Rubbing Hand Quotes

We've searched our database for all the quotes and captions related to Rubbing Hand. Here they are! All 100 of them:

I love you, Hermione,” said Ron, sinking back, rubbing his eyes wearily. Hermione turned faintly pink, but merely said, “Don’t let Lavender hear you saying that.” “I won’t,” said Ron into his hands. “Or maybe I will . . . then she’ll ditch me . . .
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Jealous?' Luce asked. They were alone now. She threw her arms around his broad shoulders and looked deep into his violet eyes. 'Why would you be jealous?' 'Because,' he said, rubbing his hands across her back. 'Your dance card is full. For all eternity.
Lauren Kate (Torment (Fallen, #2))
Daemon!" Dee called from the kitchen. "I need your help!" "We should go see what she's doing before she destroys your kitchen." He rubbed his hands down his face. "It's possible.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Leo!” Jason was shaking his shoulder. “Hey, man, why are you hugging Nike?” Leo’s eyes fluttered open. His arms were wrapped around the human-sized statue in Athena’s hand. He must have been thrashing in his sleep. He clung to the victory goddess like he used to cling to his pillow when he had nightmares as a kid. (Man, that had been so embarrassing in the foster homes.) He disentangled himself and sat up, rubbing his face. “Nothing,” he muttered. “We were just cuddling.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
She yawned, and Rowan rubbed his eyes, his other hand still in hers. But he didn't let go. And when she awoke before dawn, warm and safe and rested, Rowan was still holding her hand, clasped to his chest.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand. Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed. Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence. "You. Do you haf any qualities dat distinguish you in any way?" Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit. His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings." "Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!" "Hardly a special talent," ter Borcht said witheringly. Nudge was offended. "Yeah? Let's see YOU do it." ... "I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing." Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony." Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?" "Only when I'm trying to steal their dessert" ...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica." "I vill now destroy de Snickuhs bahrs!" Gazzy barked.
James Patterson
Walking over to Iggy, he poked him with his shoe. "Does anysing on you vork properly?" Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony." Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold onto someone's shirt, yes? Following dem closely?" "Only when I'm trying to steal their dessert," Iggy said truthfully.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Every time I look into his eyes I just want to take the ice cream or whatever I've got in my hand and rub it into his face. That's how much I like him.
Banana Yoshimoto (Goodbye Tsugumi)
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor. "What do you want?" I demanded. "A moment of peace and quiet," he snapped, rubbing his temples. I paused. "From what?" He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess." I sat up farther on my pallet of the hay. I'd never seen him so candid. "That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot." So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?" The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - " "You can leave if you're just going to insult me." "But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Finally, Cinder gulped. "I'm sorry I had to --" She gestured at the unconscious wedding coordinator, then waved her hand like shaking it off. "But she'll be fine, I swear. Maybe a little nauseous when she comes to, but otherwise...And your android...Nainsi, right? I had to disable her. And her backup processor. But any mechanic can return her to defaults in about six seconds, so..." She rubbed anxiously at her wrist. "Oh, and we ran into your captain of the guard in the hallway, and a few other guards, and I may have scared him and he's, um, unconscious. Also. But, really, they'll all be fine. I swear." Her lips twitched into a brief, nervous smile. "Um...hello, again. By the way.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Mary dashed the rain from her eyes with a frozen hand. Was that a knife buried in the man’s chest with the blood seeping up around it? Doesn’t that mean he’s alive? Although with the blade at that angle, it can’t be for long. Colors swam in the water coating Mary’s vision. She rubbed her face, and with every shuttering breath, even before she could see his features, she knew her son, George, the son she had never met, was dead.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
For the moment, he's off plotting his Igoresque revenge. I don't know about you, but I have this image of him rubbing his hands together and laughing like Dexter from Dexter's Laboratory. (Kyrian)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Onscreen, Foaly rubbed his eyelids with his index fingers. "Yeah, yeah. Here we go. Captain Short goes rogue once more. Hands up who's surprised. Anyone?
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
I hold the bottle out into the rain and watch as the steady flow slowly fills it. When there is enough, enough that Beth can clearly see, I close the bottle and hand it to her. She raises a skeptical eyebrow, but accepts the bottle. "It's our rain Beth." Her head barely shakes to show her confusion while I rub the back of my neck and search for my courage. "I told you I loved you in this rain and when you doubt my words, I want you to look at this bottle.
Katie McGarry (Dare You To (Pushing the Limits, #2))
Worry not, ice-boy. I already have a plan.” I flashed him my best impish smile, rubbing my hands together. “One brilliant Goodfellow prank, coming right up.” -puck
Julie Kagawa (Summer's Crossing (Iron Fey, #3.5))
I went to a tattoo parlor and had YES written onto the palm of my left hand, and NO onto my right palm, what can I say, it hasn't made my life wonderful, its made life possible, when I rub my hands against each other in the middle of winter I am warming myself with the friction of YES and NO, when I clap my hands I am showing my appreciation through the uniting and parting of YES and NO, I signify "book" by peeling open my hands, every book, for me, is the balance of YES and NO, even this one, my last one, especially this one. Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
Jonathan Safran Foer
Don't kill!... The fly is asking you To save his life By rubbing his hands together
Kobayashi Issa
I rubbed my hand over my chest, just above my heart. Mrs. Casnoff watched with a look of concern. "Did he hurt you?" "No," I told her. "He didn't." Nowhere you could see, at least.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure.
Roland Barthes (A Lover's Discourse: Fragments)
Second-hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack. Besides, in this random miscellaneous company we may rub against some complete stranger who will, with luck, turn into the best friend we have in the world.
Virginia Woolf (Street Haunting)
She sighed as she set her spade down before turning to look at him. She was crying. Linus didn’t hesitate as he scooped her up in his arms. She buried her face in his neck, beard tickling his throat. “I am going to bury you right here,” she sobbed. “I’m digging your grave, just so you know.” “I know,” he said, rubbing a hand over her back. “I would expect nothing less.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Zane’s good hand flashed out and smacked Ty upside the back of the head. “Ow! What the hell?” Ty cried as he rubbed his head and huffed. “You’re lucky I repress the Instakill for you,” he muttered.
