Rug Pull Quotes

We've searched our database for all the quotes and captions related to Rug Pull. Here they are! All 198 of them:

Wishing, like sipping a glass of punch, or pulling aside a bearskin rug in order to access a hidden trapdoor in the floor, is merely a quiet way to spend one's time before the candles are extinguished on one's birthday cake.
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
Love", I said, "is the rug they pull out from under you. Love is Lucy always lifting the football at the last second so that Charlie Brown falls on his ass. Love is something that every time you believe in it, it goes away. Love is for suckers, and I'm not going to be a sucker ever again.
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
Nature is always pulling the rug out from under our pompous ideals.
Camille Paglia (Sexual Personae)
So now I just assume that it won't work, and that if it does work, I'll lose it anyway. This is meant to protect me, although it doesn't, because somehow the hope sneakily finds its way in. I'm never aware of the hope until it's gone, whooshed away like a rug pulled from under my feet, each time I hear another "I'm sorry.
Liane Moriarty (What Alice Forgot)
Perhaps the seeds of redemption lay not just in perseverance, hard work, and rugged individualism. Perhaps they lay in something more fundamental—the simple notion of everyone pitching in and pulling together.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I believe in love. I think it just hits you and pulls the rug out from underneath you and, like a baby, demands your attention every minute of the day.
Jodi Picoult (Songs of the Humpback Whale)
So, like, nobody can pull the rug out from under you if you decide there’s no rug to begin with?
Katie Cotugno (You Say It First: An Irresistible YA Contemporary Romance About Finding Love Across Distance)
How do people do this? When the rug is pulled out from under the life the thought they would have forever, how do they pretend it's not seismic? That the roof hasn't fallen in and they're trapped under a concrete beam?
Kennedy Ryan (Before I Let Go (Skyland, #1))
Having the rug pulled from under one, and flying magic carpets -- cousin events?
Leslie Miklosy (Which Is More Round, the World or Your Tummy?: Offbeat Reflections on Serious Living)
Because if there's one thing in life I can count on, it's that eventually, no matter how freaking nice that rug is under your feet, someone always pulls it out from under you eventually.
J.A. Huss (Tragic (Rook and Ronin, #1))
But every day we meet someone whose behavior suddenly changes from one moment to the next. And we wonder: what happened to this person I thought I knew? Why is he acting so aggressively? Is it stress at work? And then the next day the person is normal again. You're relieved, but soon after the rug is pulled out from under you when you least expect it. And this time, instead of asking what's wrong with this person, you wonder what you did wrong.
Paulo Coelho (Adultery)
Well,” said a very amused voice. “This is unexpected.” Tessa sat bolt upright, pulling the heavy coverlet around her. Beside her, Will stirred, propping himself up on his elbows, eyelids fluttering open slowly. “What—” The room was filled with bright light. The torches had come on at full strength, and it was like the place was lit with daylight. Tessa could see the wreck of the room that they had made: their clothes scattered across the floor and the bed, the rug before the fireplace rucked up, the bedclothes wound about them. On the other side of the invisible wall was lounging a familiar figure in an elegant dark suit, one thumb hooked into the waistband of his trousers. His cat-pupilled eyes glimmered with mirth. Magnus Bane. “You might want to get up,” he said. “Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive.” He shrugged. “I would, at any rate, but then, I am well known to be remarkably shy.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Justice is a big rug. When you pull it out from under one man, a lot of others fall too.
Dorothy Kilgallen
I realized that loving people, depending on them, NEEDING them, is just too dangerous. Love is just a way to set you up for a bad fall. It's the rug they pull out from under you at the very moment you decide that everything's going to be fine. We're all so ephemeral. So fragile. And life's so unpredictable.
Dean Koontz (Darkfall)
Isn’t that what loving someone is? Taking a chance every single day that they’ll stick around? That the rug won’t get pulled out from under you?
Melanie A. Smith (Finding His Redemption)
Even thinking about heading up there again made my heart thump harder; it took nothing for me to recall that sense of the world disappearing from beneath me, like a rug pulled from under my feet
Jojo Moyes (After You (Me Before You, #2))
Sometimes you meet your partner too soon, but love persuades you to leap, trusting that he’ll catch you. Life is real and it’s right now. Life is fireflies in your palm, gleaming gold, and then setting them free. In the best moments, life is fireworks. Sometimes life is having the rug pulled out from under you and the one you love helping you up. But most of all, life is what happens when you open the door and let beauty in, even if it doesn’t fit according to your plans.
Ann Aguirre (I Want It That Way (2B Trilogy #1))
fight. Life had effectively pulled the rug, the flooring, and the fucking planet from under my feet. Winters, Pepper (2014-03-06). Destroyed (p. 3). Pepper Winters. Kindle Edition.
Pepper Winters (Destroyed)
I'd never describe even myself as safe when I go into the Magical Realms; no one's safe in there, not even if they're armed and armored with every protective charm on the planet. The place has this habit of changing the rules and pulling the rug from under your feet...." "Is it carpeted, then?" asked Tharaman. "What?" "The Magical Realms, are they carpeted? It's just that you mentioned pulling a rug from somewhere and I just wondered if perhaps..." "I think it's a figure of speech, my dear," said Krisafitsa. "I do believe it means to be taken by surprise when you least expect it." "Oh, I see....Odd expression...
Stuart Hill (Last Battle of the Icemark)
Never stop having doubts. If you ever do, it will be because you’ve stopped moving forward, and at that point, God will step in and pull the rug out from under your feet, because that is His way of controlling His chosen ones, by making sure they always follow their appointed path to the end. If, for any reason, we stop, whether out of complacency, laziness, or out of a mistaken belief that we know enough, He forces us on.
Paulo Coelho (Brida)
I don’t want to make her jealous yet,” I explained. “She hasn’t gone out with Sean yet. Right now I want her to feel special, like she’s the only girl I ever introduced to my secret make-out hideout. It’s only after she goes out with Sean that I’m going to pull the rug out from under her.” “Adam Vader,” Rachel said. “I had no idea you were so sneaky.” “Right. That makes me even sneakier. Deal?
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Manhood is, today, an uncertain, frail status that is easily threatened. Insecure men attempt to affirm their manliness physically and symbolically. Zanus's appeal speaks to the insecurities of men raised with traditional values; men trapped in a world that is pulling the rug under their feet and challenging everything they believe in.
Jamie Le Fay (Gravitational Pull (Ahe'ey, #2))
As later experiences would confirm, to deal with a man like that, a man like George, you have to pull the rug out from under him. Not all at once, of course; a small tug here, another one there. You don’t back down when he tries to wield his power. Instead, you trip him up by slipping him little lies. Correct him whenever you can. Confuse him. Make him feel foolish. Men like him hate being wrong, hate being embarrassed, hate not being in control. Men like him don’t know what to do when that happens, and they resort to childish displays of anger, temper tantrums, sulking. In spite of this, he won’t be able to do a single thing about it because in the end he’s the one who is weak. The only power he has is the power you are willing to give him, and you’ve given him nothing. Not a scrap.
Monika Kim (The Eyes Are the Best Part)
It might have felt easier if she'd been able to say that she moved across the room to him in a trance, as if he were a vampire exerting some kind of mind control. That would have been a cop-out, though. Not to mention a lie. She was exquisitely aware of every movement she made as she uncurled her legs, rose from her chair and walked slowly and carefully around the end of the coffee table towards him. She felt the wide hem of her yoga pants sway around her ankles, felt the nap of the blue-and-green area rug and then the cool smoothness of the wooden floorboards beneath her feet. She felt the way the thick sofa cushions gave beneath her as she sat beside him and the pull of gravity when his heavier weight made a deeper depression that her body rolled naturally into...And then she felt everything.
Christine Warren (Born to Be Wild (The Others, #15))
Steve smiled, the rug not only pulled out from under him but rolled up and put away.
Heidi Cullinan (Tough Love (Special Delivery, #3))
Life had effectively pulled the rug, the flooring, and the fucking planet from under my feet. Winters, Pepper (2014-03-06). Destroyed (p. 3). Pepper Winters. Kindle Edition.
Pepper Winters
Far below, the ocean was a bluegray rug being pulled out from beneath us.
Roger Zelazny (This Immortal)
If your happiness depends on someone else, all they have to do is pull the rug out from under you and you're miserable.
Lawrence Crane (Love Yourself and Let the Other Person Have It Your Way)
And if they knock you to your knees, pull the rug out from under them.
Nicole Fiorina (Stay With Me (Stay with Me, #1))
Strange how reality was constantly pulling its rug out from under her. But discovery lies where no one is looking.
Douglas Westerbeke (A Short Walk Through a Wide World)
Grief doesn’t feel as if a rug has been pulled out from under her. There is no rug. There is no floor on which to lay a rug. There is no ground on which to build a floor to lay a rug.
Jill Ciment (The Body in Question)
For every fear and anxious thought there is a promise from God that invalidates it; that pulls the rug out from under it and replaces it with a foundational peace we cannot find anywhere else.
Caity Alice (Gentle Revolution)
Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.
Lauren Oliver (Before I Fall)
Julia had accepted a job far away from her sisters and home. That collection of weeks had pulled her life out from under her like a rug. Julia had devoted herself to not losing control of her circumstances like that ever again, and she hadn’t, until recently.
Ann Napolitano (Hello Beautiful)
If there is anything important I learned through my accident in high school and losing the only future I planned for, it’s that everything works out better if I just live in the now and work with what I’ve got. No sense in relying on something I don’t officially have in my hands at that moment. Life pulls the rug out from under us all the time, so if I can just be happy with what I have at this exact moment, I’ll live a healthier life.
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
We take you at your word: you are like us; now that we’ve ‘let you in,’ we expect that in your gratitude you won’t pull any surprises and start behaving like some subspecies that you’ve assured us you’re not; if we now say it’s OK to be gay, we don’t expect you to pull the rug out from under us and start acting queer.
Martin Duberman (Has the Gay Movement Failed?)
now I just assume that it won’t work, and that if it does work, I’ll lose it anyway. This is meant to protect me, although it doesn’t, because somehow the hope sneakily finds its way in. I’m never aware of the hope until it’s gone, whooshed away like a rug pulled from under my feet, each time I hear another “I’m sorry.
Liane Moriarty (What Alice Forgot)
Perhaps they'd been conditioned by all the quarantines and blackouts, all the invisible boundaries CSIRA erected on a moment's notice. The rules changed from one second to the next, the rug could get pulled out just because the wind blew some exotic weed outside its acceptable home range. You couldn't fight something like that, you couldn't fight the wind. All you could do was adapt. People were evolving into herd animals. Or maybe just accepting that that's what they'd always been.
Peter Watts (Maelstrom (Rifters, #2))
The sound of thunder awake me, and when I got up, my feet sank into muddy water up to my ankles. Mother took Buster and Helen to high ground to pray, but I stayed behind with Apache and Lupe. We barricaded the door with the rug and started bailing water out the window. Mother came back and begged us to go pray with her on the hilltop. "To heck with praying!" I shouted. "Bail, dammit, bail!" Mom look mortified. I could tell she thought I'd probably doomed us all with my blasphemy, and I was a little shocked at it myself, but with the water rising so fast, the situation was dire. We had lit the kerosene lamp, and we could see the walls of the dugout were beginning to sag inward. If Mom had pitched in and helped, there was a chance we might have been able to save the dugout - not a good chance, but a fighting chance. Apache and Lupe and I couldn't do it on our own, though, and when the ceiling started to cave, we grabbed Mom's walnut headboard and pulled it through the door just as the dugout collapsed in on itself, burying everything. Afterward, I was pretty aggravated with Mom. She kept saying that the flood was God's will and we had to submit to it. But I didn't see things that way. Submitting seemed to me a lot like giving up. If God gave us the strength to bail - the gumption to try to save ourselves - isn't that what he wanted us to do?
Jeannette Walls (Half Broke Horses)
If there was little they could do individually to turn the situation around, perhaps there was something they could do collectively. Perhaps the seeds of redemption lay not just in perseverance, hard work, and rugged individualism. Perhaps they lay in something more fundamental—the simple notion of everyone pitching in and pulling together.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
But life has a way of pulling the rug out from under you just when you need it least, which is what they like to call growing, I guess, but as far as I'm concerned you can have it. It seems like everything they call growing up has to jerk your guts out and just about wreck you and I've never been able to understand why that's supposed to be good for you.
Gary Paulsen (The Foxman)
And if they knock you to your knees, pull the rug out from under them.
Nicole Fiorina (Stay with Me (Stay with Me, #1))
I have always been afraid of her ability to pull the rug out from underneath us, her capacity for cruelty and kindness in the same sentence, same action.
Sophie Mackintosh (The Water Cure)
I just felt scared and vulnerable lying on that kitchen floor with you. You could pull the rug out from under me whenever you feel like it... whenever you're ready to move on.
R.S. Grey (Scoring Wilder)
When you give up Christian faith, you pull the rug out from under your right to Christian morality as well. This is anything but obvious: you have to keep driving this point home, English idiots to the contrary.
Friedrich Nietzsche (Twilight of the Idols)
When the rug is pulled out from under the life they thought they would have forever, how do they pretend it’s not seismic? That the roof hasn’t fallen in and they’re trapped under a concrete beam? How do you breathe
Kennedy Ryan (Before I Let Go (Skyland, #1))
Trump was ushered into office by whites concerned about their status,” Jardina writes, “and his political priorities are plainly aimed at both protecting the racial hierarchy and at strengthening its boundaries.” These are people who feel “that the rug is being pulled out from under them—that the benefits they have enjoyed because of their race, their group’s advantages, and their status atop the racial hierarchy are all in jeopardy.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
When you're single, the highs are high and the lows are low. You have opportunities for more excitement and pleasure than any person in a committed relationship is ever going to have, and you may as well enjoy them as much as you can because the rug gets pulled out from under you while you still think you're riding high. ...........I will concede that marriage might very well be as much of a blast, I just haven't had the opportunity to find out. What I do know is that the vicissitudes of dating get boring, or you get too old to partake of them, as I have, or both, and you crave the stability of a permanent partnership. I've been craving it for a while now; it just hasn't craved me.
Giulia Melucci
But it’s not long before the panic creeps in again. My throat tightening, my heart throbbing with the suspicion that happiness must be a trick, a trap, a rug about to be pulled out from under me, and any second now I’m going to fall.
Layne Fargo (They Never Learn)
You should pay it for the rest of your life!” I say. “For making me believe in myself like that and then pulling the rug out from under me. For giving up on me when things were at their hardest. I never gave up on this. Ever. And you did!
