then he glared at his brother for a few long seconds and went back to his team, leaving Emma standing there breathless and discombobulated.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

Blue razors, bulls, bronzes, green lilies, orange blazes, crimson dynamos, ivory sliders, yellow streaks, fire bites, grey scalers, and dozens of other colors attacked from all directions. It was an onslaught. They had the giants on the run.

White Chocolate Peppermint Cupcakes Don’t be a hater like Callie! While chocolate white may  not be technically chocolate, it’s still yummy. Makes 28 cupcakes Ingredients For the peppermint cupcakes: - 3 cups cake flour - 1 ¾ cups sugar - 1 tablespoon baking powder - 1 teaspoon salt - 1 cup unsalted butter at room temperature cut into small cubes - 5 egg whites - 1 ¼ cup milk at room temperature - 1 tablespoon peppermint extract - 12 crushed candy canes For the White Chocolate Swirled Buttercream: - 1 cup unsalted butter at room temperature - 1 cup vegetable shortening - 8 cups confectioners’ sugar - 2 tablespoons vanilla extract - ¼ cup milk - 4.4 ounces (125 grams) good quality white chocolate - Red gel paste food color For the white chocolate ganache & decoration: - 6 ounces (170 grams) white chocolate - 2 ounces (57 grams) heavy cream - 28 soft peppermint candy balls Instructions Make the cupcakes Preheat oven to 350 degrees Fahrenheit (175 degrees Celsius) and line muffin tin with cupcake liners. Combine milk and peppermint extract. Set aside. Combine cake flour, sugar, baking powder, and salt in a bowl and mix on low for 2-3 minutes. Add butter a few cubes at a time and mix on low until mixture resembles coarse sand. Add egg whites and beat on medium until combined. Gradually add milk mixture and beat for 1-2 minutes until batter is smooth. Fold in crushed candy canes. Fill cupcake liners ¾ full. Bake for 16-18 minutes, or until toothpick inserted comes out with a few crumbs. Allow cupcakes to cool in the pan for 5 minutes, then remove to wire racks to finish cooling. Make the White Chocolate Buttercream Cream butter, vegetable shortening, and vanilla in bowl and mix on medium speed for 2 minutes until smooth. Reduce mixer speed to low and slowly add confectioners’ sugar 1 cup at a time while mixer is running. Once all the sugar is incorporated, add the milk and mix for 30 seconds. Melt white chocolate in microwave in 30-second intervals, stirring after each turn until melted. Incorporate melted chocolate into buttercream and mix until fluffy. Reserve ¼ cup buttercream and add a small amount of red color get to tint. Prepare a small piping bag with the red buttercream and snip the tip off. Prepare a large piping bag fitted with a large round tip. Streak the inside of the large piping bag with six stripes of red buttercream. Fill the rest of the bag with the White Chocolate Buttercream. Squeeze a swirled dollop of buttercream on top of each cupcake. Place cupcakes in the refrigerator to chill while preparing the ganache. Make the White Chocolate Ganache and Assemble Combine cream and white chocolate in bowl and heat on 30-second intervals, stirring after each turn, for about 1 minute. Stir until chocolate melts, allow to cool and thicken slightly for five minutes. Transfer to a squeeze bottle and drizzle ganache on top of buttercream. Garnish each cupcake with a peppermint candy.

Then the girl screamed—and the scream went beating against the blank walls of the street as in a chamber of torture, an animal scream of terror. She tore her arm loose and sprang back, then screamed inarticulate sounds: “No! No! Not your kind of world!” Then she ran, ran by the sudden propulsion of a burst of power, the power of a creature running for its life, she ran straight down the street that ended at the river—and in a single streak of speed, with no break, no moment of doubt, with full consciousness of acting in self-preservation, she kept running till the parapet barred her way and, not stopping, went over into space.

