Ruined Family Quotes

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When his life was ruined, his family killed, his farm destroyed, Job knelt down on the ground and yelled up to the heavens, "Why god? Why me?" and the thundering voice of God answered, There's just something about you that pisses me off.
Stephen King (Storm of the Century)
A WOMAN SHOULD HAVE .... enough money within her control to move out and rent a place of her own even if she never wants to or needs to... A WOMAN SHOULD HAVE .... something perfect to wear if the employer or date of her dreams wants to see her in an hour... A WOMAN SHOULD HAVE ... a youth she's content to leave behind.... A WOMAN SHOULD HAVE .... a past juicy enough that she's looking forward to retelling it in her old age.... A WOMAN SHOULD HAVE ..... a set of screwdrivers, a cordless drill, and a black lace bra... A WOMAN SHOULD HAVE .... one friend who always makes her laugh... and one who lets her cry... A WOMAN SHOULD HAVE .... a good piece of furniture not previously owned by anyone else in her family... A WOMAN SHOULD HAVE .... eight matching plates, wine glasses with stems, and a recipe for a meal that will make her guests feel honored... A WOMAN SHOULD HAVE .... a feeling of control over her destiny... EVERY WOMAN SHOULD KNOW... how to fall in love without losing herself.. EVERY WOMAN SHOULD KNOW... HOW TO QUIT A JOB, BREAK UP WITH A LOVER, AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP... EVERY WOMAN SHOULD KNOW... when to try harder... and WHEN TO WALK AWAY... EVERY WOMAN SHOULD KNOW... that she can't change the length of her calves, the width of her hips, or the nature of her parents.. EVERY WOMAN SHOULD KNOW... that her childhood may not have been perfect...but it's over... EVERY WOMAN SHOULD KNOW... what she would and wouldn't do for love or more... EVERY WOMAN SHOULD KNOW... how to live alone... even if she doesn't like it... EVERY WOMAN SHOULD KNOW... whom she can trust, whom she can't, and why she shouldn't take it personally... EVERY WOMAN SHOULD KNOW... where to go... be it to her best friend's kitchen table... or a charming inn in the woods... when her soul needs soothing... EVERY WOMAN SHOULD KNOW... what she can and can't accomplish in a day... a month...and a year...
Pamela Redmond Satran
The great joy and honour of my life has been to know you. To call you my family. And I am grateful - more than I can possibly say - that I was given this time with you all
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
it is the family you make, not the one you are born into, that matters.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I believe everything happens for a reason. Whether it is decided by the Mother, or the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as that prick we're going to face today. If I had not met an Illyrian warrior-in-training," he said to Cassian, "I would not have known the true depths of strength, of resilience, of honor and loyalty." Cassian's eyes gleamed bright. Rhys said to Azriel, "If I had not met a shadowsinger, I would not have known that it is the family you make, not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair." Azriel bowed his head in thanks. Mor was already crying when Rhys spoke to her. "If I had not met my cousin, I would neer have learned that light can be found in even the darkest of hells. That kidness can thrive even amongst cruelty." She wiped away her teas as she nodded. I waited for Amren to offer a retort. But she was only waiting. Rhys bowed his head to her. "If I had not met a tiny monster who hoards jewels more fiercely than a firedrake..." A quite laugh from all of us at that. Rhys smiled softly. "My own power would have consumed me long ago." Rhys squeezed my hand as he looked to me at last. "And if I had not met my mate..." His words failed him as silver lined his eyes. He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it. He wiped away the tears sliding down my face. "I believe that everything happened, exactly the way it had to... so I could find you." He kissed another tear away.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The reality is that the lives of the smallest patients are in our hands, and their clinical condition can change in an instant. No matter how many times you are involved in situations such as this, the physical stress and anxiety as well as the emotional and psychological effects of being immersed in that environment are dramatic and lasting on the human body, mind, and central nervous system. These effects are severe, and I firmly believe that they are cumulative over your lifetime.
Dean Mafako (Burned Out)
One of the greatest realizations that I clumsily stumbled upon during this process, was that these people didn’t need someone like me to tell them what to do; they needed someone like me to show them what can be done, together.
Dean Mafako (Burned Out)
Christopher, family for me was never blood. It was always the family I chose. But it turns out it’s nice to have someone I’m related to in this world. Someone I can tell boring family stories to. Do you know about Will Herondale? Or James Herondale?” “I don’t think so,” said Kit. “Excellent. Hours of your time will be ruined,” said Jace.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
I'm ruining your reputation, aren't I?" she asked, watching the spectacle unfold. "Don't worry," Nathaniel said. "I've been hard at work trying to ruin my reputation for years. Perhaps after this, influential families will stop trying to catapult their unwed daughters over my garden fence. Which actually did happen once. I had to fend her off with a trowel.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
I blinked at my mate. Then grinned, not bothering to hide the savagery within it. “Hybern has no idea about the hell that’s about to rain down upon them, do they.” “Here’s to family reunions,” was all Rhys said. Then
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Literature had fuelled her childhood fantasies and convinced her that one day she would be the heroine of her own narrative.
Kate Atkinson (A God in Ruins (Todd Family, #2))
Blood trickled from the corner of her (Annabeth) mouth. She croaked, "Family, Luke. You promised." Luke stared at the knife in Annabeth's hand, the blood on her face. "Promise." Then he gasped like he couldn't get air. "Annabeth . . ." But it wasn't the Titan's voice. It was Luke's. He stumbled forward like he couldn't control his own body. "You're bleeding. . . ." He gasped again."He's changing. Help. He's . . . he's almost ready. He won't need my body anymore. Please—" "The knife, Percy," Annabeth muttered. Her breath was shallow. "Hero . . . cursed blade . . ." Luke turned and collapsed, clutching his ruined hands."Please, Percy . . ." Luke seemed to know what I was thinking. He moistened his lips. "You can't . . . can't do it yourself. He'll break my control. He'll defend himself. Only my hand. I know where. I can . . . can keep him controlled." I raised the knife to strike. Then I looked at Annabeth, at Grover. And I finally understood what she'd been trying to tell me. You are not the hero, Rachel had said. It will affect what you do. The line from the great prophecy echoed in my head: A hero's soul, cursed blade shall reap. My whole world tipped upside down,and I gave the knife to Luke.I watched as Luke grasped the hilt he stabbed himself
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Family. Friendship. Loyalty. These things have been my guiding stars, my light in these dark times.
John Gwynne (Ruin (The Faithful and the Fallen, #3))
He didn't like to see either of the women in his family disappointed; it ruined perfectly good meals.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
There are two types of people on planet Earth, Batman and Iron Man. Batman has a secret identity, right? So Bruce Wayne has to walk around every second of every day knowing that if somebody finds out his secret, his family is dead, his friends are dead, everyone he loves gets tortured to death by costumed supervillains. And he has to live with the weight of that secret every day. But not Tony Stark, he's open about who he is. He tells the world he's Iron Man, he doesn't give a shit. He doesn't have that shadow hanging over him, he doesn't have to spend energy building up those walls of lies around himself. You're one or the other - either you're one of those people who has to hide your real self because it would ruin you if it came out, because of your secret fetishes or addictions or crimes, or you're not one of those people. And the two groups aren't even living in the same universe.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
Moments left, Teddy thought. A handful of heartbeats. That was what life was. A heartbeat followed by a heartbeat. A breath followed by a breath. One moment followed by another moment and then there was a last moment.