Taylor Jenkins Reid (Carrie Soto Is Back)
These are our promise to you," I told Jesse, "that we'll do our best to get back to you if we can. That we will do our best and expect the same from you." "That's my Mercy, " Adam said. "Not too good with words until it counts. And then she'll pull the rug right out from under you." Jesse blinked hard and gave Adam a "help me" look out of her watery eyes. He grinned at her. "Just remember whose daughter you are," he said. "And whose daughter she is." He tipped his chin at me.
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
But they meant a noninclusive “we.” Not for the first time, Laurence thought this was one of the annoyingly incommunicative features in the English language. Much like the inability to distinguish between “x-or” and “and/or,” the lack of delineation between “x-we” and “in-we” was a conspiracy of obfuscation, designed to create awkwardness and exacerbate peer pressure—because people tried to include you in their “we” without your consent, or you thought you were included and then the rug got pulled out from under you.
Charlie Jane Anders (All the Birds in the Sky)
I knew a young guy who was studying to be a mortician many years ago. People always got around to the question, after much verbal detouring, “Why do you want to be a mortician?” The reply was, “Because I like to play with dead bodies.” That is what is known as “pulling the rug out from under.
Anton Szandor LaVey (The Devil's Notebook)
I say it sometimes to my daughter, who feels things so deeply. “There’s always a solution, sweetheart. You just haven’t imagined it yet.” I don’t know why I say it, because it has never comforted her. “You always say that, but in this case, THERE IS NOT!” she replies. I guess I want it to seep in somewhere deep in her subconscious, so that someday, when she is up against something truly awful, when the rug is pulled out from under her, some part of her will remember: that there is always a solution, that suffering is not forever, that some meaning can be found in even the direst of situations. I
Kerry Egan (On Living)
The primary way Jesus taught was by dramatic provocation. He speaks in ironic riddles that tell us to do seemingly absurd things like dying in order to live, and loving the people we hate. Jesus is constantly pulling the rug out from under us—saying things that are intended to shock, to throw us off balance.
Derek Flood (Disarming Scripture: Cherry-Picking Liberals, Violence-Loving Conservatives, and Why We All Need to Learn to Read the Bible Like Jesus Did)
Welcome back our old friend imposter syndrome. The inescapable feeling that you do not belong. You could have worked your hardest, put your blood, sweat and tears into getting where you are today and still feel like at any moment the rug will be pulled from beneath your feet when everyone realises the failure you really are. With anxiety you worry, and even when you've put your most into this world, you will still worry, because anxiety is stupid and hateful. You worry that you're not doing well enough, you worry that your colleagues don't like you, you worry your boss thinks your work is fucking awful, you worry about talking to people, you worry about the commute, you worry and you worry and worrying is fucking exhausting. This all happens before you have even started work that day. This is the pre-game: inescapable fear, irrational dread, complete implosion of self-confidence, and you're only halfway through pouring your first coffee.
Aaron Gillies (How to Survive the End of the World (When it's in Your Own Head))
If there was little they could do individually to turn the situation around, perhaps there was something they could do collectively. Perhaps the seeds of redemption lay not just in perseverance, hard work, and rugged individualism. Perhaps they lay in something more fundamental- the simple notion of everyone pitching in and pulling together.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
The fasces was broken, but Nero remained alive and intact. Had all this been for nothing, then? At least he wasn’t gloating any more. Instead, the emperor sobbed in despair. ‘What have you done? Don’t you see?’ Only then did he begin to crumble. His fingers disintegrated. His toga frayed into smoke. A glittery cloud plumed from his mouth and nose, as if he were exhaling his life force along with his final breaths. Worst of all – this glitter didn’t simply vanish. It poured downward, seeping into the Persian rug, worming into cracks between the floor tiles, almost as if Nero were being pulled – clawed and dragged – into the depths, piece by piece. ‘You’ve given him victory,’ he whimpered. ‘You’ve –’ The last of his mortal form dissolved and soaked through the floor. Everyone in the room
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Thank you to Steve Iwanski and Turnrow Books for this fantastic review of THE RESURRECTION OF JOAN ASHBY!! Cherise Wolas' debut novel is a narrative tour-de-force. Never mind the admirable boldness of kicking it off with excerpts from (fictional) Joan Ashby's Pulitzer and National Book Award-winning story collections -- Wolas proceeds to delicately peel back the onion layers on Ashby's decades of retreat from the public eye. Like Lauren Groff in FATES AND FURIES, Wolas triumphs in depicting the mounting humiliations of domestic life like a psychological thriller. You know we're headed for the inevitable rug pull - and yet when it comes it still leaves you reeling. Forget about Joan Ashby; it's Cherise Wolas who will leave us waiting breathlessly for the next masterpiece. —Steve Iwanski from Turnrow Books, Greenwood, MS
Cherise Wolas
Common phrases narcissists use and what they actually mean: 1. I love you. Translation: I love owning you. I love controlling you. I love using you. It feels so good to love-bomb you, to sweet-talk you, to pull you in and to discard you whenever I please. When I flatter you, I can have anything I want. You trust me. You open up so easily, even after you’ve already been mistreated. Once you’re hooked and invested, I’ll pull the rug beneath your feet just to watch you fall. 2. I am sorry you feel that way. Translation: Sorry, not sorry. Let’s get this argument over with already so I can continue my abusive behavior in peace. I am not sorry that I did what I did, I am sorry I got caught. I am sorry you’re calling me out. I am sorry that I am being held accountable. I am sorry you have the emotions that you do. To me, they’re not valid because I am entitled to have everything I want – regardless of how you feel about it. 3. You’re oversensitive/overreacting. Translation: You’re having a perfectly normal reaction to an immense amount of bullshit, but all I see is that you’re catching on. Let me gaslight you some more so you second-guess yourself. Emotionally invalidating you is the key to keeping you compliant. So long as you don’t trust yourself, you’ll work that much harder to rationalize, minimize and deny my abuse. 4. You’re crazy. Translation: I am a master of creating chaos to provoke you. I love it when you react. That way, I can point the finger and say you’re the crazy one. After all, no one would listen to what you say about me if they thought you were just bitter or unstable. 5. No one would believe you. Translation: I’ve isolated you to the point where you feel you have no support. I’ve smeared your name to others ahead of time so people already suspect the lies I’ve told about you. There are still others who might believe you, though, and I can’t risk being caught. Making you feel alienated and alone is the best way for me to protect my image. It’s the best way to convince you to remain silent and never speak the truth about who I really am.
Shahida Arabi
I have always been afraid of her ability to pull the rug out from underneath us, her capacity for cruelty and kindness in the same sentence, same action. I can see it in Grace too. It must be a prerequisite for being a mother, something that growing another person inside you does, heart and heartlessness, as though simplistic empathy has been scooped out and replaced with something more fundamental, something more likely to guarantee survival.
Sophie Mackintosh (The Water Cure)
If I lived in a big house and had rooms full of different things, if I had big cars and a library full of books, if I had pulled out all the flowers and medicine plants and made a lawn that looked like a rug, people would come to me and ask me about everything because they would say I am a ‘good’ Indian. All it would mean is that I am an Indian with lots of possessions, just like a white man. That would make me good and important in your eyes. Admit it.
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
There’s a groundlessness in life after loss, as if somebody is pulling the rug out from under you again and again. It’s hard to find anything stable and secure to stand on, and when you do, there’s always the fear that it’s going to be taken away. Know that this sense of not having legs to stand on is completely normal and is a very real sensation brought on by loss. It’s not pleasant by any means—in fact, it can be downright terrifying—but it is an expected part of grief.
Shelby Forsythia (Your Grief, Your Way: A Year of Practical Guidance and Comfort After Loss)
Grace cut across an Oriental rug done in a plum, navy, and cream geometric pattern. The colors in the carpet pulled the richness of the furniture together. She noticed that Cade walked the perimeter of the room, sticking to the hardwood floor. Off to the right, a glassed-in sunroom caught the first rays of sunshine from the overcast day. The forest-green wicker furniture, abundant greenery, and a small bookcase with monthly magazines and mystery novels offered peace and solitude.
Kate Angell (The Cottage on Pumpkin and Vine)
The young girl giggled again and Jake shook his head in amazement. Not only was the U.S. dark operative cooking pancakes, but it seemed he'd won over the timid teenager in no time flat. "I've been entertaining this pretty girl with my vast repertoire of daring and heroic adventures from around the globe." Jake snorted as he opened the refrigerator and pulled out the container of orange juice. "You sound like Blackbeard the pirate. Don't believe a word he says, Alyssa. He's actually Insurance salesman and lies like a rug." "An Insurance salesman?" She narrowed her eyes at Carter as he flipped three pancackes off the electric griddle sitting on the island and onto a plate for her. "I knew you were conning me," she chastised, then rolled her eyes toward Jake. "He said he was a government spy, like James Bond." After filling a glass, Jake smirked at his friend who shrugged his shoulders and gave the girl a sad puppy-dog expression. "Who are you going to believe, me or Jake from State Farm?
Samantha A. Cole (Topping the Alpha (Trident Security, #4))
You haven’t been in love yet, have you? Your world is still contained, small and intense, and every change to the status quo feels like a rug is being pulled from under your feet. It knocks the air from you. I can see it on your face. When you’re older, you’ll experience these things with more distance and forgiveness. They won’t be earth-shattering in the same way. They won’t be a matter of life or death. Right now you want it all to go away. I’ve been there, shutting my eyes and blocking my ears. This feeling will lessen over time, as will the immediacy of your emotions.
Sanaë Lemoine (The Margot Affair)
Did he use a condom?" Trixie shook her head. "He pulled out before he finished. There was blood on the carpet, and on me, too. He was worried about that. He said he didn't mean to hurt me." Maybe, Daniel mused, he would do all of these things to Jason Underhill. Twice. "He got up and found a roll of paper towels so I could clean myself up. Then he took some rug cleaner from under the kitchen sink, and he scrubbed the spot on the carpet. He said we were lucky it wasn't ruined." And what about Trixie? What magical solution would take away the stain he'd left on her forever?
Jodi Picoult (The Tenth Circle)
Do you want me to fuck you?" he said. Her head lolled to one side, taking her eyes away from him. He reached out and pulled her face around by the chin. "Yes or no." She stared. She could not say yes, of course. Not and remain on that floating iceberg she'd found for herself. "Yes means no," he said. "No means yes. Do you understand me?" Her eyes fell to his cock again. Rose, heavier-lidded. "Do you understand?" "No," she said. "No, I understand." Goddamn her. "Do you want this?" "No," she said, and lay back on the rug, her hair spreading around her face like a cloud.
Meredith Duran (The Duke of Shadows)
Decision time. It's too dark for you to see your surroundings. So I'll describe. You choose." He pulled the pins out of her hair, tunneling his fingers through it as it tumbled to her shoulders. "The fireplace is across the hall. There's a shag rug in front of it. The living room's to our right. It has a wide, cushy sectional sofa. The den's to our left. It has a leather recliner that tilts way, way back. Upstairs, there are two bedrooms. The guest room's got a queen-size bed and a huge area rug. The master's got a king-size bed and extra pillows. What's your pleasure?" "Where are the condoms?" "In the master." "Sold.
Andrea Kane (Scent of Danger)
At the crest of the hill outside Agor, Henry pulled the car to the side of the road and we got out to take in the view. In the falling shadows, the little Arab village at the foot of the Jewish settlement looked nothing like so grim and barren as it had a few minutes before when we’d driven down its deserted main street. A desert sunset lent a little picturesqueness even to that cluster of faceless hovels. As for the larger landscape, you could see, particularly in this light, how someone might get the impression that it had been created in only seven days, unlike England, say, whose countryside appeared to be the creation of a God who’d had four or five chances to come back to perfect it and smooth it out, to tame and retame it until it was utterly habitable by every last man and beast. Judea was something that had been left just as it had been made; this could have passed for a piece of the moon to which the Jews had been sadistically exiled by their worst enemies rather than the place they passionately maintained was theirs and no one else’s from time immemorial. What he finds in this landscape, I thought, is a correlative for the sense of himself he would now prefer to effect, the harsh and rugged pioneer with that pistol in his pocket.
Philip Roth (The Counterlife)
In mid-morning, Qwilleran set out from the barn carrying a baker’s box tied with red plaid ribbon. He said goodbye to the cats, told them where he was going, and estimated when he would return. The more you talk to cats, he believed, the smarter they become. Koko was disturbingly smart. Qwilleran called him a fine fellow and had a great deal of respect for him. Yum Yum was a dainty little female with winning ways and a fondness for laps, the contents of wastebaskets, and small shiny objects she could hide under the rug. He gave them some parting instructions. “Don’t answer the phone. Don’t pull the plug on the refrigerator. Don’t open the door to poll-takers.” They looked at him blankly.
Lilian Jackson Braun (The Cat Who Sang for the Birds (Cat Who... #20))
sweetly droning voice of Mother Maybelle Carter, singing “Keep on the Sunny Side.” “Keep on the sunny side, Always on the sunny side, Keep on the sunny side of life, Though your problems may be many It will seem you don’t have any If you keep on the sunny side of life …” The old Buick cruised on and on, making figure eights, loops, sometimes circling the same block three or four times. When it hit a bump (or rolled over a body), the record would skip. At twenty minutes to midnight, the Buick pulled over to the curb and idled. Then it began to roll again. The loudspeaker blared Elvis Presley singing “The Old Rugged Cross,” and a night wind soughed through the trees and stirred a final whiff of smoke from the smoldering ruins of the junior college.
Stephen King (The Stand)
Attempts to narrow the referents of the term woman - which refers to half the world's population - to a politically obsolete elite consisting only of privileged, ignorant, upper-class white women are often made by those who belong to this group themselves, so-called 'white cis women'. This can seem odd - are they not pulling the rug out from under their own feet? On the other hand, it may be a smart move, in that a seemingly self-critical attitude allows them to secure their position, symbolically distancing themselves from their identity. Striking first, they anticipate the critique that could be directed towards them, by being the harshest critic of their own circumstances. Thus they are no longer the 'white cis woman' but the 'critic of white cis women'.
Kajsa Ekis Ekman (On the Meaning of Sex: Thoughts about the New Definition of Woman)
When Merikh crouched down and carefully pulled the rug back, Loralee instinctively retreated a few steps. Green fog began to emanate from Merikh’s fingertips. It thickened as it touched the ground. After a moment, the fog completed a circle around the stain. Strange glyphs that resembled the ones from the raven scroll ran along the outside rim of the circle. “It would seem a history lesson is in order,” Merikh said...The room went cold. Not the sort of cold that happened when Merikh grew irritable. The sort of cold that cut to Loralee’s bones and made them feel brittle. Her joints ached when she brought her hands to her bare arms. Even when she rubbed her skin, she couldn’t make them warm. It was only after that realization that Loralee came to another one: the room was dark, as if the sun were setting.
