Ruby Escape Quotes

We've searched our database for all the quotes and captions related to Ruby Escape. Here they are! All 42 of them:

Mommy,” Cliff called. “Mommy, I have to tell you something. Mommy! Grandma is kind of mean.” “I know, sweetheart, don’t worry,” Ruby said.
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
I'm Marcus Finch. Of course I have an escape car.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Are you planning to throw a scavenger at Mother?” Ruby asked. “Because I’m sure she’d appreciate a snack before she kills you.
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
Hey,” she murmured. “There are people in the house.” “There are always people in the house,” I reminded her. “That’s why we escaped up here to the castle tower. Escape plan number . . . hell, I don’t know. I lost count. We haven’t had to come up with some dreamy escape plan in a while.” Sydney trailed her fingers down the side of my face. “That’s because we’re living it, Adrian. This is the only escape plan we need.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
I thought I had escaped the monsters, that I'd left them locked up behind an electric fence. But the shadows were alive, and they had chased me here.
Alexandra Bracken
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
Peril couldn’t hold back her curiosity. She swooped closer as the SkyWing looked down at the thing in his talons, then turned, shuddering, to show it to Ruby and the others. Sunny began to scream as though her heart was being ripped out of her chest. Clay reached to catch her before she fell out of the sky. The SkyWing was holding the severed head of Queen Glory of the RainWings.
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
I started at the beginning, the escape. Fleeing through the forest, meeting a new danger at every turn, the desperation that came with trying to protect everyone when you could barely take care of yourself. The boy with the bottomless dark eyes, the betrayal, the fire, the smoke. And by the time I realized I had told him my own story, Jude was fast asleep, tucked firmly into dreams.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
A Corymbus for Autumn How are the veins of thee, Autumn, laden? Umbered juices, And pulpèd oozes Pappy out of the cherry-bruises, Froth the veins of thee, wild, wild maiden. With hair that musters In globèd clusters, In tumbling clusters, like swarthy grapes, Round thy brow and thine ears o'ershaden; With the burning darkness of eyes like pansies, Like velvet pansies Where through escapes The splendid might of thy conflagrate fancies; With robe gold-tawny not hiding the shapes Of the feet whereunto it falleth down, Thy naked feet unsandalled; With robe gold-tawny that does not veil Feet where the red Is meshed in the brown, Like a rubied sun in a Venice-sail.
Francis Thompson (Poems of Francis Thompson.)
The carnivals gave me my names, Edward. Sometimes I was the Blue Man of the North Pole, or the Blue Man of Algeria, or the Blue Man of New Zealand. I had never been to any of these places, of course, but it was pleasant to be considered exotic, if only on a painted sign. The 'show' was simple. I would sit on the stage, half undressed, as people walked past and the barker told them how pathetic I was. For this, I was able to put a few coins in my pocket. The manager once called me the 'best freak' in his stable, and, sad as it sounds, I took pride in that. When you are an outcast, even a tossed stone can be cherished. One winter, I came to this pier. Ruby Pier. They were starting a sideshow called the Curious Citizens. I liked the idea of being in one place, escaping the bumpy horse carts of carnival life. This became my home. I lived in a room above a sausage shop. I played cards at night with the other sideshow walkers, with the tinsmiths, sometimes even with your father. In the early mornings, if I wore long shirts and draped my head in a towel, I could walk along the beach without scaring people. It may not sound like much, but for me, it was a freedom I had rarely know.' He stopped. He looked at Eddie. Do you understand? Why we're here? This is not your heaven. It's mine.
Mitch Albom (The Five People You Meet in Heaven)
The Mozart sonata Dad picked out begins to play. When we hear the first note, we open the sacks and the ladybugs escape through the opening, taking flight. It's as if someone has dumped rubies from heaven. Soon they will land on the plants in search of bollworm eggs. But right now they are magic-red ribbons flying over our heads, weaving against the pink sky, dancing up there with Mozart.