Three blocks east of the Frink National Bank stood the Dana Building. It was some stories lower and without any prestige whatever. Its lines were hard and simple, revealing, emphasizing the harmony of the steel skeleton within, as a body reveals the perfection of its bones. It had no other ornament to offer. It displayed nothing but the precision of its sharp angles, the modeling of its planes, the long streaks of its windows like streams of ice running down from the roof to the pavements. New Yorkers seldom looked at the Dana Building. Sometimes, a rare country visitor would come upon it unexpectedly in the moonlight and stop and wonder from what dream that vision had come. But such visitors were rare. The tenants of the Dana Building said that they would not exchange it for any structure on earth; they appreciated the light, the air, the beautiful logic of the plan in their halls and offices. But the tenants of the Dana Building were not numerous; no prominent man wished his business to be located in a building that looked “like a warehouse.

A loud knock shook her door. Emma damn near jumped off the sofa. Her neck popped as she jerked her head around to stare at the door with wide eyes. Her heart began to slam against her ribs as fear trickled through her. Who the hell would be knocking on her door this late at night? Who the hell would be knocking on her door at any time of day or night? No one she knew would do so without calling first. And deliverymen and women didn’t drop off packages at freaking midnight. As quickly and quietly as a mouse, she darted into her bedroom and grabbed the 9mm her father had bought her and trained her to use. Flicking off the safety, she returned to the living room and swung by the coffee table to tuck her phone in her pajama pants pocket in case she needed to call 911. Only then did she cautiously approach the door. Another knock thundered through the house. Adrenaline spiking, she peered through the door’s peephole. Shock rippled through her. “Oh shit,” she whispered. Setting the gun on the coatrack bench beside her, she hastily unlocked the dead bolt, then the knob, and flung open the door. Cliff stood before her, his big body blocking her view of the yard. Emma gaped up at him. He wore the standard blacks of network guards covered with a long black coat similar to that of an Immortal Guardian. His face, neck, and hands were streaked with blood. His clothing glistened with wet patches. And his eyes shone bright amber. She had never seen them so bright and knew it meant that whatever emotion roiled inside him was intense. Panic consumed her. “Cliff,” she breathed. Stepping onto the porch, she swiftly glanced around, terrified she might see soldiers in black approaching with weapons raised. When none materialized, she grabbed his wrist and yanked him inside. Her hands shook as she closed and bolted the door, her fingers leaving little streaks of blood on the white surface. Spinning around, she stared up at him. “What happened? Are you hurt?” Her gaze swept over him, noting every wet patch on his clothing, every ruby-red splotch on his skin. Was that his blood or someone else’s? “How did you get here? Are you hurt?” Closing the distance between them, she began to run her hands over his chest in search of wounds. Cliff grabbed her wrists to halt her frantic movements. His glowing eyes dropped to the points at which they touched. He drew his thumbs over her skin as if to confirm she was real. Then he met her gaze. “I need your shower,” he said, voice gruff. Heart pounding, she nodded. As soon as he released her, she pointed. “It’s through there.” Without another word, he strode toward it. His heavy boots thudded loudly in the quiet as he entered the short hallway, then turned in to the bathroom. The door closed. Water began to pound tile. Emma didn’t move. Cliff was here. In her home. What the hell had happened?

It is a huge slab of dark stone, square and rough, like the rocks at the bottom of the chasm. A large crack runs through the middle of it, and there are streaks of lighter rock near the edges. Suspended above the slab is a glass tank of the same dimensions, full of water. A light placed above the center of the tank shines through the water, refracting as it ripples. I hear a faint noise, a drop of water hitting the stone. It comes from a small tube running through the center of the tank. At first I think the tank is just leaking, but another drop falls, then a third, and a fourth, at the same interval. A few drops collect, and then disappear down a narrow channel in the stone. They must be intentional. “Hello.” Zoe stands on the other side of the sculpture. “I’m sorry, I was about to go to the dormitory for you, then saw you heading this way and wondered if you were lost.” “No, I’m not lost,” I say. “This is where I meant to go.” “Ah.” She stands beside me and crosses her arms. She is about as tall as I am, but she stands straighter, so she seems taller. “Yeah, it’s pretty weird, right?” As she talks I watch the freckles on her cheeks, dappled like sunlight through dense leaves. “Does it mean something?” “It’s the symbol of the Bureau of Genetic Welfare,” she says. “The slab of stone is the problem we’re facing. The tank of water is our potential for changing that problem. And the drop of water is what we’re actually able to do, at any given time.” I can’t help it—I laugh. “Not very encouraging, is it?” She smiles. “That’s one way of looking at it. I prefer to look at it another way—which is that if they are persistent enough, even tiny drops of water, over time, can change the rock forever. And it will never change back.” She points to the center of the slab, where there is a small impression, like a shallow bowl carved into the stone. “That, for example, wasn’t there when they installed this thing.” I nod, and watch the next drop fall. Even though I’m wary of the Bureau and everyone in it, I can feel the quiet hope of the sculpture working its way through me. It’s a practical symbol, communicating the patient attitude that has allowed the people here to stay for so long, watching and waiting. But I have to ask. “Wouldn’t it be more effective to unleash the whole tank at once?” I imagine the wave of water colliding with the rock and spilling over the tile floor, collecting around my shoes. Doing a little at once can fix something, eventually, but I feel like when you believe that something is truly a problem, you throw everything you have at it, because you just can’t help yourself.