L.J. Stanton (The Dying Sun (The Gods Chronicle Book 1))
Don't you think Rycca would like to hear about Hadding, the warrior Odin rescued from his enemies? Indeed, so would I for as I recall, the last time I asked about him, you told the story in great haste without the scantiest details." There was a gleam in her eyes that Rycca had come to understand meant she was up to something, but she had no idea what might lurk behind so seemingly innocent a suggestion. Dragon grinned and looked at his brother, who leaned back in his chair and laughed. When Rycca appeared puzzled, Cymbra said, "I confess, when I noticed how attentive you are to Dragon's stories I was reminded of myself. At Wolf's and my wedding feast, I persuaded Dragon to tell a great many tales. He was the soul of patience." "He was?" Wolf interjected. "I was the one with the patience. My dear brother knew perfectly well I was sitting there contemplating various possibilities for doing away with him and he enjoyed every moment of it." "Now how could I have known that, brother?" Dragon challenged. "Just because the wine goblet you were holding was twisted into a very odd shape?" "It was that or your neck, brother," Wolf replied pleasantly. He looked at Rycca reassuringly. "Don't worry, if I hadn't already forgiven him, that sword he gave me would force me to." "It is a magnificent blade," Dragon agreed. "They both are. Every smithy in Christendom is trying to work out what the Moors are doing but..." "It's got something to do with the temperature of the steel," Wolf said. "And with the folding. They fold more than we do, possibly hundreds of times." "Hundreds,really? Then the temperature has to be very high or they couldn't pound that thin. I wonder how much carbon they're adding-" Cymbra sighed. To Rycca, she said, "We might as well retire.They can talk about this for hours." Wolf heard her and laughed. He draped an arm over her chair, pulling her closer. Into her ear, he said something that made the redoubtable Cymbra blush. She cleared her throat. "Oh, well, in that case, you might as well retire, too." Standing up quickly, she took her husband's rugged hand in her much smaller and fairer one. "Good night, Rycca, good night, Dragon. Sleep well." This last was said over her shoulder as she tugged Wolf from the hall. Her obvious intent startled Rycca, who even now could not think herself as being so bold, but it made both the Hakonson brothers laugh. "As you may gather," Dragon said in the aftermath of the couple's departure, "my brother and his wife are happily wed.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
They were relaxing at the top of a waterfall, in a small, still pool where the mountain waters hit an upward slope of folded granite. It was sort of a rounded bathtub, carved out of the rock throughout the centuries by the rushing river, a river so hidden that it was without a name. Just below were the falls, about a 30-foot drop into another, much larger pool of clearest water that was gathered for a respite, a compromise in the river's relentless schedule downward, between split-level decks of flat rock. Further on, the river reanimated and released into a sharp ravine, pulling westward, down through the rugged mountains and faceless forest--the Black Hills National Forest--gaining force until it joined with the rush of the Castle River, near the old Custer Trail, and was swallowed into the Deerfield Reservoir to collect and prepare for the touch of man.
Ron Parsons (The Sense of Touch)
Neliss, why is this rug wet?” Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before. “We have a rug there?” “Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?” “Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.” “You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.” “Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?” “I swear, Magdelegna, I am never letting you visit that Druid ever again.” “Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.” “I would be a hell of a lot less moody if I could figure out what that damn noise is.” Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them. “What is that?” “Remember when you asked me why I cut my hair?” “Ah yes, the surprise. Took you long enough to get to it.” “If you do not stop, I am not going to give it to you.” “Okay. I am stopping. What is it?” She held out the box tied with a ribbon to him and he accepted it with a lopsided smile. “I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away. “Open it.” He reached for the ribbon and soon was pulling the top off the box. “What is this?” “Gideon, what does it look like?” He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom. “What does it say?” “It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.” “I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?” “Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.” “I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.” “See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him. “Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Lachlan frowned as he misjudged the distance and his forehead hit Cormag's head with a bump. He wrapped his arms around his neck to steady himself, two big hands reaching up to hold onto his arms as if to offer extra support. “You,” he began, talking quietly into his ear, “are so beautiful,” he confessed, resting his heavy skull against Cormag's for a moment. He meant it as well. Cormag was stunning. He was taller and broader than he was, very much the fine figure of hotness. His dark hair was well kept, but a little messy, he had amazing bone structure; the type that made him look more like a model than a museum manager. A chiselled jaw, nicely defined cheekbones and a rugged quality that made him so appealing. He had never noticed how handsome a male face could be until those eyes drew him in. “And so are you,” his companion chuckled, “but we discussed this…I've ruined every relationship I've ever had. I get needy, possessive and my baggage gets in the way. Besides,” he lowered his voice to a whisper and brushed his hand over his upper arm, “You're not gay,” he protested, reminding him yet again that they were different. “Nope. Not gay,” he agreed with that, nodding his head as he pulled back a little to see him better. “But that doesn't make you any less beautiful. Why is it wrong that I can see how special you are?” he asked, having difficulty understanding why part of his brain was telling him he was being a drunken idiot and that the man before him wasn't attractive. But the rest of his brain – about ninety-eight percent of it – was telling him that he was the most attractive person he'd ever seen. “It's not, Lachlan. It really isn't.” “But it's somehow wrong for me to tell you?” Lachlan wondered, glancing across the bar to see Matteo smiling at him. He didn't know what it meant. Cormag cupped his face, capturing his undivided attention again. “No. Not that either. But it makes it hard for me to keep my distance. You're stunning. Inside and out,” he claimed, with chocolatey eyes that said he meant every word.
Elaine White (Decadent (Decadent, #1))
Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew,” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced. So many things become beautiful when you really look.
Lauren Oliver (Before I Fall)
But the fire dodges him and races up into the house. From there it sweeps across an Oriental rug, marches out to the back porch, leaps nimbly up onto a laundry line, and tightrope-walks across to the house behind. It climbs in the window and pauses, as if shocked by its good fortune: because everything in this house is just made to burn, too— the damask sofa with its long fringe, the mahogany end tables and chintz lampshades. The heat pulls down wallpaper in sheets; and this is happening not only in this apartment but in ten or fifteen others, then twenty or twentyfive, each house setting fire to its neighbor until entire blocks are burning. The smell of things burning that aren’t meant to burn wafts across the city: shoe polish, rat poison, toothpaste, piano strings, hernia trusses, baby cribs, Indian clubs. And hair and skin. By this time, hair and skin. On the quay, Lefty and Desdemona stand up along with everyone else, with people too stunned to react, or still half asleep, or sick with typhus and cholera, or exhausted beyond caring.
Jeffrey Eugenides (Middlesex)
I’m sorry, Lord King. I only take control of people’s minds for the sake of self-defense.” Nash struck her across the face, hard. The blow threw her onto her back. She was scrambling to her feet practically before she’d hit the rug, ready to run, or fight, or do whatever she needed to do to protect herself from him, no matter who he was, but all six of her guards surrounded her now and pulled her out of the king’s reach. In the corner of her vision she saw blood on her cheekbone. A tear ran into the blood, and her cheek smarted terribly. He’d cut her with the great square emerald of his ring. I hate bullies, she thought at him furiously. The king was crouched on the floor, his head in his hands, his men beside him, confused, whispering to each other. He raised his eyes to Fire. She sensed his mind, clear now, and understanding what he’d done. His face was broken with shame. Her fury dropped away as quickly as it had come. She was sorry for him. She sent him a firm message. This is the last time I’ll ever appear before you, until you’ve learned to guard yourself against me.
Kristin Cashore (Fire)
Carter stretched his arm out and relaxed into the softness of his own bed a moment before a scream three inches from his ear frightened him out of a few years of his life. He was up, fumbling for matches as the scream came again, echoing off the walls. It didn’t occur to him that he was totally nude until after the match flickered to light. Bailee stared at him with huge frightened eyes, and he stared back until the match burned his finger. They were in blackness once more. Silence. He listened. She didn’t even breathe. “I’m sorry,” he finally managed to stammer as he reached for his clothes only to find them gone from the peg where they were kept. He stumbled over what might be a rug where no rug had ever been before and opened the top drawer of his dresser. Lace and silk greeted his touch, not cotton as he’d expected. He pulled open the second drawer. The same. At the third drawer he decided he must have somehow crossed through the wrong passage. This wasn’t his home. Nothing was in the right place. Trousers flew from nowhere and slapped him across the face. ”Thank you,” he mumbled as he untangled them from around his neck. “You’re welcome,” came a whisper from the blackness.
Jodi Thomas (The Texan's Wager (Wife Lottery, #1))
But I feel the exact opposite. I feel like it’s taken decades to get here. “You told me I was supposed to be the greatest player in the history of tennis. You said it since the day I was born! You told me it was all I was ever meant to be! And then one day I wasn’t anymore. You weren’t even sure that I could beat her!” I say. “Are we talking about Stepanova?” he says. “I asked you if you thought I could get the number one ranking over her, and you said, ‘I don’t know.’ ” “And you’ve never forgiven me for it,” he says. “I’m paying that price even today.” “You should pay it for the rest of your life!” I say. “For making me believe in myself like that and then pulling the rug out from under me. For giving up on me when things were at their hardest. I never gave up on this. Ever. And you did!” “Carrie, you asked me if I thought you could take number one from Paulina. And I said I didn’t know. Because I didn’t. I don’t know what the future holds. And I can’t promise the world is going to always turn out the way you want it to. “I owed you that honesty, I thought. So you could assess better—how to grow, how to widen your perspective. It felt like it was time for that. But you didn’t want to do that then, and you don’t want to do that now. “I’ve messed up a lot as your father, and I take responsibility for that. But this one, I’m sorry, only you can solve it. You have to make peace with not being a perfect player,” he said. “That is giving up. I won’t do it,” I said. My father shakes his head. “You have to find a way to be right with who you actually are, to face what life is really like. I expected you to figure that out by now. But you haven’t. And if you don’t, I can’t see how you ever get past this…this moment. You have accomplished so much, but you are instead so focused on keeping it, rather than going out and finding something else in the world.” He walks toward the door. “Everything we achieve is ephemeral. We have it, and then the next second it’s gone. You had that record, and you may lose that record. Or you may defend it now and lose it in two years all over again. I wish you’d accept that.” I shake my head and try to look at him. “I can’t.” “Well,” he says. “It kills me that I cannot fix that for you, hija. But I can’t. Nobody else can.” And then, as if the door were the lightest thing in the world, he opens it and walks right through, leaving me there alone.
Taylor Jenkins Reid (Carrie Soto Is Back)
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
The unification of our understanding of life with our understanding of matter and energy was the greatest scientific achievement of the second half of the twentieth century. One of its many consequences was to pull the rug out from under social scientists like Kroeber and Lowie who had invoked the “sound scientific method” of placing the living and nonliving in parallel universes. We now know that cells did not always come from other cells and that the emergence of life did not create a second world where before there was just one. Cells evolved from simpler replicating molecules, a nonliving part of the physical world, and may be understood as collections of molecular machinery—fantastically complicated machinery, of course, but machinery nonetheless. This leaves one wall standing in the landscape of knowledge, the one that twentieth-century social scientists guarded so jealously. It divides matter from mind, the material from the spiritual, the physical from the mental, biology from culture, nature from society, and the sciences from the social sciences, humanities, and arts. The division was built into each of the doctrines of the official theory: the blank slate given by biology versus the contents inscribed by experience and culture, the nobility of the savage in the state of nature versus the corruption of social institutions, the machine following inescapable laws versus the ghost that is free to choose and to improve the human condition. But this wall, too, is falling.
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
It makes you worry about what people think about who you married, or if your new house you bought is less expensive than the last one you bought, or that your husband may have a roving eye.” Amanda felt a sudden twinge of sympathy, and ruthlessly tried to quell it. She really didn’t want to feel it for the mayor at all. “Doesn’t excuse her bad behavior, I know, but thought it would help for you to hear a bit about her. My Dad says she used to be really well-liked in town. She didn’t always push people around like this.” Amanda thought about that, trying to imagine the mayor as a carefree bride, hopeful for her future. It wasn’t easy. She needed some time to think about it. Maybe the mayor changed because she thought she had to change, or because she was afraid what would happen to her world if she didn’t. Maybe she was just trying to survive. Amanda subdued any twinges of compassion as she furiously cleaned in the corner between the wall and the massive bed. Yes, people change, she thought, but that doesn’t give anyone the right to treat other people like garbage. Just because she had a bad life doesn’t mean she can act like she rules everyone else. She saw the corner of the torn envelope the moment she flipped back the corner of the rug. She picked it up and was just going to toss it into the small garbage can she was dragging with her through the room, when her eyes caught some writing on the outside. YOU HAVE TWO HOURS Big dark letters, written in an angry scrawl across the front. Amanda’s blood ran cold. This wasn’t a piece of mail carelessly left. This was something that had been deliberately hidden, and that was much more personal and angry. She glanced sideways at James, who was busy ripping down the heavy velvet curtains, a cloud of dust poofing around his head. It took only a moment for Amanda to fold the envelope in half and stuff it into her pocket. She patted it hard to ensure there’d be no telltale bulge, and pulled the
Carolyn L. Dean (Bed, Breakfast, & Bones (Ravenwood Cove Mystery, #1))
The horoscope loomed in my thoughts. Perhaps it had been right all this time. A marriage that partnered me with death. My wedding, sham though it was, would bring more than just my end. I breathed deeply and a calm spiraled through me. This was my final taste: a helix of air, smacking of burnt things and bright leaves. I pulled the vial from my bangles, fingers shaking. This was my last sight: purling fire and windows that soared out of reach. I raised the vial to my lips. My chest was tight, silk clinging damply to my back, my legs. This was my last sound: the cadence of a heart still beating. “May Gauri live a long life,” I mouthed. The poison trickled thickly from the rim and I tilted my head back, eyes on the verge of shutting-- And then: a shatter. My eyes opened to empty hands clutching nothing. Spilled poison seeped into the rug and shards of glass glinted on the floor, but all of that was obscured by the shadow of a stranger. “There’s no need for that,” said the stranger. He wiped his hands on the front of his charcoal kurta, his face partially obscured by a sable hood studded with small diamonds. All I could see was his tapered jaw, the serpentine curve of his smile and the straight bridge of his nose. Like the suitors, he wore a garland of red flowers. And yet, all of that I could have forgotten. Except his voice… It drilled through the gloaming of my thoughts, pulled at me in the same way the mysterious intruder’s voice had tugged. But where the woman’s voice brought fury, this was different. The hollow inside me shifted, humming a reply in melted song. I could have been verse made flesh or compressed moonlight. Anything other than who I was now. A second passed before I spoke. By then, the stranger’s lips had bent into a grin. “Who are you?” “One of your suitors,” he said, not missing a beat. He adjusted his garland. I backed away, body tensing. I had never seen him before. I knew that with utmost certainty. Did he mean to harm me? “That’s not an answer.” “And that wasn’t a thank you,” he said.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Fuck you.” “Oh, now you want me too.” Syn barked a laugh. “I thought you were straight.” “Syn,” Furi snapped. “Knock it off.” Syn took Furi’s backpack off his shoulder and slid it on to his own. He intertwined their fingers and Furi couldn’t ignore how much he liked that gesture from his tough Sergeant. Doug still stood very close to Furi, watching them both through narrowed eyes. “Stop looking like that,” Furi whispered. “Are you sure you know what you’re doing?” Doug whispered back. Furi turned and looked behind him at Syn’s ruggedly gorgeous face then down at their joined hands. He turned back to Doug’s concerned eyes. “Yes, I do.” Furi leaned in and chastely kissed Doug on the lips and watched him turn and leave. When Furi turned back, Syn was wearing a large frown and his chest was frozen like he was holding his breath. Furi got as close to Syn as he could. “What’s the matter?” “Don’t do that again.” Syn’s voice was rough and low. “Do what?” Furi frowned in confusion. Syn brought his free hand up and wiped the pad of his thumb across Furi’s full lips. “Don’t put your lips on him again.” Syn shook his head when Furi opened his mouth to argue. “I know it was friendly, and it didn’t mean anything, but humor me, okay? Don’t put your mouth on his. Syn leaned in and pulled Furi’s bottom lip into his mouth and gently sucked on it, right there in the IHOP parking lot. “Only I get to taste these pretty lips,” Syn moaned inside Furi’s mouth. Furi put his arms around Syn’s shoulders. “Okay,” he whispered back, kissing Syn’s cheek. “Let’s go.” Syn carried Furi’s backpack to the large Suburban he’d parked beside the building and placed it in the back seat. “Whose truck is this?” Furi asked. “I borrowed it from work. It belongs to the team. We can use them if needed.” Syn started the powerful engine. Furi hooked his seat belt and turned to look at Syn, realizing he was just sitting there, staring straight ahead. Furi unhooked his belt. “Babe. What’s the matter?” Syn took his glasses back off and turned his body so he was facing Furi. “Furi. What you did today ... don’t do that again. I can respect your privacy. Really, I can. But in light of recent events, please don’t cut yourself off like that. I was ... I thought ..." “Fuck, Syn. I’m so sorry. I wasn’t thinking. I wanted to call you so many times today.” Syn’s eyes widened. “Just to hear your voice. Not because I was in trouble. But, I didn’t want to seem all clingy and shit. We fucked once and already I’m acting sprung. Can’t stop thinking of you.” Furi knew his embarrassment was making him blush. But Syn was trying to find the words to say he was scared today, so Furi wasn’t holding back on his feelings. They closed the distance over the large console and let their kiss be their words.
