Rubbish Family Quotes

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If you can eat with mates or friends or family, I mean, it's such a brilliant thing isn't it? If you feel really rubbish and you have a nice bit of food it makes you feel good, you know?
Jamie Oliver
I thought how you can never tell just by looking at them what they were thinking or what was happening In their lives. Even when you got daft people or drunk people on buses, people that went on stupid and shouted rubbish or tried to tell you all about themselves, you could never really tell about them either... I knew if somebody looked at me, they'd know nothing about me, either.
David Almond (Skellig (Skellig, #1))
Youth was the time for happiness, its only season; young people, leading a lazy, carefree life, partially occupied by scarcely absorbing studies, were able to devote themselves unlimitedly to the liberated exultation of their bodies. They could play, dance, love, and multiply their pleasures. They could leave a party, in the early hours of the morning, in the company of sexual partners they had chosen, and contemplate the dreary line of employees going to work. They were the salt of the earth, and everything was given to them, everything was permitted for them, everything was possible. Later on, having started a family, having entered the adult world, they would be introduced to worry, work, responsibility, and the difficulties of existence; they would have to pay taxes, submit themselves to administrative formalities while ceaselessly bearing witness--powerless and shame-filled--to the irreversible degradation of their own bodies, which would be slow at first, then increasingly rapid; above all, they would have to look after children, mortal enemies, in their own homes, they would have to pamper them, feed them, worry about their illnesses, provide the means for their education and their pleasure, and unlike in the world of animals, this would last not just for a season, they would remain slaves of their offspring always, the time of joy was well and truly over for them, they would have to continue to suffer until the end, in pain and with increasing health problems, until they were no longer good for anything and were definitively thrown into the rubbish heap, cumbersome and useless. In return, their children would not be at all grateful, on the contrary their efforts, however strenuous, would never be considered enough, they would, until the bitter end, be considered guilty because of the simple fact of being parents. From this sad life, marked by shame, all joy would be pitilessly banished. When they wanted to draw near to young people's bodies, they would be chased away, rejected, ridiculed, insulted, and, more and more often nowadays, imprisoned. The physical bodies of young people, the only desirable possession the world has ever produced, were reserved for the exclusive use of the young, and the fate of the old was to work and to suffer. This was the true meaning of solidarity between generations; it was a pure and simple holocaust of each generation in favor of the one that replaced it, a cruel, prolonged holocaust that brought with it no consolation, no comfort, nor any material or emotional compensation.
Michel Houellebecq (The Possibility of an Island)
This is what you British do not understand about the French. You think you must work, work, work, work and open on Sundays and make mothers and fathers with families slave in supermarkets at three o'clock in the morning and make people leave their homes and their churches and their children and go shopping on Sundays.' 'Their shops are open on Sundays?' said Benoît in surprise. 'Yes! They make people work on Sundays! And through lunchtimes! But for what? For rubbish from China? For cheap clothes sewed by poor women in Malaysia? For why? So you can go more often to KFC and get full of fried chicken? You would rather have six bars of bad chocolate than one bar of good chocolate. Why? Why are six bad things better than one good thing? I don't understand.
Jenny Colgan (The Loveliest Chocolate Shop in Paris)
Clint stared down at him. He was wearing what appeared to be a massive, lopsided and jewel-encrusted crown, holding a scepter and surrounded by a floating mass of Roombas. “Welcome to the sovereign nation of Bartonia,” he said, with a straight face. “My subjects, the Roombas, the drones and one random mechanical bird thing that I found, and I welcome you, and ask you what the fuck you think you're doing here, you are seriously a fucking moron.” “I'm here,” Tony gritted out, “to rescue you, and what kind of fucking attitude is that?.” “A little short for a storm trooper, aren't you?” Clint said, arching an eyebrow. He offered Tony a hand. “Are you wearing a crown? Seriously? Where did you get a- Why are you wearing a crown?” Tony asked, taking it and allowing Clint to help lever him back to his feet. “Listen, dude, I have learned something about myself today. Mostly, I have learned that if I end up in some sort of alien rubbish dump surrounded by neurotic robots and without a clue as to if I'm ever going to make it home, if I find a crown, I'm putting that bad boy on. There should never be a time when you do not wear a crown. Find a crown, you wear it and declare sovereignty over the vast mechanical wastes.” Clint waved his scepter around a bit, making the Roombas dodge. “Thus, Bartonia.