Madeleine Urban (Cut & Run (Cut & Run, #1))
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time." An hour later, he had his answer. "Not practicing, huh?" "Ow,” I groaned, momentarily incapable of normal speech. He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times. "I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow. "You’d hate me more if I held back." "Yeah, that’s true," I agreed, staggering along as the class put the equipment back. "You actually did okay." "What? I just had my ass handed to me." "Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly. "Did I mention I hate you?” He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—" "They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue. "Extra sessions with who?" "That tall guy. Dimitri." Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?" "Yeah, so what?" "So the man is a god." "Exaggerate much?" I asked. "No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you." Great. Something else to improve my day.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
The giant raised his fist, and a voice cut through the dream. "Leo!" Jason was shaking his shoulder. "Hey, man, why are you hugging Nike?" Leo's eyes fluttered open. His arms were wrapped around the human-sized statue in Athena's hand. He must have been thrashing in his sleep. He clung to the victory goddess like he used to cling to his pillow when he had nightmares as a kid. (Man, that had been so embarrassing in the foster homes.) He disentangled himself and sat up, rubbing his face. "Nothing," he muttered. "we were just cuddling. Um, what's going on?
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Hamish smiled and rubbed his hands together. "Sure we can. What do you say? Pigs in a Blanket?" He leaned over the cool counter and raised his eyebrows at Gabrielle. "The only way I'll get under a blanket with you is if both of us are on fire," she told him.
Ally Carter (Uncommon Criminals (Heist Society, #2))
How can you be like this?' I whisper. 'How can you even trust me, after everything?' 'I'm not sure I do trust you,' he whispers back. He reaches out with his other hand and touches my stomach. I feel it drop to the floor. (My stomach, that is.) 'But...' He shrugs. He's rubbing my stomach, and I close my eyes-because it feels good. (So good.) And also because I want him to kiss me again.
Rainbow Rowell (Carry On (Simon Snow, #1))
Oh God,” Jase groaned, rubbing a hand down his jaw. “She’s a friend, Dad.” “Uh-huh.” His father backed up, picking up the bucket. “Friends with a pretty gal like that, then you’re doing something wrong, son.
J. Lynn (Be with Me (Wait for You, #2))
Stars, that hand gets cold,” Kai murmured. Rolling onto his back, he took the prosthetic hand in between both of his palms, warming it as he would warm icy fingers on a winter’s day. Cinder sat up and looked down at him. His eyes were still closed. He could have fallen asleep again, but for his palms rubbing over her metal hand. His shirt was rumpled, his hair tousled against the sheets. “Kai?” He grunted in response. “I love you.” A sleepy smile curved across his mouth. “I love you too.” “Good.” Leaning over, she kissed him fast. “Because I’m taking the shower first.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Good. Well. Shit." Locke rubbed his gloved hands together. "I guess that's that. I'm all out of rhetorical flourishes.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
I love you," she sobbed, rubbing her hands over his face, his hair, his chest, making sure he was solid and real. "I love you, and I thought you were dead. I couldn't bear it. I thought I would die too." "I'd walk through fire for you," he rasped, his voice hoarse and broken. "I have walked through fire for you.
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
That is one fine female, true?" V said. There was a low, affirmative grumble. "And someone you do not want to mess with," the brother continued. "Man, you should have seen her when we came into that barn. She was standing over his body, ready to take the cop and me on with her bare hands if she had to. Like Wrath was her cub, you feel me?" "Wonder if she has a sister?" Rhage asked. Phury laughed. "You wouldn't know what to do with yourself if you ran into a female of worth." "This coming from you, Celibate?" But then Hollywood rubbed the stubble on his chin, as if considering the ways of the universe. "Ah, hell, Phury, you're probably right. Still, a male can dream." "He sure can," V murmured.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
What have you done to me?" Rhysand stood, running a hand through his short, dark hair. It's custom in my court for bargains to be permanently marked upon flesh." I rubbed my left forearm and hand, the entirety of which was now covered in swirls and whorls of black ink. Even my fingers weren't spared, and a large eye was tattooed in the center of my palm. It was feline, and its slitted pupil stared right back me. "Make it go away," I said, and he laughed. "You humans are truly grateful creatures, aren't you?
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
As soon as my fingers graze her skin, chills rush down her arms. She tightens her arms over her chest and rubs the chills away. I can’t help but grin, knowing it was my hand on her skin that did that to her. Best. Feeling. Ever.
Colleen Hoover (Losing Hope (Hopeless, #2))
Sorry," I rub a hand over my throat. "I don't speak bitch.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
I rub the ears of my dog, my stupid goddam ruddy great dog that I never wanted but who hung around anyway and who followed me thru the swamp and who bit Aaron when he was trying to choke me and who found Viola when she was lost and who's licking my hand with his little pink tongue and whose eye is still mostly squinted shut from where Mr. Prentiss Jr. kicked him and whose tail is way way shorter from where Matthew Lyle cut it off when my dog - my dog - went after a man with a machete to save me and who's right there when I need pulling back from the darkness I fall into and who tells me who I am whenever I forget.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
Wraith rubbed his hands together in cheesy horror-movie glee. “Join us or die.” He grinned. “I’ve always wanted to say that.
Larissa Ione (Pleasure Unbound (Demonica, #1))
Laura looked up at him with dead blue eyes. I want to be alive again," she said. "Not in this half-life. I want to be really alive. I want to feel my heart pumping in my chest again. I want to feel blood moving through me — hot, and salty, and real. It's weird, you don't think you can feel it, the blood, but believe me, when it stops flowing, you'll know." She rubbed her eyes, smudging her face with red from the mess on her hands. Look, it's hard. You know why dead people only go out at night, puppy? Because it's easier to pass for real, in the dark. And I don't want to have to pass. I want to be alive.
