Running Full Tilt Quotes

We've searched our database for all the quotes and captions related to Running Full Tilt. Here they are! All 38 of them:

River doesn’t let me finish my sentence as he gently pushes me back against the rail. His arms are extended on either side of me, he’s surrounding me, caging me in, but once again, I don’t feel trapped. He never moves his lips away from my neck as he repositions us. My breath is hitched and my heartbeat has doubled as I tilt my head back to allow him full access to my neck. He’s softly running a trail of kisses from my neck up to my mouth, slowly, lightly licking, softly sucking, until his lips finally meet mine.
Kim Karr (Connected (Connections, #1))
This world is beautiful but badly broken. St. Paul said that it groans, but I love it even in its groaning. I love this round stage where we act out the tragedies and the comedies of history. I love it with all of its villains and petty liars and self-righteous pompers. I love the ants and the laughter of wide-eyed children encountering their first butterfly. I love it as it is, because it is a story, and it isn’t stuck in one place. It is full of conflict and darkness like every good story. And like every good story, there will be an ending. I love the world as it is, because I love what it will be. I love it because it spins and tilts, because it’s dizzying, because of the night sky and the swirling lights. But I have run too far ahead. We should be more . . . philosophical.
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
Do people call you Ollie?” Lola asked. Oliver looked at her, completely dumbfounded by the possibility of this nickname. She may as well have asked him if people call him Garth, or Andrew, or Timothy. “No,” he said flatly, and the only thing charming about him was the way his accent seemed to run through every vowel with one syllable. Lola’s eyebrow twitched in her single tell—mildly annoyed—and she lifted her flashing LED drink cup to her lips. Lola wears mostly black, including her glossy dark hair, and has a tiny diamond pierced into her lip, but, even still, she’s never been able to pull off the full physical manifestation of the angry Riot Grrrl. With her perfect porcelain skin and the longest eyelashes in the world, she’s simply too delicate. But once she decides you’re an asshole, it no longer matters to her what you think. She gives good glare. “The flower suits you,” she said, tilting her head to study him. “And you have pretty hands, kind of soft. Maybe we should call you Olive.” He grunted out a dry laugh. “And a really beautiful mouth,” I added. “Gentle. Like a woman’s.” “Aw fuck off.” He was laughing outright by then.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Yet velvet curtains, soft cheese, compelling work and boys who can run full-tilt—it isn't enough. And if it isn't, it isn't. There's no living with that. The world is made from our imagination; our eyes enliven it, as our hands give it shape. Wanting makes it thrive; meaning is what you put in, not what you extract. You only see what you are inclined to see, and no more. We have to make the new.
Hanif Kureishi
And then came the three-toed sloth. Stupid sloth. It was a crazy-looking beastie, all arms and bristling grey fur; its body was a blob, the kind of shape a six-year-old would draw for a pig, and its face was flattened like a racoon that had run full tilt into a brick wall. A triangular stub of a nose jutted out at an angle beneath a fringe that must have been difficult to see through. In fact, from side-on it looked disturbingly like John Lennon.
Tony James Slater (That Bear Ate My Pants!: Will Boy Become Man? Or Will Boy Become Breakfast...)
He knew she saw it coming. He saw the pain in her eyes, but it wasn’t from his fist. She was disappointed. Disappointed in me. Cole started running. He hit the side door and let it bang loudly against the building. He ran full tilt toward the busy road. This is it. I’m going down. Finally.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Why, do you think so?” Ian whispered pressing into him from behind. Noah felt Ian’s nakedness touching at his backside and so near that his spine could feel a continuous tingle running up and down. Tilting back Noah rested his head on Ian’s shoulder, warm water was falling over his face; he closed his eyes, and pursed his shivering lips trying to be calm. But, his soul was in turmoil by the heat coming from Ian’s touch and was driving him wild with passion. Noah felt Ian turn his face to the other side. He felt a lovely tease, full nibbles upon his left earlobe from Ian’s lips and teeth.
Pierce Smith (Noah's Tryst (Enrapture, #2))
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
Dad takes a step back, one hand still on my shoulder, and reaches into his pocket. He draws out a little blue capsule, and I feel every molecule in my body screaming to run. Dad must catch the panic in my eyes - he squeezes my shoulder and holds out the capsule. "Cas, it's fine. It's going to be fine. This is just in case." Just in case. Just in case the worst happens. The ship falls. Durga fails, I fail, and the knowledge I carry as a Reckoner trainer must be disposed of. That information can't fall into the wrong hands, into the hands of people who will do anything to take down our beasts. So this little capsule holds the pill that will kill me if it comes to that. "It's waterproof," Dad continues, pressing it into my hand. "The pocket on the collar of your wetsuit, keep it there. It has to stay with you at all times." It won't happen on this voyage. It's such a basic mission, gift-wrapped to be easy enough for me to handle on my own. But even holding the pill fills me with revulsion. On all my training voyages, I've never had to carry one of these capsules. That burden only goes to full-time trainers. "Cas." Dad tilts my chin up, ripping my gaze from the pull. "You were born to do this. I promise you, you'll forget you even have it." I suppose he ought to know - he's been carrying one for two decades. It's just a right of passage, I tell myself, and throw my arms around his neck once more.