Scifigrl47 (Ordinary Workplace Hazards, Or SHIELD and OSHA Aren't On Speaking Terms (In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury), #2))
The sea is full of saints. You know that? You know that: you're a big boy. The sea's full of saints and it's been full of saints for years. Since longer than anything. Saints were there before there were even gods. They were waiting for them, and they're still there now. Saints eat fish and shellfish. Some of them catch jellyfish and some of them eat rubbish. Some saints eat anything they can find. They hide under rocks; they turn themselves inside out: they spit up spirals. There's nothing saints don't do. Make this shape with your hands. Like that. Move your fingers. There, you made a saint. Look out, here come another one! Now they're fighting! Yours won. There aren't any big corkscrew saints anymore, but there are still ones like sacks and ones like coils, and ones like robes with flapping sleeves. What's your favourite saint? I'll tell you mine. But wait a minute, first, do you know what it is makes them all saints? They're all a holy family, they're all cousins. Of each other, and of ... you know what else they're cousins of? That's right. Of gods. Alright now. Who was it made you? You know what to say. Who made you?
China Miéville (Kraken)
Ten years wondering how she'd feel if she saw him again. Ten years convincing herself that time and distance would change things. Pure rubbish, all of it. She still loved him. And he still hadn't forgiven her.
Carla Laureano (London Tides (MacDonald Family Trilogy, #2))
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I hate married men ; they never make any sacrifice to the Arts, but are always thinking of their duty to their wives and families, or some rubbish of that sort .
J.M.W. Turner
Sweetheart," West murmured kindly, "listen to me. There's no need to worry. You'll either meet someone new, or you'll reconsider someone you didn't appreciate at first. Some men are an acquired taste. Like oysters, or Gorgonzola cheese." She let out a shuddering sigh. "Cousin West, if I haven't married by the time I'm twenty-five... and you're still a bachelor... would you be my oyster?" West looked at her blankly. "Let's agree to marry each other someday," she continued, "if no one else wants us. I would be a good wife. All I've ever dreamed of is having my own little family, and a happy home where everyone feels safe and welcome. You know I never nag or slam doors or sulk in corners. I just need someone to take care of. I want to matter to someone. Before you refuse-" "Lady Cassandra Ravenel," West interrupted, "that is the most idiotic idea anyone's come up with since Napoleon decided to invade Russia." Her gaze turned reproachful. "Why?" "Among a dizzying array of reasons, you're too young for me." "You're no older than Lord St. Vincent, and he just married my twin." "I'm older than him on the inside, by decades. My soul is a raisin. Take my word for it, you don't want to be my wife." "It would be better than being lonely." "What rubbish. 'Alone' and 'lonely' are entirely different things." West reached out to smooth back a dangling golden curl that had stuck against a drying tear track on her cheek. "Now, go bathe your face in cool water, and-" "I'll be your oyster," Tom broke in.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
There were office-worn gents with yellow faces, bent backs, and one shoulder set slightly higher than the other from spending hours hunched over desks. And their sad, anxious faces spoke volumes about their domestic troubles, never-ending money worries, and all those old hopes which had been dashed for good; for they all belonged to the army of poor threadbare drudges who just about make ends meet in some dismal plasterboard house with a flowerbed for a garden in the rubbish-and-slag-heap belt on the outskirts of Paris.
Guy de Maupassant (A Day in the Country and Other Stories)
What the fuck is this rubbish supposed to be? Special treatment? Ha, it isn’t fucking Halloween, you oddball pack of Addams family rejects. I told you Mini-Morticia was a fucking freak and here’s the proof. Looks like the whole family spend a little too much time swimming around in the murky end of the gene pool.