A.E. Via
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Wrath…” “What,” he murmured against her, working her with his nose. “You don’t like?” “Shut up and get back to doing—” His tongue slipping under the panties cut her off…and made him have to slow himself down. She was so slick and wet and soft and willing, it was all he could do to keep himself from hauling her on the rug and going at her deep and hard. And then they’d both miss out on the fun of anticipation. Moving the cotton aside with his hand, he kissed her pink flesh, then delved in. She was oh, so ready for him, and he knew it because of the honey that he swallowed as he dragged upward in a long, slow lick. But it wasn’t enough, and holding the panties to the side was distracting. With his fang, he punctured them, then split them apart right up the middle, leaving the two halves to hang off her hips. His palms went up to her ass and squeezed hard as he quit fooling around and got busy working out his female with his mouth. He knew exactly what she liked best, the sucking and the licking and the going in with his tongue. Closing his eyes, he took it all in, the scent and the taste and the feel of her shuddering against him as she peaked and came apart. Behind the fly of his leathers, his cock was screaming for attention, the rasp of the buttons not nearly sufficient to satisfy what it was demanding, but tough shit. His erection was going to have to chill for a while, because this was too sweet to stop anytime soon. When Beth’s knees wobbled, he took her down to the floor and stretched one of her legs up, keeping to his pace while shoving her fleece to her neck and putting his hand under her bra. As she orgasmed again, she grabbed onto one of the desk legs, pulling hard and bracing her free foot into the rug. His pursuit pushed them both farther and farther beneath where he discharged his kingly duties until he had to crouch down to fit his shoulders. Eventually her head was out the other side and she was gripping the pansy-ass chair he sat in and dragging it with her. As she cried out his name once more, he prowled up her body and glared at the stupid, nancy chair. “I need something heavier to sit in.” Last coherent thing he said. His body found the entrance to hers with an ease that spoke of all the practice they’d had and…Oh, yeah, still as good as the first time. Wrapping his arms around her, he rode her hard, and she was right there with him as the storm rolling through his body gathered in his balls until they stung. Together, he and his shellan moved as one, giving, receiving, going faster and faster until he came and kept going and came again and kept going until something hit his face. In full animal mode, he growled and swiped at it with his fangs. It was the drapes. He’d managed to fuck them out from under the desk, past the chair, and over to the wall. Beth burst out laughing and so did he, and then they were cradling each other.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
Here, after all, is a rebellion against “the establishment” that has wound up cutting the tax on inherited estates. Here is a movement whose response to the power structure is to make the rich even richer; whose answer to the inexorable degradation of working-class life is to lash out angrily at labor unions and liberal workplace-safety programs; whose solution to the rise of ignorance in America is to pull the rug out from under public education.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
Elias’s expression is twisted into a scowl, and for a moment my heart stops, unsure what he's got planned. But then he drags me into a forceful kiss, his mouth crashing onto mine. Butterflies burst in my stomach, batting their wings wildly. I can't breathe. I'm letting a demon kiss me. But my body seems to respond on its own, and I grasp his shirt and haul him closer, kissing him back. He claims my tongue into his mouth as my knees wobble beneath me. He is huge, towering over me while I push myself onto tippy toes to reach him easier.  I close my eyes and let myself float on the promise he makes in his kiss. Strong hands dig into my back as his hold tightens. Our tongues tangle, and this wicked, taboo kiss is wrong, but I can’t stop myself. "You smell and taste so good," he murmurs against my mouth when he finally pulls away. I breathe out slowly, lowering myself back onto my heels. As I come back into my senses, a thread of embarrassment crawls over my cheeks that I let myself fall so easily for his charm. “We need to go.” Suddenly, he seizes my hand and storms back through the myriad of corridors with me by his side. It’s like the reality of our kiss has hit him as well. I have no doubt he's dragging me back to my room, intent on locking me away. The truth of what just happened sinks through me too. We are different, and I'm not here to find a boyfriend. He’s my captor. Still… when he kissed me, it was like he was someone starved, and I was everything he needed. There’s something extremely attractive to having a man want me in that way, especially one that looks as rugged and handsome as Elias. I’m lucky if guys look at me in the first place; I’ve never snagged the attention of an Adonis-looking one. And now my lips are swollen and bruised, my underwear drenched.
Harper A. Brooks (Playing with Hellfire (Sin Demons #1))
life has a habit of pulling the rug out from under you.
Barbara O'Neal (The Starfish Sisters)
I've cited the rough breakup as an excuse to decline social situations for the past year, when really I'm simply too weary to even think about trying with someone again, only to not be enough, to once more have the rug pulled out from under me.
Chloe Liese (Two Wrongs Make a Right (The Wilmot Sisters, #1))
To get anywhere, a woman must fall. You can fall by being tipsy, getting ahead of yourself, by missing a step. You can fall because there was a blind alley, a sharp curve, a slippery surface, or a stumbling block. You fall because somebody pulls the rug out from under you or because the whole time as you stood, believing you were on solid ground, there was a trapdoor directly beneath you.
Gina Barreca (Fast Fallen Women: 75 Essays of Flash NonFiction)
I’ve cited the rough breakup as an excuse to decline social situations for the past year, when really I’m simply too weary to even think about trying with someone again, only to not be enough, to once more have the rug pulled out from under me.
Chloe Liese (Two Wrongs Make a Right (The Wilmot Sisters #1))
Israel’s value to the United States depends on the fact that it is threatened with destruction: that makes them completely dependent on the United States for survival, and therefore extremely reliable—because if the rug ever is pulled out from under them in a situation of real conflict, they will get destroyed.
Noam Chomsky (Understanding Power: The Indispensable Chomsky)
According to recent statistics, over 60 percent of all perimenopausal and postmenopausal women struggle with brain fog. The experience is so marked that it can disturb one’s sense of efficiency, especially when memory lapses crop up. It’s important to realize that forgetfulness can spike during perimenopause, which can feed fears not only of going crazy but of experiencing early dementia. In other words, we are looking at millions of women in the prime of life who suddenly feel like the rug has been pulled out from under them—blindsided by their bodies, let down by their brains, and failed by their doctors, who also may not realize that those are symptoms of menopause.
Lisa Mosconi (The Menopause Brain)
Her son’s voice is like a piece of thread being slowly pulled away from this room, out of this house that she loves, this house filled with books and firewood and simple comforts. She follows his voice over the hide of the nearby mountains, into snowy forests stripped of their leaves, along the rugged shores of ancient lakes, across vast, unending plains of wheat and corn and lentil, through rocky mountains, deserts, canyons, and on into blue oceans of infinity.
Adam Rapp (Wolf at the Table)
I read somewhere about a family who had only one son. They were very poor. This son was extremely precious to them, and the only thing that mattered to his family was that he bring them some financial support and prestige. Then he was thrown from a horse and crippled. It seemed like the end of their lives. Two weeks after that, the army came into the village and took away all the healthy, strong men to fight in the war, and this young man was allowed to stay behind and take care of his family. Life is like that. We don’t know anything. We call something bad; we call it good, but we really just don’t know. When things fall apart and we’re on the verge of we know not what, the test for each of us is to stay on that brink not concretize. The spiritual journey is not about Heaven and finally getting to a place that’s really swell. In fact, that way of looking at things is what keeps us miserable Thinking that we can find some lasting pleasure and avoid pain is what in Buddhism is called Samsara, a hopeless cycle that goes round and round endlessly and causes us to suffer greatly. The very First Noble Truth of the Buddha points out that suffering is inevitable for human beings as long as we believe that things last—that they don’t disintegrate, that they can be counted on to satisfy our hunger for security. From this point of view, the only time we ever know what’s really going on is when the rug’s been pulled out and we can’t find anywhere to land. We use these situations either to wake ourselves up or to put ourselves to sleep. Right now, the very instant of our groundlessness is the seed of taking care of those who need our care and of discovering our goodness.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
When you talk to hundreds of people who are dying and looking back over their lives, you come to realize something startling: Every single person out there has a crazy story. Every single person has some bizarre, life-shattering, pull-the-rug-out-from-under-you story in their past, or will experience one in their future. Every shopper in the grocery store, every telemarketer on the phone, every mother at school pickup, every banker striding down the sidewalk. Money, faith, popularity, beauty, power—nothing prevents it.
Kerry Egan (On Living)
She'd rather have things end on her terms than have the rug pulled out from under her again. It's the only way she can feel in control of the outcome. It is a very common trauma response
Abby Jimenez (Yours Truly (Part of Your World, #2))
If the desacralization of logic pulls the rug of truth from under our feet, we still have beauty to guide our way. Aesthetics transcends logic; it comes from deep within the bowels of the mountain chain. The foundations of our future may be aesthetical: that which inspires and feeds the soul; that which is conducive to happiness and harmony.
Bernardo Kastrup (Meaning in Absurdity: What Bizarre Phenomena Can Tell Us about the Nature of Reality)
What is life without the unexpected crash of something to remind us of how the rug can be pulled from under you in an instant?
Phil Hogan (A Pleasure and a Calling)
When we’re talking about intimacy with our loved ones, the kind that requires high levels of security and trust, we’re essentially talking about how we must first come to trust in the process of life itself. If we cultivate a trusting relationship with Spirit/Source/God/Divine, then we are going to feel and see trust playing a big role on the stage of our life. If we prioritize creating peace in our overactive minds and endurance in our spirits, then we have a better chance of surviving the results of a relationship—both positive and negative. Humans want to feel secure, but if we look to people, jobs, food, health, money, and weather for security, we will at some point have the rug pulled out from under us. With the very best of our abilities, we can try to maintain a sense of well-being through taking care of our basic emotional needs. The goal is to seek closeness and be okay inside when it’s not available.
Pixie Lighthorse (Boundaries and Protection)
As our skin thickens with coping and self-soothing skills, and we move toward life rather than away from it, it’s possible to find ourselves living with more vitality and less unbearable anxiety and pain. Imagine that as the energetic space around you becomes hearty with firm flexibility, you will have more freedom to exist without fear of what terrible destiny could unfold. Boundaries make it possible for even the deepest feelers and highly sensitive empaths to be in the world enjoying copious amounts of rewarding intimacy. When we’re talking about intimacy with our loved ones, the kind that requires high levels of security and trust, we’re essentially talking about how we must first come to trust in the process of life itself. If we cultivate a trusting relationship with Spirit/Source/God/Divine, then we are going to feel and see trust playing a big role on the stage of our life. If we prioritize creating peace in our overactive minds and endurance in our spirits, then we have a better chance of surviving the results of a relationship—both positive and negative. Humans want to feel secure, but if we look to people, jobs, food, health, money, and weather for security, we will at some point have the rug pulled out from under us. With the very best of our abilities, we can try to maintain a sense of well-being through taking care of our basic emotional needs. The goal is to seek closeness and be okay inside when it’s not available.
Pixie Lighthorse (Boundaries and Protection)
MORE ON THIS TIDY STORY AS IT UNFOLDS “Here are your sheets, Mom, warm from the dryer. I’ll make us some lunch while you fold.” Elsie knew not to do everything for her mother because getting her mother active would help her blood circulation and help dispel the swelling in her feet. She dropped the armload of laundry on the ottoman beside her mother’s lounger. “I can’t fold sheets alone. Help me with these.” Of course. What was she thinking? Elsie turned to grasp a couple corners of her mother’s queen-sized fitted sheet. “I need to relearn how to fold these things, anyway.” Mother and daughter pulled and halved, tucked one corner inside another, and brought the ends together like partners in a square dance. Suddenly, Gail growled, “Oh!” Fed up, she grabbed the sheet from Elsie and wadded the whole thing into a roll. “I don’t remember how to do these things! Just stuff them into the linen closet, will you?” She laughed. “Okay. I was hoping you’d teach me how to do it.” “If you don’t know by sixty, daughter, it’s too late! My mom was always so good with linens. You should’a seen her linen closet. It was like the linen closets at Macy’s, all lined up. Mom took pride in her housekeeping, but I just don’t care anymore.” Elsie was noticing how she no longer cared about much of anything either. The proverbial rug had been pulled out from under her, and though she went through the motions of taking Gail’s vitals, dispensing her meds and massaging her feet, they often had little to say to one another. “Mom, why do you think the Bible says so often to remember this or remember that?” “Does it?” Gail gasped, “—talk about remembering?
