Rule Of The Bone Quotes

We've searched our database for all the quotes and captions related to Rule Of The Bone. Here they are! All 100 of them:

I don't know many rules to live by,' he'd said. 'But here's one. It's simple. Don't put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles--drug or tattoo--and...no inessential penises either.' 'Inessential penises?' Karou had repeated, delighted with the phrase in spite of her grief. 'Is there any such thing as an essential one?' 'When an essential one comes along, you'll know,' he'd replied.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
So many men had tried to make her a queen. Now she understood that she was meant for something more. The Darkling had told her he was destined to rule. He had claimed his throne, and a part of her too. He was welcome to it. For the living and the dead, she would make herself a reckoning. She would rise.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Rule number one of anime," Simon said. He sat propped up against a pile of pillows at the foot of his bed, a bag of potato chips in one hand and the TV remote in the other. He was wearing a black T-shirt that said I BLOGGED YOUR MOM and a pair of jeans that were ripped in one knee. "Never screw with a blind monk.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Brush teeth. Wash hair. Rule undead world with an iron fist.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
You were meant to be my balance Aline. You are the only person in the world who might rule with me, who might keep my powers in check
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Loyalty is weird, it kicks in when you dont expect it and the people who deserve loyalty least seem to get it the most.
Russell Banks
Whether she ruled over all the lands and seas or was the Queen of nothing but a pile of ashes and bones she would - will - always be my Queen. Love is too weak an emotion to describe how she consumes me and what I feel for her. She is my everything.
Jennifer L. Armentrout (The War of Two Queens (Blood and Ash, #4))
I wasn't afraid of you, Alina. I was afraid of losing you. That girl you were becoming didn't need me anymore, but she's who you were always meant to be." "Power hungry? Ruthless?" "Strong." He looked away. "Luminous. And maybe a little ruthless too. That's what it takes to rule. Ravka is broken, Alina. I think it always has been. The girl I saw in the chapel could change that.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
General Wolf Rules For Life 1. Eat 2. Rest 3. Rove in between 4. Render loyalty 5. Love the children 6. Cavil in the moonlight 7. Tune your ears 8. Attend to the bones 9. Make love 10. Howl
Clarissa Pinkola Estés (Women Who Run With the Wolves)
I sought Morozova amplifiers for you Alina, so that we can rule as equals
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
The Darkling had told her he was destined to rule. He had claimed his throne, and a part of her too. He was welcome to it. For the living and the dead, she would make herself a reckoning. She would rise.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
The Darkling smiled, but this time the turn of his lips was cold. He shoved off the table and stalked toward me. “I will enter the Fold, Alina, and I will show West Ravka what I can do, even without the Sun Summoner. And when I have crushed Lantsov’s only ally, I will hunt you like an animal. You will find no sanctuary. You will have no peace.” He loomed over me, his gray eyes glinting. “Fly back home to your otkazat’sya,” he snarled. “Hold him tight. The rules of this game are about to change.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
A student once asked anthropologist Margaret Mead, “What is the earliest sign of civilization?” The student expected her to say a clay pot, a grinding stone, or maybe a weapon. Margaret Mead thought for a moment, then she said, “A healed femur.” A femur is the longest bone in the body, linking hip to knee. In societies without the benefits of modern medicine, it takes about six weeks of rest for a fractured femur to heal. A healed femur shows that someone cared for the injured person, did their hunting and gathering, stayed with them, and offered physical protection and human companionship until the injury could mend. Mead explained that where the law of the jungle—the survival of the fittest—rules, no healed femurs are found. The first sign of civilization is compassion, seen in a healed femur.
Ira Byock
The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. Although the two are identical twins, man, as a rule, views the prenatal abyss with more calm than the one he is heading for (at some forty-five hundred heartbeats an hour). I know, however, of a young chronophobiac who experienced something like panic when looking for the first time at homemade movies that had been taken a few weeks before his birth. He saw a world that was practically unchanged-the same house, the same people- and then realized that he did not exist there at all and that nobody mourned his absence. He caught a glimpse of his mother waving from an upstairs window, and that unfamiliar gesture disturbed him, as if it were some mysterious farewell. But what particularly frightened him was the sight of a brand-new baby carriage standing there on the porch, with the smug, encroaching air of a coffin; even that was empty, as if, in the reverse course of events, his very bones had disintegrated.
Vladimir Nabokov (Speak, Memory)
I don’t know many rules to live by,” he’d said. “But here’s one. It’s simple. Don’t put anything unnecessary into yourself. No poisons or chemicals, no fumes or smoke or alcohol, no sharp objects, no inessential needles—drug or tattoo—and… no inessential penises, either.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
I’d kill for you, Tess. I have killed for you. Don’t undermine me by fearing others. Fear me. Let me rule you!
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
I don’t know what game you and geek boy are playing, Gautier. But you get in my way as I leave and I’ll wipe my boots on your balls. (Brett) Before he realized what was happening, Simi had taken Brett’s hand and squeezed it so hard Nick heard the bones break.) Nick is a friend of the Simi’s. You threaten him and you make the Simi really unhappy and want to eat your head. Trust me, not something you want me to think about. Now go away mean person or the Simi will tell akri she don’t know what happened to you and your masticated form. Not that I like to lie, but there are deceptions to every rule. And you’re about to become one. Now get in there and be quiet. (Simi)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
I think the rules were different there. It was all about science, but the science was magical. It didn’t care about whether something could be done. It was about whether it should be done, and the answer was always, always yes.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Just taking the time to put your mental health first, acknowledging that it deserves respect and care, and accepting help when you need it, can save your life. You are worth saving. And you are not alone.