Neil Gaiman (American Gods (American Gods, #1))
Yamane reached out a hand. "You've got something on your lip," he murmured, rubbing it gently with his thumb. "What?" Rory froze "Me," said Yamane, closing the distance for a kiss.
Z.A. Maxfield (Drawn Together)
Here was her mother sitting down across from her, reaching for her hands and chafing them as if she were frozen. She felt the rub of her mother’s wedding ring against her skin, and her mother’s face swam into focus, her brown eyes full of the sharp worry of love, and Lily thought, You will never look at me like this again.
Malinda Lo (Last Night at the Telegraph Club)
It's not your bra. It's our bra and I want it off." I slip it off her, pulling her against me as I rub my hands down the length of her back, then around to the button on the front of her jeans. "And I want to take off our pants." She grins against my lips and slowly nods. "Okay, but hurry," she whispers. "I can be quick," I assure her. "But I'll never hurry.
Colleen Hoover (This Girl (Slammed, #3))
I love you. I love the way you rub the scar on the back of your hand when you're nervous. I love the way you make a sword into a living part of your body. I love the way you burn your eyes into me, as if you're seeing me fresh every time. I love the black streak in you that wants to kill the world, and the soft streak that is sorry afterward. I love the way you laugh, as if you're surprised that you can laugh at all. I love the way you kiss my breath away. I love the way you breathe and speak and smile. I love the way you take the air out of my lungs when you hold me. I love the way you make a dance out of death. I love the confusion I see in your eyes when you realize you are happy. I love every muscle and bone in your body, every twist and bend in your soul.
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
Books are everywhere; and always the same sense of adventure fills us. Second-hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack. Besides, in this random miscellaneous company we may rub against some complete stranger who will, with luck, turn into the best friend we have in the world.
Virginia Woolf (Street Haunting)
Whenever you feel a little stricken down in pain, think about this. The knife has to be sharpened by striking and rubbing it against something strong before it can become useful! You are going to be great after the struggles.
Israelmore Ayivor (The Great Hand Book of Quotes)
In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.
Vladimir Nabokov (Lolita)
Right,' Thomas said. 'Where are we headed?' 'To where they treat me like royalty,' I said. 'We're going to Burger King?' I rubbed the heel of my hand against my forehead and spelled fratricide in a subvocal mutter, but I had to spell out temporary insanity and justifiable homicide, too, before I calmed down enough to speak politely. 'Just take a left and drive. Please.' 'Well,' Thomas said, grinning, 'since you said 'please' - Thomas Raith & Harry Dresden, Small Favor, Jim Butcher
Jim Butcher (Small Favor (The Dresden Files, #10))
Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone shakes from the ripple of a thousand butterflies inside a single stomach. Somewhere someone is packing their bags to see the world with someone else. Somewhere someone is reaching through the most terrifying few feet of space to hold the hand of someone else. Somewhere someone is watching someone else’s chest rise and fall with the breath of slumber. Somewhere someone is pouring ink like blood onto pages fighting to say the truth that has no words. Somewhere someone is waiting patient but exhausted to just be with someone else. Somewhere someone is opening their eyes to a sunrise in someplace they have never seen. Somewhere someone is pulling out the petals twisting the apple stem picking up the heads up penny rubbing the rabbits foot knocking on wood throwing coins into fountains hunting for the only clover with only 4 leaves skipping over the cracks snapping the wishbone crossing their fingers blowing out the candles sending dandelion seeds into the air ushering eyelashes off their thumbs finding the first star and waiting for 11:11 on their clock to spend their wishes on someone else. Somewhere someone is saying goodbye but somewhere someone else is saying hello. Somewhere someone is sharing their first or their last kiss with their or no longer their someone else. Somewhere someone is wondering if how they feel is how the other they feels about them and if both theys could ever become a they together. Somewhere someone is the decoder ring to all of the great mysteries of life for someone else. Somewhere someone is the treasure map. Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone is wrong.
Tyler Knott Gregson
It’s the cavalry,” Digger said. “Thank Christ,” Kelly grumbled. He raised his hands, rubbing at one wrist and dropping his handcuffs to the floor. “What the hell, man?” Nick whispered. “What? They were too tight.” Digger dropped his cuffs to the floor with a clank that echoed through the station. “If he’s not wearing his, neither am I.
Abigail Roux (Touch & Geaux (Cut & Run, #7))
The sun has blessed you," Sarita used to say. "Look how he has left his kisses on your face for all to see and be jealous." "The sun loves you more," I said, rubbing my hands over her dry arms, the color of an aged wine gourd, and she laughed. But this is not India and we are not prized for our freckles here. The sun is not allowed to show his love.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
„One down,” I said, turning to Kale. He wasn't paying attention. His gaze was fixed on the red silk baby doll in my hand. „What is this?” he asked, rubbing the satiny material between his fingers. „Clothes” I said. „For women.” His eyes widened. „Girls wear this?” „Yeah, but usually not for long” I chuckled. Kale turned as red as the teddy. „Are you going to wear this now?” „Umm. No,” I said, blushing. He seemed a little disappointed and I stifled a laugh.
Jus Accardo (Touch (Denazen, #1))
Quan gave him an impatient look. "Did you touch her clit at all?" "What's that?" "Oh hell," Michael said. Quan smacked his palm to his forehead. "Her clitoris. It's where you stimulate her to make her come." "Where is it?" Quan rubbed both hands over his face as Michael repeated, "Oh hell.
Helen Hoang (The Bride Test (The Kiss Quotient, #2))
She yawned, and Rowan rubbed his eyes, his other hand still in hers. But he didn’t let go. And when she awoke before dawn, warm and safe and rested, Rowan was still holding her hand, clasped to his chest. Something molten rushed through her, pouring over every crack and fracture still left gaping and open. Not to hurt or mar—but to weld. To forge.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Who ain’t a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way— either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other’s shoulder-blades, and be content.