Lynn Byk (The Fearless Moral Inventory of Elsie Finch)
Lonely Hearts and Empty Roads [Verse] Footsteps echoin' on this dusty ground People circlin' like vultures round Can't shake the whisperin' in the wind Dark tales they always tryin' to spin [Verse 2] Shadows lurkin' behind every friend Fake smiles ain't gonna make amends Faces smilin' while they pull the rug Tired of dodgin' every dirty slug [Chorus] Always someone bringin’ you down Always someone jokin’ as you drown Need that soul who saw you true Never made you feel like you’s just a fool [Verse 3] Eyes betray the lies they pave Tired hearts they ain't for sale or save Wanna find someone who'd hold their tongue And sing life's song like you ain't done [Bridge] Man of wisdom said don’t cast the stone Hold the line don’t walk alone In this maze of broken lanes Seek the one who heals your pains [Verse 4] Rusty barbed wire 'round these dreams of mine Each cut deep but I’ll be fine 'Cause somewhere out there’s a heart so rare Never made me feel like life's unfair
James Hilton-Cowboy
Bad things shouldn’t happen to people like Eddie O’Leary. Mark knows what it feels like to have the rug pulled out from under you. For the things you count on to disappear in the blink of an eye. And he wants something else for Eddie. He wants proof that something else exists on the other side of what looks, for all the world, like an ending.
Cat Sebastian (You Should Be So Lucky)
What! Another one? Damn, y’all need to try birth control. Nigga, yo’ pull out game is weak as fuck! I’m surprised y’all lil’ ghostly friend Chan is allowing y’all to have all these damn kids. I bet she got something planned and she gone use all them lil damn rug rats y’all got to help her.
K. Renee (Her Heart My Soul: China & Keem)
- Can you keep secrets? - Yesss. - We are going to make one of the biggest coffeeshops in Barcelona with my boss, Adam. - Realllllly? - This Adam guy is kind of my friend and kind of my boss, but I don't trust him; he is a bad guy. “Bad to the bone.” His father is an even darker figure. I am pretty sure that both have killed before, hired to kill people. - I am from Buenos Airessss. - I understand honey but you don’t know this kind of people, these f…g desert roses. - There are Jewish people in Argentina too. - I am sure, baby, but these are not regular Jewish people, not regular Israeli people. These people are dark. Hocus-pocus. Criminal minds. Do you understand? - I guessss. - There are a lot of criminals in this town. They will try to take our club away, just like the Camorra is taking away other people's clubs. Just like that. Do you understand? - Yessss. - I know them; they are one of my clients. If there is anyone in the world who could make a deal with them, it would be me and Adam. He cannot cross me and I cannot cross him either. I would never do that. I am not sure about him though what is on his mind, I can tell there is something he is orchestrating I just don’t know what exactly, but he is as fishy as Sabrina. The problem is that only my ex-girlfriend knows about my signature on the non-profit organization, which is the base of the coffeeshop, the marijuana grow and the smoker club. Do you understand? - Yesssss. - We are talking about millions of Euros monthly cashflow. Do you understand? - Yesssss. - By telling you everything now, you are becoming my trusted; your life is in danger too if they manage to find a gap between us. Do you understand? - Yesssss. - I'm not sure what they're up to. They owe me already more money than anyone in this town would murder for. Do you understand? - Yesssss. - Now you know about it, too. Sabrina didn't care; she didn't think I would make it happen. She doesn’t know about the place. Only you know about it and us. But she will figure it out somehow; she will try to take your position, slipping between the criminals. Do you know how to play chess? - Not really. - OK then. Imagine this as a throne, these chairs you are sitting on top of. OK. No one can remove you from this throne being my girlfriend, no one can stand between us. No one can take the club away from us. They have no chance. Understand? - Yesss. - As long as you stick with me, she cannot do anything; no one can mess with us. Do you understand? - Yes. Everyone in the world would try to take your place, being my girlfriend, and they will try to push you out from this position, which only me I can give you, with Love. They will tell you lies about me and about themselves who’s club is it. Do you understand? - Yes. But why? - Because Rachel and Tom, the other two founding members of the club, Golan, I signed up with, are Adam's puppets. I don't trust any one of them. If they kill me, they never have to pay me what they owe me already, plus they can keep the 33% of the club which belongs to me. 100% Adam would keep. Do you understand now? - Yessss. - We will pull all the trash out and remodel the place without any permit, under the rug, in secret. - I sssseeee. (Eye. See.)
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
- Can you keep secrets? - Yesss. - We are going to make one of the biggest coffeeshops in Barcelona with my boss, Adam. - Realllllly? - This Adam guy is kind of my friend and kind of my boss, but I don't trust him; he is a bad guy. “Bad to the bone.” His father is an even darker figure. I am pretty sure that both have killed before, hired to kill people. - I am from Buenos Airessss. - I understand honey but you don’t know this kind of people, these f…g desert roses. - There are Jewish people in Argentina too. - I am sure, baby, but these are not regular Jewish people, not regular Israeli people. These people are dark. Hocus-pocus. Criminal minds. Do you understand? - I guessss. - There are a lot of criminals in this town. They will try to take our club away, just like the Camorra is taking away other people's clubs. Just like that. Do you understand? - Yessss. - I know them; they are one of my clients. If there is anyone in the world who could make a deal with them, it would be me and Adam. He cannot cross me and I cannot cross him either. I would never do that. I am not sure about him though what is on his mind, I can tell there is something he is orchestrating I just don’t know what exactly, but he is as fishy as Sabrina. The problem is that only my ex-girlfriend knows about my signature on the non-profit organization, which is the base of the coffeeshop, the marijuana grow and the smoker club. Do you understand? - Yesssss. - We are talking about millions of Euros monthly cashflow. Do you understand? - Yesssss. - By telling you everything now, you are becoming my trusted; your life is in danger too if they manage to find a gap between us. Do you understand? - Yesssss. - I'm not sure what they're up to. They owe me already more money than anyone in this town would murder for. Do you understand? - Yesssss. - Now you know about it, too. Sabrina didn't care; she didn't think I would make it happen. She doesn’t know about the place. Only you know about it and us. But she will figure it out somehow; she will try to take your position, slipping between the criminals. Do you know how to play chess? - Not really. - OK then. Imagine this as a throne, these chairs you are sitting on top of. OK. No one can remove you from this throne being my girlfriend, no one can stand between us. No one can take the club away from us. They have no chance. Understand? - Yesss. - As long as you stick with me, she cannot do anything; no one can mess with us. Do you understand? - Yesss. - Everyone in the world would try to take your place, being my girlfriend, and they will try to push you out from this position, which only me I can give you, with Love. They will tell you lies about me and about themselves who’s club is it. Do you understand? - Yes. But why? - Because Rachel and Tom, the other two founding members of the club, Golan, I signed up with, are Adam's puppets. I don't trust any one of them. If they kill me, they never have to pay me what they owe me already, plus they can keep the 33% of the club which belongs to me. 100% Adam would keep. Do you understand now? - Yessss. - We will pull all the trash out and remodel the place without any permit, under the rug, in secret. - I sssseeee. (Eye. See.)
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
And if they knock you to your knees, pull the rug out from under them.” —Oliver Masters
Nicole Fiorina (Stay With Me (Stay with Me, #1))
What kind of person had the decency to say those words and not mean a single part of it? What kind of person would spend all that time winning her trust until they were lovers, only to pull the rug out from under her and chase power instead?
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
She’d rather things end on her terms than have the rug pulled out from under her again. It’s the only way she can feel in control of the outcome. It is a very common trauma response, Jacob.
Abby Jimenez (Yours Truly (Part of Your World, #2))
Here’s the thing with getting cheated on—it doesn’t just hurt, it pulls the rug out from under you. You start questioning your judgment. Wondering if you can ever really know a person. Suddenly seeing all the signs you missed.
Gabrielle Sands (When He Desires (Fallen God #1))
Life has a way of pulling the rug from under my feet just when things seem perfect.
Tessonja Odette (Curse of the Wolf King (Entangled with Fae, #1))
Our reaction to life is the greatest test of how we are really getting along. Are our preferences and aversions to what life brings us strengthening or weakening? Are our judgments fading and our tolerances growing? Are we building bridges between our daily meditation practice and our behavior at work and with our partners? Our souls cannot be mocked; the divine cannot be punked. It emanates its grace by first gently and then violently pulling the rug from under our feet.
Abdi Assadi (Shadows on the Path)
It’s actually quite the contrary. It’s time to freak the fuck out, and that’s not just acceptable, it’s obligatory. The rug has just been pulled out from beneath your feet, and everything you thought you knew with absolute certainty has vanished. Absolute hysteria is just the beginning—you’re about to embark on an entire roller coaster of crazy-ass emotions.
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
It's the whistling," Laila said to Tariq, "the damn whistling, I hate more than anything" Tariq nodded knowingly. It wasn't so much the whistling itself, Laila thought later, but the seconds between the start of it and impact. The brief and interminable time of feeling suspended. The not knowing. The waiting. Like a defendant about to hear the verdict. Often it happened at dinner, when she and Babi were at the table. When it started, their heads snapped up. They listened to the whistling, forks in mid-air, unchewed food in their mouths. Laila saw the reflection of their half-lit faces in the pitch-black window, their shadows unmoving on the wall. The whistling. Then the blast, blissfully elsewhere, followed by an expulsion of breath and the knowledge that they had been spared for now while somewhere else, amid cries and choking clouds of smoke, there was a scrambling, a barehanded frenzy of digging, of pulling from the debris, what remained of a sister, a brother, a grandchild. But the flip side of being spared was the agony of wondering who hadn't. After every rocket blast, Laila raced to the street, stammering a prayer, certain that, this time, surely this time, it was Tariq they would find buried beneath the rubble and smoke. At night, Laila lay in bed and watched the sudden white flashes reflected in her window. She listened to the rattling of automatic gunfire and counted the rockets whining overhead as the house shook and flakes of plaster rained down on her from the ceiling. Some nights, when the light of rocket fire was so bright a person could read a book by it, sleep never came. And, if it did, Laila's dreams were suffused with fire and detached limbs and the moaning of the wounded. Morning brought no relief. The muezzin's call for namaz rang out, and the Mujahideen set down their guns, faced west, and prayed. Then the rugs were folded, the guns loaded, and the mountains fired on Kabul, and Kabul fired back at the mountains, as Laila and the rest of the city watched as helpless as old Santiago watching the sharks take bites out of his prize fish.
Khaled Hosseini (A Thousand Splendid Suns)
I shut my eyes and listened to the remainder of “I’ll Be” by Edwin McCain in my car before preparing to get out. My dad used to sing that to my mom when they thought I wasn’t looking. He’d pull her close in the kitchen and dance with her slowly as he softly sang each word in her ear. My dad was sweet like that, and I remember thinking I wanted a guy just like him. A rugged-looking softy who would take the time to dance with his wife for no reason at all. He looked at her like she was the world. And I’d vowed to never settle for less.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
She poured a cup of coffee and slipped into Ada’s makeshift bedroom to grab the book she’d left on the couch. Her gaze focused on her goal, she tiptoed across the rug. With book in hand, she turned. The spine of the book cracked on the floor. The coffee cup broke into pieces, the air ripe with hazelnut. Trembling started in her knees and spread through her body. A static roar blocked out any other noise. The corners of Ada’s mouth tilted into a slight smile. Washed-out blue eyes stared at the ceiling. Darcy reached for Ada’s hand. The cool, waxy skin reeled her backward. She tripped over the book and landed half on the couch. She slid to a crouch on the floor and pulled the afghan over her knees. She dared another look. Ada lay still. Her mind pinged from memory to memory. Standing on a chair in the kitchen while Ada taught her the secret of fluffy biscuits. Cuddling next to Ada on the couch learning to read from Dr. Seuss books. Ada in old, rolled-up overalls and a floppy straw hat weeding the garden. The way Ada smelled like books and Pond’s cold cream. Ada’s laugh when Darcy had regaled her with made-up stories as a child. They’d run out of time to make new memories.
Laura Trentham (Slow and Steady Rush (Falcon Football, #1))
Evie, is there anything I can do?” The name had slipped out, harking back to a time when he’d been more an older-brother-by-association to his fellow officers’ sisters. “Evie?” She cuddled closer, like a suffering animal looking for relief. “My mama used to rub my neck. I hate this.” She was helpless too, he realized, and equally unhappy about it. How strange, that after growing increasingly quarrelsome with each other, they’d find pride as their common ground. This temporary truce put him in mind of the way the French and British armies would declare an unspoken détente regarding the use of rivers and streams flowing between their respective warring camps on the Peninsula. “Let’s try something.” He pulled a lap rug from under the padded bench and spread it over his knees. “Down you go.” With him braced against a corner of the coach, he eased Eve facedown over the makeshift pillow on his knees. When she made no protest, he found her nape with his bare hand and started a slow massage. “Does that help?” “Heavenly.” He could feel her ease somewhat, though in deference to her condition, the horses were moving only at a walk. “Shall I take your pins out?” “Please, God. I can feel them. My hair hurts.” He might have smiled, but her torment was obvious in her voice. Carefully, so carefully, he eased the pins from her coiffure, until her hair hung down in a long, golden braid. She was unmoving against him while he alternated between gently squeezing the sides of her neck and rubbing her nape. They
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
The very first noble truth of the Buddha points out that suffering is inevitable for human beings as long as we believe that things last-that they don't disintegrate, that they can be counted on to satisfy our hunger for security. From this point of view, the only time we ever know what's really going on is when the rug's been pulled out and we can't find anywhere to land. We use these situations either to wake ourselves up or to put ourselves to sleep. Right now-in the very instant of groundlessness- is the seed of taking care of those who need our care and of discovering our goodness
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
Five years that she had been taking care of her sisters and the land. Five years where she’d dedicated everything to training for a supposed event that might or might not occur. How many of her ancestors had done the same thing? How many others had watched the years pass them by as they held to their believes with such certainty that they died for it? More importantly, did she want to be a casualty to this... whatever it was? “What do I do?” she asked the air. She threw out her arms and lifted her face to the sky. “What do I do?!” Her arms fell to her sides as she lowered her head. How could she have been so certain of things for so long, and now doubt everything? “What do you do about what?” The sound of the male voice startled her, causing her jerk around. She found him with one leg braced on the summit as he paused on the trail, a black brow quirked. Ettie opened her mouth, but there were no words as she took in the sight of him. He was...beautiful in a rugged, untamed way that made her heart race and her stomach quiver. It became impossible to breathe as she drank in the cut of his jaw and square chin. She tried not to stare at his mouth and thick bottom lip, but all she could think about was what it would be like to kiss him. Then she looked into his eyes. They were molten silver, dark and enigmatic like mercury. Those gorgeous eyes framed with long, black lashes watched her with the concentration of a hawk. Layers of thick ebony hair fell nearly to his shoulders with the top half of it pulled away from his face. He wore only a denim shirt and a cream tee beneath it along with faded jeans and black boots. She didn’t know how he was up there without a coat. His lips slowly pulled into a smile, and she realized she’d been ogling him. Ettie glanced away, but her gaze returned immediately. She laughed nervously, still unable to find words. “I didn’t mean to interrupt,” he said as he took the last step to the top. “I assumed since you shouted your question you might want an answer.” His Irish brogue was deep, throaty, and absolutely sexy. It was slightly different than anything she’d heard before, and she wanted more.