Emily Skrutskie (The Abyss Surrounds Us (The Abyss Surrounds Us, #1))
I can't remember when I've spent a more...enjoyable Saturday." She sighed, then teased his tongue with hers. "Since I don't intend to move for at least twenty-four hours,we'll see how you like Sunday as well." "I think I'm going to love it." She slid a hand over his shoulder. "I don't like to be pushy, Senator, but when are you going to marry me?" "I thought September in Hyannis Port." "The MacGregor fortess." He saw by her eyes the idea appealed to hre. "But September's two and a half months away." "We'll make it August," he said as he nibbled at her ear. "In the meantime, you and your roommates can move in here, or we can start looking for another place. Would you like to honeymoon in Scotland?" Shelby nestled into his throat. "Yes." She tilted her head back. "In the meantime," she said slowly as her hands wandered down to his waist. "I've been wanting to tell you that there's one of your domestic policies I'm fully in favor or,Senator." "Really?" His mouth lowered to hover just above hers. "You have-" she nipped at his bottom lip "-my full support.I wonder if you could just...run through the prodecure for me one more time." Alan slid a hand down her side. "It's my civic duty to make myself avaiable to all my constituents." Shelby's fingers ran up his chest to stop his jaw just before he captured her lips. "As long as it's only me, Senator." She hooked her arm around his neck. "This is the one-man one-vote system.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Imagine a form of baseball in which the pitcher, after each delivery, collects the ball from the catcher and walks slowly with it out to centre field; and that there, after a minute's pause to collect himself, he turns and runs full tilt towards the pitcher's mound before hurling the ball at the ankles of a man who stands before him wearing a riding hat, heavy gloves of the sort used to handle radioactive isotopes, and a mattress strapped to each leg. Imagine moreover that if this batsman fails to hit the ball in a way that heartens him sufficiently to try to waddle sixty feet with mattresses strapped to his legs he is under no formal compulsion to run; he may stand there all day, and as a rule, does. If by some miracle he is coaxed into making a misstroke that leads to his being put out, all the fielders throw up their arms in triumph and have a hug. Then tea is called and everyone retires happily to a distant pavilion to fortify for the next siege. Now imagine all this going on for so long that by the time the match concludes autumn has crept in and all your library books are overdue. There you have cricket.
Bill Bryson
Lukesagynecologist." "What?" Everly tilts her head like I'm talking crazy. "Luke is a gynecologist. At the student health clinic." "Shut the fuck up." I think I've managed to shock Everly. "I did not see this coming." She looks at me. "So?" "So?" I ask. "So you rescheduled the appointment with another doctor?" "No. I kept the appointment." "You kinky bitch, you did not! Stop it." "I did. I was already sitting on the exam table wearing a paper gown when he walked in. What was I supposed to do?" "Was it good for you?" She grins at me suggestively. "Everly!" "Bitch, I know you enjoyed it. At least a little." "You think there's something wrong with me, don't you?" "Sophie, no. That guy has no business being a gynecologist. It's not fair to women." "I think he's technically an obstetrician." "Same difference." "The nurse said he runs a department at the hospital.” "Well done, Sophie. When you crush, you crush classy." "Ugh." I cringe. "That reminds me. Do you keep your socks on during a gynecologist exam?" "Off. So, did you get your prescription?" "Yeah." I nod. "And a bag full of condoms." I pat my backpack. "Aww. Dr. Luke cares about your safety." "You understand I am never waiting on him again, right?" "Oh, yeah. I figured that out about thirty seconds into this conversation.