Kate Atkinson (A God in Ruins (Todd Family, #2))
I happen to believe that America is dying of loneliness, that we, as a people, have bought into the false dream of convenience, and turned away from a deep engagement with our internal lives—those fountains of inconvenient feeling—and toward the frantic enticements of what our friends in the Greed Business call the Free Market. We’re hurtling through time and space and information faster and faster, seeking that network connection. But at the same time we’re falling away from our families and our neighbors and ourselves. We ego-surf and update our status and brush up on which celebrities are ruining themselves, and how. But the cure won’t stick.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
When she got downstairs, the whole family was in the kitchen, including Lucas. His face lit up like Vegas when he saw her. She automatically went straight to him and sat down, her hopes of a quiet escape ruined by what felt like a knee-jerk reaction. She hadn’t intended to stay for breakfast, but it was almost as if she needed to be near him.
Josephine Angelini (Starcrossed (Starcrossed, #1))
The whole edifice of civilization turned out to be constructed from an unstable mix of quicksand and imagination.
Kate Atkinson (A God in Ruins (Todd Family, #2))
Serial killers ruin families,’ shrugged Bob. ‘Corporate and political and religious psychopaths ruin economies. They ruin societies.
Jon Ronson (The Psychopath Test)
They couldn’t break me because … because they never touched that innermost part of me. They never even guessed. But I hid it … I’ve hidden it because …” She tilted back her head, looking skyward. “Because I live in terror of my family finding out—and shaming me, hurting me about this one thing that has remained wholly mine. This one part of me. I won’t let them … won’t let them destroy it. Or
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
All the birds who were never born, all the songs that were never sung and so can only exist in the imagination. And this one is Teddy's.
Kate Atkinson (A God in Ruins (Todd Family, #2))
Rhys said, “We will walk onto that field and only accept Death when it comes to haul us away to the Otherworld. We will fight for life, for survival, for our futures. But if it is decided by that tapestry of Fate or the Cauldron or the Mother that we do not walk off that field today …” His chin lifted. “The great joy and honor of my life has been to know you. To call you my family. And I am grateful—more than I can possibly say—that I was given this time with you all.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Monster. And yet... For her friends, for her family, she would gladly be a monster. For Rowan, for Dorian, for Nehemia, she would debase and degrade and ruin herself.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Demons do like to take up residence in ruins, especially those where there are remnants of black magic,” said Christopher. “And we all know what Grandfather Benedict was up to in that house. It’s why he turned into a worm.” “Ah,” said Matthew, “fond family memories.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
A family. A broken one, true, but broken didn’t mean ruined.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
I was twelve years of age when I chopped off my hair, dressed as a boy, and set off to save my family from impending ruin. I made it almost to the end of my front garden.
Stephanie Burgis (Kat, Incorrigible (Kat, Incorrigible, #1))
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too. Dawson: That's not true. Amanda: But it is. Honeymoons always come to an end. Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right. Amanda: We're not that young anymore- Dawson: But we are. We still have the rest of our lives. Amanda: I know. That's why I need you to do something for me. Dawson: Anything. Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
Nicholas Sparks (The Best of Me)
You really are a complete idiot if you believe that," Henry hisses, the note balled in his fist. "When have I ever, since the first instant I touched you, pretended to be anything less than in love with you? Are you so fucking self-absorbed as to think this is about you and whether or not I love you, rather than the fact I'm an heir to the fucking throne? You at least have the option to not choose a public life eventually, but I will live and die in these palaces and in this family, so don't you dare come to me and question if I love you when it's the thing that could bloody well ruin everything.
Casey McQuiston (Red, White & Royal Blue)
Positive. In other news, Marcie's throwing a Halloween party here at the farmhouse." Patch smiled. "Grey - Millar family drama?" "The theme is famous couples from history. Could she be any less original? Worse, she's roped my mom into this. They went shopping for decorations today. For three whole hours. It's like they're suddenly best friends." I picked up another apple slice and made a face at it. "Marcie is ruining everything. I wanted Scott to go with Vee, but Marcie already convinced him to go with her." Patch's smile widened. I aimed my best sulky look at him. "This isn't funny. Marcie is destroying my life. Whose side are you on anyway?" Patch raised his hands in surrender. "I'm staying out of this.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Be good. Be a nice girl. Don't ruin our happy family.
Laura Wiess (Such a Pretty Girl)
He was part of the infinite. The tree and the rock and the water. The rising of the sun and the running of the deer.
Kate Atkinson (A God in Ruins (Todd Family, #2))
The only thing we truly have in common is that we're all going to die one day. Race ya. Last one there is the loneliest.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
If I had to wish for something, just one thing, it would be that Hannah would never see Tate the way I did. Never see Tate's beautiful, lush hair turn brittle, her skin sallow, her teeth ruined by anything she could get her hands on that would make her forget. That Hannah would never count how many men there were, or how vile humans can be to one another. That she would never see the moments in my life that were full of neglect, and fear, and revulsion, moments I can never go back to because I know they will slow me down for the rest of my life if I let myself remember them for one moment. Tate, who had kept Hannah alive that night, reading her the story of Jem Finch and Mrs. Dubose. And suddenly I know I have to go. But this time without being chased by the Brigadier, without experiencing the kindness of a postman from Yass, and without taking along a Cadet who will change the way I breath for the rest of my life.
Melina Marchetta (On the Jellicoe Road)
No settled family or community has ever called its home place an “environment.” None has ever called its feeling for its home place “biocentric” or “anthropocentric.” None has ever thought of its connection to its home place as “ecological,” deep or shallow. The concepts and insights of the ecologists are of great usefulness in our predicament, and we can hardly escape the need to speak of “ecology” and “ecosystems.” But the terms themselves are culturally sterile. They come from the juiceless, abstract intellectuality of the universities which was invented to disconnect, displace, and disembody the mind. The real names of the environment are the names of rivers and river valleys; creeks, ridges, and mountains; towns and cities; lakes, woodlands, lanes roads, creatures, and people. And the real name of our connection to this everywhere different and differently named earth is “work.” We are connected by work even to the places where we don’t work, for all places are connected; it is clear by now that we cannot exempt one place from our ruin of another. The name of our proper connection to the earth is “good work,” for good work involves much giving of honor. It honors the source of its materials; it honors the place where it is done; it honors the art by which it is done; it honors the thing that it makes and the user of the made thing. Good work is always modestly scaled, for it cannot ignore either the nature of individual places or the differences between places, and it always involves a sort of religious humility, for not everything is known. Good work can be defined only in particularity, for it must be defined a little differently for every one of the places and every one of the workers on the earth. The name of our present society’s connection to the earth is “bad work” – work that is only generally and crudely defined, that enacts a dependence that is ill understood, that enacts no affection and gives no honor. Every one of us is to some extent guilty of this bad work. This guilt does not mean that we must indulge in a lot of breast-beating and confession; it means only that there is much good work to be done by every one of us and that we must begin to do it.
Wendell Berry
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
A thousand happy moments succumbed to history. It was the happiest hour of the year, worst time of our lives. I can still smell the ruins from that cold dark brute stormy October night.
