Rub Someone The Wrong Way Quotes

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Table 3–1. Definitions of Cognitive Distortions 1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
David D. Burns (Feeling Good: The New Mood Therapy)
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
The other way that rocks are smoothed is by grinding against each other. God has placed us among people who manage to rub us the wrong way. I am sure that you may feel this way about more than one person in your life. I am convinced we will always be given someone to grind on us!
Andrew Mullek (He Used A Stone)
There’s a bluntness to Russian culture that generally rubs Westerners the wrong way. Gone are the fake niceties and verbal webs of politeness. You don’t smile at strangers or pretend to like anything you don’t. In Russia, if something is stupid, you say it’s stupid. If someone is being an asshole, you tell him he’s being an asshole. If you really like someone and are having a great time, you tell her that you like her and are having a great time. It doesn’t matter if this person is your friend, a stranger, or someone you met five minutes ago on the street.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
He tugged on Cinders’ reins and guided her to Nerissa’s right. If looks could kill, he’d be as melted as a candle placed on a hunk of red-hot iron. Something about him just rubbed her the wrong way, he supposed. It wouldn’t the first time someone disliked him, and he doubted it would be the last.
Madisyn Carlin (Key (The Redwyn Chronicles, #1.5))
What made him most anxious, he told me, was not the big questions -the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he'd become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both -Mr. Pucci, frail and wasted, a talking dead man. And myself with a surgical mask over my mouth, to protect him from me. "The irony," he said, "... is that now that I'm this blind man, it's clearer to me now then it's ever been before. What's the line? 'Was blind but now I see...' " He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. "You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought ...said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed-up phone message... That time we separated was my idea. I thought, well, I'm fifty years old and there might be someone else out there. People waste their happiness -that's what makes me sad. Everyone's so scared to be happy." "I know what you mean," I said. His eyes opened wider. For a second he seemed to see me. "No you don't," he said. "You mustn’t. He keeps wanting to give you his love, a gift out and out and you dismiss it. Shrug it off because you're afraid." "I'm not afraid. It's more like ..." I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. "l'll give you what I learned from all this," he said. "Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
The best way to build rapport with people or companies is to share in their beliefs and behaviors. When we don’t mesh with someone, when he or she rubs us the wrong way, or when we don’t aspire to the same values and passions, we routinely dismiss that person, just as we reject brands that are out of sync with our own lives.
Douglas Van Praet (Unconscious Branding: How Neuroscience Can Empower (and Inspire) Marketing)
When I took it off, I glanced in the mirror behind the dresser, and I nearly screamed when I saw the reflection. Finn was sitting behind me on the bed. His eyes, dark as night, met mine in the mirror, and I could hardly breathe. "Finn!" I gasped and whirled around to look at him. "What are you doing here?" "I missed your birthday," he said, as if that answered my question. He lowered his eyes, looking at a small box he had in his hands. "I got you something." "You got me something?" I leaned back on the dresser behind me, gripping it. "Yeah." He nodded, still staring down at the box. "I picked it up outside of Portland two weeks ago. I meant to get back in time to give it to you on your birthday." He chewed the inside of his cheek. "But now that I'm here, I'm not sure I should give it to you at all." "What are you talking about?" I asked. "It doesn't feel right." Finn rubbed his face. "I don't even know what I'm doing here." "Neither do I," I said. "Don't get me wrong. I'm happy to see you. I just...I don't understand." "I know." He sighed. "It's a ring. What I got you." His gaze moved from me to the engagement ring sitting on the dresser beside me. "And you already have one." "Why did you get me a ring?" I asked tentatively, and my heart beat erratically in my chest. I didn't know what Finn was saying or doing. "I'm not proposing to you, if that's what you're asking." He shook his head. "I saw it and thought of you. But now it seems like poor taste. And here I am, the night before your wedding sneaking in to give you a ring." "Why did you sneak in?" I asked. "I don't know." He looked away and laughed darkly. "That's a lie. I know exactly what I'm doing, but I have no idea why I'm doing it." "What are you doing?" I asked quietly. "I..." Finn stared off for a moment, then turned back to me and stood up. "Finn, I-" I began, but he held up his hand, stopping me. "No, I know you're marrying Tove," he said. "You need to do this. We both know that. It's what's best for you, and it's what I want for you." He paused. "But I want you for myself too." All I'd ever wanted from Finn was for him to admit how he felt about me, and he'd waited until the day before my wedding. It was too late to change anything, to take anything back. Not that I could have, even if I wanted to. "Why are you telling me this?" I asked with tears swimming in my eyes. "Because." Finn stepped toward me, stopping right in front of me. He looked down at me, his eyes mesmerizing me the way they always did. He reached up, brushing back a tear from my cheek. "Why?" I asked, my voice trembling. "I needed you to know," he said, as if he didn't truly understand it himself. He set the box on the dresser beside me, and his hand went to my waist, pulling me to him. I let go of the dresser and let him. My breath came out shallow as I stared up at him. "Tomorrow you will belong to someone else," Finn said. "But tonight, you're with me.