Jana Aston (Wrong (Cafe, #1))
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
At the top of Anonybitch’s feed, there is a video of a boy and a girl making out in a hot tub. Anonybitch is particularly famous for her hot tub videos. She tags them #rubadub. This one’s a little grainy, like it was zoomed in from far away. I click play. The girl is sitting in the boy’s lap, her body draped over his, legs hooked around his waist, arms around his neck. She’s wearing a red nightgown, and it billows in the water like a full sail. The back of her head obscures the boy. Her hair is long, and the ends dip into the hot tub like calligraphy brushes in ink. The boy runs his hands down her spine like she is a cello and he is playing her. I’m so entranced I don’t notice at first that Kitty is watching with me. Both of our heads are tilted, trying to suss out what it is we’re looking at. “You shouldn’t be looking at this,” I say. “Are they doing it?” she asks. “It’s hard to say because of her nightgown.” But maybe? Then the girl touches the boy’s cheek, and there is something about the movement, the way she touches him like she is reading braille. Something familiar. The back of my neck goes icy cold, and I am hit with a gust of awareness, of humiliating recognition. That girl is me. Me and Peter, in the hot tub on the ski trip. Oh my God. I scream. Margot comes racing in, wearing one of those Korean beauty masks on her face with slits for eyes, nose, and mouth. “What? What?” I try to cover the computer screen with my hand, but she pushes it out of the way, and then she lets out a scream too. Her mask falls off. “Oh my God! Is that you?” Oh my God oh my God oh my God. “Don’t let Kitty see!” I shout. Kitty’s wide-eyed. “Lara Jean, I thought you were a goody-goody.” “I am!” I scream.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I’ll fill a tray for Mr. Thornton,” she offered, eager for any excuse to check up on the man and judge the severity of his injuries for herself, “and take it to the workshop.” “That won’t be necessary, Miss Greyson, but thank you.” Nicole spun toward the doorway. “Dar—Mr. Thornton!” She raked her gaze over his tall form. He moved a bit gingerly as he entered the kitchen, but that was to be expected after the abuse his body had taken that afternoon. No bandages in evidence, at least none that she could see. She supposed it was possible he had a wound concealed beneath his dark trousers, but she gauged his movements as he ambled to the table and didn’t detect a limp or any hitch in his stride. “Do I pass inspection?” The amusement in his voice brought a rush of heat to her cheeks. “That depends,” she brazened, lifting her chin. “Are there any hidden injuries I should be concerned about?” He made his way around the table, running his fingers along the back of each chair. “Such a personal question, Miss Greyson.” A teasing gleam lit his eyes as he steadily approached. Nicole dropped the bread knife and turned to face him fully, reaching behind herself to grip the cabinet top for support. “But you can put your mind at ease.” He didn’t stop when he rounded the table. He kept coming. Nicole’s pulse fluttered, and her grip on the cabinet doubled. “Except for a pile of bruises and some overheated skin, I’m fine.” He ceased his advance. Finally. She had to tilt her head back to hold his gaze, though, so close had he come. “I’m glad to hear it. Sir.” She added the last to try to force some distance between them. With him standing so close, all she could think about was that unexpected kiss they’d shared. Not the healthiest train of thought for a young woman who planned to leave as soon as monetarily possible. He was her employer. That was all.
Karen Witemeyer (Full Steam Ahead)
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Even if we do not suffer from religious mania, unrequited love, loneliness or jealousy, most readers can identify with Burton’s account of information overload over three centuries before the invention of the internet, an extraordinary broadside which is worth quoting in full: I hear new news every day, and those ordinary rumours of war, plagues, fires, inundations, thefts, murders, massacres, meteors, comets, spectrums, prodigies, apparitions, of towns taken cities besieged in France, Germany, Turkey, Persia, Poland &c. daily musters and preparations, and such like, which these tempestuous times afford, battles fought, so many men slain, monomachies, shipwrecks, piracies, and sea-fights, peace, leagues, stratagems, and fresh alarms. A vast confusion of vows, wishes, actions, edicts, petitions, lawsuits, pleas, laws, proclamations, complaints, grievances, are daily brought to our ears. New books every day, pamphlets, currantoes, stories, whole catalogues of volumes of all sorts, new paradoxes, opinions, schisms, heresies, controversies in philosophy, religion &c. Now come tidings of weddings, maskings, mummeries, entertainments, jubilees, embassies, tilts and tournaments, trophies, triumphs, revels, sports, plays; then again, as in a new shifted scene, treasons, cheating tricks, robberies, enormous villanies in all kinds, funerals, burials, deaths of Princes, new discoveries, expeditions; now comical then tragical matters. To-day we hear of new Lords and officers created, to-morrow of some great men deposed, and then again of fresh honours conferred; one is let loose, another imprisoned; one purchaseth, another breaketh; he thrives, his neighbour turns bankrupt; now plenty, then again dearth and famine; one runs, another rides, wrangles, laughs, weeps &c. Thus I daily hear, and such like, both private and public news.37 And that way, Burton reminds us, that way madness lies…
Catharine Arnold (Bedlam: London and Its Mad)
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
Herman Melville (Moby-Dick or, The Whale)
Avalon is full of desperate people.’ She bites at her lower lip this time, fumbling her hands, knitting her fingers into the bundle of plastic coin bags in her grasp. ‘Are you implying that I’m desperate?’ I say, one eyebrow tilting. ‘You don’t need to be desperate… you can have anyone... I…’ she trails off. Looking up and trying to search the line of shops for the bank. I repulse her, I make her want to run. Why is this so hard? I need to get inside of her, I need to know what she is thinking, what she is wanting. It surely isn’t me she wants. Not to the extent that I… want her. ‘You?’ I entice her to finish her sentence but she doesn’t, she stares off into the bustling crowds, memory flashing her eyes with a darkness. ‘Madi wouldn’t fumble like this.’ Oh, she would fumble, but not in the way you are, Elli. ‘You’re not her, Elli.’ I entice her again, trying to force the dark memory, the sadness from her. ‘No, if I was, you wouldn’t have wanted anyone else.’ A breath hitches in her throat, she puts a hand over her mouth and says something else, her cheeks dance a shade of red that brightens and brightens until she apologises and quickens her pace. I chuckle, pulling at her arm and encircling one around her waist, pulling her back to me. Beneath my touch, her body trembles. When I raise my hand, my palm touching her cheek, I am sure she isn’t breathing. ‘I don’t want anyone, Elli.’ My eyes burn, consuming her with my gaze. She is like a frightful deer, struggling beneath me with a gaze that cannot quite meet mine. When she does, it is only for a brief second before falling down and all I see is the gentle flutter of her raven flashes. ‘I told you. I want someone I cannot have.’ ‘That is a really harsh way of telling someone you’re not interested.