Kimberly Willis Holt (When Zachary Beaver Came to Town)
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
Angela Carter (Burning Your Boats: The Collected Short Stories)
You’re the smartest girl I know. You can’t help knowing everything and being constantly brilliant—and I wouldn’t have it any other way.” I kissed her lips again, but after several moments, she pulled back slightly. “Hey,” she murmured. “There are people in the house.” “There are always people in the house,” I reminded her. “That’s why we escaped up here to the castle tower. Escape plan number . . . hell, I don’t know. I lost count. We haven’t had to come up with some dreamy escape plan in a while.” Sydney trailed her fingers down the side of my face. “That’s because we’re living it, Adrian. This is the only escape plan we need.” “Are you sure?” I asked, propping myself up on one elbow. I tried to put on a thoughtful, speculative expression. “Because there are things that could be tweaked. Like a bigger house. Or maybe—” “Adrian,” she interrupted. “Didn’t you just say I’m brilliant and know everything? Then trust me on this.” “Always,” I said, letting her pull me back down to her. “Always.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
is the only escape plan we need.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Oh, it's you," Sebastian said in a tone of mild surprise, seeming to ponder how he had ended up kneeling on a bathroom rug with his wife in his arms. "I was prepared to debauch a resisting servant girl, but you're a more difficult case." "You can debauch me," Evie offered cheerfully. Her husband smiled, his glowing gaze moving gently over her face. He smoothed back a few escaping curls that had lightened from ruby to soft apricot. "My love, I've tried for thirty years. But despite my dedicated efforts..." A sweetly erotic kiss grazed her lips. "...you still have the innocent eyes of that shy wallflower I eloped with. Can't you try to look at least a little bit jaded? Disillusioned?" He laughed quietly at her efforts and kissed her again, this time with a teasing, sensuous pressure that caused her pulse to quicken.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Something her father always used to say popped into her head. God hates a coward, Ruby. She tossed her hair over her shoulder and met his stare head-on. “Since you bought me an alcoholic beverage and I’m planning on kissing you, then yes. I’d say this qualifies as a date.” His gaze dropped to her mouth, and she couldn’t stop herself from biting her bottom lip. If the music wasn’t so loud, she knew she would have heard him groan. “Sorry. I can’t kiss you.” Heat suffusing her face, Ruby pushed her chair back and stood. “No kissing, no fun, no gambling. I’m starting to forget why I found you interesting.” Before she could blink, he moved to stand behind her. On either side of her, he laid his hands on the table, effectively blocking her escape. When he spoke, she felt his every word against her neck. “I just watched you bend over a pool table in those ridiculously tight jeans. Over. And over. You think I could stop at kissing?
Tessa Bailey (His Risk to Take (Line of Duty, #2))
Why aren’t you scared of me?” she asked. “I am,” he said. “I just … you’re not the only dragon I know with dangerous powers.” “Really?” she said. What did that mean? Who was he talking about? But before he could answer, a roar billowed down through the corridors, like a rolling smoke cloud. Turtle flared his wings, his green eyes wide. “What was that?” “Probably Queen Ruby,” Peril said. Was Ruby yelling at Clay? Was Clay all right? Did he need her to come protect him? She glanced back at the row of fire globes leading uphill to the school. “Maybe they just told her that I’m here.” “Want to go find out?” Turtle asked. Peril frowned at him. “So I can get roared at face-to-face? That does sound more fun.” “I don’t mean go say hi,” Turtle protested. “I mean, I’m going to eavesdrop to see what’s happening, so do you want to come?