You are the divine result of crumpled receipts and pretzel salt, of expired condoms and forgotten phone numbers, of lipstick and longing, of hands opened and spread out, of dogs running and of trucks on the highway, of cheap champagne and of diner coffee, of address books thrown out the window, of paperbacks and of pregnancies, of crow’s feet and of silver streaks in the dark night of your hair.

That’s the trouble round here,’ snapped Larry. ‘Nobody counts! And before you know where you are you’re knee deep in animals. It’s like the bloody creation all over again, only worse. One owl turns into a battalion before you know where you are; sex-mad pigeons defying Marie Stopes in every room of the house; the place is so full of birds it’s like a bloody poulterer’s shop, to say nothing of snakes and toads and enough small fry to keep Macbeth’s witches in provender for years. And on top of all that you go and get twelve more dogs. It’s a perfect example of the streak of lunacy that runs in this family.’ ‘Nonsense, Larry, you do exaggerate,’ said Mother. ‘Such a lot of fuss over a few puppies.’ ‘You call eleven puppies a few? The place will look like the Greek branch of Crufts’ Dog Show and they’ll probably all turn out to be bitches and come into season simultaneously. Life will deteriorate into one long canine sexual orgy.

They ran over the bridge, across the dark river, running headlong towards danger and disaster and death, and she held out her hand and took hold of his, so they ran together hand in hand, and she looked at him and he looked at her and they smiled as they ran, and the smile became a grin as they hurtled along, the lights of the night streaking past them, and in that moment, for all her fear and horror and grief, Rose had never been happier in her life.

With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.

A 2017 report found that parts of India’s Chambal River now run ‘dark black water with streaks of red and an intense smell of rotting radishes’, thanks to carbon disulphide, a chemical routinely used in the production of viscose.40 Viscose waste has been linked to the death of fish and aquatic life, as well as myriad health problems including skin burns, Parkinson’s, heart attack, stroke, cancer and birth defects.

Tempest Madrid, I love you.” Her heart stopped. “You are my match in every way. You’re proud and stubborn. Your sense of honor knows no bounds, and you have a mischievous streak that runs deep. Let your guard down and let me love you. Trust that I won’t ever hurt you. I will always choose you.” “Why?” she blurted, feeling stupid as soon as the word escaped her. “Because you are everything.” He brushed his nose against hers. “You, love, are my mate.

Wait! You fool!" Braydon shouted from far behind. "Raaaauuggghhh!!" Steve shouted, charging down the hillside. His blood was rushing in his arms and leg, his heart felt like it was on fire, and he couldn't keep from smiling! He grinned from ear to ear as he charged the squad of six wither skeletons heading through the desert toward the western sun. He was looking forward to a battle. Braydon had told him to charge, after all... It was fine. He could take them. None of them had armor. They weren't armed with bows. They clearly had nothing more than stone swords. Steve could already imagine their bones shattering under his wooden weapon. It would have been nicer to have a better blade, but maybe he could take one of theirs. "I'm charging!" Steve shouted back to Braydon, who was now somewhere up the slope behind him. The six skeletons all turned to look at Steve without expression. They held their stone swords high and faced the incoming Minecraftian warrior. "But let me soften them up a little first!" Braydon shouted back from yet farther away. It was fine. Steve charged on, anticipating the moment he dove into combat. He visualized his sword plowing through the first blackened ribcage and extended it to his side, low, ready... No problem. Skeletons were slow. He'd be able to run circles around— The six dark skeletons suddenly burst into a surprising run. They charged at him. Their bones clunked from afar. Steve balked. Dang. Not normal skeletons! Two arrows streaked past him from Braydon. One hit one skeleton, then the other hit a second. The two struck wither skeletons stumbled with arrows in their ribs, but kept coming. Gosh—they were fast! Just as fast as Steve was! Then, they were on him. All of the wither skeletons moved to surround Steve, but he expected that. He was just sorry to see them all moving so quickly. He was supposed to dominate them with his speed. Oh well. He'd have to try something else.

