Ruins Dan Wells Quotes

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If my life had no meaning, there was no reason not to end it." "So you ended it?" "So I gave it meaning.
Dan Wells (Ruins (Partials Sequence, #3))
Love is when you find something so great, so... necessary, that it becomes more important to you than your own goals, than your own life - not because your life has no meaning without it, but because it gives your life a meaning it never had before.
Dan Wells (Ruins (Partials Sequence, #3))
It's just one thing after another. Cars that won't run. Planes that will never fly again. Computer systems we can barely use, let alone re-create. It's like...time is flowing backward. We're caveman archeologists in the ruins of the future.
Dan Wells (Fragments (Partials Sequence, #2))
She looked at Woolf. "There's some kind of ...thing." "That sentence wasn't as helpful as you probably intended it to be," said Marcus.
Dan Wells (Ruins (Partials Sequence, #3))
Life is a lone wolf, scratching out a living with teeth and claws and a heart of stone.
Dan Wells (Ruins (Partials Sequence, #3))
Finally Marcus stepped forward. "If you insist on going through me to get him, it's your call. But I warn you, I will probably cry when you hurt me, and you'll fell bad about it later." Vinci looked at him. "That's your defiant speech?" "Get used to it," said Marcus. "There's a lot more useless heroics where that came from.
Dan Wells (Ruins (Partials Sequence, #3))
Nobody as a destiny. I mean, nobody has some kind of inescapable path for their life. This mug was made from clay, and that clay could have been anything at all until somebody made it into a mug. People aren't mugs, we are clay. Living, breathing, thinking, feeling clay, and we can shape ourselves into anything we want, and we keep shaping ourselves all our lives, getting better and better at whatever we want to be, and when we want to be something else we just smooth out the clay and start over. Your lack of 'purpose' is the single best thing about you, because it means you can be whatever you want.
Dan Wells (Ruins (Partials Sequence, #3))
If you want to survive in this world, you need to stop asking why people work together, and just start working together.
Dan Wells (Ruins (Partials Sequence, #3))
Would they be cheered by their recovery, or marked for life by their trauma?
Dan Wells (Ruins (Partials Sequence, #3))
This is life...Not a peace treaty, not an idealistic dream, but a grim dance of death and survival. The strong live on while the weak--the ones too small or too foolish to fight back--die in agony and blood.
Dan Wells (Ruins (Partials Sequence, #3))
Embrace your complexity, stretch your creativity, and live up to your potential, you are what makes the world great.
Dan Wells (Ruins (Partials Sequence, #3))
So, your plan is to murder a superior enemy army," said Tovar, "and then outrun the wind. I'm glad it's so simple.
Dan Wells (Ruins (Partials Sequence, #3))
Just because I don’t like you very much doesn’t mean I don’t love you,” said Kessler. “I raised you for ten years; you’re my daughter whether you like it or not.
Dan Wells (Ruins (Partials, #3))
It's like...I can throw away my whole life trying to help somebody else, but i can only do something for me if I know it doesn't matter.
Dan Wells (Ruins (Partials Sequence, #3))
If my life had no meaning there was no reason not to end it.
Dan Wells (Ruins (Partials Sequence, #3))
And we're more valuable to you alive," said Marcus. Delarosa cocked her head to the side. "How?" "Because, um..." Marcus grimaced. "I don't actually know, I just assumed because that's what people typically say at this point.
Dan Wells (Ruins (Partials Sequence, #3))
You don't apologize for this Samm, it's love, and love doesn't weigh it's options and pick the best one. Love just wants things and it doesn't know why, and it doesn't matter why, because love is the only explanation love needs.
Dan Wells (Ruins (Partials Sequence, #3))
Quiet down," said Falin. "Didn't you say something about an ambush and a murderer?" "Crap, yes," said Marcus, and pulled Kira down behind the escalator. "Also: murderess. Don't be sexist, women can murder people too.
Dan Wells (Ruins (Partials Sequence, #3))
More and more," said Heron, reaching a distance about ten feet away from him, and slowly circling to the side. "Kira, sweetie, I'm going to murder your dad.