Jim Goforth (Rejected for Content: Splattergore)
The Weakest Link was a huge success, thanks to the simple device of letting Anne Robinson tell the contestants they were rubbish and stupid. Trouble is, they weren’t rubbish and stupid – the questions were often genuinely tricky. What we really want is a quiz show in which authentic dimwits have their efforts mercilessly pilloried – a version of Family Fortunes in which millions of viewers can phone a special number to collectively heckle the idiocy of everyone participating, with the resulting cacophonic abuse relayed live in the studio. Or maybe just an edition of Wheel of Fortune where John Leslie finally snaps and cracks a simpleton in the face with a broom.
Charlie Brooker (Screen Burn)
I’m tired of these sophistries. I’m tired of these right-wing fuckers. They wouldn’t lift a finger themselves. They work contentedly in offices and banks. Yet now they sit pontificating in parliament, in papers, impugning our motives, questioning our judgements. And why? Because they themselves need to feel better by putting down everyone whose work is so much harder than theirs. You only have to say the words ‘social worker’…’probation officer’ … ‘counsellor’ … for everyone in this country to sneer. Do you know what social workers do? Every day? They try and clear out society’s drains. They clear out the rubbish. They do what no one else is doing, what no one else is willing to do. And for that, oh Christ, do we thank them? No, we take our own rotten consciences, wipe them all over the social worker’s face, and say ‘if…’ FUCK! ‘if I did the job, then of course if I did it…oh no, excuse me, I wouldn’t do it like that…’ Well I say: ‘OK, then, fucking do it, journalist. Politician, talk to the addicts. Hold families together. Stop the kids from stealing in the streets. Deal with couples who beat each other up. You fucking try it, why not? Since you’re so full of advice. Sure, come and join us. This work is one big casino. By all means. Anyone can play. But there’s only one rule. You can’t play for nothing. You have to buy some chips to sit at the table. And if you won’t pay with your own time…with your own effort…then I’m sorry. Fuck off!
David Hare (Skylight)
The literature of childhood abounds with evidence that the peaks of a child's experience are not visits to the cinema, or even family outings to the sea, but occasions when he escapes into places that are disused and overgrown and silent. To a child there is more joy in a rubbish tip than a flowery rockery, in a fallen tree than a piece of statuary, in a muddy track than a gravel path.
Iona Opie (Children's Games in Street & Playground)
Fairy tales have happy endings! The prince is supposed to save the princess. Kill the Erlking and the huntress, then they both ride on home to their awaiting family and are celebrated by all the land. Happily. Forever! What is this…this rubbish, what with the king stabbing his sister, the prince getting mauled by his hounds… I can’t remember all too many stories, but I’m certain that this is the absolute worst I’ve ever heard.
Marissa Meyer (Gilded (Gilded, #1))
Don't tell me," Mrs. Archer would say to her children, "all this modern newspaper rubbish about a New York aristocracy. If there is one, neither the Mingotts nor the Mansons belong to it; no, nor the Newlands or the Chiverses either. Our grandfathers and great-grandfathers were just respectable English or Dutch merchants, who came to the colonies to make their fortune, and stayed here because they did so well. One of your great-grandfathers signed the Declaration, and another was a general on Washington's staff, and received General Burgoyne's sword after the battle of Saratoga. These are things to be proud of, but they have nothing to do with rank or class. New York has always been a commercial community, and there are not more than three families in it who can claim an aristocratic origin in the real sense of the word.
Edith Wharton (The Age of Innocence)
In some ways, to explore ancient Rome from the twenty-first century is rather like walking on a tightrope, a very careful balancing act. If you look down on one side, everything seems reassuringly familiar: there are conversations going on that we almost join, about the nature of freedom or problems of sex; there are buildings and monuments we recognise and family life lived out in ways we understand, with all their troublesome adolescents; and there are jokes that we ‘get’. On the other side, it seems completely alien territory. That means not just the slavery, the filth (there was hardly any such thing as refuse collection in ancient Rome), the human slaughter in the arena and the death from illnesses whose cure we now take for granted; but also the newborn babies thrown away on rubbish heaps, the child brides and the flamboyant eunuch priests.