Amanda Hocking (Ascend (Trylle, #3))
Do I get to come in?” he asked. She shrugged and stood aside. “I’m just packing.” “Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.” “Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!” “It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.” “I didn’t need watching!” “You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile. She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked. “To your stepfather?” he drawled. That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?” He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.” “Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.” “And you don’t know why?” he asked curtly, letting her go. She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.” He chuckled. “How do you see through me so easily? Even my mother can’t do that.” If he thought about it, he’d know, she thought miserably.
Diana Palmer (Paper Rose (Hutton & Co. #2))
1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
David D. Burns (Feeling Good: The New Mood Therapy)
She tilts her head to the side after taking a sip of her tea, studying us. “You know, I can’t get over how beautiful you two are together. One of those couples you love to follow on Instagram, you know, the really cute ones that are so sickening in love that you can’t get enough of them.” Way to drop the love bomb, Mom. Jesus. Thankfully Emory doesn’t show any kind of hatred for the term but instead says, “Like Jennifer Lopez and A-Rod?” “Yes,” my mom answers with excitement. “Oh my gosh, I’m obsessed with watching their stories. The little videos they do together, I just can’t get enough of them. J-Rod,” my mom says dreamily. “Oh gosh, what would your couple name be?” She thinks about it for a second. “Emox . . . or Knemory. Oh I love Knemory. Sounds so poetic.” “Knemory does have a nice ring to it,” I add. “I don’t know, what about Emorox?” “Ohhh, that sounds like a name that belongs in The Game of Thrones.” Taking on a more masculine voice, my mom says, “Look out, Jon, Emorox is coming over the hill, with her fire-spitting dragons, Knemory and George.” “George?” Emory laughs out loud, covering her mouth. “Why George?” “Well, look at the names they have in that show? They’re all exotic names you’ve never heard before—Cersei, Gregor, Arya—and then in waltzes good old Jon Snow. It’s only fair that the dragons have a lemon in the bunch as well.” “Uh, Jon is anything but a lemon, Mom,” I defend. “He was raised from the dead.” My mom’s mouth drops, pure and utter shock in her face. “Jon Snow dies?” Shit. Emory elbows my stomach. “Where the hell is your GOT etiquette? You never talk about the facts of the show until the air is cleared about how far someone is in watching. You are one of those people who spoils everything for someone just catching up to the trend.” *Ahem* “I mean . . . uh . . . he doesn’t die.” “You just said he is raised from the dead,” my mom says. Feeling guilty, I reply, “Well, at least he’s still alive, right?” She slumps against the cushion of the couch and mutters, “Unbelievable.” “I’m sorry, Mrs. Gentry, that your son is a barbarian and broke your GOT trust.” Pressing her hand against her forehead, my mom says, “You know, I blame myself. I thought I taught him a shred of decorum, I guess not.” “Don’t blame yourself,” Emory coos. “You did everything right. It comes down to the hooligans he hangs out with. There’s only so much you can control after they leave the nest.” “You’re absolutely right,” my mom agrees and leans across the couch to smack me in the back of the head. “Hey,” I complain while rubbing the sore spot. I look between the two women in my life and I say, “I don’t like this ganging up on me shit.” “You wanted us to get along, right?” Emory asks. “Well, I happen to like your mom, especially since she complimented my bosom.” “Ah, I see.” I continue to look between the two of them. “You’re okay with my mom catching you with your shirt off now, moved past the embarrassment?” Emory’s eyes narrow. “With that kind of attitude, it might be the very last time you see me topless.” My mom raises her fist to the air, as if to say, “Girl Power.” And then she says, “You tell him, Emory. Don’t let him push you around.” “I wasn’t pushing her around—” “You keep that beautiful bosom under lock and key, and if you have a temptation to show anyone, just flash me.” “Mom, do you realize how wrong that is?” “Want to go to the bathroom right now, Mrs. Gentry?” “I would be delighted to.” They both stand but before they can make a move, I pull on Emory’s hand, bringing her back down to my lap. “No way in hell is that happening. Jesus, what is wrong with you?
