Rug Burn Quotes

We've searched our database for all the quotes and captions related to Rug Burn. Here they are! All 52 of them:

Burns from dropped matches, Ms. Lane? Matches one might have dropped while flirting with a pernicious Fae, Ms. Lane? Have you any idea the value of this rug?” I didn’t think his nostrils could flare any wider. His eyes were black flame. “Pernicious? Good grief, is English your second language? Third?” Only someone who’d learned English from a dictionary would use such a word. “Fifth,” he snarled. “Answer me.
Karen Marie Moning (Bloodfever (Fever, #2))
Ty laughed, a carefree, boyish sound, and glanced to his side, distracted by what he saw. “You moved the rug.” “I kitty-cornered it.” “Why would you do that?” Ty asked, aghast. “To see you lose your shit when you got home.” Zane leaned closer, grinning evilly. “There are other things out of order too. Books not alphabetized. Coffee mug handles facing different directions.” He lowered his voice to a whisper as Ty’s eyes widened in horror. “The closet isn’t color coded.” “You’re just watching the world burn, huh?” Zane laughed. “God I missed you.” Ty said in a rush of breath.
Abigail Roux (Touch & Geaux (Cut & Run, #7))
[Daniel] was still glowing, as if lit from within. She could still clearly see his violet-gray eyes and his full mouth. His strong hands and broad shoulders. She could reach out and fold herself into her love's light. He reached for her. Luce closed her eyes at his touch, expecting something too otherworldly for her human body to withstand. But no. It was simply, reassuringly, Daniel. She reached around his back to finger his wings. She reached for them nervously, as if they could burn her, but they flowed around her fingers, softer than the smoothest velvet, the plushest rug. The way she'd like to imagine that a fluffy, sun-drenched cloud would feel if she could cup it in her hands. "You're so...beautiful.
Lauren Kate (Fallen (Fallen, #1))
I didn’t say, You are such a stuffy asshole. And he didn’t say, If you ever burn one of my quarter-of-a-million dollar rugs again I’ll take it out of your hide, and I didn’t say, Oh, honey, wouldn’t you like to? And he didn’t say Grow up, Ms. Lane, I don’t take little girls to my bed, and I didn’t say I wouldn’t go there if it was the only safe place from the Lord Master in all of Dublin.
Karen Marie Moning (Bloodfever (Fever, #2))
Your heels are damaging my rug. It’s an eighty-thousand-dollar rug.” I say, “You like me in heels. Money doesn’t signify anymore. And at least I’m not burning holes in it.” “A wiser woman wouldn’t remind me of that time. I’m still pissed about it.
Karen Marie Moning (Burned (Fever, #7))
His lips hovered over hers. “No,” he snarled. Madison wasn’t sure to whom he was talking, but then his mouth was crushing hers, and her world became him—the touch and feel of his lips pressing down, forcing hers to respond. It wasn’t a gentle kiss or a sweet exploration. It was angry and raw, breathtaking and soul burning. Right now, she didn’t want gentle. She wanted hard and fast, him and her, on the floor, even the bear rug, both of them naked and sweating.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Pay up." Eve rolled over, rubbed her bare butt, and wondered if she'd have rug burns. Still vibrating from the last orgasm, she closed her eyes again. "Huh?" "Fifty credits." He leaned over, gently kissed the tip of her breast. "You lost, Lieutenant." "I'm naked," she pointed out. "I don't generally keep credits up my -- " "I'm happy to take your IOU." He rose, all graceful, gleaming muscles, and took a memo card from his console. "Here you are." Handed it to her. She stared down at it, knowing dignity was as lost as the fifty credits. "You're really enjoying this." "Oh, more than you can possibly imagine." Scowling at him, she engaged the memo. "I owe you, Roarke, fifty credits, Dallas, Lieutenant Eve." She shoved the memo at him. "Satisfied." "In every possible way." He thought, sentimentally, that he would tuck the memo away with the little gray suit button he'd kept from their very first meeting. "I love you, Dallas, Lieutenant Eve, in every possible way.
J.D. Robb (Ceremony in Death (In Death, #5))
HIDEOUS! Sorry, Mom, but vomit green is NOT my colour. And that dress is impossible to walk in! It’s so tight around my legs that it looks like a giant fish tail. While the other bridesmaids walked gracefully to the “Wedding March” song, I flopped my way down the aisle like a human-sized catfish or something! Those rug burns were pure agony! It was getting late and I was running out of time! The last thing I wanted to do was to traumatise Brandon by showing up at the dance looking like a MUTANT FISH GIRL or something. Right now I’m SO frustrated that I’m seriously considering just NOT going to the dance. Why is my life so hopelessly CRUDDY?!
Rachel Renée Russell (Dork Diaries: Holiday Heartbreak)
I have hair in places monkeys dont.While giving birth my mother almost dies from rug burn.