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
I’ll be needing a closer look tomorrow.” “It’s nothing special,” she hedged. “Just an average English village. Hardly worth your time. Cottages, a church, a few shops.” “Surely there’s an inn,” Lord Payne said. “There is a rooming house,” Susanna said, leading them back from the edge of the bluff. “The Queen’s Ruby. But I’m afraid it is completely occupied at this time of year. Summer visitors, you understand, come to enjoy the sea.” And to escape men like you.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
That was your forest. Where you hunted.” He came closer to the painting, gazing at the bleak, empty cold, the white and gray and brown and black. “This was your life,” he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I’d left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing out between them. “Your cottage at night.” I tried to move, to tell him to stop looking at those ones and look at the others I’d laid out, but I couldn’t—couldn’t even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold—my hair. My gut twisted. “The man you used to see—in your village.” He cocked his head again as he studied the picture, and a low growl slipped out. “While you made love.” He stepped back, looking at the row of pictures. “This is the only one with any brightness." Was that … jealousy? “It was the only escape I had.” Truth. I wouldn’t apologize for Isaac. Not when Tamlin had just been in the Great Rite. I didn’t hold that against him—but if he was going to be jealous of Isaac— Tamlin must have realized it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. “You were there when they wrecked your father’s leg.” “Someone had to beg them to stop.” Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I’d slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. “That one. I want that one.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Sleep claimed her eventually. She slept heavily, welcoming the escape. But some time later, while it was still very dark, she found herself struggling upward through layers of dreams. Someone or something was in the room. Her first thought was that it might be Beatrix's ferret, who sometimes slipped past the door to collect objects that intrigued him. Rubbing her eyes, Win began to sit up, when there was a movement beside the bed. A large shadow crossed over her. Before bewilderment could give way to fear, she heard a familiar murmur, and felt a man's warm fingers press across her lips. "It's me." Her lips moved soundlessly against his hand. "Kev." Win's stomach constricted with an ache of pleasure, and her heartbeat hammered in her throat. But she was still angry with him, she was done with him, and if he had come here for a midnight talk, he was sadly mistaken. She started to tell him so, but to her astonishment, she felt a thick piece of cloth descend over her mouth, and then he was tying it deftly behind her head. In a few more seconds, he had bound her wrists in front of her. Win was rigid with shock. Merripen would never do something like this. And yet it was him; she would know him if only by the touch of his hands. What did he want? What was going through his mind? His breath was faster than usual as it brushed against her hair. Now that her vision had adjusted to the darkness, she saw that his face was hard and austere. Merripen drew the ruby ring off her finger and set it off the bedside table. Taking her head in his hands, he stared into her wide eyes. He said only two words. But they explained everything he was doing, and everything he intended to do. "You're mine." He picked her up easily, draping her over one powerful shoulder, and he carried her from the room. Win closed her eyes, yielding, trembling. She pressed a few sobs against the gag covering her mouth, not of unhappiness or fear, but of wild relief. This was not an impulsive act. This was ritual. This was an ancient Romany courtship rite, and there would be nothing half-hearted about it. She was going to be kidnapped and ravished. Finally.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
dinner guests. Lorena Lim and Carol Tai shook Rachel’s hand, while Daisy Foo embraced Nick. (It did not escape Rachel that Daisy was the first person who had hugged him all night.) “Aiyah, Nicky, why have you been hiding your beautiful girlfriend for so long?” Daisy said, greeting Rachel with an effusive hug as well. Before Rachel could respond, she felt someone grabbing her arm. She looked down at the bing-cherry-size ruby ring and long red manicured claws before looking up in shock at a woman with teal-green eye shadow and rouge painted heavier than a drag queen’s. “Rachel, I’m Nadine,” the woman said. “I’ve heard so much about you from my daughter.” “Really? Who’s your daughter?” Rachel asked politely. Just then, she
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
No dragon was safe in the Sky Palace, but the ones in the most danger by far were the daughters of Queen Scarlet. Or was it now daughter, singular? Ruby hadn’t seen her sister, Tourmaline, in three days. Not since the night they went flying together and, high in the starlit sky, glowing in the light of two of the moons, Tourmaline had whispered that she was almost ready. “Don’t be an idiot. You’re only ten, and furthermore, you’ll never be ready,” Ruby had whispered back. “She killed her mother plus all three of her sisters and eleven of ours. There’s no way to defeat her.” “She can’t be queen forever,” Tourmaline said. “She has been queen forever,” Ruby argued. “Twenty-four years is a long time but not that long,” said Tourmaline. “Queen Oasis was queen longer than that, and look what happened to her.” “Are you planning to throw a scavenger at Mother?” Ruby asked. “Because I’m sure she’d appreciate a snack before she kills you.” “It’s always going to be like this,” Tourmaline hissed. She flicked clouds away with her dark orange wings. “Until one of us challenges her and wins. You and I are the only ones left now — the only hope the SkyWings have of a decent queen. Ruby, if I defeat her and become queen, we can get out of this war.” Ruby wasn’t so sure about that. She’d met Burn, and she suspected the SandWing wouldn’t let her allies go that easily. But it didn’t matter — there was no way Tourmaline could win a battle with their mother. “The prophecy will take care of the war,” she argued. “The brightest night is in four days … ” “Right.” Tourmaline rolled her eyes. “I’ll just wait for a bunch of eggs that haven’t even hatched yet to save us. Ruby, I don’t want to wait for things to happen to me. I want to make them happen.” “I don’t want to watch you die,” Ruby growled. Her sister hovered in front of her for a moment. Stars glittered in her eyes, searching Ruby’s. She’s wondering if I want the throne for myself, Ruby thought. She thinks I’m trying to talk her out of it because I’m planning something. Like I’m that stupid. “Well, don’t worry, I won’t do it yet,” Tourmaline promised. “Another few months of training, maybe. I’m feeling really strong, though. I beat Vermilion in a fight the other day. Want to hear about it?” Ruby