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
For every girl who needs a hero and doesn't yet realize she will become her own.
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
People are gregarious by necessity. Since the days of the first cave dwellers, humans -- hairless, weak, and helpless save for cunning -- have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct. And I feared I did not have it, and fearing, was ashamed.
Diana Gabaldon (Outlander (Outlander, #1))
It was a rule of secret-keeping, in which she was well-versed: Ask not, lest ye be asked.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Mars knew that love wasn't all red-paper valentines and candy hearts. Love wasn't always joy. Love could be hot-blooded pain down to the bone. Sometimes love was despair. And sometimes love was wrong.
Randy Russell (Dead Rules)
We were rough around the edges, but that didn’t make us worthless. Being a little damaged does not make someone broken. It just means they have better stories to tell and cooler scars. It
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
Nobody here wants to be awful," he said. He hopped a little as he zipped up. "It's just nobody here knows all the rules yet, and that makes a rocky time.
Daniel Woodrell (Winter's Bone)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
But when you’re a kid it’s like you’re wearing these binoculars strapped to your eyes and you can’t see anything except what’s in the dead center of the lenses
Russell Banks (Rule of the Bone)
He wants to believe that playing by the monarchy’s rules will keep us safe, but nothing can protect us when those rules are rooted in hate.
Tomi Adeyemi (Children of Blood and Bone (Legacy of Orïsha, #1))
When you peeled back the skin, you were dealing with bone and muscle, blood and nerve endings. It was all the same. She liked the beautiful logic of the circulatory system, the elegance of the neurological, and the fierce warrior spirit of the heart. The body had rules and it had quirks.
Libba Bray (Beauty Queens)
You are not you--you have no body, no blood, no bones, you are but a thought. I myself have no existence; I am but a dream--your dream, a creature of your imagination. In a moment you will have realized this, then you will banish me from your visions and I shall dissolve into the nothingness out of which you made me. I am perishing already, I am failing, I am passing away. In a little while you will be alone in shoreless space, to wander its limitless solitudes without friend or comrade forever—for you will remain a thought, the only existent thought, and by your nature inextinguishable, indestructible. But I, your poor servant, have revealed you to yourself and set you free. Dream other dreams, and better! Strange! that you should not have suspected years ago—centuries, ages, eons, ago!—for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane—like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell—mouths mercy and invented hell—mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him! You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks—in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier. "It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream—a grotesque and foolish dream. Nothing exists but you. And you are but a thought—a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!
Mark Twain (The Mysterious Stranger)
This, you see, is the danger of children: they are ambushes, each and every one of them. A person may look at someone else's child and see only the surface, the shiny shoes or the perfect curls. They do not see the tears and the tantrums, the late nights, the sleepless hours, the worry. They do not even really see the love, not really. It can be easy, when looking at children from the outside, the believe that they are things, dolls designed and programmed by their parents to behave in one manner, following one set of rules. It can be easy, when standing on the lofty shores of adulthood, not to remember that every adult was once a child, with ideas and ambitions of their own. It can be easy, in the end, to forget that children are people, and that people will do what people will do, the consequences be damned.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
A man's free to do what he wants with his life, until he falls foul of the banks.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
And he looked at her with open eyes, the bone of his heavy brow a bastion above, the flesh of his face wealthy below, and in those eyes she glimpsed an imperium, a mechanism of rule building itself from the work of so many million hands. Remorseless not out of cruelty or hate but because it was too vast and too set on its destiny to care for the small tragedies of its growth.
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
Don't you have something more important to do?" I asked him, flipping on the light on. "Like ruling the world or something" -Mercy
Patricia Briggs
If you pretend that you know what you are doing, a large group of people will blindly follow you
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
A thing cannot be delivered enough times: this is the rule of dogs for whom there are no fool's errands. To loop out and come back is good all alone. It's gravy to carry a ball or a bone.
Kay Ryan
Little Lucy, dressed in white Gave her mother such a fright Walked into the woods one day Where she went no one can say Down a road that no one found Or are her bones sunk in the ground? How many steps did Lucy take? One, two, there, four...
Kate Alice Marshall (Rules for Vanishing)
It's like a crime is an act that when you've committed one the act is over and you haven't changed inside. But when you commit a sin it's like you create a condition that you have to live in.
Russell Banks (Rule of the Bone)
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?” They were silent. Samuel looked at Lindsey. “Buckley,” my father called from the adjoining room, “come play Monopoly with me.” My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap. “See this shoe?” my father said. Buckley nodded his head. “I want you to listen to everything I say about it, okay?” “Susie?” my brother asked, somehow connecting the two. “Yes, I’m going to tell you where Susie is.” I began to cry up in heaven. What else was there for me to do? “This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.” “Is that a dog?” “Yes, that’s a Scottie.” “Mine!” “Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?” “The shoe?” Buckley asked. “Right, and I’m the car, your sister’s the iron, and your mother is the cannon.” My brother concentrated very hard. “Now let’s put all the pieces on the board, okay? You go ahead and do it for me.” Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards. “Let’s say the other pieces are our friends?” “Like Nate?” “Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?” “They can’t play anymore?” “Right.” “Why?” Buckley asked. He looked up at my father; my father flinched. “Why?” my brother asked again. My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back. “Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?” Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right. My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand. Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
Alice Sebold (The Lovely Bones)
I, for one, am glad that I’m surrounded by those who have more loyalty and thirst for adventure than common sense,” Casteel remarked. “And now for the rules.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
Are you all right? No broken bones, no hidden concussions? No fish swimming around in your lungs?" I smiled at him tiredly. "There might be a minnow or two, but I'm sure I'll cough them up before tomorrow," I said, and he chuckled.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
I add my oath of protection to the bone,' he said in a whisper. 'To you now and to any child you may bear in the future. I would trade no day I spend with you for a life of safe slavery. I accepted the post of Seeker of my own free will. And if Darken Rahl takes the whole world into madness, then we will die with a sword in our hands, not chains on our wings. We will not allow it to be easy for them to kill us; they will pay a high price. We will fight with our last breath if need be, and in our death, let us inflict a wound on him that will fester until it claims him.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
Whether she ruled over all the lands and seas or was the Queen of nothing but a pile of ashes and bones, she would—will—always be my Queen. Love is too weak an emotion to describe how she consumes me and what I feel for her. She is my everything.