Jim Rose
Reading these stories, it's tempting to think that the arts to be learned are those of tracking, hunting, navigating, skills of survival and escape. Even in the everyday world of the present, an anxiety to survive manifests itself in cars and clothes for far more rugged occasions than those at hand, as though to express some sense of the toughness of things and of readiness to face them. But the real difficulties, the real arts of survival, seem to lie in more subtle realms. There, what's called for is a kind of resilience of the psyche, a readiness to deal with what comes next. These captives lay out in a stark and dramatic way what goes on in every life: the transitions whereby you cease to be who you were. Seldom is it as dramatic, but nevertheless, something of this journey between the near and the far goes on in every life. Sometimes an old photograph, an old friend, an old letter will remind you that you are not who you once were, for the person who dwelt among them, valued this, chose that, wrote thus, no longer exists. Without noticing it you have traversed a great distance; the strange has become familiar and the familiar if not strange at least awkward or uncomfortable, an outgrown garment. And some people travel far more than others. There are those who receive as birthright an adequate or at least unquestioned sense of self and those who set out to reinvent themselves, for survival or for satisfaction, and travel far. Some people inherit values and practices as a house they inhabit; some of us have to burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.
Rebecca Solnit (A Field Guide to Getting Lost)
We aren't getting married to save on labor, Mr. Creed.' Evie's glower could have burned through a sequoia. Twice. 'I, for one, am offended you think we're marriage mercenaries.
Kelly Eileen Hake (Rugged and Relentless (Husbands for Hire, #1))
But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell.  See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
He could still feel Ty all over him: smarting bite marks, the whisker burn on his throat and shoulders, rug burn on his chest, elbows, and knees, sore spots from Ty’s fingers digging in, and best of all, Ty’s cum sliding down his leg. He felt absolutely mauled. Eyes
Abigail Roux (Ball & Chain (Cut & Run, #8))
They walked in silence through the little streets of Chinatown. Women from all over the world smiled at them from open windows, stood on the doorsteps inviting them in. Some of the rooms were exposed to the street. Only a curtain concealed the beds. One could see couples embracing. There were Syrian women wearing their native costume, Arabian women with jewelry covering their half-naked bodies, Japanese and Chinese women beckoning slyly, big African women squatting in circles, chatting together. One house was filled with French whores wearing short pink chemises and knitting and sewing as if they were at home. They always hailed the passers-by with promises of specialities. The houses were small, dimly lit, dusty, foggy with smoke, filled with dusky voices, the murmurs of drunkards, of lovemaking. The Chinese adorned the setting and made it more confused with screens and curtains, lanterns, burning incense, Buddhas of gold. It was a maze of jewels, paper flowers, silk hangings, and rugs, with women as varied as the designs and colors, inviting men who passed by to sleep with them.
Anaïs Nin (Delta of Venus)
Nick and the Candlestick I am a miner. The light burns blue. Waxy stalactites Drip and thicken, tears The earthen womb Exudes from its dead boredom. Black bat airs Wrap me, raggy shawls, Cold homicides. They weld to me like plums. Old cave of calcium Icicles, old echoer. Even the newts are white, Those holy Joes. And the fish, the fish ---- Christ! they are panes of ice, A vice of knives, A piranha Religion, drinking Its first communion out of my live toes. The candle Gulps and recovers its small altitude, Its yellows hearten. O love, how did you get here? O embryo Remembering, even in sleep, Your crossed position. The blood blooms clean In you, ruby. The pain You wake to is not yours. Love, love, I have hung our cave with roses, With soft rugs ---- The last of Victoriana. Let the stars Plummet to their dark address, Let the mercuric Atoms that cripple drip Into the terrible well, You are the one Solid the spaces lean on, envious. You are the baby in the barn.
Sylvia Plath (Ariel)
There are things that can break you, he’d said. I almost laughed. He had no idea the thing that had broken me most completely was my belief that Barrons was dead. One look at Lor’s eyes and I decided I would wait until Barrons was back before pressing any issues with him. “You think Barrons has a weakness for me,” I said. “That’s what worries you.” “It is forbidden.” “He despises me. He thinks I slept with Darroc, remember?” “He cares that you slept with Darroc.” “He cared that I burned his rug, too. He gets a little pissy about those things he likes to think of as his property.” “You two drive me bug-fuck.
Karen Marie Moning (Shadowfever (Fever, #5))
When I was young I was called a rugged individualist. When I was in my fifties I was considered eccentric. Here I am doing and saying the same things I did then and I'm labeled senile.
George Burns
knees and your shirt caught in your zipper.” “I don’t remember that part,” Dickie said. “Did I used to do that?” “Yes.” Dickie started laughing. “I wasn’t making a lot of money back then. I couldn’t afford a hotel room.” “It’s not funny!” I said. “Sure it is. Grass stains and rug burns are always funny.” He looked over at Morelli. “She didn’t like to do doggy.” Morelli slid a look at me and smiled. There wasn’t much I didn’t like
Janet Evanovich (Lean Mean Thirteen (Stephanie Plum, #13))
One night, we workers formed a circle around the tallow candle as it burned, allowing each other to bond by holding hands. It felt strange to connect with fellow people from Mira again. We have all become estranged from each other as we slave away for the woman leader. In our circle, we closed our eyes and prayed. I pictured the streets of Mira, adorned with the rugged rawness of our original footprints. We once stepped together or passed each other by, busy but comfortable with our work in various trades. Now we are anonymous, our identities stripped away from us.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
She straightened up the trailer, ran the vacuum cleaner over the braided rug, spread a clean tablecloth and put fresh shelf paper in the kitchen cupboards. That was a little job. In the old days she would have stuffed the dirty paper in the stove and burned it. The electric stove was clean but it couldn’t dry socks, burn paper, raise bread or provide comfort. Cost money to run it. They called it progress.