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
President Lyndon Johnson was forced to select a commission to investigate the assassination of President Kennedy and the murder of Lee Harvey Oswald by Jack Ruby. Texas authorities were called upon to conduct the original investigation. There were too many suspicious people around the world who believed a conspiracy existed. Those rumors had to be squelched. J. Edgar Hoover’s FBI never budged from its position that Lee Harvey acted alone. Any evidence that didn’t conform to this conclusion was ignored. Twenty-six volumes of witness testimony and exhibits were published, and only 8,000 copies were sold. No more reprints. The contradiction between the conclusions of the Warren Report, and the abundance of discrepancies in the other volumes, makes fascinating reading. Chief Justice Earl Warren, John J. McCloy and Allen Dulles were LBJ’s logical choices. President Kennedy didn’t trust CIA Director Dulles. Now JFK was dead and Dulles would be in charge of all possible “conspiracy” investigations. Richard Nixon, temporarily retired from politics for the first time since 1946, selected Rep. Gerald Ford to sit on this commission. Nixon selected Ford a second time when he ran home to escape impeachment during the Watergate hearings.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
I think you might be cracking my ribs,” Lucetta mumbled into his chest, her words having him release his death grip on her before he took a step—but only a step—away from her. “You have no idea how happy I am to see you” was all he could think to say. Lucetta smiled. “You have no idea how happy I am to see you as well, and”—she nodded to Stanley, Ernie, and Mr. Skukman, who were currently sitting on top of Silas Ruff, while Tilda stood guard at the door they’d blown open, looking rather menacing as she kept a pistol at the ready—“I’m delighted to see you brought some assistance as well.” She nodded toward the blown-apart door. “Assistance proficient in the use of dynamite, if I’m not mistaken.” “That was me,” Ernie said, sending Lucetta a grin. “Not that I use dynamite all that often anymore,” he hurried to assure her. “But my expertise with the substance does come in remarkably handy at the oddest of times.” “Should I ask why Ernie’s an expert with dynamite?” Lucetta asked, turning back to Bram. “I would suggest not,” Bram said. Wrinkling her nose, Lucetta nodded. “You’re probably right, but tell me, how did you find me?” “Using a wide variety of interesting contacts spread throughout the city.” Bram blew out a breath. “Everyone’s been so worried about you.” “I’ve been fine,” Lucetta began, nodding when he quirked a brow her way. “Honestly, I have been. I mean, yes, the men Silas hired to abduct me scared me half to death—especially the man I heard was some sort of tracker—but as soon as they delivered me here, they left and I never saw them again. Truth be told, until today, it’s just been me along with a pack of intimidating women Silas hired to make certain I didn’t escape from this cozy little nest he’s been holding me in.” “Silas left you alone until today?” “Curious as that may seem, yes. He only showed up about an hour ago.” She smiled. “I do believe he had a most romantic dinner planned for the two of us, but matters got off to a rough start when he demanded I play him a piece by Bach, and discovered I . . . Well, let’s just say that, if you’d compared my playing with Ruby’s, your sister would sound downright competent at the keys.” Brushing
Jen Turano (Playing the Part (A Class of Their Own, #3))
Taking a deep breath and whispering a silent prayer for steady hands, she made the incision on his forearm. Not daring to meet his gaze, she retrieved the fresh vial of Anthony’s blood along with a dropper. “That appears to be blood,” Rafe commented, though he sounded more perplexed than disturbed. “It is,” she said agreeably and began dripping the ruby liquid into the incision. Immediately the cut began to knit back together. Rafe placed his good hand on her shoulder, squeezing it with almost enough pressure to hurt. “Whose blood is it?” “Anthony’s,” she whispered, worry curling in her stomach at his intent gaze. Had she caused him harm? Her alarm deepened when he froze for what seemed to be an eternity. “Cristo,” he breathed at last. “I should have considered something so simple.” Suddenly, he went rigid, eyes widening. “Dios mío!” Cassandra placed her hand on his. “Did I hurt you? I swear, I did not intend—” “Hurt me?” A harsh burst of laughter escaped his lips. It was a rusty sound, as if long disused. “I can feel it! Hell, I can move it. Look!” Sure enough, the tip of his ring finger was bending back and forth. This time, it didn’t twitch. This time, it moved with purpose. Not only that, but the scarring had diminished slightly where she’d cut him. “Saint Jude.” Triumph swelled in her breast. “It worked!” Gleefully,
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
Bram opened his mouth to argue the point, but before he could voice a single argument, something moved a few feet away from them, attracting his attention. As that something came into focus, a sense of alarm soon followed. Geoffrey—the goat, not Ruby’s false-hearted gentleman friend—was standing only one good leap away from them, his attention centered on Lucetta. How the goat had managed to escape the barn and then find them was a complete and utter mystery, but not one Bram had time to consider at the moment. “Don’t move,” he whispered—which had Lucetta immediately turning around. “Is that . . . Geoffrey?” she demanded right before Geoffrey pawed a hoof against the ground and then . . . charged.