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
Who you going to call when it looks like you’re really going to have to survive the zombie apocalypse? I knew exactly who to call. ‘Ted, you know how you complained that I had a zombie apocalypse and didn’t invite you?’ ‘Yeah.’ ‘Consider yourself invited.’ He gave a small chuckle, the way some men will do when you say something sexy. ‘You’re excited. After what we saw in the hospital and the basement you’re excited about this,’ I said. ‘Yeah, I am.’ ‘There’s something wrong with you, you do know that, right?’ I said, and laughed. ‘Yeah, I do know.’ ‘And, Ted?’ ‘Yes, Anita.’ ‘Bring your flamethrower.’ He gave that excited sex chuckle again. ‘For real, you’re not just teasing this time?’ ‘Zombie reports from all over the area and it’s still daylight. It’s just going to get worse after dark.’ He gave that low, deep laugh again. ‘You say the best things.’ ‘Conversations like this is one of the reasons people think we’re doing each other.’ ‘Maybe,’ he said. ‘Someone on your end of the phone said something you didn’t like about us, or me, and you’re rubbing their face in it.’ ‘Would I do that?’ The words were innocent; the tone was not. Someone must have done something that truly pissed him off for him to play into it like this, because he knew it hurt my reputation worse than his. ‘Get here as soon as you can, and let me know which of the guys with you pissed you off and I’ll help you play with him, between killing zombies.’ ‘You sweet-talking thing, you,’ he said. That made me laugh. We hung up with both of us laughing. There were so many reasons that Edward and I were friends.
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
Karly- I stopped wearing my glasses after that day, when Jess Smith walked up and ripped them off my face and broke them in half, and poked me in the boob hard. I miss them, what wrong with glasses, they make you look sophisticated. Why was I so quiet and laid back, and a pushover? Marcel- She runs like everything for the bathroom, like always- not making it very far. She feels like some poor little girl, with a broken nose, and I remember when that happened. That is when I felt like she was in love with me she took the balls to the face for me. ‘I thought you liked balls in your face one boy said.’ You tripped and fell to the ground, hard, and I picked you up and carried you to safety, and we fell in love, even more, kissing under the bleachers. ‘You’re a weirdo,’ and the kiss was long and – fearing H-O-T! Like, kick your tongue out smoking hot! It’s still not as bad as the time my face was smashed to a brick wall, by some back boy- and I have to have something done about it, like getting my nose redone, yet I blamed it on my dad. Jenny- Sing the same girlie crap every year, you’ll blow chunks all over the place, which never happened, that’s why she stopped singing way back when. You can see here doing it on YouTube! Like- It happened! Jenny says every time someone brings it up. Until some unicycles guy flies into the frame where nothing freaking speedo- showing his tor·pe·do with the American flag up his ass! I don’t know if that is patriotic or what the hell that is… I am not sure what to look at. What can you say other than- ‘Ew-ah- gross…? Who does that…?’ Marcel- It kind of reunions the magic does it…? I spoke. Karly- Yep! I am glad I cannot see all that anyway! I am sure yours is better anyway. (She goes underneath his underwear down for it, getting a handful, and does what she feels is right in front of them all. It was more romantic than you would think pervs.) I did it for me and him, I did not give a crap; if they liked it or not… they can all look the other way. I have- a leaning popping lag kisses, and he rubbed his nose on mine saying it- I LOVE YOU! You’ll be fine… I’ll make sure of that. Karly- Back in time: We rain from the schoolyard to my house… stole my dad’s Nash and got married. My stepmother cased us down, with a bible in her hand saying we were sinners. Both- We’re sinner okay then- we all are- yet love is love even if age is in the way. Marcel- the very next day, it was all over. Say what you want to say… I know why- how- and who.
Marcel Ray Duriez (Nevaeh They Call Out)
And so it was. When a society no longer shares common values, beliefs, traditions, languages, dreams—when society is simply a collection of strangers fighting for themselves, when "we the people" becomes "me, myself, and I"—there is friction. They rub each other the wrong way. They disagree. Your way or my way but never our way. But which way? They demand that judges decide. To referee their lives. To decide right or wrong, legal or illegal, winners and losers. Someone must win, someone must lose, and someone must decide. In America, that someone is a judge.