Annie Proulx (Postcards)
She straightened up the trailer, ran the vacuum cleaner over the braided rug, spread a clean tablecloth and put fresh shelf paper in the kitchen cupboards. That was a little job. In the old days she would have stuffed the dirty paper in the stove and burned it. The electric stove was clean but it couldn’t dry socks, burn paper, raise bread or provide comfort. Cost money to run it. They called it progress. By nine there was nothing
Annie Proulx (Postcards)
No one ever understood what got into us that year, or why we hated so intensely the crust of dead bugs over our lives. Suddenly, however, we couldn't bear the fish flies carpeting our swimming pools, filling our mailboxes, blotting out stars on our flags. The collective action of digging the trench led to cooperative sweeping, bag-carting, patio-hosing. A score of brooms kept time in all directions as the pale ghosts of fish flies dropped from walls like ash. We examined their tiny wizards' faces, rubbing them between our fingers until they gave off the scent of carp. We tried to light them but they wouldn't burn (which made the fish flies seem deader than anything). We hit bushes, beat rugs, turned on windshield wipers full blast. Fish flies clogged sewer grates so that we had to stuff them down with sticks. Crouching over sewers, we could hear the river under the city flowing away. We dropped rocks and listened for the splash
Jeffrey Eugenides (The Virgin Suicides)
Body parts really don’t like to be cut, stabbed or hacked into sections, and they express their anger by leaking all over the fuck. Jesus, we’re, like, seventy percent water or something? And you learn that’s so fucking true when you go to a fresh scene. Pools of it. Drips of it. Speckles of it. Then you got the stained clothes, rugs, bedsheets, walls, flooring—or if it’s outside, the ground cover, the concrete, the asphalt. And then there’s the smell. Blood, sweat, urine, other shit. That juicy bouquet will get in your sinuses and stay there for hours afterward.” He shook his head again. “The older cases . . . the smell is worse than the mess. Water deaths, with the bloating, are just ugly—and if that gas that’s built up gets out? The stench will knock you on your ass. And I don’t know, I wasn’t too crazy for the burn deaths either. I mean, you’d think we’d realize we’re not different than any other mammal—cooked meat is cooked meat, period. But I’ve never seen a grown man puke up his coffee and donuts over a medium rare T-bone.
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
But the fire dodges him and races up into the house. From there it sweeps across an Oriental rug, marches out to the back porch, leaps nimbly up onto a laundry line, and tightrope-walks across to the house behind. It climbs in the window and pauses, as if shocked by its good fortune: because everything in this house is just made to burn, too— the damask sofa with its long fringe, the mahogany end tables and chintz lampshades. The heat pulls down wallpaper in sheets; and this is happening not only in this apartment but in ten or fifteen others, then twenty or twentyfive, each house setting fire to its neighbor until entire blocks are burning. The smell of things burning that aren’t meant to burn wafts across the city: shoe polish, rat poison, toothpaste, piano strings, hernia trusses, baby cribs, Indian clubs. And hair and skin. By this time, hair and skin. On the quay, Lefty and Desdemona stand up along with everyone else, with people too stunned to react, or still half asleep, or sick with typhus and cholera, or exhausted beyond caring.
Jeffrey Eugenides (Middlesex)
1150 AD, the north of England Melina avoided the eyes of her bodyguard. It was something she was becoming adept at, since her father had brought him into the household and given him the task of keeping watch over her all day, every day, and sleeping across the threshold to her chamber every night. But it was no use. Even with her head turned she could feel his dark eyes upon her. Deep dark pools that drew her into their depths, making her skin burn and her heart flutter. The one and only time she’d made the mistake of gazing into those eyes she’d paid the price, losing her wits entirely for several heartbeats. The man was handsome in a rugged way, his body hard and strong like a warrior’s should be, but it was more than that. There was something . . . Was it the look of him, the scent of him, the taste of him? Not that she’d touched his skin with her tongue yet, but she’d thought about it. At night, in her chamber, in her luxurious bed with its furs and curtains, all alone with him outside her door. Oh yes, Melina had the makings of a sensual woman and that was the trouble.
Evie North (A Knight of Temptation (Knights of Passion, #1))
Carter stretched his arm out and relaxed into the softness of his own bed a moment before a scream three inches from his ear frightened him out of a few years of his life. He was up, fumbling for matches as the scream came again, echoing off the walls. It didn’t occur to him that he was totally nude until after the match flickered to light. Bailee stared at him with huge frightened eyes, and he stared back until the match burned his finger. They were in blackness once more. Silence. He listened. She didn’t even breathe. “I’m sorry,” he finally managed to stammer as he reached for his clothes only to find them gone from the peg where they were kept. He stumbled over what might be a rug where no rug had ever been before and opened the top drawer of his dresser. Lace and silk greeted his touch, not cotton as he’d expected. He pulled open the second drawer. The same. At the third drawer he decided he must have somehow crossed through the wrong passage. This wasn’t his home. Nothing was in the right place. Trousers flew from nowhere and slapped him across the face. ”Thank you,” he mumbled as he untangled them from around his neck. “You’re welcome,” came a whisper from the blackness.