My land, does that woman not know the meaning of ‘go away, scary woman?’” I laughed—his use of “my land” was too much. He had an old-fashioned streak running through him that popped out at the weirdest times.

How much money you made or lost on your last investments can transform how risky you think the next one is. The same bet can feel either dangerous or safe, depending on whether you are on a hot streak or in a slump. That’s how your investing brain is designed. Animals that are running low on food, water, or warmth have what ecologists call a “negative energy budget.” Creatures that are hungry, thirsty, or cold can rarely afford to take the chance that small but steady gains will be enough to keep them alive. In effect, they need to try striking it rich. So animals in a state of deprivation tend to prefer more variable rewards: While that raises the risk of getting nothing, it’s also the only feasible way to get the big boost they need to restore their depleted energy.

Scott Huettel, a neuroeconomist at Duke University, has shown that the ACC reacts roughly three times more vigorously if a pattern reverses after eight repetitions than it does after a three-in-a-row pattern is broken. The stock market provides uncanny real-world proof of Huettel’s laboratory findings: The more times in a row a company has exceeded Wall Street’s expectations, the worse its stock gets whacked when it finally misses the analysts’ forecasts. While a shortfall after a run of three good earnings reports trims just 3.4% off the price of the typical growth stock, a miss after a streak of eight positive quarters hacks off 7.9%. So

I leap like one of those flames that run between the cracks of the earth; I move; I dance; I never cease to move and to dance. I move like the leaf that moved in the hedge as a child and frightened me. I dance over these streaked, these impersonal, distempered walls with their yellow skirting as firelight dances over teapots.

I imagined God was a woman in a torn satin bed jacket with falling curlers in her messy hair. She sat in a bed of dirty sheets, surrounded by a canopy of sheer curtains spiders clung to. She ate chocolates from a box until her teeth were rotted and the box was empty, ready to be piled with the smashed boxes already on the floor. Blush was streaked across her cheeks like something trying to run away. Lipstick bled outside the lines of her lips as if they were melting. She was a woman used and left by humanity in ways only we know how to consume and leave.

I felt Reshaye shift through my thoughts, as if unnerved. {It has been many days,} it whispered, {since I have seen this place.} A Syrizen stood at the center of the gates. She was wearing a red sash, wrapped around her waist and pinned to her shoulders so it flowed down her back. She was older than most Syrizen, her hair grey-streaked and bound tightly. “Come,” she said. “The king wishes to see you.” The king? “The king?” Sammerin said. Even he looked unnerved, eyes slightly wide as he stared at the building before us. Max looked as if he wasn’t even breathing. “Why are we here?” he said again. “The king will explain everything,” the Syrizen said, lightly. “Come.” “I’m not going in there.” Max turned his gaze to me, his jaw set and eyes bright with fury, and all at once, the memories flooded over me. Max’s memories. Memories of dark-haired siblings running to meet him here, at these gates. Memories of his father’s grin and his mother’s embrace. Memories of Reshaye’s rage, and their corpses. All here, in this house. We were in Korvius. Max’s childhood home.

Human lives run in lines," she said as her sisters held the thread against a rod and snipped it. Atropos held it up in a shimmering streak. "They have beginnings and ends," she said. "The fact that a life must end gives it great power, a potent magic all its own. The freedom to do what you choose with the thread that is allotted to you." "You may tell a tale of great adventure or one of quiet purpose, and both have equal value," Lachesis said, measuring dared againsthetrod. And hopeful when die hirads or out you will book back and say that was alicel sais jams content for my book to be returned to the great liagd the Fates. "But stories are circles," Clotho went on, gesturing a her wheel as it spun round and round. "They are made from the same stuff as life but formed in a different shape. And in stories great power comes from the fact that an ending is always also beginning.