Jen Turano (Playing the Part (A Class of Their Own, #3))
We’re always at war with good and evil in this world. No one escapes it. It’s how we see it, how we recognize it that engages us in battle.
Susan May Warren (Ruby Jane (The Montana Marshalls, #5))
It was an endless, consuming nightmare that she escaped only in madness. And then the escape was not complete. Part of her knew, always.
Elizabeth Lowell (Midnight in Ruby Bayou (Donovan, #4))
All right. I want to fuck you. I want a mental escape from what happened tonight, and I need to create some semblance that I’m in control
Ruby Rowe (Romeo)
I’d be lying if I said I knew how to reconcile all this. I’m well aware of the racism and colorism in Arab societies, of the Filipina and other Asian maids mistreated by their rich employers in the Gulf states who regard them more as indentured servants than hired help. It did not escape my notice on a trip back to Lebanon that the workers cleaning the windows
Ruby Hamad (White Tears Brown Scars: How White Feminism Betrays Women of Colour)
I walked to the painting on the easel. It was an impression, not a lifelike rendering. 'I wanted you to see this one,' I said, pointing to the smear of green and gold and silver and blue. 'It's for you. A gift. For everything you've done.' Heat flared in my cheeks, my neck, my ears, as he silently approached the painting. 'It's the glen- with the pool of starlight,' I said quickly. 'I know what it is,' he murmured, studying the painting. I backed away a step, unable to bear watching him look at it, wishing I hadn't brought him in here, blaming it on the wine I'd had at dinner, on the stupid dress. He examined the painting for a miserable eternity, then looked away- to the nearest painting leaning against the wall. My gut tightened. A hazy landscape of snow and skeletal trees and nothing else. It looked like.... like nothing, I supposed, to anyone but me. I opened my mouth to explain, wishing I'd turned the others away from view, but he spoke. 'That was your forest. Where you hunted.' He came close to the painting, gazing at the bleak, empty cold, the white and grey and brown and black. 'This was your life,' he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I'd left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing between them. 'Your cottage at night.' I tried to move, to tell him to stop looking at those ones and look at the others I'd laid out, but I couldn't- couldn't even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold- my hair. My gut twisted. 'The man you used to see- in your village.' He cocked his head again as he studied the picture, and a low growl slipped out. 'While you made love.' He stepped back, looking at the row of pictures. 'This is the only one with brightness.' Was that... jealousy? 'It was the only escape I had.' Truth. I wouldn't apologise for Issac. Not when Tamlin had just been in the Great Rite. I didn't hold that against him- but if he was going to be jealous of Issac- Tamlin must have realised it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. 'You were there when they wrecked your father's leg.' 'Someone had to beg them to stop.' Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I'd slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. 'That one. I want that one.' 'It's cold and melancholy,' I said, hiding my wince. 'It doesn't suit this place at all.' He went up to it, and the smile he gave me was more beautiful than any enchanted meadow or pool of stars. 'I want it nonetheless,' he said softly.