Rubbish Father Quotes

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This is what you British do not understand about the French. You think you must work, work, work, work and open on Sundays and make mothers and fathers with families slave in supermarkets at three o'clock in the morning and make people leave their homes and their churches and their children and go shopping on Sundays.' 'Their shops are open on Sundays?' said Benoît in surprise. 'Yes! They make people work on Sundays! And through lunchtimes! But for what? For rubbish from China? For cheap clothes sewed by poor women in Malaysia? For why? So you can go more often to KFC and get full of fried chicken? You would rather have six bars of bad chocolate than one bar of good chocolate. Why? Why are six bad things better than one good thing? I don't understand.
Jenny Colgan (The Loveliest Chocolate Shop in Paris)
Look at the tyranny of party-- at what is called party allegiance, party loyalty-- a snare invented by designing men for selfish purposes-- and which turns voters into chattels, slaves, rabbits; and all the while, their masters, and they themselves are shouting rubbish about liberty, independence, freedom of opinion, freedom of speech, honestly unconscious of the fantastic contradiction; and forgetting or ignoring that their fathers and the churches shouted the same blasphemies a generation earlier when they were closing thier doors against the hunted slave, beating his handful of humane defenders with Bible-texts and billies, and pocketing the insults nad licking the shoes of his Southern master.
Mark Twain (Autobiography of Mark Twain, Volume 1: The Complete and Authoritative Edition)
Perverse times have come The mystery of the Beloved to reveal Crows have begun to hunt hawks, Sparrows have vanquished falcons. Horse browse on rubbish, Donkeys graze on lush green. No love is lost between relatives, Be they younger or older uncles. There is no accord between fathers and sons, nor any between mothers and daughters. The truthful ones are being pushed about, the tricksters are seated close by, the front-liners have become wretched, the backbenchers sit on carpets. Those in taters have turned into Kings, The Kings have taken to begging. Oh Bullah, comes the command from the Lord, who can ever alter His decree? Perverse times have come, The mystery of the beloved to reveal
Bullhe Shāh
Yes," he said, without looking at anyone; "it's a misfortune to live five years in the country like this, far from the mighty intellects! You turn into a fool directly. You may try not to forget what you've been taught, but -in a snap!- they'll prove all that's rubbish, and tell you that sensible men have nothing more to do with such foolishness, and that you, if you please, are an antiquated old fogey. What's to be done? Young people, of course, are cleverer than we are!
Ivan Turgenev (Fathers and Sons)
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Listen, O Arkady—listen to the way in which the young men of the present day ought to express themselves! Surely our youth will now rally to your side? For once upon a time they had to go to school, since they did not like to be taken for dunces, and therefore worked at their studies; but now they have but to say: 'Everything in the world is rubbish,' and, behold! the trick is done. They consider that delightful—and naturally! In other words, the blockheads of former days are become the Nihilists of the present.
Ivan Turgenev (Fathers and Sons)
ROSE: The rumor is that he’s Voldemort’s son, Albus. It’s probably rubbish. I mean . . . look, you’ve got a nose. SCORPIUS: And it’s just like my father’s! I got his nose, his hair, and his name. Not that that’s a great thing either. I mean — father-son issues, I have them. But, on the whole, I’d rather be a Malfoy than, you know, the son of the Dark Lord.
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
Thank you,' said Annie. 'Second thing : Juliet is brilliant. Don't lump the music in with the rest of it.' 'Have you been taking any of this in ?' 'Yes. You're a very bad man. You've been a useless father to four of your five children, and a useless husband to every single one of your wives, and a rubbish partner to every single one of your girlfriends? And Juliet is still brilliant.
Nick Hornby (Juliet, Naked)
So we call upon the author to explain (Doop doop doop doop dooop) Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose And a cabal of angels with finger cymbals chanted his name in code We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop) He said everything is messed up around here, everything is banal and jejune There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon Well, he knew exactly who to blame And we call upon the author to explain (Doop doop doop doop dooop) Prolix! Prolix! Nothing a pair of scissors can't fix! Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain I call upon the author to explain (Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix Bukowski was a jerk! Berryman was best! He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!