Herman Melville (Moby-Dick)
And just as she was about to leave the microphone, she said, “And to anyone tempted to kiss the TV tonight, please don’t chip your tooth.” “Mom, why are you crying?” Connor asked. I put my hand to my face and realized that I had teared up. Harry smiled at me and rubbed my back. “You should call her,” he said. “It’s never a bad idea to bury hatchets.” Instead, I wrote a letter. My Dearest Celia, Congratulations! You absolutely deserve it. There is no doubt you are the most talented actress of our generation. I wish for nothing more than your complete and total happiness. I did not kiss the TV this time, but I did cheer just as loudly as I did the other times. All my love, Edward Evelyn
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
He looks down at our joined hands. He rubs his thumbs over my knuckles. “I haven’t felt like I’ve had a real home in years.” Cash pauses and looks up, his eyes meeting mine. They are warm. They are sweet. They are sincere. “Until I met you. You feel like home. And that’s more important than anything else. You’re my home now. You’re what matters.
M. Leighton (Down to You (The Bad Boys, #1))
But I regret, with every fiber of my being, that for even one moment you suffered under my hands.” Her eyes widen, the beautiful shades of brown glossing over. “You are, without a doubt, the only good I’ve ever known.” I rest my forehead on hers, my shaky breaths ghosting across her lips, my thumb rubbing against her cheek. “So… don’t lie to me, Wendy, darling. Because my heart won’t survive it if you do.
Emily McIntire (Hooked (Never After, #1))
Sophos, you sleep with a knife under your pillow? I'm hurt." "I'm sorry," said Sounis, afraid that he had made contact with his wild swing. "I was joking. Wake up the rest of the way, would you?" "Gen, it's the middle of the night." "I know," said the king of Attolia. Sounis tried to rub the sleep out of his eyes. He was sitting up in his bed. The sky was still entirely dark, and he couldn't have been asleep for long. He suspected that he had just dropped off. The bare knife was still in his hand, he realized, and he rooted under his pillow for the sheath. "Don't you trust my palace security?" "Yes, of course," Sounis said, trying to think of some other reason besides mistrust to sleep with a knife. He heard Eugenides laugh. "My queen and I sleep with a matched set under our pillows, as well as handguns in pockets on the bedposts. Don't be embarrassed.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
We are kissing like crazy. Like our lives depend on it. His tongue slips inside my mouth, gentle but demanding, and it’s nothing like I’ve ever experienced, and I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever. He pushes me backward and we’re lying down, making out in front of the children with their red balloons and the old men with their chess sets and the tourists with their laminated maps and I don’t care, I don’t care about any of that. All I want is Étienne. The weight of his body on top of mine is extraordinary. I feel him—all of him—pressed against me, and I inhale his shaving cream, his shampoo, and that extra scent that’s just . . . him. The most delicious smell I could ever imagine. I want to breathe him, lick him, eat him, drink him. His lips taste like honey. His face has the slightest bit of stubble and it rubs my skin but I don’t care, I don’t care at all. He feels wonderful. His hands are everywhere, and it doesn’t matter that his mouth is already on top of mine, I want him closer closer closer.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
My new 9mm didn’t fit my hand as well as my old one, but it was rapidly becoming a familiar weight. At first I’d decided it was okay to wear as long as I shot only at supernatural bad guys who were already shooting at me. Lately, I’d had to broaden that definition to anytime my life was in danger. I was currently leaning toward a slightly more comprehensive rule somewhere between proactive self-defense and the-bastards-had-it-coming, which, if I survived long enough, I intended to blame on my deranged partner rubbing off on me.
Karen Chance (Embrace the Night (Cassandra Palmer, #3))
Oh, this is a special blend for you." Taking one of the fingers she hadn't licked, he rubbed it along her lips. "What we usually shed is apparently comparable to the most delicious of chocolates or the finest of wines. Decadent, rich, and very expensive." She told herself she wasn't going to lick the glitter off her lips. "And this blend?" The taste was inside her mouth without her having any knowledge of taking it in. And Raphael was incredibly close, his wings creating a white gold wall all around them his hands strong and warm on her hips. "What's so special about it?" "This blend," he murmured, bending his head, "is about sex." She put her hands on his chest but it wasn't a protest. After the blood, the fear, she needed to touch him, to know this glorious creature existed. "Another form of mind control?" He shook his head, his mouth a hairbreadth from hers. "It's only fair." "Fair?" She flicked her tongue along his lower lip. It made his hands clench on her hips. "If I licked you between your thighs, your taste would have the same aphrodisiac effect on me.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
And indeed there will be time for the yellow smoke that slides along the street rubbing its back upon the window-panes; there will be time , there will be time to prepare a face to meet the faces that you meet; there will be time to murder and create, and time for all the works and days of hands that lift and drop a question on your plate; time for you and time for me, and time yet for a hundred indecisions, and for a hundred visions and revisions, before the taking of toast and tea.
T.S. Eliot (The Waste Land and Other Poems)
Let me look at you.” I pull away and put my hands on his cheeks, examining his face. Blue eyes, of course. And how could I forget that mouth? Thin pink lips with one crooked corner always suggesting a mocking smile. My God, how had I never noticed before how handsome he is? “You need a haircut.” He rubs the side of his thumb over my cheekbone. “You’re beautiful.