Mary Beard (SPQR: A History of Ancient Rome)
Roman history also demands a particular sort of imagination. In some ways, to explore ancient Rome from the twenty-first century is rather like walking on a tightrope, a very careful balancing act. If you look down on one side, everything seems reassuringly familiar: there are conversations going on that we almost join, about the nature of freedom or problems of sex; there are buildings and monuments we recognise and family life lived out in ways we understand, with all their troublesome adolescents; and there are jokes that we ‘get’. On the other side, it seems completely alien territory. That means not just the slavery, the filth (there was hardly any such thing as refuse collection in ancient Rome), the human slaughter in the arena and the death from illnesses whose cure we now take for granted; but also the newborn babies thrown away on rubbish heaps, the child brides and the flamboyant eunuch priests.
Mary Beard (SPQR: A History of Ancient Rome)
Jeffers stretched up on his toes to see the back of the mob, “But James, we’re doing all this for you... We need this gold to build a united Alba. We need it to fund an army and to forge decisive leadership.” His voice was almost plaintive. “We want to hand your generation a real empire rather than just a loose collection of competing Families. We want to give you the foundations to achieve glory! What could possibly be wrong with that?” “Rubbish!” cried Tristan, not about to let honey-coated nonsense dissolve the glue that bound his army. “Absolute codswallop!” he let his calm facade slip for the first time that day. “What you’re actually trying to do is to build a legacy that you don’t deserve! You want to swan around as an armchair General for the next twenty years while your precious army strives and dies for hollow victories that do nothing more than feed your ego! And do you know who strives and dies in this picture?” He waved one arm at the figures behind him. “We do! We here in this alley, along with other young men and women just like us!” Tristan watched Jeffers from the corner of his eye, as he shook his fist towards deGroot, “Well we’re not having it! If you want us to fight and die, then we’re going to fight now, and we’re going to fight you! So come on down deGroot and take a swing!
Aaron D'Este (Weapon of Choice)
The Black Clouds He had trudged through tangles and trailed in steeps for two days scratching his face and extremities into blood. The sun was near to setting and he was not able to overcome the plumb rocks. He had hunger collywobles in his stomach. “Tomorrow I will easily reach the troops…” – he entered a familiar cave with these thoughts and emptying the pockets full of mushrooms picked on the road burnt a flame. He took from the internal pocket a flat bottle of moonshine and swallowed – it removed the fatigue and helped him to rid himself of remorse. He felt stick in his mouth – “As is, I have drunk of bile and smell like lathery horse…» His tousled beard hid all light lines on his face making him more terrible. His large shoulders and brawny arms proved him as a strong person. He almost had no neck – as though, his head was stuck into shoulders. His old and narrow dress fitted close to his body – under it he had military officer’s shirt. Although he avoided twists and turns of war, he was accustomed to the smell of blood and death – he was bright, fearless and volitional like a real fighter. “I could become a good fighter,” – he was sure in it and sometimes expressed this thought loudly watching the fighting troops. Besides everything, the war is ugly also because of the fact that pillagers not wasting the time pillage the dead fighters. When the fights get calm, the Sun illuminates the naked corpses – it is qiute common phenomenon. The most of people think that this action is done by the winner figthers. But they are wrong because the day-time heroes cannot turn into night hyenas. This action is done by pillagers wearing military dress and hang around the attacking troops and, some of them do it with entire family in horse carts. He also was fed by the war – he also wandered following the troops like dark shadow and emtied the dead fighters’ pockets. He often sold the robbed things to fighters. His accomplices robbed in dream even own fellow travellers. But he was more compassionate and never robbed the wounded fighters thinking that it would moderate his sins. He never took the dead figthers’ dress but emptied only their pockets. But the pillagers following him stripped the dead fighters naked. “Thy say that there is a lame necrophiliac pillager among them raping the dead people.” Once, checking the laying fighter’s pockets he saw that the fighter is alive but his leg is torn off and suspended on the skin. Sitting close he started to frankly speak to the fighter consoling him. The fighter asked him to cut his leg off and bury it. He implicitly fulfilled the fighter’s request; coming to consciousness in the evening the fighter cheerfully said that his leg called him to the beyond. At that moment he tried to think about