Jodi Thomas (The Texan's Wager (Wife Lottery, #1))
Lying on my stomach on the flat warm rock, I let my arm hang over the side, and my hand caressed the rounded contours of the sun-hot stone, and felt the smooth undulations of it. Such a heat the rock had, such a rugged and comfortable warmth, that I felt it could be a human body. Burning through the material of my bathing suit, the great heat radiated through my body, and my breasts ached against the hard flat stone. A wind, salty and moist, blew damply in my hair; through a great glinting mass of it I could see the blue twinkle of the ocean. The sun seeped into every pore, satiating every querulous fiber of me into a great glowing golden peace. Stretching out on the rock, body taut, then relaxed, on the altar, I felt that I was being raped deliciously by the sun, filled full of heat from the impersonal and colossal god of nature. Warm and perverse was the body of my love under me, and the feeling of his carved flesh was like no other - not soft, not malleable, not wet with sweat, but dry, hard, smooth, clean and pure. High, bonewhite, I had been washed by the sea, cleansed, baptised, purified, and dried clean and crisp by the sun. Like seaweed, brittle, sharp, strong-smelling - like stone, rounded, curved, oval, clean - like wind, pungent, salty - like all these was the body of my love. An orgiastic sacrifice on the altar of rock and sun, and I arose shining from the centuries of love, clean and satiated from the consuming fire of his casual and timeless desire
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Like drops of water that fall on the rocks of the jungle, the silence is full of tenderness. Whisper softly my poetry unraveling your admiration. In the name of night. Everything I see is simplicity in your beautiful body Like an incandescent light that dispels the darkness Then it bounced on the rose petals in the dim moonlight. Blushing reconciles the anxiety of the soul Comforting a sore heart Your beauty is a flower that unites to dazzle the majesty of the universe. Ahhh love... Your beauty is like a waterfall from the height of a cliff that is so sensual, showing the magic of a perfect panorama. How seductive and alluring is your soft skin..... As gentle as the twilight wind blew the dandelions scattered under the night sky. As soft as a lump of cotton that lay white on the heart rug. As gentle as the caress of the night breeze, flaking your shiny black hair. Ahhh. Let my breath rest for a moment Here, Between two seas of wine flowing red I find on your lips. How beautiful is love When the stalks of a kiss fall lying down Tickling spoiled and whispering intimately about the love that is heaven behind your ear with a warm whisper blowing slowly And Slowly... caressing your face in a long soft moan Lull a thousand touches and then cast your body into a pleasure that you have not found. In the name of my chest. Let our restless tantrums grapple in the flames of burning love. Until our passion quells the passion, Wet and subside. ️
J.S. Dirga (Saga Moon Poem)
Well, Jane Eyre, and are you a good child?” Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, “Perhaps the less said on that subject the better, Mr. Brocklehurst.” “Sorry indeed to hear it! she and I must have some talk;” and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed’s. “Come here,” he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! “No sight so sad as that of a naughty child,” he began, “especially a naughty little girl. Do you know where the wicked go after death?” “They go to hell,” was my ready and orthodox answer. “And what is hell? Can you tell me that?” “A pit full of fire.” “And should you like to fall into that pit, and to be burning there for ever?” “No, sir.” “What must you do to avoid it?” I deliberated a moment; my answer, when it did come, was objectionable: “I must keep in good health, and not die.” “How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,—a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence.” Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. “I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Who that cares much to know the history of man, and how that mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with distinctively human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresa’s passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel, and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order. That Spanish woman who lived three hundred years ago, was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far-resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill-matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion. With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later-born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul. Their ardour alternated between a vague ideal and the common yearning of womanhood; so that the one was disapproved as extravagance, and the other condemned as a lapse.
George Eliot (George Eliot: The Complete Works)
unless we’re missing our guess, your life and the gospel probably haven’t always felt in sync on a lot of days, in most of the years since. After the emotional scene with the trembling chin and the wadded-up Kleenexes, where you truly felt the weight of your own sin and the Spirit’s conviction, you’ve had a hard time consistently enjoying and experiencing what God’s supposedly done to remedy this self-defeating situation. Even on those repeat occasions when you’ve crashed and burned and resolved to do better, you’ve typically only been able, for a little while, to sit on your hands, trying to stay in control of yourself by rugged determination and brute sacrifice (which you sure hope God is noticing and adding to your score). But you’ll admit, it’s not exactly a feeling of freedom and victory. And anytime the wheels come off again, as they often do, it just feels like the same old condemnation as before. Devastating that you can’t crack the code on this thing, huh? You were pretty sure that being a Christian was supposed to change you—and it has. Some. But man, there’s still so much more that needs changing. Drastic things. Daily things. Changes in your habits, your routines, in your choices and decisions, changes to the stuff you just never stop hating about yourself, changes in what you do and don’t do . . . and don’t ever want to do again! Changes in how you think, how you cope, how you ride out the guilt and shame when you’ve blown it again. How you shoot down those old trigger responses—the ones you can’t seem to keep from reacting badly to, even after you keep telling yourself to be extra careful, knowing how predictably they set you off. Changes in your closest relationships, changes in your work habits, changes that have just never happened for you before, the kind of changes that—if you can ever get it together—might finally start piling up, you think, rolling forward, fueling some fresh momentum for you, keeping you moving in the right direction. But then—stop us if you’ve heard this one before . . . You barely if ever change. And come on, shouldn’t you be more transformed by now? This is around the point where, when what you’ve always thought or expected of God is no longer squaring with what you’re feeling, that you start creating your own cover versions of the gospel, piecing together things you’ve heard and believed and experimented with—some from the past, some from the present. You lay down new tracks with a gospel feel but, sadly, not always a lot of gospel truth.