Donna Grant (Dark Alpha's Night (Reaper, #5))
You’re so fucking beautiful like this,” Ty panted. He pulled at Zane’s leg, turning him again to laying him out flat, belly to the rug, hips off the floor, and drove into him mercilessly. Zane’s
Abigail Roux (Ball & Chain (Cut & Run, #8))
Furi walked across Syn’s living room carpet for what felt like the millionth time while he waited for him to come back. How dare he order me to leave? Like I’m a damn kid. Furi decided right then and there that he was going to have a talk with Syn. Furi wouldn’t be his kept man or his bitch. Furi stopped mid-stride when he heard the door open and close behind Syn. All the anger and hostility he’d felt while alone in Syn’s place just disappeared when the ruggedly handsome man yanked his dark coat off and threw it on the couch, approaching Furi with a hungry look. “Did he hurt you?” Syn’s voice was gravelly. He put both hands on either side of Furi’s neck and lifted it gently, eyeing the slight redness there. “I’m fine. Despite the fact you keep having to rescue me, I’m not a weakling. I can defend myself,” Furi said with venom, pulling away from Syn’s examination. “Right. That Mr. Miyagi crash course at the Y.” Syn stifled a laugh, but Furi thought it was anything but funny and he let Syn know it. “Don’t fucking mock me.” Furi stormed past him down the hall. Syn’s footsteps sounded behind him. He’d just caught up with him when he opened the bathroom door. “Hey, hey, hey,” Syn said in a whisper. “I’m sorry. I wasn’t mocking you, I was teasing you.” Furi frowned and Syn shook his head. “Let me clarify. Joking after an intensely stressful situation helps to calm me. I need to come down from the high of an adrenaline rush, that’s all that was.
A.E. Via
Please tell me we don’t have to go all the way upstairs for a condom,” she said. “Back pocket.” She leaned with him as he fished it out, then tried to help him get his jeans down over his hips. Her foot hit the coffee table, which snagged on the throw rug and sent the Scrabble tiles sliding all over the board. She laughed as he tore open the condom packet. “Now nobody wins.” “I was ahead.” He put one hand on her hip, using the other to guide himself into her. “So I win.” Emma moaned as he filled her, bracing herself against the couch with a hand on either side of his head. “The game wasn’t over. It’s a draw.” He pulled down on her hips as he drove up into her, making her gasp. “Ties are for pussies. Admit I won.” She looked down into his blue eyes, crinkled with amusement as he grinned at her. God, she loved…having sex with this man. “One good word isn’t a victory.” “That’s not what the score sheet said.” He stopped moving, and when she tried to rock against him, he held down on her hips so she couldn’t move, either. Then he had the nerve to chuckle at her growl of sexual frustration. “Admit it. I can sit here all night.” “Oh, really?” She went straight for a known weak spot—nipping at his earlobe before sucking it into her mouth. He let go of her hips with one hand, intending to push her mouth away, but she rocked her hips. He groaned and put his hand back. She breathed softly against his ear and then ran her tongue along the outside. “Admit I was going to win,” she whispered, “because I can do this all night.” With one leg, he kicked at the table, sending it over and the letter tiles flying. Before Emma could react, she was on her back on the throw rug with Sean between her legs and her hands held over her head. “I don’t lose.” He crossed her wrists so he could hold them with one hand, then used the other to pull her leg up over his hip so he was totally buried in her. “Give up?” She shook her head, but couldn’t hold back the sigh as he oh, so slowly withdrew almost completely and then just as slowly filled her again. “You’re cheating.” He did it again and again, the slow friction delicious and frustrating, until they were both trembling and on the edge. Then, as he was pulling out of her once again with a self-control that made her want to scream, it became a matter of life or death, because she was going to die if she didn’t get what her body was looking for. “Okay, fine. You win.” He drove into her hard, his fingers biting into her wrists before he released them so he could lift her legs to her shoulder. She cried his name as his fingers dug into her hips and he gave them what they both wanted. When he collapsed on top of her, breathing hard against her neck, she wrapped her legs and arms around him, holding him close. “Another one for the win column,” he said once they’d caught their breath. “It has an asterisk, though, because you totally cheated.” “All’s fair in sex and Scrabble, baby.” He propped his head on his hand and smiled down at her. “What should we play next?” “I’ve still got clothes on. You’ve still got clothes on. Maybe we should break out a deck of cards.” “You’re my kinda girl, Emma Shaw,” he said, and thankfully, he was in the process of getting up off the floor, because she didn’t think she did a good job of hiding how happy those words made her.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Once I stand and watch helplessly while some rug rat pulls everything he can reach off the racks, and the thought that abortion is wasted on the unborn must show on my face, because his mother finally tells him to stop.
Barbara Ehrenreich (Nickel and Dimed: On (Not) Getting By in America)
But instead of the portal opening up for more Watchers to come down, the assembly of the gods felt the horrifying pull of the whirlwind upward. This was not the plan.   Abram saw all the gods in the shrine sucked up into the whirlwind. He looked at Mikael, who laughed heartily. It was the opposite of what the gods had expected. Before Abram could grasp what he had seen, the earth rumbled beneath their feet. The land before them rose up like a rug being shaken. The ripple of earth traveled speedily toward Babylon.
Brian Godawa (Abraham Allegiant (Chronicles of the Nephilim Book 4))
Some among the Armenians in the diaspora would never want the Turks to recognize the genocide. If they do so, they'll pull the rug out from under our feet and take the strongest bond that unites us. Just like the Turks have been in the habit of denying their wrongdoing, the Armenians have been in the habit of savoring the cocoon of victim hood. Apparently, there are some old habits that need to be changes on both sides." Baron Baghdassarian
Elif Shafak (The Bastard of Istanbul)
Maybe that's the genius you were talking about," I said. "The genius to heal it is to hit it head on and keep hitting it 'til you develop the strength to deal with it. Make sure you don't pull the rug over it and pretend it isn't there. Talk about it. Face it. Feel it. 'Til you heal it.
Karlyle Tomms (Confessions from the Pumpkin Patch (The Soul Encounters, #1))
ave you thought of your family photos as a collection? One of my tables held photos of many generations of women in our family. I displayed them in a variety of frames, and the mother-daughter-granddaughter theme pulled the collection together. No one could resist stopping and taking a peek. Group as black-and-white photos or formal or informal in groups. Another idea is to keep the same frames but change the photos for the seasons. If you have a ton of photos, rotate them so you can enjoy your entire collection. And for a designer touch, add a surprise to your grouping-something that doesn't "match," such as that silly picture of your Aunt Lily. The idea is to share yourself with others in a way that is interesting. ant to change your room? Put two lamps of different sizes on a side table with books, a small clock, a pot of flowers, or a ceramic creation. These change the look and provide better lighting. Your coffee table is an ideal spot for a plant or a terracotta pot with candles. For a softer look, add a throw rug made of mohair or wool-something warm and inviting. And I don't know about you, but I like bookshelves in the living room-complete with books, family pictures, and a mixture of the things I collect. I also love to frame favorite scriptures to welcome me as I go from room to room.
Emilie Barnes (365 Things Every Woman Should Know)
1158. A girl came back home from the school and asked her grandmother, “Granny, what is a lover ?” “A lover!!” the grandmother said. “Let me think. Lov… Lover…. Oh, my God!” She rushed to the wall, pulled aside the hanging rug, revealing a hidden closet door. She unlocked the door, and a skeleton of a young man fell out from the closet.
Olav Laudy (4000 decent very funny jokes)
Well, I have news for you. Life is short. It flies by faster than you think, and you never know when the rug will get pulled out from under you, so if you really want something more, you need to get busy.
Julianne MacLean (The Color of Joy (The Color of Heaven, #8))
Perhaps that is part of Magritte’s point. We exist, and then we don’t. The world will be there when we are gone. The dull factuality of physical things does not need human perception to make it persist. Thinking about this through Magritte’s eyes becomes terrifying: that when you leave your home and lock the door all the objects in it still exist, unconscious as they are, without any need to be known, to be seen, by a conscious human. That’s one eerie way of looking at it, but there is no easy way to “decode” a Magritte painting. His art placidly and calmly asks terrifying questions about the solid things we take for granted. You know nothing, smiles the bowler-hatted magician, as he pulls away the rug from under your feet to reveal there’s no floor, either. And that’s not even a pipe you’re holding in your hand. "This is not an article: why René Magritte is a timeless genius
Jonathan Jones
Hands grab me, steady me. I jerk back, but they are surprisingly gentle. He doesn’t smile as I turn to see his face. He just stands there, letting me inspect him. He’s tall with a wide forehead and dark blond hair that’s cut short. His green eyes are deeply set beneath that forehead. His lips are wide and rugged like the rest of him. His hands have huge knuckles like he’s a boxer or arthritic or hits walls. He looks like he did when he pulled me out of the car, but stronger, taller somehow. He must be completely healed. He looks my age and he looks good, like the guy in high school that everyone, even the teachers, fall in love with.
Carrie Jones (Captivate (Need, #2))
Oh my God, Carter!” I sprang to my feet, already in a run. I crashed into Carter, hugging him tightly, “What are you doing here?!” “Damn Blaze. Where’s my Harper and what have you done with her?” I blushed and crossed my arms over my chest, “Uh, yeah. I guess I look a little different.” He ran a finger near the piercing on my lip, “A little.” He smiled and hugged me to him again. “I missed you Blaze.” “I missed you too.” I said into his chest, “I can’t believe you didn’t tell me you were coming. I would have been at the airport to get you.” “Well that wouldn’t have been half as fun as your reaction just now.” I leaned back to smile at him. He was tall too, not like Chase or Brandon, but close to six feet. His black hair was in the traditional fade the Marine’s had and his brown eyes were bright. “How long do you get to be here for?” He smiled wide and opened his mouth to talk, but was cut off. “Harper?” Turning, I saw Brandon staring at Carter, he didn’t look happy. And I could only imagine how after what happened last night with Amanda, me taking off and almost tackling a random guy while in a bikini would be a little alarming. Especially since Carter still had his arms wrapped around my waist. Stepping back toward Brandon, I grabbed his hand and squeezed, “Brandon this is my best friend from Camp Lejeune, Jason Carter, Carter, this is my boyfriend Brandon Taylor.” They firmly shook hands but didn’t say anything. Awkward. “Um, why don’t we head back over there? I can introduce you to everyone else.” I pulled Brandon back towards our friends while I was introduced to the three guys Carter had been with. He was right, I didn’t know them, but Carter had never been to California so I didn’t know how he knew them either. I introduced Carter and the three guys to everyone, and while all the housemates and Konrad were polite, Chase wouldn’t speak to, or shake Carter’s hand. Just crossed his arms over his bare chest and openly glared at him. What threw me off even more, was Brandon standing right next to him, in the exact same stance. It didn’t surprise me that Carter took a step back, those guys could look scary if they wanted to. Rugged looks, tall tattooed and muscled bodies. Yep. Definitely scary to someone who didn’t know them.
Molly McAdams (Taking Chances (Taking Chances, #1))
He curls up on a couple of hay bales with an old horse-cover pulled over him for a few hours' kip. There is still a spring chill in the air and Tommy is grateful when Floss noses in under the rug and, after gnawing away at a flea at the base of her tail for a few minutes, curls up in the small of his back and goes to sleep.
Kelly Ana Morey (Daylight Second)
The Vajrayana is the path of the rug being pulled out from under your feet, so you need someone who knows how to do that.
Dzongsar Jamyang Khyentse (The Guru Drinks Bourbon?)
I felt like a rug had been pulled from under my feet, my head hit hard on the floor and the pain vibrated through my body.
Kavipriya Moorthy (Dirty Martini)
Every single person out there has a crazy story. Every single person has some bizarre, life-shattering, pull-the-rug-out-from-under-you story in their past, or will experience one in their future.
Kerry Egan (On Living)
The funeral was a reminder to look for the youth in a person, rather than their age. To look at their hopes and dreams, and the family they created, and their best moments with that family. To see them when they were filled with hope--not when the rug was pulled out from under them. To remember that death should be a reminder of all the memories of that person at their best, and the best private moments you shared with that person.
Chelsea Handler (Life Will Be the Death of Me: . . . and you too!)
And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence of education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.
Alan Moore (Providence Compendium by Alan Moore and Jacen Burrows Hardcover)
And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old-fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence or education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.
Alan Moore (Providence Compendium by Alan Moore and Jacen Burrows Hardcover)
Judith: I didn’t want an ordinary life; I wanted more. I wanted to live by the sea, somewhere beautiful and wild, so I chose Cornwall, or did Cornwall choose me? I had only been there once in my life, but I had felt an instant magical connection, the rugged coastline pulled at my heartstrings, and the sea soothed my restless soul. It was the start of a love affair that I could not or would not ignore; all I had to do now was make these dreams come true.
Judith Lea
I don’t want to lose him either. My emotions are a muddled mess, somehow heightened by his kiss. When he pulls away, I’m lightheaded, the rug pulled out from under me. I’ve been falling for Sebastian for two years, and all this time I believed my feelings were unrequited. And now, when I may never see him again, I learn that they’re not. Fate is toying with me. “Wait for me,” he whispers. I won’t. I can’t. And I feel a stab of guilt at how good his words feel anyway. I can’t let my feelings for Sebastian blur my focus.