the world above but immediately shook his hand thinking «That’s load of rubbish!» The fighter died in the night and, taking the fighters ring off his finger, he put into sack. The fighters didn’t think about them in the heat of the battle. However, if the fighter caught any of them they unreservedly killed them. Once he always was near to death – however, he could save his life saying that he was carrying the army’s battle to the troops and furthermore, tearfully implored a little reward from officer. Coming back, he emptied his killed accomplices’ pockets ad collected a lot of money and valuables. He hated retreating troops. “Troops should either self-destruct or destroy the enemies!" Rivers of blood, ditches full of human corpses, mothers’ tears – all of these notions were nonsensical rot in his comprehension. Both the victory and defeat also were considered by him as nonsense – he was interested only in trophies. The days when he succeeded to collect rich trophies he could neither sleep in nights nor eat for sake of protecting the robbed values from pillagers but it didn’t weaken him. He willingly studied information about bloody wars and was mostly amazed by the fight of Waterloo: «It
Rashid
I don’t suppose the dead care about anything much,’ Teddy said. ‘I think when you’re dead you’re dead. I don’t believe there’s anything beyond, do you?’ ‘I might have done before the war,’ Ursula said, ‘before I saw a lot of dead bodies. But they just look like so much rubbish, thrown away.’ (She thought of Hugh saying, ‘Just put me out with the dustbin.’) ‘It doesn’t seem as though their souls have flown.
Kate Atkinson (Life After Life (Todd Family, #1))
While I was up there, I happened across a couple of other interesting finds. One , curiously enough, is a portrait of your uncle. Did you put that up there?" He scowled. "No. Foy and Starr must have done, since I ordered the damn thing burned. I'll tell Bell to toss it on the rubbish heap at his earlier convenience." "Yes, well, much as I agree with the sentiments, and believe me I do, I suppose we ought to retain the painting in the interest of family history. I could scribble a note and paste it on the reverse saying what a vile man he is, just so future generations know." He smirked. "Sidney would hate that. Yes, let's do it.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
While I was up there, I happened across a couple of other interesting finds. One, curiously enough, is a portrait of your uncle. Did you put that up there?" He scowled. "No. Foy and Starr must have done, since I ordered the damn thing burned. I'll tell Bell to toss it on the rubbish heap at his earlier convenience." "Yes, well, much as I agree with the sentiments, and believe me I do, I suppose we ought to retain the painting in the interest of family history. I could scribble a note and paste it on the reverse saying what a vile man he is, just so future generations know." He smirked. "Sidney would hate that. Yes, let's do it.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
[...] his friends were all a bunch of poor cunts and his mother was a fool who still believed her man was coming back one day, a fucking fool who pretended she didn’t know that Brando’s dad had another family over in Palogacho and only sent them money each month because he felt guilty for having tossed them out like rubbish bags, as if we were pieces of shit, Mum, wake the fuck up: what’s the point in all that praying, what good does it do if you can’t even see straight, if you can’t see what everyone else does, you stupid, stupid woman! But she would just lock herself in her room and chant her litanies, almost shouting them to block out Brando’s raging and bashing against her door, the kicking and thumping that he would have happily aimed at her rotten mug, to see if that way she’d get it through her thick skull, to see if she’d just die and fuck off once and for all to her motherfucking promised land and stop banging on at him with her prayers and her sermons, her moaning and snivelling, all that: Lord, what have I done to deserve this child? Where’s my darling boy, my sweet, dear little Brando? How could you allow the devil to enter him, Lord? The devil doesn’t exist, he’d shout back, or your shitty God, and his mother would let out an anguished wail followed by more prayers, intoned with even greater intensity, even greater devotion, to make up for her son’s blasphemes, before Brando stormed off to the bathroom, where he’d stand before the mirror and stare at the reflection of his face until it looked like his black pupils, together with his equally black irises, had dilated so wide that they covered the entire surface of the mirror, a forbidding darkness cloaking everything: a darkness devoid of even the solace of the incandescent fires of hell; a desolate, dead darkness, a void from which nothing and no one could ever rescue him: not the wide-open mouths of the poofs who approached him in the clubs on the highway, not his nocturnal escapades in search of dog orgies, not even the memory of what he and Luismi had done, not even that [...]