Matt Chandler (Recovering Redemption: A Gospel Saturated Perspective on How to Change)
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Kiril glanced around the darkened room. He walked to a leather chair and sat, stretching his legs out in front of him and crossing his ankles. “Did you know that during the Fae Wars the Dark took two Dragon Kings? At different times, of course.” “I suppose they escaped as well? Are you telling me we don’t know how to hold a Dragon King?” “The Dark did . . . things to my brethren. One completely lost his mind and attacked us, which is what the Dark wanted. He had to be killed. The other King knew what was happening to him, but he couldna stop it. He came to us and begged to be killed before he could harm one of us.” Shara sipped her whisky before she said, “You lost two Kings and I lost seven siblings.” “And the Light the Dark took?” “The Dark take the Light and the Light take the Dark.” Kiril let his gaze drift down her body. How he itched to have her long legs wrapped around him. Things would be so much easier if he didn’t desire her as he did, but there wasn’t a switch he could flip and turn off his body’s reaction. The more he tried to ignore the growing desire, the more it raged uncontrollably within him. He gave himself a mental shake and returned to their conversation. “What’s the plan, then? Will the Dark storm in here and try to capture me?” Shara walked around the room, her hand skimming along the backs of the chairs. “No.” “No?” Kiril set aside his glass on the table next to him and silently rose to his feet. He followed her as if a string tied them together. “What then?” “You don’t really want to know.” Kiril spun her around so hard that her glass flew from her hand and landed upon a rug, spilling the whisky but not breaking the crystal. “Tell me,” he demanded in a soft, deadly voice. “My job is to seduce you.” She held her stance for a heartbeat before she retreated, taking two steps back. He tracked her until she was once more in the entryway. The shadows darkened everything, and yet the smallest sliver of moonlight found her, illuminating her in a pale blue glow. No longer could he deny what he wanted. Perhaps it was her confession. Maybe it was because he hadn’t taken to the skies in weeks. Whatever it was, all he knew was that he had to have her or go up in flames. “Then seduce me.
Donna Grant (Burning Desire (Dark Kings, #3))
There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.
Carole Matthews (The Chocolate Lovers' Club)
Prophet’s legs opened wider, pushing against the barrier of Tom’s legs. “Yeah, that’s right . . . let me in,” Tom urged, and Prophet wanted to tell him to fuck off, but he couldn’t. Not when Tom entered him with a finger. A few twists to open him, coupled with several swipes of his prostate, and Prophet was pushing his hips up to meet Tom’s motions. “Good. That’s what I want to see.” “Fuck your good,” Prophet growled, but his voice was too raw and gave away exactly what he was feeling. Tom added another finger, turned them until Prophet groaned his surrender. The sensation of Tom’s fingertips brushing his gland made him shudder. He kept his hands above his head, didn’t try to break Tom’s grip. He’d have rug burn on his ass by the end of this, and he didn’t care. Tom was here. Home. Safe. Now, so was he. “Go
S.E. Jakes (Daylight Again (Hell or High Water, #3))
PRECIOUS” The Hebrew word for “precious” means to carry weight, to be scarce or esteemed. When something is precious, one places more value on it than on other things, making it “weighty.” When “precious” appears in other Old Testament passages, it’s surrounded by danger, notions of redemption, the human soul, and the eyes of the beholder (1 Sam. 26:21; 2 Kings 1:13–14; Ps. 49:8 KJV; 72:14). The precious soul must be saved before it’s too late. When the word precious is called upon, it’s usually because something is at stake. What is at stake? According to Søren Kierkegaard, despair.3 When humans are overwhelmed by their finitude and blemishes, they lose sense of their God-given greatness. We need to be reminded, lest we forget. After all, we were created in God’s image; isn’t that enough? Why do we weep over our appearance, struggle with acceptance, and burn with envy toward others? We were created in God’s image! There’s nothing nobler, more beautiful, or more stunning than that. Yet we treat our souls as if they were garbage. We desperately need to be reminded of the weight that our souls carry before it’s too late. I was waiting in line behind a man and his son at a café. The man was middle-aged and fairly rugged. His teenage son had Down syndrome, but his eyes were bright and he wore excitement on his face. Dad was getting him hot chocolate with whipped cream. As the two were waiting for the barista to hand them their drinks, the dad reached out his arm and placed his hand on the back of his son’s hair. He gently folded his fingers into his son’s hair and said, “Hey, beautiful.” Both puzzled and innocent, the son answered simply, “What?” Staring deeply into his son’s face, the dad said, “I love you.” This father saw the weight of his son’s preciousness. In the world’s eyes, this boy would never be a great athlete or a top student. He would never attain the world’s standard of beauty. He’d probably live at home for longer than usual, depending on the care of his parents. He was most likely demanding and had surely required more of his parents as a baby. He probably had more than a few idiosyncrasies that tested his family’s nerves. He was probably messy.4 But his dad loved him. His dad didn’t label him as a burden, but as beautiful. His dad loved him just the way he was—I could see that plainly. Our souls are sick from head to toe, yet our Father finds a way to love us anyway. Picture God raising his hand to your head and sifting your hair between his fingers. He looks into your eyes—knowing full well what you are—and says, “Hey, beautiful. I love you.” That’s enough to melt my heart in joy. There are no conditions to meet in order to earn God’s love. He is in love with you just as you are. “You carry a lot of worth in my eyes, you are heavy-laden with beauty, and I love you.