His arm comes around my waist from behind. He slides a hand up my stomach and takes a firm hold of one of my breasts. His other hand feathers my shoulder as he moves the hair away from my neck. I squeeze my eyes shut, just as his fingers begin to trace across my skin, up to my shoulder. He slowly runs his finger over the heart and a shudder runs over my whole body. His lips meet my skin, right over the tattoo, and then he sinks his teeth into me so hard, I scream. I try to pull away from him, but he has such a tight grip on me he doesn’t even budge. The pain from his teeth piercing my collarbone rips through my shoulder and down my arm. I immediately start crying. Sobbing. “Ryle, let me go,” I say, my voice pleading. “Please. Walk away.” His arms are cutting into mine as he holds me tightly from behind. He spins me, but my eyes are still closed. I’m too scared to look at him. His hands are digging into my shoulders as he pushes me toward the bed. I start trying to fight him off of me, but it’s useless. He’s too strong for me. He’s angry. He’s hurt. And he’s not Ryle. My back meets the bed and I frantically scoot back toward the headboard, trying to get away from him. “Why is he still here, Lily?” His voice isn’t as composed as it was in the kitchen. He’s really angry now. “He’s in everything. The magnet on the fridge. The journal in the box I found in our closet. The fucking tattoo on your body that used to be my favorite goddamn part of you!” He’s on the bed now. “Ryle,” I beg. “I can explain.” Tears streak down my temples and into my hair. “You’re angry. Please don’t hurt me, please. Walk away, and when you come back, I’ll explain.” His hand grips my ankle and he yanks me until I’m beneath him. “I’m not angry, Lily,” he says, his voice disturbingly calm now. “I just think I haven’t proved to you how much I love you.” His body comes down against mine and he takes my wrists with one hand above my head, pressing them against the mattress. “Ryle, please.” I’m sobbing, trying to push him off of me with any part of my body. “Get off me. Please.” No, no, no, no. “I love you, Lily,” he says, his words crashing against my cheek. “More than he ever did. Why can’t you see that?” My fear folds in on itself, and I become diluted with rage. All I can see when I squeeze my eyes shut is my mother crying on our old living room couch; my father forcing himself on top of her. Hatred rips through me and I start screaming. Ryle tries to muffle my screams with his mouth. I bite down on his tongue. His forehead comes crashing down against mine. In an instant, all the pain fades as a blanket of darkness rolls over my eyes and consumes me.

I got my first time for the monthlies when I was eleven. I picked up a basket full of laundry and felt something hot and wet run down my legs. I set the basket down and looked down to see the red streaks. No one had ever talked to me about it, but I wasn’t afraid. I knew from doing the laundry that women bled once a month.

Running my hands down her tear-streaked face, my heart broke when her eyes met mine. She was looking at me, but she wasn’t seeing me. There was nothing in those beautiful blue eyes. No pain. No fear. No betrayal. No love. They were empty and were looking right through me. “I’m so sorry, Rach. I’m sorry. We got you, baby. You’re safe now.” I

The Prophecy From the place where the sun rises, there will come to the People a great warrior who will stand tall above his brothers and see far into the great beyond with eyes like the midnight sky. This Comanche shall carry the sign of the wolf upon his shield, yet none shall call him chief. To his people shall come much sadness, and the rivers will run red with the blood of his nation. Mountains of white bones will mark where the mighty buffalo once grazed. In the sky, black smoke will carry away the death cries of helpless women and children. He will make big talk against the White-Eyes and fierce war, but the battles shall stretch before him with no horizon. When his hatred for the White-Eyes is hot like the summer sun and cold like the winter snow, there will come to him a gentle maiden from tosi tivo land. Though her voice will have been silenced by great sorrow, her eyes shall speak into his of a morning with new beginnings. She will be golden like the new day, with skin as white as the night moon, hair like rippling honey, and eyes like the summer sky. The People will call her the Little Wise One. The Comanche will raise his blade to slay her, but honor will stay his hand. She will divide his Comanche heart, so his hate that burns hot like the sun will make war with his hate that is cold like the winter snow, and the hate shall melt and flow out of him to some faraway place he cannot find. Just as the dawn streaks the night sky, he will chase the shadows form her heart and return her voice to her. When this is done, the warrior and his maiden shall walk together to a high place on the night of the Comanche moon. He will stand on the land of the Comanche, she on the land of the tosi tivo. Between them will be a great canyon that runs high with blood. The warrior will reach across the canyon to his maiden, and she will take his hand. Together they will travel a great distance into the west lands, where they will give birth to a new tomorrow and a new nation where the Comanche and the tosi tivo will live as one forever.