Fernanda Melchor (Hurricane Season)
In my family, we never talked. No one listened. He whispered through a night, not in a night. He, who did not love his members, except for a stubborn small deaf one. She translated deafness in blindness not into meaningless sounds, it would not be something, would it. You think, she spoils it all the time, you may suppose that you might think, your own silent words. I would say, it would be wiser then, to admire my silent rubbish. In ethics, we had one cookie. You cannot eat it, or find it.
Petra Hermans
People just come and do things around him, making decisions for him - same as politicians and even our bosses do for us. They're the ones who run our lives. Adverts tell us what to buy, government tells us how to live, technology tells us when we have done something wrong. and coffees arrived 'on the house' "no we will pay for them" "You're rubbish at this game, Foxy. I have been lying to my wife since the morning after the honeymoon..." "what was the lie?" "I told her she was really something in the sack..." "I don't think so you introduced yourself..." "I gave my card to your daughter," Fox answered. "My...?" Realization dawned on Wishaw. "That was my wife" "Then you should be ashamed," Fox said, deciding this was as good a parting shot as any. If walls have ears, then windows definitely have eyes. :this was family. That explained a lot. Where family was involved, the normal rules did not apply.
Ian Rankin (The Complaints (Malcolm Fox, #1))
The sweatshops, the rubbish dumps, the waste waters, the exhausted commuters — all these are to be lamented, but the real targets of puzzlement and rage lie elsewhere: in the fractious atmosphere inside luxury sedans, in the heartbreaks inside gated compounds, in the dissatisfactions of the family of the coal-mining tycoon, in the sicknesses of the soul at the fun palace.
The School of Life (How to Survive the Modern World: Making sense of, and finding calm in, unsteady times)
He was rubbish, incidentally, especially for an Aussie, which always pissed me off because it meant he never wanted to play for very long.
Cara Hunter (Murder in the Family)
Meluhha – land of ivory – was centred around two cities, Harappa and Mohenjo-daro, on the Indus (Pakistan but extending into India and Afghanistan), so well planned that they were built in grids with standardized bricks and even boasted public rubbish bins, and public lavatories and sewers that London would not possess until the nineteenth century and that are not universal in south Asia today. Using their own (still undeciphered) script, their workshops made jewellery in ivory, gold, carnelian, as well as textiles and ceramics. Mohenjo-daro may have housed as many as 85,000 people, the biggest city in the world, but its largest building was a public bath – no palaces, no ziggurats.
Simon Sebag Montefiore (The World: A Family History of Humanity)
The Wombles was a hugely popular, animated children's TV series, about a family of diminutive creatures living on Wimbledon Common .... "making good use of the things that [they] find, things that the everyday folks leave behind. " it was essentially a show about recycling ... It became so popular that Merton council, which presides over the borough of Wimbledon, had to deal with a sharp increase in littering, after children desperate to catch a glimpse of these little eco-warriors began willfully discarding rubbish across the common.
Simon Pegg (Nerd Do Well)
Not to encounter a true teacher will result in being led around by your feelings and emotions. The case of the foolish son of a wealthy man leaving home with the family treasure and throwing it away like so much rubbish is truly a pathetic one.51 Likewise, to the extent that we are familiar with what the work of the tenzo is we must not squander it.
Dōgen (How to Cook Your Life: From the Zen Kitchen to Enlightenment)
Don't read their rubbish... Read mine ☺️
Jacqueline Creek (The Girl with the Emerald Brooch: Growing up: 1954 - 1965)