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
It would be something special," said Tamar, "to have a Grisha on the throne." "She's right," added Genya. "To be the ones to rule, instead of just serve.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Don’t you understand? You’re already in… you’re… inside my skin. Inside my chest. Inside my lungs. Deep within my bones, my heart, my soul. I fucking love you, Sidney.
Jessa Wilder (Rule Number Five (Rule Breaker #1))
I knew my value because the world seemed to be denying it, and that just made me want to prove it even more.
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
I've nothing against people as a general rule, but people don't tend to have the sort of answers I'm looking for." The fence post just above Jackaby's head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. "Of course, people do have a way of surprising you from time to time," my employer added.
William Ritter (Beastly Bones (Jackaby, #2))
If you have a deep cut, you go to a doctor and get a stitch. If you have a cold, you go to a doctor and get medicine. So what makes having something wrong with your brain any different?
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
A church is a wonderful place for a wedding, surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made—and broken—at the altar. Dead now, every last one of them, including the man who invented the rule about not putting your elbows on the dinner table.
Alan Bradley (The Golden Tresses of the Dead (Flavia de Luce, #10))
She’s a loner. She pays her own way. She is someone who doesn’t know her place, or if she does, she doesn’t abide by the rules. She’ll see right through your lies. She’ll steal your heart without even trying. She’ll blink at you with a million whispers in the night while she holds your hand as if she’s the only one who fits it right. You’ll want to carry her bones inside your bones.
Amy A. Bartol (Darken the Stars (Kricket, #3))
Remember the three rules of vampire hunting. One: Never, ever look them in the eyes. Two: Never, ever give up your cross. Three: Aim for the head and heart. Even with silver ammo, it won't be a killing blow anywhere else." I felt like a kindergarten teacher sending her kiddies off to a hostile playground. "Don't panic if you get bitten. The bite can be cleansed. As long as they don't mesmerize you with their eyes, you can still fight.
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
Actually I dont know if it ever works out unless you are standing in the middle of the street and dont see the ten-ton truck coming and this good guy pushes you out of the way and says its for your own good.
Russell Banks
They were gone and I missed them but even so I was very happy. For the rest of my life no matter where on this planet earth I went and no matter how scared or confused I got, I could wait until dark and look up into the night sky and see my three friends again and my heart would swell with love of them and make me strong and clearheaded.
Russell Banks
I wasn’t afraid of you, Alina. I was afraid of losing you. The girl you were becoming didn’t need me anymore, but she’s who you were always meant to be.” “Strong.” He looked away. “Luminous. And maybe a little ruthless too. That’s what it takes to rule. Ravka is broken, Alina. I think it always has been. The girl I saw in the chapel could change that.” “Nikolai’s a born leader. He knows how to fight. Knows how to politic. But he doesn’t know what it is to live without hope. He’s never been nothing. Not like you or Genya. Not like me.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Just remember this, when the scream at last has ended and you've turned on the lights: by the rules of the game, I must always lie.
Margaret Atwood (Good Bones and Simple Murders)
When you have a job that requires you to serve other people, many parts of that job will, unequivocally, suck a top hat full of dicks.
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
When you finally live out your biggest dream, the next step must always be "dream bigger.
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
No matter what your circumstance, if you provide kids with creative ammunition, they will blast holes into an oppressive reality, and conceive limitless worlds.
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
It wasn’t long ago classmates called me a “nerd” in an attempt to hurt my feelings, and now that term is audaciously emblazoned on the front of T-shirts at Hot Topic. It
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
As a means of assigning value to entire swaths of humankind, caste guides each of us often beyond the reaches of our awareness. It embeds into our bones an unconscious ranking of human characteristics and sets forth the rules, expectations, and stereotypes that have been used to justify brutalities against entire groups within our species. In the American caste system, the signal of rank is what we call race, the division of humans on the basis of their appearance. In America, race is the primary tool and the visible decoy, the front man, for caste.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Three pairs of socks, one pair of trousers, an extra shirt. One canteen. A tin cup and plate. A cylindrical slide rule, a chronometer, a jar of spruce sap, my collection of anticorrosives -” “You were only supposed to pack what you need.” David gave an empathetic nod. “Exactly.” “Please tell me you didn’t bring all of Morozova’s journals,” I said. “Of course I did.” I rolled my eyes. There had to be at least fifteen leather-bound books. “Maybe they’ll make good kindling.” “Is she kidding?” David asked, looking concerned. “I can never tell if she’s kidding.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.' I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world." [Shakespeare & Company, archived statement]
George Whitman
Everything in physiology follows the rule that too much can be as bad as too little. There are optimal points of allostatic balance. For example, while a moderate amount of exercise generally increases bone mass, thirty-year-old athletes who run 40 to 50 miles a week can wind up with decalcified bones, decreased bone mass, increased risk of stress fractures and scoliosis (sideways curvature of the spine)—their skeletons look like those of seventy-year-olds. To put exercise in perspective, imagine this: sit with a group of hunter-gatherers from the African grasslands and explain to them that in our world we have so much food and so much free time that some of us run 26 miles in a day, simply for the sheer pleasure of it. They are likely to say, “Are you crazy? That’s stressful.” Throughout hominid history, if you’re running 26 miles in a day, you’re either very intent on eating someone or someone’s very intent on eating you.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
The peregrine falcon is the swiftest, most adept animal I have ever seen. It is worth noting that, like many bird, the falcon's bones are hollow. Travel light.