Cristin Terrill (All Our Yesterdays)
Jenks: “I can’t even pix anyone. I sweat now instead of dusting, did you know that? I’ve got water coming off me instead of dust. What the hell can I do with sweat? Rub up against someone and make them puke in disgust? I’ve seen you sweat, and it’s not pretty. I don’t even want to think about sex, two sweaty bodies pressed against each other like that? Disgusting. Talk about birth control—it’s no wonder you only have a handful of kids.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
There has never been a just [war], never an honorable one--on the part of the instigator of the war. I can see a million years ahead, and this rule will never change in so many as half a dozen instances. The loud little handful--as usual--will shout for the war. The pulpit will--warily and cautiously--object--at first; the great, big, dull bulk of the nation will rub its sleepy eyes and try to make out why there should be a war, and will say, earnestly and indignantly, 'It is unjust and dishonorable, and there is no necessity for it.' Then the handful will shout louder. A few fair men on the other side will argue and reason against the war with speech and pen, and at first will have a hearing and be applauded; but it will not last long; those others will outshout them, and presently the anti-war audiences will thin out and lose popularity. Before long you will see this curious thing: the speakers stoned from the platform, and free speech strangled by hordes of furious men who in their secret hearts are still at one with those stoned speakers--as earlier--but do not dare say so. And now the whole nation--pulpit and all--will take up the war-cry, and shout itself hoarse, and mob any honest man who ventures to open his mouth; and presently such mouths will cease to open. Next the statesmen will invent cheap lies, putting the blame upon the nation that is attacked, and every man will be glad of those conscience-soothing falsities, and will diligently study them, and refuse to examine any refutations of them; and thus he will by and by convince himself the war is just, and will thank God for the better sleep he enjoys after this process of grotesque self-deception.
Mark Twain (The Mysterious Stranger and Other Stories)
I love you,” he whispered, rubbing his jaw against her temple. “And you love me. I can feel it when you’re in my arms.” He felt her stiffen slightly and draw a shaky breath, but she either couldn’t or wouldn’t speak. She hadn’t thrown the words back in his face, however, so Ian continued talking to her, his hand roving over her back. “I can feel it, Elizabeth, but if you don’t admit it pretty soon, you’re going to drive me out of my mind. I can’t work. I can’t think. I make decisions and then I change my mind. And,” he teased, trying to lighten the mood by using the one topic sure to distract her, “that’s nothing to the money I squander whenever I’m under this sort of violent stress. It wasn’t just the gowns I bought, or the house on Promenade...” Still talking to her, he tipped her chin up, glorying in the gentle passion in her eyes, overlooking the doubt in their green depths. “If you don’t admit it pretty soon,” he teased, “I’ll spend us out of house and home.” Her delicate brows drew together in blank confusion, and Ian grinned, taking her hand from his chest, the emerald betrothal ring he had bought her unnoticed in his fingers. “When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of these in every color.
Judith McNaught (Almost Heaven (Sequels, #3))
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer." I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back. "What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?" "Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?" "Because," I said as I felt the familiar twisting in my stomach. "You saw me lose it. You saw me almost go insane." The muscles in his shoulders visibly tensed. "I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us." Noah inhaled and slowly let the air out. His stance softened and so did his voice. "If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Jaime," I said softly, "are you happy about it? About the baby?" Outlawed in Scotland, barred from his own home, and with only vague prospects in France, he could pardonably have been less than enthused about acquiring an additional obligation. He was silent for a moment, only hugging me harder, then sighed briefly before answering. "Aye, Sassenach," His hand stayed downward, gently rubbing my belly. "I'm happy. And proud as a stallion. But I am most awfully afraid too." "About the birth? I'll be all right." I could hardly blame him for apprehension; his own mother had died in childbirth, and birth and its complications were the leading cause of death for women in these times. Still, I knew a thing or two myself, and I had no intention whatever of exposing myself to what passed for medical care here. "Aye, that--and everything," he said softly. "I want to protect ye like a cloak and shield you and the child wi' my body." His voice was soft and husky, with a slight catch in it. "I would do anything for ye...and yet...there's nothing I can do. It doesna matter how strong I am, or how willing; I canna go with you where ye must go...nor even help ye at all. And to think of the things that might happen, and me helpless to stop them...aye, I'm afraid, Sassenach. "And yet"--he turned me toward him, hand closing gently over one breast--"yet when I think of you wi' my child at your breast...then I feel as though I've gone hollow as a soap bubble, and perhaps I shall burst with joy.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
The smell of it. The feel of it." He rubbed one hand up and down the stained sheath of his sword, making a faint swishing sound. "War is honest. There's no lying to it. You don't have to say sorry here. Don't have to hide. You cannot. If you die? So what? You die among friends. Among worthy foes. You die looking the Great Leveller in the eye. If you live? Well, lad that's living, isn't it? A man isn't truly alive until he's facing death." Whirrun stamped his foot into the sod. "I love war!
Joe Abercrombie (The Heroes)
Lowering my chin, I sighed. What my Seth wanted, I wanted, but... daimons? I rubbed my hands on my bent knees and sighed again - louder, like a petulant child. Aiden's back twisted as he turned his head. "What, Alex?" "Nothing," I mumbled. "There's something." He leaned back, tipping his head against the bar. "You have that tone." I frowned at the wall. "What tone?" "The 'I have something I want to say but I shouldn't' tone" A little bit of humor seeped into his voice. "I'm well familiar with it." Well... damn.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
A hand in her hair, wrenching back her head. "What's my name?" She scratched trails down his back. He didn't even wince. "My name, kitty. Say my name." "Mr. Mud Stick, Muddie for short," she said, even as she rubbed herself against the hard thrust of his denim-covered erection, the roughness of the fabric an exquisite sensation. She would've liked naked skin even more, but he wasn't budging. "Say it, or no cock for you today." Her mouth fell open. "Fuck you." "You'll be doing that shortly.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
Willow's eyes flew to his, startled. They stared at each other. Her foot felt small under his hand; he rubbed it lightly with his thumb, feeling the silky heat of her skin, his pulse hammering through his veins. He felt like he was falling. All he could see was her. She looked closed to tears. "Alex--" Leaning across the corner of the table, he cradled her face in his hands and kissed her. Her lips were soft and warm. With a sob, Willow returned the kiss, throwing her arms around his neck. He opened his mouth, tasting her; felt her hair tumble down around his hands. Happiness burst through him, exploding through his chest. Willow. Oh, God. Willow.