Parul Wadhwa (The Masquerade)
I couldn’t help but feel a sick sadistic joy as I queued up the C4. So many people were going to die today, and so many families were going to be in devastated ruins tomorrow. They would feel what they made me feel.
Quil Carter (Fallocaust (Fallocaust, #1))
You are not responsible for the happiness of other human beings. You are absolutely allowed to do everything within your power to make them happy, and you should. But it is not your fucking job. And if it feels like your job, quit. That's not a relationship. That's a job. Fuck that.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
Have I mentioned that I expect death around every turn, that every blue sky has a safe sailing out of it, that every bus runs me over, that every low, mean syllable uttered in my direction seems to intimate the violence of murder, that every family seems like an opportunity for ruin and every marriage a ceremony into which calamity will fall and hearts will be broken and lives destroyed and people branded by the mortifications of love?
Rick Moody (Demonology)
Children of her type contrive the purest philosophies. Ada had worked out her own little system. Hardly a week had elapsed since Van’s arrival when he was found worthy of being initiated in her web of wisdom. An individual’s life consisted of certain classified things: "real things" which were unfrequent and priceless, simply "things" which formed the routine stuff of life; and "ghost things," also called "fogs," such as fever, toothache, dreadful disappointments, and death. Three or more things occurring at the same time formed a "tower," or, if they came in immediate succession, they made a "bridge." "Real towers" and "real bridges" were the joys of life, and when the towers came in a series, one experienced supreme rapture; it almost never happened, though. In some circumstances, in a certain light, a neutral "thing" might look or even actually become "real" or else, conversely, it might coagulate into a fetid "fog." When the joy and the joyless happened to be intermixed, simultaneously or along the ramp of duration, one was confronted with "ruined towers" and "broken bridges.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
I walked out of Rhys’s touch—realizing he’d kept silent to let me sort it out. Let me figure out how to deal with both of them, as family, but mostly as their High Lady.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Now that says Herondale.” Jace looked pleased. “Christopher—can I call you Christopher?” “No,” said Kit. “Christopher, family for me was never blood. It was always the family I chose. But it turns out it’s nice to have someone I’m related to in this world. Someone I can tell boring family stories to. Do you know about Will Herondale? Or James Herondale?” “I don’t think so,” said Kit. “Excellent. Hours of your time will be ruined,” said Jace.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Among those who have everything, I have never seen a family go to the seashore just to celebrate a political decision, because for them politics changes almost nothing. This is something I realized when I went to live in Paris, far away from you: the ruling class may complain about a left-wing government, they may complain about a right-wing government, but no government ever ruins their digestion, no government ever breaks their backs, no government ever inspires a trip to the beach. Politics never changes their lives, at least not much. What’s strange, too, is that they’re the ones who engage in politics, though it has almost no effect on their lives. For the ruling class, in general, politics is a question of aesthetics: a way of seeing themselves, of seeing the world, of constructing a personality. For us it was life or death.
Édouard Louis (Qui a tué mon père)
I’d live anywhere, - in one room, in the castle ruin right now – if it meant we could all just be together.
Cecelia Ahern (The Book of Tomorrow)
Her family's death had left her not a person but a ghost, a ruined shell, a carcass. The parts that had survived would be tainted forever.
Nina Varela (Crier's War (Crier's War, #1))
Sometimes the way to make someone feel better is by not trying to make them feel better. Let people be sad. It's not your job to fix them.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
The "eat" part was easy. The praying and loving were harder.
Kate Atkinson (A God in Ruins (Todd Family, #2))
People say love is weak, but they're wrong: love is strong. In nearly everyone it trumps all other things - patriotism and ambition, religion and upbringing. And every kind of love - the epic and the small, the noble and the base - the one that a parent has for their child is the greatest of them all. That was the lesson I learned that day, and I'll be forever grateful I did. Some years later, deep in the ruins called Theatre of Death, it salvaged everything.
Terry Hayes (I Am Pilgrim)
Never mind that Britain has a German royal family, a Norman ruling elite, a Greek patron saint, a Roman/Middle Eastern religion, Indian food as its national cuisine, an Arabic/Indian numeral system, a Latin alphabet and an identity predicated on a multi-ethnic, globe-spanning empire
Akala (Natives: Race and Class in the Ruins of Empire)
A missing arm might ruin your symmetry. Personal asymmetry where I come from is a big taboo and brings great shame on the family and sometimes even the whole village." "Do you then have to kill yourself over it or something?" "Goodness me, no! The family and village just have to learn to be ashamed--and nuts to them for being so oversensitive.
Jasper Fforde (The Fourth Bear (Nursery Crime, #2))
The circus is a jealous wench. Indeed that is an understatement. She is a ravening hag who sucks your vitality as a vampire drinks blood – who kills the brightest stars in her crown and will allow no private life for those who serve her; wrecking their homes, ruining their bodies, and destroying the happiness of their loved ones by her insatiable demands. She is all of these things, and yet, I love her as I love nothing else on earth.
Henry Ringling North (The Circus Kings: Our Ringling Family Story)
Age doesn’t matter. Family doesn’t matter. Rules don’t matter. Only you and I matter. And this… It feels right. Better than right. Meant to be.” He lost the ability to retaliate as my hands cupped him harder.
Pepper Winters (Ruin & Rule (Pure Corruption MC, #1))
But surely stock-market psychopaths can’t be as bad as serial-killer psychopaths,’ I said. ‘Serial killers ruin families,’ shrugged Bob. ‘Corporate and political and religious psychopaths ruin economies. They ruin societies.
Jon Ronson (The Psychopath Test)
I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house? The tale tells how the Lords of Manva hunted & gathered roots & cooked their suppers while they were camped in exile in the foothills of Sul, but it doesn't say what their wives & children were living on in their city left ruined & desolate by the enemy. They were finding food too, somehow, cleaning house & honoring the gods, the way we did in the siege & under the tyranny of the Alds. When the heroes came back from the mountain, they were welcomed with a feast. I'd like to know what the food was and how the women managed it.
Ursula K. Le Guin (Voices (Annals of the Western Shore, #2))
And all those boys of Europe born in those times, and thereabouts those times, Russian, French, Belgian, Serbian, Irish, English, Scottish, Welsh, Italian, Prussian, German, Austrian, Turkish – and Canadian, Australian, American, Zulu, Gurkha, Cossack, and all the rest – their fate was written in a ferocious chapter in the book of life, certainly. Those millions of mothers and their million gallons of mother’s milk, millions of instances of small talk and baby talk, beatings and kisses, ganseys and shoes, piled up in history in great ruined heaps, with a loud and broken music, human stories told for nothing, for ashes, for death’s amusement, flung on the mighty scrapheap of souls, all those million boys in all their humours to be milled by the millstones of a coming war.
Sebastian Barry (A Long Long Way (Dunne Family #3))
How do you ruin a people? Is it with fire? Is it with bullets? You can drag a man through the street tied to the back of a horse. You can incinerate a village. Can line families up in rows against a brick wall and fell them, one by one, like a forest. But all it takes is one survivor, and the story lives on. One survivor to carry the poems and the songs, the prayers, the sorrows. It isn’t just taking a life that destroys a people. It’s taking their history.
GennaRose Nethercott (Thistlefoot)
Gentlemen! I too have been a close observer of the doings of the Bank of the United States. I have had men watching you for a long time, and am convinced that you have used the funds of the bank to speculate in the breadstuffs of the country. When you won, you divided the profits amongst you, and when you lost, you charged it to the bank. You tell me that if I take the deposits from the bank and annul its charter I shall ruin ten thousand families. That may be true, gentlemen, but that is your sin! Should I let you go on, you will ruin fifty thousand families, and that would be my sin! You are a den of vipers and thieves. I have determined to rout you out, and by the Eternal, (bringing his fist down on the table) I will rout you out!
Andrew Jackson
There were maybe thirty or forty of them—nothing to how many were in the ruined library—but these had been cared for, protected and preserved against the years. And though they showed wear, cracked spines and corners rubbed such that the dye had faded, it was the kind of wear from use, the wear her own family’s books had shown before they sold them. These books were read, many times. These books were loved. The
Meagan Spooner (Hunted)
He's convinced most human adults do not know how to play anymore and that playing is one of the best ways to think. Franky finds children, by far, much more pleasant and intelligent than most adults, but they are easily ruined by their families, schools, and society. He says one of the ways they are ruined is by being forced to think of all the tasks that need to be done as work, not as play. It takes the joy out of living.
William Wharton (Franky Furbo)
The aircraft found the ground before Teddy did and he watched as it exploded in a glittery starburst of light. He would live, he realized. There would be an afterward after all. He gave thanks to whichever god had stepped in to save him.
Kate Atkinson (A God in Ruins (Todd Family, #2))
I believe love should be the most inconvenient thing in the world. Falling in love should be like, 'Are you fucking kidding me? Shit. I was having a swell old time alone, and then this perfect dumbass turned up and now I want to be with her. What an absolute selfish prick this person is to come out of nowhere and make me feel this. Goddamn it. I was having fun. Oh, well.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
They only see us when we do something they don't want us to do, Mahmoud realized. The thought hit him like a lightning bolt. When they stayed where they were supposed to be - in the ruins of Aleppo or behind the fences of a refugee camp - people could forget about them. But when refugees did something they didn't want them to do - when they tried to cross the border into their country, or slept on the front stoops of their shops, or jumped in front of their cars, or prayed on the decks of their ferries - that's when people couldn't ignore them any longer. Mahmoud's first instinct was to disappear below decks. To be invisible. Being invisible in Syria had kept him alive. But now Mahmoud began to wonder if being invisible in Europe might be the death of him and his family. If no one saw them, no one could help them. And maybe the world needed to see what was really happening here.
Alan Gratz (Refugee)
There’s a bed, a little fold-out table, and cabinets made of actual wood. These in combination with the photographs of family and friends give it a cozy, domestic flavor which is, however, completely ruined by the framed picture of Adolf Hitler on the wall. Waterhouse finds this to be shockingly poor taste until he remembers it’s a German boat.
Neal Stephenson (Cryptonomicon (Crypto, #1))
Mom has reorganized the kitchen so that the one room that was everyone's room is foreign to me. My visits are punctuated with me whipping around, angrily demanding, "Where are the forks, WHY DID YOU MOVE THE FORKS?" and she has to calmly open the drawer on the other side of the kitchen as if she moved it just to ruin my life. I just found out where she puts the bowls and their new location feels like such a personal attack that I can barely talk about it without raising my blood pressure.
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
When I was fourteen, I had a massive poster on my wall of a giant pop-art mouth advertising a Swiss exhibition of abstract art. My friends and family mocked my pretention, but I loved that poster and the hope it offered of an exciting world of thought beyond the boundaries of stifling Solihull. But one day the poster fell off the wall and the dog pissed all over it, ruining it for ever, while my mother laughed. That poster is what the Alternative Comedy dream meant to me - the possibility of a better world. And now it is covered in dog's piss.
Stewart Lee (How I Escaped My Certain Fate)
The senseless destruction that war brings,” he explains. “The ones who always pay the price of another’s greed is the simple man who just wants to go about his life, take joy in his family, and find peace at the end. They didn’t ask for it, don’t understand why it’s happening, but theirs are the lives ruined, turned upside down, families destroyed.
Brian S. Pratt (The Unsuspecting Mage (The Morcyth Saga, #1))
It was the general opinion of ancient nations, that the divinity alone was adequate to the important office of giving laws to men... and modern nations, in the consecrations of kings, and in several superstitious chimeras of divine rights in princes and nobles, are nearly unanimous in preserving remnants of it... Is the jealousy of power, and the envy of superiority, so strong in all men, that no considerations of public or private utility are sufficient to engage their submission to rules for their own happiness? Or is the disposition to imposture so prevalent in men of experience, that their private views of ambition and avarice can be accomplished only by artifice? — … There is nothing in which mankind have been more unanimous; yet nothing can be inferred from it more than this, that the multitude have always been credulous, and the few artful. The United States of America have exhibited, perhaps, the first example of governments erected on the simple principles of nature: and if men are now sufficiently enlightened to disabuse themselves of artifice, imposture, hypocrisy, and superstition, they will consider this event as an era in their history. Although the detail of the formation of the American governments is at present little known or regarded either in Europe or America, it may hereafter become an object of curiosity. It will never be pretended that any persons employed in that service had any interviews with the gods, or were in any degree under the inspiration of heaven, any more than those at work upon ships or houses, or labouring in merchandize or agriculture: it will for ever be acknowledged that these governments were contrived merely by the use of reason and the senses. As Copley painted Chatham, West, Wolf, and Trumbull, Warren and Montgomery; as Dwight, Barlow, Trumbull, and Humphries composed their verse, and Belknap and Ramzay history; as Godfrey invented his quadrant, and Rittenhouse his planetarium; as Boylston practised inoculation, and Franklin electricity; as Paine exposed the mistakes of Raynal, and Jefferson those of Buffon, so unphilosophically borrowed from the Recherches Philosophiques sur les Américains those despicable dreams of de Pauw — neither the people, nor their conventions, committees, or sub-committees, considered legislation in any other light than ordinary arts and sciences, only as of more importance. Called without expectation, and compelled without previous inclination, though undoubtedly at the best period of time both for England and America, to erect suddenly new systems of laws for their future government, they adopted the method of a wise architect, in erecting a new palace for the residence of his sovereign. They determined to consult Vitruvius, Palladio, and all other writers of reputation in the art; to examine the most celebrated buildings, whether they remain entire or in ruins; compare these with the principles of writers; and enquire how far both the theories and models were founded in nature, or created by fancy: and, when this should be done, as far as their circumstances would allow, to adopt the advantages, and reject the inconveniences, of all. Unembarrassed by attachments to noble families, hereditary lines and successions, or any considerations of royal blood, even the pious mystery of holy oil had no more influence than that other of holy water: the people universally were too enlightened to be imposed on by artifice; and their leaders, or more properly followers, were men of too much honour to attempt it. Thirteen governments thus founded on the natural authority of the people alone, without a pretence of miracle or mystery, which are destined to spread over the northern part of that whole quarter of the globe, are a great point gained in favour of the rights of mankind. [Preface to 'A Defence of the Constitutions of the United States of America', 1787]
John Adams (A Defence of the Constitutions of Government of the United States of America)
Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.
Christopher Hitchens (Hitch 22: A Memoir)
I never worried about money. I grew up in a middle-class family, so I never thought I would starve. And I learned at Atari that I could be an okay engineer, so I always knew I could get by. I was voluntarily poor when I was in college and India, and I lived a pretty simple life even when I was working. So I went from fairly poor, which was wonderful, because I didn’t have to worry about money, to being incredibly rich, when I also didn’t “have to worry about money. I watched people at Apple who made a lot of money and felt they had to live differently. Some of them bought a Rolls-Royce and various houses, each with a house manager and then someone to manage the house managers. Their wives got plastic surgery and turned into these bizarre people. This was not how I wanted to live. It’s crazy. I made a promise to myself that I’m not going to let this money ruin my life.
Walter Isaacson (Steve Jobs)
One disturbing aspect of abuse and harassment is the idea that it’s not the crime that’s the betrayal but the testimony about the crime. You’re not supposed to tell. Abusers often assume this privilege that demands the silence of the abused, that a nonreciprocal protection be in place. Others often impose it as well, portraying the victims as choosing to ruin a career or a family, as though the assailant did not make that choice himself.
Rebecca Solnit (The Mother of All Questions)
I do not want to date you." He groaned. "Liv. You've got to be kidding me. I picked up my whole life, drove halfway across the country, and you've changed your mind? It's only been fifteen days since you told me you still love me!" "Shut up, will you? Will you please just shut up and kiss me again, you big idiot?" With both hands on his face, she molded her lips to his as her heart did a happy dance in her chest. Between kisses, she said, "I want to live with you and marry you and have a family with you and share your life--all the things you said you wanted from me before I ruined it. So no, I will not date you.
Marie Force (Everyone Loves a Hero)
No one pries as effectively into other people’s business as those whose business it most definitely is not… What for? For nothing. For the sake of finding out, knowing, penetrating the mystery. Out of an itching need to be able to tell. And often, once these secrets are out, the mysteries broadcast, the enigmas exposed to the light of day, they lead to catastrophe, duels, bankruptcies, ruined families, shattered existences-to the great joy of those who “got to the bottom of it all” for no apparent reason and through sheer instinct. Sad. Some people are malicious out of a simple need to have something to say. Their conversation, parlour talk, antechamber gossip, is reminiscent of those fireplaces that swiftly go through the wood-they need a lot of fuel and the fuel is their neighbour.
Victor Hugo (Les Misérables)
Wait,” I repeated. The darkness vanished, leaving Rhysand in his solid form as he grinned. “Yes?” I raised my chin as high as I could manage. “Just two weeks?” “Just two weeks,” he purred, and knelt before me. “Two teensy, tiny weeks with me every month is all I ask.” “Why? And what are to … to be the terms?” I said, fighting past the dizziness. “Ah,” he said, adjusting the lapel of his obsidian tunic. “If I told you those things, there’d be no fun in it, would there?” I looked at my ruined arm. Lucien might never come, might decide I wasn’t worth risking his life any further, not now that he’d been punished for it. And if Amarantha’s healers cut off my arm … Nesta would have done the same for me, for Elain. And Tamlin had done so much for me, for my family; even if he had lied about the Treaty, about sparing me from its terms, he’d still saved my life that day against the naga, and saved it again by sending me away from the manor. I couldn’t think entirely of the enormity of what I was about to give—or else I might refuse again. I met Rhysand’s gaze. “Five days.” “You’re going to bargain?” Rhysand laughed under his breath. “Ten days.” I held his stare with all my strength. “A week.” Rhysand was silent for a long moment, his eyes traveling across my body and my face before he murmured: “A week it is.” “Then it’s a deal
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
That’s what I want for my kids. I want them to love their family, but to feel a deeper sense of pride in who they are as individuals, Nick, not in how much money they have, what their last name is, or how many generations they go back to whatever dynasty. I’m sorry, but I’ve had enough. I’ve had enough of being around all these crazy rich Asians, all these people whose lives revolve around making money, spending money, flaunting money, comparing money, hiding money, controlling others with money, and ruining their lives over money.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
My point is that life is long, and parts of it can be immensely shitty. You shouldn't focus on the future because you've got little control over it. All you can do is make sure the steps you take now are going in the direction of the future you want and be prepared for trips and falls along the way. Why focus on the past when you cannot change it? Mistakes will always linger there, and all you can do is learn from them and use them as benchmarks for how much you've improved since then. Focus on the now...Life is a series of infinite Nows.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
She fed him scraps from her ragbag because words were all that were left now. Perhaps he could use them to pay the ferryman. Much have I travell'd in the realms of gold. The world is charged with the grandeur of God. Full fathom five thy father lies. Little lamb, who made thee? Though worlds of wanwood leafmeal lie. On that best portion of a good man's life, his little nameless unremembered acts of kindness and of love. Farther and farther, all the birds of Oxfordshire and Gloucestershire. The air rippled and shimmered. Time narrowed to a pinpoint. It was about to happen. Because the Holy Ghost over the bent world broods with warm breast and with ah! bright wings.
Kate Atkinson (A God in Ruins (Todd Family, #2))
A true suicide is a paced, disciplined certainty. People pontificate, “Suicide is selfishness.” Career churchmen like Pater go a step further and call it a cowardly assault on the living. Oafs argue this specious line for varying reasons: to evade fingers of blame, to impress one’s audience with one’s mental fiber, to vent anger, or just because one lacks the necessary suffering to sympathize. Cowardice is nothing to do with it—suicide takes considerable courage. Japanese have the right idea. No, what’s selfish is to demand another to endure an intolerable existence, just to spare families, friends, and enemies a bit of soul-searching. The only selfishness lies in ruining strangers’ days by forcing ’em to witness a grotesqueness. So I’ll make a thick turban from several towels to muffle the shot and soak up the blood, and do it in the bathtub, so it shouldn’t stain any carpets. Last night I left a letter under the manager’s day-office door—he’ll find it at eight A.M. tomorrow—informing him of the change in my existential status, so with luck an innocent chambermaid will be spared an unpleasant surprise. See, I do think of the little people
David Mitchell (Cloud Atlas)
Ronan wasn’t exactly sure why he was angry. Although Gansey had done nothing to invoke his ire, he was definitely part of the problem. Currently, he propped his cell between ear and shoulder as he eyed a pair of plastic plates printed with smiling tomatoes. His unbuttoned collar revealed a good bit of his collarbone. No one could deny that Gansey was a glorious portrait of youth, the well-tended product of a fortunate and moneyed pairing. Ordinarily, he was so polished that it was bearable, though, because he was clearly not the same species as Ronan’s rough-and-ready family. But tonight, under the fluorescent lights of Dollar City, Gansey’s hair was scuffed and his cargo shorts were a greasy ruin from mucking over the Pig. He was barelegged and sockless in his Top-Siders and very clearly a real human, an attainable human, and this, somehow, made Ronan want to smash his fist through a wall.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Writing felt like something she knew, although she only knew it from the other side – reading – and it took her a while to realize that writing and reading were completely different activities – polar opposites, in fact. And just because she could do joined-up handwriting, she discovered, didn’t mean that she could write books. But she persevered, perhaps for the first time in her life.
Kate Atkinson (A God in Ruins (Todd Family, #2))
For all these stars, nothing is new. They’ve seen all kinds of wars and miracles, too. They know the messengers with their holy books will smile and wash their hands in blood. They know the politicians with their good looks will make the poor eat pies of mud. They’ve seen the Earth freeze and then burn with greed. They’ve seen the trees and the seas emptied. Yet, you won’t hear their sneers when a man arrives and, having experienced a number of years, proclaims: 'I have lived!' Because nothing is new under these stars: the lies, the love, the memories and scars, the ruin, the revolution, the fakes and true, the families, the friends, none of it is new. All of it—even the me and you.
Kamand Kojouri
He gasped in despair while he wrote to her knowing everything is going to end. He: Why did you ruin my image in front of your mother and family though I wasn't the bad guy? She replied Coldly: I acted childish and took revenge, I wanted to end this relation. He kept asking all that she accused him of. She kept admitting false allegations, something kept breaking inside him. Silence kept creeping into him, sorrow enveloped his soul and tears fell of his eyes for he knew all had ended.
Anonymus Autor
Unhappy people tend to see setbacks as contaminants that ruined an otherwise good thing (“I was never the same again after my wife left me”), while generative adults see them as blessings in disguise (“The divorce was the most painful thing that ever happened to me, but I’m so much happier with my new wife”). Those who live the most fully realized lives—giving back to their families, societies, and ultimately themselves—tend to find meaning in their obstacles.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
It was as if they'd discovered something that had once been there but had gotten hidden or misunderstood or forgotten over time, and they were charmed by it once more, and by one another. Which seems only right and expectable for married people. They caught a glimpse of the person they fell in love with, and who sustained life. For some, that vision must never dim - as is true of me. But it was odd that our parents should catch their glimpse, and have frustration, anxiety and worry pass away like clouds dispersing after a storm, refind their best selves, but for that glimpse to happen just before landing our family in ruin.
Richard Ford (Canada)
The only person that should wear your ring is the one person that would never… 1. Ask you to remain silent and look the other way while they hurt another. 2. Jeopardize your future by taking risks that could potentially ruin your finances or reputation. 3. Teach your children that hurting others is okay because God loves them more. God didn’t ask you to keep your family together at the expense of doing evil to others. 4. Uses religious guilt to control you, while they are doing unreligious things. 5. Doesn't believe their actions have long lasting repercussions that could affect other people negatively. 6. Reminds you of your faults, but justifies their own. 7. Uses the kids to manipulate you into believing you are nothing. As if to suggest, you couldn’t leave the relationship and establish a better Christian marriage with someone that doesn’t do these things. Thus, making you believe God hates all the divorced people and will abandon you by not bringing someone better to your life, after you decide to leave. As if! 8. They humiliate you online and in their inner circle. They let their friends, family and world know your transgressions. 9. They tell you no marriage is perfect and you are not trying, yet they are the one that has stirred up more drama through their insecurities. 10. They say they are sorry, but they don’t show proof through restoring what they have done. 11. They don’t make you a better person because you are miserable. They have only made you a victim or a bitter survivor because of their need for control over you. 12. Their version of success comes at the cost of stepping on others. 13. They make your marriage a public event, in order for you to prove your love online for them. 14. They lie, but their lies are often justified. 15. You constantly have to start over and over and over with them, as if a connection could be grown and love restored through a honeymoon phase, or constant parental supervision of one another’s down falls. 16. They tell you that they don’t care about anyone other than who they love. However, their actions don’t show they love you, rather their love has become bitter insecurity disguised in statements such as, “Look what I did for us. This is how much I care.” 17. They tell you who you can interact with and who you can’t. 18. They believe the outside world is to blame for their unhappiness. 19. They brought you to a point of improvement, but no longer have your respect. 20. They don't make you feel anything, but regret. You know in your heart you settled.
Shannon L. Alder
Three years of changes, moves, uncertainties, upheavals; the war, the revolution; scenes of destruction, scenes of death, shelling, blown-up bridges, fires, ruins—all this turned suddenly into a huge, empty, waste space. The first real event since the long interruption was this vertiginous home-coming by train, in the knowledge that his home was still safe, still existing somewhere, with every smallest stone in it dear to him. This was the point of life, this was experience, this was the quest of adventure seekers and what artists had in mind—this coming home to your family, to yourself, this renewal of life.
Boris Pasternak
The rest of the family tree had a root system soggy with alcohol... One aunt had fallen asleep with her face in the mashed potatoes at Thanksgiving dinner; another's fondness for Coors was so unwavering that I can still remember the musky smell of the beer and the coldness of the cans. Most of the men drank the way all Texas men drank, or so I believed, which meant that they were tough guys who could hold their liquor until they couldn't anymore--a capacity that often led to some cloudy version of doom, be it financial ruin or suicide or the lesser betrayal of simple estrangement. Both social drinkers, my parents had eluded these tragic endings; in the postwar Texas of suburbs and cocktails, their drinking was routine but undramatic.
Gail Caldwell (Let's Take the Long Way Home: A Memoir of Friendship)
We have been cut off, the past has been ended and the family has broken up and the present is adrift in its wheelchair. ... That is no gap between the generations, that is a gulf. The elements have changed, there are whole new orders of magnitude and kind. [...] My grandparents had to live their way out of one world and into another, or into several others, making new out of old the way corals live their reef upward. I am on my grandparents' side. I believe in Time, as they did, and in the life chronological rather than in the life existential. We live in time and through it, we build our huts in its ruins, or used to, and we cannot afford all these abandonings.
Wallace Stegner (Angle of Repose)
If you’ve made it this far in starting your own religion it means you’ve assembled a nice group of hopeless people desperately avoiding the Uncomfortable Truth by studying a bunch of bullshit you’ve made up, ignoring their friends, and telling their families to fuck off. Now it’s time to get serious. The beauty of a religion is that the more you promise your followers salvation, enlightenment, world peace, perfect happiness, or whatever, the more they will fail to live up to that promise. And the more they fail to live up to that promise, the more they’ll blame themselves and feel guilty. And the more they blame themselves and feel guilty, the more they’ll do whatever you tell them to do to make up for it. Some people might call this the cycle of psychological abuse. But let’s not allow such terms to ruin our fun.
Mark Manson (Everything Is F*cked: A Book About Hope)
Poor, wretched, and stupid peoples, nations determined on your own misfortune and blind to your own good! You let yourselves be deprived before your own eyes of the best part of your revenues; your fields are plundered, your homes robbed, your family heirlooms taken away. You live in such a way that you cannot claim a single thing as our own; and it would seem that you consider yourselves lucky to be loaned your property, your families, and your very lives. All this havoc, this misfortune, this ruin, descends upon you not from alien foes, but from the one enemy whom you yourselves render as powerful as he is, for whom you go bravely to war, for whose greatness you do not refuse to offer your own bodies unto death. ... Where has he acquired enough eyes to spy upon you, if you do not provide them yourselves? How can he have so many arms to beat you with, if he does not borrow them from you? The feet that trample down your cities, where does he get them if they are not your own? How does he have any power over you except through you? How would he dare assail you if he had no cooperation from you? What could he do to you if you yourselves did not connive with the thief who plunders you, if you were not accomplices of the murderer who kills you, if you were not traitors to yourselves? You sow crops in order that he may ravage them, you install and furnish your homes to give him goods to pillage; you rear your daughters that he may gratify his lust; you bring up your children in order that he may confer upon them the greatest privilege he knows—to be led into his battles, to be delivered to butchery, to be made servants of his greed and the instruments of his vengeance; you yield your bodies unto hard labour in order that he may indulge in his delights and wallow in his filthy pleasures; you weaken yourselves in order to make him stronger and the mightier to hold you in check. From all these indignities, such as the very beasts of the field would not endure, you can deliver yourselves if you try, not be taking action, but merely by willing to be free. Resolve to serve no more, and you are at once freed. I do not ask that you place hands upon the tyrant to topple him over, but simply that you support him no longer; then you will behold him, like a great Colossus whose pedestal has been pulled away, fall of his own weight and break into pieces.
Étienne de La Boétie (The Politics of Obedience: The Discourse of Voluntary Servitude)
Anyway, most of the chapter is Bella telling us how much pain she's in. First she's about to die because delivering Optimus Beyonce nearly killed her. And then she goes on and on about how hot and awful the vampire venom feels as it takes hold of her body. She's in agony and there's nothing she can do about it. Good! I hope it hurts. This is what you get, Bella Swan. This is what you get for being a greedy, self-centered jerk. This is what happens to people who let thousands die in Italy. This is what you get for ruining Jacob's life and ignoring your human friends because you'd rather spend time with pretty people. This is what happens to selfish brats that have no regard for their family. This is what you get for being weak and dependent. This is what you get for lying to your father. This is what you get for crying and complaining about your perfect life. This is what you get for spending pages and pages describing freaking magnets! THIS IS WHAT YOU GET! I only wish the pain lasted longer than a chapter. An entire book of Bella's torture would be nice. And maybe if the book were illustrated…with Octo-Bears…I would finally sympathize with this, the least likable character in the history of novels. Bella, I do not care one tiny bit that you're in pain.
Dan Bergstein
Classic Ballet, Keep away, keep building your creaky fairy castles, keep cloning clones and meaningless manners, hang on to your beanstalk ballerinas and their midget male shadows, run yourself out of business with your tons of froufrou and costly clattery toe shoes that ruin all chances for illusions of lightness, keep on crowding the minds of blind balletomanes who prefer dainty poses to the eloquent strength of momentum, who have forgotten or never known the manings of gesture, who would nod their noses to barefoot embargos ("so grab me" spelt backwards). Continue to repolish your stiff technique and to ignore a public that hungers for something other than a bag of tricks and the empty-headedness of surface patterns. Just keep it up, keep imitating yourself, and, , go grow your own dance makers. Come on, don't keep trying to filter modern ones through your so-safe extablishment. We're to be seen undiluted, undistorted, not absorbed by your hollow world like blood into a sponge. Yours truly, A Different Leaf on Our Family Tree
Paul Taylor (Private Domain: An Autobiography)
Startled, he tried to comfort him. But Father said slowly, "I ask myself whether I am afraid of death. I don't think I am. My life as it is now is worse. And it looks as if there is not going to be any ending. Sometimes I feel weak: I stand by Tranquillity River and think, Just one leap and I can get it over with. Then I tell myself I must not. If I die without being cleared, there will be no end of trouble for all of you… I have been thinking a lot lately. I had a hard childhood, and society was full of injustice. It was for a fair society that I joined the Communists. I've tried my best through the years. But what good has it done for the people? As for myself, why is it that in the end I have come to be the ruin of my family? People who believe in retribution say that to end badly you must have something on your conscience. I have been thinking hard about the things I've done in my life. I have given orders to execute some people…" Father went on to tell Jin-ming about the death sentences he had signed, the names and stories of the e-ba ('ferocious despots') in the land reform in Chaoyang, and the bandit chiefs in Yibin. "But these people had done so much evil that God himself would have had them killed. What, then, have I done wrong to deserve all this?" After a long pause, Father said, "If I die like this, don't believe in the Communist Party anymore.
Jung Chang (Wild Swans: Three Daughters of China)
Sooner or later, all talk among foreigners in Pyongyang turns to one imponderable subject. Do the locals really believe what they are told, and do they truly revere Fat Man and Little Boy? I have been a visiting writer in several authoritarian and totalitarian states, and usually the question answers itself. Someone in a café makes an offhand remark. A piece of ironic graffiti is scrawled in the men's room. Some group at the university issues some improvised leaflet. The glacier begins to melt; a joke makes the rounds and the apparently immovable regime suddenly looks vulnerable and absurd. But it's almost impossible to convey the extent to which North Korea just isn't like that. South Koreans who met with long-lost family members after the June rapprochement were thunderstruck at the way their shabby and thin northern relatives extolled Fat Man and Little Boy. Of course, they had been handpicked, but they stuck to their line. There's a possible reason for the existence of this level of denial, which is backed up by an indescribable degree of surveillance and indoctrination. A North Korean citizen who decided that it was all a lie and a waste would have to face the fact that his life had been a lie and a waste also. The scenes of hysterical grief when Fat Man died were not all feigned; there might be a collective nervous breakdown if it was suddenly announced that the Great Leader had been a verbose and arrogant fraud. Picture, if you will, the abrupt deprogramming of more than 20 million Moonies or Jonestowners, who are suddenly informed that it was all a cruel joke and there's no longer anybody to tell them what to do. There wouldn't be enough Kool-Aid to go round. I often wondered how my guides kept straight faces. The streetlights are turned out all over Pyongyang—which is the most favored city in the country—every night. And the most prominent building on the skyline, in a town committed to hysterical architectural excess, is the Ryugyong Hotel. It's 105 floors high, and from a distance looks like a grotesquely enlarged version of the Transamerica Pyramid in San Francisco (or like a vast and cumbersome missile on a launchpad). The crane at its summit hasn't moved in years; it's a grandiose and incomplete ruin in the making. 'Under construction,' say the guides without a trace of irony. I suppose they just keep two sets of mental books and live with the contradiction for now.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket. "Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars." The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly. I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees. "Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam." "Elly doesn't like anything anymore." The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot. "Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama." Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran. I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
Katherine Dunn (Geek Love)
PERCY WAS WAITING FOR THEM. He looked mad. He stood at the edge of the glacier, leaning on the staff with the golden eagle, gazing down at the wreckage he’d caused: several hundred acres of newly open water dotted with icebergs and flotsam from the ruined camp. The only remains on the glacier were the main gates, which listed sideways, and a tattered blue banner lying over a pile of snow-bricks. When they ran up to him, Percy said, “Hey,” like they were just meeting for lunch or something. “You’re alive!” Frank marveled. Percy frowned. “The fall? That was nothing. I fell twice that far from the St. Louis Arch.” “You did what?” Hazel asked. “Never mind. The important thing was I didn’t drown.” “So the prophecy was incomplete!” Hazel grinned. “It probably said something like: The son of Neptune will drown a whole bunch of ghosts.” Percy shrugged. He was still looking at Frank like he was miffed. “I got a bone to pick with you, Zhang. You can turn into an eagle? And a bear?” “And an elephant,” Hazel said proudly. “An elephant.” Percy shook his head in disbelief. “That’s your family gift? You can change shape?” Frank shuffled his feet. “Um…yeah. Periclymenus, my ancestor, the Argonaut—he could do that. He passed down the ability.” “And he got that gift from Poseidon,” Percy said. “That’s completely unfair. I can’t turn into animals.” Frank stared at him. “Unfair? You can breathe underwater and blow up glaciers and summon freaking hurricanes—and it’s unfair that I can be an elephant?” Percy considered. “Okay. I guess you got a point. But next time I say you’re totally beast—” “Just shut up,” Frank said. “Please.” Percy cracked a smile.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
To belong to a clan, to a tight group of people allied by blood and loyalties and the mutual ownership of closeted skeletons. To see the family vices and virtues in a dozen avatars instead of in two or three. To know always, whether you were in Little Rock or Menton, that there was one place to which you belonged and to which you would return. To have that rush of sentimental loyalty at the sound of a name, to love and know a single place, from the newest baby-squall on the street to the blunt cuneiform of the burial ground . . . Those were the things that not only his family, but thousands of Americans had missed. The whole nation had been footloose too long, Heaven had been just over the next range for too many generations. Why remain in one dull plot of earth when Heaven was reachable, was touchable, was just over there? The whole race was like the fir tree in the fairy-tale which wanted to be cut sown and dressed up with lights and bangles and colored paper, and see the world and be a Christmas tree. Well, he said, thinking of the closed banks, the crashed market that had ruined thousands and cut his father’s savings in half, the breadlines in the cities, the political jawing and the passing of the buck. Well, we’ve been a Christmas tree, and now we’re in the back yard and how do we like it?
Wallace Stegner
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down… All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does. Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough. Don’t be afraid, says Yeshua. Far more can be mended than you know. She is weeping. The executee helps her to stand up.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
December 25, 4:30 p.m. Dear America, It’s been seven hours since you left. Twice now I’ve started to go to your room to ask how you liked your presents and then remembered you weren’t here. I’ve gotten so used to you, it’s strange that you aren’t around, drifting down the halls. I’ve nearly called a few times, but I don’t want to seem possessive. I don’t want you to feel like I’m a cage to you. I remember how you said the palace was just that the first night you came here. I think, over time, you’ve felt freer, and I’d hate to ruin that freedom, I’m going to have to distract myself until you come back. I decided to sit and write to you, hoping maybe it would feel like I was talking to you. It sort of does, I can imagine you sitting here, smiling at my idea, maybe shaking your head at me as if to say I’m being silly. You do that sometimes, did you know? I like that expression on you. You’re the only person who wears it in a way that doesn’t come across like you think I’m completely hopeless. You smile at my idiosyncrasies, accept that they exist, and continue to be my friend. And, in seven short hours, I’ve started to miss that. I’ve wonder what you’ve done in that time. I’m betting by now you’ve flown across the country, made it to your home, and are safe. I hope you are safe. I can’t imagine what a comfort you must be to your family right now. The lovely daughter has finally returned! I keep trying to picture you home. I remember you telling me it was small, that you had a tree house, and that your garage was where you father and sister did all their work. Beyond that I’ve had to resort to my imagination. I imagine you curled up in a hug with you sister or kicking around a ball with your little brother. I remember that, you know? That you said he liked to play ball. I tried to imagine walking into your house with you. I would have liked that, to see you where you grew up. I would love to see you brother run around or be embraced by your mother. I think it would be comforting to sense the presence of people near you, floorboards creaking and doors shutting. I would have liked to sit in one part of the house and still probably be able to smell the kitchen. I’ve always imagined that real homes are full of the aromas of whatever’s being cooked. I wouldn’t do a scrap of work. Nothing having to do with armies or budgets or negotiations. I’d sit with you, maybe try to work on my photography while you played the piano. We’d be Fives together, like you said. I could join your family for dinner, talking over one another in a collection of conversations instead of whispering and waiting our turns. And maybe I’d sleep in a spare bed or on the couch. I’d sleep on the floor beside you if you’d let me. I think about that sometimes. Falling asleep next to you, I mean, like we did in the safe room. It was nice to hear your breaths as they came and went, something quiet and close keeping me from feeling so alone. This letter has gotten foolish, and I think you know how I detest looking like a fool. But still I do. For you. Maxon
Kiera Cass (The One (The Selection, #3))
Jay showed up after school with a bouquet of flowers and an armful of DVDs, although Violet couldn’t have cared less about either . . . he was all she wanted. She couldn’t help the electric thrill of excitement she felt when he came strolling in, grinning at her foolishly as if he hadn’t seen her in weeks rather than hours. He scooped her up from the couch and dropped her onto his lap as he sat down where she had been just a moment before. He was careful to arrange her ankle on a neatly stacked pile of pillows beside him. He stubbornly refused to hide his affection for her, and if Violet hadn’t known better she would have sword that he was going out of his way to make her self-conscious in her own home. Fortunately her parents were giving them some space for the time being, and they were left by themselves most of the time. “Did you miss me?” he asked arrogantly as he gently brushed his lips over hers, not bothering to wait for an answer. She smiled while she kissed him back, loving the topsy-turvy feeling that her stomach always got when he was so close to her. She wound her arms around his neck, forgetting that she was in the middle of the family room and not hidden away in the privacy of her bedroom. He pulled away from her, suddenly serious. “You know, we didn’t get much time alone yesterday. And I didn’t get a chance to tell you . . .” Violet was mesmerized by the thick timbre of his deep voice. She barely heard his words but rather concentrated on the fluid masculinity of his tone. “I feel like I’ve waited too long to finally have you, and then yesterday . . . when . . .” He stopped, seemingly at a loss, and he tried another approach. His hand stroked her cheek, igniting a response from deep within her. “I can’t imagine living without you,” he said, tenderly kissing her forehead, his warm breath fanning her brow. He paused thoughtfully for a moment before speaking again. “I love you, Violet. More than I ever could have imagined. And I don’t want to lose you . . . I can’t lose you.” It was her turn to look arrogant as she glanced up at him. “I know,” she stated smugly, shrugging her shoulder. He shoved her playfully but held on to her tightly so that she never really went anywhere. “What do you mean, ‘I know’? What kind of response is that?” His righteous indignation bordered on comical. He pulled her down into his arms so that his face was directly above hers. “Say it!” he commanded. She shook her head, pretending not to understand him. “What? What do you want me to say?” But then she giggled and ruined her baffled façade. He teased her with his mouth, leaning down to kiss her and then pulling away before his lips ever reached hers. He nuzzled her neck tantalizingly, only to stop once she responded. She wrapped her arms around his neck, trying to pull him closer, frustrated by his mocking ambush of her senses. “Sat it,” he whispered, his breath warm against her neck. She groaned, wanting him to put her out of her misery. “I love you too,” she rasped as she clung to him. “I love you so much . . .” His mouth moved to cover hers in an exhausting kiss that left them both breathless and craving more than they could have. Violet collapsed into his arms, gathering her wits and hoping that no one walking in on them anytime soon.
Kimberly Derting (The Body Finder (The Body Finder, #1))