Dan Wells (Ruins (Partials Sequence, #3))
That chick makes the monsters under my bed have nightmares.
Dan Wells (Ruins (Partials Sequence, #3))
Moral," said Vale."That's an interesting adjective to apply to 'genocide'.
Dan Wells (Ruins (Partials Sequence, #3))
What happened to you was done out of a fear of extinction, and while that doesn't make it excusable, it at least makes it understandable.
Dan Wells (Ruins (Partials Sequence, #3))
It’s like . . . time is flowing backward. We’re caveman archeologists in the ruins of the future.
Dan Wells (Fragments (Partials, #2))
She would worry about Samm and Marcus when she wasn’t running for her life.
Dan Wells (Ruins (Partials Sequence, #3))
I want to talk to you," she said, "for hours and days and forever, but we can't right now. Not here, and not while we're still in danger.
Dan Wells (Ruins (Partials Sequence, #3))
The most important thing you can ever know is that no matter what your purpose is, that's not your only choice.
Dan Wells (Ruins (Partials Sequence, #3))
The rain would fall, the plants would grow, the animals would eat and kill and die and grow again, and the ghost of sentient life would fade away, an insignificant blip in the memory of the Earth. Someday, a million years away, maybe a billion, when another species evolved or awoke or descended from the stars, would they even know that anybody had been here?
Dan Wells (Ruins (Partials Sequence, #3))
Last of all, this book owes perhaps its biggest debt to the ultimate models for Kira and Heron and every other awesome girl in the Partials series: my two daughters. May you always have heroines to inspire you, role models to look up to, and the freedom and courage to make your own choices, no matter how simple or scary or hard or eternal they may be.
Dan Wells (Ruins (Partials Sequence, #3))
Holly turned back towards me. ‘So, I guess this means you’re well and truly together?’ she asked. When I nodded, she gave an irritating little roll of the eyes, which Steve immediately intercepted. ‘Well, if you ask me,’ he said, ‘you could do a lot worse than Hannah.’ ‘Has done a lot worse,’ Dan corrected. ‘Did I say he hadn’t?’ Holly asked, at which point we all turned our heads to face her. This was unexpected. ‘What?’ Holly said. ‘Jesus, guys. I’m not saying I’ll ever be friends with the girl, but you have to hand it to her – James is finally smiling again for the first time in forever. I suppose she deserves at least some credit for that.’ ‘Wow,’ I said. ‘Thanks Holly.’ ‘Oh, don’t get all soppy, James,’ Holly grumbled. ‘I still think she’s a twat.’ I wished she hadn’t said that. It kind of ruined the moment.
Andy Marr (Hunger for Life)
You weren't designed to cure RM, but you did it anyway. You weren't designed to cross the toxic wasteland, but you did that too, and then you escaped from I don't know how many bad guys, and crossed through the middle of a war zone, and while every other group of weary, bloodied refugees is getting smaller and smaller, yours is getting bigger. You're teaching people, and you're recruiting people, and it's not because you were built that way, or because you had some kind of glorious destiny to fulfill, but because you're you. You're Kira Walker. You're not going to save the world because you're the chosen one, you're going to save it because you want to save it, and nobody in this world works harder for what they want than you do.
Dan Wells (Ruins (Partials Sequence, #3))
Do you know what’s going to happen when the world ends? We call it the end of the world, but it’s only the end of us. The world will go on, the planet and the life that lives on it. Rivers will keep flowing, the sun and the moon will keep turning, vines will creep up across the cars and the concrete. There will come soft rain. The world will forget that we were ever here. Human thought—the glorious zenith of five billion years of evolution—will go out like a candle, gone forever. Not because it was time, not because the world moved past us, but because we, as a people, were fools. Too selfish to live in peace, and too proud to stop our wars long after they ceased to have any real meaning...The only thing left of any value on this entire planet is their lives, but that’s not worth anything while the other guy still has his, so they kill each other. They are in a desperate race toward the final death. The winner will be the last one standing, and his prize is the final and most terrible solitude this world has ever known.