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Excuse me,” a little voice piped up. “I thinking maybe you in the wrong palace maybe? We already has a queen. Queen Ruby, she super-nice.” “Ruby is not your queen,” Scarlet snarled. “She is an imposter! I am your queen!” “What’s a nimposser?” asked another voice. “It’s furry and sleeps upside down and has a really chewy tail,” said another. “Melty-Face, ma’am, you’s wrong, Ruby’s not furry at all. An’ I bet her tail’s not chewy either but I hasn’t checked.” “She’s a very nice queen,” offered yet another dragonet, “and she visits all the time and knows all our names and says sorry when she bumps into someone and brings us snacks and we like her lots.” “Maybe you could be queen of someone else?” a small orange dragonet suggested. “ ’Cause we already gots a good one but I hears that there’s some NightWings maybe lookin’ for a new queen? And maybe because they spooky, too, maybe they like your spooky face?” “Oo, yes,” a few others agreed. “She’d be super-good spooky! They could change their name to SpookyWings or NightmareFaces!” “STOP TALKING THIS INSTANT,” Queen Scarlet bellowed. Peril was finding it close to impossible to keep a straight face. She wished there had been a chorus of impertinent dragonets around for every conversation she’d ever had with the queen. Perched on the windowsill, Chameleon wasn’t even trying to hide how his shoulders were shaking with laughter. “Sheesh,” one of the little voices muttered as they subsided. “Jus’ makin’ some helpful suggestibles, no need to be crankmonstery
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
He starts down the trail again, running even faster than before, almost rejuvenated. That or he really doesn’t want to talk to me. I don’t follow him, because it’s hard to escape when someone’s riding your tail and you have to look back constantly when you should keep your eyes forward. But the boy with the buzzed hair asks really good questions. I may have met my match. I ask Mom if I can go out tonight. It’s Friday. We’re standing in the kitchen making dinner. Tom is still at the bank. Mom fills up my “Esther” water bottle and sets it down next to me. “With who?” I keep my head down as I chop onions for the spaghetti sauce. They sting my eyes. “Color. The girl who cleans our house,” I say. “You said we need to make friends.” “Color,” Mom says. “Interesting name.” She doesn’t answer my question right away, but takes some of the chopped onions and adds them to the cooking meat. I keep dicing as tears begin to form in my eyes and fall down my cheeks. “You know, I wanted to name you Violet, but your dad didn’t like names that were colors, like Ruby and Hazel.” Mom tucks loose auburn hair behind her ear. Hannah does the same motion with her hair, too. “Amber . . . Jade . . . Goldie?” I say. “How about Olive?” “Raven?” “Scarlet.” I gag. “I still love the name Violet, though,” Mom says. “It’s nice for a girl.” “I like it, too.” I keep chopping. Mom keeps cooking. I add more onions to the pot. She turns to me then, with tears running down her face, just like mine. We stare at each other. It’s the wettest thing to happen in the desert since we arrived. I ask Mom in my head, Why did you let this happen? It’s the most selfish thing I’ve ever asked because I made this happen. I wrote the equation and asked Mom and Tom to answer it. And they did. “From the onions,” Mom says, with a sniffle that knows it’s a lie. I hand her a napkin. She points at the “Esther” water bottle as she pats her face dry. “Drink that.” I follow her orders.
Rebekah Crane (The Infinite Pieces of Us)
The only countries to have entirely escaped some form of European control are Japan, Korea, Thailand, and Liberia.
Ruby Hamad (White Tears Brown Scars: How White Feminism Betrays Women of Colour)
But all she wanted was to be with Clay. Near him, around him, breathing the same air and watching the same skies. That wasn’t asking too much. And if it meant she wasn’t hurting anyone anymore, wasn’t that what everyone wanted? Maybe not. Maybe Queen Ruby wanted Peril to be miserable and alone.
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
I’m afraid I might have to kill you.” He stiffens for a moment, and then a soft, wheezing sound escapes him, almost like a kittenish sneeze. It takes me a moment to realize that this is the praxiian version of laughing. He’s laughing at me. Well now I really want to kill him. “What’s so fucking funny?” “You can’t kill me. You can’t even look me in the eye right now. You keep staring at my cock.” “That’s because it’s staring right back!