Ethan Hawke (Rules for a Knight)
Show them weakness when they need to see it, never when you feel it. -Nikolai Lantsov
Leigh Bardugo
I shake Mira's hand away, letting the ship steal my attention. Its wood creaks with laughter as it settles onto the sand, mocking me. The sounds sinks into my bones, and I wonder: If I cannot rule one ship, then how am I ready to rule an entire kingdom?
Adalyn Grace (All the Stars and Teeth (All the Stars and Teeth, #1))
Sir? What are you doing?” I asked. “Investigating,” Jackaby replied flatly. “Well, you can’t just walk into someone’s yard unannounced. Besides, doesn’t investigating usually involve questioning people?” “I’ve nothing against people as a general rule, but people don’t tend to have the sort of answers I’m looking for.” The fence post just above Jackaby’s head exploded in a spray of splinters with a resonating BLAM! A woman stood in the open doorway across from him, a plain white apron tied around her waist and a fat-barreled rifle in her hands. “Of course, people do have a way of surprising you from time to time,” my employer added. The
William Ritter (Beastly Bones (Jackaby, #2))
My Venus is damaged, or in exile, that’s what you say of a Planet that can’t be found in the sign where it should be. What’s more, Pluto is in a negative aspect to Venus, and in my case Pluto rules the Ascendant. The result of this situation is that I have, as I see it, Lazy Venus syndrome. That’s what I call this Conformity. In this case we’re dealing with a Person whom fortune has gifted generously, but who has entirely failed to use their potential. Such People are bright and intelligent, but don’t apply themselves to their studies, and use their intelligence to play card games or patience instead. They have beautiful bodies, but they destroy them through neglect, poison themselves with harmful substances, and ignore doctors and dentists. This Venus induces a strange kind of laziness—lifetime opportunities are missed, because you overslept, because you didn’t feel like going, because you were late, because you were neglectful. It’s a tendency to be sybaritic, to live in a state of mild semiconsciousness, to fritter your life away on petty pleasures, to dislike effort and be devoid of any penchant for competition. Long mornings, unopened letters, things put off for later, abandoned projects. A dislike of any authority and a refusal to submit to it, going your own way in a taciturn, idle manner. You could say such people are of no use at all.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
They were the only three people I'd chosen on my own to love, and they were gone. But still, that morning in Mobay when I saw Russ for the last time, I saw clearly for the first time that loving Sister Rose and I-Man and even Bruce had left me with riches that I could draw on for the rest of my life, I was totally grateful to them.
Russell Banks (Rule of the Bone)
It was strange to stand there in front of the mirror and see myself like I was my own best friend, a kid wanted to hang with forever. This was a boy I could travel to the seacoasts with, a boy I'd like to meet up with in foreign cities like Calcutta and London and Brazil, a boy I could trust who also had a good sense of humor and liked smoked oysters from a can and good weed and the occasional 40 ounces of malt. If I was going to be alone for the rest of my life this was the person I wanted to be alone with.
Russell Banks (Rule of the Bone)
A number of months ago I read in the newspaper that there was a supreme court ruling which states that homosexuals in america have no constitutional rights against the government's invasion of their privacy. The paper states that homosexuality is traditionally condemned in america & only people who are heterosexual or married or who have families can expect those constitutional rights. There were no editorials. Nothing. Just flat cold type in the morning paper informing people of this. In most areas of the u.s.a it is possible to murder a man & when one is brought to trial, one has only to say that the victim was a queer & that he tried to touch you & the courts will set you free. When I read the newspaper article I felt something stirring in my hands; I felt a sensation like seeing oneself from miles above the earth or looking at one's reflection in a mirror through the wrong end of a telescope. Realizing that I have nothing left to lose in my actions I let my hands become weapons, my teeth become weapons, every bone & muscle & fiber & ounce of blood become weapons, & I feel prepared for the rest of my life.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
We (the sovereign we, the we that has been around since the beginning of life) have lived in a dominance hierarchy for a long, long time. We were struggling for position before we had skin, or hands, or lungs, or bones. There is little more natural than culture. Dominance hierarchies are older than trees.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Here Mankind is not governed by the rules of reason, stupid and strict, but by the heart and intuition. The people do not indulge in idle chatter, parading what they know, but create remarkable things by applying their imagination. The state ceases to impose the shackles of daily oppression, but helps people to realize their hopes and dreams. And Man is not just a cog in the system, not just playing a role, but a free Creature. That’s what was passing through my mind, making my bed-rest almost a pleasure. Sometimes I think that only the sick are truly healthy.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Whatever we’re trying to understand about the world, each other, and ourselves, we won’t get far without statistics – any more than we can hope to examine bones without an X-ray, bacteria without a microscope, or the heavens without a telescope.