Samuel Kee (Soul Tattoo: A Life and Spirit Bearing the Marks of God)
Perhaps her abruptness was merely part of her personality, for she had the appearance of the worst kind of bureaucrat, the aspiring one, from blunt, square haircut to blunt, clean fingernails to blunt, efficient pumps. But perhaps it was me, still morally disoriented from the crapulent major’s death, as well as the apparition of his severed head at the wedding banquet. The emotional residue of that night was like a drop of arsenic falling into the still waters of my soul, nothing having changed from the taste of it but everything now tainted. So perhaps that was why when I crossed over the threshold into the marble foyer, I instantly suspected that the cause of her behavior was my race. What she saw when she looked at me must have been my yellowness, my slightly smaller eyes, and the shadow cast by the ill fame of the Oriental’s genitals, those supposedly minuscule privates disparaged on many a public restroom wall by semiliterates. I might have been just half an Asian, but in America it was all or nothing when it came to race. You were either white or you weren’t. Funnily enough, I had never felt inferior because of my race during my foreign student days. I was foreign by definition and therefore was treated as a guest. But now, even though I was a card-carrying American with a driver’s license, Social Security card, and resident alien permit, Violet still considered me as foreign, and this misrecognition punctured the smooth skin of my self-confidence. Was I just being paranoid, that all-American characteristic? Maybe Violet was stricken with colorblindness, the willful inability to distinguish between white and any other color, the only infirmity Americans wished for themselves. But as she advanced along the polished bamboo floors, steering clear of the dusky maid vacuuming a Turkish rug, I just knew it could not be so. The flawlessness of my English did not matter. Even if she could hear me, she still saw right through me, or perhaps saw someone else instead of me, her retinas burned with the images of all the castrati dreamed up by Hollywood to steal the place of real Asian men. Here I speak of those cartoons named Fu Manchu, Charlie Chan, Number One Son, Hop Sing—Hop Sing!—and the bucktoothed, bespectacled Jap not so much played as mocked by Mickey Rooney in Breakfast at Tiffany’s. The performance was so insulting it even deflated my fetish for Audrey Hepburn, understanding as I did her implicit endorsement of such loathsomeness.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
If teenagers had to fuck to a soundtrack of needy infants, that condom would be on so fast the cock would have rug burn. “I’m pretty
Holly Brown (This Is Not Over)
The first of these occupations Kate Chester loved. Give her a book, and she could be happy still. It was one of the few pleasures that remained to her quite intact, quite unmarred by all that had come and gone. Allow her to sit on the rug, and burn her face; allow her to bury herself in some essay, some life, some account of how better men and women than she had comported themselves, had borne sorrow, had borne joy, and done great things, and thought them little, and how, at last, they had departed this life, as she should have to depart it soon or late; and she seemed once more to be the free-hearted, joyous Kate Chester of two years ago, to whom life was a continual feast. These books did her ever so much good; they took her out of herself, took away, quite, for the time, her morbid self-pity and continued introvision, substituted for them wider sympathies, broader fields of compassion; effaced for a while her own narrow circle of interests, replaced them with higher, nobler interests—interests
Rhoda Broughton (Not Wisely, but Too Well [annotated])
What is life? The journey of a crippled and sick man walking with a heavy load on his back up steep mountains and through wild, rugged, arduous places, in snow, ice, rain, wind, burning sun, for many days without ever resting night and day to end at a precipice or ditch, in which inevitably he falls.
Giacomo Leopardi (Zibaldone)
Doesn’t matter how hard I fuck you, baby. I still hate your guts.” My chest tightens, and my eyes burn. Again. Shit. Why the hell am I having such an emotional response? I don’t want to care about what he says. It would appear to be his own special brand of brutality. He makes me obsessed with him and then this . He tears the rug out from under me.