Mark Gimenez (The Absence of Guilt (Scott Fenney, #3))
had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
David D. Burns (Feeling Good: The New Mood Therapy)
Do you have someone like this in your life, a person who rubs you the wrong way, and no matter how often you promise that you will rise above it all, you let them goad you every single time? I hope you don't, for your sake, but if you do, my condolences.
Megan Bannen (The Undertaking of Hart and Mercy (Hart and Mercy, #1))
Sometimes I meet someone, he rubs me the wrong way. Your mother meets the same person, she thinks he’s peachy keen.
Nancy Star (Sisters One, Two, Three)
Is there someone in your life right now who is rubbing you the wrong way? When negative thoughts start to spiral out of control, say a quick prayer: “Holy Spirit, help me to stop judging this person. Help me to accept him or her as you have accepted me.” You may have to say this prayer over and over, but in the process, God will slowly soften your heart. As you accept this person, you may even find a friendship forming as you learn from each other. In the end, you’ll discover that love can take you much further than judgment ever could!
Anonymous
I sometimes describe conflict as dandelions. At first one pops up—maybe someone says something that rubs you the wrong way, and it’s not such a big deal. It’s a surface issue. No need to spray pesticides. Mow over it, and it’ll go away. Or better yet, ignore it. But then it goes to seed. That’s okay! The seeds are pretty, then they blow away, and your dandelion is gone. Except it isn’t gone; it’s just hiding. Until next spring, when you wake up and your entire yard is full of dandelions. In the book Have a Nice Conflict: How to Find Success and Satisfaction in the Most Unlikely Places, the authors point out that one of the biggest challenges is to learn how to manage a conflict when you’re already firmly entrenched in it.4 So, it’s better to deal with it before you’re firmly entrenched. The best way to get rid of dandelions is to pull out the roots when you first notice them. It’s the same with conflict, which is best resolved when you address it immediately, before it grows roots and spreads.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
FREDERICK (taking Lee's head in his hands and looking at her) Oh...Lee, you are my whole world. (pausing) Good God! Have you been kissed tonight?! LEE (reacting, pushing Frederick's hands from her face) No. FREDERICK (reacting) Oh, yes, you have! LEE (quickly standing up, defensively) No. FREDERICK (raising his voice) You've been with someone! LEE (overlapping, running away from the bed) Stop accusing me! Lee runs into the kitchen, her hands tight around her chest. FREDERICK (offscreen) I'm too smart, Lee! You can't fool me! You're turning all red! Lee, fraught with emotion, briefly puts her outstretched hands on the refrigerator door, then turns around and leans against it, hugging herself, her blouse still unbuttoned, her hair still wet and bedraggled. LEE Leave me alone! Frederick enters the kitchen area and leans against the counter. FREDERICK (angrily) Oh, Christ! What's wrong with you?! LEE (leaning against the refrigerator, sighing) I'm sorry. FREDERICK Oh, couldn't you say something? You have to slither around behind my back! LEE (overlapping, her voice emotionally raised) I'm saying it now! FREDERICK So you met somebody else? LEE (sighing, nodding) Yeah. Frederick cringes, reacting. He puts his hand to his forehead; he sighs. LEE (walking into the bathroom) But you, God, you knew that was going to happen sooner or later. I can't live like this! FREDERICK (turning to face Lee in the bathroom, his arms crossed) Who is it? LEE (frantically putting things in her purse, glaring at Frederick) What's the difference?! It's just somebody I met! FREDERICK But who? Where did you meet him? LEE It doesn't make a difference! I have to move out! FREDERICK You are, you are my only connection to the world! Lee turns and faces Frederick in the bathroom doorway. LEE (gesturing emotionally) Oh, God, that's too much responsibility for me. It's not fair! I want a less complicated life, Frederick. I want a husband, maybe even a child before it's too late. FREDERICK (reacting, his face in his hand) Jesus...Jesus! LEE (gesturing, moving closer to Frederick) Oh, God, I don't even know what I want. FREDERICK (sighing heavily, reacting) Oh... LEE (rubbing Frederick's shoulder tenderly) Tch, oh, what do you get out of me, anyway? I mean... (laying her head against his shoulder, sighing deeply) it's not sexual anymore. It's certainly not intellectual. I mean, you're so superior to me in every way that-- Frederick furiously shakes Lee away. He pounds his fist against a cupboard. Lee, gasping, moves away. FREDERICK Please, don't patronize me! He puts his hand on his forehead, then turns to the offscreen Lee.
Woody Allen (Hannah and Her Sisters)