I suppose that there's a caddish streak in every man that runs crosswise across his character and disposition and general outlook.

During World War II trolley tracks ran down Central Avenue, the main street of the Jersey City Heights, before traveling off of the cliffs and continuing down to Hoboken on a high wooden trestle. At best, it was a hairy ride as it jostled around, nearly coming off of the rails. For some of us kids, it was exciting to hop onto the back of the trolley for a free ride, and then snap the cord to the electrical rod, which provided power from an overhead wire, when I wanted to get off. This would leave the conductor spewing a streak of profanity, as his trolley ground to a standstill. Departing the scene in haste, I would run and quickly disappear into the darkness, leaving him with the daunting task of getting the rod back onto the overhead wire in the dark.

Despite the cold outside, she was wearing a cropped white shirt and tight dark blue jeans that sat low, revealing a tattoo of a broken heart on her hip. Her hair was bleached white-blond with about an inch of silver-sprinkled dark roots showing. Her mascara had run and there were black streaks on her cheeks. She looked drip-dried, like she'd been walking in the rain, though there hadn't been rain for days. She smelled like cigarette smoke and river water.

Would you like to take a walk with me?” she asked. “I always walk on the beach in the mornings when you’re working. That is, if you aren’t too busy?” He caught her hand and brought it to his lips. “I’m not too busy for you and our child. But should you be resting?” An exasperated shriek left her lips, startling him with her ferocity. She yanked her hand from him and parked both of her fists on her hips. “Do I look like I need to be resting?” Anger and disappointment burned in her eyes. “Look, Chrysander, if you don’t want to spend time with me, just say so, but stop throwing out your pat ‘You need to be resting’ line.” She turned and stalked farther down the beach, leaving him there feeling like she’d punched him in the stomach. He ran a hand through his hair as he watched her hurry away, and then he strode after her, his feet kicking up sand as he closed the distance between them. “Marley! Marley, wait,” he called as he caught her elbow. When he turned her around, he was gutted by the tears streaking down her cheeks. She turned her face away and swiped blindly at her eyes with her other hand. “Please, just go away,” she choked out. “Go do whatever it is you do with your time. I’ll wait for my appointment with you in the afternoon.” It came out bitter and full of hurt, and he realized that he hadn’t fooled her at all with the distance he put between them. He reached for her chin and gently tugged until she faced him. With his thumb, he wiped at a tear that slipped over her cheekbone. “You aren’t an appointment, Marley.” “No?” She yanked away from his touch and retreated a few feet until there was a respectable distance between them. “I’ve tried to be patient and understanding even though I don’t understand any of it. Us. You or even me. I can’t figure you out, Chrysander, and I’m tired of trying. I’ve tried to be strong and undemanding, but I can’t do it anymore. I’m scared to death. I don’t know who I am. I wake up one day to find myself pregnant, and there’s a stranger by my bed who says he’s my fiancé and the father of my child. One would think this would tell me that at least I was loved and cherished, but nothing you’ve done has made me feel anything but confusion. You run hot and cold, and I never know which one to expect. I can’t do this.” Coldness wrapped around Chrysander’s chest, squeezing until he couldn’t draw a breath. “What are you saying?” he demanded.