L.A. Weatherly (Angel Burn (Angel, #1))
… that sour blend of loneliness and lust for recognition, shyness and extravagance, deep insecurity and self-intoxicated egomania, that drives poets and writers out of their rooms to seek each other out, to rub shoulders with one another, bully, joke, condescend, feel each other, lay a hand on a shoulder or an arm round a waist, to chat and argue with little nudges, to spy a little, sniff out what is cooking in other pots, flatter, disagree, collude, be right, take offence, apologise, make amends, avoid each other, and seek each other’s company again.
Amos Oz (A Tale of Love and Darkness)
And when Finnikin grabbed her to him and buried his face in her neck and then bent down and placed his mouth on hers, the others pretended that there was something very interesting happening in the meadow. The priest-king even pointed at the nothing they were pretending to see. But Froi didn’t. He just watched the way Finnikin’s hands rested on Evanjalin’s neck and he rubbed his thumb along her jaw and the way his tongue seemed to disappear inside her mouth as if he needed a part of her to breathe himself. And Froi wondered what Evanjalin was saying against Finnikin’s lips when they stopped because whatever the words were it made them start all over again and this time their hunger for each other was so frightening to watch that it made Froi look away.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
She buried her face in his neck, beard tickling his throat. "I am going to bury you right here," she sobbed. "I'm digging your grave, just so you know." "I know," he said, rubbing a hand over her back. "I would expect nothing less." "No one would ever be able to find you! And even if they did, it would be too late and you'd be only bones!" "Perhaps we can hold off on that, for at least a little while, I have something important to say to all of you." She sniffled. "Perhaps. But if I don't like what I hear, we come right back and you will climb inside the hole without arguing.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
God what an outfield,' he says. 'What a left field.' He looks up at me, and I look down at him. 'This must be heaven,' he says. No. It's Iowa,' I reply automatically. But then I feel the night rubbing softly against my face like cherry blossoms; look at the sleeping girl-child in my arms, her small hand curled around one of my fingers; think of the fierce warmth of the woman waiting for me in the house; inhale the fresh-cut grass small that seems locked in the air like permanent incense; and listen to the drone of the crowd, as below me Shoelss Joe Jackson tenses, watching the angle of the distant bat for a clue as to where the ball will be hit. I think you're right, Joe,' I say, but softly enough not to disturb his concentration.
W.P. Kinsella (Shoeless Joe)
After It happens when I’m at bodegas. It happens when I’m at school. It happens when I’m on the train. It happens when I’m standing on the platform. It happens when I’m sitting on the stoop. It happens when I’m turning the corner. It happens when I forget to be on guard. It happens all the time. I should be used to it. I shouldn’t get so angry when boys—and sometimes grown-ass men— talk to me however they want, think they can grab themselves or rub against me or make all kinds of offers. But I’m never used to it. And it always makes my hands shake. Always makes my throat tight. The only thing that calms me down after Twin and I get home is to put my headphones on. To listen to Drake. To grab my notebook, and write, and write, and write all the things I wish I could have said. Make poems from the sharp feelings inside, that feel like they could carve me wide open. It happens when I wear shorts. It happens when I wear jeans. It happens when I stare at the ground. It happens when I stare ahead. It happens when I’m walking. It happens when I’m sitting. It happens when I’m on my phone. It simply never stops.
Elizabeth Acevedo (The Poet X)
Slowly, I reached over and poked his arm. It felt like real flesh, warm and hard. Disappointed, I poked him again. I was expecting something amazing—celestial—by touching him. Instead all I got were weird looks from everyone in the room, including Apollo. “Please stop touching me,” Apollo said. I jabbed his arm again. “Sorry. It’s just that you’re real. I mean, I just thought you guys weren’t really around here.” “Alex.” Aiden sat on the edge of the bed. “You should probably stop touching him.” “Whatever.” I dropped my hand into my lap. I still wanted to touch him, though, which was really weird. I kind of wanted to rub all over him like a cat or something… and that was more than weird, and a little uncomfortable.
Jennifer L. Armentrout (Deity (Covenant, #3))
He kissed her a little more deeply and was happy to hear her gasp of pleasure. The sound brought his erection back to life, and he brushed his fingertips over her collarbone. "How 'bout you hop on up here with me?" "I don't think you're quite ready for that yet." "Wanna bet?" He took her hand and put it under the hospital sheets. The throathy laugh as she gripped him gently was yet another marvel. Just like her constant presence in his room, her fierce protection of him, her love, her strength. She was everything to him. His whole world. He'd gone from being blasé about his death to being desperate to live. For her. For them. For their future. "What do you say we give it another day?" she said. "An hour." "Until you can sit up on your own." "Deal." Thank God he was a fast healer. (..............) Wrath struggled on the bed, trying to force himself upright so that he bore the weight of his upper body on his hips. Beth watched him the whole time, refusing to help. When he was steady, he rubbed his hands together in anticipation. He could feel her skin already. "Wrath," she said with warning as he beamed at her. "Come up here, leelan, A deal's a deal.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, the will butting its blunt head against the world's wall, suchlike, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say shocking, realisation. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have ever truly ever wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky's indifferent gaze and the air's harsh damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.
