Royal Pavilion Quotes

The Louvre’s much restored three wings or pavilions, the Sully, Denon, and Richelieu, were once the galleries where courtiers enjoyed royal hospitality and entertainments (and The Princesse de Clèves her secret surges of immoral passion). On a quiet un-crowded evening visit to the Louvre, it’s easy to imagine the masked and dancing couples in these pavilions, the rustle of silk, the whisperings of lovers, the royal entourage. The Louvre’s art collection was the result of François I’s enterprising enthusiasm for Italian art. He imported masterpieces by Uccello, Titian, Giorgione, and, most notably, Leonardo da Vinci himself, whose Mona Lisa—La Joconde in French—was and remains the most valued painting in the royal collection. Montaigne does not mention the paintings or the Italian sculptor Benvenuto Cellini whom François also imported to help transform gloomy Paris into a city of bright and saucy opulence.

Henry IV created the place des Vosges as a royal pavilion more than four hundred years before. Now the buildings included shops, restaurants, and upscale Renaissance townhomes. But before all that, and for centuries, it was the preferred location for duels. April wondered if any of Marthe’s cohorts ever matched up on the lawns.

Militancy was at the core of suffragette identity: ‘To be militant in some form, or other, is a moral obligation’, Pankhurst lectured. ‘It is a duty which every woman will owe her own conscience and self-respect, to women who are less fortunate than she is herself, and to all who are to come after her.’ The latest full-body portrait of the movement, Diane Atkinson’s Rise Up, Women!, gives an encyclopaedic listing of militant actions: suffragettes forcing the prime minister out of his car and dousing him with pepper, hurling a stone at the fanlight above Winston Churchill’s door, setting upon statues and paintings with hammers and axes, planting bombs on sites along the routes of royal visits, fighting policemen with staves, charging against hostile politicians with dogwhips, breaking the windows in prison cells. Such deeds went hand in hand with mass mobilisation. The suffragettes put up mammoth rallies, ran their own presses, went on hunger strikes: deploying the gamut of non-violent and militant action. After the hope of attaining the vote by constitutional means was dashed once more in early 1913, the movement switched gears. In a systematic campaign of arson, the suffragettes set fire to or blew up villas, tea pavilions, boathouses, hotels, haystacks, churches, post offices, aqueducts, theatres and a liberal range of other targets around the country. Over the course of a year and a half, the WSPU claimed responsibility for 337 such attacks. Few culprits were apprehended.

Queen Glory’s royal pavilion

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