Tim Harford (How to Make the World Add Up: Ten Rules for Thinking Differently About Numbers)
In a sense, New World conquest was about men seeking a way around one of life's basic rules - that human beings have to work for a living, just like the rest of the animal world. In Peru, as elsewhere in the Americas, Spaniards were not looking for fertile land that they could farm, they were looking for the cessation of their own need to perform manual labor. To do so, they needed to find large enough groups of people they could force to carry out all the laborious tasks necessary to provide them with the essentials of life: food, shelter, clothing, and, ideally, liquid wealth. Conquest, then, had little to do with adventure, but rather had everything to do with groups of men willing to do just about anything in order to avoid working for a living. Stripped down to its barest bones, the conquest of Peru was all about finding a comfortable retirement.
Kim MacQuarrie (The Last Days of the Incas)
Dandyism is not even, as many unthinking people seem to suppose, an immoderate interest in personal appearance and material elegance. For the true dandy these things are only a symbol of the aristocratic superiority of his personality... What, then, is this ruling passion that has turned into a creed and created its own skilled tyrants? What is this unwritten constitution that has created so haughty a caste? It is, a bone all, a burning need to to acquire originality, within the apparent bounds of convention, it's is a sort of cult of oneself, which can dispense even with what are commonly called illusions. It is the delight in causing astonishment, and the proud satisfaction of never oneself being astonished.
Charles Baudelaire
As Arendt observes, “The ideal subject of totalitarian rule is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction (i.e., the reality of experience) and the distinction between the true and the false (i.e., the standards of thought) no longer exist.
Alexa Hagerty (Still Life with Bones: Genocide, Forensics, and What Remains)
New Rule: Stop hitting on women at the dog park. Yes, we're talking to you, divorced guy with a ponytail. That better be a Milk-Bone in your pocket, because we're not glad to see you. Women come to the park to exercise their dogs, not to socialize with hounds. They wouldn't pick you up if they had a plastic bag on their hand. Although if you're determined to meet a woman at the dog park, here's a tip: Get a dog.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Judd’s fists were so tight, he was in danger of fracturing his own bones. He understood why Brenna had needed to talk to Dorian. He even understood that the leopard saw Brenna as a young sister, not a potential lover. None of that made any difference. Judd wanted to be the one she turned to when in need. Ice picks of pain shoved through his skull, dissonance so vicious it nearly shut down his consciousness. The countdown was getting inexorably closer to the end. Uncurling his fingers with sheer force of will, he watched the blood rush back in. Last night had made it clear that he’d already crossed too many lines, broken too many rules. Soon, it would be too late to draw back. “Thank you, Dorian.” No, he would not pull back. Brenna was his. His to pleasure. And his to comfort...
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
People are gregarious by necessity. Since the days of the first cave dwellers, humans—hairless, weak, and helpless save for cunning—have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it, was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct.
Diana Gabaldon (Outlander (Outlander, #1))
the hinder portion scalding-house good eating Curve B in addition to the usual baths and ablutions military police sumptuousness of the washhouse risking misstatements kept distances iris to iris queen of holes damp, hairy legs note of anger chanting and shouting konk sense of "mold" on the "muff" sense of "talk" on the "surface" konk2 all sorts of chemical girl who delivered the letter give it a bone plummy bare legs saturated in every belief and ignorance rational living private client bad bosom uncertain workmen mutton-tugger obedience to the rules of the logical system Lord Muck hot tears harmonica rascal that's chaos can you produce chaos? Alice asked certainly I can produce chaos I said I produced chaos she regarded the chaos chaos is handsome and attractive she said and more durable than regret I said and more nourishing than regret she said
Donald Barthelme (Sixty Stories)
History is a funny little creature. Do you remember visiting your old Aunt that autumn when the trees shone so very yellow, and how she owned a striped and unsocial cat, quite old and fat and wounded about the ears and whiskers, with a crooked, broken tail? That cat would not come to you no matter how you coaxed and called; it had its own business, thank you, and no time for you. But as the evening wore on, it would come and show some affection or favor to your Aunt, or your Father, or the old end-table with the stack of green coasters on it. You couldn’t predict who that cat might decide to love, or who it might decide to bite. You couldn’t tell what it thought or felt, or how old it might really be, or whether it would one day, miraculously, decide to let you put one hand, very briefly, on its dusty head. History is like that. Of course, unlike your Aunt’s cat, history is going on all around you, all the time, and is often quite lively. Sometimes it rests in a sunbeam for a peaceful century or two, but on the whole, history is always plotting, and it bites very hard. It stalks around the world, fickle and dissatisfied and often angry. It demands to be fed just a little earlier each day, until you find yourself carving meat from the bone as fast as you can, faster than you thought possible, just to satisfy it. Some people have a kind of marvelous talent for calming it and enticing it onto their laps. To some it will never even spare a glance.
Catherynne M. Valente (The Girl Who Ruled Fairyland - For a Little While (Fairyland, #0.5))
They were totally alone, those kids, like each had been accidentally sent to earth from a distant planet to live among adult humans and be dependent on them for everything because compared to the adult humans they were extremely fragile creatures and didn't know the language or how anything here worked and hadn't arrived with any money. And because they were like forbidden by the humans to use their old language they'd forgotten it so they couldn't be much company or help to each other either. They couldn't even talk about the old days and so pretty soon they forgot there ever were any old days and all there was now was life on earth with adult humans who called them children and acted toward them like they owned them and like they were objects not living creatures with souls.
Russell Banks (Rule of the Bone)
Whatever this is that I am, it is a little flesh and breath, and the ruling part. Throw away thy books; no longer distract thyself: it is not allowed; but as if thou wast now dying, despise the flesh; it is blood and bones and a network, a contexture of nerves, veins, and arteries. See the breath also, what kind of a thing it is, air, and not always the same, but every moment sent out and again sucked in. The third then is the ruling part: consider thus: Thou art an old man; no longer let this be a slave, no longer be pulled by the strings like a puppet to unsocial movements, no longer be either dissatisfied with thy present lot, or shrink from the future.