Charlotte Munro (Grey October (East Hollow Chronicles))
I just run faster and hit the slowest of the lead boys. I wink and race by him. He smells like onions and he has big, wet circles in the pits of his shirt. He speeds up, but can only stay with me for a tenth of a mile before he drops back. Then it’s Nick. I cruise next to him. He’s some sort of running god, because he isn’t close to being winded. His stride is long, powerful, and quick. “Hi.” Why I said this, I do not know. He’s cute. Okay. I am a sucker for cute boys and he was nice to Issie. Plus, he has good hair and he isn’t as pale as most Maine males. He looks like he works in the sun, or at least has seen the sun once, maybe many weeks ago. Plus, life is all supposed to be about making love, not war. My dad listened to John Lennon; I know this stuff. “You’re fast,” he says, easy. No huffing. No puffing. No blowing the house down. “So are you.” We run together, keeping pace. The only one ahead of us is Ian, who is loping around the track as if it’s nothing. Nick shrugs at me while he runs, which is really something, because when I’m running full tilt it’s hard for me to speak, let alone break form to shrug. “You can go faster, can’t you?” I huff out. He just gives a little smile again and then his eyes shift into something cold, like gravestones with just the barest information about a life etched onto them. “Zara,” he whisper-says. I lean in closer to hear him. “What?” My voice is not a whisper. It matches the thudding beat of my heart, the bass of the music that blares out of the speakers. “Awesome job, new girl!” Devyn yells, clapping.
Carrie Jones (Need (Need, #1))
He’s still there. Kay diligently avoided eye contact—not that she could even make out the stranger’s eyes by moonlight from thirty yards away. She’d assumed she’d have the beach to herself on this brisk Tuesday night in late May. Didn’t everyone else have a life? The wet sand at the water’s edge was smooth and frigid under her bare toes—her sandals dangled from her fingers. The crisp, salt-scented breeze billowed her calf-length skirt and open cotton blazer, and whipped strands of pale blonde hair across her face. She planted her feet as the next icy wave surged ashore, leaving her toes buried in sand. After two more waves, only the insteps showed. A flash of silver drew her eye down the beach. Not silver, she saw now, but a white dress shirt being balled up and tossed to the sand. The shirt belonging to the stranger she mustn’t make eye contact with because you never know. He wasn’t looking her way, so she watched him. She watched him pull off his black shoes and socks. She watched him unzip his dark slacks and step out of them. She watched him drop his briefs and kick them away. Her head snapped forward. That’s why you never make eye contact! Because you never know! Because the most normal-looking man can turn out to be some nut job who thinks nothing of stripping in front of a strange woman and—and— She sneaked a peek. And running into the ocean full-tilt.