Nick Cave
Augrh!" said Father Wolf. "It is time to hunt again." He was going to spring down hill when a little shadow with a bushy tail crossed the threshold and whined: "Good luck go with you, O Chief of the Wolves. And good luck and strong white teeth go with noble children that they may never forget the hungry in this world." It was the jackal—Tabaqui, the Dish-licker—and the wolves of India despise Tabaqui because he runs about making mischief, and telling tales, and eating rags and pieces of leather from the village rubbish-heaps. But they are afraid of him too, because Tabaqui, more than anyone else in the jungle, is apt to go mad, and then he forgets that he was ever afraid of anyone, and runs through the forest biting everything in his way. Even the tiger runs and hides when little Tabaqui goes mad, for madness is the most disgraceful thing that can overtake
Rudyard Kipling (The Jungle Book)
When we inspect the dreary index of his reading which Miss Ramsay most usefully gives us, we recoil.3 No man of Donne’s ability and attainments ever seems to have read more positive rubbish. But the lists themselves are interesting reading, and provide a pertinent comment on Miss Ramsay’s thesis. For we remark at once, how large a part of this reading is in authors contemporary, or nearly so. True, as a thorough theologian, he was familiar with the fathers of the church, and with the most important of the mediaeval philosophers; but so, as Miss Ramsay herself says, was Hooker, and Miss Ramsay does not go so far as to say that Hooker’s conception of the universe was mediaeval.
T.S. Eliot (The Varieties of Metaphysical Poetry)
For two years I've read the scrolls and learned the language, and I know more about magick than anyone here...You ask what the greatest power is, and I know that niether the dwarf magick of Terus, nor the dragon power of Victus is superior, even though I should say that Terus is because my father's a Mender and his spells come from the Green book. Even the elf magick that is so rare that none in Darton is a master or matron of it, is still just one of the three colours and no better than any other. That's the whole point of the system, and it's stupid...None of the scrolls explain anything, and niether do you. Instead we have to run around an obstacle course, trade jewels between rings and sit here and write rubbish answers to a trick question. And to end it all we have to listen to a Wizard from Celenia and hope to hear some more spells. Well I know as many spells as anyone here, but they're as useless as whistling to me.
T.B. McKenzie (The Dragon and the Crow)
The mundus: a sacred or accursed place in the middle of the italiot township. A pit, originally-a dust hole, a public rubbish dump. Into it were cast trash and filth of every kind, along with those condemned to death, and any newborn baby whose father declined to "raise" it (that is, an infant which he did not lift from the ground and hold up above his head so that he might be born a second time, born as a social as well as biological sense). A pit, then, 'deep' above all in meaning. It connected the city, the space above ground, land-as-soil and land-as-territory, to the hidden, clandestine, subterranean spaces which were those of fertility and death, of the beginning and the end, of birth and burial. (Later, in Christian times, the cemetery would have a comparable function). The pit was also a passageway through which dead souls would return to the bosom of the earth and then reemerge reborn. As locus of time, of births and tombs, vagina of the nurturing earth-as-mother, dark corridor emerging from the depths, cavern opening to the light, estuary of hidden forces and mouth of the realm of shadows, the mundus terrified as it glorified. In its ambiguity it encompassed the greatest foulness and the greatest purity, life and death, fertility and destruction, horror and fascination. 'Mundus es immundus'. -
Henri Lefebvre
Cap’n don’t like us tellin’ tales,” another man added. “That’s just ‘round his girl, is all,” the storyteller replied. Camille ceased breathing and widened her eyes. They were right about her father banning such rubbish aboard his ships, but she’d never known she was the reason for it. Why did he feel the need to protect her from them? The few parts of stories she had managed to overhear were entertaining but obvious malarkey to scare young sailors ut of their wits. “If he thinks she’s too fine for them, he shouldn’t bring her along,” Lucius said, his sneer reaching through to his tone of voice. “This is her last time, ain’t it?” another sailor asked. Her stomach cramped at the unwelcome reminder. “If it is, I wager it’ll be Kildare’s, too. He won’t stick ‘round no more,” another chuckled. Camille’s ears perked at Oscar’s name, then reddened at the sailor’s implication that Oscar was there only for her. It was absurd. “Good,” Lucius replied. “Who will be our new first mate?” What were they going on about? Oscar was a perfect first mate. Her father had groomed him for it. Oscar couldn’t just…leave. “Well, it won’t be you, Drake. You can’t even make a shroud knot!” The sailors in the fo’c’sle burst out in laughter. Grabbing her chance to leave, Camille took off down the corridor until their laughter faded with the sighs of the ship.