Ruby Dixon (When She Purrs (Risdaverse, #3))
I can’t stop the gasp that escapes me. “If you are going to mate, mate quietly,” Harrec calls out in a sleepy voice from across the cave. “Rukhar is trying to sleep.” Kate shushes him, and someone—Gail? Elly?—giggles. I pull away from Warrek’s mouth and bury my face against his neck in embarrassment. Oh my god. That’s totally my fault—I was loud. I’m not sure I know how to be quiet. “Sorry,” I whisper to Warrek. “No apologies. I was impatient. We will wait for privacy.” He gives me one more quick kiss and then presses his mouth to my forehead. “Sleep now.” “Yeah,” Kate says, giggling. “Sleep now.
Ruby Dixon (Barbarian's Rescue (Ice Planet Barbarians, #14))
haven’t had to come up with some dreamy escape plan in a while.” Sydney trailed her fingers down the side of my face. “That’s because we’re living it, Adrian. This is the only escape plan we need.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Your Behavioral Responses to Anxiety The ways in which people react to social situations are often a result of physical and mental responses. Feeling anxious is a clue from your body that you are in danger and need to take action. However, because the danger is exaggerated, your actions often do not fit the situation and do not help you. Two typical behaviors are freezing and avoidance. When people freeze in a situation, they cannot react. Movement, speech, and memory are all affected. You may have experienced freezing when a teacher called on you in class. When attention like that was placed upon you, you probably felt the physical responses of blushing, shortness of breath, and rapid heart rate, among others. You probably had negative thoughts running through your head, such as “I’m such an idiot. I look stupid.” As a result of the strong physical and mental reactions, you froze and were unable to remember the answer; perhaps you could not speak at all. Because feelings of anxiety are unpleasant, some people try to avoid stressful situations altogether. If you are nervous around crowds of people, you may avoid going to parties or dances. If you are afraid of speaking in public, you probably avoid classes or situations in which you would be asked to speak or make a presentation. There are also other, subtler forms of avoidance. If you are nervous in crowds, you may not avoid parties entirely, but you might leave early or latch onto one person the entire time. Or, you may distract yourself by daydreaming or flipping through CDs instead of talking with people. Because of her social anxiety, Ruby hadn’t participated in any extracurricular activities during high school. At the beginning of her senior year, her guidance counselor told her she would have a better chance of getting into her top-choice college if she would join activities, so she joined the Spanish club. The group was led by the Spanish teacher and met once a week before school. When Ruby joined, they were beginning to plan the annual fiesta, and there were many decisions to make. At first, the other students tried to include her and would ask her opinion about decorations or games, but Ruby was so anxious that she couldn’t respond. Soon, they stopped asking and left her alone. Ruby thought she was being a part of the group simply by showing up, but she never volunteered for any of the planning committees and never offered suggestions. When it was time to fill out college applications, Ruby asked the Spanish teacher to write her a recommendation. The teacher said she couldn’t because she didn’t know Ruby well enough. Patterns of avoidance may be so deeply ingrained in your lifestyle that you are not even aware that you are exhibiting them. Think carefully about your reactions to various situations. When you receive an invitation, do you instantly think of reasons why you can’t accept? When you are with a group of people, do you use escape mechanisms, such as reading a magazine, hiding in the restroom, or daydreaming? Avoidance may help lessen your anxiety in the moment, but in the long run, it usually makes things worse. Life is very unsatisfying when you avoid so many situations, and such behavior hurts self-esteem and self-confidence.
Heather Moehn (Social Anxiety (Coping With Series))
thought he meant to make his escape, to vanish quietly before the police or the householder decided to investigate what mischief he’d been up to in there: either seducing the parlour maid or stealing the silver.
Freda Lightfoot (Ruby McBride)
The vine needs to suffer. Going down into this earth-fighting to survive among the stones, among the lime rock—this is what gives it its aroma. Its taste. Its unique character. These grapes will create a wine few other vineyards can compare with not because their life was easy, but because they had to struggle to survive.” I grew still. “The vine needs to suffer?” “To be at its best, it needs to suffer, yes. And fight.” “I’m sorry for it, then. No creature should have to bear pain.” “Pain is part of this life. No one can escape suffering. Not the vine, nor we humans, as you well know, my lady. But what if we are like the vine and that affliction only makes us better?” Bardia
Tessa Afshar (Harvest Of Rubies (Harvest Of Rubies, #1))