John Banville (The Sea)
A boy was watching his grandmother write a letter. At one point he asked: ‘Are you writing a story about what we’ve done? Is it a story about me?’ His grandmother stopped writing her letter and said to her grandson: I am writing about you, actually, but more important than the words is the pencil I’m using. I hope you will be like this pencil when you grow up.’ Intrigued, the boy looked at the pencil. It didn’t seem very special. ‘But it’s just like any other pencil I’ve ever seen!’ ‘That depends on how you look at things. It has five qualities which, if you manage to hang on them, will make you a person who is always at peace with the world.’ ‘First quality: you are capable of great things, but you must never forget that there is a hand guiding your steps. We call that hand God, and He always guides us according to His will.’ ‘Second quality: now and then, I have to stop writing and use a sharpner. That makes the pencil suffer a little, but afterwards, he’s much sharper. So you, too, must learn to bear certain pains and sorrows, because they will make you a better person. ‘Third quality: the pencil always allows us to use an eraser to rub out any mistakes. This means that correcting something we did is not necessarily a bad thing; it helps to keep us on the road to justice.’ ‘Fourth quality: what really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.’ ‘Finally, the pencil’s fifth quality: it always leaves a mark. in just the same way, you should know that everything you do in life will leave a mark, so try to be conscious of that in your every action
Paulo Coelho (Like the Flowing River)
The dragon flew up and settled in the crook of Mina’s hood, and quickly became invisible again. “I don’t trust that thing,” Jared shot back. “Relax, I find him quite cute. Isn’t that right, Ander?” She held up a finger and felt the invisible dragon rub its face against her. “Great, you’ve named it, now you’re gonna want to keep it. But I’m telling you that thing better be house-trained.” He turned to the bookshelf and began to pull open the book to open the hidden exit door. Mina felt Ander leave her shoulder but didn’t let Jared know he was missing. She saw Constance’s teacup float mysteriously above Jared’s head. She clapped her hand over her mouth to contain the laughter. A second later the cup turned over, spilling lukewarm tea on Jared’s unsuspecting head. “Oh, it better not have just peed on me!” he screamed.
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
Ellie, my darling, please explain to me why the office has been flooded with calls about, and I quote"--she crooked her fingers in the air--"a vicious vampire on the loose, a crazy knife-wielding maniac, and oh, this one's my favorite--an assassin carrying a gun!" "I can explain." Sara folded her arms and tapped one fashionably clad foot. "Explain why you flashed not only a knife but a gun? I hope to God you didn't actually use either of them without authoriation because if the VPA gets ahold of it, we're screwed." Elena rubbed the back of her neck. "Exigent circumstances. He was trying to make me his bed buddy. I declined. He gave chase." Ranson chocked back what sounded suspiciously like a laugh. "Why did you say no? It's been a dry spell of what, forever?" She threw him a dirty look before returning her gaze to Sara. "You know I'd never have considered using the gun otherwise." Sara heldup a hand. "How, exactly, did you 'decline' his offer?" "By slitting his throat.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
I felt my hand curl into a fist. Felt my elbow draw back. Felt my arm dart forward, my knuckles crack into Cole's jaw. I couldn't stop myself. His head whipped to the side, and blood leaked from a cut in his lip. Behind me, gasps of shock abounded. "I'm recovered," I said. "Believe me now?" Those violet eyes slitted when they found me. "Assault and battery is illegal." "So have me arrested." He closed what little distance there was between us. Suddenly I could feel his warmth of his breath caressing my skin. "How about I put you over my lap and spank you instead?" "How about I knee your balls into your throat?" "If you're going to play with that particular area, I'd rather you use your hands." "My hands aren't going near that area ever again." A pause. Then, "I bet I could change your mind," he whispered huskily. "I bet I could bash yours." I drew back another fist, but he was ready and caught me midswing. His pupils dilated, a sign of arousal. Another sign: he began to pant. He was acting like I'd tried to unbuckle his jeans rather than smack fire out of him. "Hit me again," he said, still using the same whispered tone, "and I'll take it as an invitation." I was just as bad. I trembled with longing I couldn't control and struggled to catch my breath. "An invitation to do what?" His grip loosened, his fingers rubbing my skin. A caress, not a warning. "I guess we'll find out together.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
I'm not sure I even believe in marriage," Hadley says and he looks surprised. "Aren't you on your way to a wedding?" "Yeah," she says with a nod. "But that's what I mean." He looks at her blankly. "It shouldn't be this big fuss, where you drag everyone halfway across the world to witness your love. If you want to share your life together, fine. But it's between two people, and that should be enough. Why the big show? Why rub it in everyone's faces?" Oliver runs a hand along his jaw, obviously not quite sure what to think. "It sounds like its weddings you don't believe in," he says finally. "Not marriage." "I'm not such a big fan of either at the moment." "I don't know," he says. "I think they're kind of nice." "They're not," she insists. "They're all for show. You shouldn't need to prove anything if you really mean it. It should be a whole lot simpler than that. It should mean something." "I think it does," Oliver says quietly. "It's a promise." "I guess so," she says, unable to keep the sigh out of her voice. "But not everyone keeps that promise." she looks over toward the woman, still fast asleep. "Not everyone makes it fifty-two years, and if you do, it doesn't matter that you once stood in front of all those people and said that you would. The important part is that you had someone to stick by you all that time. Even when everything sucked.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Just as there was a first instant when someone rubbed two sticks together to make a spark, there was a first time joy was felt, and a first time for sadness. For a while, new feelings were being invented all the time. Desire was born early, as was regret. When stubbornness was felt for the first time, it started a chain reaction, creating the feeling of resentment on the one hand, and alienation and loneliness on the other. It might have been a certain counterclockwise movement of the hips that marked the birth of ecstasy; a bolt of lightening that caused the feeling of awe. Contrary to logic, the feeling of surprise wasn’t born immediately. It only came after people had enough time to get used to things as they were. And when enough time had passed, and someone felt the first feeling of surprise, someone, somewhere else, felt the first pang of nostalgia.