Angie Frazier (Everlasting (Everlasting, #1))
Because I have already had a long leave I get none on Sundays. So the last Sunday before I go back to the front my father and eldest sister come over to see me. All day we sit in the Soldiers’ Home. Where else could we go? We don’t want to stay in the camp. About midday we go for a stroll on the moors. The hours are a torture; we do not know what to talk about, so we speak of my mother’s illness. It is now definitely cancer, she is already in the hospital and will be operated on shortly. The doctors hope she will recover, but we have never heard of cancer being cured. ”Where is she then?” I ask. ”In the Luisa Hospital,” says my father. ”In which class?” ”Third. We must wait till we know what the operation costs. She wanted to be in the third herself. She said that then she would have some company. And besides it is cheaper.” ”So she is lying there with all those people. If only she could sleep properly.” My father nods. His face is broken and full of furrows. My mother has always been sickly; and though she has only gone to the hospital when she has been compelled to, it has cost a great deal of money, and my father’s life has been practically given up to it. ”If only I knew how much the operation costs,” says he. ”Have you not asked?” ”Not directly, I cannot do that–the surgeon might take it amiss and that would not do; he must operate on mother.” Yes, I think bitterly, that’s how it is with us, and with all poor people. They don’t dare ask the price, but worry themselves dreadfully beforehand about it; but the others, for whom it is not important, they settle the price first as a matter of course. And the doctor does not take it amiss from them. ”The dressings afterwards are so expensive,” says my father. ”Doesn’t the Invalid’s Fund pay anything toward it, then?” I ask. ”Mother has been ill too long.” ”Have you any money at all?” He shakes his head: ”No, but I can do some overtime.” I know. He will stand at his desk folding and pasting and cutting until twelve o’clock at night. At eight o’clock in the evening he will eat some miserable rubbish they get in exchange for their food tickets, then he will take a powder for his headache and work on.
Erich Maria Remarque (All Quiet on the Western Front)
She had put them in an old box, which she covered over with paper before she fastened the cover tight to it, then set it outside the door among the rubbish which her father seldom disturbed. She was haunted all the while by a fear that the pretty clothes would be exchanged for whiskey.
Pansy (Only Ten Cents)
When I was little, I had a children’s book called ‘Guldhjerte’ [Goldheart], which I had very clear and happy memories of. It was a picture book about a little girl who goes into the forest with some slices of bread and other stuff in her pockets. But at the end of the book, when she’s gotten through the forest, she’s standing there naked and with nothing left. And the last line in the book was: ‘But at least I’m okay,’ said Goldheart. I read the book several times, in spite of the fact that my father thought it was absolute rubbish. The story of 'Breaking The Waves’ probably comes from that.
Lars von Trier
What I could have explored is how the human mind – our minds – continually try to soften and hide bad experience, by deliberately forgetting or distorting. The way not only individual minds, but collective minds – a country’s, a continent’s – will forget a horror. The most famous example is the Great Flu Epidemic of 1919–1920, when twenty-nine million people all over the world died, but it is left out of the history books, is not in the collective consciousness. Humanity’s mind is set to forget disaster. That was the contention of Velikovsky, whose story of our solar system’s possible history is dismissed by the professionals, though surely some of what he said has turned out to be true. There is certainly nothing in the human consciousness of the successive calamitous ice ages, and we – humanity – lived through more than one. There are glimpses in old tales of great floods, but that is about it. In the book which I failed to write would be implicit the question: Is it a good thing that every generation decides to forget the bad or cruel experience of the one before? That the Great War (for instance), such a calamity for Europe, became the ‘Great Unmentionable’ – which made my father and other soldiers, of France and Germany, feel as if they were being nullified, discounted, were just so much human rubbish. That five or six years after that terrible civil war in Southern Rhodesia, the new young generation had forgotten and ‘didn’t want to know’. Well … it could have been a good book.
Doris Lessing (Walking in the Shade: Volume Two of My Autobiography--1949-1962)
I shake my head, and she considers me again, top to toe with her cheeks pulled in. I half suspect that, once she’s completed her inventory, she’s going to tell me to stand up straight in that authoritative tone that reminds me of my father, but then she says, “And in case I didn’t say it, I’m very happy to meet you. I’m not sure what circumstances have brought you here, but I’m glad you are.” I smile faintly. “Me too.” She laughs suddenly, a sound so unexpected I jump. “You’ve got the—” She presses her finger to her cheek, and it takes me a moment to realize she’s talking about my dimple. “Oh. Yes.” I brush my face self-consciously, but she smiles and I realize she has the same, but on the opposite cheek. My sister and I, our faces a closed set of parentheses. Then, suddenly, she’s hugging me. It’s a rubbish hug—she pins my arms to my sides and holds me like one might take hold of a sack of heavy flour before hoisting it. She stays there for too long, and when we part, some of the blood from her shirt has blotted onto mine. I wonder how long it’s been since she hugged someone. I wonder if she minds.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
. . . Father actually considered sending me to Durmstrang rather than Hogwarts, you know. He knows the headmaster, you see. Well, you know his opinion of Dumbledore — the man’s such a Mudblood-lover — and Durmstrang doesn’t admit that sort of riffraff. But Mother didn’t like the idea of me going to school so far away. Father says Durmstrang takes a far more sensible line than Hogwarts about the Dark Arts. Durmstrang students actually learn them, not just the defense rubbish we do. . . .” Hermione got up, tiptoed to the compartment door, and slid it shut, blocking out Malfoy’s voice. “So he thinks Durmstrang would have suited him, does he?” she said angrily. “I wish he had gone, then we wouldn’t have to put up with him.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))