Dan Wells (Ruins (Partials Sequence, #3))
You're not even happy. You're throwing away your own life because you love someone who's not here anymore, and you hate it, and it's killing you. Love is the worst thing that ever happened to you, but you still love her.
Dan Wells (Ruins (Partials Sequence, #3))
Love is when you find something so great, so . . . necessary, that it becomes more important to you than your own goals, than your own life—not because your life has no meaning without it, but because it gives your life a meaning it never had before.
Dan Wells (Ruins (Partials, #3))
It was a simple plan, but he was a simple man, and sometimes simple was good.
Dan Wells (Ruins (Partials Sequence, #3))
The camp fell silent, each group staring tensely at the other. Finally Marcus stepped forward. ''If you insist on going through me to get to him, it's your call. But I warn you, I will probably cry when you hurt me, and you'll feel bad about it later.'' Vinci looked at him. ''That's your defiant speech?'' ''Get used to it,'' said Marcus. ''There's a lot more useless heroics where that came from.
Dan Wells (Ruins (Partials Sequence, #3))
Delarosa was trying to save the human race," said Mkele. "Her only crime was that she was willing to go too far in order to do it. We decided, briefly, that we didn't want to go along with her, but look at us: We're hiding in a basement, letting Delarosa fight our battles, seriously considering lettering her deploy a nuclear bomb. We are long past the point where we can pick and choose our morality. We either save our species or we don't." "Yes," said Tovar, "but I'd prefer it if we were still worth saving by the end of it.
Dan Wells (Ruins (Partials Sequence, #3))
The wrecked town of Gaza lay silent and empty. It had once been among the finest cities of the Near East: a stopping point on the coastal road from Syria through Palestine to Egypt, made rich by a thriving market and renowned for its mosques, churches and massive airy houses built in marble.1 But in 1149 only its natural wells and reservoirs remained to indicate that this was once a place where people of many religions had thrived. War had swept through the elegant streets and emptied Gaza, seemingly for good. ‘It was now in ruins’, wrote William of Tyre, ‘and entirely uninhabited.
Dan Jones (The Templars: The Rise and Fall of God's Holy Warriors)
The ship did not respond to queries. Without the ship, there could be no fatline relay to the Ousters, the Web, or anywhere else beyond Hyperion. Normal comm bands were down. ‘Could the ship have been destroyed?’ Sol asked the Consul. ‘No. The message is being received, just not responded to. Gladstone still has the ship in quarantine.’ Sol squinted out over the barrens to where the mountains shimmered in the heat haze. Several klicks closer, the ruins of the City of Poets rose jaggedly against the skyline. ‘Just as well,’ he said. ‘We have one deus ex machina too many as it is.’ Paul
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Antique Foundation Here I built the ruin in My voice on either side of me In the temple the ocean could Not be a crowd I mined The shore with fog the sun dries These bricks I built the vision in The cinder block that is the city Wall this grave Tone I speak with a picture Of myself in my wallet • Don’t be fooled by grass and these words Grass whispers Because they are real they are Ruinous Here, the gossip is in the dust Not the sea cloud enters the open Child’s window dimming the silver Flute’s sheen Where is he Who hears inside the brick those notes? There is a rumor in the city we’ll exist If he plays his song no one knows • Follow that shadow don’t tell me it’s mine Here there is no being alone Here are my hands which tore the leaves so Quietly in the temple the god Emerging from marble points at the chisel At the base of his stone Did I tell you Where I’m going? To the old man Who sings the margin Where on wave-tip swords turn edge over edge Wound us and the shore with foam • My face on either side of my face I tore My picture in half to show the gate You must climb inside your breath to leave As fog the wind will bear you— If you’re lovely—away In the spare clouds The children’s chorus Do you hear?— Where were you, and where are you going? Here I built the ruin in the stone-crushed Sage leaves my hands scented as long ago When I liked to press the desert against my head to think
Dan Beachy-Quick
Love is when you find something so great, so ... necessary, that is becomes more important to you than your own goals, than your own life - not because your life has no meaning without it, but because it gives your life a meaning it never had before.