Lexi Ryan (These Hollow Vows (These Hollow Vows, #1))
The first time the power of art pulled the rug out from under me, I was nineteen years old. It was the early 1970s. I was in Europe for the first time, on my way through Paris to Warsaw with my Polish girlfriend, on a bizarre quest to sell blue jeans behind the Iron Curtain. On that day, during my first pilgrimage to the Louvre, I laid eyes on a painting that seemed the sum of all things. It was a cosmographic perpetual motion machine, a purgatorial charnel house—as far from the warmth of any human sun as anything I’d ever beheld. The moment I saw it, something like Krakatoa went off within me. That painting was Théodore Géricault’s The Raft of the Medusa. Standing before it, I felt the gravitational field of my life shift forever. The Raft of the Medusa is massive in scale, yet its subject matter is as simple as cows in a field, bathers by a river, or a birth in a manger. We see a large raft bearing a crowd of male figures, at the mercy of heaving seas. Their poses suggest a classical frieze, like Elgin marbles from hell—a collective ash heap of individually vivisected souls stripped bare of humanity. Each of the men is marked by a distinct, unforgettable gesture. Some are reckoning with their wounds; others seem to be coming to terms with death; some seem closer to damnation than to life. Every one of them appears hopeless. Our eyes are compelled by shafts of flickering phosphorescent light that rake at angles across the figures in the painting’s foreground, tracing its dark pyramidal structure. It’s a vision of jagged complexity and somehow also of profound grandeur.
Jerry Saltz (Art Is Life: Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope in the Night)
Chapter 2 After stopping for a hot breakfast, Dad and I were ready to hit the mountain and now our anticipation was really building. My heart was beating a little faster and my eyes were alert watching the headlights paint a mountain picture in front of us. We pulled off the highway and made our way up a narrow two-lane road that ran through a little old mining town. About a half mile past the last house, we came to our turn. The road was pretty quiet on this Saturday morning. We only passed two or three trucks on our way to the dirt road. “Here we go!” Dad said, turning the wheel. The blacktop was behind us and we were now on a well-packed gravel road. It started by winding right, then left, and then back right again. It was like riding a rollercoaster up the mountain. We finally came to the end of the gravel and now we were heading up a true back country mountain road. The road was littered with huge rocks Dad had to swerve around and plenty of big gullies where rain had washed the road away. The truck growled in low gear as we crawled our way up the mountain, heading to our camp. I could feel butterflies of excitement building in my stomach with each turn. I rolled down my window to get some fresh air and the crisp mountain breeze instantly sent chills down my back. “Whoa, it’s pretty cold out,” “The truck thermometer says its thirty-six degrees. That sure is a change from the sixty-five degrees we had yesterday at home. But don’t you worry, that Colorado sun always warms it up around noon,” Dad explained. That last half hour seemed to take forever because we could only manage about five or ten miles per hour on the steep, rugged road. The last thing we wanted to do, after all the hours we spent on the journey to elk camp, was get a flat tire or bust a shock. Dad patiently and expertly guided the truck through the obstacle course as we kept climbing up, up, up. Finally we leveled off and I could tell we had reached the top. We made our way around the back side of the mountain and headed down a dead-end road to a grassy field where we have camped before. “I sure hope no one is in our spot.” “I’m not worried. There are plenty of areas to pitch a tent,” Dad replied. “That’s true, but I really like our old spot. It’s flat, which is perfect for the tent, it’s
Kevin Lovegreen (The Muddy Elk (Lucky Luke's Hunting Adventures #6))
honey.” Anne sighed, leaned back against his shoulder. Well out on the mesa, Grimes pulled up at a tinaja whose slow ooze of water filled a small rocky basin just enough for the grass that covered the thin soil for a few yards about the basin. He spread out the Navajo rug, and Anne snuggled beside him, in the lee of the boulder that sheltered them from the cool wind.
E. Hoffmann Price (The E. Hoffmann Price Spicy Adventure MEGAPACK ®: 14 Tales from the "Spicy" Pulp Magazines!)
No one stands on a rug that cannot be pulled out from under her...
Susan Bergman (Anonymity: The Secret Life of an American Family)
The tall man drew a curved blade from beneath his leather coat. A sword, like from a storybook. Dad was trying to pull the axe free from the doorframe when the man plunged the sword into Dad’s stomach, pushing it upward. There was a sound, like sticks snapping, and an animal cry. Dad fell to the vestibule carpet, the one Mom always yelled about when they tracked mud on it. The rug that was turning red. Mom screamed. Jude screamed. Taryn and Vivi screamed. Everyone seemed to be screaming, except the tall man. “Come here,” he said, looking directly at Vivi. “Y-you monster,” their mother shouted, moving toward the kitchen. “He’s dead!
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Clinton administration’s famous policy of “triangulation,” its grand effort to minimize the differences between Democrats and Republicans on economic issues. Among the nation’s pundit corps “triangulation” has always been considered a stroke of genius, signaling the end of liberalism’s old-fashioned “class warfare” and also of the Democrats’ faith in “big government.” Clinton’s New Democrats, it was thought, had brought the dawn of an era in which all parties agreed on the sanctity of the free market. As political strategy, though, Clinton’s move to accommodate the right was the purest folly. It simply pulled the rug out from under any possible organizing effort on the left.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
A short time later the convertible pulled into the driveway of the Hardys’ large, pleasant house on a tree-shaded street. The boys jumped out and hurried inside. Fenton Hardy, a tall, rugged-looking man, was in the dining room having a cup of coffee. Seated at the table with him were Mrs. Hardy and the boys’ Aunt Gertrude, his unmarried sister. The detective greeted Frank and Joe with a warm smile. “Sit down, boys, and I’ll tell you what this case is all about.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
Backlash theorists, as we shall see, imagine countless conspiracies in which the wealthy, powerful, and well connected—the liberal media, the atheistic scientists, the obnoxious eastern elite—pull the strings and make the puppets dance. And yet the backlash itself has been a political trap so devastating to the interests of Middle America that even the most diabolical of stringpullers would have had trouble dreaming it up. Here, after all, is a rebellion against “the establishment” that has wound up cutting the tax on inherited estates. Here is a movement whose response to the power structure is to make the rich even richer; whose answer to the inexorable degradation of working-class life is to lash out angrily at labor unions and liberal workplace-safety programs; whose solution to the rise of ignorance in America is to pull the rug out from under public education.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
I'm in the house that Claire and I built, in the life we made, naked in the bathtub. I'm shivering. I feel like a wet rug. If I pull the plug, maybe the water will drain away.
Jeff Porter (Planet Claire: Suite for Cello and Sad-Eyed Lovers)
She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long. Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’ And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have. ‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’ I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much? Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’ Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed. I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet. The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching. Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
I can’t say how God will speak to you. But I can say with a fair amount of confidence how he won’t. He will not shame you into better behavior. He will not trick you. He will not tease you. He will not laugh at you. He will not terrorize you. He does not pull rugs out from under you. He does not drop the other shoe. He does not pull fast ones. He will not roll his eyes, throw up his hands, or turn his back on you.
Emily P. Freeman (The Next Right Thing: A Simple, Soulful Practice for Making Life Decisions)
But what she failed to notice, or maybe had and didn’t care, was that no rules also translates into, and past, no safety, to the chilly land where no one’s in charge and that most specifically means you. Or in this case, me. Maybe she’d thought about that, too, and just didn’t give a queenly shit. I did; not enough to stop, obviously, but enough to wonder, what would it be like to pass at once and finally into that daunting atmosphere, that place where the rug stays permanently pulled out from under you, where the murderous tilt is the lay of the land? How would it feel?
Kathe Koja (The Cipher)
Mubarak had been a resolute ally, key to peace with Israel and to the 1991 Gulf War coalition (praised by George H. W. Bush as “my wise friend”), and then in the campaign against Al Qaeda. Barack Obama’s senior advisers—Secretary of State Hillary Clinton, Defense Secretary Robert Gates, and Vice President Joe Biden—urged caution in joining the rush to push Mubarak out. Gates was on the National Security Council in 1979 when, in his view, the United States had pulled the rug out from under the shah, with the expectation that a democratic revolution would follow. The result instead was the rise of the Ayatollah Khomeini, U.S. diplomats held hostage for 444 days, and the implacably hostile Islamic Republic.
Daniel Yergin (The New Map: Energy, Climate, and the Clash of Nations)
Even if it’s only you being hard on yourself, part of your brain will react as if someone else is physically attacking you. Your fight-or-flight mechanism will kick in, your heart rate may rise, and you may feel jittery and queasy. But since you can’t flee yourself, there’s nowhere safe to retreat. “You become anxious and depressed,” Dr. Neff says, “and both of those are highly linked to self-criticism. It kind of undermines your faith in yourself. It’s like pulling the rug out from underneath you, and it ends up making it harder to be motivated to make a change.
Peter Walsh (Lose the Clutter, Lose the Weight: The Six-Week Total-Life Slim Down)
While the Wichita Cons worked hard to build their movement, they would not have succeeded so extravagantly had it not been for the simultaneous suicide of the rival movement, the one that traditionally spoke for working-class people. I am referring, of course, to the Clinton administration’s famous policy of “triangulation,” its grand effort to minimize the differences between Democrats and Republicans on economic issues. Among the nation’s pundit corps “triangulation” has always been considered a stroke of genius, signaling the end of liberalism’s old-fashioned “class warfare” and also of the Democrats’ faith in “big government.” Clinton’s New Democrats, it was thought, had brought the dawn of an era in which all parties agreed on the sanctity of the free market. As political strategy, though, Clinton’s move to accommodate the right was the purest folly. It simply pulled the rug out from under any possible organizing effort on the left. While the Cons were busily polarizing the electorate, the Dems were meekly seeking the center.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
weary old ox, after hearing the old man’s lesson, raised his head as if admitting his mistake. Pulling the plow, he began to move forward. I noticed the old man’s back was just as black as the ox’s. Even though the pair had already entered the twilight of their lives, they still managed to noisily plough the rugged land, the earth breaking up like a wave crashing on the shore. Afterward I heard the old man’s hoarse yet moving voice sing an old folk song. First he sang a long introductory melody, then came two lines of verse:
Yu Hua (To Live)
the Russians are going to pull the rug out from underneath our entire country.
Jack Patterson (Seek and Destroy (Brady Hawk #9))
Warner lifted Tori up out of the trunk, slung her over his shoulder, and took her inside a small house that looked to be used more as a shed, with shovels, rakes, hoes, and other gardening equipment visible. He dropped her to the floor and then reached down and pulled back a throw rug to reveal a wood door embedded in the floor, which he opened. He picked her up and threw her over his shoulder again, carrying her down a narrow and steep set of steps into the cellar underneath. Once they were in the cellar, he sat her down onto an aged, round-top, wooden barstool.
Roger Stelljes (Silenced Girls (Agent Tori Hunter, #1))
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God, she’s beautiful—that’s all I keep thinking. Parks, not my girlfriend, unfortunately. And in the lilac? Fucking shit of her. Did that on purpose she did, I know it. Know her. That’s the kind of shit she’d do to pull the rug out from under me.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
From this point of view, the only time we ever know what’s really going on is when the rug’s been pulled out and we can’t find anywhere to land. We use these situations either to wake ourselves up or to put ourselves to sleep.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
Even thinking about heading up there again made my heart thump harder; it took nothing for me to recall that sense of the world disappearing from beneath me, like a rug pulled from under my feet.
Jojo Moyes
Sunday pulls the rug out from everyone.
Gabe Durham (Fun Camp)
Susan whispered, “Be quiet.” She told me to get out of bed and lie down on the rug. I was confused. I looked over at Nancy, who was sleeping soundly. Are we going to play a game? As I tried to make sense of why this older girl wanted me to lie on the rug, Susan pulled down the yellow bloomers of my cotton baby-doll pajamas. “What are you doing?” I asked. “Don’t worry. It’ll feel good.” I lay there paralyzed as she moved her tongue between my legs. What was going on? I didn’t speak. She kept at this for I don’t know how long, but it felt good, weird and definitely wrong, all at the same time. She slid my bloomers back up and whispered, “Don’t tell anyone.
Vanessa Williams (You Have No Idea: A Famous Daughter, Her No-nonsense Mother, and How They Survived Pageants, Hollywood, Love, Loss (and Each Other))
I want to fall for you in the worst way. I want to pull you down on that fur rug with me and take my time removing your clothes, because we’re not in any hurry. I won’t change my mind, because I need to remember every inch of your skin, and the way it tastes when I run my tongue over it. I’d savor every part of your body, making sure to appreciate the way you react to my touch,” I brushed my lips over hers again.  “And my kiss. Then I’d make love to you, for as long as possible, the whole time looking into your beautiful eyes so I can remember what it was like to watch the pleasure I bring you, again and again. I’d memorize your curves, and move slow, so it lasts all night. When it’s over I’d hold you tight, pretending that I’d never have to let you go.” I backed away from Reese, and watched as her body began to tremble. Her lips parted, but words wouldn’t come out. “That’s what I’d do, hypothetically of course.
Jennifer Foor (Jake (The Mitchell/Healy Family #4))
I decided to take a peek, because usually he was up before me doing pushups or some other such nonsense.      I pushed the head door that led into his room open just a few inches and almost burst out laughing.  He was sleeping soundly alright because he was warm for the first time but it wasn’t because he had extra blankets, because he didn’t.      He’d removed the shower curtain and placed it on top of the existing bedding.  Next, he’d taken down the drapes from the windows and piled them on top of the shower curtain.  And lastly, he’d pulled the 6x9 foot area rug off the floor and piled it on top of the bed as well. He was curled up under it all like a hibernating bear.      I walked over to the bed and gave the mound of stuff a good punch.      “Hey Mongrel, reveille, reveille, what the hell are you doing under there?”      “Finally getting some sleep Sir.”      “Why’d you wreck your room?  Why didn’t you get some blankets from the front desk?”      “Didn’t see any when I came in, there was no one around, so I did what you’ve been teaching me to do.”      “What’s that?”      “Improvise and adapt Major, improvise and adapt.”      “Good man Griggs, good man.
W.R. Spicer (Sea Stories of a U.S. Marine Book 4 Harrier)
It is critical that you never allow any person to take your hope away from you. Hope is what you’d be left with if all your material and earthly possessions were to be taken away. Hope is what drives you to rebuild when the rug is pulled out from under your feet. Protect your hope at all costs. Do not allow anybody to get anywhere near your hope.
Brandon Goleman (Emotional Intelligence: For a Better Life, success at work, and happier relationships. Improve Your Social Skills, Emotional Agility and Discover Why it Can Matter More Than IQ. (EQ 2.0))
But every day we meet someone whose behavior suddenly changes from one moment to the next. And we wonder: What happened to this person I thought I knew? Why is he acting so aggressively? Is it stress at work? And then the next day the person is normal again. You’re relieved, but soon after the rug is pulled out from under you when you least expect it. And this time, instead of asking what’s wrong with this person, you wonder what you did wrong.