Pam McKenna, Binding Agreement
Anesthesiologist,” I tell him. “Sì.” He smiles at me. It’s a goofy, toothy grin. His nose is large and his ears stick out, but I like how his thick black hair gets in his eyes when he tilts his head to bite into the pear. He runs a hand through it to push it back, but it doesn’t help. There is a snap as he bites through the pear’s skin, into the flesh, peeling it with his teeth. I watch his throat work as he eats. A bit of juice disappears beneath the collar of his shirt. His mother huffs, pretending exasperation, and gets him a napkin. This is Paul and Hannah’s apartment—Donato and his parents live one building over—but I can tell by how he stretches across the living room couch, how his mother directs my brother-in-law in the kitchen, that they might as well live here too. “Marie’s teaching me how to make a proper cacio e pepe,” Paul calls to me from the stove. The pot of boiling water is making the room muggy. Marie goes to prop open the front door. “You have not seen Hannah since her mamma’s funeral?” Donato asks, watching me from the couch. He has very light brown eyes, fringed with thick lashes and full, almost feminine lips that are slick and shiny from the pear juice. I can feel him assessing me. Taking in the box-dye job, the blunt haircut I managed to fit in between visits to the nursing home and my red-eye flight. It’s shorter than I wanted and feels uneven. It looks exactly the same, Guy assured me before dropping me off at the airport. “Over a year now,” I say, trying not to fidget. He raises an eyebrow, still enjoying that pear. I refuse to feel guilty. Paul had left for Italy soon after the funeral, taking Hannah with him. And I had my mother to think of, her grief was insurmountable. It affected everything. She did not want to go outside, she did not want to eat.
Liska Jacobs (The Worst Kind of Want)
Oh, no,” Kirihime whispered in horror. A naked Camellia running around the base was not something she wanted to deal with. This is not good! Kirihime burst out the door. She didn’t even bother locking up and just ran down the hall, using the enhancement technique to run faster. “Lady Camellia!” She turned a corner and was just in time to see Camellia standing inside of an elevator, the doors slowly sliding shut. “Bye, bye, Kiri-Kiri!” Camellia waved at Kirihime, who rushed for the door. However, not even the enhancement technique gave her enough speed to reach her mistress before the doors shut. Kirihime slammed into the door, then fell onto her back, staring up at the ceiling. “This… this is really not good. Not good at all.” *** Kevin, dressed in jeans and a white T-shirt that conformed to his torso, exited the locker room and began the long walk back to his apartment. His muscles ached from his most recent exercises. He and Kiara had been trying to discover more about his power. They had learned a lot through experimentation. It seemed his strange ability only worked on barriers, but they didn’t work on anything else, which he’d learned the hard way after suffering several full-on youki attacks from the powerful inu. Still, this power is pretty useful, even if it’s just the ability to break barriers. Kevin looked at his left hand. This hand seemed to be where this strange power was contained. He’d tried breaking through Kiara’s barrier with his right hand but had only received severe burns for his troubles. I wonder if it only works on barriers? Can I use it for anything else? Kiara had described his unique skill as the “ability to unlock barriers,” and indeed, when watching his power at work, it did look more like unlocking than destroying. When he touched Kiara’s aura, the red energy would peel apart like a blooming flower. The energy didn’t dissipate either. It still existed, but it moved around his hand, meaning that he wasn’t destroying it, just moving it out of the way. Kiara’s aura isn’t a barrier either, not really. It stands to reason this power can work on more than just barriers. “Kkkkkeeeeeevvvvviiiinnnnnn…………….” Kevin stopped walking, his head tilting in idle curiosity as he heard someone calling his name. “Kkkkkkyyyyyuuuuuunnnnnnnn!!!!” His eyes widening, Kevin swiftly spun around as the source of the voice got louder. He promptly found two large, round, soft things being shoved into his face. “Uwa!!” He tumbled to the floor, taking the other person with him. Delightful, childish laughter told him exactly who had crashed into him tits first. Kevin felt almost resigned. Why do these things keep happening to me?
Brandon Varnell (A Fox's Hostility (American Kitsune, #9))
Some people like just to unlike, run just to slow down. fly just to crash, hug just to thrash, and swim just to drown. In an attempt to get you bound on their merry-go-round. Their speed, their rules, their weak power tools, and inefficient fuels. Reducing you to spoils. I stay clear of that ride and remain at the swings in my swing with no mainstream strings determining my well being, I swing. Bend my knees back, then tilt my feet up. Keep my head high, and keep a full cup of blessings. Higher and higher with no bar limitation, the swing’s just a metaphor that means elevation. I look at the creation and am filled with inspiration. I’m a child of the King, and that’s my motivation.
Calvin W. Allison (The Sunset of Science and the Risen Son of Truth)
At the extreme, a program may run just long enough to swap its needed items into memory, before giving way to another program that runs just long enough to overwrite them in turn. This is thrashing: a system running full-tilt and accomplishing nothing at
Brian Christian (Algorithms to Live By: The Computer Science of Human Decisions)
Nobody’s perfect, Leo,” Dad told me, holding me a few more seconds. “Trust me on that, son. But you made Caleb a better person, and he made you a better person. That’s what brothers are supposed to do,” he said as he let go, straightening the knot of my tie. “It’s time for us to pull ourselves together and hope some people show up.