Nicole Krauss (The History of Love)
Yes. Just now, I was actually trying to rank 'I love you, I like you, I worship you, I have to have my cock inside you,' in terms of relative sincerity. Did I day that? he said sounding slightly startled. Yes. Weren't you listening? No, he admitted. I meant every word of it though. His hand cupped one buttock, weighing it appreciatively. Still do come to that. What, even that last one? I laughed and rubbed my forehead gently against his chest, feeling his jaw rest snugly on top of my head. Oh, aye, he said gathering me firmly against him with a sigh. I will say the flesh requires a bit of supper and a wee rest before I think of doin' it again, but the spirit is always willing. God, ye have the sweetest fat wee bum. Only seeing it makes me want to give it yea again directly. It's lucky ye're wed to a decrepit auld man, Sessenach, or ye'd be on your knees with your arse in the air this minute.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
The temperature jumped another ninety degrees. Why couldn't anyone see in my life how awesome Noah was? I shoved up my sleeves, welcoming the cold air on my skin. "Echo, stop!" Ashley propelled her self out of the gliter. I froze and then remembered Ashley was damaged. I was going on a date, not to Vegas to elope. Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable? He rubbed his thumb over my hand. "I planned on taking her to my house to meet some of my friends." Noah could have told them he was getting me to the ghetto to buy us crack and they wouldn't have heard him. Ashley stood in place, staring at my exposed scars as my father stared at our combined hands. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars. I'd stopped breathing moments ago, as had Ashley. Noah continued as nothing earth-shattering had happened. "What time does Echo need to be home?" Blinking my self back to life, i answered for them, "My curfew is eleven." "Twelve." My father stood and extended his hand. "I didn't have a chance to properly introduce myself earlier. I'm Owen Emerson.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
The hand that rested on my shoulder rubbed it a bit, comfortingly. Then it gave my shoulder a little squeeze. I leaned into him. Maybe it was that I was broken. Maybe it was just that I was out of my mind. But it occurred to me that I was going to kiss him. The thought just arrived, certain knowledge, delivered from some greater, more knowledgeable place. I was going to kiss him. Stephen would not want to kiss me. He would back up in horror. And yet, I was still going to do it. I reached over, and put my hand against his chest, then I moved closer. I could feel just the very tips of the gentle stubble on his cheek brushing against my skin. "Rory," he said. But it was a quiet protest, and it went nowhere. For the first few seconds, he didn't move-he accepted the kiss like you might accept a spoonful of medicine. Then I heard it, a sigh, like he had finally set down a heavy weight. I was pretty sure we were both kind of terrified, but I was completely sure that we were both doing this. We kissed slowly, very deliberately, coming together and then pulling apart and looking at each other. Then each kiss got longer, and then it didn't stop. Stephen put his hand just under the edge of my shirt, holding it on the spot where the scar was. Sometimes the skin around the scar got cold-now it was warm. Now it was alive. "So Thorpe says that-Seriously?" Callum was in the doorway. Stephen mumbled what I think was a very obscene word right against my mouth. "You realize I now owe Boo five pounds?" Callum said. "Boo! I owe you five pounds!
Maureen Johnson (The Madness Underneath (Shades of London, #2))
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.” This Santa’s beard was real, and so was his hair. He wasn’t fucking around. “I’m not really a little boy,” I pointed out. “Get on my lap, then, big boy.” I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted his crotch. “Ho ho ho!” he chortled. I sat gingerly on his knee, like it was a subway seat with gum on it. “Have you been a good little boy this year?” he asked. I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes. He actually wobbled with joy. “Good! Good! Then what can I bring you this Christmas?” I thought it was obvious. “A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.” “So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.” “What?” I asked. He gestured with his eyes down to his stomach. “Go ahead.” I looked closely and saw the faint outline of an envelope beneath his red velvet coat. “You know you want it,” he whispered. The only way I could survive this was to think of it as the dare it was. Fuck off, Lily. You can’t intimidate me. I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear. I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap. “Security’s here!” the elf proclaimed. The letter was in my hand, damp but intact. “He touched Santa!” a young child squealed.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
But then something happened, Ray, something amazing. Something... "That white cop sitting next to me? He took a long look at my mother when she came in, just like, absorbed her, and then without even turning to me, he just put his hand on my back, up between my neck and shoulder... "And all he did was squeeze. Give me a little squeeze of sympathy, then rubbed that same spot with his palm for maybe two, three seconds, and that was it. "But I swear to you, nobody, in my entire life up to that point had ever touched me with that kind of tenderness. I had never experienced a sympathetic hand like that, and Ray, it felt like lightning. "I mean, the guy did it without thinking, I'm sure. And when dinnertime rolled around he had probably forgotten all about it. Forgot about me, too, for that matter... But I didn't forget. "I didn't walk around thinking about it nonstop either, but something like seven years later when I was at community college? The recruiting officer for the PD came on campus for Career Day, and I didn't really like college all that much to begin with, so I took the test for the academy, scored high, quit school and never looked back. "And usually when I tell people why I became a cop I say because it would keep Butchie and Antoine out of my life, and there's some truth in that. "But I think the real reason was because that recruiting officer on campus that day reminded me, in some way, you know, conscious or not, of that housing cop who had sat on the bench with me when I was thirteen. "In fact, I don't think it, I know it. As sure as I'm standing here, I know I became a cop because of him. For him. To be like him. God as my witness, Ray. The man put his hand on my back for three seconds and it rerouted my life for the next twenty-nine years. "It's the enormity of small things... Adults, grown-ups, us, we have so much power... And sometimes when we find ourselves coming into contact with certain kinds of kids? Needy kids? We have to be ever so careful...
Richard Price
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear so suddenly last night? It’s not like you to simply vanish without saying—” “I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.” Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask. “Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea. “Doing what?” Daisy asked blankly. Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
Jean-Paul Sartre (Nausea)
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
Amy Tan (The Joy Luck Club)
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away. "Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four." He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore. "Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time." "I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill." I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands. "You didn't have to insult me to prove something to them," I say finally. "And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?" "At my expense." "I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt." I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength. At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength. I stand on my tiptoes, lift my head, and kiss him.Only our lips touch. "You're brilliant,you know that?" I shake my head. "You always know exactly what to do." "Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?" "Not exactly." I shrug. "Why? Do you want me to?" He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous. "Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?" "I hope so," I say.
Veronica Roth (Divergent (Divergent, #1))
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
Wendy Higgins (Sweet Evil (Sweet, #1))
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
Leonard Cohen (Death of a Lady's Man)