Marcus Aurelius (Meditations)
Pettiness often leads both to error and to the digging of a trap for oneself. Wondering (which I am sure he didn't) 'if by the 1990s [Hitchens] was morphing into someone I didn’t quite recognize”, Blumenthal recalls with horror the night that I 'gave' a farewell party for Martin Walker of the Guardian, and then didn't attend it because I wanted to be on television instead. This is easy: Martin had asked to use the fine lobby of my building for a farewell bash, and I'd set it up. People have quite often asked me to do that. My wife did the honors after Nightline told me that I’d have to come to New York if I wanted to abuse Mother Teresa and Princess Diana on the same show. Of all the people I know, Martin Walker and Sidney Blumenthal would have been the top two in recognizing that journalism and argument come first, and that there can be no hard feelings about it. How do I know this? Well, I have known Martin since Oxford. (He produced a book on Clinton, published in America as 'The President We Deserve'. He reprinted it in London, under the title, 'The President They Deserve'. I doffed my hat to that.) While Sidney—I can barely believe I am telling you this—once also solicited an invitation to hold his book party at my home. A few days later he called me back, to tell me that Martin Peretz, owner of the New Republic, had insisted on giving the party instead. I said, fine, no bones broken; no caterers ordered as yet. 'I don't think you quite get it,' he went on, after an honorable pause. 'That means you can't come to the party at all.' I knew that about my old foe Peretz: I didn't then know I knew it about Blumenthal. I also thought that it was just within the limit of the rules. I ask you to believe that I had buried this memory until this book came out, but also to believe that I won't be slandered and won't refrain—if motives or conduct are in question—from speculating about them in my turn.
Christopher Hitchens
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
I live in a time of fear and the fear is not of war or weather or death or poverty or terror. The fear is of life itself. The fear is of tomorrow, a time when things do not get better but become worse. This is the belief of my time. I do not share it. The numbers of people will rise, the pain of migration will grow, the seas will bark forth storms, the bombs will explode in the markets, and mouths fighting for a place at the table will grow, as will the shouting and shoving. That is a given. Once the given is accepted, fear is pointless. The fear comes from not accepting it, from turning aside one's head, from dreaming in the fort of one's home that such things cannot be. The fear comes from turning inward and seeking personal salvation. The bones must be properly buried, amends must be made. Also, the beasts must be acknowledged. And the weather faced, the winds and rains lashing the face, still, they must be faced. So too, the dry ground screaming for relief. There is an industry peddling solutions, and these solutions insist no one must really change, except perhaps a little, and without pain. This is the source of the fear, this refusal to accept the future that is already here. In the Old Testament, the laws insist we must not drink blood, that the flesh must be properly drained or we will be outcasts from the Lord. They say these rules were necessary for clean living in some earlier time. I swallow the blood, all the bloods. I am that outlaw, the one crossing borders. The earlier time is over.
Charles Bowden (Some of the Dead Are Still Breathing: Living in the Future)
In my kingdom,” as the Red Queen tells Alice in Wonderland, “you have to run as fast as you can just to stay in the same place.” No one standing still can triumph, no matter how well constituted. Nature is not simply dynamic, either. Some things change quickly, but they are nested within other things that change less quickly (music frequently models this, too). Leaves change more quickly than trees, and trees more quickly than forests. Weather changes faster than climate. If it wasn’t this way, then the conservatism of evolution would not work, as the basic morphology of arms and hands would have to change as fast as the length of arm bones and the function of fingers. It’s chaos, within order, within chaos, within higher order. The order that is most real is the order that is most unchanging—and that is not necessarily the order that is most easily seen. The leaf, when perceived, might blind the observer to the tree. The tree can blind him to the forest. And some things that are most real (such as the ever-present dominance hierarchy) cannot be “seen” at all.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
And this, she saw, her dream had done. She had built against that fear a vision of power not wholly selfish—power to protect not only herself, but others. And that vision—however partial it had been in those days—was worth following. For it led not away from the fear, as a dream of rule might do, but back into it. The pattern of her life—as she saw it then, clear and far away and painted in bright colors—the pattern of her life was like an intricate song, or the way the Kuakgan talked of the grove's interlacing trees. There below were the dream's roots, tangled in fear and despair, nourished in the death of friends, the bones of the strong, the blood of the living, and there high above were the dream's images, bright in the sun like banners or the flowering trees of spring. And to be that banner, or that flowering branch, meant being nourished by the same fears: meant encompassing them, not rejecting them.
Elizabeth Moon (The Deed of Paksenarrion (The Deed of Paksenarrion, #1-3))
I didn’t know it yet, but he would become one of our high school’s super-athletes. There were hints of athletic (and, presumably, sexual) prowess there. For one, boys as ridiculously Abercrombie- esque good-looking as he was are always sports stars throughout high school. It is a rule, a self- fulfilling prophecy. It seems as if, sometime during elementary school, coaches make note of the little boys with the most classic bone structure and the best height projections and kidnap them, training them under cover of night. Not all of them will make it in college ball (that’s what people call it, right?) because by the time they’re all seniors, many of them will have been riding more on the sportsman-like nature of their faces than their actual abilities. But until that day, coaches will keep putting them on the field in the most prominent and visually appealing positions because they just kind of look like that’s where they should be. At least I’m pretty sure that is what’s going on.