S.Massey
Rickman heard the plaintive note in Foster’s voice, and they exchanged a quick, amused glance. Foster misunderstood. ‘Him?’ he exclaimed. ‘The rugged Roman profile was all very well in Gladiator, but we’re in the twenty-first century now, love.’ ‘Funny,’ she shot back, ‘I keep getting a whiff of caveman. Just so you know — the
Margaret Murphy (See Her Burn (Detective Jeff Rickman #1))
And by his side rode loathsome Gluttony, Deformed creature, on a filthie swyne, His belly was vp-blowne with luxury, And eke with fatnesse swollen were his eyne, And like a Crane his necke was long and fyne, With which he swallowd vp excessiue feast; For want whereof poore people oft did pyne; And all the way, most like a brutish beast, He spued vp his gorge, that all did him deteast. In greene vine leaues he was right fitly clad; For other clothes he could not weare for heat, And on his head an yuie girland had, From vnder which fast trickled downe the sweat: Still as he rode, he somewhat still did eat, And in his hand did beare a bouzing can, “Of which he supt so oft, that on his seat His dronken corse he scarse vpholden can, In shape and life more like a monster, then a man. Vnfit he was for any worldly thing, And eke vnhable once to stirre or go, Not meet to be of counsell to a king, Whose mind in meat and drinke was drowned so, That from his friend he seldome knew his fo: Full of diseases was his carcas blew, And a dry dropsie through his flesh did flow And next to him rode lustfull Lechery, Vpon a bearded Goat, whose rugged haire, And whally eyes (the signe of gelosy,) Was like the person selfe, whom he did beare: Who rough, and blacke, and filthy did appeare, Vnseemely man to please faire Ladies eye; Yet he of Ladies oft was loued deare, When fairer faces were bid standen by: O who does know the bent of womens fantasy? In a greene gowne he clothed was full faire, Which vnderneath did hide his filthinesse, And in his hand a burning hart he bare, Full of vaine follies, and new fanglenesse: For he was false, and fraught with ficklenesse, And learned had to loue with secret lookes, And well could daunce, and sing with ruefulnesse, And fortunes tell, and read in louing bookes, And thousand other wayes, to bait his fleshly hookes. And greedy Auarice by him did ride, Vpon a Camell loaden all with gold; Two iron coffers hong on either side, With precious mettall full, as they might hold, And in his lap an heape of coine he told; For of his wicked pelfe his God he made, And vnto hell him selfe for money sold; Accursed vsurie was all his trade, And right and wrong ylike in equall ballaunce waide. His life was nigh vnto deaths doore yplast, And tired-bare cote, and cobled shoes he ware, Ne scarse good morsell all his life did tast, But both from backe and belly still did spare, To fill his bags, and richesse to compare; Yet chylde ne kinsman liuing had he none To leaue them to; but thorough daily care To get, and nightly feare to lose his owne, He led a wretched life vnto himselfe vnknowne. And next to him malicious Enuie rode, Vpon a rauenous wolfe, and still did chaw Betweene his cankred teeth a venemous tode, That all the poison ran about his chaw; But inwardly he chawed his owne maw At neighbours wealth, that made him euer sad For death it was, when any good he saw, And wept, that cause of weeping none he had But when he heard of harme, he wexed wondrous glad. And him beside rides fierce reuenging Wrath, Vpon a Lion, loth for to be led; And in his hand a burning brond he hath, The which he brandisheth about his hed; His eyes did hurle forth sparkles fiery red, And stared sterne on all, that him beheld, As ashes pale of hew and seeming ded; And on his dagger still his hand he held, Trembling through hasty rage, when choler in him sweld.
Edmund Spenser (The Faerie Queene)
Hjordis’s house in Oslo is filled in the afternoons with sunlight. In the evenings and during winter she burns a score of candles to soften and lift the dark that flattens even the best artificial light. Her living room feels alive; it seems to dance. By contrast, the Carpenters’ front room, with its thick brown curtains, umber wool rug, and heavy furniture, felt stiff and formal, but Hjordis would have understood immediately the ritual aspects of the gathering; to the right of the fireplace, Jud sat in a wingbacked chair turned slightly to face the upholstered sofa, where I sat in a carefully nonconfrontational pose, briefcase tucked out of sight. Adeline’s chair faced Jud’s across the fire, turned to give him all her support.
Nicola Griffith (Stay (Aud Torvingen #2))
Her skin was hot now, though all that remained on her body was the long, white shirt and her thick wool stockings. He stripped her of the latter, one by one, then bent his head and pressed a worshipful kiss to her bare knee. He stayed like that for a long moment, his head bowed before her, his lips against her skin. She petted his head, hesitantly at first, running her palm over his snow-dampened hair, as black as the night. Then, gently, she molded her fingers against his roughened cheek and rugged jaw. He lifted his head and gazed at her with a passionate near adoration that took her breath away. Without warning, she sat up and lifted the shirt off over her head, offering herself to him in virginal, tongue-tied silence. Surely he knew she'd have done this for free. Just like she knew he'd have protected her, expecting nothing in return. He breathed her name, heartily accepting her gift of herself. He rose to claim her lips once more, enfolding her in his arms. She gloried in his mouth on hers and the smooth warmth of his hands caressing her bare back, her arms, her sides. She returned his kisses in wild, reckless abandon, burning for him now, touching him everywhere, relishing the sleek iron hardness of his broad shoulders, massive arms.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
We passed stacks of books and parchments, the shelves either built into the stone itself or made of dark, solid wood. Hallways lined with both vanished into the mountain itself, and every few minutes, a little reading area popped up, full of tidy tables, low-burning glass lamps, and deep-cushioned chairs and couches. Ancient woven rugs adorned the floors beneath them, usually set before fireplaces that had been carved into the rock and kept well away from any shelves, their grates fine-meshed enough to retain any wandering embers. Cosy, despite the size of the space; warm, despite the unknown terror lurking below.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