Dan Wells, Ruins
(People) ... we're clay. Living, breathing, thinking, feeling clay, and we can shape ourselves into anything we want, and we keep shaping ourselves all our lives, getting better and better at whatever we want to be, and when we want to be something else we just smooth out the clay and start over.
Dan Wells, Ruins
Life is its own meaning. We live because otherwise we die. There is no meaning in death, no hollow gestures, no glorious sacrifices. Love ruins your ability to make those decisions properly.
Dan Wells, Ruins
Este libro está dedicado a todos aquellos a quienes odies. Lo siento. A veces la vida es así.
Dan Wells (Ruins (Partials Sequence, #3))
Si quieres sobrevivir en este mundo, tienes que dejar de preguntar por qué la gente trabaja en conjunto y empezar a hacerlo tu también" - Samm ♥
Dan Wells (Ruins (Partials Sequence, #3))
—¿Por qué alguien haría eso? —preguntó—. ¿Por qué crear a una persona y luego quitarle todo lo que la hace persona?. El enlace de Heron estaba tan vacío como siempre. —Porque nos ayuda a sobrevivir.
Dan Wells (Ruins (Partials Sequence, #3))
Cada vida tiene su propósito. Pero lo más importante que puedas llegar a saber es que, sea cual fuere tu propósito, no es tu única opción
Dan Wells (Ruins (Partials Sequence, #3))
He wonders if this place will mark the end of his life and soldiering career; a well-thought-of officer who wound up dying in some strategically worthless location because he didn’t make the right choices, or shake the right hand, or whisper in the right ear, or dine with the right cliques. He’s seen men make high rank that way, through the persuasive power of the officers’ club and the staff coterie. They were politicians, politicians who got to execute their decisions in the most literal way. Some were very capable, most were not.
Dan Abnett (Sabbat Worlds: Of Their Lives in the Ruins of Their Cities (Gaunt's Ghosts))
the only thing I learned for sure is that everything they did was part of a plan. That plan has gone horribly, terribly wrong, and the people who made it have all gone crazy or just … given up. But the plan is still there, written on our DNA. And it’s all we’ve got.
Dan Wells (Ruins (Partials, #3))
Love is when you have the opportunity of turning someone’s feelings or trust or vulnerability against them, but you don’t. You make promises you don’t want to keep, but you keep them because they’re right; you help people who can’t help you back.
Dan Wells (Ruins (Partials, #3))
Love is when you find something so great, so … necessary, that it becomes more important to you than your own goals, than your own life—not because your life has no meaning without it, but because it gives your life a meaning it never had before.
Dan Wells (Ruins (Partials, #3))
You’re proud of it,” said Calix, “but you’re not happy.” “The total amount of happiness in the Preserve is greater with me in it than out,” said Samm. “That’s the saddest definition of happiness I’ve ever heard.
Dan Wells (Ruins (Partials, #3))
This is always the hardest part,” she said. Marcus raised his eyebrow. “Evacuating the entire human population of Earth from a nuclear fallout zone?” Kira gave a sad smile. “Accepting that I can’t fix everything.
Dan Wells (Ruins (Partials, #3))
You’re not going to save the world because you’re the chosen one, you’re going to save it because you want to save it, and nobody in this world works harder for what they want than you do.
Dan Wells (Ruins (Partials, #3))
You knew they were destined to be a second-class species, not even accepted as people, and you devised the entire plan to ensure that Partials and humans had to see each other as equals if they wanted to survive. You tried to eliminate racism on a biological level, for all time.
Dan Wells (Ruins (Partials, #3))
Survival is important,” said Kira, “but not if you lose yourself in the process. Surviving just to survive is . . . empty. That’s not a life, it’s a feedback loop.
Dan Wells (Ruins (Partials, #3))
There’s no point saving us if we lose our humanity in the process.
Dan Wells (Ruins (Partials, #3))