Michael Currinder (Running Full Tilt)
Over the years, I have watched so many people try to run this racial justice marathon like it is a sprint. They come off the starting line at full tilt, ready to “dismantle,” “interrogate,” and “divest of” (or whatever buzzwords and jargon seem to resonate with them the most) any and everything that has even a hint of white supremacy. The problem is that a lot of things in this world are tied to or corrupted by white supremacy. People will collapse from exhaustion before ever reaching the finish line, and the finish line is much farther away than it appears. When folks come off the line sprinting, one of three things usually happens: they retreat into silence, burn out, or become jaded.
Ally Henny (I Won't Shut Up: Finding Your Voice When the World Tries to Silence You (An Unvarnished Perspective on Racism That Calls Black Women to Find Their Voice))
If the average American were to jump right into week long retreat in a Zen monastery, it would certainly feel like an excruciatingly painful practice of extreme asceticism—but so would trying to run a full marathon on the first day one decides to take up jogging. It may be the case that many Zen monasteries tilt too far in the direction of asceticism, even more than is necessary as a corrective to our more hedonistic lifestyle. But it is no doubt true that many of our lifestyles tilt too far in the direction of indulging various desires, an indulgence that multiplies and distorts our natural desires into unnatural cravings.
Bret W. Davis (Zen Pathways: An Introduction to the Philosophy and Practice of Zen Buddhism)
Running is nothing but leaning forward, eyes and nose over your shoelaces, just letting gravity do the work. Racing is nothing but running full tilt, leaning a little farther forward, and moving your legs fast enough that you don’t frickin’ fall down. It’s a balance between running with reckless abandon and staying in control. If you find that balance, you feel like you’re flying.
Michael Currinder (Running Full Tilt)
the sight of myself up on the screen, running full tilt through the Over City with nothing but a one-armed leather jacket and my nuts dangling free filled me with a strange, almost primal sense of vulnerability. I don’t know how nudists ever got used to it.
Matt Dinniman (Carl's Doomsday Scenario (Dungeon Crawler Carl, #2))
Seeing is of course very much a matter of verbalization. Unless I call my attention to what passes before my eyes, I simply won’t see it. It is, as Ruskin says, “not merely unnoticed, but in the full clear sense of the word, unseen.” If Tinker Mountain erupted, I’d be likely to notice. But if I want to notice the lesser cataclysms of valley life, I have to maintain in my head a running description of the present…when I see this way I analyze and pry. I hurl over logs and roll away stones; I study the bank a square foot at a time, probing and tilting my head. Some days when the mist covers the mountains, when the muskrats won’t show and the microscope’s mirror shatters, I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife, claw a rent in the top, peep, and if I must, fall. But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk without a camera, my own shutter opens, and the moment’s light prints on my own silver gut. It was sunny one evening last summer at Tinker Creek; the sun was low in the sky, upstream. I was sitting on the sycamore log bridge with the sunset at my back, watching the shiners the size of minnows who were feeding over the muddy bottom…again and again, one fish, then another, turned for a split second and flash! the sun shot out from its silver side. I couldn’t watch for it. It was always just happening somewhere else…so I blurred my eyes and gazed towards the brim of my hat and saw a new world. I saw the pale white circles roll up, roll up like the world’s turning, mute and perfect, and I saw the linear flashes, gleaming silver, like stars being born at random down a rolling scroll of time. Something broke and something opened. I filled up like a new wineskin. I breathed an air like light; I saw a light like water. I was the lip of a fountain the creek filled forever; I was ether, the leaf in the zephyr; I was flesh-flake, feather, bone. When I see this way, I see truly.
Annie Dillard (Pilgrim at Tinker Creek)
He also wouldn’t leave Gabi exposed.  The Vampires might be fast and strong, but he and Gabi had faced countless dangers together, they knew how to fight side by side, and he had a doctorate in tempering her rage and calming her tendency to run full tilt into danger without considering the alternatives.