As Lara stared in the square Queen Anne mirror poised on the chest of drawers in her room, it seemed that the atmosphere changed, the air suddenly heavy and pressing. It was so quiet in the cottage that she could hear her own mad heartbeat. She caught sight of something in the mirror, a deliberate movement that paralyzed her. Someone had entered the cottage. Skin prickling, Lara stood in frozen silence and stared into the mirror as another reflection joined her own. A man's bronzed face... short, sun-streaked brown hair... dark brown eyes... the hard, wide mouth she remembered so well. Tall... massive chest and shoulders... a physical power and assurance that made the room seem to shrink around him. Lara's breath stopped. She wanted to run, to cry out, faint, but it seemed that she had been turned to stone. He stood just behind her, his head and shoulders looming far above hers. His gaze held hers in the mirror... The eyes were the same color, yet... he had never looked at her like this, with an intensity that made every inch of her skin burn. His was the hard gaze of a predator. She shook in fright as his hands moved gently to her hair. One by one he slipped the confining pins from the shining sable mass, and set them on the dresser before her. Lara watched him, quivering with each light tug on her hair. "It's not true," she whispered. He spoke in Hunter's voice, deep and slightly raspy. "I'm not a ghost, Lara." She tore her gaze from the mirror and stumbled around to face him. He was so much thinner, his body lean, almost rawboned, his heavy muscles thrown into stark prominence. His skin was tanned to a copper blaze that was far too exotic for an Englishman. And his hair had lightened to the mixed gold and brown of a griffin's feathers.

Barcelona Barcelona is a modern city with an outdoor lifestyle. Markets, churches, architecture, restaurants, beaches, boulevards are perfect for any explorer who loves to be independent. The city is Spain’s second largest (1.6 million in habitants). It was founded on ancient roots, Hannibal’s father settled here in the 3rd century BC and, from there, it was a Roman settlement before being taken over by the Goths, North Africans, French and finally Spanish – although it still has a streak of independence and a strong movement toward Catalan home rule. An airport bus, Aerobus, connects the airport with the city centre. The bus runs every 10—20 minutes and takes around 30 minutes. The Metro system (stations are marked M) connects most of the

I saw someone running. That was all I needed. I could not walk if someone else was running. I broke loose from Uri. Others were running. It was a race! I didn't know where the finish line was, but I was determined to win. Many had shouted, "stop!" But no one had ever caught me. The street was getting more and more crowded as people poured into it. I streaked through the crowds. I passed other runners. I didn't care how many there were; I would beat them all. I laughed as I ran.

You call that a kiss?” “Yep.” Okay, so I’m in shock the girl put my hand on her creamy cheek. Damn, you’d think I was on drugs by the way my body reacted. She had me totally under her spell a minute ago. Then the pretty witch turned my game around so she was the one with the upper hand. She surprised me, that’s for sure. I laugh, deliberately calling attention to us because I know it’s exactly what she doesn’t want. “Shh,” Brittany says, hitting me on the shoulder to shut me up. When I laugh louder, she whacks my arm with the heavy chem book. My bad arm. I wince. “Ow!” The cut on my biceps feels like a million little bees are stinging it. ¡Cabrón me dolioǃ She bites her Bobbi Brown Sandwash Petal’d frosted bottom lip, which in my opinion looks fine on her. Though I wouldn’t mind seeing her in the Pink Blossom color, too. “Did I hurt you?” she asks. “Yes,” I say through gritted teeth as I concentrate on her lip gloss instead of the pain. “Good.” I lift my sleeve to examine my wound, which now (thanks to my chem partner) has blood trickling from one of the staples the doc at the free clinic put in it after the fight at the park with the Satin Hoods. Brittany’s got a pretty good whack for someone who probably weighs a buck ten soaking wet. She sucks in her breath and scoots away. “Oh my God! I didn’t mean to hurt you, Alex. Really, I didn’t. When you threatened to show me the scar, you lifted your left sleeve.” “I wasn’t really gonna show you,” I say. “I was fuckin’ with you. It’s okay,” I tell her. Geez, you’d think the girl never saw red blood before. Then again, her blood probably runs blue. “No, it’s not okay,” she insists while shaking her head. “Your stitches are bleeding.” “They’re staples,” I correct her, trying to lighten the mood. The girl is even whiter than she usually is. And she’s breathing heavy, almost panting. If she passes out, I swear I’m losing the bet with Lucky. If she can’t handle a little streak of my blood, how’s she gonna handle having sex with me? Unless we’re not naked, so she doesn’t have to see my various scars. Or if it’s dark, then she can pretend I’m someone white and rich. Fuck that, I want the lights on…I want to feel all of her against me and want her to know it’s me she’s with and not some other culero. “Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex?