Rugged Girl Quotes

We've searched our database for all the quotes and captions related to Rugged Girl. Here they are! All 97 of them:

I don't trust happiness. I turn it over as if it were a glass at a flea market or a rug at a souk, looking for chipped rims or loose threads.
Jennifer Weiner
You picked that out?” Caine asked. “That pink, plastic toy?” I turned to look at him. “I happen to have been a little girl, once upon a time, detective. I know what they like. Every little girl wants to be a princess.” A thoughtful frown overcame the angry tension on Caine’s rugged face. “And what happens when they grow up?” I thought of my mother and sisters and all the horrors that had happened the day they’d died. A bitter laugh escaped from my tight lips. “Then they just want to be little girls again.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
I didn’t say, You are such a stuffy asshole. And he didn’t say, If you ever burn one of my quarter-of-a-million dollar rugs again I’ll take it out of your hide, and I didn’t say, Oh, honey, wouldn’t you like to? And he didn’t say Grow up, Ms. Lane, I don’t take little girls to my bed, and I didn’t say I wouldn’t go there if it was the only safe place from the Lord Master in all of Dublin.
Karen Marie Moning (Bloodfever (Fever, #2))
Perhaps, deep down inside that rugged shell of yours, there is a little girl desperately waiting for her Prince Charming to propose." "Of course there is. Only until now, I'd been pretty successful at keeping that little brat's mouth shut.
Sylvain Neuvel (Sleeping Giants (Themis Files, #1))
Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug. "It's so dreadful to be poor!" sighed Meg, looking down at her old dress. "I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff. "We've got Father and Mother, and each other," said Beth contentedly from her corner.
Louisa May Alcott (Little Women)
The orphanage taught their girls religious ritual to the Nth degree, and how to make their own clothes. Giti mended uniforms for the soldiers and even sold a few prayer rugs in the marketplace. Self-sufficiency they called it. Ha!
Michael Ben Zehabe (Persianality)
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed. Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin. "I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car." I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed." His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach. "Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
...Television is cretinizing me – I can feel it. Soon I’ll be like the TV artists. You know the people I mean. Girls who subliminally model themselves on kid-show presenters, full of faulty melody and joy, Melody and Joy. Men whose manners show newscaster interference, soap stains, film smears. Or the cretinized, those who talk on buses and streets as if TV were real, who call up networks with strange questions, stranger demands...If you lose your rug, you can get a false one. If you lose your laugh, you can get a false one. If you lose your mind, you can get a false one.
Martin Amis (Money)
The last time I went back to a girl's house for an impromptu house party I spent most of the night straightening out rugs, putting down coasters and alphabetising DVDs while all around me people got off with whoever was closest and gradually headed off to various rooms to make more mess, no doubt.
Jon Richardson (It's Not Me, It's You)
Italy: Germany, Germany. Germany is a really really nice place. Even though I'm your prisoner, you give me food, and it doesn't suck like English food. Sausages with cheeses always taste so good, it'd be heaven for a dog - yeah that's Germany. Tell me how is it you Germans are so robust? You're crushing me with your intimidation, my fragility causes me to openly weep out of fear, your women terrify me. Is it the norm to drink a barrel of beer and then bust it on somebody's head? Please don't come to my place in large mobs, German tourists are scary. Even the girls that are from Germany are more rugged than I am. Yahoo!
Hidekaz Himaruya
See that little stream — we could walk to it in two minutes. It took the British a month to walk to it — a whole empire walking very slowly, dying in front and pushing forward behind. And another empire walked very slowly backward a few inches a day, leaving the dead like a million bloody rugs. No Europeans will ever do that again in this generation.” “Why, they’ve only just quit over in Turkey,” said Abe. “And in Morocco —” “That’s different. This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.” “General Grant invented this kind of battle at Petersburg in sixty- five.” “No, he didn’t — he just invented mass butchery. This kind of battle was invented by Lewis Carroll and Jules Verne and whoever wrote Undine, and country deacons bowling and marraines in Marseilles and girls seduced in the back lanes of Wurtemburg and Westphalia. Why, this was a love battle — there was a century of middle-class love spent here. This was the last love battle.
F. Scott Fitzgerald (Tender is the Night)
Perhaps, deep down inside that rugged shell of yours, there is a little girl desperately waiting for her Prince Charming to propose.” “Of course there is. Only until now, I'd been pretty successful at keeping that little brat's mouth shut.” “What will your answer be if he asks?” “You're funny. He can't ask. I'll find a way to be bitchy enough for the next forty years so that perfect moment never comes.” “You seem to have a good handle on that little girl after all.
Sylvain Neuvel (Sleeping Giants (Themis Files, #1))
I don’t want to make her jealous yet,” I explained. “She hasn’t gone out with Sean yet. Right now I want her to feel special, like she’s the only girl I ever introduced to my secret make-out hideout. It’s only after she goes out with Sean that I’m going to pull the rug out from under her.” “Adam Vader,” Rachel said. “I had no idea you were so sneaky.” “Right. That makes me even sneakier. Deal?
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
HIDEOUS! Sorry, Mom, but vomit green is NOT my colour. And that dress is impossible to walk in! It’s so tight around my legs that it looks like a giant fish tail. While the other bridesmaids walked gracefully to the “Wedding March” song, I flopped my way down the aisle like a human-sized catfish or something! Those rug burns were pure agony! It was getting late and I was running out of time! The last thing I wanted to do was to traumatise Brandon by showing up at the dance looking like a MUTANT FISH GIRL or something. Right now I’m SO frustrated that I’m seriously considering just NOT going to the dance. Why is my life so hopelessly CRUDDY?!
Rachel Renée Russell (Dork Diaries: Holiday Heartbreak)
In a vast space left free between the crowd and the fire, a young girl was dancing. Whether this young girl was a human being, a fairy, or an angel, is what Gringoire, sceptical philosopher and ironical poet that he was, could not decide at the first moment, so fascinated was he by this dazzling vision. She was not tall, though she seemed so, so boldly did her slender form dart about. She was swarthy of complexion, but one divined that, by day, her skin must possess that beautiful golden tone of the Andalusians and the Roman women. Her little foot, too, was Andalusian, for it was both pinched and at ease in its graceful shoe. She danced, she turned, she whirled rapidly about on an old Persian rug, spread negligently under her feet; and each time that her radiant face passed before you, as she whirled, her great black eyes darted a flash of lightning at you. All around her, all glances were riveted, all mouths open; and, in fact, when she danced thus, to the humming of the Basque tambourine, which her two pure, rounded arms raised above her head, slender, frail and vivacious as a wasp, with her corsage of gold without a fold, her variegated gown puffing out, her bare shoulders, her delicate limbs, which her petticoat revealed at times, her black hair, her eyes of flame, she was a supernatural creature.
Victor Hugo
Remember to draw a line between being nice in a strong way and simply being a people pleaser. Nice: Positive, yet honest and straightforward. People pleaser: Sweeping things under the rug to avoid making waves.
Fran Hauser (The Myth of the Nice Girl: Achieving a Career You Love Without Becoming a Person You Hate)
Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug. "It's so dreadful to be poor!" sighed Meg, looking down at her old dress. "I don't think it's fair for some girls to have plenty of pretty things, and other girls
Louisa May Alcott
One day, I wish to find a man like in my books. He has to be just like in one of my books. And he has to love me, love me more than anything in the world. Most important of all, he has to think I’m beautiful.” “Lily, I need to tell you something.” Fazire was going to tell her about Becky’s wish and his mistake and let her look forward to something, let her look forward to the incomparable beauty she was going to be. Most of all, he had to stop her wish now. He didn’t want her wasting it on some fool idea. He wanted it to be special, perfect, to make her world better like she had made Becky and Will’s and, indeed, his. But again she didn’t hear him. Her eyes were bright and they were steady on his. “He has to be tall, very tall and dark and broad-shouldered and narrow-hipped.” Fazire stared. He didn’t even know what “narrow-hipped” meant. “And he has to be handsome, unbelievably handsome, impossibly handsome with a strong, square jaw and powerful cheekbones and tanned skin and beautiful eyes with lush, thick lashes. He has to be clever and very wealthy but hardworking. He has to be virile, fierce, ruthless and rugged.” Now she was getting over his head. He didn’t think there was such a thing as impossibly handsome. How cheekbones could be powerful, Fazire didn’t know. He was even thinking he might have to look up “virile” in the dictionary Sarah had given him. “And he has to be hard and cold and maybe a little bit forbidding, a little bit bad with a broken heart I have to mend or one encased in ice I have to melt or better yet… both!” Fazire thought this was getting a bit ridiculous. It was the most complicated wish he’d ever heard. But she wasn’t yet finished. “We have to go through some trials and tribulations. Something to test our love, make it strong and worthy. And… and… he has to be daring and very masculine. Powerful. People must respect him, maybe even fear him. Graceful too and lithe, like a… like a cat! Or a lion. Or something like that.” She was losing steam and Fazire had to admit he was grateful for it. “And he has to be a good lover.” Lily shocked Fazire by saying. “The best, so good, he could almost make love to me just by using his eyes.” Fazire felt himself blush. Perhaps he should have a look at these books she was reading and show them to Becky. Lily was a very sharp girl, sharp as a tack (another one of Sarah’s sayings, although Fazire couldn’t imagine a tack ever being as clever as Lily) but she was too young to be reading about any man making love to her with his eyes. Fazire had never made love, never would, genies just didn’t. But he was pretty certain fourteen year old girls shouldn’t be thinking about it. Though, he was wrong about that, or at least Becky would tell him that later. Then Fazire realised she’d stopped talking. “Is that it?” he asked. She thought for a bit, clearly not wanting to leave anything out. Then she nodded.
Kristen Ashley (Three Wishes)
He was rugged, sexy and mysterious, all the things I never knew I wanted.
Kathey Gray (Breaking Girl Code)
Me,” said Ron, who was still rather disheveled. “I didn’t realize that would happen. It’s not fair!” he added to Harry, as the girls headed off for the portrait hole, still giggling madly. “Hermione’s allowed in our dormitory, how come we’re not allowed — ?” “Well, it’s an old-fashioned rule,” said Hermione, who had just slid neatly onto a rug in front of them and was now getting to her feet, “but it says in Hogwarts: A History that the founders thought boys were less trustworthy than girls. Anyway, why were you trying to get in there?
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
As I worked I continued to be a bit terrified in the back of my mind that it would be awful in the end, a big mishmash of nothing in particular, and there I would be, having wasted a whole week of my life destroying things I wanted to keep. But I should have trusted the long history of women who've come before me making rag rugs from everything that wasn't nailed down because it wasn't like that at all. Instead it was like a big, incredible tapestry that just happened to--if you could decipher it--tell a million little stories from my life. I could look at it and see my old lace slip and the girls' party dresses and my high school rainbow tie-dyes, the Irish kilt and the Halloween clown pants and so many, many other things. It was all in there somewhere. I felt like the miller's daughter in the fairy tale, the one who stays up all night spinning straw into gold. But who needs yellow metal, anyway? The was way better.
Eve O. Schaub (Year of No Clutter)
unsolicited advice to adolescent girls with crooked teeth and pink hair When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
Jeanann Verlee
get the collection of blankets and rugs from the boat. They arranged them in the corners of the little room, and thought that it would be very exciting to spend the night there. ‘The two girls can sleep together on this pile of rugs,’ said Julian. ‘And we two boys will have this pile.’ George looked as if she didn’t want to be put with Anne, and classed as a girl. But Anne didn’t
Enid Blyton (Five on a Treasure Island (Famous Five, #1))
Oh, it's you," Sebastian said in a tone of mild surprise, seeming to ponder how he had ended up kneeling on a bathroom rug with his wife in his arms. "I was prepared to debauch a resisting servant girl, but you're a more difficult case." "You can debauch me," Evie offered cheerfully. Her husband smiled, his glowing gaze moving gently over her face. He smoothed back a few escaping curls that had lightened from ruby to soft apricot. "My love, I've tried for thirty years. But despite my dedicated efforts..." A sweetly erotic kiss grazed her lips. "...you still have the innocent eyes of that shy wallflower I eloped with. Can't you try to look at least a little bit jaded? Disillusioned?" He laughed quietly at her efforts and kissed her again, this time with a teasing, sensuous pressure that caused her pulse to quicken.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
First, I see her catch the scent. It's a combination of many things; the Christmas tree in the corner; the musty aroma of old house; orange and clove; ground coffee; hot milk; patchouli; cinnamon- and chocolate, of course; intoxicating, rich as Croesus, dark as death. She looks around, sees wall hangings, pictures, bells, ornaments, a dollhouse in the window, rugs on the floor- all in chrome yellow and fuchsia-pink and scarlet and gold and green and white. It's like an opium den in here, she almost says, then wonders at herself for being so fanciful. In fact she has never seen an opium den- unless it was in the pages of the Arabian Nights- but there's something about the place, she thinks. Something almost- magical.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
I tried to imagine what it would be like if Constantin were my husband. It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he’d left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he’d expect a big dinner, and I’d spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted. This seemed a dreary and wasted life for a girl with fifteen years of straight A’s, but I knew that’s what marriage was like, because cook and clean and wash was just what Buddy Willard’s mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself. Once when I visited Buddy I found Mrs Willard braiding a rug out of strips of wool from Mr Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the Five and Ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard’s kitchen mat.
Sylvia Plath (The Bell Jar)
When a man is happy enough to win the affections of a sweet girl, who can soothe his cares with crochet, and respond to all his most cherished ideas with beaded urn-rugs and chair-covers in German wool, he has, at least, a guarantee of domestic comfort, whatever trials may await him out of doors. What a resource it is under fatigue and irritation to have your drawing-room well supplied with small mats, which would always be ready if you ever wanted to set anything on them ! And what styptic for a bleeding heart can equal copious squares of crochet, which are useful for slipping down the moment you touch them ? How our fathers managed without crochet is the wonder; but I believe some small and feeble substitute existed in their time under the name of 'tatting'.
George Eliot
Vane, you okay in there?” my mom calls through my door. I jump so hard I crash into my desk and knock off some books and video game cases. If my mom comes in and finds a gorgeous girl in a skimpy dress passed out on my worn gray rug, I’ll be grounded for the rest of eternity. Especially since all I have on at the moment are my Batman boxers. Pretty sure she won’t buy my ghost-guardian angel/freak-of-nature theories either. I stumble toward the door, prepared to barricade it with my dresser if I have to. “I’m fine, Mom,” I say as I grab the first T-shirt I see off my floor and throw it on, along with my gym shorts. “Then what’s all that banging?” Come on, Vane. Think! Inspiration strikes. “I found a date roach in my bed.” “Did you kill it?” My mom sounds farther away, like she jumped back. “I tried to, but now I can’t find it.” I don’t need to worry about my mom offering to help. She’s a big believer in the whole boys should kill all the bugs philosophy. “Well, I won’t distract you, then,” she says, and I can’t help smiling.
Shannon Messenger (Let the Sky Fall (Sky Fall, #1))
Hey girls, did you hear the news? It's just been scientifically proven that barrettes are dangerous! So are bracelets and bric-a-brac. It's a fact. And don't be fooled by thick-necked macho men who pretend that "girl stuff" is boring or frivolous, because that's just an act. Because as soon as you ask that guy to hold your purse for a minute, he will start to squirm, as if your handbag were full of worms, as he holds it as far away from his rugged body as possible. Because "girl stuff" is made with the gender equivalent of Kryptonite!
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
Peg started out, as did all the new girls, by painting the Big Ben alarm clocks that Westclox produced. He was “a rugged handsome fellow”9 of a clock, with a dial that measured about 10 centimeters across, giving him nice big numbers for the less experienced girls to paint.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
She had thought, instinctively, that Victoria had a remarkably beautiful face. The face showed an alert awareness of life: her lips- full, overblown like clown-lips liable to laugh at the slightest provocation. She thought that her features were not chiseled but almost rugged, handsome, like a colloquial swear-word or a Vermeer peasant-girl, and a knock out at that. An overdone face, like one having two chins, two noses, that was big and abundantly cheerful but at the same time, there was a peculiarly puffy look about those eyes.’ ('Left from Dhakeshwari')
Kunal Sen
Marketplace feminism is in many ways about just branding feminism as an identify that everyone can and should consume. That's not a bad thing in theory, but in practice it tends to involve highlighting only the most appealing feature of a multifaceted set of movements. It kicks the least sensational and most complex issues under a rug and assures them that we'll get back to them once everybody's on board. And it ends up pandering to the people who might get on board-maybe, possibly, once feminism works its charm-rather than addressing the many unfinished projects still remaining.
Andi Zeisler (We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement)
The brooding landscape they were currently traversing, the lowering sky above their heads and the rugged terrain beneath their feet, were all conspiring to make her feel like an unfortunate Brontë sister, traipsing endlessly across the moors after unobtainable fulfillment. Perry himself was not entirely without Heathcliffian qualities—the absence of levity, the ruthless disregard for a girl’s comfort, the way he had of scrutinizing you as if you were a puzzle to be solved. Would he solve her? Perhaps she wasn’t complicated enough for him. (On the other hand, perhaps she was too complicated.)
Kate Atkinson (Transcription)
THE MYTH OF THE GOOD OL BOY AND THE NICE GAL The good of boy myth and the nice gal are a kind of social conformity myth. They create a real paradox when put together with the "rugged individual" part of the Success Myth. How can I be a rugged individual, be my own man and conform at the same time? Conforming means "Don't make a wave", "Don't rock the boat". Be a nice gal or a good ol' boy. This means that we have to pretend a lot. "We are taught to be nice and polite. We are taught that these behaviors (most often lies) are better than telling the truth. Our churches, schools, and politics are rampant with teaching dishonesty (saying things we don't mean and pretending to feel ways we don't feel). We smile when we feel sad; laugh nervously when dealing with grief; laugh at jokes we don't think are funny; tell people things to be polite that we surely don't mean." - Bradshaw On: The Family
John Bradshaw (Healing the Shame that Binds You)
The rug says: All Are Friends Who Enter Here. It is from Costco. I have learned about bulk shopping in my four weeks as a Mississippi River resident. Republicans go to Sam’s Club, Democrats go to Costco. But everyone buys bulk because—unlike Manhattanites—they all have space to store twenty-four jars of sweet pickles.
Gillian Flynn (Gone Girl)
I think you're talking shit. You think we don't all feel like that? Like we're crazy, like we're not a real person, like we don't exist? Everyone feels that way sometimes. I can remember talking to you when you lost your bag. So what? You can't remember and that's not a bad thing. It doesn't make me better than you. I'm a stranger to you, but here's what I see: I see a girl who has suffered a terrible damage to her brain. Someone who, it seems, is shut away by her parents to keep her safe. But inside there is a vibrant person, a traveler, and her memory of this boy Drake has propelled her into action. I think, Flora, that you came here not to find Drake but to find yourself. It wasn't Drake--he's an unlikely romantic hero, really--it was you. Didn't you come here, perhaps, because you heard him talking about the place he was going to, and it called to you?" I don't know what to say. I don't say anything. " Our come from Oslo, and Svalbard called me, even though I'm not really the rugged adventurous type. Like you, I had to come. Some of us are meant to be here. We need this place...We need to be small specks in wild nature, by the pole. The midnight sun. The midday darkness. The northern lights. It called to you, Flora, and you answered. You overcame everything, and you came here, alone. You are the bravest person I've ever met.
Emily Barr (The One Memory of Flora Banks)
Ian Taggart had his own baggage. “Li doesn’t have a partner. If you wanted to get paternity leave—god, I vomited a little—then you should have manned up and gotten your own girl. Adam won the battle fair and square. He gets to stay with the wife and rug rat.” “It wasn’t a fucking battle. It was rock, paper, scissors, damn it. I think Adam cheated.” Jacob Dean frowned
Lexi Blake (Dungeon Royale (Masters and Mercenaries #6))
This used to be a spring where women came to boil their wash clothes in iron pots. One time a woman was here they say, abeatin' a rug clean with a stick. Had he daughter along. The little girl disappeared but the woman just figured she was aplayn' hide and seek. the mother was athumpin' her rug when it commenced aturnin' red. She got vexed with the child for hidin' raspberries in the rug. SHe opened it to wash away the stain and her little girl rolled out. child was hid in the rug. Woman run off through the woods acryin'. 'I bludgeoned my baby! I BEAT MY BABY DEAD!' Next night she come here to a big oak and hung herself with a bedsheet. That sheet, they say, blowed in the trees until it rotted away. Terrified many a man acomin' through at night
William Least Heat-Moon (Blue Highways)
The little girl dipped her pipette in the water, then held it up to the lightbulb dangling over the table. In the liquid drop that was slowly stretching, she had captured the entire room: the window and its four panes with the waning daylight, the chest covered with a red rug, the sink with the handle of a saucepan poking out, the big photo tacked to the wall showing an almond tree bowed under a storm, its blossoms torn off, blown away, tiny angel flights or sacrificed lives. 'The world's tiny... it's a pity we can't keep droplets for all the beautiful things we see. And for people. I'd love that. I'd put them in...' Zaide broke off, shaking her head. 'No. You can't put them anywhere. But it's beautiful.' I whispered, 'Yes, the world is beautiful.
Christine Féret-Fleury (The Girl Who Reads on the Métro)
I should also mention, with the vestigial pang of a once flat-chested girl, Desdemona’s voluptuous figure. Her body was a constant embarrassment to her. It was always announcing itself in ways she didn’t sanction. In church when she knelt, in the yard when she beat rugs, beneath the peach tree when she picked fruit, Desdemona’s feminine elaborations escaped the constraints of her drab, confining clothes.
Jeffrey Eugenides (Middlesex)
The door opened and Muriel came into the room. She looked round her a moment, smiling; and, instead of the powdered little actress she had expected, Mummie saw a tall slim girl, with light brown hair and no paint on her face, dressed simply in good clothes, a girl with wide-apart eyes who looked right amongst the furniture from New Grove House and Kicky’s drawings on the wall, and the books and the rugs. As Mummie went to greet her, Muriel ran forward and took her hands and kissed her, and said, ‘I am so glad to be here with you all’; then looked a little troubled, and lowered her voice, glancing towards the door, and said, ‘I’m in such a way about Gerald, he is starting one of his horrid colds.’ Mummie looked at the girls and smiled, Trixie nodded her head, and Sylvia and May leant back with a sigh of relief. The ewee lamb was safe in the fold at last.
Daphne du Maurier (Gerald: A Portrait)
It's a Saturday morning in September, I'm wearing my shining name. The little girl who is now dead sits in the back seat, with her two best dolls, her stuffed rabbit, mangy with age and love. I know all the details. They are sentimental details but I can't help that. I can't think about the rabbit too much though, I can't start to cry, here on the Chinese rug, breathing in the smoke that has been inside Serena's body. Not here, not now, I can do that later.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
All I know is that the fear I have been battling all night is breaking down the door of my ignorance. As my feet slam down I feel not the hard, wet asphalt but the soft Persian rug that led to the staircase in my father’s home. In the glow of lightning the dancing trees are illuminated but I see my mother in the glow of candlelight, spinning, twirling, her hair fanned out behind her. It is falling over me, saturating my thoughts, and I cannot. I cannot let it in.
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
The young girl giggled again and Jake shook his head in amazement. Not only was the U.S. dark operative cooking pancakes, but it seemed he'd won over the timid teenager in no time flat. "I've been entertaining this pretty girl with my vast repertoire of daring and heroic adventures from around the globe." Jake snorted as he opened the refrigerator and pulled out the container of orange juice. "You sound like Blackbeard the pirate. Don't believe a word he says, Alyssa. He's actually Insurance salesman and lies like a rug." "An Insurance salesman?" She narrowed her eyes at Carter as he flipped three pancackes off the electric griddle sitting on the island and onto a plate for her. "I knew you were conning me," she chastised, then rolled her eyes toward Jake. "He said he was a government spy, like James Bond." After filling a glass, Jake smirked at his friend who shrugged his shoulders and gave the girl a sad puppy-dog expression. "Who are you going to believe, me or Jake from State Farm?
Samantha A. Cole (Topping the Alpha (Trident Security, #4))
In my father’s workshop there is a little girl in a red dress and she will always be there, laughing and hiding under the table with the vise clamped to one edge or all bundled up with her scabby knees clasped against her chest behind the big toolbox with its thousand drawers. That girl is a very happy girl. But in my mother’s parlor there is a much smaller girl who can’t help piddling on the rug like a bad dog. Like a bad little bitch puppy. And she will always be there, too, no matter how much I wish she would be gone.
Stephen King (The Stand)
You said, the other day, you thought we were a deal happier than the King children, for they were fighting and fretting all the time, in spite of their money.’ ‘So I did, Beth. Well, I think we are ; for, though we do have to work, we make fun for ourselves, and are a pretty jolly set, as Jo would say.’ ‘Jo does use such slang words!’ observed Amy, with a reproving look at the long figure stretched on the rug. Jo immediately sat up, put her hands in her pockets, and began to whistle. ‘Don’t, Jo ; it’s so boyish!’ ‘That’s why I do it.’ ‘I detest rude, unladylike girls!’ ‘I hate affected, niminy-piminy chits!
Louisa May Alcott (Little Women)
What do you say to a girl who becomes familiar with heartache before she’s legal enough to drink? What are words to a girl who is used to getting hurt by everyone claiming to care? All these young souls drowning in sadness before knowing how to swim. Trying to navigate this rugged terrain called life. Sadly, heartbreak arrives earlier than it should, but if there’s anything that I know for sure it is that the heartache transforms the broken girl into a powerful woman. I just wish the pain didn’t start so young. I just wish you had more time to comprehend what it means to be happy and maybe one day you will.
R.H. Sin (Empty Bottles Full of Stories)
Christmas won’t be Christmas without any presents,” grumbled Jo, lying on the rug. “It’s so dreadful to be poor!” sighed Meg, looking down at her old dress. “I don’t think it’s fair for some girls to have plenty of pretty things, and other girls nothing at all,” added little Amy, with an injured sniff. “We’ve got Father and Mother, and each other,” said Beth contentedly from her corner. The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, “We haven’t got Father, and shall not have him for a long time.” She didn’t say “perhaps never,” but each silently added it, thinking of Father far away, where the fighting was.
Louisa May Alcott (Little Women: The Original Classic Novel Featuring Photos from the Film!)
I feed Volnay, who eats in her unusual way, delicately removing one piece of kibble at a time from her bowl, placing it on the little rug that serves as her dining room, and then eating it before going back in for a second piece of kibble. It takes her the better part of thirty minutes to finish her bowl. I'm sure if she had thumbs, she'd be patting her chin with a linen napkin after every morsel. When she finishes, she hits the water bowl. Silently. No one can figure out how she drinks, she sort of purses her lips and sucks, none of that slurping and splashing that accompany most dogs' drinking. She is a stealth drinker. When she finishes, she heads to her little bed in the corner of the kitchen to groom her fur a bit. Lovely girl.
Stacey Ballis (Out to Lunch)
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.” “Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.” “It’s French,” retorted Runny-Nose, before Chloe could speak. “Then she smells like a French whore.” “Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.” “I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.” I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.” “How dare you threaten me, you little tart!” “I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.” Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“ “I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.” “What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?” Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed. “You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.” “I’m the one he wants,” I said evenly. “No one’s pretending that.” I didn’t have to say who. She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes. “That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.” “As if you could,” she scoffed, but there was apprehension behind those tears. “Try me.” I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug. “Cheerio,” I said to them all, and turned around and left.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
I close my eyes and hear wind rushing through palm trees again. And then laughter. The scene is foggy at first, and then it comes into sharp focus. I am standing in a kitchen. It's one of those big, well-appointed spaces you see in magazines, but this one is well loved, not just staged. A cake bakes in the oven. Carrot. There are matches and a box of birthday candles at the ready by the stove. Stan Getz's smoky-sweet saxophone filters from a speaker somewhere nearby. I'm stirring a pot of marinara sauce; a bit has splattered onto the marble countertop, but I don't care. I take a sip of wine and sway to the music. A little girl giggles on the sofa. I don't see her face, just her blond ponytail. And then warm, strong arms around my waist as he presses his body against me. I breathe in the scent of rugged spice, fresh cotton, and love.
Sarah Jio (All the Flowers in Paris)
As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration: „My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left…. I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37)
Erving Goffman (Stigma: Notes on the Management of Spoiled Identity)
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
Chaworth," the dark-haired man beside him intervened quietly, "if I may speak." The speaker was ruggedly attractive, with boldly hewn features and the sun-browned complexion of an avid outdoorsman. Although he was not young- his black locks were liberally shot with steel, and time had deepened the laugh-lines around his eyes and the brackets between his nose and mouth- he certainly couldn't have been called old. Not with that air of robust health, and the presence of a man with considerable authority. "I've known the lad since the day he was born," he continued, voice deep and a bit gravelly. "As you know, his father is a close friend. I'll vouch for his character, and his word. For the girl's sake, I suggest that we hold our silence and handle the matter with discretion." "I am also acquainted with his father," Lord Chaworth snapped, "who plucked many a fair flower in his day. Obviously the son is following in his footsteps. No, Westcliff, I will not remain silent- he must be held accountable for his actions." Westcliff? Pandora glanced at him with alert interest. She had heard of the Earl of Westcliff, who, after the Duke of Norfolk, held the oldest and most respectable peerage title in England. His vast Hampshire estate, Stony Cross Park, was famed for its fishing, hunting, and shooting.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The Duration Here they are are on the beach where the boy played for fifteen summers, before he grew too old for French cricket, shrimping and rock pools. Here is the place where he built his dam year after year. See, the stream still comes down just as it did, and spreads itself on the sand into a dozen channels. How he enlisted them: those splendid spades, those sunbonneted girls furiously shoring up the ramparts. Here they are on the beach, just as they were those fifteen summers. She has a rough towel ready for him. The boy was always last out of the water. She would rub him down hard, chafe him like a foal up on its legs for an hour and trembling, all angles. She would dry carefully between his toes. Here they are on the beach, the two of them sitting on the same square of mackintosh, the same tartan rug. Quality lasts. There are children in the water, and mothers patrolling the sea's edge, calling them back from the danger zone beyond the breakers. How her heart would stab when he went too far out. Once she flustered into the water, shouting until he swam back. He was ashamed of her then. Wouldn't speak, wouldn't look at her even. Her skirt was sopped. She had to wring out the hem. She wonders if Father remembers. Later, when they've had their sandwiches she might speak of it. There are hours yet. Thousands, by her reckoning.
Helen Dunmore
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))
Well, Jane Eyre, and are you a good child?” Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, “Perhaps the less said on that subject the better, Mr. Brocklehurst.” “Sorry indeed to hear it! she and I must have some talk;” and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed’s. “Come here,” he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! “No sight so sad as that of a naughty child,” he began, “especially a naughty little girl. Do you know where the wicked go after death?” “They go to hell,” was my ready and orthodox answer. “And what is hell? Can you tell me that?” “A pit full of fire.” “And should you like to fall into that pit, and to be burning there for ever?” “No, sir.” “What must you do to avoid it?” I deliberated a moment; my answer, when it did come, was objectionable: “I must keep in good health, and not die.” “How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,—a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence.” Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. “I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
That New Year I was invited to stay with one of my old school buddies, Sam Sykes, at his house on the far northwestern coast of Sutherland, in Scotland. It is as wild and rugged a place as anywhere on earth, and I love it there. It also happens to boast one of my favorite mountains in the world, Ben Loyal, a pinnacle of rock and steep heather that overlooks a spectacular estuary. So I did not need much encouraging to go up to Sam’s and climb. This time up there, I was to meet the lady who would change my life forever; and I was woefully ill-prepared for the occasion. I headed up north primarily to train and climb. Sam told me he had some other friends coming up for New Year. I would like them, he assured me. Great. As long as they don’t distract me from training, I thought to myself. I had never felt more distant from falling in love. I was a man on a mission. Everest was only two months away. Falling in love was way off my radar. One of Sam’s friends was this young girl called Shara. As gentle as a lamb, beautiful and funny--and she seemed to look at me so warmly. There was something about this girl. She just seemed to shine in all she did. And I was totally smitten, at once. All I seemed to want to do was hang out with her, drink tea, chat, and go for nice walks. I tried to fight the feeling by loading up my backpack with rocks and heavy books, then going off climbing on my own. But all I could think about was this beautiful blond girl who laughed in the most adorable way at how ridiculous it was to carry Shakespeare up a mountain. I could sense already that this was going to be a massive distraction, but somehow, at the same time, nothing else seemed to matter. I found myself wanting to be with this girl all the time.
Bear Grylls (Mud, Sweat and Tears)
Ye told me ye had no’ seen the man in the clearing yesterday.” “I did not,” Annabel assured him, swiveling to look at him with a bit of excitement as she was recalled to the day’s events. “But I saw his plaid and the man today was wearing the same color plaid. He was big too. And, he was the same man as the one who startled me in England on our journey here, so I am beginning to think it was the same man all three times.” “Ye’re sure it was the same man as in England?” he asked, not happy at the thought. “Aye. I only caught a glimpse that first time, but he is hard to mistake,” she assured him. “He is very large and has a pretty face.” That brought a scowl to Ross’s lips. He didn’t at all like her finding someone else attractive, which was silly, he supposed. It wasn’t like she was going to run off with her attacker. According to Giorsal, she’d stabbed him. Besides, he himself wouldn’t have been flattered to be called pretty. “Ye mean handsome, do ye no’?” he suggested. “Nay. You are handsome, husband. He is pretty,” she said in a tone of voice that suggested that should clear the matter up. It didn’t. “Is there a difference?” Ross asked cautiously. “Aye,” Annabel said as if that should be obvious. “Handsome is rugged and manly and . . . well . . . handsome,” she finished helplessly, and then added, “Pretty is big eyes, sculpted jaw and hair that flops across the eyes.” She paused briefly before continuing with some consideration, “He would make a lovely girl were he not so muscular across the shoulders and chest.” “Ah,” Ross said, unable to repress a grin. Whether she realized it or not, his wife was saying she thought he was a sexy beast, while the pretty boy was . . . pretty, but not in a way she found especially attractive. He liked that. His
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
Who that cares much to know the history of man, and how that mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with distinctively human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresa’s passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel, and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order. That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion. With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later-born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul. Their ardour alternated between a vague ideal and the common yearning of womanhood; so that the one was disapproved as extravagance, and the other condemned as a lapse.
George Eliot (George Eliot: The Complete Works)
dimly registered a thin blue rug
Tara Conklin (The House Girl)
I gazed at his face in the rapidly fading light of day, admiring his five o-clock stubble and ruggedly handsome features. If you were being technical about it you could say I was fawning. Like a fan girl at Comic Con who’s just spotted Loki - Logan Blake
Jules Deplume (Love Simmers (Sail Away, #1))
Mirchi, I cannot lie to you,” Rahul said, grinning. “On my side of the hall there were five hundred women in only half-clothes—like they forgot to put on the bottom half before they left the house!” “Aaagh, where was I?” said Mirchi. “Tell me. Anyone famous?” “Everyone famous! A Bollywood party. Some of the stars were in the VIP area, behind a rope, but John Abraham came out to near where I was. He had this thick black coat, and he was smoking cigarettes right in front of me. And Bipasha was supposedly there, but I couldn’t be sure it was really her or just some other item girl, because if the manager sees you looking at the guests, he’ll fire you, take your whole pay—they told us that twenty times before the party started, like we were weak in the head. You have to focus on the tables and the rug. Then when you see a dirty plate or a napkin you have to snatch it and take it to the trash bin in the back. Oh, that room was looking nice. First we laid this thick white carpet—you stepped on it and sank right down. Then they lit white candles and made it dark like a disco, and on this one table the chef put two huge dolphins made out of flavored ice. One dolphin had cherries for eyes—” “Bastard, forget the fish, tell me about the girls,” Mirchi protested. “They want you to look when they dress like that.
Katherine Boo
Breaking Dawn = Bark, Gnaw, Die When Edward gets the girl, Jacob takes his revenge by chewing up Edward's shoes, having "accidents" on the rug, and howling at all hours of the night. —Tara Habenicht North Ridgeville, OH
Anonymous
They didn’t, and now the room felt strangely empty without their grandmother rattling in the corners. They had been here before. Averlee couldn’t place it exactly, but the mix of cigarettes and coffee, the rose-scented air freshener was familiar. The cookie jar shaped like a clock on the kitchen counter. She had seen it, tasted lemon wafers from inside it. They had been here before they had enough words to remember it by. And now she’d left them alone. But it wasn’t her grandmother Averlee missed. It was the braided rug in her bedroom at home, smelling like the cherry sucker Quincy broke between her teeth and let fall like slivers of red glass between the seams. Her grandmother’s voice carried down the hall. “Hospital… Snake… These girls.” Averlee liked to flop onto her belly and read on that rug. She
Deborah Reed (Things We Set on Fire)
If it were mine, I would clear this room of all these foolish statues, paint the walls happy colors like sunny yellow and heather pink and sky blue, put a thick rug on the floor, and make it my Charlie-girl's. This could be her very own play area. This could be where she'd learn to take her first steps, tumble with the puppies I would get for her, have her first tea party. Oh, if only this house were ours...
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Please tell me we don’t have to go all the way upstairs for a condom,” she said. “Back pocket.” She leaned with him as he fished it out, then tried to help him get his jeans down over his hips. Her foot hit the coffee table, which snagged on the throw rug and sent the Scrabble tiles sliding all over the board. She laughed as he tore open the condom packet. “Now nobody wins.” “I was ahead.” He put one hand on her hip, using the other to guide himself into her. “So I win.” Emma moaned as he filled her, bracing herself against the couch with a hand on either side of his head. “The game wasn’t over. It’s a draw.” He pulled down on her hips as he drove up into her, making her gasp. “Ties are for pussies. Admit I won.” She looked down into his blue eyes, crinkled with amusement as he grinned at her. God, she loved…having sex with this man. “One good word isn’t a victory.” “That’s not what the score sheet said.” He stopped moving, and when she tried to rock against him, he held down on her hips so she couldn’t move, either. Then he had the nerve to chuckle at her growl of sexual frustration. “Admit it. I can sit here all night.” “Oh, really?” She went straight for a known weak spot—nipping at his earlobe before sucking it into her mouth. He let go of her hips with one hand, intending to push her mouth away, but she rocked her hips. He groaned and put his hand back. She breathed softly against his ear and then ran her tongue along the outside. “Admit I was going to win,” she whispered, “because I can do this all night.” With one leg, he kicked at the table, sending it over and the letter tiles flying. Before Emma could react, she was on her back on the throw rug with Sean between her legs and her hands held over her head. “I don’t lose.” He crossed her wrists so he could hold them with one hand, then used the other to pull her leg up over his hip so he was totally buried in her. “Give up?” She shook her head, but couldn’t hold back the sigh as he oh, so slowly withdrew almost completely and then just as slowly filled her again. “You’re cheating.” He did it again and again, the slow friction delicious and frustrating, until they were both trembling and on the edge. Then, as he was pulling out of her once again with a self-control that made her want to scream, it became a matter of life or death, because she was going to die if she didn’t get what her body was looking for. “Okay, fine. You win.” He drove into her hard, his fingers biting into her wrists before he released them so he could lift her legs to her shoulder. She cried his name as his fingers dug into her hips and he gave them what they both wanted. When he collapsed on top of her, breathing hard against her neck, she wrapped her legs and arms around him, holding him close. “Another one for the win column,” he said once they’d caught their breath. “It has an asterisk, though, because you totally cheated.” “All’s fair in sex and Scrabble, baby.” He propped his head on his hand and smiled down at her. “What should we play next?” “I’ve still got clothes on. You’ve still got clothes on. Maybe we should break out a deck of cards.” “You’re my kinda girl, Emma Shaw,” he said, and thankfully, he was in the process of getting up off the floor, because she didn’t think she did a good job of hiding how happy those words made her.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
It was a curious contrast to see how the timid country girl shrunk through the crowd that hurried up and down the streets, giving way to the press of people, and clinging closely to Ralph as though she feared to lose him in the throng; and how the stern and hard-featured man of business went doggedly on, elbowing the passengers aside, and now and then exchanging a gruff salutation with some passing acquaintance, who turned to look back upon his pretty charge, with looks expressive of surprise, and seemed to wonder at the ill-assorted companionship. But, it would have been a stranger contrast still, to have read the hearts that were beating side by side; to have laid bare the gentle innocence of the one, and the rugged villainy of the other; to have hung upon the guileless thoughts of the affectionate girl, and been amazed that, among all the wily plots and calculations of the old man, there should not be one word or figure denoting thought of death or of the grave. But so it was; and stranger still—though this is a thing of every day—the warm young heart palpitated with a thousand anxieties and apprehensions, while that of the old worldly man lay rusting in its cell, beating only as a piece of cunning mechanism, and yielding no one throb of hope, or fear, or love, or care, for any living thing.
Charles Dickens
At last Stuart looked away from Helen and back to the piano as he picked up on Helen’s cue. In the Mood filled the small living room the way fragrance fills a garden after rain. Helen felt almost tipsy, perhaps from the music or the look Stuart had given her, or because people so rarely dance without being tipsy. Lyric bounced on Helen’s hip, the girl’s thin legs bopping against Helen’s body. Then as Helen swung and spun the child over the rug, the most remarkable thing happened. It started like a freshly sprung leak, then the moment before it came, Helen saw it in Lyric’s eyes. The leak busted, a water main of laughter bursting and arching into the room. Lyric’s laugh was the most beautiful sound Helen had ever heard. Her first thought was that Mum had been right—there is magic on this earth, and at last Helen had found it, hiding, inside this little girl. To Helen, it felt as though she'd spent so many days in the cold of winter, and was now hearing the birds return.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
Aleksey unhurriedly puts a knee down on the rug and lithely crawls over my body until he’s hovering over me.
Mya Robarts (The V Girl: A Coming of Age Story)
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
Robert was silent for a moment, watching his daughter try to coax the ladybird off the rug and onto her finger. He wanted to warn the bug away; the finger of a five-year-old girl is a safe place for no one.
Janina Matthewson (Of Things Gone Astray)
The little boy touched his dust-streaked hand to Loretta’s hair and made a breathless “ooh” sound. He smelled like any little boy who had been hard at play, a bit sweaty yet somehow sweet, with the definite odor of dog and horse clinging to him. Blackbird concentrated on Loretta’s blue eyes, staring into them with unflinching intensity. The younger girl ran reverent fingertips over the flounces on Loretta’s bloomers, saying, “Tosi wannup,” over and over again. Loretta couldn’t help but smile. She was as strange to them as they were to her. She longed to gather them close and never let go. Friendly faces and human warmth. Their giggles made her long for home. With a throat that responded none too well to the messages from her brain, Loretta murmured, “Hello.” The sound of her own voice seemed unreal--an echo from the past. “Hi, hites.” Blackbird linked her chubby forefingers in an unmistakable sign of friendship. “Hah-ich-ka sooe ein conic?” Loretta had no idea what the child had asked until Blackbird steepled her fingers. “Oh--my house?” Loretta cupped a hand over her brow as if she were squinting into the distance. “Very far away.” Blackbird’s eyes sparkled with delight, and she burst into a long chain of gibberish, chortling and waving her hands. Loretta watched her, fascinated by the glow of happiness in her eyes, the innocence in her small face. She had always imagined Comanches, young and old, with blood dripping from their fingers. A deep voice came from behind her. “She asks how long you will eat and keep warm with us.” Startled, Loretta glanced over her shoulder to find Hunter reclining on a pallet of furs. Because he lay so low to the floor, she hadn’t seen him the first time she’d looked. Propping himself up on one elbow, he listened to his niece chatter for a moment. His eyes caught the light coming through the lodge door, glistening, fathomless. “You will tell her, ‘Pihet tabbe.’” Trust didn’t come easily to Loretta. “What does that mean?” A smile teased the corners of his mouth. “Pihet, three. Tabbe, the sun. Three suns. It was our bargain.” Relieved that she hadn’t dreamed his promise to take her home, Loretta repeated “pihet tabbe” to Blackbird. The little girl looked crestfallen and took Loretta’s hand. “Ka,” she cried. “Ein mea mon-ach.” “Ka, no. You are going a long way,” Hunter translated, pushing to his feet as he spoke. “I think she likes you.” He came to the bed and, with an indulgent smile, shooed the children away as Aunt Rachel shooed chickens. “Poke Wy-ar-pee-cha, Pony Girl,” he said as he scooped the unintimidated toddler off the furs and set her on the floor. His hand lingered a moment on her hair, a loving gesture that struck Loretta as totally out of character for a Comanche warrior. The fragile child, his rugged strength. The two formed a fascinating contrast. “She is from my sister who is dead.” Nodding toward the boy, he added, “Wakare-ee, Turtle, from Warrior.” Loretta didn’t want the children to leave her alone with their uncle. She gazed after them as they ran out the lodge door.
Catherine Anderson (Comanche Moon (Comanche, #1))
Staring into the naked orange flames of the firepit, naked flesh, naked Carrie Donaldson on the bare rug in exhausted, sated semi-sleep beside him, Jack Barron felt a carapace of image-history-skin encysting him like steel walls of a TV set, a creature imprisoned in the electronic circuitry of his own head perceiving through promptboard vidphone fleshless electronic speed of light ersatz senses, separated from the girl beside him by the phosphor-dot impenetrable glass TV screen Great Wall of China of his own image. First time I remember being blown feeling like wet put-down ugliness, he brooded. Ugly, he told himself, is a thing you feel — truth is ugly when it's a weapon, lie is beautiful when an act of love ugly when it's one-sided fuck is beautiful when it's simple, mutual, nobullshit balling, ugly when chick gets her kicks off you that really isn't there, is why you feel like a rotten lump of shit, man. Getting blown Sara go down being dug by woman's a pure gas; being sucked off, image-statue living lie, someone else's lie being eaten (Let me eat you, let me eat you, baby!) is a dirty act of plastic cannibalism, her dirtiness, not mine. Whole world's full of plastic cannibals feeding their own little bags off meals of my goddamned image-flesh, eating Jack Barron ghost that isn't there. And now Morris and my so-called friend Luke are hot to package my living-color bod into TV dinners, sell to hundred million viewer-voter cannibals for thirty pieces of power silver.
Norman Spinrad (Bug Jack Barron)
Vera eyed the Queen Mother, who appeared as oblivious to the mournful melody as were the corgis lounging on the rug around her end of the table. The woman was a monument to never crumbling, and Vera wished she possessed a tenth of her fortitude. Perhaps she should start drinking gin and Dubonnet to build up her resolve.
Georgie Blalock (The Other Windsor Girl: A Novel of Princess Margaret, Royal Rebel)
She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long. Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’ And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have. ‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’ I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much? Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’ Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed. I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet. The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching. Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
As a boy, Pasoon had time for games and practical jokes. His only chore was to take the goats up into the mountains to graze for a few hours. As a girl, Reshmina worked from the moment she woke up until she went to sleep at night. While Pasoon had been lying in wait for her, Reshmina had been hauling water up from the river. There were also clothes to be washed, rugs to be beaten and stacked, floors to be swept, animals to be fed, food to be cooked—and, every afternoon, the two-kilometer walk back and forth to school. Pasoon didn’t even do that anymore. He’d quit going to school a year ago.
Alan Gratz (Ground Zero)
Here is the thing about my grief: It’s like a very messy room in a house where the electricity has gone out. My grief over Bas is the darkness. It’s the thing that’s most immediately wrong in the house. It’s the thing that you notice straight off. It covers everything else up. But if you could turn the lights back on, you would see there are lots of other things still wrong in the room. The dishes are dirty. There is mold in the sink. The rug is askew.
Monica Hesse (Girl in the Blue Coat)
Five things I could see. The window had six panes. The curtains were blue. The rug was thin and old. Mósí was looking at me like I was crazy. My sheet had flowers. Four things I could feel. My pajamas were soft and warm. The floor was cold. I plopped down beside Mósí and stroked his soft fur. He headbutted me and his nose was a little wet, but when I kissed him and he rubbed my chin and I kissed him again, my heart started to feel a little better. Three things I could hear. Mósí purring, really loud. That made me smile, and I kissed him again, and he crawled up in my lap and I hugged him. His purr was so loud I couldn’t really hear anything else, but I guess silence is a thing. And when I listened very, very hard, I could hear the sea. Two things I could smell. I breathed in and tried to name it, like I was one of my characters. It smelled like dampness and stone. And Mósí, who always smells clean and sweet and nice. I kissed him again, closing my eyes, and felt tears stinging my eyelids. I love him so much. He is the best cat ever in the world. I was supposed to think of one thing I could taste, but I didn’t want to get up, and anyway my heart felt better. My dad did a good thing with Mósí. My cat doesn’t care what happened to me, what I did. He just wants me to love him.
Barbara O'Neal (The Lost Girls of Devon)
I often dreamed of being Aladdin. But it wasn’t for the rug, or the wishes, or the teeny monkey, but to know what it feels like to delicately touch a girl.
Elliot Page (Pageboy: A Memoir)
It's... One Batch, Two Batch, Penny and Dime, you know? It was her favorite book. You gotta cross the ocean, and go fight. You see, whole time you're thinking you're gonna be scared, right? But then you're not. See, that part of it was always easy for me. Killing. Even watching my buddies die, it just didn't mean nothing. The first time I got scared was on a plane on the way home. I kept thinking God was gonna pull the rug out from under us, you know? Shit, that's his kind of funny, you know. But the plane landed safe and we were home. Driving through traffic. Yeah, you pass fast food and donut shops and all that greasy shit, the shit you fought to protect, and then the car stops. We were outside her school. I get to her classroom, right? She's in there, but she's got no idea. She's got no idea Daddy's home. I walk in, these kids, they're not even studying, they're-they're doing some kind of yoga. Yeah. You know? She's there. She's doing her poses, you know, she's bending and, you know, she's moving. She looks like a flower. Yeah. And you know, you can't even understand it, you know, how does something like that have... How does something that beautiful have... How does that... how does that come from me, you know? And she looks up and she sees me. I see her. By God, that's real. That's real, Red. Boom. In an instant, she's across that classroom floor, she's in my arms. She's squeezing me so tight, I swear I was gonna bust a rib, you know? We just stayed there like that, we're holding each other. Teacher's filming the whole thing on her phone, you know, she's gonna put it on YouTube or some shit. She can't hold the thing steady, because, you know, she's... she's bawling so hard, and the kids are all wailing, you know, they're screaming. And me? Shit, I'm the worst of all. I'm a... I'm a rubber-faced clown, you know? I cried so hard. But not my baby. Not my girl. You know, she's my girl. She's... she's not crying, she's holding me up. My girl, she's keeping me on my feet. She says, "I knew it, Daddy. I knew it." And then we go home. To the wife, the boy. Place is the exact same, it's like it was just holding its breath waiting for me to get back, you know? Then it hit me. All of it, you know? The first time I felt how tired I was, you know, I was just tired, you know? You ever been tired, Red?
Jon Bernthal
What did it show of me? A long oval face, with features that were too delicate-a nose too narrow, eyes round with round eyebrows and a full cupid’s bow mouth that made me look as if I were a twelve-year-old girl. No huge eyes, no high cheekbones, no rugged jaw. Just very pretty, yes, too pretty, which is why I’d scowled for most of the photographs taken for the portrait; but the artist hadn’t saved that scowl into the face.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
It had been a couple of days since the girls had snuck out to the lake, and since then she’d been working harder. Not for Walter or for Darlington Orchard, but because of Birdie. She could see her through the trees, talking to a pair of workers by the house, looking unsure of herself as usual, her big eyes thoughtful. Murphy ruminated that she might be the first really nice person Murphy had ever met and actually liked. It was something about the way she was so sweet but so rugged when it came to the farm stuff---knowing all about the farm and the animals, like with the sleeping bird the other night. Yesterday she’d driven by in a rusted-out red tractor, spraying the trees. She was sweet. But she wasn’t soft. Murphy could respect that. And she had the uneasy feeling that she didn’t want to let her down.
Jodi Lynn Anderson (Peaches (Peaches, #1))
You like me needing you, girl? You like knowing you’re the only woman in the whole fucking world I can imagine ever touching again?
Kati Wilde (Losing It All (Hellfire Riders MC, #11))
Autistic behaviour in men is better accepted, or swept under the rug with a dismissive “ah well, men…” This can also be seen in TV shows, Anna de Hooge argues in her thesis. She watched shows like Sherlock and The Big Bang Theory and concluded that the “autistic” characters get away with exceptionally dickish, aggressive or inappropriate behaviour, such as spying on the girl next door or completely ignoring someone else’s authority.
Bianca Toeps (But You Don’t Look Autistic at All (Bianca Toeps’ Books))
1158. A girl came back home from the school and asked her grandmother, “Granny, what is a lover ?” “A lover!!” the grandmother said. “Let me think. Lov… Lover…. Oh, my God!” She rushed to the wall, pulled aside the hanging rug, revealing a hidden closet door. She unlocked the door, and a skeleton of a young man fell out from the closet.
Olav Laudy (4000 decent very funny jokes)
Leaving the paintings for a moment, he turned to a large bench-size object covered with another cloth; upon whipping off the cloth, he found himself staring into the snarling face and exceptionally long, talon-like teeth of a tiger. He fell back onto the ornately woven red rug beneath them and lay on his back, stunned, as a shower of fine dust fell over him. “You get that out of your system?” Etta asked, stepping around his prone form. His hand lashed out, closing around her ankle like an iron. The woman was mad if she thought he’d let her take another step forward— “It’s dead,” she said, looking down at him with an amused smile. “As gross as it is, it’s been preserved and stuffed to be displayed. Look.” He inhaled sharply through his nose as she reached out a hand to stroke its head. As promised, it did not move. It did not blink. The tiger was dead. “What are the chances your mother killed and stuffed it herself?” “Pretty good, I think.” Etta held up a framed photograph of an older man in the garb of an early twentieth-century explorer, who was holding a rifle. The tiger lay dead at the toes of his boots, and beside it was a grinning, tiny, blond girl—a younger version of the woman in the other photograph he’d seen. Rose. And he’d wondered from whom Etta had inherited her casual disregard for danger.
Alexandra Bracken (Passenger (Passenger, #1))
Stupid girl. Now she was going to have to die.
B.J. Daniels (Rugged Defender (Whitehorse, Montana: The Clementine Sisters #3))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
girl standing on the rug before her was barely twenty. In her severe dark suit and Paris sailor, with her foxes dangling from her hand, she looked even younger, yet there was a very definite likeness between them. The eldest and the youngest of the Ivorys both had the family’s beauty, the fine bones and that expression which was sometimes called “straightforward” and sometimes “arrogant.” “Well?” said Gabrielle. “I’m an old woman, my dear, nearly ninety. It’s not much use coming to me. That’s what you’re thinking, isn’t it?” Her voice was unexpectedly clear in spite of its thinness and there was
Margery Allingham (Black Plumes)
About page warm and casual on her blog, The Pioneer Woman: Howdy. I’m Ree Drummond, also known as The Pioneer Woman. I’m a moderately agoraphobic ranch wife and mother of four. Welcome to my frontier! I’m a middle child who grew up on the seventh fairway of a golf course in a corporate town. I was a teen angel. Not. After high school, I thought my horizons needed broadening. I attended college in California, then got a job and wore black pumps to work every day. I ate sushi and treated myself to pedicures on a semi-regular basis. I even kissed James Garner in an elevator once. I loved him deeply, despite the fact that our relationship only lasted 47 seconds. Unexpectedly, during a brief stay in my hometown, I met and fell in love with a rugged cowboy. Now I live in the middle of nowhere on a working cattle ranch. My days are spent wrangling children, chipping dried manure from boots, washing jeans, and making gravy. I have no idea how I got here . . . but you know what? I love it. Don’t tell anyone! I hope you enjoy my website, ThePioneerWoman.com. Here, I write daily about my long transition from spoiled city girl to domestic country wife.2
Michael Hyatt (Platform: Get Noticed in a Noisy World)
She lives in the coolest house. It’s really big and super modern. They even have a spa bath in the bathroom as well as a jacuzzi out by the pool. We talked about spending time sunbathing in her backyard as soon as the weather was warm enough. The lounge chairs that were scattered around the sides of the pool were so inviting that I had to try them out. Then when I found that they reclined right back, I lied there picturing myself during the summer months, just relaxing by that beautiful sparkling pool. Sara is so lucky! She seems to have pretty much everything a girl could wish for. Her bedroom has the prettiest pink wallpaper with a gorgeous white flower print as a feature wall. And her furniture is all white. She has a huge comfy bed with matching bedside tables. I’ve never known a girl our age to have a queen sized bed though. Even my parents only have a double bed and Sara’s bed seems enormous in comparison. The two hot pink chrome lamps that sit on her bedside tables are the coolest design and I just love the fluffy pink rug that spreads across the middle of her floor. And she even has
Katrina Kahler (Julia Jones' Diary / Horse Mad Girl / Diary of an Almost Cool Girl / Diary of Mr TDH)
Susan whispered, “Be quiet.” She told me to get out of bed and lie down on the rug. I was confused. I looked over at Nancy, who was sleeping soundly. Are we going to play a game? As I tried to make sense of why this older girl wanted me to lie on the rug, Susan pulled down the yellow bloomers of my cotton baby-doll pajamas. “What are you doing?” I asked. “Don’t worry. It’ll feel good.” I lay there paralyzed as she moved her tongue between my legs. What was going on? I didn’t speak. She kept at this for I don’t know how long, but it felt good, weird and definitely wrong, all at the same time. She slid my bloomers back up and whispered, “Don’t tell anyone.
Vanessa Williams (You Have No Idea: A Famous Daughter, Her No-nonsense Mother, and How They Survived Pageants, Hollywood, Love, Loss (and Each Other))
Inside, there was a long hallway with several doors on either side. It was quite dark, but I could still see the deep scratches on the hardwood floors. The thin rug that ran along the middle was frayed at the edges.
Katrina Kahler (Bella's Story (The Lost Girl #1))
Storm Catechism" The gods are rinsing their just-boiled pasta in a colander, which is why it is humid and fitfully raining down here in the steel sink of mortal life. Sometimes you can smell the truffle oil and hear the ambrosia being knocked back, sometimes you catch a drift of laughter in that thunder crack: Zeus knocking over his glass, spilling lightning into a tree. The tree shears away from itself and falls on a car, killing a high school girl. Or maybe it just crashes down on a few trash cans, and the next day gets cut up and hauled away by the city. Either way, hilarity. The gods are infinitely perfect as is their divine mac and cheese. Where does macaroni come from? Where does matter? Why does the cat act autistic when you call her, then bat a moth around for an hour, watching intently as it drags its wings over the area rug? The gods were here first, and they're bigger. They always were, and always will be living it up in their father's mansion. You only crawled from the drain a few millennia ago, after inventing legs for yourself so you could stand, inventing fists in order to raise them and curse the heavens. Do the gods see us? Will the waters be rising soon? The waters will be rising soon. Find someone or something to cling to.
Kim Addonizio
I thought it fitting to make some demands of my own; “Do you suppose I might have a little rug near the bed?” “Good morrning!” Varya exclaimed. “Why yawng girl need rawg? You not healthy?” I tried to think of an answer,
Bel Kaufman (La Tigresse: And Other Short Stories)