Sharon Hannaford (Come Hell or High Water (Hellcat #5))
I have never before gathered eggs from under a hen. Fernando has never before seen a hen. We bend low into the shed where perch a dozen or so fat lady birds. There's no shrieking or fluttering at all. I approach one and ask if she has an egg or two. Nothing. I ask in Italian. Still nothing. I ask Fernando to pick her up but he's already outside the shed smoking and pacing, telling me he really doesn't like eggs at all and he especially doesn't like frittata. Both bold-faced lies. I start to move the hen and she plumps down from her perch quite voluntarily, uncovering the place where two lovely brown eggs sit. I take them, one at a time, bend down and nestle them in my sack. I want two more. I peruse the room. I choose the hen who sits next to the docile one. I pick her up and she pecks me so hard on my wrist that I drop her. I see there is nothing in her nest and apologise for my insensitivity, thinking her nastiness must have been caused by embarrassment. I move on to another hen and this time find a single, paler brown-shelled beauty, still warm and stuck all over with bits of straw. I take it and leave with an unfamiliar thrill. This is my first full day in Tuscany and I've robbed a henhouse before lunch. Back home in the kitchen I beat the eggs, the yolks of which are orange as pumpkin, with a few grindings of sea salt, a few more of pepper, adding a tablespoon or so of white wine and a handful of Parmigliano. I dig for my flat broad frying pan, twirl it to coat its floor with a few drops of my tourist oil, and let it warm over a quiet flame. I drop in the rinsed and dried blossoms whole, flatten them a bit so they stay put, and leave them for a minute or so while I tear a few basil leaves, give the eggs another stroke or two. I throw a few fennel seeds into the pan to scent the oil, where the blossoms are now beginning to take colour on their bottom sides. Time to liven up the flame and add the egg batter. I perform the lift-and-tilt motions necessary to cook the frittata without disturbing the blossoms, which are now ensnared in the creamy embrace of the eggs. Next, I run the lush little cake under a hot grill to form a gold blistery skin on top before sliding it onto a plate, strewing it with torn basil. The heat of the eggs warms the herbs so they give up a double-strength perfume. Now I drop a thread of find old balsamico over it. And finally, let it rest.
Marlena de Blasi
The New England wilderness March 1, 1704 Temperature 10 degrees The Indian next to Mr. Williams interrupted him roughly. “We kill. You tell.” Mr. Williams ceased to pray. “Joe Alexander escaped last night,” he said. “If anyone else tries to escape, they will burn the rest of us alive.” Burn alive? Burn innocent women and children because one young man flew from their grasp? Her Indian stood some distance away amid the other warriors. He was now wearing a vivid blue cloth coat of European design. In one hand he held his French flintlock, and over his shoulder hung his bow and a full otter-skin quiver--actually, the entire dead otter, complete with face and feet. His coat hung open to show a belt around his waist, from which hung his tomahawk and scalping knife. His skin was not red after all, but the color of autumn. Burnished chestnut. His shaved head gleamed. He looked completely and utterly savage. He might sorrow for a dead brother warrior, but grief would make him more likely to burn a captive, not less likely. Mercy imagined kindling around her feet, a stake at her back, her flesh charring like a side of beef. Beside her, Eben seemed almost to faint. Mercy had the odd thought that she, an eleven-year-old girl, might be stronger than he, a seventeen-year-old boy. The English were silent, entirely able to believe they might be burned. The first person to move was Mercy’s Indian. Sharply raising one hand, bringing the eyes of all upon him, he pointed to Mercy Carter. She was frozen with horror. His finger beckoned. There could be no mistake. The meaning was come. There was no speech and no movement from a hundred captives and three hundred enemies. It was the French Mercy hated at that moment. How could they stand by and let other whites be burned alive? She had no choice but to go to him. She set Daniel down. Perhaps they would spare Daniel. Perhaps only she was to be burned. She forced herself to keep her chin up, her eyes steady and her steps even. How could she be afraid of going where her five-year-old brother had gone first? O Tommy, she thought, rest in the Lord. Perhaps you are with Mother now. Perhaps I will see you in a moment. She did not want to die. Her footsteps crunched on the snow. Nobody spoke. Nobody moved. The Indian handed Mercy a slab of cornmeal bread, and then beckoned to Daniel, who cried, “Oh, good, I’m so hungry!” and came running, his happy little face tilted in a smile at the Indian who fed him. “Mercy said we’d eat later,” Daniel confided in the Indian. The English trembled in their relief and the French laughed.