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
I at this writing am an old man, only three years short of my three score and ten. And they tell me that Wycliffe’s bones have been dug up and burned and cast into the river that leads to the sea. The Church--she thinks--has had her revenge. But, as I hear it, Wycliffe’s writings had already touched one man in Bohemia, John Huss, whom the Church burned several years ago. And though both Wycliffe and Huss be dead, There are rumors of unrest in that small country, unrest caused by those who seek true religion. In England, King Henry rules hand in glove with the Pope, but not forever, I think. We are still here--the Lollards, I mean. Did you guess it? Yes, I have become a “poor priest.” And I will tell you this: the writings of Wycliffe have been driven out of Oxford, but they can be found in every other nook in England. Indeed, many a time I have talked with an Oxford scholar on the road and have seen God open his heart to the truth. This is what Saint Paul meant when he spoke of Christians as being pressed but never pinned. The Church rages, but the truth goes on. Many a stout English yeoman embraces it in these days and leads his family in true godly worship. John Wycliffe was our morning star. When all was darkest and England lay asleep in the deadly arms of the papacy, God sent him to us. The Scripture has come to England. What will it hold back? Soon--though perhaps not in my lifetime-- the dawn will break, and there will be a new day in England.
Andy Thomson (Morning Star of the Reformation)
Farewell daughter. May the Saint, in his kindness, keep you safe.” Glorian tried to find the words she wanted to express. I will make you proud. I am afraid. I love you, even if I do not think you love me half as much. I will never treat my daughter the way you have treated me. “Goodbye, Mother,” was all she did say. “I bid you a safe voyage. Please send my good wishes to Lord Magnaust and Princess Idrega.” “I will.” Queen Sabran turned away. Glorian found a deep well of courage and said, “I will be a good queen.” Her mother stopped. “You think me weak,” Glorian said, willing her voice not to quake. “You always have— but I know whose bone and blood I am. I am the chosen of the Saint, the fruit of his unending vine, the iron of the ever-snow. I am the daughter of Sabran the Ambitious and the Hammer of the North, and I will rule this realm without fear. My reign will be remembered for centuries to come.” She let the words soak through the silence, then said, “I am enough.” For a very long time, Queen Sabran said nothing. Her experience was impossible to read. “Belief is only the first step,” she said, very softly. “Start forging your armour, Glorian. You will need it.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
Sylvia Plath
You see?’ his uncle said. ‘He has nothing against what he calls niggers. If you ask him, he will probably tell you he likes them even better than some white folks he knows and he will believe it. They are probably constantly beating him out of a few cents here and there in his store and probably even picking up things—packages of chewing gum or bluing or a banana or a can of sardines or a pair of shoelaces or a bottle of hair-straightener—under their coats and aprons and he knows it; he probably even gives them things free of charge—the bones and spoiled meat out of his butcher’s icebox and spoiled candy and lard. All he requires is that they act like niggers. Which is exactly what Lucas is doing: blew his top and murdered a white man—which Mr Lilley is probably convinced all Negroes want to do—and now the white people will take him out and burn him, all regular and in order and themselves acting exactly as he is convinced Lucas would wish them to act: like white folks; both of them observing implicitly the rules: the nigger acting like a nigger and the white folks acting like white folks and no real hard feelings on either side (since Mr Lilley is not a Gowrie) once the fury is over; in fact Mr Lilley would probably be one of the first to contribute cash money toward Lucas’ funeral and the support of his widow and children if he had them. Which proves again how no man can cause more grief than that one clinging blindly to the vices of his ancestors.
William Faulkner (Intruder in the Dust)
Each of our actions, our words, our attitudes is cut off from the ‘world,’ from the people who have not directly perceived it, by a medium the permeability of which is of infinite variation and remains unknown to ourselves; having learned by experience that some important utterance which we eagerly hoped would be disseminated … has found itself, often simply on account of our anxiety, immediately hidden under a bushel, how immeasurably less do we suppose that some tiny word, which we ourselves have forgotten, or else a word never uttered by us but formed on its course by the imperfect refraction of a different word, can be transported without ever halting for any obstacle to infinite distances … and succeed in diverting at our expense the banquet of the gods. What we actually recall of our conduct remains unknown to our nearest neighbor; what we have forgotten that we ever said, or indeed what we never did say, flies to provoke hilarity even in another planet, and the image that other people form of our actions and behavior is no more like that which we form of them ourselves, than is like an original drawing a spoiled copy in which, at one point, for a black line, we find an empty gap, and for a blank space an unaccountable contour. It may be, all the same, that what has not been transcribed is some non-existent feature, which we behold, merely in our purblind self-esteem, and that what seems to us added is indeed a part of ourselves, but so essential a part as to have escaped our notice. So that this strange print which seems to us to have so little resemblance to ourselves bears sometimes the same stamp of truth, scarcely flattering, indeed, but profound and useful, as a photograph taken by X-rays. Not that that is any reason why we should recognize ourselves in it. A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you show him their radiograph, will have, face to face with that rosary of bones, labeled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: “Dromedary resting.” Later on, this discrepancy between our portraits, according as it was our own hand that drew them or another, I was to register in the case of others than myself, living placidly in the midst of a collection of photographs which they themselves had taken while round about them grinned frightful faces, invisible to them as a rule, but plunging them in stupor if an accident were to reveal them with the warning: “This is you.