God takes everyone he loves through a desert. It is his cure for our wandering hearts, restlessly searching for a new Eden. Here’s how it works. The first thing that happens is we slowly give up the fight. Our wills are broken by the reality of our circumstances. The things that brought us life gradually die. Our idols die for lack of food. That is what happened to Emily in Guatemala. That is what happened to Jill with Kim. The still, dry air of the desert brings the sense of helplessness that is so crucial to the spirit of prayer. You come face-to-face with your inability to live, to have joy, to do anything of lasting worth. Life is crushing you. Suffering burns away the false selves created by cynicism or pride or lust. You stop caring about what people think of you. The desert is God’s best hope for the creation of an authentic self. Desert life sanctifies you. You have no idea you are changing. You simply notice after you’ve been in the desert awhile that you are different. Things that used to be important no longer matter. For instance, before Kim was born, we used to have one of the kids comb the fringes of the living-room rug so it was perfect. Now we are lucky to find a comb for our own hair. After a while you notice your real thirsts. While in the desert David writes, O God, you are my God; earnestly I seek you; my soul thirsts for you; my flesh faints for you, as in a dry and weary land where there is no water. PSALM 63:1 The desert becomes a window to the heart of God. He finally gets your attention because he’s the only game in town. You cry out to God so long and so often that a channel begins to open up between you and God. When driving, you turn off the radio just to be with God. At night you drift in and out of prayer when you are sleeping. Without realizing it, you have learned to pray continuously. The clear, fresh water of God’s presence that you discover in the desert becomes a well inside your own heart. The best gift of the desert is God’s presence. We see this in Psalm 23. In the beginning of the psalm, the Shepherd is in front of me—“he leads me beside still waters” (verse 2); at the end he is behind me—“goodness and faithful love will pursue me” (verse 6, HCSB); but in the middle, as I go through “the valley of the shadow of death,” he is next to me—“I will fear no evil, for you are with me” (verse 4). The protective love of the Shepherd gives me the courage to face the interior journey. YOU CRY OUT TO GOD SO LONG AND SO OFTEN THAT A CHANNEL BEGINS TO OPEN UP BETWEEN YOU AND GOD.
Paul E. Miller (A Praying Life: Connecting with God in a Distracting World)
Yo mama is so hairy… you almost died of rug burn at birth!
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)
Red Sister "We’re Giljohn’s children. The thought rolled across the smoothness of her mind as the Ancestor’s song grew louder. Sisters of the cage." Hessa had not feared dying. But Nona feared living without her. “The truth is a weapon and lies are a necessary shield.” "All the world and more has rushed eternity’s length to reach this beat of your heart, screaming down the years. And if you let it, the universe, without drawing breath, will press itself through this fractured second and race to the next, on into a new eternity. Everything that is, the echoes of everything that ever was, the roots of all that will ever be, must pass through this moment that you own. Your only task is to give it pause—to make it notice." "His older two were long grown, and little Sali would always be five." "It’s harder to forgive someone else your own sins than those uniquely theirs." “Those that burn short burn bright. The shortest lives can cast the longest shadows.” "The new picture didn’t erase the old—the bump was still a hole, but now it was a bump as well; the old lady was still a young one, but now she was old too. Clera was still her friend, and now an enemy also." “People always want to know things . . . until they hear them, and then it’s too late. Knowledge is a rug of a certain size, and the world is larger. It’s not what remains uncovered at the edges that should worry you, rather what is swept beneath.” Kettle sat with her head back against the bark, her face white as death, a tear running from the corner of her eye. “I can always reach her. A thousand miles wouldn’t matter.” She raised an arm, unsteady, and beneath it a shadow blacker than the night stretched out, reaching for infinity, as if the sun had fallen behind her. “It’s done. She knows I need her. She knows the direction.” “You swear it?” “I swear it.” “By the Ancestor?” “By the Ancestor.” The faintest echo of that grin. “And by the Hope, and the Missing Gods who echo in the tunnels, and by the gods too small for names who dance in buttercups and fall with the rain. Now go. For the love of all that’s holy, go. You wear me out, Nona. And I’ve got to concentrate on being alive. It would break her heart to get here and find me dead.” She drew a shallow breath. “They’re both in that direction. If you take it until you find some sort of trail there’s a good chance you’ll find Ara and the others on it. Try to travel with Ara and Zole. Tarkax may be able to protect you if the Noi-Guin track you from here.” Another shallow breath, snatched in over her pain. “Go! Now!” Nona came forward. She set her canteen in Kettle’s lap and kissed her icy forehead. Then she ran.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
Burns from dropped matches, Ms. Lane? Matches one might have dropped while flirting with a pernicious Fae, Ms. Lane? Have you any idea the value of this rug?
Karen Marie Moning (Bloodfever (Fever, #2))
Nature, when she adds difficulties, adds brains. —Emerson. Exigencies create the necessary ability to meet and conquer them. —Wendell Phillips. Many men owe the grandeur of their lives to their tremendous difficulties. —Spurgeon. The rugged metal of the mine Must burn before its surface shine. —Byron.
Orison Swett Marden (How to Succeed or, Stepping-Stones to Fame and Fortune)
Heard her little New York boyfriend cheated on her.” I look at him and raise my eyebrows. “With his assistant. Walked right in on him with his pants down around his ankles.” I scoff and shake my head as I become nauseous. How anyone could cheat on her is beyond me. “And that he tried chasing her down the hall and fell. Got rug burn on his dick,” I wince. “You’re worse than a teenage girl. Where did you even hear that from?” I say and refill Will’s glass.
Bracyn Daniels (The Second Time Around: A Cedar Hollow Novel Book One)