Caroline B. Cooney (The Ransom of Mercy Carter)
Brittany, wait!” a voice calls from behind me. I turn around and am face-to-face with the guy who’s haunting my dreams…daydreams and night dreams. Alex. The guy who I hate. The guy who I can’t get out of my mind, no matter how drunk I am. “Ignore Javier,” Alex says. “Sometimes he gets carried away tryin’ to be a badass.” I’m stunned when he steps closer and wipes away a tear from my cheek. “Don’t cry. I wouldn’t let him hurt you.” Should I tell him I’m not afraid of being hurt? I’m afraid of not being in control. Though I haven’t run far, it’s far enough from Alex’s friends. They can’t see me or hear me. “Why do you like Carmen?” I ask as the world tilts and I stumble in the sand. “She’s mean.” He holds out his hands to help me but I flinch, so he stuffs his hands in his pockets. “What the fuck do you care, anyway? You stood me up.” “I had stuff going on.” “Like washin’ your hair or getting’ a manicure?” Or having my hair ripped out by my sister and getting reamed out by my mom? I jab my finger into his chest. “You’re an asshole.” “And you’re a bitch,” he says. “A bitch with a kick-ass smile and eyes that can seriously screw with a guy’s head.” He winces, as if the words slipped out and he wants to take them back. I was expecting him to say a lot of things, but not that. Especially not that. I notice his bloodshot eyes. “You’re high, Alex.” “Yeah, well you don’t look too sober yourself. Maybe now’s a good time to give me that kiss you owe me.” “No way.” “¿Por qué no? Afraid you’ll like it so much you’ll forget your boyfriend?” Kiss Alex? Never. Although I’ve been thinking about it. A lot. More than I should. His lips are full and inviting. Oh, boy, he’s right. I am drunk. And I’m definitely not feeling right. I’m past numbness and going on delirium, because I’m thinking things I have no business thinking. Like how I want to know what his lips feel like against mine. “Fine. Kiss me, Alex,” I say, stepping forward and leaning into him. “Then we’ll be even.” His hands are braced on my arms. This is it. I’m going to kiss Alex and find out what it’s like. He’s dangerous and he mocks me. But he’s sexy and dark ad beautiful. Being this close to him makes my body shiver with excitement and my head spin. I loop my finger through his belt loop to steady myself. It’s like we’re standing on a Tilt-a-Whirl ride at the carnival.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
A strange creature stands in front of her. About three feet tall with large pointy ears and yellow eyes, it looks up at her with shrewdness. It wears a wool cap and has a long white beard that passes its pudgy belly. The beard is filled with braids, beads, and a pocket watch. She gasps, “Is that an elf?” The creature draws itself up to its full height. “An elf! You call me an elf? I am no elf, little girl! I am no faery slave! I am a goblin! Finiki the Goblin!” It turns to the copper-haired man with a scowl. “Did you hear that, Tristan? An elf! Your girl called me an elf!” Tristan runs a hand through his hair. “Leave her be, Finiki. Why don’t you go and check on Foresto – “ “The ogre?” Brie asks. He hesitates before looking down at her with slightly widened eyes, seeming surprised she knew who he was speaking of. “The ogre,” he finally confirms, then adds, “You’re a fast learner.” Trying to be subtle as to not turn his short temper onto her, she tilts her head towards the stout creature that stands in front of them. “You people have a goblin. An ogre isn’t that far-fetched.
Madeline C.C. Harper (The Return of Light (The Primloc Chronicles, #1))
You look tired. Do you need a break?” “Yes.” Cass sat up on the divan, rolling her head around in a circle. “Can I see?” Falco refilled her glass and then came to sit beside her. “Not yet,” he said, rubbing her neck gently. “Why not?” Closing her eyes, she tilted her head down to make more room for Falco’s hands. Again, something deep inside of her whispered that she should run away while she still could. And again, Cass ignored it. “Because it’s not perfect yet.” Innocent words, but he said them in a way that was soft and full of longing. Cass kept her face down, her eyes closed, afraid of what she’d see if she opened them. Falco brushed her hair back over her shoulders. He traced a finger around the edge of her lips. “But you are,” he breathed, low, right near her ear. And then, slowly, he touched his lips to her cheekbone and left them there. Cass felt torn in two, like the sky split by lightning. One side guilty. One side wanting. She froze, statue-still, as Falco’s lips brushed against her earlobe and then moved down and across her jawbone. His mouth hovered in the air, a parchment’s width away from hers. Eternities came and went. Slowly, Cass tilted her lips to meet his. And then Falco’s mouth was on hers, burning hot, but softer than she had imagined. And Cass felt her whole body tense up and then go weak. Blindly, she reached out for one of his hands, lacing their fingers together. She pressed her lips against him, her soul against him, and she felt truly warm for the first time. Like she’d been living her whole life in a block of ice and had finally escaped into the sun. Falco’s other hand moved up to cradle her face. Cass felt her heart beating against her rib cage like a bird trying to wing free. Their mouths moved against each other, and she couldn’t believe the heat they were creating. She couldn’t believe it was possible to feel the way she did, so completely intertwined with another human being. It felt like they were on a boat, the whole world swaying around them like waves.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
You look tired. Do you need a break?” “Yes.” Cass sat up on the divan, rolling her head around in a circle. “Can I see?” Falco refilled her glass and then came to sit beside her. “Not yet,” he said, rubbing her neck gently. “Why not?” Closing her eyes, she tilted her head down to make more room for Falco’s hands. Again, something deep inside of her whispered that she should run away while she still could. And again, Cass ignored it. “Because it’s not perfect yet.” Innocent words, but he said them in a way that was soft and full of longing. Cass kept her face down, her eyes closed, afraid of what she’d see if she opened them. Falco brushed her hair back over her shoulders. He traced a finger around the edge of her lips. “But you are,” he breathed, low, right near her ear. And then, slowly, he touched his lips to her cheekbone and left them there.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))