Paulo Coelho (Adultery)
A train horn blew, but it seemed a little distant, like it was coming from somewhere up ahead. It blew again, louder this time. “There’s another train coming!” shouted Ruby. “We’re going to crash!” “Don’t worry,” said the captain cheerfully. “Vermillion knows what to do.” Matt closed his eyes and waited for impact, but it never came. The train picked up speed, faster and faster. It roared so loud Matt couldn’t even hear his own voice. He covered his ears. The whole train was vibrating violently, and then it lurched forward with such a jolt that the three Hudsons toppled over each other and landed hard on the floor. Ruby gasped. “The floor!” she said. “What the . . . what?” said Corey. Matt looked down. He could hardly believe his eyes. The floor appeared to be melting, morphing from the smooth worn floors of the subway car to cracked and rough wooden planks. A nail head poked at his hand. Matt looked up. All around him the train car was altering, growing, transforming. The walls expanded, and the windows shrank. Lacy curtains unfurled and crawled down the sides of the windows like fast-growing vines. The hard plastic benches of the subway swelled into plush chairs and tables with white tablecloths. The fluorescent lights on the ceiling contracted and then dropped, forming crystal chandeliers. A plush rug sprouted beneath him. It grew through the floor as though it were a carpet of grass pushing through dirt. Matt picked himself up, then helped Corey and Ruby, who had somehow gotten tangled in the rug. It seemed to have grown up and around Ruby’s wrists and ankles, as though it were trying to weave her into itself. Matt and Corey helped free her, and then Ruby yelped as the white rat leaped across their faces and landed on a little table. It pulled a match out of the table drawer with its tail, struck it against the wall, and began lighting lanterns and sconces, then the crystal chandeliers hanging from the ceiling, until the space was well lit once again. It was not at all like the train they had been in before. The subway car no longer looked like a subway at all. Rather, it looked like a very old-fashioned train, but one for rich passengers.
Liesl Shurtliff (The Mona Lisa Key (Time Castaways #1))
And if they knock you to your knees, pull the rug out from under them.” —Oliver Masters
Nicole Fiorina, Stay With Me
Or some of us get stuck in a rut and can’t stop focusing on the past. We see only the possibility of the status quo instead of looking toward a different future. Well, I have news for you. Life is short. It flies by faster than you think, and you never know when the rug will get pulled out from under you, so if you really want something more, you need to get busy. Where do you want to be five years from now? Ten years? Don’t just dream about it. Start the ball rolling now so that when those years are behind you, you won’t still be standing at the bottom of the mountain looking up.
Julianne MacLean (The Color of Joy (The Color of Heaven, #8))
The key with markets is that you cannot allow yourself to be forced to sell (from using too much leverage) and that you must not sell in a panic mode, emotionally pulling the rug out from under yourself.
Daniel Pecaut (University of Berkshire Hathaway: 30 Years of Lessons Learned from Warren Buffett & Charlie Munger at the Annual Shareholders Meeting)
Suddenly Heller turned serious and stepped away from Lawson. He came straight at me—okay, what the hell was he doing?—and I about swallowed my tongue. Heller hugged me like a long-lost brother. “Thank you for protecting my mate,” he whispered in my ear. “You’re welcome. You mean the world to him, you know?” I left it at that because, really, what more was there to say? “Yeah, I do know. Now he needs to know.” Heller stepped back from me, then turned around to face Lawson. Then he went down on one knee. Lawson gasped, Remi thrust his fist in the air and yelled, “Yes,” and I rolled my eyes. Of course, that was more for show than anything. I did have a reputation to keep up “Lawson?” Heller held his hand out to Lawson, who took it. “You’re my everything, but I’ve told you that. My life would be… would be incomplete without you. You’re my mate—my one and only. What I haven’t done is tell you that… that… I love you, and I don’t know why I haven’t. I think… no, I know I fell in love with you the moment I looked into those beautiful gunmetal-gray eyes of yours at your shop.” “Jesus, Heller,” Lawson gasped. Heller pulled a small box out of his front pocket. “Shifters don’t marry… not like humans. Sometimes we have to shift with next to no warning, so we don’t wear jewelry.” “But… you don’t shift, and being part human, I guessed marriage means a lot to you. It does, right?” Lawson wiped his eyes. “Oh God, yes, it does. Especially since now gays can marry.” “Will… will you wear my ring? Will you… will you wear it so the whole world can see that you’re taken?” “Fuck.” Lawson dropped to his knees and threw his arms around Heller, sobbing into his neck. “Dammit, hellcat! I love you. I love you so much.” Lawson pulled back to look at Heller. “Yes, yes, I will wear your ring. Oh my God, you’re unbelievable! Put it on me!” Remi eased his arm around me and rested his head on my shoulder. “Beautiful, isn’t it?” I turned my head and kissed his hair. “They worked hard for this.” “Yes, they did. How many times do you think he rehearsed this speech?” “At least ten.” After a passionate kiss I thought I might have to break up before they set the rug on fire, the four of us munched on goodies, drank a couple of beers, and spent what was left of the evening watching movies. Things were going exceptionally well. I couldn’t help but wonder when the other shoe would drop
M.A. Church (It Takes Two to Tango (Fur, Fangs, and Felines #3))
the only time we ever know what’s really going on is when the rug’s been pulled out and we can’t find anywhere to land. We use these situations either to wake ourselves up or to put ourselves to sleep. Right now—in the very instant of groundlessness—is the seed of taking care of those who need our care and of discovering our goodness.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
From this point of view, the only time we ever know what’s really going on is when the rug’s been pulled out and we can’t find anywhere to land. We use these situations either to wake ourselves up or to put ourselves to sleep. Right now—in the very instant of groundlessness—is the seed of taking care of those who need our care and of discovering our goodness.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
to deal with a man like that, a man like George, you have to pull the rug out from under him. Not all at once, of course; a small tug here, another one there. You don’t back down when he tries to wield his power. Instead, you trip him up by slipping him little lies. Correct him whenever you can. Confuse him. Make him feel foolish. Men like him hate being wrong, hate being embarrassed, hate not being in control. Men like him don’t know what to do when that happens, and they resort to childish displays of anger, temper tantrums, sulking. In spite of this, he won’t be able to do a single thing about it because in the end he’s the one who is weak. The only power he has is the power you are willing to give him, and you’ve given him nothing. Not a scrap.
Monika Kim (The Eyes Are the Best Part)
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The dream of community mental healthcare—that optimism that so defined the late fifties and early sixties—was crashing and burning. Patients were leaving hospitals and finding there were no clinics to visit. State lawmakers who had acted incensed when there were scandals at their local asylums and had celebrated the shrinking of state institutions were no longer raising their hands to fight for new projects. The rug was getting pulled out from under the system.
Antonia Hylton (Madness: Race and Insanity in a Jim Crow Asylum)
I'm not sure how I'm remaining upright with the amount of rug she's pulling out from under me.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
As later experiences would confirm, to deal with a man like that, a man like George, you have to pull the rug out from under him. Not all at once, of course; a small tug here, another one there. You don’t back down when he tries to wield his power. Instead, you trip him up by slipping him little lies. Correct him whenever you can. Confuse him. Make him feel foolish. Men like him hate being wrong, hate being embarrassed, hate not being in control. Men like him don’t know what to do when that happens, and they resort to childish displays of anger, temper tantrums, sulking. In spite of this, he won’t be able to do a single thing about it because in the end he’s the one who is weak.
Monika Kim (The Eyes Are the Best Part)
How do people do this? When the rug is pulled out from under the life they thought they would have forever, how do they pretend it’s not seismic? That the roof hasn’t fallen in and they’re trapped under a concrete beam? How do you breathe when the person you thought you’d cherish forever looks at you the way Yasmen looks at me right now because you’ve hurt them so much?
Kennedy Ryan (Before I Let Go (Skyland, #1))
3.14159 et cetera, for ever, with total and utter and mind-boggling randomness. There is always an element of unpredictability in even the most predictable things. And if you lived like it wasn’t there, then life would pull the rug from under you, so you might as well embrace the .14159.
Matt Haig (The Life Impossible)
Live Person At Defi wallet Support Number [CALL NOWW] (USA)+1(626)⇋703⇋5448 & (EU)(+31) 970 1021 0638 In the DeFi space, rug pulls (when developers pull all funds from a project, leaving investors with worthless tokens) are a risk. Be cautious when investing in newer projects and always research the platform thoroughly.(USA)+1(626)⇋703⇋5448 & (EU)(+31) 970 1021 0638
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The Underminer tries to undermine your self-confidence and self-esteem so you won’t take risks that might end in failure. It tells you that you are worthless and inadequate and that you’ll never amount to anything. It may also try to prevent you from getting too big, powerful, or visible in order to avoid the threat of attack and rejection. (Remember Jeannette, Bonnie’s client described in the introduction? Her Inner Critic was an Underminer.) The experience of being undermined can feel like a rug has been pulled out from under you or like you’re walking on a treadmill where you work and sweat but go nowhere. It can also feel like you have a rope tied to your middle so you can’t go forward or like you’ve come up against a glass wall. The Destroyer attacks your fundamental self-worth. It is deeply shaming and tells you that you shouldn’t exist. You might experience the Destroyer as a crushing force that wipes out your vitality or a pervasive negative energy that stamps out any sign of creativity, spontaneity, or desire. It might look like Darth Vader, a giant spider, a leech on the back of the neck, or an elephant crushing you underfoot. The Guilt Tripper attacks you for a specific action you took (or didn’t take) in the past that was harmful to someone, especially someone you care about. This Critic might also attack you for violating a deeply held value. It constantly makes you feel bad and will never forgive you. It might also make you feel guilty for repeated behaviors that it considers unacceptable in an attempt to get you to stop. Images of the Guilt Tripper from our clients include a nun, a judge, a despot exiling someone, a black cloud descending, and a weight on the shoulders. It can make you feel oozy and icky, heavy in the chest, or as if you are being smashed with a huge hammer. The Molder tries to get you to fit a certain societal mold or act in a certain way that is based on your family or cultural mores. This mold can be any kind: caring, aggressive, outgoing, intellectual, or polite. This Critic attacks you when you don’t fit into that mold and praises you when you do. Images for the Molder include a prison guard, a cage, a straightjacket, and a large rulebook, like a holy text, that determines what you should do at every moment.
Jay Earley (Freedom from Your Inner Critic: A Self-Therapy Approach)
She’d rather things end on her terms than have the rug pulled out from under her again. It’s the only way she can feel in control of the outcome.
Abby Jimenez (Yours Truly (Part of Your World, #2))
You should learn how the most prevalent kinds of cryptocurrency scams operate, how to recognize them, and what to do if you fall victim to one if you are considering investing in cryptocurrency or currently own digital assets. Giveaways, new romance scams, phishing, extortion emails, false company notifications, blackmail, "rug pulls," and maybe fake mining programs or networks are all examples of scams. Poorly written white papers, overzealous marketing campaigns, and get-rich-quick boasts are all indicators of cryptocurrency scams. To avoid getting scammed, there are a few things you can do. Refuse to provide your private bitcoin keys when asked. No one requires those keys for a valid bitcoin transaction, and they govern your wallet and cryptocurrency access. Finally, avoid working with investment managers who approach you and claim to be able to grow your money rapidly. The ideal people to get in touch with if you think you may have fallen victim to a scam is Wizard James Recovery. Wizard James Recovery provides unique recovery services customized for your situation. Visit them right now or contact wizardjamesrecovery @ usa . com via email.
André Rossi de Oliveira
Watching this was eye-opening to me. Not just the fact that the woman managed to do it, but how she did it. As later experiences would confirm, to deal with a man like that, a man like George, you have to pull the rug out from under him. Not all at once, of course; a small tug here, another one there. You don’t back down when he tries to wield his power. Instead, you trip him up by slipping him little lies. Correct him whenever you can. Confuse him. Make him feel foolish. Men like him hate being wrong, hate being embarrassed, hate not being in control. Men like him don’t know what to do when that happens, and they resort to childish displays of anger, temper tantrums, sulking. In spite of this, he won’t be able to do a single thing about it because in the end he’s the one who is weak. The only power he has is the power you are willing to give him, and you’ve given him nothing. Not a scrap. By the time you’re done with him, he’ll be begging for mercy. Who is he if he can’t control you? Is he even a man anymore? It will seem like a relief when you give him a hand, even if that hand is holding a blade. And when you take everything from him, you can say what these men say about us: He was asking for it. He was begging for it. He must have wanted it, since he didn’t fight back.
Monika Kim (The Eyes Are the Best Part)
if you know where you’re going as a writer and you have faith in where you’re going, it makes each sentence seem to say, “This must be going somewhere.” If you don’t know, it pulls the rug out from under each sentence. Suddenly the reader says, “Wait a minute—he doesn’t know where he’s going. Let’s stop and navigate here, because we’re lost.” That’s where you’re going to lose the reader. Of course there comes a time when you have to stop the research and start writing. I did as much research as I could imagine I would
William Zinsser (Inventing The Truth: The Art and Craft of Memoir)
It was as if her sound triggered him. Before she could blink, he pulled her down on the rug and into his arms, drawing her smaller body into the large warmth of his, his big arms curling around her protectively, and the feeling of them broke her.
RuNyx (The Syndicater (Dark Verse, #6))
arguments against exploitation lose their power when aimed at the hundred-hour-per-week lawyer, whose industry and exhaustion inoculate her against charges of inherited and unearned advantage, and who also exploits herself. Humanitarian concern loses force when poverty is reduced and the main claims of economic justice are made on behalf of the middle class. And when progressives embraced meritocracy as a remedy for hereditary privilege, they fired the engine that now drives inequality’s increase. The familiar arguments that once defeated aristocratic inequality simply do not apply to an economic system based on rewarding effort and skill. Meritocracy’s rise over the past half century has opened a new frontier in human experience, with no historical precedent. At the same time, meritocracy has pulled the rug out from under economic equality’s champions. The past no longer provides a reliable guide to understanding the present, as received moral principles and new economic stocks simply do not align. Traditional diagnoses of economic injustice misfire at every turn, and meritocracy, which was supposed to cure inequality, has itself become the source of the disease. Indeed, it is almost as if meritocratic inequality were specifically designed to defeat the arguments and the policies that once humbled the leisure class and declared war on poverty. The meritocratic transformation entails, bluntly put, that equality’s champions must justify redistribution that takes from a more industrious elite in order to give to a less industrious middle class. This makes meritocratic inequality difficult to resist.
Daniel Markovits (The Meritocracy Trap: How America's Foundational Myth Feeds Inequality, Dismantles the Middle Class, and Devours the Elite)