Marcel Proust (The Guermantes Way)
To Begin With, the Sweet Grass 1. Will the hungry ox stand in the field and not eat of the sweet grass? Will the owl bite off its own wings? Will the lark forget to lift its body in the air or forget to sing? Will the rivers run upstream? Behold, I say—behold the reliability and the finery and the teachings of this gritty earth gift. 2. Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous. For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in. And someone's face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful. And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs. 3. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know. Look, and look again. This world is not just a little thrill for the eyes. It's more than bones. It's more than the delicate wrist with its personal pulse. It's more than the beating of the single heart. It's praising. It's giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another. 4. Someday I am going to ask my friend Paulus, the dancer, the potter, to make me a begging bowl which I believe my soul needs. And if I come to you, to the door of your comfortable house with unwashed clothes and unclean fingernails, will you put something into it? I would like to take this chance. I would like to give you this chance. 5. We do one thing or another; we stay the same, or we change. Congratulations, if you have changed. 6. Let me ask you this. Do you also think that beauty exists for some fabulous reason? And, if you have not been enchanted by this adventure— your life— what would do for you? 7. What I loved in the beginning, I think, was mostly myself. Never mind that I had to, since somebody had to. That was many years ago. Since then I have gone out from my confinements, though with difficulty. I mean the ones that thought to rule my heart. I cast them out, I put them on the mush pile. They will be nourishment somehow (everything is nourishment somehow or another). And I have become the child of the clouds, and of hope. I have become the friend of the enemy, whoever that is. I have become older and, cherishing what I have learned, I have become younger. And what do I risk to tell you this, which is all I know? Love yourself. Then forget it. Then, love the world.
Mary Oliver
Speak to me about power. What is it?” I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?” Her shapely head tilts. “No time except the present.” “Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.” Immaculée Constantin is unreadable. “How?” “By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?” Security Goblin’s sneeze booms through the chapel. “You scratch the surface,” says Immaculée Constantin. I feel lust and annoyance. “Scratch deeper, then.” She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
David Mitchell (The Bone Clocks)
Perhaps, but you fail to see the folly of the Reishi,” Bragador said. “The concentration of power that allowed them to ensure peace for so long was the very thing that made them such a potent threat to peace when their power corrupted them, as power inevitably does.” “So what’s the solution?” Alexander asked, a bit more defiantly than he would have liked. “Simple … humans must learn to live without government,” Bragador said. “Government, organized force, is the repository of evil. It is the source of corruption, the enemy of civilization and the problem with the world. As long as there is a place where concentrated power resides, it will attract evil people like dung attracts flies. The only solution is to remove the pile of dung.” “What about crime? What about other countries with powerful governments bent on war? How can there be peace without authority?” Alexander asked. “Therein lies the human dilemma,” Bragador said. “There will always be those who call for greater and greater control, out of fear or ignorance or greed. Until humanity learns restraint in governance, learns how to limit the power it grants to its leaders, learns that those who crave power over others are always deceivers, your kind will know only war and despair.” “If we haven’t learned that lesson by now, I doubt we ever will,” Alexander said. “Some will, most won’t,” Bragador said. “Selfish interest is a powerful motivator. Governments can always be bought or manipulated or blackmailed to set rules that favor some at the expense of others. Evil people see government as a weapon to be used for their own purposes while spreading the lie that it exists to protect the innocent or ensure fairness or defend against some distant threat. The truth is, government has always existed for one single reason … the profit and power of those in government. Of course, there are always those working within government who are good and decent people. But those who vie for power, they can never be trusted.
David A. Wells (Cursed Bones (Sovereign of the Seven Isles, #5))
Consider for a few moments the enormous aesthetic claim of its chief contemporary rival—what we may loosely call the Scientific Outlook, 1 the picture of Mr. [H. G.] Wells and the rest. Supposing this to be a myth, is it not one of the finest myths which human imagination has yet produced? The play is preceded by the most austere of all preludes: the infinite void, and matter restlessly moving to bring forth it knows not what. Then, by the millionth millionth chance—what tragic irony—the conditions at one point of space and time bubble up into that tiny fermentation which is the beginning of life. Everything seems to be against the infant hero of our drama—just as everything seems against the youngest son or ill-used stepdaughter at the opening of a fairy tale. But life somehow wins through. With infinite suffering, against all but insuperable obstacles, it spreads, it breeds, it complicates itself, from the amoeba up to the plant, up to the reptile, up to the mammal. We glance briefly at the age of monsters. Dragons prowl the earth, devour one another, and die. Then comes the theme of the younger son and the ugly duckling once more. As the weak, tiny spark of life began amidst the huge hostilities of the inanimate, so now again, amidst the beasts that are far larger and stronger than he, there comes forth a little naked, shivering, cowering creature, shuffling, not yet erect, promising nothing, the product of another millionth millionth chance. Yet somehow he thrives. He becomes the Cave Man with his club and his flints, muttering and growling over his enemies’ bones, dragging his screaming mate by her hair (I never could quite make out why), tearing his children to pieces in fierce jealousy till one of them is old enough to tear him, cowering before the horrible gods whom he created in his own image. But these are only growing pains. Wait till the next act. There he is becoming true Man. He learns to master Nature. Science comes and dissipates the superstitions of his infancy. More and more he becomes the controller of his own fate. Passing hastily over the present (for it is a mere nothing by the time scale we are using), you follow him on into the future. See him in the last act, though not the last scene, of this great mystery. A race of demigods now rules the planet—and perhaps more than the planet—for eugenics have made certain that only demigods will be born, and psychoanalysis that none of them shall lose or smirch his divinity, and communism that all which divinity requires shall be ready to their hands. Man has ascended his throne. Henceforward he has nothing to do but to practise virtue, to grow in wisdom, to be happy. And now, mark the final stroke of genius. If the myth stopped at that point, it might be a little bathetic.
C.S. Lewis (The Weight of Glory)